NEW TEETH by Simon Rich

“A fertile mind provides many smiles in this entertaining collection—and more than a few out-loud laughs.”

new teeth

NEW TEETH Stories

Rich, Simon Little, Brown (240 pp.) $27.00 | Jul. 27, 2021 978-0-316-53668-4

Many of these 11 stories from gifted humorist Rich explore the joys and trials of parenthood. Two pirates are all at sea when they discover a stowaway little girl and must add a bit of niceness to their nastiness. A screenwriter reluctantly abandons work to be the Beast in his daughter’s obsession with the Disney-fied fairy tale, but he realizes something about the film that helps transform him into a less-beastly father. When simian superhero Clobbo learns that Empire City no longer needs him, he discovers a new role entertaining his granddaughter with bubble wrap on a Facetime call. A young woman raised by wolves returns to human society at 18 and has a normal life, only interacting with the wolves when they visit for Thanksgiving, and eventually she learns to accept their differences. A story about a medieval king’s not very bright son hiding among peasants during a revolution was adapted for Rich’s TV series, “Miracle Workers.” In his sixth collection of stories, and eighth work of fiction since 2007, Rich presents parody, absurdity, observational wit, the sudden shift in a familiar premise, and a surprising touch of sweetness and charm throughout. Fans won’t find anything quite like Rich’s earlier “Unprotected,” with the point of view of an unused condom in a young man’s wallet, or the macabre twist in “The Tribal Rite of the Strombergs,” when a Scrabble game ends in ritual human sacrifice. A couple of pieces are even a bit clunky. But there is much to smile at here, and “The Big Nap” (nodding to Chandler), which uses noir style for a toddler detective on the trail of his baby sister’s lost unicorn, Moomoo, is so consistently funny, so exceptional in its imaginative use of parody as to be near genius.

A fertile mind provides many smiles in this entertaining collection—and more than a few out-loud laughs.

THE WONDER TEST

Richmond, Michelle Atlantic Monthly (448 pp.) $26.00 | Jul. 6, 2021 978-0-8021-5850-5

International spydom meets cutthroat suburban elitism. After the sudden death of her husband, FBI agent Lina Connerly temporarily moves with her teenage son across the country to Northern California. Her father has also died recently, and she figures she can deal with his house while Rory attends the local public school, giving them both a change of scenery after having lost Fred. The school has all the markers of affluent suburban America: overly involved parents, a ridiculous endowment, and the Wonder Test, an extreme standardized test taken by all the schools in Silicon Valley. Studying such esoteric categories as “Ethicalities” and “Future Functionalities,” students don’t attend any real classes but instead spend all of their time taking seminars that will prepare them for the test. Lina isn’t overly concerned about the school’s eccentricities, but when she hears that three students have gone missing in past years only to reappear a week later, underfed and with their heads shaved, her spider sense begins to tingle. Having spent her FBI career in foreign counterintelligence, she can’t resist a mystery. Between pinging phones, following suspects, and staging interrogations, Lina eventually approaches the truth—and danger. When Rory’s girlfriend disappears on the eve of the Wonder Test, Lina and Rory must find her. Appealingly, all of this happens as Lina navigates her own grief, comes to terms with the way she has allowed her job to consume her, and faces the fact that Rory shares her interest in intrigue. The overlay of international spycraft on suburban California, whose shiny facade conceals the most heinous of sins and vanities, is surprisingly effective. Richmond also has fun by including a question from the Wonder Test at the beginning of each chapter, emphasizing the ridiculously competitive world of affluent high schools.

The plot is sound, the action exciting, and the characters resoundingly human.

MEADOWLARK A Coming-of-Age Crime Story

Ruth, Greg & Hawke, Ethan Illus. by Ruth, Greg Grand Central Publishing (256 pp.) $26.00 | Jul. 20, 2021 978-1-5387-1457-7

For this coming-of-age neonoir about a troubled boy and his troubled dad, illustrator and author Ruth reteams with his Indeh (2016) collaborator, actor/writer/director Hawke.

Teenage troublemaker Coop has been expelled from school, hates his mom’s dorky boyfriend, and wishes he could just live with his dad, Jack, a brave and charming (if frequently late) corrections officer with a past as a boxer. But when Jack’s fraught relationship with Coop’s mom forces an impromptu bring-yourson-to-work day at the local prison, a series of events unfold that upend Coop’s understanding of his father and force him to grow up quickly. The story is swift and breezy, relying on archetypes (tough but maternal boss, lunatic killer inmates, exasperated woman who still cares about her screw-up ex-husband) and pattering dialogue (“Buck will never be too dumb to forget how smart you think you are, Jack”) to fill in characters painted mostly in broad strokes. Coop is unhappy and self-sabotaging but without clear motivation other than the strained relationship with his father. We get a peek into Coop’s head through dreams and nature-inspired reveries, and Ruth’s exceptional art imbues those moments with a power beyond words. But with the intensity of Coop’s experience by the end, a bit more

exploration of his interior landscape would’ve helped the brutally life-changing events of the story resonate beyond the raw power of blood spatter. The near photorealism and energy of Ruth’s linework are absolutely gorgeous, and the striking similarity between Jack’s physical appearance and that of co-writer Hawke is a fun nod to the actor and co-author. But the story’s reliance on Hollywood tropes keeps the tale from full poignancy.

Rich art in need of a richer story.

CHINA ROOM

Sahota, Sunjeev Viking (256 pp.) $27.00 | Jul. 13, 2021 978-0-59-329814-5

Two teenagers come of age in India’s Punjab region, one in 1929 and one in 1999. Although 15-year-old Mehar Kaur is a newlywed, she isn’t sure who her husband is: She and her sisters-in-law, Gurleen and Harbans, spend most of their time doing chores or cloistered in a small room known as the china room, where they eat and sleep. The three brothers in the family had been married to the three women in a single ceremony, and their domineering mother, Mai, makes sure to keep Mehar, Gurleen, and Harbans in the dark. Each woman sometimes meets her husband at night in a “windowless chamber,” but their identities remain a mystery. Mehar can’t help wanting to find out the identity of her husband, and her curiosity winds up having disastrous consequences. Meanwhile, decades later, Mehar’s great-grandson travels to India from England before his first year at university to visit family and detox from his addiction to heroin. He spends the summer living in and cleaning up the house where Mehar once lived, nursing a crush on an unconventional older woman who befriends him, and hearing incomplete stories about Mehar from locals who remember her as a legendary figure more than a real person. Sahota, who was shortlisted for the Booker Prize for The Year of the Runaways (2015), demonstrates his command through this novel’s smooth, evocative language. His expert prose never resorts to pyrotechnics but conveys a great deal through deft description: The three young brothers have “unconvincing shoulders”; Mehar’s husband speaks to her “not unkindly, but with the contingent kindness of a husband who knows he will be obeyed.” But the novel’s characters and plots remain frustratingly underdeveloped. By including both storylines in this short novel, Sahota limits his ability to deeply explore either, and the result feels like a missed opportunity.

A beautifully written but narratively limited family saga.

THE EAGLE’S CLAW

Shaara, Jeff Ballantine (352 pp.) $18.64 | Jun. 1, 2021 978-0-525-61944-4

Deadly enemies clash in the Pacific in this dramatic novel about the Battle of Midway Island. Japan has conquered much of Asia, and after striking Pearl Harbor, Adm. Yamamoto worries that the emperor’s forces suffer from Victory Disease, the idea that they will win every battle. He’d never thought attacking American soil was such a good idea in the first place—as shown in Shaara’s last book, To Wake the Giant (2020)—and now he must capture Midway Island and the airstrips that American pilots would use to attack Japan. And he must destroy the aircraft carriers that bring the fighters and bombers from the U.S. mainland. Yamamoto is an insightful man who knows “the airplane will rule this war” and “aircraft carriers are the future.” If he can lure the enemy ships into a trap, his superior forces can sink them all. Meanwhile, the U.S. Navy has men like Cmdr. Rochefort, a codebreaker whose team in the top-secret Dungeon deciphers enemy intentions. The story shows both sides’ viewpoints as men sail to their destinies—there are no spoilers to be had, as it’s slightly fictionalized history made highly readable. The narration carries a heavier load than the dialogue, yet Shaara deftly digs into the minds of the major players. Yamamoto, who has never failed at anything, “violates one of the tenets of warfare— he divides his forces.” Adm. Nagumo takes too long preparing an attack and so loses three carriers. With no ships to land on, the Zeroes have “nothing left but to fly into the sea.” Adm. Yamaguchi commands his crew to abandon the burning Hiryu while he declares, “I shall remain with my ship.” Shaara writes a well-researched and evenhanded portrayal of the event that changed the direction of the Pacific War.

Compelling wartime excitement that’s much more history than fiction.

THE THIRD MRS. GALWAY

Sinnott, Deirdre Kaylie Jones/Akashic (336 pp.) $17.95 paper | Jul. 6, 2021 978-1-61775-842-3

When an abolitionist convention comes to Utica, New York, in 1835, mayhem both public and private ensues. In this eloquent debut, a diverse cast of characters embodies the political, class, and racial upheavals of its time and milieu, and does it all in living local color. Helen, an orphan raised in a genteel finishing school for young ladies, is wed in a quasi-arranged marriage to Galway, a prosperous older widower. Her naïveté regarding the issues of the day—in school she was