3 minute read
THE DOLPHIN HOUSE by Audrey Schulman
the dolphin house
HIDDEN PICTURES
Rekulak, Jason Illus. by Will Staehle & Doogie Horner Flatiron Books (384 pp.) $27.99 | May 10, 2022 978-1-250-81934-5
A disturbing household secret has far-reaching consequences in this dark, unusual ghost story. Mallory Quinn, fresh out of rehab and recovering from a recent tragedy, has taken a job as a nanny for an affluent couple living in the upscale suburb of Spring Brook, New Jersey, when a series of strange events start to make her (and her employers) question her own sanity. Teddy, the precocious and shy 5-year-old boy she’s charged with watching, seems to be haunted by a ghost who channels his body to draw pictures that are far too complex and well formed for such a young child. At first, these drawings are rather typical: rabbits, hot air balloons, trees. But then the illustrations take a dark turn, showcasing the details of a gruesome murder; the inclusion of the drawings, which start out as stick figures and grow increasingly more disturbing and sophisticated, brings the reader right into the story. With the help of an attractive young gardener and a psychic neighbor and using only the drawings as clues, Mallory must solve the mystery of the house’s grizzly past before it’s too late. Rekulak does a great job with character development: Mallory, who narrates in the first person, has an engaging voice; the Maxwells’ slightly overbearing parenting style and passive-aggressive quips feel very familiar; and Teddy is so three-dimensional that he sometimes feels like a real child.
It’s almost enough to make a person believe in ghosts.
THE DOLPHIN HOUSE
Schulman, Audrey Europa Editions (320 pp.) $27.00 | April 5, 2022 978-1-60945-784-6
A woman navigates life in 1960s America, finding her way while interacting with dolphins in a scientific-research project. In 1965, hearing-impaired Cora is a waitress in a Florida club, one in which her tight-fitting bunny costume includes ears and a tail. While using her earnings to pay off new hearing aids that “masqueraded as cat-eye glasses,” Cora manages a tricky situation nicely until, that is, one man’s wandering hands wander a little too far. Then, inspired by a sign for South Pacific, she buys a one-way ticket to St. Thomas, where she crosses paths with Dr. Blum, a research scientist studying dolphins. In the water with the mammals, Cora discovers a wonderful new angle to her world: she can “hear” the dolphins spectacularly underwater—and they respond to her, too. As she wins their trust, the scene is set for a tale that’s both inspiring and ghastly—Blum is conducting physical research on the dolphins, after all—but the relationship between Cora and the mammals is joyfully detailed and a pleasure to follow. Schulman builds a lovely picture of the growth of mutual trust and enjoyment among the dolphins and Cora as she works to train the sea mammals to communicate linguistically with humans. Given the time frame, casual sexism is par for the course on the part of Blum and his male colleagues. The men are most likely to be found glued to the television, iced cocktails in hand, but that just leaves Cora more space to interact with the dolphins. She develops Blum’s research processes, educates herself by reading Blum’s science books, and even challenges him. Then, when Cora moves into a purpose-built homearium with one of the dolphins, the situation takes an intriguing turn.
