Diana Khadr Design Works 2013
dequindre cut
1
rural school
17
5
map as the territory
21 allegiant inFORM studio : 2007
6
center for broadcast geography
27
intermodal station
office renovation
31
sketchbooks
dining hall xx university SmithGroupJJR : 2012
13
urban sedan chair
33
lecture posters
fit-out xx office SmithGroupJJR : 2011
15
ecole des beaux-arts
inorganic assemblies
headquarters xx bank SmithGroupJJR : 2013
9
studio lars graebner : 2005
studio jim bassett : 2005
studio jim bassett : 2005
inFORM studio : 2007
construction : 2006
fontainebleau, france : summer 2005
35
studio john comazzi : 2006
studio malcolm mccullough : 2008
summer 2009
taubman college communications : 2010
studio marc fornes & dave pigram : 2009
39
venice unbuilt
studio russel thomsen & eric kahn : 2009
mist resort 41 sea inFORM studio: 2008 43
exten[D] design competition summer 2013
professional academic personal
1 rural school
first floor
Situated within the residual space between a corridor of industrial activity and a wooded preserve along the Huron River, the school building transitions between these zones through its form, focusing interior views out toward the river, the city beyond, as well as the wooded areas to the north. In plan, the emphasis on several open areas and ‘flex spaces’ allows for increased group activity while a raised half level divides the school to allow public evening functions in the lower half. [ink on mylar, basswood, acrylic]
second floor
Taking cues from the river and trees surrounding the school, the arterial roof structure serves as a circulation aid while remaining open to light and air.
view from cafeteria
3 rural school
Classroom Media Center
Classroom
Cross-section looking North_A
Media Center
Gymnasium
Longitudinal section looking
reflecting into a mirror dissolving the model no more As an exercise in mapping, a spatial territorial construct is extracted from three given maps. [sculpting clay, wire]
Continuing this mapping studio, a site visit to the site in the city of Pittsburgh uncovered perceptions of place and the method in which this identity maps itself on the terrain. These investigative studies began to inform a unique program: a research center for Broadcast Geography, the mapping of the many digital signals that permeate the air and remain unseen when in transit from point of source to point of destination. The three buildings are grouped such that ribbons of space intersect at areas of vertical circulation before dropping into collective areas of interaction called “sinks� where research and study meets the public eye in interactive exhibits. [museum board, chipboard]
Business business
education Educational
site
Site
5 map as the territory
Summer Hill
Perry North Upper Lawrenceville
Fineview
Chartiers City Windgap
Central Northside
Sheraden
Strip District
Allegheny Center
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Crafton Heights
dfo Be
North Shore
Elliott CrawfordRoberts
Central Business District West End
Westwood
Sou
Duquesne Heights
Ridgemont Oakwood
th
Bloomfield
Polish Hill
East Allegheny
rd
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elling
Homewood West
Upper Hill
Po int
Point Breeze
North Oakland
Bre ez e
Homewood South No
Squirrel Hill South
Southside Flats Allentown Greenfield
Southside Slopes
Mt. Oliver Boro
Swisshelm Park
Arlington Heights Arlington
Knoxville Mt. Oliver
Summer Hill
Hazelwood St. Clair Glen Hazel
Perry North Upper Lawrenceville Northview Heights
New Homestead
Overbrook
Lincoln MarshallPlace
Shadeland
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Manchester
Sheraden
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eeze
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Homewood West
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South O Oakland
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Arlington Heights Arlington
Knoxville
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Southside Slopes
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Upper Hill
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Morningside
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Given the density of vehicular traffic that just passes past the site, a method to bring cars into the Center for Broadcast Technology was devised. Cars become the rule of measure for an extensive roof that covers all three buildings and acts as roof, street, and walkway all at once. Every ‘strip’ traversing the site is 18 feet wide, enough to accommodate a single vehicle.
map archive
7 center for broadcast geography
map education
map generation
office 1
office 3 office 2
unused
office 3
office 2
corner as solid
Team: Michael Guthrie Diana Khadr (design+build)
[phenolic plywood, baltic birch, aluminum angles, bamboo flooring, concrete block, reused wood doors]
9 office renovation
after renovation
A former insurance sales office, boxed-in individual offices did not accommodate the open and collaborative attitude of a working architecture studio. tasked with designing a new space, desks were re-configured and walls carved open to create visual connections from one space into another while also allowing natural light to penetrate deeper into the space. Rather than complete wall removal, walls are carved and then privacy and spatial boundaries re-created through functional screens of shelving and storage. I acted as project manager and designer, generating everything from budget to imagery under the supervision of Michael Guthrie.
previous condition
office 1
hallway corner
previous office 3
entrance hallway
wood opening caps
aluminum opening framing
section A _direct light carving openings
dividing wall
section B_indirect light previous condition
Rather than finishing rough edges left from stripping columns and demolishing walls, openings are made flush with aluminum framing and capped with phenolic wood 11 office renovation
section A/B
desk shelf
laminated shelf
° 90
2'-0"
53° 1'-4"
139°
69° 68°
102. SEDAN-CHAIR - ARCHITECTURE ON THE RUN “...what if the sedan-chair was considered a mobile architecture, a building always on the move, unsettling, producing lingering doubts? What if the sedan-chair was evacuated and loaded or amended by some other program – a festival, carnival, processional?...
25°
Team: Diana Khadr (design+build) Dieneke Kniffin Patrick Lun Karin Neubauer Rikako Wakabayashi Travis Williams
Working in teams of six to seven you are asked to design and construct a sedanchair emphasizing the tactility and total consideration of its construction – its quality of preciousness.”
2'-0"
[aluminum, corrugated cardboard, steel, rip-stop nylon]
8"
13 urban sedan chair
step 1
polished aluminum tubing bolted in place laser-cut cardboard threaded on wood dowels
foot-rest
step 2
step 3
step 4
step 5
step 6
at the end of a long day, Rider and Carriers can convert the Urban Sedan Chair to a sleeping tent for
National Library of France - BnF
15 ecole des beaux-arts
Studied French contemporary and classic architecture, particularly in the Northern France region and collaborated on projects with music and composition students in the program. The National Library of France incorporates a dramatic elevation change by elevating its entrance with steps that take on a sculptural beauty of their own while also serving as a place to sit and observe. Sketches of a one week study-tour of Paris theatres, from the Bouffes du Nord theater, rescued from demolition and preserved in its current state, to the grandest of them, the Paris Opera.
musee la piscine, Roubaix, France
After decades of serving as a public health amenity, a local natatorium adapted to a change in the times and re-opened as a sculpture museum, preserving the vitality the structure had always brought to the town of Roubaix.
musee des beaux arts, Lille, France
A modern extension building to an existing museum in Lille reflects the original structure through small mirrors embedded in the new facade, allowing it to stand as a building on its own while still paying respect to the history surrounding it.
17 dequindre cut
Detroit R iver
sun episode
water episode
air episode
spiritual commercial abandoned residential
Team: Diana Khadr Dieneke Kniffin
Speaking to the theme of the studio, Nature & Artifice, we devised a scheme around experiential episodes of nature within the Dequindre Cut, an abondoned rail line in downtown Detroit. Greenhouses speak to the more literal part of nature and would provide trees to plant throughout the city. Episodes encompassing each greenhouse, however, would speak to the more experiential aspect of nature, the feeling of solar heat, the sound of water, the smell of wind. Plantings and materials within each episode were selected to enhance each episode: pine trees in the air episode would infuse a subtle scent as the wind passed through the needles, the juxtaposition of darkness and light within the sun episode would create movement as tree leaves arch toward the light.
Air Episode
Sun Episode
DN
Water Episode
up up
dn dn
dn
UP
UP DN
DN
UP UP UP
DN
DN DN
conservatory greenhouse
greenhouse
library canteen DN
19 dequindre cut
conservatory
conservatory DN
(plant) spacing (plant) spacing
(plant) phasing
regular spacing in greenhouses occurs at 4’ intervals
(plant) choreography (plant) choreography (2)
(plant) phasing in order to accommodate the number of trees required by the city’s greening projects, the greenhouse withandthe landscape tobut produce trees that can be removed and rethe greenhouses not only works contain social conservatory programs, they also serve as planting area for the greening of detroit. in order to accomodate the amount of trees required by the greening, the planted on awith 5 year cycletowith four areas in total: acutgreenhouse where plantings greenhouse works the landscape produce theseplanting trees that will be removed from the after five years and be transported into the city. the landscape around each greenhouse is designed as a nusery with start and beds they mature before three beds thatthree receivesnursery a new planting everywhere five years. each can new planting contains all of theremoval three trees from the site.
air
water
sun
plant types remain
irregular planting at transition areas allows for natural seeding and growing
(5)
blossoms
summer (6)
(8)
(6)
(7)
textures fall
(3)
winter
(plant)species species
(plant) (1)
(2)
(1)
dotted hawthorn
(2)
red maple
(3)
white oak
(3)
leaves shiny to reflect rays of sun
often found with oks; blooms in early spring
leaves appear whitish on underside and reflect sun
tree 1a enters greenhouse
yr 0-1
1a
(4)
(5)
(4)
arborvitae
(5)
blackgum
(6)
redbud
(6)
occurs most abuntantly in swamps
usually found on borders of swamps; drooping branches
most common along rivers and streams
(7)
color
density
(8)
tree 1a is transplanted to nursery tree 2a enters greenhouse
yr 1-2 1a
(8)
(5)
(2)
associated with the specified episode.
(7)
spring (2)
spacing increased to 8’ when trees transferred from greenhouse into nurseries
consistant between the greenhouse and nursery areas of each episode
2a
yr 2-3
tree 2a is transplated to nursery tree 3a enters greenhouse
3a
yr 3-4
tree 1b enters greenhouse
1b
yr 4-5
site full remains dormant while tree 1b reaches one year maturity
yr 5-6
tree 1a exits site tree 1b tansplated to nursery tree 2b enters greenhouse
(6)
(7)
blue spruce
(8)
douglas firaromatic plant; popular during Christmas
(9)
white pine
tend to lose needles easily
in exposed situations, trees bend in direction of prevailing wind
2b
Photograph courtesy of Jack Thompson
Team: Amy Baker Michael Guthrie Diana Khadr (research+design) Cory Lavigne Andrew Mannion Erin McLenaghan Robert Miller Nick Peters Anna Wyzykowska
"EACH 0RECEDENT #OMPARISON
historical Cherry Grove
Located at the northern-most developed edge of North Myrtle Beach, the community of Cherry Grove has maintained the smaller residential scale of stilted beach homes common in the flood zone. Tasked with converting 10 acres into a mixed-use town center, the team proposed to elevate the main road rather than raise the 0OPULATION $ENSITY buildings on stilts to meet coastal flood requirements, which allowed "UILT %DGE us to maintain human interaction with the buildings at ‘ground’ level. 3AND %DGE
Carpenteria, CA
Coney Island, New York, NY
Fortal
Population Density
Population Density
Populatio
Laguna Beach, CA
Malibu, CA
Manh
Population Density
Population Density
Populatio
53 #ENSUS $ATA
3TREET 'RID
Newport, OR
Seaside, FL
Ocean
Population Density
County Population Density
Populatio
As one of the team members to work consistently on the project, 0EDESTRIAN 0ATHS 0ARKS I was heavily involved in research and design: comparing coastal -AJOR 2OADS cities in terms of depth of beach, street grid, and the accumulation "EACH !REA of commercial areas; demonstrating the lack of density in the area through comparisons of floor-to-area ratios; designing Block C #OMMERCIAL & F. Renderings and drawings are group work, shown for clarification. (IGH DENSITY 2ESIDENTIAL 'ROCERY
21 allegiant
Santa Monica, CA
South Beach, Miami, FL
Venic
Population Density
Miami Population Density
LA Popul
Gulf Shores, AL
La Jolla Beach, CA
Population Density
Population Density
Pacific Beach, CA Manhattan Beach, CA
San Diego Population Density
Population Density
Myrtle Beach, SC
Naples, FL
Population Density
Population Density
"EACH 0RECEDENT #OMPARISON
Fortaleza, Brazil Population Density
Carpenteria, CA
Coney Island, New York, NY
Fortaleza, Brazil
Population Density
Population Density
Population Density
Palm Beach, FL Population Density
Oceanside, CA
Pacific Beach, CA
0OPULATION $ENSITY 53 #ENSUS $ATA Palm Beach, FL
Population Density
San Diego Population Density
"UILT %DGE Population Density
Laguna Beach, CA
Malibu, CA
Manhattan Beach, CA
Population Density
Population Density
Population Density
3AND %DGE
Newport, OR
Seaside, FL
Oceanside, CA
3TREET 'RID
Population Density
County Population Density
Population Density
0EDESTRIAN 0ATHS 0ARKS -AJOR 2OADS
"EACH !REA
#OMMERCIAL (IGH DENSITY 2ESIDENTIAL
Virginia Beach, VA
'ROCERY
Venice Beach, Los Angeles, CA
Virginia Beach, VA
North Myrtle Beach, SC
LA Population Density
Population Density
Population Density
Population Density
North Myrtle Beach, SC Santa Monica, CA
South Beach, Miami, FL
Venice Beach, Los Angeles, CA
Population Density
Miami Population Density
LA Population Density
Population Density
average f.a.r. = 3.4
existing
proposed
23 allegiant
f.a.r. =3.2
average f.a.r. = .17
gross floor area development lot size
The relatively smaller street grid in the Cherry Grove section of North Myrtle Beach accommodates higher density and pedestrian-centric development, transforming the area into a defined city-center. Unlike adjacent properties that create a wall of ocean-front towers, the Allegiant project increases the depth of the beach, pushing towers back for more expansive views of ocean and marshland.
Block A_museum
Block B_hotel
retail residential
retail residential
Sea Mountain Hwy west elevation
Block F_office
Block C_beach club
retail residential
park
Block E_grocery retail residential
looking east toward marsh
Block D_hotel retail
Sea Mountain Hwy
Block C
25 allegiant
Block D
Block E
Block F
oceanfront beach club and park
looking down Sea Mountain Hwy
site model showing street grading
parking scheme
At the nexus of old and new, fast and slow, the site for the Dearborn Intermodal Station needs to balance the shift between the slower pedestrian experience of passers-by and the faster-paced experience of commuters, between the city’s preserved history and its potential future. Materiality is used as a means to transcend the temporality of form, allowing one’s understanding of the building to shift with scale. At the macro-level, the structure is visible as a unified whole, and at the micro-level the material emerges as a tactile play of light and shadow. In order to establish the clarity of perception at the larger scale, the imaging of the RED A6 site had to be addressed as well. Rather than a pixilated field of visual noise, the parking lot is organized by color, visible as a striated pattern from the station. Parking Receipt
27 intermodal
Parking Receipt
RED A6
Parking Receipt
RED A6
cantilevered steel structure shallow reflecting pool
level 2
pavilion
corrugated metal crushed stone path
ticketing
poured concrete crushed stone path
recessed lighting
entrance
level 1
Bridging the site, the station is flanked by an entrance plaza that faces Michigan Avenue and an elevated pavilion that provides views of the tracks and the site beyond. Further connecting it to its surroundings, the station is enclosed only when necessary, remaining open to sounds, sights, and the elements.
29 intermodal parking area
drop-off and entrance portal
entrance plaza
descent to ticketing area
admission
waiting area
waiting pavilion
pavilion exterior
Sketchbooks designed for friends were customized according to personal preferences with coordinating packaging. Here, a Boontjeinspired sketchbook is held in a felt jacket laser-cut with the same design. The organic pattern also appears on the final mailer. [laminated mylar cover, quadrille paper, felt jacket] The DK
31 sketchbooks
Laser-cut felt jacket
Acetone-transfered pattern on mailer
This sketchbook design played on the idea of sewn details and recycled materials as well as taking on the challenge of combining the book jacket and mailer. [stitched paper cover, recycled paper, plastic jacket] The HR
Padded mailer and jacket in one
oCt. 27, 2009 6pM A+A Auditorium Cecil Balmond is an internationally renowned designer, structural engineer, author and Deputy Chairman of the international, multi-disciplinary engineering firm Arup. Through his provocative designs in collaboration with leading architects and artists and eloquent writings, Balmond has put forward a dynamic and organizational approach to structure that is informed by the sciences of complexity, non-linear organization and emergence. Recognizing that the universe is a constantly changing array of patterns (both random and regular), he also draws on ancient wisdom and non-western mathematical archetypes. He has received several prestigious rewards for his structural engineering work and has authored several books, including: Informal (Prestel, 2002), Number Nine (Prestel, 1998) and coauthored Serpentine Gallery Pavilion with Toyo Ito (Telescoweb.com, Japan), and Unfolding with Daniel Liebeskind (NAI, 1997). Learn more at: www.arup.com
/// Daniel Monk
John Dinkeloo Memorial Lecture
The Geopolitics of Greenwashing ocT. 8, 2009 6pM a+a auditorium Daniel Monk is Professor of Peace & Conflict Studies and Professor of Geography at Colgate University. His books include “An Aesthetic Occupation: The Immediacy of Architecture and the Palestine Conflict” and “Evil Paradises: Dreamworlds of Neoliberalism.” Mr. Monk is also a principal in the Tel-Aviv architectural firm, Piltzer/Monk Architects, one of the most highly premiated practices in Israel. Mr. Monk now limits his participation in the practice to pro bono work and design in the public interest.
Doctoral Students, Please Join Us: 10/9/09 9-10:30am PhD Seminar, Room 2147
taubmancollege.umich.edu/lectures Design: Diana Khadr, 2G3
As part of a new branding initiative at the University of Michigan Taubman College of Architecture and Urban Planning, the College wanted a set of promotional posters for the Fall Lecture Series that would be in line with the emerging College identity. With the supervision of Christian Unverzagt and Amber LaCroix, I set out to create posters that were vibrant, suitable for both web and print distribution, as well as easy to read. The poster in the photograph (above) was a mixed-media original print, done in collaboration with Charles Starr.
uP Next >> 10/13/09 Henco Bekkering oct. 8, 2009 5Pm Michigan Theater 603 E. Liberty Iconoclastic architect Bernard Khoury is currently working on projects in the Arabian Gulf region. His commissions include banks and apartment buildings in Beirut, Lebanon; shopping malls in Kuwait; a women’s spa in Saudi Arabia; a 30-story office tower in Dubai; and a new media center in Armenia. In varying ways, each project is a reflection of the cultural and economic transformation underway throughout the region. With support from the UM School of Art & Design, and the Museum of Contemporary Art Detroit (MOCAD), this lecture is a part of the Penny W. Stamps Distinguished Visitors Series. Learn more at: www.bernardkhoury.com
/// BerNard Khoury New Wars in Progress
33 posters
taubman college lecture series
/// CeCiL BaLMonD
taubmancollege.umich.edu/lectures
taubman college lecture series
taubmancollege.umich.edu/lectures
Design: Diana Khadr, 2G3
taubman college lecture series
up next >> 11/5/09 Russell Thomsen and eRic Kahn
up nexT >> 10/13/09 Henco Bekkering
Design: Diana Khadr, 2G3
up next >> 10/27/09 CeCil Balmond
PERIMETER STUDIO LECTURES
Farshid Moussavi
PERIMETER STUDIO LECTURES
George Legendre
Foreign Office Architects
Ben Nicholson
IJP Corporation
September 17, 2009 6:00pm
Rural America on Steroids
Oct. 15, 2009 6:00pm A+A Auditorium (Rm.2104)
September 22, 2009 6:00pm
A+A Auditorium (2104)
A+A Auditorium (2104)
Fabrication Lab Open House: Jan. 20, 2010 4:30-7p
Farshid Moussavi is Professor in Practice in the Department of Architecture, Harvard University Graduate School of Design. Prior to establishing the London-based firm Foreign Office Architects (with Alejandro Zaera Polo) in 1992, she worked with the Renzo Piano Building Workshop in Genoa and the Office for Metropolitan Architecture in Rotterdam.
Join us for remarks from Dean Monica Ponce de Leon, Lab director Wes McGee, faculty members Karl Daubmann & Glenn Wilcox, as well as demonstrations and student work.
George L. Legendre was born in Paris, France and is the stepson of writer Pierre Legendre. His full-time academic career begun in his mid-twenties in 1995, first as assistant professor of design and computation at Harvard University (1996-2001) and recently as visiting professor at Princeton University (2003-05) and diploma unit master at the Architectural Association School of Architecture (as of 2002).
Foreign Office Architects (FOA), is recognized as one of the most creative design firms in the world, deftly integrating architecture, urban design, and landscape architecture in their projects.
Some of his most notable projects include the Appliance House (MIT 1990) and Loaf House (1997, renaissancesociety.com). As part of his long-standing interest in American culture, he contributed to Hartmut Bitomsky’s documentary film B-52 (2001).
George’s expertise combines architectural design, analytic mathematics and computation. A onetime applied researcher, he has written design software and filed for an (abortive) technology patent with Harvard University, where he was also head of visual structures at the Center of Design Informatics (1997).
/// Rodolfo MAchAdo
His areas of interest include city form and morphology, the relation between architecture and urban design (in large urban projects), exterior and interior public space, the integration of infrastructure in cities, and pedestrian use of city centers.
Working outside the architectural mainstream, he employs design strategies that celebrate and draw upon architectural vernaculars. The significance of his contributions to design is evidenced by the publication of a monograph of his work entitled An Architecture of theOzarks: The Works of Marlon Blackwell. Marlon was selected as one of the ID Forty: Undersung Heroes by The International Design Magazine, and as an “Emerging Voice” iy the Architectural League of New York.
Julian’s current interests include: Design, Science Fiction, Film, Urban Space, Future Things and strategies for thinking about and creating conversations that lead to more habitable near future worlds.
www.taubmancollege.umich.edu/lectures
up next >> 10/8/09 Daniel Monk
Design: Diana Khadr, 2G3
Learn more at: www.machado-silvetti.com
Design: Diana Khadr, 2G3.
Marlon Blackwell, FAIA is an architect based in Fayetteville, Arkansas, and a professor of architecture at the University of Arkansas.
Julian is a designer, technologist and researcher at the Design Strategic Projects studio at Nokia Design in Los Angeles and co-founder of the Near Future Laboratory, their design-to-think studio. He lectures and leads workshops on the intersections of art, design, technology and the near-future possibilities for new social-technical interaction rituals. He has taught interactive media at Parson’s School of Design and the University of Southern California.
Mr. Machado is also a well-respected academic, currently chairing the Department of Urban Planning and Design at Harvard’s GSD.
Learn More at: www.hkbs.nl
nov. 10, 2009 6pM a+a auditorium
oct. 15, 2009 7:30p a+a auditorium
Born in Buenos Aires, Argentina, Rodolfo Machado is principal of the highly-recognized urban design and architecture practice Machado and Silvetti Associates. As an international practice, the firm has become known for creating environments that employ a rich, tactile language of materiality and impeccable detail.
taubmancollege.umich.edu/lectures
An Architecture of UnHoly Unions
Design Fiction
oct. 1, 2009 6pM a+a auditorium
He is also associated with the practice HKB Stedenbouwkundigen/urbanists, working on all levels of scale of urban planning and design, and integrating technical, social, political, economical and legal aspects, stressing contextualism, meaning and historical continuity.
/// MArlon BlAckwell
/// Julian Bleecker
Machado and Silvetti Associates / Boston
Mr. Bekkering is a professor of urban design in the Faculty of Architecture at the Technical University in Delft and is currently The Netherlands Visiting Professor of Urban Planning for Fall 2009 at Taubman College.
www.taubmancollege.umich.edu/lectures
Taubman College of Architecture and Urban Planning University of Michigan 2000 Bonisteel Boulevard Ann Arbor, MI 48109-2069
In 1994, he co-founded the University of Arkansas Mexico Summer Urban Studio, and has coordinated and taught in the program at the Casa Luis Barragan in Mexico City since 1996.
Learn more at: www.nearfuturelaboratory.com
Design: Diana Khadr, 2G3
oCT. 13, 2009 6pM a+a auditorium
taubman college lecture series
The Memory of The City
taubman college lecture series
taubman college lecture series
Design: Diana Khadr, 2G3
/// HenCo Bekkering
Images: Parma, Italy (city center) and Saint-Dié, France (Corbusier Plan 1945). From Collage City by Rowe & Koetter, 1978.
Taubman College is one of few select academic institutions around the world utilizing robotic automation to perform both subtractive machining and automated assembly processes.
Perimeter@Work invites a conversation to rethink where architecture is located and situated among the distributed and network logics of databases, pervasive regulatory bodies and the Mid-American landscape.
Design: Diana Khadr, 2G3
taubman college taubman college lecture series lecture series
taubman college lecture series
up nexT >> 10/15/09 Ben nicholson
Perimeter@Work invites a conversation to rethink where architecture is located and situated among the distributed and network logics of databases, pervasive regulatory bodies and the Mid-American landscape.
Design: Diana Khadr, 2G3
The newly renovated Michigan Fabrication Lab at University of Michigan’s Taubman College of Architecture and Urban Planning leverages state-of-theart industrial technology to perform architectural fabrication research and representation initiatives.
By way of the 40th anniversary of the Internet, Perimeter@ Work seeks out non-exclusionary ways of pursuing urban formation through architecture and the Internet of Things and ActorNetworks.
By way of the 40th anniversary of the Internet, the Perimeter@Work studio seeks out non-exclusionary ways of pursuing urban formation through architecture and the Internet of Things and Actor-Networks.
Perimeter@Work invites a conversation to rethink where architecture is located and situated among the distributed and network logics of databases, pervasive regulatory bodies and the Mid-American landscape.
taubmancollege.umich.edu/fablab
His recent writing and design projects include The Hidden Geometric Pavement in Michelangelo’s Laurentian Library, a book that muses over the nature of number, geometry and the structure of knowledge, and The World Who Wants It?, a satire on Western method.
A regularly published essayist, he is the author of “ijp The Book of Surfaces” (AA publications, London 2003) as well as “Bodyline: The End of Our Meta-Mechanical Body” (ditto, 2005), and a critical study of John Pickering’s sculptural art, mathematical form (ditto, 2006).
By way of the 40th anniversary of the Internet, the Perimeter@Work studio seeks out non-exclusionary ways of pursuing urban formation through architecture and the Internet of Things and Actor-Networks.
FABLab
Architect Ben Nicholson is a Professor at the School of the Art Institute of Chicago. Throughout his body of work, Nicholson has questioned and rearticulated the inherent meanings within architecture. He creates a critical inquiry that exposes the confluence of systems and desires at work within architecture and Western society.
Design: Diana Khadr, 2G3
Recognized as an outstanding and committed teacher, bringing a strong intellectual rigor to the discourse on architecture, she has been a visiting professor at UCLA, Columbia, Princeton, and at several architecture schools in Europe.
up10/27/09 next >> CeCil Balmond
Up next >> 11/24/09 RobeRt Levit and RodoLphe eL-KhouRy taubmancollege.umich.edu/lectures
Team: Diana Khadr NgocThy Phan
Through the use of scripted digital models, this studio was an exercise in full-scale manufacturing, and how to represent complex geometric manipulations, culminating in a curated exhibit and presentation. [laser-cut felt, staples]
35 inorganic assemblies
layer 0
original mesh
original mesh
restrained faces
stretch threshold
gravitystretched mesh
stretched faces
distance of translation
mesh face sorting based on translation from original mesh 12*cos(h) gravity
7*cos(h) gravity
opened faces
faces divided
scabbed divisions
iterative growth of cosine function
layer 19
assembled
maximum stretch yields areas for skin to split in varying degrees
skin strip with split faces layer 15 layer 16 layer 17 layer 18 layer 19
variegated split faces
skin-thickening through
laser-cut sheets
stretched skin assembled as strips with wart tabs parts unfolded
C0
C22
C23
C8b
C8 C9 C1
C7 C15
C2 C5 C3
C4
C10 C21
C6 C19
C11
C20
C18 C12 C13
assembled shoul-
C14
C16
C17
chest assembled
chest sheets
39 venice UNbuilt
Once a busy seaport, rising sea levels have evacuated many of Venice’s ground floors, and swarming visitors have pushed out local residents. Spaces once teeming with life now lie empty, occupied only temporarily according to the ebbs and flows of tourism and the tides. Attempts to address this transience have been thwarted by historic preservation, embalming the city as it has been for the last several hundred years. Enter the Museum for the Venice Biennale, a modern imposition, an engineered novelty in the city, tapping into energies for which the city had no previous appendage. Almost 1000’ long, the museum slices through historic Venice, revealing the city’s compositional layers while writing them anew. The five cultural festivals of the Biennale are combined under one roof: art, dance, theater, music, architecture, and film.
south entrance
outdoor stage
experimental stage
gallery pit for large art
north entrance
beer garden and patio
Team: Michael Guthrie Diana Khadr Erin McLenaghan Robert Miller Nick Peters Anna Wyzykowska
41 sea mist resort
Located on the southern shores of Myrtle Beach, the redevelopment of the Sea Mist Oceanfront Resort encompasses the ever-changing demands of the resort market with the reputation of the resort as a familyfriendly destination. Planned in multiple phases, the drawings here represent a concept for the first phase, a 22-story condominium tower. Each level houses units of varying size, layout, and view to capture a range of price points. The tower is anchored by several amenities, including an outdoor public cafe, swimming pools, concierge service, and a public park.
Location Map
existing site
43 exten[D]
Team: Alexa Bush Kyle Johnson Diana Khadr Jessie McHugh Tengteng Wang
proposed development
With the recent influx of large businesses, downtown Detroit comes alive during the work week. However, after the 9 to 5, few amenities exist to hold the commuting population downtown, or attract others to the urban core. As part of the Opportunity Detroit design competition to reinvision the site of the former Hudson’s department store, Exten[D] creates a destination that caters to regular and first-time visitors alike, whether college students in Midtown, daily commuters to offices Downtown, loyal city-dwellers, nearby suburbanites, or local artists and makers.
currentWEEKDAY
the daily commuter downtown during working hours only
Monday
currentWEEKEND Saturday
9am
5pm
6A
NOON
6P
major corportations are investing in detroit and have brought THOUSANDS of workers DOWNTOWN how can we BUILD on this momentum to help KEEP them there beyond the 9-5 workday?
extendedWEEKDAY the employee... who becomes a resident
the suburbanite... who visits on weekends for entertainment
the student... who stops by after class
1
Monday
extendedWEEKEND Saturday
9am
5pm
6am
12pm
6pm
2 6am
12pm
6pm
6am
12pm
6pm
6am
12pm
6pm
6am
12pm
6pm
3
Residential Tower
1
the artist... who needs an energizing creative space
the tourist... seeking a local attraction and place of respite
4 6am
12pm
6pm
6am
12pm
6pm
Offices
5
Gallery/Art Spaces
7 6am
12pm
6pm
6am
12pm
6pm
2 Retail/Restaurants
3
6 6am
12pm
6pm
Existing Underground Parking
Wo
odw
the entrepeneur... wanting a central location for a small start-up or boutique
Anchor Retail Grocery Trader Joe’s
7 6am
12pm
6pm
6am
12pm
6pm
.
ard
[D]alley Pedestrian Connection
Opportunity Detroit Showcase
Ave
.
.
6pm
ve
12pm
er St
tA
6am
Farm
6
Anchor Retail Home Furnishings CB2
Gr at io
the retiree... who experiences the city by day
4
5
North Woodward Avenue
For current residents, the site provides necessary amenities such as a grocery store and vibrant public space as extensions of their life outside of work. For commuters, time downtown is extended by providing a place to buy a morning coffee or paper along their commute (with a convenient M-1 light rail stop at the steps of the development), and restaurants in which to dine or meet after work. A Gallery Walk activates the Farmer Street side of the site, providing work and gallery spaces for budding creatives and students from area schools such as the College for Creative Studies. The Opportunity Detroit Showcase features plans, site models, and other exhibits about developments in and around Detroit for visitors. The [D]alley provides a connection between Farmer Street and Woodward, and a playful space for gathering or for extending street activity into the site. A rooftop path connects to a people-mover stop at the east side of the site, as well as providing necessary greenspace for a stroll or walking the dog.
45 exten[D]
[D]alley
Gallery Walk on Farmer Street
South Woodward Avenue