Interior Design Portfolio by kirana ariana

POR TFO LIO K RA A ARIAN

inp

ja n u ry 2 021 a

A NA R I

profile

ARIAN

TELP

(+62) 8577 2397 189

MAIL

kiranariana98@gmail.com

ADD

Jl. Kertajaya Indah V/33 60116, Surabaya, Indonesia

WEB

www.behance.net/kiranariana

Hi! Kirana Ariana here! My enthusiasm towards art and design has brought me to pursue this career in the 3D world. I acquired my design education in Singapore and the United Kingdom. As a future interior and exhibition designer, I aspire to be an innovative, sensitive, as well an active learner to curate user centered designs. An energetic and ambitious person, initiative and organized when it comes to team work. I am keen to take on unique and exciting projects to improve my skills and broaden my view on design.

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001

TR OO FF Cyclistsâ&#x20AC;&#x2122; Transit Roof, London Interior Architecture Student Project University of Hertfordshire September 2019/2020

THE ISSUE Cycling’s popularity in the 1960s dropped significantly due to the technology of motor vehicles. The importance of cycling is used as a method to promote a sustainable commute in hopes that it will help reduce

pesky pollution and traffic

congestion.

PROJECT BRIEF A cycling oriented programme built to serve Transport of London (TfL)’s sustainable travel strategy which is bringing back the popularity of cycling to help London’s pollution and congestion. This project explores the creation of an indoor cycle route infrastructure that wraps around an existing 4 storey building, turning it into a visually-appealling, purposebuilt headquarters and cycle through shop for cyclists of London.

OBJECTIVE 1

To hone and cater for London’s cycling culture.

To increase the numbers and interest of active cyclists (in hopes of preventing congestion).

To intrigue non-cyclist the activity of cycling.

TARGET AUDIENCE Cyclist (primarily), public

SITE 2 Bagley Walk, Kings Cross, London N1C 4PQ

King’s Cross Boundary Cardinal Direction Surrounding buildings Chosen Site Main Road

O F F DI

OFF SH OP

O F F ME

OFF TH

THE PROGRAMMES

[coffee shop

[a dine-in

[meeting space

[bike compact

bike thru]

bike cafe]

& workshop]

store]

STORYLINE

“integrate to ones’ typical commute journey: a traffic shifting commute stop.”

The

diagram

typical

suggests

commute

journey

from location a to b. What is between those two locations

Departing

Destination

or the system that enables

Location

them to commute is by the road infrastructure.

road infrastructure = proposed transit stop 9

? ?

Static

Change

Threshold

Accustomed

Made Aware/

Action/

commuters.

Eyes Budged.

Push Interaction.

budging traffic

THE CONCEPT A concept extracted from Londonâ&#x20AC;&#x2122;s cycling infrastructure history: budging traffic: taking

away a portion of

something rapid to make space for a new element (that is beneficial to the plan, like how cycle lanes shifted the existing traffic. TfL budged Londons existing congested roads to implement a

healtier

commute

method).

New

element made from the protion that was taken. Juxtapositioning victorian architecture with contemporary.

*concept model illustrating: taking away parts of the cube to create a new element within the cubes. *cut-out areas creates opportunity to highlight cycle juctions.

THE EXTERIOR Aim to create an cycle path system for cyclist to commute within the building: Propose to create a parasite structure that has a one way loop system as it suggests an effective way finding system and is space efficient. By erecting a steel structure to support the elavated cycle path, allows the interior space to have more room for mobility.

Exisitng mass.

Parts that are subtracted/ Cut outs that will highlight cycle path juctions.

New mass additions.

New mass improvised according to function. (new element)

Main addition to new element/ Cycle path for indoor mobility. 11

CYCLING

TFL’S ROUNDEL

ARCHIECTURE IDENTITY PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

IDENTITY

TR OO FF

The logo had to represent the Tfl’s uniform logo, the audience & main activity: cycling, and the wow factor of the proposed space.

CYCLISTS’ TRANSIT ROOF for LONDON

‘T’

‘R’

‘OO’

‘FF’

COLOR SCHEME As TfL has different colors to represent each transportation, orange will be the color for this indoor cycling space.

8 7 9

Steel structure in white

Plywood

Concrete paint in white

Black timber slats

Orange tinted glass

Steel staircase in green paint

Concrete blocks

Concrete pouring

Concrete paint in orange

BASEMENT FLOOR

GROUND FLOOR

TROOFF Dine: Rentable bike parking

TROOFF Thru: Pick-up Point

TROOFF Dine: Compact self-repair bike corner

TROOFF Thru: Ordering Station

TROOFF Dine: Dining Space

TROOFF Shop: Bike Convenient Shop

Manager’s Office

TROOFF Reception

TROOFF Dine: Ordering Stations

TROOFF Meet: Check-in

TROOFF Dine: Kitchen

Security’s Office

Toilets

floor plan 1

5 3

PUBLIC

PRIVATE

FIRST FLOOR

SECOND FLOOR

TROOFF Meet: Meeting Space

TROOFF Meet: Workshop Space

TROOFF Meet: Workshop Spcae

TROOFF Meet: Meeting Spcae

TROOFF Meet: Parking Space

TROOFF Meet: Pantry

Toilets

TROOFF Meet: Parking Space

Toilets

sectional elevation

BASEMENT: BIKE DINE-IN CAFE The design of the order area is referenced to a park as cycling is an activity outdoors where its paths are usually wrapping a park. The dining space offers 2 types of seating arrangement.

this

arrangement,

tables of 8 are introduced, designed for individual visitors bringing their bikes where they can park near them. The panels separating the two sides of the table rotates to create seperation for groups of 2-6 seatings.

trooff dine

GROUND LEVEL: RECEPTION, SHOP Provides registration services and

cycling

necessities

(TROOFF shop) . The shop is also a convenient store. Partial of the level is a dismount zone as it might bother the flow of the shop. The cut-out floors highlights the spagetti junction of the infrastructure.

trooff shop 18

trooff thru 1

Cyclists coming from the shop/ outside.

Cyclist coming from the 1st/2nd floor.

5 4

Order from ordering machines

Proceed to wait on the striped floor.

When order is ready, cyclist get back to cycle path and pick up necessary condiments

the

right. 2

Pick up is at the corner before the exit.

trooff meet FIRST LEVEL: MEETING SPACES AND WORKSHOPS The 1st floor workshop uses the panel configuration as a system to connect and separate different rooms. When the doors are open, it elongates the space of the workshop. The direction of openings are indicated on the flooring. (Doors are able to function as normal doors). The meeting space is flexible in terms of furniture arrangement. The partitions are able to function as able or a writing board. As seen, when the tables and doors are closed, its creates 2 private rooms.

FIRST LEVEL: MEETING SPACES AND WORKSHOPS Signs

are

valued

elements

this

programme as it helps to create a safer mobility atmosphere. Cyclists are required to dismount in areas that dont have a cycle path flooring or areas that have a dismount sign. The 1st floor workshop space of the 2nd floor is more opened and is generously lit by the new sky light as it faces the south side. The multi-functional tables and partitions that are seen in the first floor are repeated here.

trooff meet

The west end of the building is the exit from the TROOFF Thru. Cyclist are able to access the exit freely as the wide pavements are familiar with cyclists.

The different facade views of night and morning. The green steel structure fades and gives emphasis to the white railings at night.

002

the rameh fugang Commuity Kitchen, Singapore Interior Architecture Student Project NAFA Singapore September 2018

THE ISSUE The slow fading of Eurasian culture in Singapore due to uncontinuing culture inheritance to the following generations.

PROJECT BRIEF The community kitchen comes in as a platform for Eurasian families and families of any race to come, gather, and cook together. An indirect message of practicing inheriting culture to the next generation in context of food.

TARGET AUDIENCE Children (primarily), Families

SITE SAM at 8Q, 8 Queen Street, Singapore

Visitor path 50 m radius from site First Eurasian Enclave Chosen Site Main Road

The area is surrounded by several educational institutions, religious places, art centers, and shopping malls which families are familiar with.

THE OBJECTIVE

THE CONCEPT Defining the functions of a calendar. Every culture has their own calendar

MARKS TO FRAME

which leads to the idea of giving Eurasians their own calendar (which they do not have). The space is a representation of calendar marks of special events for a Eurasian. Creating different

ways

express

framing

memories within the space.

“Gathering” “Framing” “5x7 Grid”

THE PROGRAMMES Defining the functions of a calendar. Every culture has their own calendar which leads to the idea of giving Eurasians their own calendar (which they do not have). The space is a representation of calendar marks of special events for a Eurasian. Creating different ways to express framing memories

RING A

IA N BA K

Y ER

E TH

ITY K

CO M

within the space.

THE FUGANG, Community kitchen, divided into 3 separated kitchen spaces representing different events of the year. Each kitchen spaces serves different dishes depending on the event. THE AFTERNOON TEA, a bakery/cafe serving signature Eurasian snacks that are eaten during afternoon tea almost everyday. THE RAMEH, the dining space/gathering space where families bond and enjoy their meals and share with other families.

N MU

ITY

CH KT

/ INGNG T A SE DINI REA A

YE LA

THE DIAGRAM

O :Z

IA :D

NIN

The layout is designed in a non-structural way. Visitors are allowed to enter any space first as they want. The two activity spaces have a

common

which

was

Y LA

1 ER

RID

outcome dining

together. Which leads to the sharing dining space.

The Afternoon Tea [bakery]

The Rameh

[gathering area] 3

The Fugang [community kitchen]

THE AFTERNOON TEA The bakery provides an opportunity for visitors to experience a Eurasianâ&#x20AC;&#x2122;s daily routine, which is having a cup of tea an a traditional eurasian snack in the afternoon. The bakery provides snacks tea for visitors who doesnâ&#x20AC;&#x2122;t want to cook their own food.

THE FUGANG Fugang means â&#x20AC;&#x2DC;Kitchenâ&#x20AC;&#x2122; in Kristang. The key message is to pratice culture inheritance

context

food

children which leads to the approach of creating a playful and family friendly space. The design encourages children to participate in the process; where they can get the ingridients in a fun way. The space itself has different ways to capture different moments when spending time in the kitchen. The community kitchen is the media that will bring families together.

THE RAMEH

Rameh means ‘Gathering’ in Kristang. The Spatial structure of the dining/ seating space was developed from a calendar grid where the special events of 2018 had been marked down. Those marks created shapes that are then folded in a certain manner to create the structure base of the space. 4 structures from 4 shapes are combined to form a 3D space and is used to determine the spaces’ floor, wall, and celing of the dining space.

003

a day with the sun Gentle Monster Retail Store Interior Architecture Student Project NAFA Singapore January 2018

TARGET AUDIENCE Sunglasses customers.

SITE Bugis Plus Mall #02-17

A DAY WITH THE SUN THE CONCEPT Personal meaning of luxury: having time to spend a day in the beach Aim to create an experience of the daily movement of the sun. Creating an ambience that mimics a sunrise travelling to the sunset. Gentle Monster is brand that values conceptual art installations, therefore, it is a mission to create store that is an art work.

Surrounding Buildings Chosen Site Main Road

Level 2 is strictly only for retail stores. The area is familiar with youngsters and working aged people. High End stores are slowy being introduced which is a good opportunity for Gentle Monster to Recide.

Concept model in the center is a representation

of visual

movements

mimicing elements found in the beach. The two elements moves in rotation as if it is becoming one but are still seperate, like the sea and sand. Design elements: contrast, gradation, emphasize, movement.

sunset

sunrise

The store is devided in to two areas: sunrise and sunset. Since the store is facing east, sunrise greets customers

SUNSET AREA

first.

SUNRISE AREA

The shop front facade is closed off to built curiousity. It has earthy tones of concrete

porcelain, warm

travertine

stone, and also hanging plants. The window display has hints of elements to tell vistors about the concept of the space. The dull exterior will be a contrast to the colorful interior. 42

SUNRISE AREA The sunrise space is the zone that greets customers and introduces products. The palm tree, pebbles, and seashells are hints of the beach. Filled with mirrors to extend the walls The Sunrise area has accents of orange lighting and bright walls to indicate morning in this area.

SUNset AREA The sun sets in the west which puts the sunset area at the back part of the shop which concludes the journey on the cashier. Sunset

represented

with

purple

lighting to indicate the setting of the sun. completed with dark walls to sense the coming of dawn.

004

unparalleled Vertu Office Design, Singapore Interior Architecture Student Project NAFA Singapore January 2018

PROJECT BRIEF An office design project redefining Vertu’s identity in the luxury handphone industry by softening its image through interior. Creating unparalleled experience of spatial hierarchy within te 3 storey shophouse to enhance its slogan, ‘Unparalleled Communications’.

TARGET AUDIENCE Vertu workers

SITE 88 Duxton Road, Singapore

Surrounding Buildings Chosen Site Main Road

The site is located in Duxton Hill, which is 5 minutes away from the duxton plain park. Surrounded by a few MRT stations. The location is strategic because it is near the city and the place is filled with cafes, offices, and other community places.

unparalleled

THE CONCEPT The concept is taken out from Vertu’s slogan where they said “unparalleled communications”. In this office design,

/ʌnˈparəlɛld/

the

adjective

the company are all involved with each

other, meaning everyone will cross one

Having no parallel or equal; intersection.

word

“unparalleled”

means

working environment where members in

another which empowers teamwork.

Keywords: Sharp, Masculine, angled, intersection, crossing, fierce, communications, repetition, texture, user experience.

There are no boundaries, an open and transparent

working

environment.

Each space relates to each other in a intersecting manner.

An equilateral triangle is a shape which has same sides that are not parallel to each other, each point are interecting in a 60 degree angle.

SPACE PLANNING

staff area

manager’s

Each level of the shophouse serves

director’s

break area

different purposes. The first level is the public area, where any guests can come for services. The second level is a free space for staffs. The third level serves

accountant’s

for the company’s staffs. It is the area where guests cannot enter. Unparalleled is applied to how different catagories of spaces are in relations to each other.

meeting room

customer service retail store

reception

REALTIONSHIPS BETWEEN SPACES:

Supervision between Boss, Manager, Workers.

Interactions spaces between people.

Social spaces between workers.

Interactions spaces between people.

Private offices. (Boss, Manager, Accountant).

Spaces that are open for the public.

LEVEL 3 LEVEL 2

PRIVATE ACCENT LIGHTING

FRAMED GLASS PARTITION

LEVEL 1

PUBLIC

FRAMED GLASS PARTITION

MARBLE SLAB BACKING REFER TO SPECIFICATIONS

FLOOR PLANS

MARBLE SLAB BACKING REFER TO SPECIFICATIONS ACCENT LIGHTING

SECTIONAL ELEVATION

3 LEVEL HEIGHT FEATURE WALL

TEAK WOOD LAMINATE TO REFER TO SPECIFICATIONS

84 INCH TV SCREEN FOR PRESENTATION PROJECTION

METAL FRAMES FOR PHONE ADS

450 MM HEIGHT ELEVATED FLOOR

UNDER STEP ACCENT LIGHTING

level ONE PUBLIC LEVEL The entrance has a reception counter that also acts as a cashier and a waiting area for guests before entering the office. It introduces new colors to vertu which is a dark pickle green and brown leather, but still keeping itâ&#x20AC;&#x2122;s masculine and sharp energy. This level is open for the public, customers are able to buy and custom phones or go to the customer service area.

level tWO INTERACTION LEVEL This level consists of a break area, a mini library, a meeting room, and he accountantâ&#x20AC;&#x2122;s

office.

purposely

designed to cater the workers free activity space, away from their work desks. The accountantâ&#x20AC;&#x2122;s privacy was prominent, hence its seperate location on the second floor.

level three PRIVATE LEVEL A 3 window view room in the 3rd floor of the office, giving the director the best view of the area and his staffs as the office space is closed with framed glass facades. The presence of glass/window walls benefits the directorâ&#x20AC;&#x2122;s vision to supervise the staff area. The staff desks are arraged to form a hexagon. Reason being is to arrange an environment where the staffs are facing one another to gain and built interaction and teamwork.

005

the vision ary DSG Trade Show Booth for Seatrade Cruise Global 2019 Exhibition Booth Student Project NAFA Singapore September 2018

PROJECT BRIEF Designing a 36 square meter Trade Show Booth for a Cruise Interior company with a ‘light and easy’ installation. Using innovative ideas to showcase DSG (a new-comer in the cruise industry) as the global leader in Cruise Interior Fit-out Partner of Choice.

TARGET AUDIENCE Potential partners, Suppliers, and Clients

SITE Seatrade 2019 exhibition hall

the visionary THE CONCEPT Visiting a notable sea traveler from the

The booth is an intertwining of 2 icons

past, James cook, the visionary, is known

from the past, James Cook and also from

for mapping out most of the South

the future, DSG Cruise Interiors. Both

Pacific with the challenge of voyaging

may not be from the same occupation

with a crew in a ship that was not built

but what they have in common is they

for that matter. Being the historical

involve a long voyage in the ocean and

navigator and explorer from the past,

involve the same skills set.

the visionary shares the same qualities

as DSG’s brand identity, which is being

Therefore, DSG Cruise Interiors, the

innovative and strategic.

Visionary.

Diagram of innovative and strategic qualities of DSG.

MATERIAL SELECTION MOCK UP CAPABILITIES

rategic st

PRODUCTION CAPABILITIES

ovativ n e in

GLOBAL PROCUREMENT NETWORK GLOBAL LOGISTCS COLLABORATIVE APPROACH

COLLABORATIVE

DSGâ&#x20AC;&#x2122;s strengths are equally distributed. Connecting

the

two

zones

the

collaborative zone. By following the

COLLABORATIVE

diagram, visitors would have a choice of which area to enter first, depending on their interests.

st r g at ic e

By dividing the space into 2 zones,

n ti ov ve a

Diagram adapted to a 6 m x 6 m space

Diagram as a guide to design the structure

This booth design showcases the qualities of innovative and strategic in a seamless way. The diagram acts as a base to create an intertwining

THE INNOVATIVE ZONE, Showcasing their previous successful projects, world class manufacturing facilities, experienced and technical work force, and their selection of materials.

the SPACE PLANNING

THE STRATEGIC ZONE,

Showcasing their identity that have branched out to the Cruise Interior Industry, their footprint around the world (partnerships and network of suppliers)

and

interior

walkthrough experience.

THE INNOVATIVE ZONE, Showcasing their previous successful projects, world class manufacturing facilities, experienced and technical work force, and their selection of materials.

FLOOR PLAN

FRONT ELEVATION

ROOF Overhead using rope tied to loop screws in the aluminium structure

STRUCTURE Custom 100mm THK angled black aluminum

FLOORING Clip system Promodek with vinyl finish

LOGO Light box with aluminum framing

LOGO A warm tone wood laminate repeated throughout the space

tOUCH POINTS

1 An interactive screen that lets visitors go

throught a walk-through video. It starts by pressing the orange button on the screen.

2 “Footprints Around the World” a globe for visitors to explore DSG’s network and partnerships. Information will be displayed when they hover the ipad provided. (AR)

3 A physical material board of how DSG composes their design in their selected materials with an image of the application. An ipad attached with a track provided for visitors to get information by AR.

4 A holographic machine that displays different joinery solutions which is indicated by the several levers around it.

5 Lounge area for discussion completed with physical catalougues and touch screen TVs for presentation.

006

art recedes Residential Studio Design, Singapore Interior Design Student Project NAFA Singapore January 2018

PROJECT BRIEF Designing a Residential Studio for a fine art student. Aim to create functional spaces that compliments the spatial hierarchy (importance) to suit her lifestyle,

to maximize

artificial light to wake the windowless living room, and creating an effective flow between each area.

THE CLIENT Denise, a 21 year old female individual who has passion for fine arts and whose tastes are neutral color schemes with simplicity. Hopes to have a place that is convenient for gatherings and also to get her works done.

SITE The Bencoolen Apartments, 180A Bencoolen Street, 189646 Singapore.

Surrounding Buildings Chosen Site Main Road

A very strategic location for a student. Client is studying in NAFA which is a few blocks away from The Bencoolen, which makes it convinient for her to live there. Surrounded with a few museums, schools, shopping centers and food centers.

30% : Bathroom

40% : Bedroom

PERCENTAGE OF ROOM USAGE

DIAGRAM

10% : Living Room 10% : Kitchen

10% : Laundry Room

SPACE PLANNING The flat has an area of approximately 35 m . Combining a few spaces for the client, which is a dining/living area, a

BEDROOM PAINT AREA

painting area, storage room, and a bed room. Each space are designed to be multifunctional.

SECTIONAL A-A

STORAGE

LIVING/ DINING B

SECTIONAL B-B 71

LIVING & DINING

The

space

planned

The bedroom has a different

strategically to fit 4 different

shade of wood, it is darker and

usage of space. The living room

warmer. Reason is to make the

is a multi functional space

space more cozy adn to warm

contaning a living room, a

up the coolness of the neutral

dining room, a painting space

grays.

and a storage room. Study

table to

facing

The wood color is light to

window

provide

brighten up the windowless

light when doing work.

the

natural

room. The mirror feature wall helps to expand the room and also act as an artificial window.

BEDROOM

007

miscellane- ? ous

stage design

Stage design for Earth Hour

Earth Hour is an event to

2019 Event at MBS Singapore.

celebrate switching off of the

A temporary structure of a

lights which symbolizes unity,

stage and also a maze below

hope, and power in collective

the platform.

action for nature.

technical drawing

27400 25181 2365

8448

10051 EXISTING WALL TO BE DEMOLISHED

1300

PROPOSED WAITING AREA

EXISTING STAIRCASE TO BE DEMOLISHED

EXISTING WALKWAY PROPOSED WAITING AREA

PROPOSED CUSTOMER SERVICE AREA

FFL 0.100 NEW FULL HT PARTITION

HOOK PANEL BY SUPPLIER

ENTRANCE

TABLE AND CHAIRS BY SUPPLIER

RECEPTION DESK TO DETAIL

2626

FFL 0.100

PROPOSED SERVER ROOM

PROPOSED EXPERIENTIAL AREA

PROPOSED PLANTER BOX BY SUPPLIER

CUSTOMER SERVICE DESK FURNITURE BY SUPPLIER

EXISTING WALL TO BE DEMOLISHED

EXISTING AIRWELL ABOVE

EXISTING VOID

ARTIFICIAL GARDEN BY SUPPLIER

EXISTING WORK TO BE REMOVED & REPLACED BY NEW AND PROPOSED FULL HT WINDOW WITH METAL FRAMING

PROPOSED RECEPTION AREA

PROPOSED STORAGE AREA

SUSPENDED METAL STAIRCASE

E-01

D1 ID-01

NEW FULL HT GLASS WALL WITH METAL FRAMING

PROPOSED STORAGE AREA

SE-01

FFL 0.000

PROPOSED RETAIL AREA

FFL 0.400 TV BY SUPPLIER

PROPOSED PLANTER BOX BY SUPPLIER

SHOWCASE CABINET BY SUPPLIER

LINE OF VOID ABOVE

NEW FULL HT PARTITION

FFL 0.100

6150

1026

RELOCATE TOILET TIMBER DOOR

EXISTING DOOR

2900

D2 ID-02

NEW TIMBER DOOR

EXISTING TOILET

SE-01

FEATURE WALL TO DETAIL

ALUMINUM LOGO

PROPOSED FURNITURE LAYOUT PLAN 1ST STOREY

FP 01

SCALE 1:75

27400 25181

GENERAL NOTES 8448

DRAWING TITLE

ALL DESIGN ARE SOLE PROPERTY AND MAAY NOT BE USED WITHOUT THEIR WRITTEN PERMISSION.

PROPOSED FURNITURE LAYOUT PLAN AT 1ST STOREY

FIGURED DIMENSIONS SHALL BE TAKEN IN PREFERENCE TO SCALE DIMENSION.

570

300

PRINT DATE: 17/09/18

DRAWING NO.

CAD FILE NAME:

FP - 01

100

400

FFL 0.400

6150

400

3408

FFL 0.100

FFL 0.000

600

ENTRANCE

1501

1190

3732

3845

275

3423

1676

1002

1930

2626

974254

174

4421

FFL 0.100

1026

DRAWN BY: KIRANA ARIANA

900

1676

6132 8448

FFL 0.100

DATE: 17/09/18 700

CHECKED BY: DAVID TAN

JOB NO.

2100

920

1300

SCALE: 3308 1:75

ANY VARIATION OR EXTRAS INVOLVED SHALL BE REFERRED TO THIS OFFICE BEFORE SUCH EXTRA OR VARIATION SHALL BE AUTHORIZED.

2900

300

110

THE CONTRACTOR IS RESPONSIBLE FOR INSPECTING THE SITE AND RAWINGS AND IF ANY DISCREPANCIES EXIST IS RESPONSIBLE FOR CLARIFYING ALL ISSUES WITH THE ARCHITECT/DESIGNER.

CLIENT'S SIGNATURE

REV NO.

10051

FEATURE WALL TO DETAIL...

OWNER 1116

2365

PROPOSED INTERIOR DESIGN FOR RETAIL AT 1ST STOREY LEVEL AND OFFICE AREA AT 2ND AND 3RD STOREY LEVEL FOR EXISTING 3-STOREY TERRACE SHOPHOUSES IN DUXTON HILL

350

PROJECT TITLE

1615

1300

2916

1602

SP 01

PROPOSED PARTITION SETTING OUT PLAN AT 1ST STOREY

SCALE 1:75

27400 25181 2365

PROJECT TITLE

8448

OWNER

10051

2900

GENERAL NOTES

DRAWING TITLE

ALL DESIGN ARE SOLE PROPERTY AND MAAY NOT BE USED WITHOUT THEIR WRITTEN PERMISSION.

PROPOSED PARTITION SETTING OUT PLAN AT 1ST STOREY

REV NO.

JOB NO.

FIGURED DIMENSIONS SHALL BE TAKEN IN PREFERENCE TO SCALE DIMENSION. ALL DIMENSIONS SHOULD BE CHECKED ON SITE BEFORE COMMENCING ANY WORK OR SHOP DRAWINGS, ANY DISCREPANCIES OCCURING IN THESE DRAWINGS MUST BE REFERRED BEFORE THE COMMENCEMENT OF WORK, OTHERWISE THE CONTRACTOR SHALL BEAR FULL RESPONSIBILITY FOR ANY DISCREPANCY.

FCL 3.670

THE CONTRACTOR IS RESPONSIBLE FOR INSPECTING THE SITE AND RAWINGS AND IF ANY DISCREPANCIES EXIST IS RESPONSIBLE FOR CLARIFYING ALL ISSUES WITH THE ARCHITECT/DESIGNER.

CLIENT'S SIGNATURE

ANY VARIATION OR EXTRAS INVOLVED SHALL BE REFERRED TO THIS OFFICE BEFORE SUCH EXTRA OR VARIATION SHALL BE AUTHORIZED.

SCALE: 1:75

CHECKED BY: DAVID TAN

DATE: 17/09/18

DRAWN BY:

PRINT DATE: 17/09/18

DRAWING NO.

CAD FILE NAME:

SP - 01

KIRANA ARIANA FCL 2.400

6150

1026

1300

PROPOSED INTERIOR DESIGN FOR RETAIL AT 1ST STOREY LEVEL AND OFFICE AREA AT 2ND AND 3RD STOREY LEVEL FOR EXISTING 3-STOREY TERRACE SHOPHOUSES IN DUXTON HILL

FCL 3.470

FCL 2.400

2626

FCL 2.400

CP 01

PROPOSED REFLECTED CEILING PLAN LIGHTING PLAN 1ST STOREY

LEGEND

SCALE 1:75

DESCRIPTION

SYMBOL

SINGLE LIGHT SWITCH 1-WAY LIGHT WITCH (2-GANG) RECESSED LIGHT FLUORESCENT LIGHT TUBE SPOT LIGHT WALL LIGHTING UNDER CABINET SPOTLIGHT

PROJECT TITLE

PROPOSED INTERIOR DESIGN FOR RETAIL AT 1ST STOREY LEVEL AND OFFICE AREA AT 2ND AND 3RD STOREY LEVEL FOR EXISTING 3-STOREY TERRACE SHOPHOUSES IN DUXTON HILL

OWNER

GENERAL NOTES

DRAWING TITLE

ALL DESIGN ARE SOLE PROPERTY AND MAAY NOT BE USED WITHOUT THEIR WRITTEN PERMISSION.

PROPOSED REFLECTED CEILING PLAN LIGHTING PLAN AT 1ST STOREY

FIGURED DIMENSIONS SHALL BE TAKEN IN PREFERENCE TO SCALE DIMENSION.

REV NO.

CLIENT'S SIGNATURE

ANY VARIATION OR EXTRAS INVOLVED SHALL BE REFERRED TO THIS OFFICE BEFORE SUCH EXTRA OR VARIATION SHALL BE AUTHORIZED.

SCALE: 1:75

CHECKED BY: DAVID TAN

DATE: 17/09/18

DRAWN BY: KIRANA ARIANA

JOB NO.

01 PRINT DATE: 17/09/18

DRAWING NO.

CAD FILE NAME:

CP - 01

PRODUCED BY AN AUTODESK STUDENT VERSION

CONCRETE LAYER BRASS INLAY

TILES TIMBER JOIST A D1

A D1

DETAIL A

PLAN OF ORDER COUNTER

SCALE 1:100

SCALE 1:120

A D1

PRODUCED BY AN AUTODESK STUDENT VERSION

DETAIL A

PLAN OF ORDER COUNTER

CYCLISTS' ENTRY DOOR

SCALE 1:100

SCALE 1:120

FOOD ORDER COUNTERS

PRODUCED BY AN AUTODESK STUDENT VERSION

A D1

FCL

3000 MM HT CYCLIST ENTRY DOOR EXISTING BRICKS TO BE COVERED IN CONCRETE FINISH WALL LIGHT MENU PLYWOOD FRAME

CUSTOM PLANTER BOX DETAIL A

FCL

CYCLISTS' ENTRY DOOR CONE PENDANT LIGHT

DOWNLIGHT 150 MM X 300 M X 160 MM CONCRETE BLOCKS

FCL

EXISTING BRICK WALL FINISH TIMBER SLATS WALL TREATMENT

3000 MM HT CYCLIST ENTRY DOOR

FOOD DISPLAY SHELF

EXISTING BRICKS TO BE COVERED IN CONCRETE FINISH

GREEN SAGE PORCELAIN TILES FOR COUNTER

WALL LIGHT MENU PLYWOOD FRAME

CUSTOM PLANTER BOX

D1 DE-B

DETAIL A

SECTIONAL ELEVATION A-A

FCL

SCALE 1:40

GENERAL NOTES

PROJECT TITLE

PROJECT

ALL DESIGN ARE SOLE PROPERTY AND MAAY NOT BE USED WITHOUT THEIR WRITTEN PERMISSION.

DRAWING TITLE

ADDRESS

THE CONTRACTOR IS RESPONSIBLE FOR INSPECTING THE SITE AND DRAWINGS AND IF ANY DISCREPANCIES EXIST IS RESPONSIBLE FOR CLARIFYING ALL ISSUES WITH THE ARCHITECT/DESIGNER.

CLIENT

2 BAGLEY WALK, KINGS LONDON N1C 4PQ PRODUCED BY ANCROSS, AUTODESK STUDENT VERSION

POSITION AND SIZE OF EQUIPMENT IS INDICATIVE ONLY CLIENT TO CONFIRM ALL SPECIFICATIONS AND DIMENSIONS PRIOR TO CONSTRUCTION. ALL STRUCTURAL CALCULATIONS TO BE SUPPLIED BY STRUCTURAL ENGINEER.

DWG NO.

SCALE

DETAIL ELEVATION OF ORDER COUNTERS AT BASEMENT FLOOR

TROOFF, CYCLISTS' TRANSIT STOP

FIGURED DIMENSIONS SHALL BE TAKEN IN PREFERENCE TO SCALE DIMENSION.

DRAWN BY

TRANSPORT OF LONDON

DE-B KIRANA ARIANA GUNAWAN

DE-B-01

1:40

JOB NO. A-A DATE SECTIONAL ELEVATION

SCALE 1:40

11 MAY 2020

PRODUCED BY AN AUTODESK STUDENT VERSION 1 D2

4662

GENERAL NOTES

6081

PROJECT TI

PROJECT

5984

ALL DESIGN ARE SOLE PROPERTY AND MAAY NOT BE USED WITHOUT THEIR WRITTEN PERMISSION. FIGURED DIMENSIONS SHALL BE TAKEN IN PREFERENCE TO SCALE DIMENSION.

1200

FCL

ADDRESS

100

B D2

THE CONTRACTOR IS RESPONSIBLE FOR INSPECTING THE SITE AND DRAWINGS AND IF ANY DISCREPANCIES EXIST IS RESPONSIBLE FOR CLARIFYING ALL ISSUES WITH THE ARCHITECT/DESIGNER.

2 BAG

POSITION AND SIZE OF EQUIPMENT IS INDICATIVE ONLY CLIENT TO CONFIRM ALL SPECIFICATIONS AND DIMENSIONS PRIOR TO CONSTRUCTION. ALL STRUCTURAL CALCULATIONS TO BE SUPPLIED BY STRUCTURAL ENGINEER.

DOWNLIGHT TUBE PENDANT LIGHT

A D1

3900

CONE PENDANT LIGHT IN ORANGE TINTED GLASS

B D2

CUSTOM SEATING CONCRETE SKIRTING

300

PLAN OF DINING SPACE

750

550 MM HT TIMBER PLANKS IN BLACK FINISH TO DETAIL B

2500

100

VERTICAL BIKE PARKING

FFL

EXISTING BRICK WALL FINISH WALL LIGHT

3000

CUSTOM TABLE TO DETAIL A

900

A D1

SCALE 1:150

PRODUCED BY AN AUTODESK STUDENT VERSION

1 D2

SECTIONAL ELEVATION A-A

D1 DE-B

SCALE 1:50

Ø20 MM STEEL ROD SLOT INTO Ø30 MM TUBE 100 MM X 20 MM THK STEEL IN WHITE PAINT FINISH CYCLISTS' ENTRY DOOR

WALK PATH

CYCLE PATH

DINING SPACE

Ø30 MM TUBE 1 D2

C CHANNEL STEEL FRAME WELDED TO TUBE AND WHITE FRAME

2521 1199

600

2412 200

1625

525

10 MM THK ORANGE TINTED GLASS

3479

FCL

DETAIL A

TIMBER CEILING IN BLACK PAINT FINISH

SCALE 1:5

TUBE PENDANT LIGHT

STEEL ARC BEAM IN WHITE PAINT FINISH

WALL LIGHT

5 MM RESILIENT FLANKING STRIP

FFL

SINGLE VERTICAL BIKE PARKING MOUNTED TO WALL 250 MM X 7 MM SAGE GREEN PORCELAIN TILES Ø3MM STEEL TUBE IN MATTE BLACK FINISH FOR LEG REST

1 D2

CONCRETE RAFT

SECTIONAL ELEVATION B-B

D2 DE-B

DETAIL B

SCREEN ROTATION SYSTEM TO DETAIL A 10 MM THK ORANGE TINTED GLASS

2200

CONE PENDANT LIGHT ALONG HALLWAYS

1000

300 MM HT CONCRETE SKIRTING

3475

100 MM TIMBER SLATS WITH 2 MM GAPS

4000

2475

CONE PENDANT LIGHT ALONG HALLWAYS

SCALE 1:50

SCALE 1:5

PROJECT

PROJECT TITLE

ALL DESIGN ARE SOLE PROPERTY AND MAAY NOT BE USED WITHOUT THEIR WRITTEN PERMISSION.

ALL DIMENSIONS SHOULD BE CHECKED ON SITE BEFORE COMMENCING ANY WORK OR SHOP DRAWINGS, ANY DISCREPANCIES OCCURING IN THESE DRAWINGS MUST BE REFERRED BEFORE THE COMMENCEMENT OF WORK, OTHERWISE THE CONTRACTOR SHALL BEAR FULL RESPONSIBILITY FOR ANY DISCREPANCY. THE CONTRACTOR IS RESPONSIBLE FOR INSPECTING THE SITE AND DRAWINGS AND IF ANY DISCREPANCIES EXIST IS RESPONSIBLE FOR CLARIFYING ALL ISSUES WITH THE ARCHITECT/DESIGNER. POSITION AND SIZE OF EQUIPMENT IS INDICATIVE ONLY CLIENT TO CONFIRM ALL SPECIFICATIONS AND DIMENSIONS PRIOR TO CONSTRUCTION. ALL STRUCTURAL CALCULATIONS TO BE SUPPLIED BY STRUCTURAL ENGINEER.

DRAWING TITLE

ADDRESS

CLIENT

2 BAGLEY WALK, KINGS CROSS, LONDON N1C 4PQ

DRAWN BY

TRANSPORT OF LONDON

DWG NO.

SCALE

DETAIL ELEVATION OF PROPOSED DINING SPACE AT BASEMENT

TROOFF, CYCLISTS' TRANSIT STOP

FIGURED DIMENSIONS SHALL BE TAKEN IN PREFERENCE TO SCALE DIMENSION.

PRODUCED BY AN AUTODESK STUDENT VERSION

GENERAL NOTES

KIRANA ARIANA GUNAWAN

1:50 DATE

11 MAY 2020

DE-B-02 JOB NO.

model making

photography

poster design

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pencil drawing

hampers design

instagram content

brochure design

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