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VALENTINO AND SAGITTARIUS by Natalia Ginzburg
valentino and sagittarius
holding out for a man like Heathcliff or Mr. Darcy, whose scorn masks a deep pain only she can heal. She wants a kiss that will stop the earth from spinning, with a man who would die for her. If they were stranded in the ocean with only one plank of driftwood between them, he would insist she take it, and comfort her as he froze to death. No eighth-grader can compete with of local opinion about giving Drew the benefit of the doubt.
that. Nathan Bagley never stood a chance.” In fact, it turns out he does, because reality has a way of winning. In “The Tenant,” a woman who is living happily with a hungry bear—she serves him dinner by candlelight—is heartbroken when he moves out. While “Foresight” imagines a substance that lets you see all your possible futures, it seems to concur with “Stone Fruit” about the disappointment at the end of the road: “Alice had wanted to sleep beneath the stars nestled in a gypsy’s arms. She’d wanted to travel the world and write a novel rivaling War and Peace. Now, she wants a house to grow old in.” The drifty way the stories unfold—a lack of narrative urgency—may keep some readers from digging in.
Whimsy and fantasy meet the way things really turn out in stories from a strong new voice.
VALENTINO AND SAGITTARIUS Ginzburg, Natalia Trans. by Bardoni, Avril New York Review Books (144 pp.) $15.95 paper | Sep. 15, 2020 978-1-68137-474-1
A pair of novellas describe mid-20thcentury Italian life. The latest installment in Ginzburg’s oeuvre might be her finest yet. The two novellas that make up this volume are meticulously observed accounts of midcentury Italian family life. In the first, a family scrimps and saves so that their only son can receive an education; his parents hope that he will become “a man of consequence.” Instead, Valentino marries a wealthy, unattractive woman 10 years his senior. Despairing, his mother tells him, “not one of us has ever done anything just for money.” In the next story, a dissatisfied mother of two dreams of opening an art gallery. She isn’t an easy character to like: Her dream reeks of self-delusion. More than anything, her interest in art stems from an all-consuming pretension to culture and cultivation. But Ginzburg writes with such a sense of empathy for each of her characters, and her prose is so utterly lacking in sentimentality, that it becomes nearly impossible not to sympathize with every one of the figures peopling these stories. Each novella is narrated by a young woman, the first by Valentino’s sister, the second by one of the daughters of the unnamed mother. Each novella, too, features Ginzburg’s characteristic psychological insight, her subtle, sometimes-bleak wit, and her fastidious—but never fussy—prose, here capably translated by Bardoni. This renewed interest in Ginzburg’s body of work comes as a tremendous gift. She was a magnificent writer.
Ginzburg described with a nearly deceptive lucidity the
A TIME FOR MERCY Grisham, John Doubleday (480 pp.) $20.96 | Oct. 13, 2020 978-0-385-54596-9
A small-town Mississippi courtroom becomes the setting for a trademark Grisham legal tussle. Stuart Kofer is not a nice guy. He drinks way too much and likes to brawl. One night, coming home in a foul mood with a blood alcohol count more than triple the legal limit, he breaks his live-in girlfriend’s jaw. He’s done terrible things to her children, too—and now her 16-year-old boy, Drew, puts an end to the terror. Unfortunately for the kid in a place where uniforms are worshipped, Stu was a well-liked cop. “Did it really matter if he was sixteen or sixty? It certainly didn’t matter to Stu Kofer, whose stock seemed to rise by the hour,” writes Grisham
delusions, trials, and dreams of her characters.
Jake Brigance, the hero of the tale, is a lawyer who’s down to his last dime until a fat wrongful-death case is settled. It doesn’t help his bank book when the meaningfully named Judge Omar Noose orders him to defend the kid. Backed by a brilliant paralegal whose dream is to be the first Black female lawyer in the county, he prepares for what the local sheriff correctly portends will be “an ugly trial” that may well land Drew on death row. As ever, Grisham capably covers the mores of his native turf, from gun racks to the casual use of the N-word. As well, he examines Bible Belt attitudes toward abortion and capital punishment as well as the inner workings of the courtroom, such as jury selection: “What will your jury look like?” asks a trial consultant, to which Jake replies, “A regular posse. It’s rural north Mississippi, and I’ll try to change venue to another county simply because of the notoriety.” The story runs on a touch long, as Grisham yarns tend to do, and it gets a bit gory at times, but the level of tension is satisfyingly high all the way to the oddly inconclusive end.
Grisham fans will be pleased, graphic details of evil behavior and all.
SIROCCO Haynes, Dana Blackstone (300 pp.) $16.99 paper | Jan. 26, 2021 978-1-09-409983-5
The bounty hunters of St. Nicholas Salvage & Wrecking who go up against a Middle Eastern terrorist bomber find their target far more chimerical than it seems. The serial kidnapper that ex–U.S. Marshal Michael Finnigan and his partner, Katalin Fiero Dahar, tangled with in St. Nicholas Salvage & Wrecking (2019) is small potatoes compared to the Khamsin Sayef, or Storm of the Sword, a terrorist organization that blew up Paris CIA station chief Dinah Mariner and her husband and daughter three years ago and has gone on to more of the same. The latest casualty is nongovernmental organization leader Victor Wu, killed along with Pete Newsom, the
