M i n j i
K i m
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p o r t f o l i o
architecture
product design
art
REVEAL RETURN TO THE SEA CULTURE PATH DOUBLE NEGATIVE
CHAIR INSERT THE LIGHT HANDIER GRATER RETURN TO NATURE WSPA
ISOMETRIC PERSPECTIVE DRAWING
architecture
REVEAL
REVEAL INSTITUTE COURSE INSTRUCTOR PROJECT COLLABORATION
CLEMSON UNIVERSITY DESIGN STUDIO, FALL 2012 UFUK ERSOY ENLIGHTENING LIBRARY INDIVIDUAL
PENDLETON BRANCH LIBRARY
EXISTING LIBRARY
PROGRAM static activity
weak daylight
reading media
computer
book stack studying info. desk meeting patio children’s activity
CONCEPT COLLAGE Pendleton, South Carolina’s small town community library has the potential for a greater educational and technological impact to its patrons. The site is composed of two parts: the neo-classical branch library and the remains of Tanglewood Mansion, a historic home from Pendleton’s past. Reveal, a proposal for the new Pendleton Branch, ties the two elements together offering a passageway into historic Pendleton by interpreting the ruins as an educational tool. A multilayered glazing system blurs the boundaries between in and out while simultaneously covering parts of the building and the ruins’ history. In this system, each layer ’s material quality and texture vary depending upon the activities taking place behind it. The outer-most layer, which is made of frosted glass panes, would cover the ruins and let the building emphasize harmony within the landscape. The layers of glass give the feeling of ambiguity and provide a comfortable interior environment. In addition, the translucent glass panes, which make up the outer layer, face north and allow visitors to appreciate the ruins by providing a clear view from outside and inside the library.
NEW SITE PLAN
ruins
gallery
dynamic activity
strong daylight
reading area
computer area garden
elevator
utility area restroom - below mezzanine
entrance
book stack
garden
meeting room
book stack
studying room
gallery - mezzanine floor
stairs
employee entrance stairs
utility area
meeting room
book stack
flexible area
computer area
ruins
children’s activity room
waterway
book stack
info. desk
entrance
garden & water storage
children’s reading area
utility area main entrance
outdoor sitting area
patio - me
frosted glass layer of inside
garden layer
PROGRAM & LAYERING SYSTEM
right angled glass layer
PLAN
frosted hanging glass layer
ezzanine floor
stairs
frosted glass layer
patterned glass layer of inside
ruins
first layer of outside second layer of outside
colored rebar layer of inside
perforated metal layer of inside
LAYERING SYSTEM The various glazing layers inside the building endow each space with a specific character thanks to their different textures and patterns. For instance, the glazed layers in the meeting rooms perform as screens o r m e d i a t o o l s . P a r a d o x i c a l l y, t h e glazed layers of the new library simultaneously act as separators and mediators. The glazing is placed strategically so that it can protect the books from harmful sunlight and create enough natural light for reading and intruding courtyards.
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rd
en
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re
STRONG VISIBILITY FROM LAYER
string
n ’s
patterned glass
me ro
om
et
ing
re ro
om
ad
etched glass
co ing
ar
ea
mp
ut
er
ar
ea
WEAK VISIBILITY FROM LAYER
convex glass
co
mp
ut
er
ar
ea
frosted glass
ga
stained glass
bo lle
ry
ok
painted glass
stu sta
ck
dy
ing
ro
om
The roof keeps that appropriate balance between too much sunlight and not enough. It achieves this balance with a two-layer system. The inner transparent and opaque panels are used to filter the light. The outer metal blade system provides shade. In a d d i t i o n , o n e m o r e t r a n s p a r e n t g l a s s l a y e r, t h a t c u t s t h e r o o f i n h a l f, b r i n g s e x t r a daylight and directs water for a rainwater harvesting system. The windows on the west faรงade and main entrance enable wind to pass through the building.
SUSTAINABILITY
3D SECTION WATER STORAGE 1 DAYLIGHT 1
DAYLIGHT 2 VENTILATION WATER STORAGE 2
rest room - below mezzanine floor
gallery - mezzanine floor
patio
computer area book stack heating & cooling system reading area
3D SECTION
book stack water storage
wind
w
e
VENTILATION w
rain
angled roof
e
water storage
WATER STORAGE 1 rain
rain n
s
angled glass well water storage
WATER STORAGE 2
summer
summer
n
shading system
w
opaque panel translucent glass
reflection to the inside
DAYLIGHT 1 - NATURAL LIGHTING
translucent glass
book stack
winter
opaque panel patterned glass
reflection to the outside s
light well
winter
DAYLIGHT 2 - SHADING FROM HEAVY SUNLIGHT
e
1
sunshade blade
2
mounting bracket
3
steel structure
4
beam
5
column
6
roof panel
7
sub-beam
8
opaque panel
9
cable
10
glass panel
11
clamp
12
mullion
13
gasket
14
bracket
15
door header
16
bottom rail
1
3 4
a
opaque translucent
c
transparent
2 OUTER LAYER STRUCTURE
6 5 c a
4
7
a
INNER OPAQUE AND TRANSPARENT PANEL filtering
8 9 INNER LAYER STRUCTURE 10
11
cable net hanging wall c
TRANSPARENCY b
OUTER METAL BLADE SYSTEM shading
shading roof system
ROOF STRUCTURE
COMPONENTS
4 14
MEZZANINE FLOOR
b
5 10
c
12
SECOND LAYER OF OUTSIDE
13 curtain wall
FIRST LAYER OF OUTSIDE
b
COLUMN
STRUCTURE Clear curtain wall system not only enhance the energy efficiency of the library but they provide a desired a e s t h e t i c q u a l i t y. A l s o , t h e s h a d i n g a n d f i l t e r i n g s y s t e m would be an essential element in this project to optimize energy performance and indoor environmental quality while controlling solar heat gain and incorporating indirect daylight and views.
CONCRETE FOUNDATION
FOUNDATION AND FLOOR STRUCTURE
b
architecture
RETURN TO THE SEA
SALT WORK & INSTALLATION
RETURN TO THE SEA INSTITUTE COURSE INSTRUCTOR PROJECT COLLABORATION
CLEMSON UNIVERSITY DESIGN BUILD STUDIO, SPRING 2012 DAVID PASTRE HALSEY GALLERY ART INSTALLATION STUDIO
Designing, fabricating, and installing a viewing platform to better appreciate the salt installation of a r t i s t M o t o i Ya m a m o t o i n t h e H a l s e y G a l l e r y a t t h e C o l l e g e o f C h a r l e s t o n Pe r s o n a l c o n t r i b u t i o n t o p r o j e c t e n t a i l e d d e s i g n , m o d e l i n g , r e n d e r i n g , p r e s e n t a t i o n o n d e s i g n s t a g e a n d cutting, welding,assembling, and installation on building stage.
1. INDIVIDUAL DESIGN: HORIZON
Give visitors different and various view points - height, order, position. Provide comfortable feeling to visitors. Make visitors stay more to appreciate. Make visitor meditate from Motoi’s art.
2. GROUP DESIGN: THE PIER
Enhance the viewers experience without distracting from the work. Make the platform functional, structurally sound, and user friendly. Provide the simplicity and elegance of the structure. Provide the aerial view for visitors.
3. FINAL GROUP DESIGN: THE PIER
BUILDING PROCESS
SITE PLAN
SECTION
SECTION
6”X6” steel tube, column
6”X1/4” steel plate, stair base
wood stair thread
6”X6” steel tube, beam
welding joint
PLATFORM LEVEL PLAN
2”X4” steel tube, armature
6”X6” steel tube, column
stud joint
1.5”X1.5” steel tube, post
ASSEMBLING PROCESS
architecture
INSTITUTE COURSE INSTRUCTOR PROJECT COLLABORATION
CLEMSON UNIVERSITY, BARCELONA STUDIO GRADUATE STUDIO, FALL 2011 JORDI MANSILLA-ORTONEDA THE SURGICAL INTERVENTIONS FOR URBAN TRANSFORMATION PARTNERSHIP
Culture Path is an experience consisting of multiple layers. Each ring: that of programs, a larger pedestrian space, and vegetation make up a new public space that is both indoors and out. It consists of 9 main programs: a market with attached community garden and cooking school, a large exhibition space to host various artists, a library, an auditorium, a soccer field, music and dance studios, as well as a daycare. The initial programs were decided based on a loudness factor, as our initial concept surrounded the idea of loud traffic and providing a way to escape from it, into a more intimate and public space. Facades were built to further this concept and protect the programs. This further developed into a new ring: vegetation. Now, the people of 22@ are provided with easy-access parking, wider pedestrian areas inside and outside of the blocks, as well as new green spaces.
SITE The site is surrounded by four streets lined with empty warehouses and property. Culture Path claims this site as new public space by organizing street parking which widens available pedestrian circulation. Locations and program of the cultural centers are determined by factors such as street noise and safety. These factors also determine thickness and organization of facades, solutions of forms such as ramps and stairs, and locations of windows and doors. The location of windows and doors provide a connected vegetation ring through the site and cultural centers.
pedestrian parking space traffic warehouse empty space loud area middle quiet area program new public vegetation ring
OPERATIVE MAP
ing cook s clas dayca
2
re
1
1
2
mark
et
u n it y c o m md e n gar
2 3
3
3
e x h ib
it io n
3
3
3
3
2
3
1
music & dance studio
library
3
2
2 2
1
3
FACADE TREATMENT
2
soccer field
auditorium 2
1
1 1
VEGETATION POSITION
1
SITE PLAN
VEG
E TA
TIO
NR ING
vegetation on ramp
vegetation on stairs PU
BLI
CP AT H
WA
Y
vegetation on facade
vegetation on sidewalk
vegetation on road CU
LT U
RA
LP RO
GR
AM
S
pathway
grass
CULTURE PATH FABRIC
product design
CHAIR
CHAIR INSTITUTE COURSE INSTRUCTOR PROJECT COLLABORATION
CLEMSON UNIVERSITY PRODUCT DESIGN, FALL 2011 ROBERT SILANCE CHAIR DESIGN INDIVIDUAL
Creating a unique and solid structure Fabricated by bending, stacking, assembling, and joining
DRAWING
MODELING
top
elevation
cnc cutting
router cutting
assembling zig
completed zig
bending
completed strap
PROCESS
zig
be
nd
sta ing
as tra
p
cki
ng
com str
aps
wit
hg lue
ple
ted
sec
not
tio
n
chi
ng
m
pl
e
m
m
m
lin
se
se
se
co
sp
as
as
as
et
io
n
t
g
g
g
in
in
in
in
jo
bl
bl
bl
product design
Insert the Lights
USER SCENARIO
Insert the Lights INSTITUTE COURSE INSTRUCTOR PROJECT COLLABORATION
SAMSUNG ART AND DESIGN INSTITUTE PRODUCT MODELING, FALL 2007 YEONG-CHUN PARK LIGHTING DESIGN INDIVIDUAL
Turn on the lights by inserting glass tubes into body’s holes. Control the intensity, direction, and height of illumination yourself. This is a nature-friendly design. Body is finished with glossy dark reddish brown paint. Frosted glass tubes make the light soft.
SKETCH
RHINO MODELING
PRODUCT MODELING
top
perspective
front
right
688.00 cm
20.00 cm
126.83 cm
product design
Handier Grater
Handier Grater INSTITUTE COURSE INSTRUCTOR PROJECT COLLABORATION
SAMSUNG ART AND DESIGN INSTITUTE PRODUCT REDESIGN, FALL 2007 YOON-DONG LEE EVERYDAY GOODS DESIGN INDIVIDUAL
More convenient Cleaner Safer Grate food with newly designed handier grater
PROJECT DEFINITION
UNDERSTANDING manufacturer, consumer price, production cost, material, molding methods, grater analysis, market understanding.
OBSERVATION AND OPPORTUNITY
CONCEPT DEVELOPMENT
FINAL PROPOSAL
observation: the analysis of user and user ’s circumstances through interviews and survey, field research.
product concept: controlling the grating direction, sturdy grip, cylindrical shape, use of materials such as rubber, stainless steel, and transparent polypropylene. design concept: transparent, pure, curvy, smooth, handy.
sketch:
market trend
goal
low price
function + Form
grater is my choice for value up redesign of inexpensive everyday goods. An innovative and original product redesign concept.
function
high price opportunity: hard to wash, hard to store, food stuck in the grater holes, need for measuring the quantity of contents, untidiness around the grater, safety, slippery handle, need for better shape.
3-Dimensional modeling:
product design
Return to Nature
Return to Nature INSTITUTE COURSE INSTRUCTOR PROJECT COLLABORATION
SAMSUNG ART AND DESIGN INSTITUTE SAMSUNG ELECTRONICS - UNIVERSITY COOPERATION, WINTER 2007 MYUNG-JIN KIM APPLIANCE PATTERN DESIGN INDIVIDUAL
Today’s destruction of the environment threatens the whole world. Customer demands for green products and technologies are on the rise. Customers want high technologies with green design, daily necessities made of natural materials, and nature-preserving green electronics. Using dimensional mix and fantastic illusion, the pattern is designed to respond to rising needs of customers.
BACKGROUND
product trend: many products with description like natural, home-made, and eco become popular and successful. the trend of environment-friendly products affects corporate management plan as well as personal ethics.
interior trend: there is a use of natural materials. the use of soil, stones, pebbles, plants, and sun light is considered as an emerging style in interior design. the use of nature wallpapers and placing plants inside the structures emphasize green design.
CONCEPT
high technology + nature daily necessities = natural object global warning - green Electronics
KEYWORDS
feel nature closely with state-of-the-art green technologies. realization of green ideal with nature patterns.
di mensional mix + fantastic illusion
architectural trend: with a motive from nature, architects express mode curved lines. due to increased demand for green buildings, ecolo used widely.
ern and futuristic features of
ogical construction materials are
APPLICATION
Maison and Objet Paris, 2007: interior design items using soft, peaceful, and comfortable materials of nature. objet and space soiled by the hand over times with emotion. Trend of dull brown and green color.
warning: warning about global warming. many islands will sink under the water as the sea level rises. corporate responsibility to protect environment is vital. Unregulated e-waste has been piled up in underdeveloped countries. The notion of ethical shopping is widely spreading across the world.
product design
WSPA
WSPA INSTITUTE COURSE INSTRUCTOR PROJECT COLLABORATION
SAMSUNG ART AND DESIGN INSTITUTE 2-DIMENSIONAL DESIGN, SPRING 2007 MYUNG-JIN KIM PATTERN AND IDENTITY DESIGN INDIVIDUAL
A proposal for identity renewal of World Society for the Protection of Animals Brand identity of WSPA inspired by endangered frigate bird. Contrasting images of one frigate bird flying high and another cowering in fear are used to create pattern design. These patterns represent the meaning of WSPA that people should protect endangered species. Earthy, traditional, and calm colors express seriousness.
DRAWING
SIMPLIFIED DRAWING
IDENTITY RENEWAL
art
Isometrics
Isometrics INSTITUTE COURSE INSTRUCTOR PROJECT COLLABORATION
SAMSUNG ART AND DESIGN INSTITUTE DRAWING CONCEPTS, SPRING 2007 BYUNG-WANG CHO ISOMETRIC PROJECTION INDIVIDUAL
Knife drawing The drawing expressed by cutting shows my understanding of isometric projection.
art
Perspective drawing
Perspective drawing INSTITUTE COURSE INSTRUCTOR PROJECT COLLABORATION
SAMSUNG ART AND DESIGN INSTITUTE DRAWING FUNDAMENTALS, SPRING 2007 JEONG-YEON RHEE PERSPECTIVE AND BODY DRWAINGS INDIVIDUAL
Drawing techniques with a focus on developing observation, visual sensitivity, and concrete expression
s p r i n g
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