MORE THAN YOU’LL EVER KNOW by Katie Gutierrez

own sense of stability, which, while not always enjoyable, is certainly effective.

Deceptively disturbing, deeply felt, and original, this collection will work its way beneath your nerves like a splinter.

TIME SHELTER

Gospodinov, Georgi Trans. by Angela Rodel Liveright/Norton (304 pp.) $27.00 | May 10, 2022 978-1-324-09095-3

A clinic invites Europeans to live in the past, with all the comforts and perils that doing so brings. The unnamed narrator of Bulgarian author Gospodinov’s third novel translated into English has stumbled into the orbit of Gaustine, who’s opened a facility in Zurich for people with Alzheimer’s and other forms of dementia—“those who already are living solely in the present of their past,” as he puts it. Memory care is a legitimate treatment for such patients, but Gospodinov’s digressive, philosophical novel is less a work of realist literature than an allegory about the perils of looking backward and attempting to make Switzerland (or Sweden or Germany...) great again. As the popularity of the clinic expands—with different floors dedicated to different decades of the 20th century—the narrator alternates between sketches of various patients and ruminations about modern European history (particularly that of his native Bulgaria) and how time is treated by authors like Thomas Mann, W.H. Auden, and Homer. Eventually, the novel expands into a kind of dark satire of nostalgia and patriotism as more clinics emerge and various European countries hold referendums to decide which point in time it wishes to live in. (France picks the 1980s; Switzerland, forever neutral, votes to live in the day of the referendum.) But, of course, attempting to live in the past doesn’t mean you can stay there. Though the story at times meanders, translator Rodel keeps the narrator’s wry voice consistent. And in its brisker latter chapters, the story achieves a pleasurably Borges-ian strangeness while sending a warning signal about how memory can be glitch-y and dangerous. As Gaustine puts it: “The more a society forgets, the more someone produces, sells, and fills the freed-up niches with ersatz-memory.”

An ambitious, quirky, time-folding yarn.

MORE THAN YOU’LL EVER KNOW

Gutierrez, Katie Morrow/HarperCollins (448 pp.) $27.99 | June 7, 2022 978-0-06-311845-4

True-crime blogger Cassie convinces a woman whose lies led to the death of a man she loved to share her story for publication. Growing up in Enid, Oklahoma, Cassie’s childhood is colored by an act of violence and her resulting fear of her alcoholic father. She carries such a sense of shame about her past that she has never revealed the truth to her fiance. He doesn’t even know that she has a younger brother, raised by her father after her mother died 12 years ago. He also doesn’t fully approve of her part-time job writing a true-crime blog that “round[s] up the most interesting murders on the internet,” the more salacious the better, most of which feature women as victims. But Cassie is obsessed with the opportunities her blog may open up for her in journalism. So when she reads about Lore Rivera, a woman who “married” two different men in the 1980s and whose legal husband is still in jail for killing the other man, Cassie knows that getting Lore to open up might lead her to publishing gold. As Lore shares her story over the course of many months of interviews, the two women grow closer, though the truth becomes more and more opaque. What really happened on the day of the murder? Who pulled

“A friendship between two art scholars warps and cracks over an obscure early Renaissance painting.”

saint sebastian’s abyss

the trigger? Gutierrez offers a satisfying, convoluted path to answering both of these questions, but even more, she provides us with two fully rounded, vulnerable, and fascinating characters in Cassie and Lore. By telling Lore’s story through flashbacks beautifully situated in Mexico and Texas, she provides us, and Cassie, with a deep understanding of just how one woman can get trapped into living a double life full of lies. Love, she argues, is messy, fleeting, and out of our control—but it’s all the more beautiful for that.

Gutierrez imagines true crime’s often one-dimensional female characters with sophistication and grace.

SAINT SEBASTIAN’S ABYSS

Haber, Mark Coffee House (200 pp.) $16.95 paper | May 10, 2022 978-1-56689-636-8

A friendship between two art scholars warps and cracks over an obscure early Renaissance painting. The unnamed American narrator of Haber’s careful, fuguelike intellectual satire is convinced that Saint Sebastian’s Abyss, a 16th-century painting by Count Hugo Beckenbauer, is a masterpiece. His Austrian colleague, Schmidt, agrees, and since discovering the painting as students at Oxford, they’ve written 20 books between them celebrating the work. But their reasons for that admiration diverge, and as the narrator heads to Berlin to visit Schmidt on his deathbed, he recalls various reasons for their disagreements. The narrator believes Schmidt has faked his passion for the work as a way to claim ground as a Beckenbauer authority.