REVIEWS

special issue: best books of 2022 fiction

BROWN GIRLS

Andreades, Daphne Palasi Random House (224 pp.) $24.00 | Jan. 4, 2022 978-0-593-24342-8

A masterfully executed ode to brown girls on their journeys of becoming. Andreades’ debut novel is a unique coming-of-age story screamed, sung, howled, hummed by “we,” a first-person plural narrator representing a group of friends from Queens, New York, on the cusp of womanhood. Writing in vignettes, with language that is as punchy as it is lyrical and impassioned, Andreades explores intersectional issues of womanhood, race, and class. Her chorus asks what it means to embody both the colonized and the colonizer: as American children of immigrant parents who speak English better than their mother tongue. As students at Columbia University who worry about undocumented family back in Queens. As people who realize that home will always mean two places at once. Andreades skillfully navigates multiple literary and political challenges. The novel successfully argues for a specifically American identity politics that eschews nationality or geographic region for a common experience of marginalization. The brown girls have roots in such diverse places as Ghana, India, and Mexico yet can believably speak as one chorus. To pull off a novel with basically no individual characters or character development that conveys an intimate story of becoming— a bildungsroman—is no easy feat. This book is (unbelievably!) a page-turner; Andreades accomplishes this with the energy and joyful beauty of her prose, which keeps the book moving at a reckless pace. Andreades’ brown girls speak with one voice without being reductionist. She pays homage to the brown girls who have left Queens and those who have stayed, straight and gay, teen murder victim and thriving career woman, parent and intentionally childless: The list goes on and on.

Singing as one, Andreades’ brown girls create and capture the voice of a generation.

RUBY FEVER

Andrews, Ilona Avon/HarperCollins (384 pp.) $9.99 paper | Aug. 23, 2022 978-0-06-287839-7

The magical elite of Houston are under threat from a rogue assassin trained by the Russian imperium. Catalina Baylor is a woman with many responsibilities: She heads her magical house, runs her family’s investigative firm, and is the Deputy Warden of Texas. When she’s called to investigate the murder of a local politician, Catalina and her lover, Alessandro Sagredo, realize that Russian assassin Arkan must be responsible for the crime. Arkan is creating hyperpowerful mages by infecting them with a stolen strain of the Osiris serum that introduced magic into the world 150 years ago; unfortunately, the mages are also irrational, paranoid, and unable to control their terrifying new powers. Since Arkan also murdered Alessandro’s father, they are determined to bring him to justice and find the stolen serum before he can do more damage. However, Catalina quickly realizes that she has another problem: A related incident has incapacitated her boss and left him in a coma. Catalina is elevated to Acting Warden, making her the ultimate magical law enforcement officer in the state of Texas. The case quickly becomes an unholy tangle of competing interests, as Catalina weighs her personal needs against those of her job as Warden. She and Alessandro are in a committed relationship, but they face new challenges around trust and family obligations while hunting down the most dangerous killer on the planet. All the beloved characters from earlier in the Hidden Legacy series reappear, which gives the thrilling final showdown with Arkan a gratifying “Avengers Assemble” feeling. Mysteries from previous books are finally wrapped up and explained, and there are a few juicy clues about future potential love interests for the youngest Baylor sister, Arabella.

The action-packed and imaginative second trilogy of the Hidden Legacy series ends with a spectacular, satisfying finish.

YONDER

Asim, Jabari Simon & Schuster (272 pp.) $27.00 | Jan. 11, 2022 978-1-982163-16-7

A novel of enslaved people reaching for love and freedom. Asim’s multifaceted oeuvre includes 12 books for children, a collection of poetry, acclaimed works of social criticism, and a short story collection. His majestic second novel is set in the mid-19th century on a plantation called Placid Hall, which is within a hundred miles of free soil. The slaves call themselves the Stolen, and White people, from plantation owners down to children, are referred to as Thieves. Despite living in a society determined to keep the Stolen uneducated and unaware of their surroundings, the enslaved people of Placid Hall hold on to as much of their humanity as possible. They dream of freedom, they fall in love despite knowing they could be separated from their partners or children at any moment, and they believe in the power of words and storytelling. “Our elders taught us that words were mighty enough to change our condition. They whispered seven words into the ears of every Stolen newborn before the child was given a name, seven words carefully chosen for that child alone.” The seven words serve as part prayer and part talisman, but they also give each of the Stolen an identity apart from slavery. Told in quick chapters, many just two or three pages long, that alternate narrators among the Stolen, the novel manages to convey the horrors and vicissitudes of slavery while never compromising each character’s humanity. William is strong and stubborn and hopelessly in love with Margaret. Cato is still grieving the death of his love but begins to see a new future with Pandora. These four, plus Little Zander—who’s always practicing flying away—have to decide if they’re ready to risk their lives for the dream of a better future. Asim demonstrates all a novel can be: soaring and grounded, personal and epic, thrilling and quiet.

A wonder-filled novel about the power of words and stories to bring hope to the most difficult situations.

SHRINES OF GAIETY

Atkinson, Kate Doubleday (400 pp.) $25.99 | Sept. 27, 2022 978-0-385-54797-0

The author of Big Sky (2019) and Transcription (2018) takes readers on a tour of London’s post–World War I demimonde. It’s 1926. Nellie Coker presides over an empire of five nightclubs catering to a diverse clientele and a brood of six children of various talents and aptitudes. Just released from prison, she finds herself beset on all sides. Would-be usurpers have infiltrated her inner circle. DCI John Frobisher is determined to bring her to justice. And Gwendolen Kelling—currently on leave from her job as a librarian in York, lately a nurse serving in the Great War—has just emerged as something of a wild card. While the story unfolds over a period of weeks and is almost entirely contained to London, it sprawls across social classes and gives voice to a glorious miscellany of characters. The tone is set by Nellie, a woman who had the will and the smarts to create herself, and two veterans of the trenches—Gwendolen and Nellie’s son Niven, who survived deployment to the Somme. These three are hard to shock and difficult to take unawares, and they have all endured experiences that make them want to live. Like all of Atkinson’s novels, her latest defies easy categorization. It’s historical fiction, but there’s a sense of knowingness that feels contemporary, and if this irony may feel anachronistic, it also feels spiritually correct. Intertwined mysteries drive the plot, but this is not a mystery in any conventional sense. The adjective Dickensian feels too clichéd to be meaningful, but Atkinson does excel at creating a big, bustling universe fully inhabited by vivid characters. And, like Dickens, Atkinson is obviously fond of her characters—even the ones who do horrible things. Sometimes this means that she lets us know the fate of a character with a walk-on part. Sometimes her care manifests in giving a character the sort of perfect ending that seldom exists outside of Greek tragedy or screwball comedy. And, in one exquisite moment, the author shows her love by releasing characters from the confines of the narrative altogether—a choice she seems to offer as a gift to both her creations and her readers.

Already one of the best writers working, Atkinson just gets better and better.

THE 6:20 MAN

Baldacci, David Grand Central Publishing (432 pp.) $26.10 | July 12, 2022 978-1-5387-1984-8

A complex, high-powered thriller that will keep the reader guessing. Former U.S. Army Ranger Travis Devine regularly takes the 6:20 commuter train to a job he hates at Cowl and Comely, the New York firm where he is an investment analyst. He’s one of many “Burners,” or interns, who slave 80 hours a week and more for low pay in hopes of not being fired at the end of the year. Devine works there to appease his father, who had despised his son’s choice to serve his country instead of immediately going out and getting rich like his two older siblings. The morning train passes by the home of Cowl, whom the Burners are making richer and richer. Passengers get daily unfettered views of a gorgeous bikinied woman at Cowl’s swimming pool. She seems oblivious to the yearning gazes of the male commuters. Then, one morning at work, Devine receives an anonymous, untraceable text saying, “She is dead.” None of his fellow Burners received it. “She” is Sara Ewes, a colleague with whom he had once had sex. How could anyone know? It was a secret because dating within the