Brand Communication

Page 1

Brand

Communication


Spring 2012


kendalking.com


Kendal King Group


index

01 the brand 04 new additions 14 the voice

kendalking.com


Brand essence: When conveying our vision, please keep these keywords in mind while designing and before sending any communication or deliverable.

does it show

progressive

thought?

Kendal King Group is a multi-channel marketing agency. From research to design, displays to logistics, we make the path to purchase easier.

is it

the

voice

direct

?

and clear

We hire only the best in their respective fields of expertise. Combine that with other traits we insist upon: honesty, integrity, creativity, strategic and progressive thought, an intuitive nature, and quite importantly– a sense of humor, and you end up with a group of folks that define what it means to work as a team.

Kendal King Group


does it

promote/show

is it

team work ?

We’re a group of freethinkers who, at times, fight for our best ideas; and other times, rely on each other to bring about better ones. We are a group that is never satisfied with what we know already; always striving to learn more and improve every day.

edgy ? We’re a group of talented people with lofty design goals and our portfolio and client list proves it. If stating that makes us cocky… Well, then…so be it!

does it exude

confidence

?

The retail landscape today is tough. You face it. We know it, and that’s where we can help.

kendalking.com

01

the voice


Process

Design



design

process 01

02

Kendal King Group

form

brief ask questions what about repeat define problem converse research inspire brainstorm thumbnails ideation analyze present client verify

repeat

listen

design from two directions


03 design from two directions

design from two directions

create technical drawings specify + approve drawings schedules created prototype + testing walk thru assembly letter value engineer final estimate present to client fabrication procure materials supervise subs manage schedule supervise fulfillment plan shipping

make

concept development color studies type studies material studies define manufacture process establish budget mock up user testing specify basic components preliminary estimate analyze team critique present to client

feedback invoicing margin analysis kendalking.com

the voice


AND

logos tagline For print and Web, most brands revolve around the logo.

BRAND RECOGNITION

The logo design and tagline must always have a good contrast with the background to ensure maximum impact.

logo design

K bug

lock- up

Kendal King Group


stacked tagline

horizontal tagline

File location – Reference: MAC Volume // KKG // KKG Logos

kendalking.com

04

the brand


core palette The colors in our core palette are the foundation of the logo and how we represent our brand to customers. These base colors build recognition in our brand, and infers quality as we maintain their consistency.

PMS 187 C0 M100 Y79 K20 R175 G30 B45 #B31B34

PMS 152 C0 M51 Y100 K1 R231 G111 B10 #E76F00

PMS BLACK C C0 M0 Y0 K100 R0 G0 B50 #000000

PMS COOL GRAY 4C C26 M21 Y21 K0 R189 G189 B189 #BDBDBD

This core palette has been established specific to the logo, and must be kept EXACTLY as prescribed!

BRAND RECOGNITION Kendal King Group

PMS WHITE C0 M0 Y0 K0 R255 G255 B255 #FFFFFF


logo design Showing how the core palette is integral to the primary logo.

kendalking.com

the brand


typeface

Logo Use Only Friz Quadrata Standard— OT

Friz Quadrata was originally designed in a single weight by Swiss designer Ernst Friz for Visual Graphics Corporation in 1978. It is our recommendation that it not be used in any fashion other than in our corporate logo. This helps by setting our logo apart in all of our communications.

ABCDEFGHIJKLMN OPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890!@#$%^&*()®©™ Kendal King Group


Tagline Use Franklin Gothic Book Extra Compressed— ITC

Franklin Gothic, one of the most popular sans serif types ever produced, was designed by Morris Fuller Benton in 1902 for American Type Founders. ITC Franklin Gothic Compressed is designed especially to solve impossibly tight copy fitting problems, while maintaining high legibility standards. It is frequently seen in newspapers, advertisements, posters, and any place with space restrictions.

AB CD EF G HIJKLM NO PQ R STUVWXYZ a b c d ef g h i j k l m n o p q rstu vwxy z 1234567890!@ # $%^&*( ) ®© ™ kendalking.com

the brand


BRAND RECOGNITION

The Brand Reinforces Our Strength as a Design Partner.

logo do’s Do: Use the logo design in the Kendal King Group Identity Core Colors only and in its standardized form on a white background. Note: Primary/Dominant Use

Do: Use of Kendal King Group logo design in black and white version is acceptable when on white background.

Do: Use the inverse logo design in its standardized form on a black background.

Do: Use the logo design in its standardized form on 50% value background. Note: See Creative Team.

Do: Use logo design in the Kendal King Group’s Identity Core Colors only and in its standardized form on a white background. Note: Use Lockup File. Don’t Create It Separately.

Do: Use stacked tagline in Kendal King Group’s Identity Core Colors only and in its standardized form on a white background.

Kendal King Group


Don’t: Use Old Logo Designs in any presentations. Please refrain from rearranging the logo.

Don’t: Use the black + white logo design in its standardized form on a red background.

Don’t: Use “Retail Marketing Solutions”.

logo don’ts

Don’t: Use “Retail Marketing Solutions” and/or green arrows.

Don’t: Use “K” Bug in the corners. An old treatment we’re eliminating.

kendalking.com

the brand


layout details BRAND RECOGNITION

Clear Space: Don’t underestimate the need for white space.

Readability Lower case letters, with their ascenders and descenders, make it easy for the eye. UPPER CASE LETTERS HAVE NO VARIETY OR OUTLINE AND THEREFORE MAKE IT HARDER TO READ.

Unjustified Text Always use unjustified text (ranged left), regular word/letter, spacious leading. The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog.

Kendal King Group

The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog. The quick brown fox jumps over the lazy dog.


positioning

Alignment Text can be ranged from the left hand edge of the logo.

min. width 1.125 in.

The quick brown fox jumps over the lazy dog.

Legend Utilize the capital K in the logo to define the clearance.

min. width 1.125 in.

min. width 1.5 in.

kendalking.com

the brand



Usage

Typeface


typeface Corporate Fonts Franklin Gothic Book Extra Compressed

Designers: David Berlow, Morris Fuller Benton, Victor Caruso Date Released: 1902–1967 Publisher: Linotype Category: Sans–Serif Classification: Grotesque

Usage: Utilize as large type for titles, newsletters, and so forth.

ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890!@#$%^&*() Franklin Gothic Book Compressed

Franklin Gothic remains one of the most widely used sans serif typefaces. The robust character of the font gives text a modern feel. It is widely used in newspapers and advertising and is frequently seen in posters, placards and other material where space is restricted. Usage: Utilize for all emails and body copy.

ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890!@#$%^&*()

Kendal King Group


Franklin Gothic Demi Extra Compressed

ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890!@#$%^&*() Franklin Gothic Demi Compressed

ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890!@#$%^&*()

kendalking.com

10

the brand


typeface Designer Fonts Adobe Times Regular

Designers: Stanley Morrison Date Released: 1931 Commissioned by: The Times Category: Serif Classification: Transitional

ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz

Usage: Utilized per design preference for creative material.

1234567890!@#$%^&*() Adobe Times Italic

Research into legibility and readability led to a design that was unique in newspaper typography; it was based on old style (or Garalde) types, had greater contrast, and was more condensed than previous newspaper types.

ABCDEFG H IJ K LM

a b c d e f g h i j k l m n o p q rs tu v w xy z 1 2 3 4 5 6 7 8 9 0 ! @ # $ %^ &* ()

Kendal King Group


designer fonts

Adobe Times Bold

ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890!@#$%^&*()

Adobe Times Bold Italic

ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890!@#$%^&*()

kendalking.com

the brand


typeface Designer Fonts Emigre Matrix Book

Designer: Zuzana Licko Date Released: 1986 Category: Serif Classification: Wedge Shaped

ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz

Usage: Utilized per design preference for creative material.

1234567890!@#$%^&*() Emigre Matrix Bold

The proportions of Matrix were based on the structure of the typeface Emigre (top), a low resolution bitmap font designed by Zuzana Licko in 1984. Fun Fact:

ABCDEFGHIJKLM NOPQRSTUVWXYZ

abcdefghijklmnopqrstuvwxyz 1234567890!@#$%^&*()

Emigre

Emigre Matrix

Kendal King Group


designer fonts

Emigre Matrix Regular

ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890!@#$%^&*() Emigre Matrix Script Regular

ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 1234567890!@#$%^&*()

kendalking.com

the brand



Palette

Color


Reference www.pantone.com for information.

Kendal King Group


kendalking.com

14

new additions


color palette The current core palette with the new PMS colors that voice a warm, cool and eco palette that establish and support the new voice for Kendal King Group.

CORE PALETTE 187 C0 M100 Y79 K20 R175 G30 B45 #B31B34

152 C0 M51 Y100 K1 R231 G111 B10 #E76F00

White

Black C0 M0 Y0 K100 R0 G0 B50 #000000

Kendal King Group

C0 M0 Y0 K0 R255 G255 B255 #FFFFFF


WARM PALETTE 130

179 C5 M93 Y97 K0 R226 G56 B40 #E23828

C5 M36 Y100 K0 R241 G171 B0 #F1AB00

120

430 C51 M38 Y33 K2 R134 G143 B152 #868F98

C3 M9 Y63 K0 R249 G223 B121 #F9DF79

COOL PALETTE ECO PALETTE 299

395 C12 M0 Y100 K0 R228 G228 B0 #E4E400

C74 M22 Y0 K0 R0 G143 B216 #00A0E2

368 C65 M0 Y100 K0 R98 G189 B25 #62BD19

kendalking.com

136 C0 M26 Y77 K0 R255 G188 B58 #FFBC3A

new additions


VIS I ON & V OIC E

WARM PALETTE 179 Brilliant Scarlet

Chosen for its Pizzazz and Sophistication. Exciting, Energizing, Aggressive, and Powerful.

430

130 Vivid Amber

Warm, Cheerful shade that Sparks Imagination. Symbolizes Enthusiasm, Creativity, and Determination.

Azureish Gray

Selected form its Timeless, Practical, and Solid Persona.

120 Light Amber

Intellect, Freshness, Joy, and Optimism.

timeless

rhythm

minimal

less is more Kendal King Group


modern

classic

simplistic

kendalking.com

new additions


VIS I ON & V OIC E

COOL PALETTE 395 Vivid Yellow

Advance from surrounding colors and instill Artsy and Energy, as well as Spark Creative Thoughts.

299 Vivid Cerulean

Associated with Depth and Stability. Symbolizes Trust, Loyalty, Wisdom, Confidence, and Intelligence.

energy

personality

adventurous

Kendal King Group


does it

?

Vibrant

exciting

movement

kendalking.com

new additions


VIS I ON & V OIC E

ECO PALETTE 368 Moderate Chartreuse Green Green is the pervasive color in the Natural World. Also Signifies Growth, Harmony, and Freshness.

136 Light Brilliant Gamboge Gamboge is mentally stimulating as well as sociable. Friendly and Soothing.

entrepreneur

consistent

b

Kendal King Group


Visual

natural

urban

basic eco friendly

kendalking.com

new additions



Template

PowerPoint


presentation layouts LEGEND FONT FAMILY

Franklin Gothic - Book Franklin Gothic - Demi Franklin Gothic - Heavy Franklin Gothic - Heavy Franklin Gothic - Heavy Italic Franklin Gothic - Book Compressed Franklin Gothic - Demi Compressed

SIZE

10pt 16pt 30pt 30pt 27pt 12pt 16pt

COLOR

USAGE

Presentation Details Presentation Title Client Name Page Number Headline Body Copy Subhead

Title Page

Kendal King Group

Section Heading Page


Interior Page — Business Development

Interior Page — Business Development with Full Bleed Layout

Interior Page — Design

Interior Page — Design

kendalking.com

20

new additions


notes

Kendal King Group


kendalking.com


notes

Kendal King Group


kendalking.com


Kendal King Group


kendalking.com


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