6 minute read
FIGHT NIGHT by Miriam Toews
in dancelike rhythms that sweep the story along. She builds a complex character in Vidya, whose urge toward autonomy brings results that range from ecstatic to tragic.
A young woman seeks freedom through art in a mesmerizing coming-of-age story.
THE ESCAPEMENT
Tidhar, Lavie Tachyon (256 pp.) $16.95 paper | Sep. 21, 2021 978-1-61696-327-9
Tidhar’s latest offering transports readers to a liminal otherworld of spaghetti Western pastiche. Somewhere, in some city, a nameless man attends his dying son’s bedside, powerless to save the boy. Desperate to find a cure, he slips into the Escapement: a Western world of maniacal whimsy populated by bounty hunters, stone giants, mimes, and clowns. Here, the ghost of John Wayne Gacy becomes a bloodthirsty giant, and P.T. Barnum is recast as a clown-enslaving general. The man, known in the Escapement as the Stranger, is not alone; most of the people in this weird desert come there from the real world by way of dream, drink, or death. Studded with features like the Big Rock Candy Mountains and the Desert de Soleil, the land bears intimate connections to the dying boy in the hospital bed—a boy who loves the circus and its clowns— and it’s here that the Stranger hopes to find his son a panacea: Ur-shanabi, the Plant of Heartbeat. In keeping with its roots in midcentury Westerns, Tidhar’s novel casts the Escapement’s clowns as Native American analogs, turning the Stranger into their White savior and avenger, a man who knows that “one should never be unkind to clowns.” The author draws from an eclectic mix of sources to create a dazzling story that is more than the sum of its parts, and much of the fun of reading it comes from recognizing its homages. Knowledgeable readers will notice shades of Stephen King, Lewis Carroll, and Westworld here, and Tidhar himself cites Z. Ariel’s fairy tale, “The Heart of the Golden Flower,” the Epic of Gilgamesh, Salvador Dalí, tarot cards, and Sergio Leone as particular sources of inspiration.
A delightfully cacophonous novel, teeming with character.
FIGHT NIGHT
Toews, Miriam Bloomsbury (272 pp.) $24.00 | Oct. 5, 2021 978-1-63557-817-1
The author of Women Talking (2018) lets a 9-year-old girl have her say. The first thing to know about this novel is that it’s narrated by a child writing to her father, who seems to have abandoned her and her pregnant mother. The novel-as-long-letter can often feel gimmicky, it’s difficult to craft a child’s voice that is both authentic and compelling, and it would not be unreasonable for readers to be wary of a book that attempts both. Readers familiar with Toews, however, may guess—correctly—that she’s quite capable of meeting the formal challenges she’s set for herself. “Mom is afraid of losing her mind and killing herself but Grandma says she’s nowhere near losing her mind and killing herself.” This is Swiv talking. “Grandpa and Auntie Momo killed themselves, and your dad is somewhere else, those things are true.” This is Swiv’s Grandma talking. “But we’re here! We are all here now.” This exchange captures the central concerns of this charming, open-hearted book. Swiv’s mother—an actor—is a bundle of angst, rage, and stifled ambition. Swiv’s grandmother, on the other hand, is the embodiment of joie de vivre, and it’s Grandma with whom Swiv spends most of her time, filling the roles of caretaker and (sometimes reluctant) accomplice. Grandma is the type of person who befriends everyone she meets and who finds the joy in even the most ridiculous and—to her granddaughter—mortifying
songs for the flames
experiences. As the novel progresses, we discover that this ebullience isn’t the natural product of a happy life but, rather, the result of a conscious decision to endure terrible loss without becoming hard. We also come to learn why Swiv’s mom is so brittle. And we understand that Grandma, in all her glorious ridiculousness, is showing Swiv that the only way to survive is to love.
Funny and sad and exquisitely tender.
SONGS FOR THE FLAMES Stories
Vásquez, Juan Gabriel Trans. by McLean, Anne Riverhead (256 pp.) $22.99 | Aug. 3, 2021 978-0-593-19013-5
Dark pasts catch up with the protagonists of this collection from the veteran Colombian novelist. The nine stories in Vásquez’s second collection generally turn on a past lie or misdeed that won’t be easily put to rest. In “The Double,” a man recalls all but condemning a schoolmate to military service that winds up killing him and that death’s long aftereffects on the young man’s family. The narrator of “Frogs” deserts from the army just before a scheduled deployment to the Korean War, a memory stirred by a chance meeting with a woman he helped through her own crisis at the time. In “The Last Corrido,” the lead singer of a musical troupe is in decline but fending off a young rival replacement, exemplifying the tension between the past and the future. Though these characters are flawed, often unethical, Vásquez withholds stern moral judgment; “Us,” for instance, mocks the urge to find simple, satisfying answers for a man’s disappearance. As ever, Vásquez is concerned with his home country’s history, but the shorter form gives his prose a welcome tightness; each story (via McLean’s translation) is crisp and conversational. Still, he can infuse historical breadth to the short form: The closing, title story concerns the unfortunate fate of Aurelia, a free-spirited woman and one-time newspaper columnist whose family was consumed by the country’s 1948 civil war. Throughout, Vásquez paints a picture of a country that’s constantly buffeted by violent political rivalries, narcos, and war and where even bystanders get drawn in. “They’re sending us far away to get killed so there won’t be so many of us they’ll have to kill here,” a soldier cracks in “Frogs,” and that note of fatalism runs through the whole book.
A bracing set of stories about smaller traumas embedded among a country’s larger crises.
mystery
MERCY CREEK
Browning, M.E. Crooked Lane (288 pp.) $27.99 | Oct. 12, 2021 978-1-64385-762-6
A young Colorado girl’s disappearance raises agonizing questions for her estranged parents and for the detective spearheading the search for her. Lena Flores is only 11—too young to be in danger of seriously misbehaving but not too young to have decided when her parents divorced five years ago that she wanted to live with her father. Now, on a weekend she’s supposed to be staying with her mother, ER nurse Tilda Marquet, she doesn’t show up to her 4-H assignment at the local fair, and Tilda can’t find her. Her ex-husband, veterinarian Lucero Flores, insists that he didn’t pick her up, and Marisa Flores, the daughter who lives with Tilda, has been too busy juggling her high school romances and pursuing her dreams of being an entrepreneurial influencer to have seen what happened to her kid sister. Detective Jo Wyatt swings into action even though most of her superiors in the Echo Valley Police Department are convinced that the girl has just wandered off and will come back home when she’s hungry. When it gradually becomes clear that Lena’s vanishing is anything but routine, Jo, who’s reluctant to accept the politically motivated promotion to sergeant she’s been offered by incoming Chief William Prather, focuses on several obvious suspects. Aaron Tingler, a new deliveryman for the Valley Courier, has just come off probation for burglary. Peeping Tom Sebastian Vescent is a registered sex offender who broke parole to move into his aunt’s house in the neighborhood. And Lucero himself has a history of violence. After sifting through these mostly uninspired candidates, Browning comes up with a solution that’s as disturbing as it is surprising.
A heartfelt procedural that isn’t afraid to sweat the details.
FALLEN
Castillo, Linda Minotaur (320 pp.) $14.99 | Jul. 6, 2021 978-1-2501-4292-4
A formerly Amish police chief revisits earlier times to solve a brutal murder. On hearing that Rachael Schwartz has been found viciously beaten to death in a Painters Mill motel, Police Chief Kate Burkholder remembers her as an adventurous child she used to babysit and a rowdy teen unsuited for Amish life. Rachael had recently written a book on
