VICTORY CITY by Salman Rushdie

“A grand entertainment, in a tale with many strands, by an ascended master of modern legends.”

victory city

VICTORY CITY

Rushdie, Salman Random House (352 pp.) $30.00 | Feb. 7, 2023 978-0-593-24339-8

Rushdie returns to the realm of magic realism and to the India of his birth. Vijayanagar, or Victory City, was a real place, the seat of a powerful empire that occupied most of southern India. Rushdie borrows from history to depict siblings and their families who’d stop at little to gain power; as one of his interlocutors, a European explorer, spits, “I wrote in my journal that Deva Raya and his murderous brothers only cared about getting drunk and fucking. I should have added, and killing one another.” Rushdie places this history within a web of mythology: His Vijayanagar is the creation of a goddess-channeling girl named Pampa Kampana, most of whose 247-year-long life is devoted to creating the city, populating it, and then trying, usually to little avail, to keep the place from falling into chaos. Pampa has a mission: Witnessing her mother’s purdah, she is resolved to “laugh at death and turn her face toward life.” Alas, she learns, life is complicated and, as Rushdie winks, “deity’s bounty was always a two-edged sword.” Like Pampa Kampana, Rushdie has a fine old time of worldbuilding, creating a vast space in which glittering palaces and smoky temples stand in contrast with mangroves and wildernesses ruled by “tigers as big as a house.” Throughout, Pampa moves between royals, having “achieved the unusual feat of being queen...in two successive reigns, the consort of consecutive kings, who were also brothers,” while taking time to craft a verse epic recounting her creation—an epic that, as will happen, is lost for centuries. Rushdie reflects throughout on the nature of history and storytelling, with Pampa Kampana’s creations learning who they are only through the “imaginary narrative” that is whispered to them as they sleep and with Vijayanagar’s rulers, along with their subjects, the victims of historical amnesia who “exist now only in words.

A grand entertainment, in a tale with many strands, by an ascended master of modern legends.

THE QUEEN OF DIRT ISLAND

Ryan, Donal Viking (256 pp.) $27.00 | Feb. 28, 2023 9780593652930

The daughter of a single mother grows up in a family of formidable women in rural Ireland. This short novel from Ryan, whose previous books have twice been longlisted for the Booker Prize, charts the early life of Saoirse Aylward, a much-loved child of the fierce Eileen and a father who died in a car wreck days after her birth. Saoirse is essentially co-parented, instead, by her paternal grandmother, Mary, a brassy woman who also becomes Eileen’s closest friend. As Saoirse grows up, her family’s life becomes more complex, with her mother drawn into conflicts with her estranged family and her paternal uncles pursuing marriage and the IRA. But nothing changes Saoirse’s life as much as a surprise teenage pregnancy. After she becomes a mother, Saoirse’s world expands when she meets Josh, a young writer with whom she embarks on a romance once his girlfriend leaves town. Ryan, who tells his story in brief, impressionistic chapters, is a gifted prose stylist and has a particular talent for capturing the language and rhythm of dialogue. The outwardly contentious but deeply loving relationship between Eileen and Mary feels particularly true to life. His decision to break the book up into short parts, though, can make the characters and their story feel distant. Though Eileen and Mary are vivid, Saoirse herself is a frustratingly blank slate whose interests and passions never become clear. Saoirse’s life, and her mother’s, can also feel implausibly charmed when it isn’t pierced by grand tragedy. Though these tragic moments are shocking, they are undercut by Ryan’s impulse to have everyone get along in the end and to deliver his heroine a sentimentally happy ending that isn’t supported by the novel itself.

A gentle bildungsroman that could have used a little more bite.

RIVER SING ME HOME

Shearer, Eleanor Berkley (336 pp.) $27.00 | Jan. 31, 2023 978-0-593-54804-2

A historical novel set in the Caribbean in the 1830s. One of the enduring horrors of slavery was its destruction of families by enslavers who literally tore children from their mothers and sold them away, never to be heard from again. That violation has happened not once but five times to Rachel, the book’s protagonist. Born enslaved on a sugar cane plantation in Barbados, she’s in the act of escaping as the book begins in 1834, running for her life with no clear goal but freedom. When she meets a formerly enslaved woman called Mama B, the older woman tells Rachel, “Me see it in your face. Your pickney. You want to find them.” From that moment, finding her lost children becomes Rachel’s quest. One of the women in Mama B’s community remembers seeing a girl who resembled Rachel in Bridgetown several years before—just the first of many handy coincidences that form much of the plot. Sure enough, Rachel finds Mary Grace working in a dress shop when she steps in to get out of the rain— and the shop owner gives her a job, too, and turns out to have a friend who has access to slave sale records that might lead to the whereabouts of two of Rachel’s sons in Guyana. It seems almost everyone she meets has some information or skill to contribute to her search—so much so it starts to strain credulity. There’s