KiJung Nam Architecture Portfolio 2008 - 2014 Master of Architecture, Ajou University, Suwon, Korea +82 10 4142 8096 kj8096@gmail.com
Carp. 2014. 06.14
RESUME
KiJung Nam Date of birth : April 14 1987 Address : 442-192, Uman 2-dong, Paldal-gu, Suwon, Korea Cellphone : + 82 10 4142 8096 E - Mail : kj8096@gmail.com
Education Master of Architecture
2013.03 - Present
Department of Architecture in Ajou University GRADUATE School Bachelor of Architecture
2008.03 - 2012.02
Department of Architecture in Ajou University Pohang High School
2003.03 - 2006.02
Award & Honors 2009.10
Steel Design Competition
2010.09
2010 Daegu Architectural Cultural Biennale International Competition
2013.03 - 06
Professional Works_Guro-gu, Guro 5-dong Kindergarten Competition ( aDLab+ with OWOL ) Development Masterplan, Plan & Section drawing, Mass Design, Elevation Design, Program Arrangement
2013.06 - 09
Professional Wokrs_Samarkand, Uzbekistan Vocational Traing center Competition, Koica ( aDlab+ with HS&K ) Development Masterplan, Plan & Section drawing, Mass Design, Elevation Design, Program Arrangement
Work Exprience
1st Prize Construction Complete 1st Prize Under Construction
aDLab+ ( architecture design lab )
aDLab+ Summer Workshop, W - Pavilion, Construction Works, Project Manager
Construction Complete
2012.07 - 09
aDLab+ Summer Workshop, Han River W - Pavilion, Construction Works, Project Staff
Construction Complete
2012.11 - 12
Hanlyk Bank, Astana, Kazakhstan with HS&K Mass Design, Program Arrangement Daegu Gosan Public Library UIA approved International architecture competition Development Masterplan, Plan & Section drawing, Mass Design, Program Arrangement
Resume
Grand Prize
2010.07 - 09
2012.06 - 09
004 │
Selected Work
Exhibition
Technical Skills
2012.07
24th Graduate Exhibition at Ajou University
Drawing
2010.11
Daegu Buiennale Exhibition at Doosan We’ve the Zenith Gallery
AutoCAD 2007~2014 (2008~)
2009.10
2009.10 : Steel Design Competition Exhibition at Jamsil Sports Complex Modeling
Extra Activities
SketchUP 7,8 & 2014 (2009~)
2009 - Present : Leader of ‘UF ASSOCIATION’ _ Archieture Atelier
Grasshopper (2011~)
Rhinoceros 4.0 SR1~ SR9, 5.0 (2010~)
2004 - 2006 : Pohang High School Newspaper Chief Editor Rendering
Publication
Artrantis Studio 5, Studio 1~4 (2009~)
2013.04 : Architectural Insitute of Korea Vol_33
SketchUp & Max for V-ray (2011~)
Keyshot 3.0 (2012~)
( A Study on the Change of Masonry Construction Method of Contemporary Architecture 2011. 01 : VM SPACE (Metonymical Basin)
Adobe Phothshop CS 6.0, 7.0, CS 1~5 (2008~)
2010. 11 : Publication of Daegu Biennale(Metonymical Basin)
Adobe Illustrator CS 6.0, CS 1~5(2011~)
2009. 10 : Publication of Steel Design Competition
Adobe InDesign CS 6.0 ( 2012~)
(Si-Hwa Renovator Cramshell Attems in the Land of Desire)
Overseas Trip 2012.07 : 2 Cities of Netherlands, 2 Cities of Belgium, Luxembourg, 2 Cities of Germany 2011.01 : Fukuoka, Japan 2009.07 : 3 Cities of Portugal, 6 Cities of Spain 2006.07 : Beijing, China 2004.07 : Fukuoka, Japan
Through my hands and imagination, ideas become reality.
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Contents
Contents
01
Metonymical Basin - Human Tech Plate with Cultural Information Tech
008 - 027
02
Atmosphere of Light - Renovation_Industry - University Cooperation Building
026 - 037
03
SEA PRINT - Busan Opera House
038 - 059
04
Digital Cube - Snow Crystal
060 - 075
05
Punchbowl with Shine · Sky · Playing - Guro 5 dong Kindergarten
076 - 085
06
Leica Flagship Store
086 - 101
- Daegu Architectural Cultural Biennale International Competition 2010
- Academic Studio Project 2010
- International Ideas Competition for Busan Opera House 2011
- Academic Studio Project 2013
- Professional Works _ Guro 5 - dong Kindergarten Competition 2013
- Academic Studio Project 2013
07
Nature in House
102 - 113
08
W - Pavillion 01 - Hanriver Park, Yeouido
114 - 123
09
W - Pavillion 03 - Gangdong Art Center, Seoul
124 - 135
10
Art Works & Personal Act
136 - 145
- Academic Studio Project 2014
- aDLab+ Project 2010
- aDLab+ Project 2012
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01 Metonymical Basin
Human Tech Plate with Cultural Information Tech Daegu Architectural Cultural Biennale International Competition Theme: 35.87N 127.63E, Basin
Grand Prize Exhibited at 2010 Daegu Biennale Collaborative Work as a Leader of team with 2members (Whole Process: Masterplan, Concept, Mass Development, Plan & Section Development, Scenario, Retouch & Paneling, Video Edit)
Jury : Daniel Libeskind, Studio Daniel Libeskind (SDL) 2010.08 ~ 2010.11
We hope to create a new vision and plan for Daegu that can be implemented within the next 10 years. The purpose of this international competition is to bring together the best minds to present detailed plans that will specifically lay out a dynamic and sustainable future for Daegu’s city structure.
Daegu is cities of represent the Republic of Korea, Daegu and remember the honor. Inland city a special situation, but did not actively cope with changes in the meantime, a new industry, and new social change as a conservative response to the recession and lost vitality, you go. West coast era now that China is a huge market reform, as well as Incheon was already leads to a situation in which Overtake Daegu. A resident population of 2,500,000 megalopolis cities, but that is a central feature of the Yeongnam. If you dwell on the past, no specific vision or goals to doom the future of Daegu.
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Daegu, in the Republic of Korea, has always been one of the three
There needs to be an emphasis on businesses that will carry Dae-
major cities in Korea, but for most citizens living outside of Daegu
gu through to the next century. There is particular interest in the
it is remembered by representations in old movies. However, new
CT(Culture Technology) and IT(Information Technology) industrial
industries and business opportunities have been created. Some big
cluster integrating with Daegu’s rich cultural resources in order to
issues standing in the way of embracing these opportunities are that
foster new growth engines such as cultural industries, gaming, mo-
Daegu as an urban institution has not always responded positively to
bile content and etc.
Sony interpret that snow is not cold but cool.
change and inland cities are generally more conservative in response to social progress. China is now a huge market, and steps must be
We hope to present contest entries that utilize the combined expe-
taken to capitalize on this burgeoning economy. The west coast city
rience and talent of the participants in order to establish Daegu as a
of Incheon has taken steps toward creating a sustainable city plan in
world leader in the industries of tomorrow.
order to vitalize growth. Daegu is being outpaced by more adaptable cities. There are 2.5 million residents in the Daegu Metropolitan
Before developing this project, my inspiration was gotten by this
Area, and Daegu remains a central feature of the Yeungnam region, but without a specific vision or goals Daegu is doomed to remain in
Sony’s advertisement. Because of location in this advertisement. Mi-
the past and continue to fade in the future.
ami is famous for the hot temperature like Daegu. That’s why Sony ad team would like to provide pleasure by bubbles like snow for hot city.
Like this, we try to stimulate Daegu’s sensitivity during developing this project including CT & IT.
In Sony’s new “Foam City” ad, Miami becomes a soapy free-for-all when 120 million gallons of bubbles are unleashed in the streets for Daegu CIty’s Foreground
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Metonymical Basin
Daegu CIty’s Basin
pleasure experience.
Paramount to the approach of our proposal for Daegu after 10 years are the following:
1. Used CT and IT actively for activating the future of Daegu City where has insisted the con-
Sony “Foam City” Ad Turns Miami Into World’s Biggest Bubble Bath
servative countermeasure (It obviously has a different culture industrial city with distinction because of the participation of the citizens)
Phase 1
2. Newly interpreted the basin which has a special place as the cultural basin 3. Therefore, our building of this site will stretch to not only main cultural city in the world but also future city of information by the participation of 250 million citizens of Daegu City Phase 2
Phase 3
Phase 4
Phase 5
I have no doubt the following. If we will in a “Basin” cultural & information as well as “Human Tech” Daegue will stretch to main culture city in the world. Kijung Nam Portfolio
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Bird’s-eye view of Site
1
2
3
4
5
Preservation Building
Reading of Site Even though we can plan all site, we preserve the exisitng Buildings upper playground after making an on the spot survey, because there is no reason to break the exisitng buildings
Strategy of Site and Master Plan
This site has different grids from all around (This site is concertrated by the city context) In other words, it is easy for the citizens to approach the site
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Metonymical Basin
When each grid is pulled in this site, the intersection occurs
The existing buildings were placed by avoiding the intersection (Intersection areas have been used open spaces)
Therefore, we also planned this idea avoiding the intersection which will be used open spaces like the existing buildings (It shows that we carefully considered the surrounding context)
This site where the many grids are layered is place like the island 2
5 4
3
1
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Concept 1)
1) + 2) Making a new basin area
Growing crops in basin
Growing CT & IT in basin
2) 3) + 4) Making a new mounding area
Protect area in basin
Protect CT & IT in basin
3) 1) + 2) + 3) + 4) Making a new plate Hot in basin
Cool on mounding
Closed in basin
Open on mounding
4)
Basin, the symbol of Daegu, has both advantages and disadvantages First, it enables crops to grow fertile and is easy to protect invasion from outsiders (We thought that these facts will enable using different levels to maximize application of programs) Thus, CT and IT will grow like fertile crops by putting CT and IT into basins which we planned. Also, program zoning will be reinterpreted by using different levels Topographical characteristics of the basin are over 4 degrees hotter than the other cities and limit movement of the citizens living in the basin (It looks like closed city) How about thinking reverse way? Mounding which is opposite to basin can make the citizens move easily with cool wind from hills (It looks like open city) Conclusion) Therefore the existing advantages and the new advantages by thinking reverse way which could have been interpreted as disadvantage will co-exist in these new basins
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Metonymical Basin
Strategy of Architectural Design
Developing area is located under 16M compared with conservation area
Extended intersection enables the citizens (Including the students in Keimyung University) to move into the developing area naturally
Inserted programs avoiding intersection
Put programs into the basins by avoiding intersections and formed smooth mounding on the intersection zones
Bar codes (Units made up of information) can make space with the acknowledgement of text which has important meanings. Also, it will be reinterpreted as the connection between existing basins in Daegu and new basins which have the vision of Daegu’s future
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Schematic Plan & Section Sketch
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Metonymical Basin
Basin & Plate Model
Plate Form Model Study
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Plan Art-plex 1) Multi-Purpose Opera Hall Complex (Culture + Exchange) 2) The Civic theater (Media + Education + Participation) 3) Cultural exchange patio (Culture + Exchange + Participation) Knowledge Cultural Center 4) CT, IT Professional Educational Institution (Culture + Knowledge + Education) 5) CT, IT R&D center (Culture + Knowledge + Research) 6) Information Business Center (Research + Management) Culture Content Center 7) Digital Lab (Research + Planning) 8) Advanced Multi-Media Space (IT + Exchange) 9) Design Content Planning Office (CT + Planning) IT, CT Complex Space 10) CT, IT Complex Hall (CT + IT + Exchange) 11) S / W Support Center (Education + IT) 12) Cultural Center (Exchange + CT)
Circulation
Through 4 large gates, People can get into the building (1st Floor Entry) If people wnat to go into the basin directly, they can use the water front gate (B2 Floor Entry) Existing main building and the Fashion Department in Keimyung University from B1, 2nd floor can be entered directly (2nd Floor Entry) After entering the arcade (Both sides of the building), they can experience every CT, IT programs (B1 Floor Entry)
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Metonymical Basin
New Basins of Daegu
Inside VIew of Basin The new 4 basins of Daegu are no longer only hot places. These, overcoming weak points of basin, can make Daegu stretch to future city.
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Structure & System (Human Tech Plate) Human Tech Plate has three main functions (We call these structure Human Tech Plate because of reacting to humans’ movement)
First, undulating floors have own structure-function without columns, and each load bearing walls allow weight distributed Second, This building enable natural ventilation to go through inside without artificial ventilations because of many holes on the floor Finally, This building have new-material panels on the undulating plate which should always create new reactions by people’s fever as well as solar energy (for example, new-material panels can convert into sound, cool air, variety of images and so on) Conclusion) Not only people’s movement but also natural elements can overcome the heat of Daegu by using the Human Tech Plate
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Metonymical Basin
2nd Floor
CT, IT Complex Hall
Cultural Exchange Patio
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Mytonymical Basin
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Metonymical Basin
will stretch to not only main cultural city in the world but also future city of information by the participation of 250 million citizens of Daegu City
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Mytonymical Basin
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will stretch to not only main cultural city in the world but also future city of information by the participation of 250 million citizens of Daegu City
You can watch the full video of this projcet by QR code http://youtu.be/Fq0bWMP6hz8
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02 Atmosphere of Light
Renovation_Industry - University Cooperation Building Base on research Peter Zumthor_Therme Vals Personal Academic Work Theme : Renovation 2010.08 ~ 2010.11
All living things have lived with the light. We recognize things by the light so the ordinary life is possible. Under the light, the formations of things appear and the shapes and the features are recognized. Humans are depended on these perceptions and live their lives. The light has also aesthetic function. Dramatical effect can be felt by the characteristic of light brightened from the gap, and its features are revealed when it is met through the Crack of light
Patheon light
effect of light. The architectural space shows its true value when the effect of light is actively used.
The architectural space directs the effect of light by controlling the gap. By doing this, the light can give character of space to space and control the program according to its concentration. Also, when it meets with the materials compose architecture and light, the effect gets maximized.
Concept Drawing_light and mass
Phase_04
Concepture Section Drawing In this project, the light is actively used when renovating and reconstructing the existing building. I studied the materials meeting the building as well as expressing the different atmosphere of space according to the concentration of the light. Planning spatial atmosphere unlike existing building, then it brings various actions not like existing building when thinking about section. Planning the resting and meditating as main programs because the existing building, Industry - University Cooperation Building, is specialized in work.
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Road View
Back Side View
Bridge View
Site Condition
Front Building’s Roof View
Industry - University Cooperation Building are two buildings connected with a bridge. This project is renovation and reconstruction of building above. The main idea is to support the basis the building has like industry and education programs. Start the work with the volume of building a little bit stretched.
Building Boundary
Site : Industry - University Cooperation Building, Ajou University 4th floor ~ 6th floor renovation, addition new 7th floor level
Industry - University Cooperation Building 8th floor building additional building _ 4th floor
Paldal Hall
From Center Dormitory
028 │
Atmosphere of Light
Typical Mass Structure Steel cable supports the load
Exisiting Structure Model
Main exterior material is concrete
Masterplan Consider the existing structure. Sanhakwon consists of beam-column structure and I removed some parts of it according to the placement of mass and programs. The extended boundary of the building consists of its own structure added. I planned this renovation project with the combination of structure of mass itself and existing structure.
Renovation Process
Step 01 : Exposed existing structures (4th floor’s columns, beams, girder)
Step 02 : Preserved required structures. And define the boundary of building.
Step 03 : Insert the mass with new programs. Used of existing structures.
Step 04 : Complete the building with the combination of the existing basic structure and new mass.
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Schematic Plan Sketch
030 │
Atmosphere of Light
1
Model_Development Process
2
3
1. Analysis existing structure_ column-beam structure 2. Buildung mass form develop 3. Basic mass structure and form study 4. Combine new masses and structure 5. 2nd floor exterior exhibition , roof crack makes light form
4
5
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Character of Space
1_Exhubition Place : External exhibition and opening for scenery. It is possible to display the works to expand to the second floor lounge.
2_Meeting Place : Seminar room and path. It provides a meeting and seminar space for students and staff.
3_Rest Space : Provide a seating area for staff and students. Relax and enjoy the outside view by creating a quiet space.
Rest Space
4_Media Exhibition : Multimedia exhibition and opning for scenery. It is possible to display the works to expand to the second floor lounge. The various multimedia exhibits and exhibition experience.
2_Meeting Place Seminar room
Rest Space
5_Therapy room : The Therapy Room provides to users of the building. The meeting with the light and create a soothing space to space with water.
Seminar room
1_Exhibition Place
Rounge
5_Therapy Room
4_Media Exhibition
3_Rest Space
Ent.
1st Floor Plan
032 │
Atmosphere of Light
2nd Floor Plan
Sequence
View 01 : interior view
View 02 : Therapy room
View 03 : Rounge view
View 04 : 2nd floor interior view
Section
a - a’ Section
b - b’ Section
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Elevation
West Elevation
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Atmosphere of Light
North Elevation
Tipycal Section Detail Scale 1/40
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2nd floor exterior exhibition , roof crack makes South light side form view_model
The light
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Atmosphere of Light
North side exterior view _model
is the immaterial material and reveals all the materials. People recognize the other things by the light and feel space.
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03 SEA PRINT
Busan Opera House International Ideas Competition for Busan Opera House Theme: Landmark Opera House for Busan
Collaborative Work as a Leader of team with 3members (Whole Process: Masterplan, Concept, Mass Development, Plan & Section Development, Scenario, Retouch & Paneling, model crafting)
Jury : Jong Soung Kimm (SAC International, Ltd., Korea) David Leatherbarrow (The University of Pennsylvania, USA) Laurent Salomon (The School of Architecture Paris-Belleville, France) Mauro Galantino (The Institut Universitaire of Architecture of Venise, Italy) Yasuhiro Yamashita (Architect, Atelier Tekuto) 2011.07 ~ 2011.08
Trace of oceanic current
T
he Eastern and Western traditions have different conceptions of nature. In the west the human and the city is set apart from nature. In the east, traditionally, humans and the city were seen as immersed in nature. Evident in the centuries of Korean and Chinese garden and city design and the rich cultural lexicon of paintings from long ago eras. Nature was a fundamental aspect of our understanding of our place in the universe. Yet today, we in the East have a building pattern very much at a distance from nature and our rich history, our proximity is that of the other. We no longer are mere objects immersed in a natural universe, rather we build objects and have crowded out nature. Yet perhaps through landscape urbanism, with its insurgent and stealth approach to intersecting “nature� and city into a seamless view, can we begin to draw nearer to our roots, despite the very overt distance from nature that landscape urbanism exists.
Nature exists of itself it lacks identity, thus why it is eternal. Humans on the other hand with our existential shortcomings, our Sartrean angst, require an identity. This identity carries through to our footprint on the landscape. Landscape certainly has characteristics, yet it does not have an identity. Landscape has no identity until given by humans. We make identity, for ourselves and for our spaces. To that extent, the non-identity is why nature is eternal and we are not, despite what we tell ourselves. Yet despite nature’s lack of identity, we still seek to define nature, even though this world lacks any concrete referent in the English language. There is no one single image that a person can conjure for nature. It varies with each person’s individual identity and it also varies with the times. And in our times, many describe nature with terms such as process, systems, interconnection, words associated with ecology. If ecology is to be a paradigm to view nature and to that extent landscape and architecture, this provides an excellent starting point for the conceptualizing of a project unique to the “nature” of Busan, Korea. Busan, Korea, derives its identity largely from two distinct features in the landscape, mountains and sea. Busan is a city where sea meets shore, more importantly where the human identity of city meets the non-identity of nature, the sea. Each has its own distinct processes, neither mutual exclusive of the other, nor mutually dependent. When one process changes so does the other.
“Nature is eternal because it never manifests itself” - Lao Tzu from the Tao Teh Ching Kijung Nam Portfolio
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What if the non-identity could also intersect with the identity? We tried to give back the indentity onto artificial island by sea of Busan
040 │
SEA PRINT
Like a Fingerprint
Sea Print will show the identity of own sea of Busan on the artificial island
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SITE
Busan is the second-largest city in the Republic of Korean and the main-gateway connected with the Pacific Ocean. Busan is situated in Kyungsang basin, land deposits formed in the Mesozoic era. In Busan, the hills of elevations of approximately 500m are independently distributed, and the foot of hills advances towards the coast with gentle slopes. It means that Busan was formed by old topography and eroded basins between them. Focusing on Busan in a wide-perspective, people have made commerce around central flatlands along the inside of coastline which was formed by ocean waves. In Busan that has characteristics previously stated, Buk-Hang (the North Port) is the center of Marine tourism situated in the axis of Marine Tourism Belt of the southeast coast as well as the gateway connecting between the Asian continent and the Pacific. An opera house in Buk-Hang (the North Port) will prepare to take off for a global marine tourism-cultural city as the gate of South Korea that comes in from the Pacific. For the Busan opera house, the major points we strongly focus on were how an opera house on an artificial island
Top View of Site
042 │
SEA PRINT
Right View of Site
Sea Printing
Site: North Port (Z-1-1), Jung-gu, Busan, S. Korea. Site Area: 34,928M2 Building Coverage: 60% Limit Gross Floor Area: 60,000M2 Limit
The site is an artificial island, a human intrusion into the sea. A flow study map shows previous sea currents and the changes that occurred while the island was being created. The result was a change in the currents, a change to the existing process. An identity was being implanted onto a non-identity. What if the non-identity could also intersect with the identity? The architecture proposed is an attempt at creating a seemless moment where the two states meet, creating the duality of identity and non-identity, human and nature, a
“Sea Print� imprinted onto land, where land was placed into the sea.
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The project site for an opera house is close to the busiest commercial sector of Busan which includes Nampodong, Jagalchi, and Busan Lotte World II. The access for public transportation systems is easy and also close to a pedestrian bridge and a vehicle & pedestrian bridge adjoined with the project site. In addition, people who are coming from port facility districts can get the opera house. People can access from all the way, from the ocean and from a land.
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SEA PRINT
Mass Development
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Masterplan & Information
Site: North Port (Z-1-1), Jung-gu, Busan, S. Korea. Site Area: 34,928M2 Building Area: 20,798M2 Building Coverage: 59.54% (60% Limit) Gross Floor Area: 58,331M2 (60,000M2 Limit) Floor Space Index: 167% Maximum Height: 54.2M Parking: VIP pAarking 9, Handicap Parking 6 Theaters: Opera Theater (1,920 Seats), Multi-Purpose Theater (1,390 Seats), Small Theater (300 Seats) Exterior Finishing Material: Translucent glass + Ethylene tetrafloroethylene foil panels (ETFE) + Dye-sensitized solar cell (DSSC)
Longitudinal Condition
+186.00
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SEA PRINT
Master Plan & Landscape
Like fingerprints, the particular rhythm is inter-
To form an identity for the newly created island,
Three nodes are formed by connecting the traces
Programs are positioned at the interspaces of
preted as a “sea-print” that shows the identity of
the sea-print of Buk-Hang is coated on the site.
of sea-prints in the artificial island.
each trace where sea-prints are formed, the hub
the coast of Buk-Hang.
of an opera house, and the hub of Z-1 and Z-2.
Massing Process
The side of the left pedestrian bridge and the hub
Three theaters form one spherical mass. Waves by
Sea-prints created on the project site also involve
Sea-prints form symbolic and functional Sea-
of an opera house are designed as a central lobby.
music keep circulating in a spherical shape.
into the mass so that the opera house symbolizes
Gates, two penetrating axes into an opera house.
Busan and stands as a landmark.
Through two gates, the Busan opera house will
The rest of space between traces of sea-prints is filled with human sound. It takes roles of an opera
be the landmark of Busan and the hub of marine
theater, multi-purpose theaters.
culture and urban culture.
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Sea is the representative icon of Busan. Before an artificial island is realized, the sea has left the sound of the waves and prints on the coast of Busan with sea currents and the ebb and flow of the tide. The coastline of Busan is the distinct identity of it that is left by the sea currents and tide of Busan. The project site is surrounded by human-centered culture which is urban district complex, IT Media exhibition district, commerce and business district, and maritime culture district. We try to design the opera house that all people form an ensemble. With “sea-print,” this artificial island can be a place where the sea of Busan and humans form an ensemble. The ensemble of humans’ identity and sea prints make the new type of an opera house and a cultural hub.
East Side View
048 │
SEA PRINT
West Side View
South Side View
The Ensemble of Human & Nature Sounds by Busan ‘SEA PRINT’
Bired eye view of whole mass
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Plan
1st Floor Plan
2nd Floor Plan
Strategy of Circulation_in plan 1. The circulation of audiences - Audiences either access the pedestrian bridge and vehicle & pedestrian bridge to the lobby on the first floor. Before using the escalator to the second floor, audiences purchase thickets on the first floor. After reaching the second floor, the audiences can make decisions about which way they have to go. They enjoy the wonderful view of sea of Busan while they pass by foyer behind stage. 2. The circulation of performers and staffs - The circulation of performers and staffs are located closely, since the stages, opera stages and multi-purpose stage are facing each other in the middle of first floor. This is not only planned to push works and performances more effectively, but it is easy to manage the information desk and ticket window on the first floor. 3. The circulation of the loading dock - Vehicles coming through vehicle & pedestrian bridge approach two lanes: one for performance supporting trucks and the other for VIP & Disabled. In order to move stage facilities more effectively, the parking places for the trucks are located between opera and multi-purpose theater. 4. The circulation of visitors – visitors can enjoy different kinds of play at three outdoor performance stages as well as access auxiliary facilities. Also, all outdoor performance stages are connected with walkways. Visitors can enjoy many events and beautiful views of Busan on these walkways. 5. The circulation of egress planning –For an emergency situation, three emergency exits are located. If there is an emergency situation like a fire, audiences can escape through the lobby and foyer from facilities to outside on the second floor. Staffs and performers can escape through the lobby on the first floor. 050 │
SEA PRINT
3rd Floor Plan
4th Floor Plan
Systematic & Rational Circulation For systematic and rational circulation, the circulations of staffs, performers, and audiences are separated by leveling. Through seagates, people come easily in and out. The first floor level: Parking area, and easy access to facilities The second floor level: link between lobby and foyer The third floor level: link between outdoor space and concert hall Over the fourth floor level: sky view facilities Kijung Nam Portfolio
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Section & Elevation
East Elevation
052 │
SEA PRINT
3 types of Theaters
4 Types of Cores
Sea Gates by Sea Print
The View of Auxiliary Facilities
Strategy of Circulation_in section 1. For systematic and rational circulation, the circulations of staffs, performers, and audiences are separated by leveling. Through sea-gates, people come easily in and out. 2. The first floor level: Parking area, and easy access to facilities ex) shopping center 3. The second floor level: link between lobby and foyer 4. The third floor level: link between outdoor space and concert hall 5. Over the fourth floor level: sky view facilities ex) café, restaurant etc
a - a’ Section
b - b’ Section
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New Type Opera House Proposal (Opera Theater & Multi-purpose Theater & Small Multi-Purpose Theater) Opera Theater (1,920 Seats)
Horse Shoe Type
Fan Type
Shoe Box Type
Multi-Purpose Theater (1,390 Seats)
New Opera Type
Rail System For Transform
Vineyard Type
New Multi-Purpose Type
Stage
Stage
Before Transform
After Transform
Sound Reflection of Transform
Transform Type 1
Transform Type 2
Transform Type 3
1. Type: The combination of Horse Shoe type, Fan type (+ attention) and Shoe Box (+ rich sound reflection)
1. In order to transform the stage, Shoe Box type is applied in the seats on the first floor. (the stage can be
1. This stage is
2. The area of middle seat can be transformed to a stage and orchestra pits for the arena type of performance.
transformed with rails on aisles.)
paring new sc
3. Since the storage under the main stage is linked with a hidden stage under the area of middle seats, a hidden
2. Upper seats at balconies are applied with Reversed Fan type for a good stereo effect. (Reversed Fan type
2. Seats are all
stage can be supported with equipments same as the main stage.
makes plentiful sound reflection with acoustical clouds.)
3. With an ove
4. Each acoustical cloud can move vertically depending on the transformation of a stage. This makes the best sound
3. Transforming the arrangement of stages and seats makes new and various performances. Also, a dinner
terval
effects.
show is possible by moving seats.
4. When no pe
4. Acoustical cloud as a gable type transfer diffused sounds from the upper to lower seats uniformly.
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SEA PRINT
Small Multi-Purpose Theater (300 Seats)
“The acoustics and equipments of each theater was designed are changeable
Stage
as occasion demands of a performance.”
Stage
Typical Arena Type
Panorama Performance
Reverse Arena Type
Exhibition
s the reversed arena type, and seats are surrounded by stages. Without interval for pre-
cene, a performance can be continued.
l rotated for getting a wide view.
erhead projector, performers offer divers scene and dynamic performance without in-
erformances, this theater can be used as a gallery.
Visible Angle of 3rd Floor Seats
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Main Lobby
Foyer
Restaurant & Cafeteria Restaurant & Cafete
Opera Theater
Sea Gate is made by Sea Print (Event Plaza)
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SEA PRINT
Water Circulation
Ventilation System
Efficient Utilization of Sun Light
1. Sea water through water pipes which are buried under the project site comes
1. Air cooled down by the sea water from sea-gates flow to the void of the top
1. The elevation of Membrane Structure is finished with translucent glass. The
into a water pit. At this time, water is filtered with filtration system in the pipes.
by stack effect. Some air cooled down gets into inside of the opera house from
transparency of this glass depends on light intensity. As the light intensity is get-
By capillarity, water in the pit is suck into pipes in the major structures, and it runs
scuttles. It let in some fresh air. Also the flow of air moves fresh air from trees
ting higher in the daytime, the transparency is getting lower.
down on the membrane and into pipes under seats in each theater. The main
that planted on the roof of theaters. In addition, wind turbines equipped at the
effects cool down inside of theater and the skin of the opera house. Part water in
top part of opera house increase energy efficiency.
2. The light of the sun from outside during the daytime and artificial lighting from
the pit is used for toilets.
inside during the night time by attaching DSSC(Dye-Sensitized Solar Cell) behind 2. By installing air conditioning system under the slab of the top floor, cool and
2. When raining, rain water is collected into a pit without filtration system.
translucent glass convert light energy to electric energy.
pleasant air is circulated efficiently. The slab will be thicker than a general slab in order to hold a bunch of air cooling system.
eria
Event Plaza
Multi-Purpose Theater
3D Section of Opera Theater & Multi-Purpose Theater
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058 │
SEA PRINT
The Ensemble of Sound The Iconic Gate Global Cultural Mix
Our design, Sea-Print (Busan Opera House), has three advantages. 1. The ensemble of sound – Sound played by humans and the sound of the waves harmonize by Sea-Prints, they move people’s emotion. 2. The iconic gate – As Sea-Prints are projected on the site, the reclaimed island, and are involved into massing, they form two axes. On one axis from the southeast to the northwest, there is the symbolic gate connecting the Pacific Ocean and the Asian continent. Another axis is a pathway to connect each program, marina parks and the marine culture district planned for the redevelopment project of the North Port. 3. Global cultural mix – Another purposes of this proposal are to offer cultural experiences more friendly to people. Outdoor performance stages and walks made by Sea-Prints are multi-purpose spaces that people of every class and all races do cultural events or take a rest. Ultimately, we designed the Busan Opera House to serve diverse cultural performances such as operas, plays, art exhibitions, as well as fashion shows. Even not audiences, citizens and foreigners are easy to access to the opera house and get a chance to experience various cultural programs at outdoor performance stages. The Busan Opera House will be the icon of Busan as Busan is projected on the skin of the Busan Opera House and raises people’s cultural life. Also it, as global culture mix, helps the development of Busan economy by attracting foreign tourists.
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04 Digital Cube_Snow Crystal
Advanced Digital Design Studio in Graduate School Personal Advanced design Studio Work Theme : Parametric Modeling based Snow Crystal & Flake 2013.03 ~ 2013.06
Motive Images and Increasing Units
Base type Decide the change of snow crystal itself by base type. Each snow crystal has rules according to the variations and change. The shapes of each figure are decided by regular process and they become the basis of proliferation model.
Growth Units Designed snow crystals gather to show the proliferating model. Each crystal proliferates in the certain part has rules and forms the group. Also, base type objects having various changes proliferate. Base Type_“ Snow Flake� Wilson A Bently
Growth Units_Snowflakes increasing in rules
Snow Crystal in Digital Cube
make 3d Pattern Tools : Grasshopper, Rhino ceros SR.9 Free form design in cube & Parametric pattern Design I researched about the change of figure having regular rules in the range of cube in this project. The studies are proceeded about their proliferation and the change of figure having regular rules n the cube through parametric. I got the idea from the snow crystal generated differently according to the environment. I researched about the formation principles of snow crystal occurred in the cube and changing formation of the gathering. Also, reappear it as real model. Also, I made unique patterns by various arteration in cube_Snow Crystal
2 dimensionalization of 3d patterns.
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Baseform Design Study Step to basic form making
Step_01 make regular hexahedron large hexahedron in small hexahedron.
Step_02 connect mid point on hexahedron and make figure by triangles, squares
Step_03 extrude end of surf. to large hexahedron’s edges.
Step_04 extrude end of surf. to large hexahedron’s edges. (square)
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Digital Cube_Snow Crystal
Increasing and connect units
make boundary regular cube
drawing small cube in boundary cube on center point
make point on boundary cube’s each surface’s center position
connect small cubes corners to surface’s point
make typical form
Model Picture & 2d Drawing 5X5X5_125 units connected
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Making form_Grasshopper Step to basic form making
draw Rec_Grid and move z-direction extrude them, make regular hexahedron (boundary form, large hexahedron)
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Digital Cube_Snow Crystal
select center points in boundary hexahedron used Volume(m3)
select center points in boundary hexahedron, make small hexahedron to Scale NU
using by module size slide and module num slide, chage models size and form
Step to basic form making_regular form design
figure_1. make triangles explode surface_Brep Components (Explode) - pick to mid point on each curve Point On Curve(CurvePoint) - theirs point connect and drawing triangle - making surface by 4Points Surface(Srf4Pt)
used Brep Components(Explode) explode hexahedron surfaces.
Point On Curve(CurvePoint) components pick to mid point on curve. Their points are used drawing rec. and Triangels.
Point On Curve(CurvePoint) components pick to mid point on curve. Their points are used drawing rec. and Triangels.
such as figure_1 drawing triangles and make surface
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Step to basic form making_center box’s rectangle
select surface_exploded surface by hexahedron _use List Item select one surface
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Digital Cube_Snow Crystal
select triangles around rec_surface. use join component tie their object
Surface Split(SrfSplit) component make surface on base form
making baseform by triangles and rectangles
Step to basic form making_center box’s rec-loft
figure_2. exploded base form - use their surface project to base from
use base rectangle’s surface ready to project regular forms rec use MD Slider support to pick vector direction
Project to regular form’s rectangle form
Project to regular form’s rectangle form use Scale NU adjistment their size
Loft regular form to project form
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Step to basic form making_boundary triangle’s loft
figure_3. exploded base form - use their edges for triangle’s range
base form’s edge line of half their are range’s of boundary triangle loft to base use point on curve
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Digital Cube_Snow Crystal
draw triangle by edge lines
loft to regular form’s triangle to edge’s triangle
Alternative Basic Forms Model
type 1x1
axix X - 1 modules axix Y - 1 modules axix Z - 1 modules Total amount - 1
module size : 6 module num : 1 center box : 0.5 boundary triangle : 0.700 center ext rec : 0.400
module size : 6 module num : 1 center box : 0.8 boundary triangle : 0.500 center ext rec : 0.300
module size : 6 module num : 1 center box : 0.1 boundary triangle : 0.100 center ext rec : -0.200
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Grasshopper Document Grasshopper step for modeling Phase 1
Making basic form rec_grid and volume(m3) make hexadron for model base form. They can be changed size and module size by sliders. select center points in boundary hexahedron, make small hexahedron to Scale NU.
Phase 2
Step to basic form for center box’s shape used Brep Components(Explode) explode hexahedron surfaces and Point On Curve(CurvePoint) components pick to mid point on curve. Their points are used drawing rec. and Triangels. select surface_exploded surface by hexahedron _use List Item select one surface Surface Split(SrfSplit) component make surface on base form making baseform by triangles and rectangles.
Phase 3
Boundary triangles loft srf & box’s rec loft use base rectangle’s surface ready to project regular forms rec use MD Slider support to pick vector direction , Project to regular form’s rectangle form. roject to regular form’s rectangle form use Scale NU adjistment their size. Finally Loft regular form to project form.
Phase 4
Join and preview modeling control parameter_module size, module num, center box size, boundary triangle size, center loft rec size each surfaces join and preview for controled by parameters.
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Digital Cube_Snow Crystal
control parameter_module size, module num, center box size, boundary triangle size, center loft rec size
Phase 2
Phase 3
Phase 4
Phase 3
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Alternative modeling and parameter’s value
module size : 6 module num : 3 center box : 0.3 boundary triangle : 0.700 center ext rec : 0.600
module size : 6 module num : 2 center box : 0.7 boundary triangle : 0.900 center ext rec : 0.900
module size : 6 module num : 1 center box : 0.4 boundary triangle : 0.900 center ext rec : 0.200 module size : 6 module num : 1 center box : 0.5 boundary triangle : 0.700 center ext rec : 0.400
module size : 6 module num : 3 center box : 0.7 boundary triangle : 0.300 center ext rec : 0.900
module size : 6 module num : 2 center box : 0.4 boundary triangle : 0.400 center ext rec : 0.500
module size : 6 module num : 1 center box : 0.8 boundary triangle : 0.500 center ext rec : 0.300 module size : 6 module num : 1 center box : 0.2 boundary triangle : 0.100 center ext rec : 0.300 module size : 6 module num : 1 center box : 0.1 boundary triangle : 0.100 center ext rec : -0.200
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Digital Cube_Snow Crystal
module size : 6 module num : 2 center box : 0.1 boundary triangle : 0.100 center ext rec : -0.200
2d drawings and parameter’s value
type 3x3
type 2x2
axix X - 3 modules axix Y - 3 modules axix Z - 3 modules Total amount - 9
module size : 6 module num : 3 center box : 0.3 boundary triangle : 0.700 center ext rec : 0.600
axix X - 2 modules axix Y - 2 modules axix Z - 2 modules Total amount - 4 module size : 6 module num : 2 center box : 0.7 boundary triangle : 0.900 center ext rec : 0.900
type 1x1
module size : 6 module num : 3 center box : 0.7 boundary triangle : 0.300 center ext rec : 0.900
module size : 6 module num : 2 center box : 0.4 boundary triangle : 0.400 center ext rec : 0.500
module size : 6 module num : 2 center box : 0.1 boundary triangle : 0.100 center ext rec : -0.200
axix X - 1 modules axix Y - 1 modules axix Z - 1 modules Total amount - 1 module size : 6 module num : 1 center box : 0.4 boundary triangle : 0.900 center ext rec : 0.200
module size : 6 module num : 1 center box : 0.5 boundary triangle : 0.700 center ext rec : 0.400
module size : 6 module num : 1 center box : 0.8 boundary triangle : 0.500 center ext rec : 0.300
module size : 6 module num : 1 center box : 0.2 boundary triangle : 0.100 center ext rec : 0.300
module size : 6 module num : 1 center box : 0.1 boundary triangle : 0.100 center ext rec : -0.200
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Model Study alternative modeling
view of type 3x3’s model
view of type 3x3’s model
2X2 type Model Spec_parameter’s information
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Digital Cube_Snow Crystal
type 2x2
axix X - 2 modules axix Y - 2 modules axix Z - 2 modules Total amount - 4
unit parameter value
module size : 6 module num : 3 center box : 0.7 boundary triangle : 0.300 center ext rec : 0.900
Model Spec_parameter’s information type 3x3
axix X - 3 modules axix Y - 3 modules axix Z - 3 modules Total amount - 9
unit parameter value
module size : 6 module num : 3 center box : 0.3 boundary triangle : 0.700 center ext rec : 0.600
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05 Punchbowl with Shine 路 Sky 路 Playing Guro 5-dong Kindergarten
Professional Works _ Guro 5 - dong Kindergarten Competition Theme : Kindergarten Design
First Prize Construction Complete Collaborative Work - aDLab+ with OWOL (Role : Masterplan, Concept, Mass Design, Plan & Section Development, Elevation Design, Program Arrangement)
2013.03 ~ 2013.06
Elevation color selection and arrangement Study 2013.05.20. in aDLab+
Site
Protection form Noise
This kindergarten design maxmize possibilities of site and is installed as linear shape in long site for consideration about efficiency of managing kids and activity of teachers. In this way, It can block noise of high-level road and harmful environment and develop intimacy relationship with Samgack Park.
Communicate
Mass & Volume
Compose Program
Eco Friendly System
Linear mass are composed to wall of high level road side, beween hall way and childrencare room , exterior wall connected with park
Through planning Playwall, hall way become potential space3 with storage exhibition , extended play.
We designed courtyard on 1st, 2nd floors for getting advantages about sunlight , natrual ventilation system and Eco friendly system.
Concepture Section Sketch
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Program Installation
078 │
Punchbowl with Shine · Sky · Playing
Eco Friendly for extended play space of kids
Natural connection from inside
Install exterior courtyard for green environment , vetilation and sunlight Warm and natural elevation
Inastall teacher’s room considring safty and see-sight
2F Plan 1. Wind Garden 2. Elevator 3. Slide for Emergency 9. Childcareroom for 4 Year old 10. Playing Wall
4.Play Room 5. Childcareroom for 5 Year old
6. Small Sunshine Garden 7.Toilet 8. Stair Room
Welcoming kids and parents fore court
Management of kids extended interior space and conthrough three dimensional necion with courth yard by using visual effect using exterior folding door space
1F Plan 1. Wind Garden 2. Main Entrance 3. Linving Area 4. Director’s Room 5. Teacher’s Room 6. Childcare Room for 1 Year old 7 & 8 . Toilet 9. Childcare Room for 2 Year old 10. Sunshine Garden 11. Childcare Room for 3 Year old 12. Toilet 13. Kitchen 14. Elevator 15. Sub Entrance 16. Playing Wall
colourful play space and court yard for sunlight and ventilation
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Colorful Space for Children We want to provide colourful space for children with program wall & courtyard. We wish kids could play in everywhere of this kindergarten naturally. So We designed program wall named “Playing Wall “ at long & narrow hall way. And also for presentating childish image, We design elevation with bunch of square and colour.
West Elevation
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Punchbowl with Shine · Sky · Playing
Playing Wall Drawing Wall
Closet Wall_1
Playing Cave
Exhibition Wall
wall_01
Closet Wall_2
wall_02
For realizing image of kindergarten , we need elements such as playing space naturally in this building. As installing playing wall with various holes and shelves, this space can stimulate kid’ fairy tail imagination. And this playing wall can give vitality to kindergarten’s atmousphere and arouse curiousity of kids through hole with depth and width. We really want kids to enjoy this space as much as they can by using their imagination with play. And also because there are exhibition program, hallway can be exhibtion hall autonomously.
Section
wall_01
wall_02
1. Wind Garden 2. Main Entrance 3. Linving Area 4. Director’s Room 5. Teacher’s Room 6. Childcare Room for 1 Year old 7 & 8 . Toilet 9. Childcare Room for 2 Year old 10. Sunshine Garden 11. Childcare Room for 3 Year old 12. Toilet 13. Kitchen 14. Elevator 15. Sub Entrance
16. Playing Wall
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This side elevation to stand next Samgack Park has various colour and size squre that realize star constellation for stimualting kids imagination. And it gives energy to sight from park and relax stiff image of builidng. This elevation is most important elements of this builing and representative design.
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Punchbowl with Shine · Sky · Playing
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2013.12.23
2013.01.17
2013.01.26
Discuss of elevation opening construction method
Adjustment slab levels
External material roman bricks were changed by red bricks.
Modify execution drawing 2nd floor’s outside terrace were changed by the interior storage
2013.02.04
2013.02.10
2013.02.12
Decision of entrance and toilet’s tile color and size.
Discuss nt panel opening detail construction and elevation coloring detail.
Choose red cedal’s oil stain color. (north elevation and courtyard)
2013.02.17 Discuss intertior material finish (wallpaper, molding, baseboard, ceiling, floor)
2013.02.24 Discuss handrail’s position in rooftop and kindergarten sign
South elevation coloring selection
Construction Timetable After supplying ordering organization as participated in architectural design team on june 2013 , we visited construction filed to progress construction about 70%, Field consultation is inevitable because of absencing interior team , We have to decide detail elements with construction team along plan of construction. In this situation we could participate in process of discussion & adjustment for realization existing design even including interior design. Now, this kindergarten is operating as named onsaemi from march . 2014 with 80 kids under management of gurogu.
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Punchbowl with Shine · Sky · Playing
Completed Builing Picture, VIew in Samgak Park, 2014.06.20
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06 Leica Flagship Store Leica Plagship Store in Seoul Personal Advanced design Studio Work Theme : Flagship Store
2013.09 ~ 2013.12
Camera obscura, from a manuscript of military designs. 17th century, possibly Italian
Prologue : Camera Obscura _ Essential of Camera The origin of camera is Camera Obscura appeared in B.C. (which means dark room in Latin) and this is the device digging small holes on the roof and wall of dark room and imprinting the true picture of outdoor on the opposite side of white wall or curtain. Use mirror and lens and it is the box digged the small holes for describing it. In 4 century B.C., Aristoteles, too, used this principle to observe the view of outdoor and in 15 century, Leonardo da Vinci used this in perspective experiment. Camera Bbscura is the tool makes the side that taking a picture opaque glass and put the paper to copy te picture by pencil. In 18~19 century, it was more supplied as means of assistance and became the tools that artists reserved. This became the essential tool to express the perspective feeling realistic descripton and deepness. Camera Obscura was based on the ivention of projector and camera and te camera was invented by using this principles.
Motive Images_view finder & camera cutway view
Leica’s View Finder Mechanism Diagram Range finder of Leica is the one of the most important elements for showing their inherent characteristics. The control about the differences of real view and view taken by picture is possible and monotonous and strong composition of machine is also possible.
Leica 1’s Cutway_mechanical internal view, this picture shows Leica’s organization
Concepture Drawing I researched about the basic properties of camera and the characteristics of light. The properties of camera provide experiential space for users by substituting the space or circulation of the building.
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Leica is the pioneer brand opened the period of small camera. It maintained its fame due to continuous innovation and challenge for 100 years which is founded by Oskar Barnack. Until
nowadays, it is highly favoured as the best masterpiece among many photographers. For long time, Leica is used as important tool for new picture aesthetics called ‘photojournalism’. It informed its fame with the field of famous history. The technology they developed brought the innovation in the same age and their camera which is based on basis and detailed made its independent image. Leica focused on the camera’s basis and kept on their decision and philosophy which led to brilliant development to make luxury image for camera brand.
Site : Chungdam-dong, Gangnam-gu, Seoul, Korea_Street of Luxury Goods
088 │
Leica Flagship Store
Concepture Model
Aperture Form Model
Aperture
Aperture + void
Specific Program and pathway
void makes lightbox and vertical connection
Acrylic Model_aperture space
Show window make exterior glasswall and aperture’s curtain layer
Darkroom & Punching Panel punching panel controls visual field and illumination
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Leica Corporate Value : best lenses, focus on the essential, long-standing values _ Passion and perfection for creating better images
North Side View
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Leica Flagship Store
East Side View
West Side View
Taking story about the characteristic of camera inside and outside of the building. Actively reflect the real image on the interior and exterior of the building by ‘light’.
South Side view
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Elevation Pattern
West Elevation Pattern
South Elevation Pattern
East Elevation Pattern
Base Module
Punching panel’s pattern size distribution
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Leica Flagship Store
North Elevation Pattern
Interior Facade Perspective View Experience mode of something different space and program is provided by the principle of light to users through the composition of space by the principles of camera.
Variation aperture_Elvation module Adjustment Elevation pattern opening size_like camera aperture
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Plan
Plan Diagram Each aperture part of building has variety of characters. They are circulation, auditorium or gallery. They make people see each other regardless of whether they are in or out. Also, it makes possible for people to experience all the building by the vertical and horizontal communication. They are placed on variety of level on the building and make experiencing stories for the users of building.
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Leica Flagship Store
Section
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The action of the inside is recognized from outside through the frame and landscape of outside and the change of light develop the various images through inner darkroom. Inner space and component make people think the image of the brand ‘LEICA’ even just by seeing it from outside by the forms of the monument.
North Side Elevation Perspective
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Leica Flagship Store
Aperture interior View_in Auditorium
Wall Section Detail Scale : 1/50
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Street View Model
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Leica Flagship Store
Section Model
Section Model_entrance Aperture
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Brand in architecture can bring about user’s perception to their purpose which contain brand’s business strategy, philosophy, design, identity, theme. Flagship store design, it is important to represent brand image that can be translated into physical space and metaphorical meaning. Leica is well known masterpiece camera brand for user. People are experience building, because they feel brand’s images and their philosophy.
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Leica Flagship Store
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07 Nature in House Small House Project
Personal Advanced design Studio Work Theme : Single House
2014.03 ~ 2014.06
This project started by setting the imaginery client. The site is placed around the Gwanghwa Gate. It is very important to set the characters of residence that correspond to the site because there are variety of characters of places in the city. It is also very important that new residential buildings correspond to surrounding changes or the site in the city. I planned the residence having variety of characters, interventing the green and designing the space for individuals in the city.
Plan compound type study
Schematic Drawing
Building on the variety urban story
Crient Information Twenty, Woman. Job : Diplomat Hobby - English Newspaper reading and translate - Study secondary foreign languages and translate(Japanese) - Collect postcards - Cooking - Console Game
Crient’s Requirements - Spaces are certain division - Nature in house - for Study and reading space - Optimization hobby space - Privacy Protection
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Section Diagram Various level in house. Human scale Level makes usabillity, differnt space feeling, and program division.
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Nature in House
Concepture Drawing Schematic Sketches on the Plaster Model
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5
6
4
8
3 7 2
Plan I planned the building by having the ultimate theme ‘small house’ and the
1
goal of ‘living alone at home’. The client mostly demands about the isolation of each function of residence. Also, he thinks very careful about the privacy and wants optimizated spaces for individual life. Also, he wants the intervention of the green.
1st Floor Plan
106 │
Nature in House
1. Entrance 2. Dining / Kithen 3. Multipurpose Dinner table 4. Sink 5. Toilet Booth 6. Stair Box 7. Playing Space / Closet 8. Peddle and wood floor
Exterior Terrace
3 4
Curtain
1
2nd Floor Plan
1. Study Space 2. Bed Room 3. Exterior Terrace 4. Stair box
2
3rd Floor Plan
0
1
3
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Section a - a’
Section The exterior and interior of the building looks like blocked completely. However, the natural light is got into it actively through the crack of the building. Also, the inner light shows itself inwardly from the outside. The spaces having each story inside the building are separated and connected each other and are possible to move with having one story. Low level has a bit of public character with the private life. High level connected with the stair room is connected with each programs and the open space appears completely on the outside.
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Nature in House
Section b - b’
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Elevation Pattern Study
Section Detail ( scale 1/50) The elevation is made up of exposed mass concrete using bamboo form. The bamboo pattern appears by not using direct natural material but using indirect one. Natural material and concrete make exterior wall imply the green from outside and also imply dramatical space change with outside.
Elebation Pattern Bamboo form Exposed Concrete (diameter = 50 1 inside and outside)
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Nature in House
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final model pic
112 │
Nature in House
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08 W - Pavillion_01 aDLab+ Summer Workshop
Professional Works _ Construction Project / Han-River Park , Yeouido Theme : Wood Pavillion Completed Work (Role : Design develop step, Mock-up models, Physical model setting, Construction)
Critic : Prof. Sung wook, Kim(AIA, LEED AP ) / Prof. Yu chang, Jeon ( AIA, LEED AP ) 2010.07 ~ 2010.10
Sectioning wood component part
Publicity and Bodyscape
Design losic is needed based on the user’s physical condition, and movement as interaction. The requirement of various perceptions, feelings, emotions, and psychology and the program offering about induced activities are needed
Serialize Drawing for Constrcution
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Parameters_human scale Modern society’s programs are flexible and complicated so individual is free and their selective activities is possible. In order to overcome the gap between the pinned building and changing programs active understanding about user needs and patterns and a corresponding architectural reaction is necessary. Pavillion in the park, a temporory shelter(station), plays an important role of program configuration in understanding a users’ behviors and patterns. Role of the design frequency and meanings are based on the repetition and changes so it reacts actively in a variety of body shapes. It can offer the forms and the spaces as an alternative to the reaction.
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W - Pavillion_01
Logical Section Digital Drawing alternate series With the object identity, in other words, the individuation of single materials and showing visual stimulation effect in its surface and shape through the changes of these can be made rather than directly conveying the characteristics of the properties of matter and the effect of the surface by the principle of serialism (Seriality).
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Construction Process hold the structural weight
supported by spine
Landscape pattern
Phase_01
Phase_02
supplied material_dimension lumber -2”*4” (1800mm*, 2200mm*) -ACQ_2”*6” (2800mm*)
Remove overlaped part, Set layer part - double layer, 15pieces per 1 group.
Phase_03
Phase_04
Model Study
Mock-up model
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W - Pavillion_01
Final Study Model
Final Study Model - Acrylic
Construction Drawing (layer 14) - Assembly
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Construction Diary DAY 01
DAY 02
DAY 03
DAY 04 - DAY 05
2010.08.26 Construction work start Drawing on the wood
2010.08.27 Drawing on the wood Making 10 layers / 1team
2010.08.28 Layer making work finished Whole layers moved to the site - Indurstry - Univ. Cooperation building
2010.08.30 - 2010.08.31 08.30 : Layer assambly work start, 20 layers 08.31 : Layer assembly work 40 layers
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W - Pavillion_01
DAY 06 2010.09.01 Layer assembly work finished Complete work on temporary site.
Transportation and Reassemble
1 set be composed of 4group
Phase_01 It has assembled enough to carry at least 4 people
Phase_02 Maximum transportable 11(11/22)
Phase_03 Fragment and Reassmble _on site
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Reassemble on site_Yeuido, Hanliver. 2010.11.24
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W - Pavillion_01
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09 W - Pavillion_03 aDLab+ Summer Workshop
Professional Works _ Construction Project / Gangdong Art Center, Seoul Theme : Wood Pavillion Completed Work (Role : Project Leader, Design develop, Mock-up models,Drawing, Physical model setting, Construction)
Critic : Prof. Sung wook, Kim(AIA, LEED AP ) / Prof. Yu chang, Jeon ( AIA, LEED AP ) 2012.07 ~ 2012.09
Algorithm Plan Stacking wood component part
A0 < a < b a < b < A1-a d < c < A3 A2 < d < c-A2
Stacking wood component part
A0 < a < A1 B0 < b < B1 d < c < A3 A2 < d < c-A2 A1 < e < A2
A0 < a < A1 A3 < b < A0 A2 < c < A3 B0 < d < B1
A0 < a < b a < b < A1-a d < c < A3 e < d < c-A2 A2 < e < d A1.5 < f < A2 B0 < g < B1
Basic Design Step_Serialize Line Drawing
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Coding “ Logical Stacking” Arternate series
Alternative_05
Alternative_02 Alternative_08
Alternative_04
Alternative_01 Alternative_07
Alternative_03 Alternative_09
Alternative_06
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Section_A Function A + Function B
Section Perspective Drawing
Section_B Function A + Function B + Function E A B C
Stacking Layers Top View Drawing
Section_C Function A + Function D
Function A : Sitting Function B : Leaning on Function C : Looking at each other Function D : Laying Stuff Function E : Pass through
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Study of making Surface _ wire matches
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Inner View of Model
Unit type Model
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Construction Drawing (layer 6) - Assembly
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Construction Drawing (layer 6) - Parts
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Construction Assembly Drawing Set
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Construction Diary DAY 01
DAY 02
DAY 03
DAY 04 - DAY 05
2012.08.13 Construction work start Drawing on the wood Measurement wood size and cutting for fabrication
2012.08.14 Drawing on the wood Start fabrication units
2012.08.15 Modification construction error All units making finished
2012.08.16 - 2012.08.17 08.16 : Whole layers moved to the site , Indurstry - Univ. Cooperation building 08.17 : Layer assmbly work finished
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Reassemble on site_Gangdong Art Center, Seoul. 2012.11.03
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Art Works & Personal Act
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Munlae_dong, Art + Factory Concepture Drawing, Sketch Regenerate it by the power Munlae-dong itself has as the space. Munlae iron foundary grow naturally with its placeness. It has the memory of modern Seoul and has new possibilities as the place sharing the life with ironsmith masters and artists. Plan the communication of the isolated city by the plan through the reinterpretation of place and rearrangement of programs.
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Art Works & Personal Act
African Tree
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Art Works & Personal Act
Lisbon - Cabo da Roca - Sintra - Badajz - Sevilla - Toledo - Cordoba - Madrid - Barcelona 2009.07
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Bojung-dong Concepture Idea Sketch The site has image overlapped with the community of many stories. The site connote the newly combined experience with not only the stories seen by eyes but also the stories not seen by eyes. The site will make more new stories with many experiences.
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Art Works & Personal Act
Tree_01
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Art Works & Personal Act
Amsterdam - Delft - Bruxelles - Brugge - Luxembourg - Vianden - Frankfurt
2012.07
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