SOPHIE GO’S LONELY HEARTS CLUB by Roselle Lim

“This engaging book takes a close look at love, friendship, sorrow, loss, and responsibilities to family.”

sophie go’s lonely hearts club

SOPHIE GO’S LONELY HEARTS CLUB

Lim, Roselle Berkley (336 pp.) $16.00 paper | Aug. 16, 2022 978-0-593-33561-1

A young Toronto woman has just returned from training as a matchmaker in Shanghai and begins to set up her business. Sophie Go has a rare ability: She can see the red threads that dangle from people’s hearts, indicating that they are open to romantic love. When a pairing is made, a couple’s red threads join together. The strength of their bond is indicated by the thickness of the connection and their trials and tribulations, by its knots. She has inherited Toronto as her territory, and she has major—and wellrespected—shoes to fill now that Madam Chieng has died. But at the party where she is to be launched into high society, her mother shows up and tells everyone that Sophie was expelled without graduating from the matchmaking academy. What follows is sweet, earnest, candy-loving Sophie’s effort to set up her business while she works on getting accredited. She meets the Old Ducks, a group of men in their 70s who could use her matchmaking help, including Mr. Regret, who listened to his parents and never married the woman he loved; Mr. Wolf, obsessed with his show cats; Mr. Sorrow, a widower of 23 years; Mr. Durian, lover of that smelly, delicious fruit; Mr. Dolphin, humorous and perfectly put together; and Mr. Porcupine, prickly and disbelieving about matchmaking as a profession. This engaging book takes a close look at love, friendship, sorrow, loss, and responsibilities to family—both the family members you are born with and the family members that you find.

Personality quirks are embraced in this delightful story about seeking—and finding—love even if you need help along the way.

THE LONG CORNER

Maksik, Alexander Europa Editions (288 pp.) $27.00 | May 17, 2022 978-1-60945-751-8

A young man wrestles with his artistic soul at the retreat of an enigmatic art patron. In 2017, as he reaches his mid-30s, writer Solomon Fields has abandoned a promising journalistic career for the financial security of a spirit-crushing job in the advertising industry and a relationship with a young woman named Charity whose life is bound up in the striving of materialist culture. He also feels trapped between the clashing worldviews of his maternal grandmother, Lina, a Holocaust survivor and advocate for seizing the pleasures of life and art, as she did after fleeing Berlin for New York City in 1940, and his mother, Charlotte, a Marxist-turned-conservative and passionate defender of Israel. At the invitation of a woman named Plume, he travels to a tropical island where her employer, the mysterious Sebastian Light, has created a haven for artists he calls The Coded Garden. When Sol arrives, he meets people with names like Crystalline and Siddhartha, at first observing and then participating in the retreat’s curious rituals, including one bacchanalian evening in a sweat lodge, all the while fending off persistent questions by the residents about whether he intends to write about them. There are recurring conversations about the meaning of art and frequent flashbacks to moments in Sol’s relationship with Lina, one that’s much closer than his with Charlotte. Though the questions Maksik raises are provocative ones, the novel too often has a static feel as Sol struggles to solve the riddle of whether Light is a sincere patron of aspiring artists, a pretentious charlatan, or something much more sinister. While the portrait of Sol’s colorful and outspoken grandmother is vibrant and entertaining,

Light and his acolytes in The Coded Garden too often feel more like devices for advancing competing arguments than fully realized fictional characters.

The spark of a story about the challenges of a creative life fails to catch flame.

DAPHNE

Malerman, Josh Del Rey (272 pp.) $28.00 | Aug. 23, 2022 978-0-593-15701-5

After a member of the girls’ high school basketball team in fictional Samhattan, Michigan, is gruesomely murdered, her surviving teammates fear an avenging ghost of local legend—a 7-foot woman named Daphne—is responsible— and is coming for the rest of them.

When Natasha Manksa relates the myth of Daphne to the rest of the team at a sleepover the night before a big game, no one is more freaked out than star player Kit Lamb, who is immediately overwhelmed with fear. Even as she wins the contest with a clutch free throw, Kit is consumed by the threat of Daphne, a one-time Samhattan baller who died a mysterious death many years ago. Then freshman-to-be Tammy Jones is found dead in her bedroom with “trauma to her face. To her head.” Could it have been Daphne? Kit suffers from intense anxiety, which she closely documents in her diary, and believes she is somehow responsible for Daphne’s return because she’s been thinking about her. As Daphne—who can be seen only by her victims but leaves behind the smells of smoke and whiskey—continues her murder spree, secrets from the town’s past begin to emerge. Daphne has inspired a cult following, perhaps because she’s covered in KISS makeup. Malerman, whose thrillers—including Bird Box (2014)—are uncommonly varied, now ventures into the teen sports territory owned by novelist Megan Abbott and the Showtime series Yellowjackets. Though he effectively captures the team’s group chemistry, this is one