Kevin Jones,Jr. SELECTED WORKS
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Kevin Jones, Jr.
CURRICULUM VITAE KEVIN JONES, JR. 60 E. 7th Ave. Apt. 4 Columbus, OH 43201 United States E|jones.3740@osu.edu P|770-596-9497
EDUCATION 08/2015 -
The Ohio State University|KSA
Present
G3|Master of Architecture, 2015-17 Fellowship Awardee GPA|3.80
09/2010 -
The Ohio State University|KSA
05/2014
Bachelor of Science with Distinction in Architecture Minor in City and Regional Planning GPA|3.64
PROFESSIONAL SKILLS CAD|AutoCAD Visualization|Rhino 3d, VRay, Grasshopper,
EXPERIENCE 10/2016 -
Graduate Teaching Associate
present
5110 Architecture History
Sketchup, Revit, Flow, Diva, Houdini
Graduate Administrative Associate
Adobe|InDesign, Illustrator, Photoshop, AfterEffects, PremierPro, Acrobat
Microsoft Office|Word, Excel, Powerpoint Fabrication|Laser Cutter, 3D Printer
Assistant|Knowlton School of Architecture Section Head 01/2013 -
Schooley Caldwell Associates
07/2015
Designer| Site and building analysis, schematic design, design development, construction documents, bidding
REFERENCES
process, construction administration, record drawings, historic restoration projects, apartment floor plans,
Robert S. Livesey, FAIA|Professor and Section Head
public utilities and development government building,
Knowlton School of Architecture
LEED Certified building. Columbus, OH
614-292-3190|livesey.1@osu.edu
Linkedin: https://www.linkedin.com/in/kevin-jones-jr-6458a375
Hilary Sample|Principal Architect, KSA Visiting Professor
08/2013 -
Student Instructional Assistant
MOS Architects
05/2014
Laser lab assistant at the Knowlton School of Architecture
646-559-8640|hilary@mos-office.net
STUDY ABROAD
Kristy Balliet|Assistant Professor Knowlton School of Architecture 614-292-8893|balliet.5@osu.edu
05/2013 -
European Architecture Study Abroad
06/2013
Travel program highlighting major works of architecture, landscape architecure, and planning in Germany,Italy,
Samuel Rosenthal, AIA|Architect
France, Switzerland, Czech Republic, and Austria
Schooley Caldwell Associates 614-628-0300|srosenthal@sca-ae.com
LEADERSHIP & SERVICE
Robert K. Smith, AIA|Principal Architect Schooley Caldwell Associates 614-628-0300|rsmith@sca-ae.com
05/2011 -
SERVitecture
05/2014
Acted as the Communications and Public Relations Officer Senior Year planning Habitat for Humanity
PORTFOLIO
service events and the Fashion Schau with donations going to Dress for Success Columbus. Acted as council
issuu|Digital Publishing Platform Knowlton School of Architecture https://issuu.com/kevinjonesjr/docs/013117_portfolio
member coordinating service and fundraising events 03/2011
Habitat for Humanity
03/2013
Through SERVitecture participating in multiple stages
07/2013
of Habitat house construction from framing to finish painting and laying flooring. Habitat ReStore Volunteer
01/2013 -
Design Matters
05/2013
A course participant that worked in association with the Non-Profit Columbus Community Center with their Transit Arts Program to Co-Design with youth in the community.
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TABLE OF CONTENTS SELECTED WORK 3
Curriculum Vitae
ACADEMIC DESIGN 6
Housing in Harlem
16
SUPRA(icon)
Urban Intervention
Curatorial Design
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Broad Peak Workshop
28
Staging Housing Development
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Buenos Aires
46
Hovering Relations
Institutional Design
Residental Design
PROFESSIONAL WORK 54
Schooley Caldwell Associates
PHOTOGRAPHY 58
Explorations
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Instructor: Hilary Sample Term: Autumn Semester 2016 Timeline: 14 Weeks Collaborators: Yi Ren Software: Rhino, Photoshop, Indesign, Illustrator, Premier Pro
HOUSING IN HARLEM URBAN INFILL DESIGN Typology: Housing|Mixed Use Location: Harlem, New York
Historically Harlem was at its peak during the Harlem Renaissance when the area was very vibrant. Harlem is currently trying to revitalize, and our project seeks to be a key component in that effort. Developments such as the filling in of the historic 125th Street and the reintroduction into the Central Harlem Area of cultural institutions like the National Jazz Museum, are trying to spawn activity. Our building stitches in to these efforts by tying into institutions such as the National Jazz Museum. The museum at one point actually had a jazz mobile that drove around to local neighborhoods, engaging into them, and presenting concerts. The fixture has now become an annual event that solely performs in defined areas. By doing things like reintroducing the Jazz mobile, creating active programming on the ground level, and using formal gestural techniques our building funnels in, spurs, and promotes activity on the site.
CULTURE Harlem is an area with a lot of cultural history. It has tons of potential for development because of its surrounding context. It is in a great location with amenities that give it a great sense of livability. Its relation to local colleges, and its cultural history and hotspots makes Harlem a great opportunity for real estate and development.
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Young Professionals Individuals wanting to take advantage of the vibrant shared spaces our building offers. The idea of respawning a cultural, social, and artistic explosion in Harlem is what intrigues them.
Single and Ready to Mingle This individual is a student that possesses traditional chinese characteristics. She is intrigued by international and global relations.
Classical Family This family loves to experience the outside environment. They can be found in spaces that take advantage of an emphasis on accurate depiction of light and its changing qualities.
Modern Family This family is socially connected. They look to interact with the community and experience and engage in the surrounding environment.
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Unit Catalog The units have different characteristics that utilize the concept of openness. The interior transparency allows for visual connections and connections to the outside shared spaces defined by the double carve out.
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Site Activity The ambition is to energize the site by spurring activity on the ground with amenities such as a cafe, gallery, jazz club, and outdoor gathering spaces. These amenities funnel in activity and spills it back into the surrounding community.
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Kevin K Ke Kev Kevi n Jones, Jon JJr. r
Instructor: Lisa Tilder Term: Spring Semester 2014 Honors Research Distinction Timeline: 10 Weeks Collaborators: Nick Castillo| Sung Lee Software: Rhino, Photoshop, Illustrator, Fabrication: CNC, 3D-Printer, Laser Cutter
SUPRA(icon)
DESIGN CURATION Typology: Exhibition Location: Columbus, Ohio
SUPRA(icon) is an argument in response to, “How do you preserve iconography, while still striving to be ‘iconic’ or standout in a world where everything is iconic?”. This is the “Project for what will become the city”. The outcome strives to negotiate the terms of iconographies role within a city through various mediums while still holding its substance. The curation defines the roles of architecture in contemporary design. Where the Icon becomes something about the city that is gone or no longer a “one of a kind” (subjective). Where the monument is about agreement over something precious (communal). Then where architecture is about the edge, the inside vs.outside (middle ground). Then articulating that middle ground. Where both iconography and monumentality resinate into an architectural body of work.
THE ICON John McHale’s essay, “The Plastic Parthenon” acted as the formal basis of analysis. McHale discusses that due to mass consumption, mass reproduction, and constant circulation, through various mediums, iconic objects become flattened and lose their originality, and their iconic attributes lose their significance.
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“Roman Operating System� Features of Rem Koolhaas' Operating System call for a city consisting of monuments, cardo, decumanus, forum, system edges, theatre, commercial district, museum district, residential, entertainment, religious sector, agriculture, etc.
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3D Parametric Body This postmodernist take on flatness and multiples gives birth to something parametric and volumetric, transforming the 2D into a 3Dimensional body. The process is a transition from post modernism to radical postmodernism to SUPRAmodernism.
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Structural Barcode
TBD Tianjin Museums
West 57th Heydar Aliyev Center
CCTV
Cooper Union Beijing National Stadium
New Museum of Contemporary Art
Mercedes Benz Museum
Casa da Música Seattle Public Library Sharp Center for Design
Jewish Museum Wozoco Apartments
Guggenheim Bilbao
Sydney Opera House
Cathedral of Brasilia
Venturi House
Sagrada Familia
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Instructor: Anna Neimark|Andrew Atwood Term: Spring Semester 2017 Workshop Timeline: 3 Days Collaborators: Enio Djako| Santiago Alvarez Software: Rhino, Photoshop, Illustrator
BROAD PEAK WORKSHOP
Typology: Informal Analysis Location: Asia
The workshop draws its intentions from the concept of producing a formal analysis. However, the question arises of how to draw a projection of a formal analysis that produces mathematical precision for an object that through scale is usable. The infatuation of such primitive form such as dolmens and mountains by the likes of First Office has led to an analysis that can only be classified as informal. Historical methods of representation that tackle this task are signified by Viollet-le-Duc mountain sketches. The technique of analysis of the mountain started with its circumscription in a generic cube and manipulated its orientation and the mountains orientation to each other to produce projections and renderings of informal analyses.
WHITE ON WHITE The projection and rendering of the mountain and the cubes relationship came out of examining the representation of relationships and space through the works of Kazimir Malevich's "White on White" collection and De Stijl Movement paintings.
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730 30
7 728
726
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712 7 12 2 730 3
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73 730
Instructor: Robert Livesey|Bart Overly Term: Autumn Semester 2015 Comprehensive Studio Timeline: 14 Weeks Collaborators: Enio Djako| Valentine Catapano Software: Rhino, Revit, Photoshop, Illustrator Fabrication: CNC, Laser Cutter 726
STAGING
HOUSING DEVELOPMENT Typology: Housing|Mixed Use Location: Columbus, Ohio
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The mixed use housing development bends around the site to create a central courtyard, and create a waterfront zone that pushes into the courtyard. The center area becomes a place of activity. The building is carved to put the terrace areas on a stage to showcase different community events. Staging these events, framing the activity and the surrounding context, and creating various modes of movement and linking all of these together is vital. The program of the development is meant to provide suitable amenities for the residents, while also attracting outside interest. Therefore, such amenities such as a bar, restaurant, retail, gym, park space, and plenty of parking help fill the site with activity.
72 728
726
7 724
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71 71 714 716 720 718
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PRIME LOCATION The development is situated in a place that is close to downtown with a great view and a waterfront positioning. The building wraps the site, opens up to water travel, borders the highway and main road for easy access, and allows bike travel to weave through the site.
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BAR TRANSFORMATION
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PROGRAM
MOVEMENT
EXTEND
UNITS
BIKE
BEND AND SLICE
PARKING
AUTOMOBILE
CARVE
AMENITIES
PEDESTRIAN
LIFT
OUTDOOR GATHERING AREAS
BOAT
Kevin Jones, Jr.
Activity The design creates various zones of activity that are put on stage. The housing has easy access to all of these amenities.
FOREST VS. COURTYARD
SMOOTH FACADE VS. JAGGED FACADE
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RECESSED LIGHTS
.25” INSULATED GLASS
3” ACOUSTIC PANELS 1” x 3” WOOD FURRING AIR BARRIER 2” RIGID INSULATION 6” REINFORCED CONCRETE VAPOR BARRIER 1” GYPSUM BOARD
2” RADIANT TUBING POST TENSIONING STEEL BOLTS .5” PLYWOOD
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Dramatic The building takes advantage of its location taking a dominant position on the site. The buildings form encourages the movement into the buildings central courtyard from water vehicle. When seen at night the buidling stages itself as a vibrant beacon of activity.
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Instructor: Andrew Cruse Term: Autumn Semester 2013 Timeline: 10 Weeks Software: Revit, Photoshop, Illustrator
BUENOS AIRES
MUSEUM AND SCHOOL OF LANDSCAPE, ARCHITECTURE, AND URBAN DESIGN Typology: Educational|Institutional Location: Buenos Aires, Argentina
Through the revitalization and urbanization of Puerto Madero the fabric of its make up created disconnections and social divisions. The design for the Museum of the city of Buenos Aires and The School of L,A,UD strives to mediate the disconnect and exclusiveness that plagues Buenos Aires by creating a series of infiltrations. These infiltrations signify shared spaces, and are designed based off the contrast in configuration of a courtyard between the east and west sides of the site. This creates an on site collage of courtyards.
CONTEXT The building form is generated from the idea of creating a collage of courtyard types based on surrounding types. Site pressures assist in informing design as well as the creation of framed views of monuments, landmarks, cranes, university buildings, silos, and customs building.
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Infiltrations The site response intends to create a series of infiltrations that find the studio spaces gazing into the art galleries for inspiration and vice versa. Infiltrations also happen at the waterfront that bring you down to interact with the water. circulation
CIRCULATION
EXHIBITION Exhibition Spaces
Studio Spaces STUDIO
Museum
School
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SCHOOL
MUSEUM
SPACES
SPACES
SECTION A
SECTION B
SECTION C
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Gestural Move Wood paneling breaks through the simple pure forms. The wood paneling sweeps through to create a dynamic and creative gallery space. The dynamic movement peels away from the ground and ceiling to create walls of different qualities. The unexpected qualities of the gallery also show up in the shared auditorium space creating acoustic walls and ceiling.
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Instructor: Jackie Gargus Term: Winter Quarter 2011 Timeline: 6 Weeks Software: Autocad, Rhino, Revit, Photoshop, Illustrator
HOVERING RELATIONS NEIGHBORHOOD DESIGN Typology: Residential Location: Columbus, Ohio
The project objective is organized toward the design of a residential property tailored to an owner's obsession or fixation. The location is on Weber Street in Clintonville; a residential area in Columbus, Ohio. The site is steep as it quickly slopes back away from the property line toward a road and stream. Utilizing the site was pivotal in the creation. Hovering Relations spawns from a compulsion with the fixation with hovering or floating. Given the obsession, the site is ideal. Floating planes regulate the design elements, the circulation, views, hierarchies, programmatic orientations, and material treatments. The layering of the planes and elements conceives constant changing relationships between the components, surrounding environment, and the occupant. All of which seek to continually enhance and stimulate that sensation of hovering.
COMPOSITION The building gets segmented into different components. The front becomes a resident of the neighborhood pulling back and becoming an inhabitant of the trees. The middle ground becomes the innards(circulation) of the house. The house becomes a tour of voyeurism looking upon the civilized and the wild.
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HIERARCHY
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HORIZONTAL LAYERING
VISUAL CONNECTION
VERTICAL LAYERING
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Choreography The investigation of the point, line, and plane as a basis of analysis and development suits the architecture and the site. Choreography is at play between the parts(building components), the whole(house), and The Whole(site).
Axes Of Enty And Exit Regulating relationships create connections on multiple levels. Visual connections from initial entry into house toward back are re-established on Lower Levels upon entry.
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Articulated Spaces These spaces guide the understanding of the architecture and the affects produced by the choreography of relationships.
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Circulation Path The path of travel is pivotal in understanding the architectural theme at play. Points of entry and exit creates continuous shifts in relationships between the object in movement within, the architectural body, and the ever changing environment the body is within.
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Kevin Kevi evin evi n JJones, Jones, nes Jr. Jr. Jr
Firm: Schooley Caldwell Associates Timeline: 5 Weeks PosiĆ&#x;on: Designer SoĹŒware: Revit, AutoCad, Illustrator, Indesign, Photoshop
PROFESSIONAL WORK
WYANDOT COUNTY COURTHOUSE Typology: Restoration Location: Upper Sandusky, Ohio
I have been able to develop my own methodologies toward the building and design process through working at the Downtown Columbus firm Schooley Caldwell Associates. The firm prides itself on historic renovation projects, adaptive reuse projects, as well as a variety of other projects at various scales. I have been exposed to all the phases in a building process. By having the opportunity to get hands on experience I have been able to develop the idea of what it takes to run a profitable firm that does prolific work. I have been able to be a part of renovation projects such as Wyandot County Courthouse and Ohio University Ridges Property, as well as new construction projects such as 111 N. Front Street, a Public Use and Development building for the City of Columbus that is seeking LEED Silver Certification. My experiences through professional and academic practice have given me the ability to adaptively design in responce to a multitude of regional conditions and programmatic uses.
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LECTRICAL WORK - CODED NOTES .
PROVIDE NEW DIMMABLE LIGHTHING TO ALL SIDES OF TOWER.
.
PROVIDE NEW DIMMABLE LIGHTING TO ALL SIDES OF CUPOLAS.
STATUE N.I.C.
Level 9 EL. 118' - 0"
Level 9 EL. 118' - 0"
COPPER DOME E1
AREA OF RENOVATION WORK
s s/ s//
M5 M3
M3
E2
M5
M5
BELL LEVEL EL. 101' - 9"
CLOCK TOWER MEZZANINE EL. 90' - 0"
E2
TYP.
TYP.
STONE PEDIMENT/ CAP STONE
REPLACE EPDM ROOF
M5
M5
E2 TYP.
CARVED STONE PEDIMENTS
/// //
///
s///
////
TIN-COVERED CUPOLAS, TYP. OF (4)
WOOD WINDOWS, REPLACE WOOD SASH
TYP.
/ y// y/
////
CAST IRON TOWER
E2
COPPER ROOF
CLOCK TOWER MEZZANINE EL. 90' - 0"
s///
WOOD WINDOWS
BELL LEVEL EL. 101' - 9"
y
/y y
//
MESH SCREENS
/y
CAST IRON COLUMNS
SCOPE OF CAST IRON WORK
EXISTING CLOCK, PROTECT DURING DEMOLITION & NEW WORK y// /
s/ s
CAST IRON PEDIMENTS
y/
s//
DECORATIVE PUNCHED PANEL
AREA OF RENOVATION WORK
E1
REPLACE EXISTING CAST IRON FINIAL/RE-ANCHOR
COPPER GUTTER
M5
M1
M1
M1
M3
M2
M5
M2 M1
M5
Level 4 EL. 44' - 9"
Level 4 EL. 44' - 9"
Level 3 EL. 30' - 9"
Level 3 EL. 30' - 9"
N.I.C.
N.I.C.
STONE PARAPET w/ COPPER COPING
M3
Level 2 EL. 14' - 0"
Level 2 EL. 14' - 0"
Ground EL. 0"
Ground EL. 0"
E1
E1
AREA OF RENOVATION WORK
/// //
/y
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s///
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ROOFING
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NEW UPPER ROOF
s///
s s/ s//
NEW UPPER ROOF
E2 E2 M5
y
/y y
//
PROVIDE NEW SASH
ELEVATOR TOWER BRICK, CLEAN, TUCK POINT, & PAINT
/ y// y/
s/ s
y// /
s//
PROVIDE NEW LOUVER y/
AREA OF RENOVATION WORK
Level 9 EL. 118' - 0"
E2 E2
TYP. TYP.
M5 M1
M3
M2
M5
M3
enough detail to show exactly where the restoration work needs to happen.
M2
M3
M1
M5
M1
Level 4 EL. 44' - 9"
Level 4 EL. 44' - 9"
Level 3 EL. 30' - 9"
Level 3 EL. 30' - 9"
N.I.C.
N.I.C.
The elevations show the scope of work with
M2
M5
M3
Restoration
Kevin Jones, Jr.
M5
M5 M2 M1
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CLOCK TOWER MEZZANINE EL. 90' - 0"
TYP.
M4
M5
BELL LEVEL EL. 101' - 9"
Level 2 EL. 14' - 0"
Level 2 EL. 14' - 0"
Ground EL. 0"
Ground EL. 0"
17' - 0" REMOVE BROKEN CONCRETE RIBS
27' - 0"
2' - 11"
3' - 0"
RIDGE BEAM
17' - 0"
6' - 10"
17' - 0"
REMOVE WOOD STRUCTURE IN SKYLIGHT PROTECT LAY LIGHT 10' - 9"
13' - 9"
7' - 11" 1' - 1"
1' - 1"
9' - 7"
6' - 3"
2' - 8"
13' - 9"
27' - 0"
23' - 10 1/2"
22' - 11"
NEW METAL DECK OVER EXIST. CONCRETE RIB DECK
8' - 4"
9' - 6"
11' - 6"
11' - 6 1/8"
17' - 0"
3' - 0"
41' - 10"
6' - 6"
ELEVATOR
8' - 10 1/2" 40' - 10"
36' - 0"
REMOVE WOOD STRUCTURE IN SKYLIGHT PROTECT LAY LIGHT
6' - 10"
RIDGE BEAM
RIDGE BEAM
TOWER STRUCTURE
36' - 0"
30' - 2 1/2"
10' - 0"
1' - 5"4' - 9 1/2" 1' - 1"
10' - 0"
6' - 10"
12' - 2"
REPLACE WOOD STRUCTURE & INSULATION
14' - 0"
12' - 9"
1' - 1"4' - 9 1/2"1' - 5"
20' - 9 1/2" 6' - 6"
29' - 1 1/8"
STEEL BEAM
U
P
3" METAL DECK
LADDER TO TOWER
4' - 0"
1' - 5"
18"-20" 4" TUBE SECTIONS
UP 9' - 6"
10' - 0"
10' - 1"
10' - 1"
9' - 6"
9' - 6"
12' - 5"
9' - 6"
22' - 11"
3 1/2"
UPPER ROOF
CONCRETE RIBS (TYP.) 17' - 0"
11' - 0"
SMALL CUPULA TYPICAL OF (4)
11' - 0"
17' - 0"
10' - 0"
1' - 0" +/-
9' - 6"
13' - 9"
9' - 6"
13' - 9"
11' - 11"
2
WOOD SHEATHING ON METAL FRAMING STEEL TRUSSES 26' - 6"
3' - 0"
3' - 0"
26' - 6"
EXISTING STEEL TRUSS TOP CHORD
17' - 0" 17' - 0"
36' - 10"
SECTION THRU CONC. RIBS
3 1
ATTIC PLAN/ REFLECTED CEILING PLAN ATTIC PLAN/ REFLECTED CEILING PLAN
EXISTING STEEL STRAP RIB REINFORCING
A 9.1
1/8" = = 1'-0" 1/8" 1'-0"
GUTTER RENOVATION & REPLACEMENT PER ADDENDUM 2
1
M2 M1
M1
M3
M3 TYP.
TYP. STONE CAPS
COPPER COPING
R1
COVERED SKYLIGHT ALT: R-3
BUILT-IN GUTTERS WITH MODIFIED ROOFING
SLOPE
SLOPE
EXISTING PARAPETS (TYP. 4 SIDES)
R1 ALTS: R-1/R-2
R1 M1
ALTS: R-1/R-2
M3
FOUR EXISTING CORNER DOMES
TYP.
M1
M3 TYP.
R1 ALTS: R-1/R-2
R4
SLOPE
COVERED SKYLIGHT
SLOPE
MAIN EXISTING DOME
R1
M2
R1 ALT: R-3
M2 ALT: R-3
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3A --9.1
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R3 SLOPE
36' - 0"
SECTION THRU CONC. RIB SLOPE
R4 M1
M3 TYP.
NEW 3" METAL DECK
FLASH FROM ROOF J TO ROOF D. TYPICAL
M1 VENTS AND STACKS, TYP.
METAL TOWER WALL, TYP. OF 4 CORNERS
M3 TYP.
R5 R1
TYP. OF 4 ALTS: R-1/R-2
SLOPE
ALTS: R-1/R-2
SLOPE
R1
R2 METAL WALL OF ROOF LEVEL C
TYP. OF 4 ROOF DRAINS, TYP. OF 4 GABLE ROOF. TYPICAL OF 4 SIDES. FLAG POLE BASE
M1
M3
M1 TYP.
1
ROOF Roof Plan. PLANNTS
M3
NEW 4"x4"x 3/8" STEEL TUBE SECTION 18"-20" LONG WELD TO EXISTING STEEL L's
TYP.
NTS
1/8" 1/8"= 1'-0" = 1'-0"
2
EXISTING STEEL L's
TYPICAL SECTION @ STEEL TRUSS/TOP CHORD SECTION 1 = 1'-0" 11/2" 1/2" = 1'-0"
Details The detail work is based off field investigations to figure out the best solution for repairing the roof structure, cupulas, and tower structure.
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Instructor: Jackie Gargus Term: Maymester 2013 Timeline: 6 Weeks
PHOTOGRAPHY EXPLORATIONS
Typology: Study Abroad Locations: Germany, Italy, France, Switzerland, Czech Republic, Austria
Immersing myself in different cultures by taking advantage of study abroad and independent research opportunities is something that has been vital to my consciousness. I engaged myself in the process of traveling and learning while on the European Study Abroad Trip, traversing through Eastern Europe. Europe has a long prolific history in architecture that is second to none, because of its continuous depth and impact on the field. History is important in understanding the architectural techniques that have succeeded and those that have failed. Architecture is also directly tied to cultural movements, therefore immersing ones self in various cultures helps with designing with a conscious.
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