Architecture Portfolio 2022 by Kemal Haqqy

PORTFOLIO

-

Kemal Haqqy

Bratasena

no. 4 Bogor

Sketchup

Autodesk Revit

- 2021

Universitas Indonesia Professional Program for Architect

Hochschule Bremen

of Architecture Exchange Program

Universitas Indonesia

of Architecture Undergraduade International Program

- 2017

SMAN 1 Bogor

Featured Project - International Forum for Architecture Thesis Design in Taiwan and Southeast Asia 2021

Speaker - Build it Green 2020

Badan Pengurus - Ikatan Mahasiswa Program Internasional

Vice Coordinator - Art Installation UIARTX

Vice Coordinator - Alterity Exhibition

CONTENTS

a. Latest works

Bolon Mangebang (2022)

Gama Sembahyang (2022)

Tyres Mound (2022)

Loka Tentrem (2022)

b. Earlier works

Tiefer Platz (2020)

Rain House (2019)

a. Latest works

1. BOLON MANGEBANG

Exhibition space / 4th place Arrival 3.0 Competition / Location : Tomok, Lake Toba, North Sumatera / Year : 2022 / Team : (-)

Bolon Mangebang is an attempt to re-intepret traditional Bolon house to be humbly merged into its majestic landscape. It serves as a multi-purpose exhibition space which is adaptable forvarious functions. Its main function is to conserve and promote the original value of Batak handicrafts as well as to celebrate the nature ofToba.

Apart from having a stunning nature, Batak tribe in thevillage ofTomok is also known fortheir unique, authentic, and high quality handicraft products including kain Ulos, songket Sipirok, and ukiran Gorga. Unfortunately, these handicrafts gradualy loses its true values in the origi nal manual process as people start to mass produce these handicrafts for economic purposes. Therefore, an exhibition space which can conserve these values is considered necessary. This building raises two local aspects which are traditional Bolon house and lake Toba.

Bolon House - Bolon house is a traditional house from Batak which is known for its elevated level and its saddle like roof with Gorga decoration on the front.

Lake Toba - While lake Toba, which is not only a majestic nature, has already become an inseperable part of Batak tribes. It plays a major role in their traditions, philosophy, history, and livelihoods.

SITE

Location : Tabbu, Tomok village , Samosir island, North Sumatera

Tomok market

Site Location

Tomok Village, Samosir

With the existence of Batak souvenir center at Tomok market, Tomok village is one of the villages with the highest potential to further develop Batak handicrafts within the Toba area. This village also has many cultural attractions as well as strategic spots to enjoy the nature of lake Toba. The specific site location is located strategically with close access to Tomok market and other tourist attractions - but still very natural and highly exposed to lake Toba on the other hand.

Huta Bolon

Si Gale Gale Batak Museum

Bukit Beta Tuk-Tuk

Bolon

Bird Eye View

olon Mangebang

Sunken and Reversed

The traditional Bolon house is re-intepreted in attempt to make it humbly merged into the nature of Toba by ‘sinking’ the main building - leaving solely the monumental roof on top against the nature of Toba.

By doing so, the activity concentration is then reversedinstead of going up like the original Bolon house, the visitors will go down to enter the main building, while the top part serves as an inclusive open space.

Framing Toba Nature

This adapted Bolon roof removes the decorative elements which covers the front and the back of the roof - while the original form of the roof is still maintained. In exchange, the Gorga symbols in this building will serve as functional archi tectural elements in the entire building. (picture 2)

Its main purpose is to ‘frame’ the nature of Toba behind instead of blocking it, so that it can be clearly seen from the front. (picture 3)

Akses Masuk (Skenario pertunjukan)

In addition, with the removal of decorative elements that covers the front and the back of the roof, this will allow the hidden qualities of Bolon roof to be revealed by exposing the interior of the roof that resembles a saddle. (picture 2)

Gambar 2 : Entrance - Pertunjukan/fashion show

Local Community Celebration

With the unique adaptation of the Bolon house which leaves only the roof to be solely standing and framing the nature of Toba - this makes the front area iconic and repre sentative to the local pride (Bolon roof and Lake Toba). Therefore, the entrance can be used for various local cele brations and performances, ranging from traditional dances to fashion shows. (picture 3)

nature of Toba

After enjoying the natural scenery of lake Toba and the splendor of Bolon roof at the entrance, visitors will go down to the lobby area for digital registration.

Visitors then enter the digital exhibition room (picture 5) which is a dark room with LCD screens, displaying videos of Batak culture and history.

The visitors will continue to the main exhibition hall (picture 6) where various Batak handicrafts are exhibited and surrounded by Toba nature.

The exhibition space continues to the Underground 2 floor which also contains an exhibition area and a work shop area (Picture 7) where the visitors can learn more about the making process of Batak crafts. The function of the workshop area can also be adaptable to various layout thanks to the foldable partitions.

Layout alternatif 2

Picture 4 : Entrance

Picture 5 : digital exhibition room

Picture 6 : digital exhibition room : main exhibition room

Before exiting the building, the visitors will go through the craft shop selling the final products which have been exhibited and demonstrated in the exhibition area and workshop area.

The green rooftop (picture 8) will be an inclusive space to enjoy the view of Toba lake in one of the most strategic spots in lake Toba. This plays a big role in attracting the visitors from vari ous backgrounds.

Picture 7 : Workshop area

Picture 8 : Green Rooftop

Craft shop

2. Gama Sembahyang

Multifaith Prayer Facility / Architectural Design Course 2 - PPAr - Universitas Indonesia / Location : Cikini, Jakarta / Year : 2022 / Team : (-)

‘Gama Sembahyang’ which means ‘Praying Journey’ in Sanskrit, is a re-defined multi-faith prayer facility which is aimed to emphasize on the ‘journey’ experience in praying through its spatial quality, as well as to raise both transcendental and immanental aspects in praying to enrich the notion of praying.

It is for individual prayer purposes only - thus eliminating ceremonial/communal purposes (Friday prayer, lord’s prayer, etc) and religious symbolism/objects (statue, idol, etc.) in orderto avoid any tendency towards certain religions or groups.

In response to Cikini’s proposed program as ‘Sponge City’ and Indonesia’s urgencytowards religious diversity,This building provides a universal prayer facility which is not bound to any religion nor belief in order to promote inclusivity and diversitywithin the society.

The site is located at the junction between community hub, plaza, shopping area, and residential area in a proposed masterplan of Cikini development. With elevated pedestrian and district’s program to reduce cars, this location is projected to be highly circulated for informal uses.

Program

The essence of praying practices in various religions are essentialy similar in some ways. Generally, praying is not only a transcendental practice addressed to God, but praying is also broadly immanent to the worldliness and social practices. Both transcendence and immancence are essential in praying and relevant to any religious belief. Therefore, these two aspects then realized into four main spaces with particular functions.

Transcendence

Purification

Nature

Praying Journey

As the visitors head towards the main destination (main praying area) for transcendental prayers, the visitors will have to walk first on a prolonged journey through different physical realms with worldly and social attributes which gradually fades into a transcendental spiritual realm. It is aimed to create a poetic spiritual narration of praying, where praying is seen not only as a transcendental practice, but also as a practice which is broadly immanent to the worldliness and social practices - thus enriching the notion

Picture 1 : Facade

1. Social - Public Space

The visitors will start the journey by walking through this ‘realm of social’ (public space) - an informal outdoor space where the visitors can practice prayers through social activities such as preaching, discussion, sharing, and others. Not only religious activities, this area also serves for any informal and communal activities for the society. It will be divided into multiple sections with seamless partitions - thus, advocating tolerance in religious diversity.

Picture 2 : Public Space

Picture 3 : Ablution Area

Public space

2. Purification - Ablution area

Instead of to the ground floor, the visitors enter the building by going down to the ablution area on the underground floor. Here, the social attributes in the public space gradually fades into a nature integrated space where the visitors can do ablution. (Picture 3)

3. Nature - Access/Meditation

The heart of the building (picture 4) the ablution area and the main praying visitors continue their journey in a space immanental aspect of nature is enhanc eventually getting into the transcendental Here, the dramatic natural lighting small piece of isolated nature in the consists of sunken private rooms nature (picture 5). Thus, advocating as something to connect ourselfs to

4. Transcendence - Main Praying

Ultimately, the visitors will get into the area, an empty and sound proofed transcendental purposes to avoid distractions to create a high solemnity within the space. (Picture 6)

Picture 3 : Ablution room

Picture 5 : Nature area - Meditation rooms

Picture 4 : Access/innercourt/connecting area

Picture

: Main praying area

4) - connecting praying area . The space where the enhanced before transcendental space. lighting highlights the the center. It also integrated with pristine nature God.

ying Area

the main praying proofed space for distractions and the contemplative

Instead of to the ground floor, the visitors enter the building by going down the ramp to the underground floor.

3. Tyres Mound

Public Space / Top 10 Anvaara Competition 2022 / Location : Jakarta / Year : 2022 / Team : Dimas Rafidhiya, Tasyarin Hasna

"Tyres Mound" is a public space with a 'zero waste' concept that specifically responds to the increasing number of waste tyres in Indonesia.

Piles of waste tyres are organically arranged to provide a medium for the nature to grow on these piles of waste tyres. This aims to create an organic ‘jungle’ within the city for recreational purposes as well as spreading a clear message that these waste tyres, which during its active period played a major role in polluting the nature, are now ‘reclaimed’ by the nature. Hence, implying where our future is heading.

Automotive waste has been a major issue around the world, including tyre waste and bus waste as it takes a huge amount of space and difficult to decompose. Howeever, waste tyres are particularly worying as the number of waste tyres keeps increasing and harmful to the environment. Irresponsible treatments such as burning causes even more pollution to the environment. As the number reaches up to 11 million tons per year in Indonesia alone, there is an urgency to take actions and deliver a clear message to the society.

1. Tyres mound – This area works as an inclusive space to accommodate recreational activities in the heart of Jakarta where the visitors can explore the ‘jungle’ within the city that grows naturally on these piles of tyres. (picture 1)

2. Waste bus - 2 waste buses are elevated - creating an indoor and semi indoor space for food stalls and seatings. This area will also have utility rooms and elevated pathways to enjoy the ‘jungle’ within the urban realm (picture 2).

3. Loka Tentrem

Residential / 4th place Autoconz Competition 2022 / Location : Malang / Year : 2022 / Team : Kenzy Arandha, Tasyarin Hasna

As required, Loka Tentrem is mainly a 6 rooms guest house with a small office. Loka Tentrem is aimed to maximize the potential of Autoconz 3DCP, Indonesia’s first 3d concrete printer, through its organic and semi-circular shape to exploreauniqueanddynamicspatialquality.The semi-circular concrete is also combined with synthetic rattan weavings - which is a typical Indonesian craft. This combination gives an interesting combination between modern technology and Indonesian traditional handicrafts which not only reflects Indonesian culture, but will also impact and promote the local rattan industry .

The site is located in a relatively dense neighbor hood. However, the back part of the site which is facing a river, rice field, and mount Arjuna is still rela tively natural, calm, and private.

Plan

Every guest house rooms and facilities are oriented towards the back of the site which is facing the river and mount Arjuna while the office is facing the road. It is also oriented towards the north and south for maximum natural lighting. The innercourt seperates the guest house area with the office - which also allows natural lighting to penetrate.

Site location : Jl. Morotanjek, Singosari, Malang

Picture

: Facade/Entrance

The facade is dominated by the combination between the organic printed concrete form and Indone sian synthetic rattan weaving which becomes the emphasize of the facade. The entrance foyer (Picture 1) is both for the guest house (left) and the office (right). The organic form of 3DCP and rattan weaving can be found in most areas of the building.The use ofhollowsynthet ic rattan partitions and maximum openings are implemented to get a decent natural ventilation.

Picture 2 : Corridor

Picture 3 : Dining area detail

The bedrooms (Picture 5) are integrated with the outdoor space with maximum openings towards the back garden where the visitors can do various outdoor activities facing the river and mount Arjuna.

Living room - The living room located on the second floor in order to get more privacy and visibility. It has maximum openings towards mountArjuna in the North and Mount Kawi in the South.

Picture

b. Earlier works

Tiefer Platz

A mixed used building located in the heart of Bremen consisting of public spaces, resi dential, gastronomy, and office. It is aimed to provide a dynamic pedestrian circula tion and various public spaces along the Weser river .

The building consists of the main building mass and the plinth/base. The main build ing mass is corresponding and not being aggressive in its attitude towards the neighborhood.

While a bold and organic land scape is juxtaposed to work as a plinth/base for the historical cityscape of Bremen apart from its own building - in order to emphasize or highlight Bremen cityscape. Despite of the bold and organic form on the river facing side (Picture 1), the buildingform correspondsdeli cately and not being aggressive to the surrounding buildings from the street angle (Picture 2).

Picture 2 : Street angle

Picture 3 : Public space

Picture 4 : Apartment unit

As the site is located in a highly accessible area with high connectivity, the building intervention is aimed to not remove the existing pedestrian

Picture 1 : Core area

Rain House

Residential / Architectural design course 2 / Location : Bogor / Year : 2019 / Team : (-)

Rain House is a retreat house fora small and busy family in Bogor whichwill onlybe occupied during holidays. The house is specifically designed to maximize the high precipitation in the city of Bogor by flowing the rainwater evenly through the house without artificial technology for a unique and relaxing experience. It is located in a residential complex on a highland of Bogor with relatively cool temperature, high precipitation, and quite neighborhood.

The form of the house comes from exploded mass in order to create diagonal gaps for flowing the rainwater through the house with various inclinations in order to control its speed and spread it equally .

The split level arrangement of this house is aimed to achieve flexible interaction and access without compromising the privacy in each room. Most of the rooms are oriented towards the backyard on the north side for maximum daylighting with floor to ceiling openings for maximum air circulation, while the facade has minimum opening to remain private.

Picture

Facade

Living room

Corridor

Stone Ballast

Reinforced Concrete Slab Waterproof Membrane

Gypsum Ceiling 9mm Acoustic Insulation

Clear Glass 12mm

Partial Section

Partial Section

Waterproof Membrane

Precast Concrete

As seen in the section, the diago nal small gaps with different inclination allows the natural rainwater to spread into the interior with a relatively controlled speed.

Stone Ballast

Waterproof Membrane Insulation

Vapor Control Layer Precast Concrete