PORTFOLIO
I am a mature student about to complete RIBA part two of my architecture training. I am looking to work in an exciting design orientated architectural practice where I hope to develop my skills. I would like to develop a solid practical knowledge of architecture. I can offer a first class honours degree (M/Arch results tba at time of writing) and a committed enthusiasm for architecture. I also would like to continue my training and complete the part three qualification.
Education:
Sep 06 - Present: University of the West of England (UWE) M/Arch Architecture (Current) Currently studying RIBA accredited Part 2 course. First year project thesis consisted of a theoretical study of lost architecture and preservation of memories, made solid in a fictitious building in a suburb of Istanbul. Second year thesis examined the issue of immigration, and explored the design and organisation of informal architecture, such as the favelas of developing nations. Second year design research project consisted of exploration of the representation of different spatial qualities (as a static image) through photography and graphic design. BA (Hons) Architecture and Planning. First class. Achieved RIBA part one exemption with series of design projects. Final year project consisted of a hypothetical centre designed to involve people within the current restructuring of the planning system so as to include people at a community level. The project used detailed readings of several architectural theories and philosophies to challenge an ‘expected design’ within the traditional conservation area setting of the city of Salisbury. Achieved a grade of 88%. Final dissertation involved an in depth study into the judgement of architecture, focusing upon iconic buildings. The study included investigations into the social, historical and symbolic aspects of this subject, including references from Immanuel Kant, Pierre Bordieu and Umberto Eco. Achieved a grade of 83%. Achievements: • RIBA President’s Medal: Bronze Medal nomination Nominated for final year design studio project: Salisbury Planning Forum. • Work from first year M/Arch selected as cover of Architects Journal 26 July 2012, as well as being featured in article selecting best works from student shows around UK. • RTPI South West: Award for the best overall performance from a BA (Hons) Architecture and Planning Graduate 2011 • Work featured in faculty journal ‘Project’ 2011. Work also featured in student publication in position of prominence for two years (3rd/4th) running. I am also proud to note that first year work was selected to advertise the course on the UWE website.
Previous Education
[E] kevin.woodward@live.uwe.ac.uk [T] 07906 538280
1997 - 2000
Filton College (Bristol) 3 A-Levels (2 year course) English Literature, Computing & Art & Design 2 A-Levels (1 year course) Maths & Physics
1992 - 1997
Downend Secondary (Bristol) 9 GCSES (All grade A-C)
Employment History:
Part Time Employment during education: July 12 - Oct 12: UWE Graphic & Web Design / Research Assistant (UWE, Frenchay) Duties: Assisted two lecturers with projects over summer 2012. First project was BIM related and assisted with design of handouts and infographics, along with providing logistical support through conference and seminars. Second project involved research into UK housing, and involved working in a team to create a website that supplemented a PH.D. study. (http://housingmattersuk.com) Apr 11 - Present: Freelance architectural Visualisation (Bristol / Cardiff) Duties: Working for number of small clients, assisting with planning application drawings for residential scheme (private), conceptual visualisations for Bristol housing project (Logic CPS), and 3D modelling of residential landscaping (Logic CPS). Also employed by UWE to assist student with disability with final year undergraduate drawings. Sep 06 – Present: Architecture Centre (Narrow Quay, Bristol) (Sunday Shop assistant) Duties: Running of centre shop and gallery, and assisting members of the public with architecture related queries. Jul 07 – Jan 09: David James & Partners (Old Sodbury, Bristol) (Cad Technician / Surveyor’s Assistant) Duties: Assisting with measured surveys of buildings, and then preparation of drawings for planning and building control approval. Meeting and communicating with clients, contractors and planning / building control officers. Oct 06 – Dec 06: UWE Student Union (UWE, Frenchay Campus) (Assistant Graphic Designer) Previous full time employment history: Sep 04 – Jul 06: Freelance Graphic Designer (Bristol) Duties: Designing websites, business cards and corporate identities for three main clients (portfolio available). Sep 04 – Jul 06: Kelly Services Recruitment (Colston Ave, Bristol) (Permanent Consultant) Duties: Account managing the large portfolio of Kelly Services’ Bristol corporate clients, working with key contacts in HR and management to continuously improve business relationships. Dec 03 – Aug 04: Travelling (Australia) (Working Holiday Visa) Jul 00 – Dec 03: Hotelscene Ltd (Portland Sq, Bristol) (Junior Web Designer / Extranet Support) Duties: Responsible for the creation, maintenance and amendments to all graphics on a professional travel website for corporate hotel booking. Providing technical support for the company’s flagship web product and training staff in the use of the website.
Software:
Entire Adobe Creative Suite Autocad Revit 3DS MAX Sketchup
M/ARCH YEAR TWO: Slum (?) City / Immigration Centre (London) This project investigates the high density informal settlements that form around large cities, often in developing nations. Questioning the word ‘slum’ is an integral part of the project, as these settlements often display fantastic variety of culture, and honesty with its architecture. The research is realised in a large scale immigration centre that aims to provide support networks to those that have none, specifically focusing on reintegrating undocumented immigrants into London’s society. (NB: Project unfinished at time of portfolio creation. Still a work in progress)
(Below) Conceptual sub project examining the destruction of Beijing’s CCTV tower: The tower is ‘eaten alive’ by informal dwellings that grow up the sides stripping materials from the structure as they do so. This project was represented using physical modelling, stop motion animation film, and CGI 3D modelling imagery.
(Above) Early sketches of immigration centre. The design gradually shifted from a single building to a collection of small informal structures.
M/ARCH YEAR ONE: Archive of forgotten architecture (Istanbul) Featured in Architects Journal 26 July 2012
(http://www.architectsjournal.co.uk/student-shows-2011/student-shows-2012-university-of-thewest-of-england-architecture-school/8633611.article)
Image featured on Cover (1of4 select covers)
The Archive of forgotten architecture stores the memories of demolished buildings within a central suburb of Istanbul (Ayvansaray). Situated on a site containing a ruined relic of the old Byzantine palace wall, the building wraps a program of memeory collection events around the wall (a monument towards memory). The memories are stored inside an ever expanding tower, which holds representations of the buildings in model form internally, whilst cladding itself with remains of the buildings themselves. As the tower expands ever upwards, the building takes on a theoretical focus. Echoing Jorge Luis Borges’ Library of Babel, the Archive asks can a building be infinite?
Plan Workshop
Reading wall
WCs Plant / Boiler room Inner ‘Core’ Archive
Eulogy Entrance
Hall of Eulogy Office Storage
Office Office Entrance
Four - The Building
Outer archive
BA Hons Architecture & Planning YEAR FOUR: Community Planning Forum (Salisbury) Presidents Medals Bronze Nomination 2011 (http://www.presidentsmedals.com/Entry-29651)
Featured on BD Online (Student shows 2011)
(http://www.bdonline.co.uk/architecture-student-shows-2011-uwe/5020903.article)
This project is informed by an investigation into the recent changes in the UK planning system that the Coalition Government have proposed over the last year. Focusing upon the proposed Localism Bill; it questions the validity of creating a new neighbourhood / community tier of planning, whilst cutting resources from the existing local tier that will inevitably be required to support it. By challenging planning concepts of determined height and existing street lines, along with the form of the building itself, the Salisbury Forum aims to act as an example of how architecture can be more than simply visually contextual, rather; a socially contextual building. The building’s organisation is based upon the urban hierarchy of the City of Salisbury. The Forum space itself is modelled around a town square (echoing Salisbury’s historically famous Market Square). The Forum space is then surrounded by a continuous circulation ramp, or internal street (representing the tight grid of Salisbury’s medieval chequers). This street aims to encourage the interaction of different patrons, and thus contribute to the development of the community.
Parti diagram
M/ARCH YEAR TWO: Design Research Project: Spatial relationships between spectator and performer within the theatre Through the medium of the stage curtain Is it possible to represent the complex spatial relationships between spectator and performer within the theatre?
My research of scenography led me to attempt to represent the many categories of space described, and it is here that I integrate the use of the curtain. Research has indicated that the three key elements of theatre are: (i) A performer; (ii) A spectator; and (iii) a space for the two of them to interact (perform and spectate). The curtain acts as a dividing line, separating the actor from the spectator. Even in theatres that have shunned the curtain as old fashioned – the separating principle remains important (sometimes achieved now by lighting). As the research progressed, I attempted to represent the more complex dramatic and gestural spaces, both of which required a 1:1 scale for human interaction. I began to observe that the spatial relationships were more complex than originally thought. My research focus shifted to examine the more complex nature of the spaces, and the ways in which they overlap and interact. My secondary sources did not state that the spaces described are singular entities, but no attempt has been made (to my knowledge) to represent this incredibly complex set of spatial relations. In short, the accepted diagrams that describe scenography are overly simplistic. My attempts at diagraming and filming the more complex arrangements unfortunately become overly complicated. My research project tries to bridge this gap by exhibiting a taxonomy of spatial research (my final piece), all focusing upon the form of theatre curtain. The curtain is a useful medium at defining space, and is (to me), the fundamental element in describing a theatre’s spatial qualities.
Implied space of imaginary
Links to new spaces, always in motion
Spatial relationship between
New spaces formed by new people
Movement creates and destroys space
Gestural space created by
Shifts in spatial relationship
(Left) Idris Kahn’s superimposition of the Becher’s collection on industrial storage units. Combined with Trisha Brown’s Choreography (1980), I was able to create a representation of complex spatial diagramming in a still image.
BA Hons Architecture & Planning YEAR THREE: Community Projects (Easton, Bristol): Healthy Office & Part time covered market In my third year we undertook a series of community based projects, working in collaboration with the ‘Love Easton’ group (Easton, Bristol). My own designs included a covered market shelter, that resided in the car park of the local leisure centre. The market tables fold away when the market is not in use allowing the car park to function un hindered. The year’s final project resulted in a design for a small scale office, where I proposed sacrificing 20% of the site area to create a small street that led to a series of small light industrial units to the rear of the site, allowing for ultimately greater commercial opportunity in the long term.
Graphic and Web Design Projects Inforgraphic for BIM conference organised at UWE UK housing matters website Journal of association of architecture educators (cover)
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Level 1 Basic use of BIM software (3D virtual modelling, some data and information attached, no digital collaboration) Level 2 Managed BIM environment (3D modelling, data attached, likely adopted time and cost information (‘4-5D’ drawings), limited collaboration with external parties) Level 3 Fully integrated BIM environment (Data rich 3D model, containing information from collaborative sources, communicating openly in digital format)
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UK Government levels The Government has defined three levels of BIM implementation on its website BIMtaskgroup.org. The definitions are lengthy and technical, but many professional bodies and publications have summarised more succinctly. These definitions are from the BD White Paper:
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Whilst this has a number of obvious advantages for designers, there are huge implications for other professions too. Quantity surveyors can add cost information to a model that can apply the data directly to the model – thereby calculating bills of quantity. Construction managers can see exactly how the project is made, using the model to help devise a plan of work. Service engineers can design systems that fit directly onto the model – and then see if and where any conflicts arise; and the planners and the client can see the project progressing in its entirety, no longer forced to imagine a project from two dimensional drawings.
connected to the 3D model, and allow users of different professions to access information specific to themselves.
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Distinctions from CAD So why is this new? 3D modelling construction software has been in mainstream use for over a decade. Once again the answer is focused upon the data or information stored within the model. With older 3D CAD programs buildings are drawn with geometric accuracy, but with little regards to actual construction process and principles.
For example in previous software you could draw a window and a wall, but they would have little relationship with each other. With BIM modelling software buildings are built from components (i.e. walls are made with a layer of concrete blocks, then an insulation gap, then a brick layer etc.) Components also have realistic relationships, so a window can only exist within a wall (or roof), and when the designer draws it, they will specify a number of options (such a cill height, head height etc.) which can update realistically should the ‘parent’ wall change.
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