3 minute read
THE OLD PLACE by Bobby Finger
the old place
a book titled Daisy Darker’s Little Secret. Her family gathers for the birthday party at Seaglass, Beatrice’s eccentric old house on the Cornish coast, on an isolated island at the bottom of a cliff that’s only accessible at low tide. It’s a family affair: Beatrice’s son, Frank Darker, a globe-trotting classical musician who was often absent when his children were growing up; Nancy, his exwife and the coldly critical mother of those children; and Daisy’s two older sisters, beautiful and brainy Rose and vain and lazy Lily. Also on the island are Lily’s teenage daughter, Trixie (whose paternity is unknown), and Conor Kennedy, whom Beatrice took in when he was a neighbor boy abused by his father; he’s now a successful journalist. As the tide cuts off the house from the mainland, Beatrice serves a feast and then announces the reading of her will—a reading that makes almost everyone in the family unhappy. Then someone in the small group is found dead in a pool of blood. Soon bodies are stacking up, each killed in a strikingly personal manner, and the dwindling number of living people are frantically trying to identify the killer. (No calling for help—there’s no cell service, and Beatrice has stopped paying her landline bill.) Between the murders, Daisy fills us in on everyone’s backstory, which sometimes bogs down the suspense. If this all sounds a little like Agatha Christie’s bestseller And Then There Were None, that’s probably no accident. But this tale has a different twist ending that, despite some clever construction throughout the book, doesn’t quite convince.
Murder is all in the family in this novel, but the surprise ending lacks punch.
THE OLD PLACE
Finger, Bobby Putnam (336 pp.) $27.00 | Sept. 20, 2022 978-0-593-42234-2
In his first novel, New York–based journalist and podcaster Finger delves into the intricate entanglements of a small Texas town with flinty, sharply observed affection. Yes, everyone knows everybody’s business in Billington, where gossip is the currency; yes, much of the town’s social life during the week in August 2014 when this novel takes place revolves around the annual church picnic; and yes, outsiders are the exception in Billington, where traditional values hold sway. But do not expect cowboy swagger or cartoonish hayseeds from Finger, who grew up in Texas. At the novel’s center, unwillingly retired math teacher Mary Alice Roth is a jigsaw puzzle of a character, as complicated as any Henry James hero. She initially comes across as an overbearing busybody, showing up at the high school to unnerve her successor—a young transplant from Brooklyn refreshingly unafraid to confront urban-bubble prejudices. Mary Alice thinks she intimidates everyone around her, even the principal, but her often obnoxious bristle is a defensive front that doesn’t fool anyone. Locals put up with her out of pity. Twenty-four years ago her husband drowned in what she hopes everyone assumes was an accident, not suicide. (They don’t.) In 2002 her son, Michael, died suddenly under mysterious circumstances; an obituary appeared, but there was no funeral. Mary Alice has never discussed Michael’s death, even with her best friend, Ellie, though they are bound by grief. Ellie’s son, Kenny—Michael’s best friend—died weeks before Michael in a car crash the morning after their high school graduation. Finger handles the nature of Kenny and Michael’s friendship and the town’s reaction with unexpected nuance, showing the problematic confusion in how people see themselves, see others, and assume they are seen by others. What could have turned melodramatic becomes an exploration of the danger of unnecessary secrets.
