3 minute read
THE DAYS OF AFREKETE by Asali Solomon
the days of afrekete
and a special connection—was struck and killed by a car while riding his bike. But when her nieces, Mia and Kitty, unexpectedly arrive to spend the summer with her, they insist on helping Jo check off the final few items on her list. It’s clear that both girls are struggling without Samson, so Jo agrees to their scheme in an attempt to distract them. While checking off No. 5 on the list—kiss a stranger—Jo meets Alex, a handsome man she sparks with but never expects to see again. That is, until she meets her new neighbors—Alex and his energetic daughter, Greyson. And then again when Alex turns up as the new chef on the yacht. As the girls—all three of whom are scene-stealers, precocious and intelligent yet complexly drawn—become fast friends and romance between Jo and Alex seems inevitable, long-hidden emotions bubble over and promise to change all of them forever. Ruiz captures the complexities of grief and guilt through many different lenses—loss of a parent, loss of a child, loss of a sibling, abandonment through death but also by choice—and tackles them all with sensitivity and skill.
Readers are sure to fall for this heartwarming and emotional novel.
THE DAYS OF AFREKETE
Solomon, Asali Farrar, Straus and Giroux (208 pp.) $26.00 | Oct. 19, 2021 978-0-374-14005-2
As failure and shame threaten to demolish her world, a Black woman throws a dinner party...and thinks wistfully about her past. Known as “The Wolf” by her sister lesbians at Bryn Mawr 20 years ago, Liselle is now married to a White man, a lawyer-turned-politician named Winn Anderson. Winn has just lost an election for the state legislature, and Liselle has planned a dinner party as a last hurrah for their biggest supporters. Her doubts about the evening are compounded by the fear that her husband will be hauled away by the FBI before dessert; though he doesn’t know it yet, she’s been told he may soon be indicted for corruption. Set in the author’s hometown of Philadelphia, this novel—part social satire, part character study—takes its title from a trickster in Audre Lorde’s Zami: A New Spelling of My Name (1982). Liselle read Lorde her senior year of college, during her brief affair with a woman named Selena Octave. Though they haven’t seen each other in years, the pile-up of disappointments in Liselle’s life inspires her to call and leave a one-word message for her old friend. Solomon excels at ironic description—one character has “the look of someone who had aged out of playing the rich jerk in an eighties teen movie”—and builds further ironies into her depiction of race and class. While Liselle is often called Lisa, Lisette, Liesl, etc., she herself is afraid to say aloud the name of the woman helping her in the kitchen, Xochitl. In contemplating the conversational possibilities of the gathering, she thinks, “There was so much lying all the time, particularly when you got together with people who were not Black. Bland observations about schools, neighborhoods, and the words ‘kids’ and ‘safe’ and ‘family’ tried to cover up a landscape of volcanos oozing with blood, pus, and shit.” The last page of the book will leave you stunned. Solomon’s decision about where to end her dinner party puts her in a lineage of modernist party hosts like Woolf and Proust.
