Analysis of artworks

Matrix of paintings studied

Conclusion through design exploration

LAYOUT 1

Suprematist interior design is inspired by works of art created in the early 20th century by Russian avant-garde artist Kazimir Malevich.

Here there is a blend of colour and geometry, where colour is conveyed through simple geometric images on walls, paintings, furniture and accessories. Grey colour tones, black and white with red colour accents can be a good colour combination as Malevich used a limited range of neutral colours and red colours. Here the presence of colour and forms are the key factors in creating two different spaces yet creating connection between them. Also the tilted square behind the painting shows Malevich’s interest in aviation, a sense of floating and transcendence. The red band below the painting creates contrast with the tilted forms and shapes. The light background creates infinite space for the painting, thus shapes appears to be moving in space. And it also enhances the look of the painting and gives the feeling of lightness.

LAYOUT 2

Here a sense of infinite space (representing nothingness) is there as all the walls are painted white. It can represent feelings that could be gained through observation without any pre conceived ideas. Rectangles seem to be moving beyond a sense of space, they are tilted in one direction, a slight change in the orientation of any shape can create focus on that part and it also can make viewer think about the same. The black band creates contrast and a sense of direction on the opposite side, thus helping to connect different spaces. The presence of a single furniture piece (table) can define the human scale.

LAYOUT 3

Here the simplicity and clarity is gained through the use of lines and geometric shapes. A visual language is created through simple shapes and colours (Malevich used squares, circles and rectangles and only a few colours to create his artwork). The rectangles in the painting are slightly tilted. Use of straight lines creates contrast visually, maintaining simplicity and the qualities of the style of artworks. Also the use of white coloured walls does not concise the space.

LAYOUT 4

Here contrast is created as the artwork burnt wood with a blowtorch is placed on white acrylic podium. The painting has a sense of drama, the idea of unpleasantness which is hidden beneath. Thus white curtains can add simplicity and calmness in the surrounding of the complex artwork. As Jeram Patel’s blow torch experiments were just a conversation he probably wanted people to have. It can be interpreted and experienced as it is against white curtains. As white and light has a sense of infinity so one can have dialogue with it instead of decoding it.

LAYOUT 5

Here the painting seems to have multi directional and random movement as there is no such focal point. When viewed from side one can clearly see a topographical form with suppression and depression. Also the artwork is on wooden base. It can help to connect two spaces such as open and closed or semi open space. As there is a hint of colour hidden beneath the monochrome and abstract shapes with colour red for space and significance, similarly plain walls provides sense of openness and infinity and can help highlight the artwork along with the use of simple furniture elements. Also the ends of rugs on the floor have a sense of brush strokes, as in Jeram Patel’s paintings large strokes can be seen on the canvas when viewed from a distance.