4 minute read
ALL THIS COULD BE DIFFERENT by Sarah Thankam Mathews
all this could be different
VANISHED
Lin-Greenberg, Karin Univ. of Nebraska (202 pp.) $19.95 paper | Sept. 1, 2022 978-1-4962-3257-1
A rich tapestry of stories set in upstate New York. The stories here are seemingly unrelated except for their geography. But the shared themes of regret, dissatisfaction, loneliness, and connection make this collection feel interwoven and purposeful. Some stories are more successful than others, and the poignancy of “Migration,” “Lost or Damaged,” and the titular “Vanished” make the stumbles (such as the unsatisfying “Since Vincent Left”) more noticeable. That said, in bite-sized tales, Lin-Greenberg mostly gives us multidimensional characters. In “Roland Raccoon,” there’s a teacher who can’t distance herself from her adolescent meangirl experiences; “Vanished” features a college student who won’t bring herself to welcome her roommate but later clings to the first words that roommate wrote her when the pandemic (and a murder they witnessed) separated them; and in “Migration,” a hoarding woman who is just attached enough to reality dismisses the thought that her estranged daughter might be visiting the family to ask for an organ donation: “She wouldn’t want a part of any of them floating around inside her body.” Overall, the success of this book is most apparent in the endings. Lin-Greenberg does not wrap up her stories neatly with bows. Instead she shows the reader a more truthful and profound reality: characters who don’t get the chance to redeem themselves and stories that leave more questions unanswered than not: “Now, when I look back on my early years, it’s not what I did that I regret, but rather how much I did not do.”
Thoughtful, wry, and bittersweet.
CLIVE CUSSLER’S HELLBURNER
Maden, Mike Putnam (432 pp.) $29.95 | Sept. 6, 2022 978-0-593-54064-0
This is the 16th installment of the action-packed Oregon Files series. The mercenary Juan Cabrillo and his dedicated Oregon crew confront a ship carrying contraband, which leads to uncovering the Pipeline, a massive smuggling enterprise. As the series’ fans know, the Oregon is a 590-foot “rust bucket tramp steamer” on the outside and a technological marvel on the inside. It can zip like a speedboat and even change colors. The primary antagonists are two businessmen named Hakobyan and Katrakis, one Armenian and the other Greek, who have known each other for more than 50 years. Their Pipeline is a conduit for transporting arms, munitions, and meth, making it “the envy of the criminal world.” Now the Armenian has a plan to achieve “wealth beyond imagination” and avenge the genocide of Armenians by Turks in the process. They will steal a 100-megaton bomb and explode it underwater in the Bosporus to cause a tsunami that will “drown sixteen million dirty Turks in a flood of their own radioactive bathwater.” And it will happen when POTUS and the Turkish president are in Istanbul. Then Turkey will blame Russia and go to war, dragging in NATO. World War III will ensue, and badda-bing-badda-boom, the old crooks will become richer than Croesus by—um, who knows—rebuilding atop the rubble, apparently. Their plan does seem to have a few holes. Cabrillo and crew get wind of the nuclear-tipped torpedo, and of course the clock is ticking. Spectacular fighting scenes ensue, with ex-SEAL Cabrillo displaying tenacity and skill worthy of the best fictional heroes. While the evildoer Hakobyan will “do business with the Devil himself if it turned a profit,” Cabrillo will never do anything against American interests. Even his prosthetic leg deserves honorable mention for its unexpected utility in combat. The name Hellburner occurs twice near the end and is not integral to the storyline, but it makes for a good title.
Like the Oregon itself, this novel is fast-moving, implau-
sible, and fun.
ALL THIS COULD BE DIFFERENT
Mathews, Sarah Thankam Viking (320 pp.) $27.00 | Aug. 2, 2022 978-0-59-348912-3
A young woman reckons with her first job, her first love, and her first real friends. After she graduates from college, Sneha—the headstrong, intensely selfreliant narrator of this lovely novel—is lucky to find a job as a corporate consultant. It’s the height of the mid-2000s recession, and Sneha’s immigrant parents have been deported to their native India. Sneha moves to Milwaukee, where she tries on adulthood like an ill-fitting suit. Nothing comes easily: Her landlord has it out for her; her new girlfriend, Marina, seems to want more than Sneha can give; and then Peter, Sneha’s boss, stops paying her. Meanwhile, a childhood trauma is demanding to be reckoned with. In her debut novel, Mathews achieves what so often seems to be impossible: a deeply felt “novel of ideas,” for lack of a better phrase. Mathews somehow tackles the big abstractions—capitalism, gender, sexuality, Western individualism, etc.—while at the same time imbuing her characters with such real, flawed humanity that they seem ready to walk right off the page. Rarely is dialogue rendered so accurately. When Marina catches Sneha in a lie and demands an explanation, Sneha says, “Because I am a trash person and a coward.” In her prose, Mathews can be deeply moving at the same time that she is funny; she dips into slang in a way that feels lyrical and rhythmic. “Bro,” Sneha tells another friend, “the molecules of
