Letters That You Will Not Get: Women's Voices From The Great War

Page 1

Letters That You Will Not Get: Women’s Voices From The Great War

for two sopranos, two mezzo-sopranos, violin, and cello

Kirsten Volness libretto by Susan Werbe & Kate Holland 2018


Letters That You Will Not Get: Women’s Voices From The Great War for TWO SOPRANOS, TWO MEZZO-SOPRANOS, VIOLIN, and CELLO libretto by SUSAN WERBE and KATE HOLLAND 2018 I. Dear Alice II. L’Odeur de Mon Pays III. Women of Europe IV. Socks V. The Dancers VI. Right and Left VII. Salonika VIII. Finally IX. There Will Come Soft Rains _____________________________________________

PERFORMANCE NOTES ALL — V. m. 50 (2nd time): An opportunity to improvise — retain melody and chord progression, but feel free to add variation, backing countermelodies, or fills to your taste. SINGERS — All songs should be sung with a more pop/jazz vocal technique in relation to amount of vibrato, diction, sliding in and out of pitches, vocal timbre, etc. These should feel more like folk songs than arias, though in especially dramatic moments, a more operatic tone may emerge. Use your best judgment and err on the side of informal. STRINGS — I. m.12: Square note head refers to overpressure crunch; any sort of short, percussive crushed tone will do if you make a quick, dramatic crescendo into it. — I. m. 15: Half pressure refers to pressing down the string lightly so uncontrolled overtones pop out, with the addition of wide vibrato to create an eerie sound. — I. m. 108–118: When playing loudly in the ffp, play ordinario; when playing quietly, play molto sul ponticello (less fundamental will be present) and transition gradually between them during crescendos. VIOLIN — IV. m.47: Tap on instrument with fingertip(s) to make percussive sound (x note head). ii


____________________________________________

PROGRAM NOTE

Letters That You Will Not Get: Women’s Voices From the Great War sets a libretto by Susan Werbe and Kate Holland, featuring a collection of letters and poetry written by American, British, Irish, French, and German women during World War I. Nine songs offer a window into their experiences and thoughts during a conflict in which over 18 million people died and 23 million were wounded. It was commissioned to commemorate the 100th anniversary of Armistice Day. Support for the creation of this work was provided by Rhode Island State Council on the Arts and the Rhode Island Foundation. _____________________________________________ DURATION: 25 MINUTES _____________________________________________ CONTACT: KIRSTEN@KIRSTENVOLNESS.COM • KIRSTENVOLNESS.COM

Commissioned by Susan Werbe iii


I. DEAR ALICE SINGER 3: Dear Alice… SINGER 4: My dear Father, I must write you a few lines… SINGER 3: Dear Alice… SINGER 4: …even though I could drop with weariness. SINGER 2: My beloved Paul, Take care of yourself so that nothing will happen to you… SINGER 4: Dear family, The devastated country is much more strange and fantastic on a sunny day… SINGER 1: Charles, Yesterday Sunday I was at Meaux, hoping always to see you arrive… SINGER 3: Dear Alice… SINGER 1: …disappointed hope. I was forced to go away, it was bad luck that you were not able to come. SINGER 3: If you could see me in my dirty clothes dashing around doing errands, scrubbing, you would not think me the model heroine. SINGER 4: I understand too well how strongly you feel about the fate of our fatherland. Only our patients, in their awful agony, yearn for one thing, peace— SINGER 1: The luck of there being such an adventure left in the world! and you there to have it— SINGER 3: The light on the piles of bricks, the half standing houses, the stretches of bleak fields full of trenches and wires — SINGER 1: Violet passed on news from George: He said that up to date it had all been the most glorious fun. SINGER 2: How I would like to be able to go and find you and bring you back with me… when will this war end which causes so many tears. Things are hopping in Paris. The women are rebelling. Let’s hope that will do some good and above all bring the end —

iv


SINGER 4: Why then the sacrifice of all these lives? Father, father can this truly be the will of God?

II. L’ODEUR DE MON PAYS

The scent of my country was in an apple. I have bitten it with eyes fully closed, To imagine myself standing in a green meadow. The shadows of the poplars are long rays. I heard the sounds of birds filling the hedgerows. To eat, with eyes closed, the plump apple from your meadows, bountiful Normandie— Ah! I will never be cured of my country! And who ever has been cured of her youth? —Lucie Delarue-Mardrus (French)

III. WOMEN OF EUROPE Women of Europe, when will your call ring out? Summer’s glory was shattered by lightning— The lightning of the most frightful of all wars. Millions of women’s hearts blaze up in anguish. Women of Europe, where is your voice? Are you only great in patience and suffering? Women of Europe, where is your voice that should be sowing seeds of peace? —Chicago: Women’s Peace Party, 1915 (German)

IV. SOCKS Shining pins that dart and click In the fireside’s sheltered peace Check the thoughts that cluster thick— 20 plain and then decrease. He was brave—well, so was I— Keen and merry, but his lip Quivered when he said good-bye— Purl the seam-stitch, purl and slip. Never used to living rough, Lots of things he’d got to learn; Wonder if he’s warm enough— Knit 2, catch 2, knit 1, turn. v


Wonder if he’s fighting now, What he’s done an’ where he’s been; He’ll come out on top somehow— Slip 1, knit 2, purl 14. —Jessie Pope (British)

V. THE DANCERS

The floors are slippery with blood: The world gyrates too. God is good That while His wind blows out the light For those who hourly die for us— We still can dance, each night. The music has grown numb with death— But we will suck their dying breath, The whispered name they breathed to chance, To swell our music, make it loud That we may dance,—may dance. We are the dull blind carrion-fly That dance and batten. Though God die Mad from the horror of the light— the light is mad, too, flecked with blood,— We dance, we dance, each night. —Edith Sitwell (British)

VI. RIGHT AND LEFT

Where are my children now? What is left to their mother? One boy to the right and one to the left, My right son and my left son, As they called themselves. Where are my children now? One dead and one so far away— —Kathe Kollwitz (German)

vi


VII. SALONIKA My husband’s in Salonika, I wonder if he’s dead. I wonder if he knows he has A kid with a foxy head. And when the war is over What will the slackers do? They’ll all be after the soldier boys For the loan of a bob or two. And when the war is over What will the soldiers do? They’ll hobble along on a leg and a half But the slackers will have two. —Anonymous (Irish)

VIII. FINALLY Finally, when the end came, When the end came, Finally, when the end— It took everyone’s breath away. From the old French woman in the village bakery, To the grinning Tommy who passed you on the road— Finally, when the end came— Or even to the Germans in the camps Who tossed their caps into the air, No one could realize it. When the end came, Finally, finally— It took everyone’s breath away. On the 11th day Of the 11th month “Hostilities ceased at 11am” Finally, when— vii


A clerk brought the communiqué into the ward Finally, finally, That was all. —Elizabeth Lazenby (American)

IX. THERE WILL COME SOFT RAINS There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound; And frogs in the pools singing at night, And wild plum trees in tremulous white, Robins will wear their feathery fire Whistling their whims on a low fence-wire; And not one will know of the war, not one Will care at last when it is done. Not one would mind, neither bird nor tree If mankind perished utterly; And Spring herself, when she woke at dawn, Would scarcely know that we were gone. —Sara Teasdale (American) _____________________________________________ TEXT ATTRIBUTIONS Angèle Fournier – Letter to her husband (pg. 272) Lines of Fire: Women Writers of World War I, ed. by Margaret Higonnet. Permission for English translation from Margaret R. Higonnet. By permission of Service Historique de l’Armée de Terre. Château de Vincennes (16N 1552). Käthe Russner – Letter to her father (pg. 226) Lines of Fire: Women Writers of World War I, ed. by Margaret Higonnet Schwesterndienst im Weltkriege: Feldpostbriefe und Tagebuchblätter (Leipzig; Breitkopf & Härtel, 1936). Copyright © 1936 by Breitkopf & Hätel, Wiesbaden. Translation by Trudi Nicholas. Permission for English translation from Margaret R Higonnet.

viii


To End All Wars: A Story of Loyalty and Rebellion, 1914-1918 (pg. 107 Violet passed on news from George..”) Adam Hochschild Excerpt from To End All Wars: A Story of Loyalty and Rebellion, 1914-1918 by Adam Hochschild. Copyright © 2011 Adam Hochschild. Used by permission of Georges Borchardt, Inc. for the Author. All rights reserved. Edith Sitwell, The Dancers (pg. 493) Lines of Fire: Women Writers of World War I, ed. by Margaret Higonnet Clowns’ Houses by Edith Sitwell reproduced by permission of Peters Fraser & Dunlop (www.petersfraserdunlop.com) on behalf of the Edith Sitwell Estate. Kathë Kollwitz diary excerpts translated by Henriëtte Kets de Vries for the Smith College Museum of Art exhibition; Mother's Arms: Kathë Kollwitz's Women and War. _____________________________________________

VOICES AND SOURCES Letters That You Will Not Get Nora Saltonstall, American, 1894 - 1919 Angèle Fournier, French (dates unknown) Käthe Russner, German, 1892 - ?

Violet Bonham-Carter, British, 1887 – 1969 Marie Pireaud, French, 1892 - 1978 Violet Cecil, British, 1872 – 1958 Lucie Delarue-Mardus, French, 1874 – 1945 Women’s Peace Party, 1915, German Jessie Pope, British, 1868 – 1941 Anonymous, Irish Edith Sitwell, British, 1887 – 1964 Käthe Kollwitz, German, 1867 – 1945 Elizabeth Lazenby, American, (dates unknown) Sara Teasdale, American, 1884 - 1933 ix



Letters That You Will Not Get: Women's Voices From The Great War I. Dear Alice Libretto by Susan Werbe and Kate Holland

Kirsten Volness

Meditatively, with rubato q = 66

° b4 & b b4

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45 Ó™

U Œ Œ

44

b4 & b b4

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44

b4 & b b4

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U Œ Œ

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bb 4 Voice 4 b 4 & (mezzo-soprano) ¢

U ∑

Voice 1 (soprano)

Voice 2 (soprano)

Voice 3 (mezzo-soprano)

Spoken: "Dear Alice..."

pp

My dear Fa - ther,

I must write you

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Dear

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Ó

pp

˙

Ó

a few lines...

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My be - lov ed Paul,

Take

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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

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b Vox 4 & b b ¢

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mp

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care of your self

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42

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dolce

so that noth ing

42

will

42

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hap pen to you...

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gliss right before crunch

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f

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gliss right before crunch

p

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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


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Vox 3

More desperately, less rubato q=80

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3

˙ ˙

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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

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half pressure, molto vib.

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ord.

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ord.

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18

5

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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

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luck that you were not a ble to

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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


10 ° ## & ˙™ 46

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mp

47

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come.

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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

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42

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¢

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you would notthink me the

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mod - el

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42

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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


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Vox 2

Vox 3

# & # 42 ∑ 43

## 2 & 4˙

43

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f

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I un -der - stand too well how strong ly you feel

f

Vc.

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? ## 42 œ nœ 43 ™ ¢ > ˙ f

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

a - bout

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the fate of our


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# &#

## &

66

Vox 2

Vox 3

Vox 4

Vln.

Vc.

¢

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fath - er - land.

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mf

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On - ly our pa

˙

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p

Œ

tients,

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Ϫ

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in their

aw

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Ϫ

mf

Ϫ

Ϫ

Ϫ

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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


14 ° # Vox 1 & #

# &#

## &

72

Vox 2

Vox 3

Vox 4

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ag

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Vc.

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Œ

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yearn

for

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one

Ϫ

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thing,

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j œ œ™

Ϫ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

Ϫ

Ϫ

˙™


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Vox 2

## mf & ˙™

˙™

˙™

## mf & #˙ ™

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## & #˙ ™

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peace—

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peace—

Vox 4

Vln.

Vc.

¢

peace—

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˙™ Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


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79

Vox 1

Vox 2

Vox 3

Vox 4

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¢

81 Œ

Œ

œ

The

81

œ

Œ

œ œ

luck

of there

Slower, naïvely mesmerized, with rubato q=100

Violin remain in original tempo, continue figure and release on last syllable: "it"

Vln.

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Vc.

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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

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3

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be - ing

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Vox 3

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Vc.

¢

such an ad - ven - ture left

3

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in the world!

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44

and

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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


18

you

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to

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The

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œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

U j‰ Œ Œ œ

Fast waltz q=168

œ

light

Œ #œ œ ˙

on the piles

88

Fast waltz q=168

˙ b 3 b 4Œ ˙

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pizz. p

of

p

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86

88 bb 43

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° #4 Vox 1 & # 4 ˙

short

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19 ° b Vox 1 & b

b &b

90

Vox 2

b &b ˙™

Vox 3

Œ Œ œ

˙™

the

half

bricks,

Vox 4

b b & ¢

œœ

˙

stan - ding hous -

Vc.

¢

˙™

˙

‰™ œR ˙

‰ œœ ˙ 3

Œ Œ

the

œ œ œ Œ bœJ ‰ Œ Œ J ‰ Œ

œ œ b œ ™ bœ ™ 3

œ

es,

° b ‰ œ œ œ œ œ Œ nŸ˙~~~~~~~~~~ œ œ Œ ‰ œœ œœ œ œ J Vln. & b J ‰JŒ ? bb

œœ˙

˙

Œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


20 ° b Vox 1 & b

100 44

b &b

44

˙™

b &b œ œ œ ˙™

Vox 3

stretch es of bleak

b b & ¢

fields

Vln.

° b œ œ Œ Œ &b œ

Vc.

¢

? bb

œ Œ Œ

œ

full of

œ œ

∏∏∏∏

Vox 4

Œ Œ

44 œœ œ œ œ œ

˙

trench es and wires—

44

w

Slower

Œ Œ œœ Œ ˙ ˙

100 q=100 44 œ- œ- œ- œ-

œ Œ Œ

44

∏∏∏∏

Vox 2

∏∏∏∏

96

Slower q=100

œ Œ Œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

œ œ œ nœ

gliss.

˙ b˙


21 ° b œ 3œ œ œ Vox 1 & b 102

mf

mp naïvely

œ

œ

Vi - o - let passed on news

Vc.

George:

r œ œ™ œ œ™ œ

He said that up

b &b

b b & ¢

Vox 3

Vln.

from

‰™

˙

b &b

Vox 2

Vox 4

œ

œ

° b &b ¢

? bb

-œ œ

œœ

-œ œ

œnœ

Œ

˙

to

˙ ˙

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


22 ° b œ & b œ œ œ >œ œ œ œ > œ œ œ œ f

104

Vox 1

3

date it had all been the most glo - ri - ous fun.

b &b

b &b

b b & ¢

Vox 2

Vox 3

Vox 4

Vln.

Vc.

° b &b œ . ¢

? bb

œ

œ. œ.

‰™

mf

œ

œ ææ R

œ ææ

>œ œ œ œ 3

sf

˙

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

œ

f

œ ‰ œj Ó p

œ œ Ó p


23 ° b Vox 1 & b

b &b

b &b

b b & ¢

106

Vox 2

Vox 3

Vox 4

> ° b œ. Vln. & b

œ

sf p

Vc.

¢

? bb

arco

œ. > p

œ 3

>. œœ sf

œ >.

>œ œ œ œœœ œœ œœ ææ 6 3 sf

œ. >

Œ

3

œœ Œ > œœœœœœ n>œ . œ.

sf

œ >.

sf

œ. œ. Ó

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


24 ° b Vox 1 & b

b &b

b &b

b b & ¢

108

Vox 2

Vox 3

Vox 4

° b Vln. & b

ord > msp ff > p 6

6

6

6

b >œ

ffp

Vc.

¢

? bb

6

6

ffp

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

6

fp

ord > msp ff > p

b>œ

6

>œ

fp


25 ° b Vox 1 & b

b &b

b &b

b b & ¢

110

Vox 2

Vox 3

Vox 4

° b Vln. & b

6

6

6

6

6

6

6

6

>œ

sfp

Vc.

¢

? bb

b>œ

sfp

>œ

sfp

>œ

sfp

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


26 ° b Vox 1 & b

b &b

b &b

b b & ¢

112

Vox 2

Vox 3

Vox 4

° b Vln. & b

Vc.

¢

6

6

6

6

? bb

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

>œ

ffp

b>œ

ffp

6

6

6

6


27 ° b Vox 1 & b

b &b

b &b

b b & ¢

114

Vox 2

Vox 3

Vox 4

° b Vln. & b

6

6

>œ

sfp

Vc.

¢

? bb

>œ

sfp

6

6

6

b >œ

sfp

bœ b>œ

sfp

6

6

6

>œ

sfp

>œ sfp

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


28 ° b Vox 1 & b

b &b

b &b

b b & ¢

116

Vox 2

Vox 3

Vox 4

° b Vln. & b

Vc.

¢

? bb

6

b>œ

sfp

6

6

6

ord.

>œ

>œ

ff

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

6

6

6

6


29 ° b &b

Still 120 Faster q=180 3 ∑ 4 ∑

b &b

43

b &b

43 œ œ œ

b b & ¢

118

Vox 1

Vox 2

Vox 3

Vox 4

° b Vln. & b

mp

j j œ œœ œ œ œ œ

How I would like to be a -

6

6

6

ord.

>œ

3

43

Still 120 Faster q=180 3 ∑ 4 ∑

ble

to

ff

Vc.

¢

? bb

43 œ Œ œ œ œ Œ Œ mp pizz.

œ œ

œŒ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


30 ° b Vox 1 & b

b &b

123

Vox 2

Vc.

œ œ œ

How I would

go

Vln.

b &b œ œ œ œ ˙™

Vox 3

Vox 4

mp

˙

and find

œ

you

j j œ œ œ œ œ™

Ϫ

and bring

you

back with me...

œ œ œ

How I would

b b & ¢

° b &b

¢

? bb

œ

œ ‰ œ œœ Œ œ Œ J œ œ œ œ œ

œœœ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

œ

œ œ œ J œ Œ œ ‰ œ œ Œ œ


31 ° b œ œ œ œ œ œ œ œ œ ˙™ Vox 1 & b œ œ J J 129

like to be

b &b

Vox 2

a -

ble

to

go

˙

and find

œ œ œ œ œ œ œ ˙™

mp

a - ble

to

go

and find

like to be

b Vox 4 & b ¢

a -

ble

to

go

and find

Œ Œ

mp

Vc.

° b &b ¢

? bb œ

∑ œ

œŒ

˙

œ œ™

you

j œ œ

œ

you

j œ œ

Ϫ

and bring

you

j œ œ

œ œ™

˙

you

œ œ J

and bring

˙

and find

Vln.

and bring

you

œ œ ˙™

Ϫ

you

you

b & b œ œj œ œj œ œ œ œ œ œ œ ˙™

Vox 3

œ

and bring

you

œ œ œ œ œ œœœ Œ œ J ‰ œœ Œ œ œŒ œ œ Œ œ œ œ œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


32 ° bœ œ œ Œ Vox 1 & b 135

f

œ

œ

œ

back with me... when will this

Vox 2

b &b œ œ œ Œ

f

b &b œ œ œ Œ

f

œ

œ

œ

œ

œ

back with me... when will this

Vox 3

œ

back with me... when will this

b Vox 4 & b ¢

Vln.

Vc.

œ œ œ

¢

œ

œ

œ

œ

œ

œ

Ϫ

whichcaus - es

so

man

œ

Ϫ

j œ œ

œ

œ

Ϫ

œ

Ϫ

œ

Ϫ

war end

whichcaus - es

so

man

j œ œ

œ

œ

Ϫ

war end

j œ œ

œ

war end

whichcaus - es

whichcaus - es

so

œ

so

man

Ϫ

man

-

-

œ œ J

y

œ œ J

y

j œ œ

-

y

-

j œ œ

y

œæ æ œæ œæ œæ œæ œæ æ œæ œæ œæ œæ œæ æ œæ œæ œæ œæ œæ æ œæ œæ œæ œæ œ œ œ œ

œ

œ œ J

Ϫ

war end

f

back with me... when will this

° b &b ? bb

Œ

œ

mf

œŒ

arco

œ

mf

œ

œ

œ

œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

œ

œ

œ

œ

œ

œœ œ œ


33 ° bœœ˙ Vox 1 & b

˙™

˙™

˙™

b &b œ œ ˙

˙™

˙™

˙™

b &b œ œ ˙

˙™

˙™

˙™

140

tears.

Vox 2

tears.

Vox 3

tears.

Vox 4

b b & ¢

œœ˙ tears.

Vln.

˙™

˙™

˙™

° b ææ æ æ æ æ & b œ œ œæ œæ œæ œæ œ œæ œæ œæ œæ œæ œ œæ œæ œæ œæ œæ œ œæ œæ œæ œæ œæ œ œæ œæ œæ œæ œæ f

Vc.

¢

? bb

œœ˙

f

œ

œ

œŒ

œœœ

œ

Œ

œ

œ

œ‰ œJ œœ˙

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


34 ° b &b

b &b

b &b

b b & ¢

145

Vox 1

Vox 2

Vox 3

Vox 4

148

˙

œ

Things

are

œ œŒ hop ping

œ

in

148 ° b ææ æ œæ œæ œæ œæ æ œæ œæ œæ œæ œæ æ œæ œæ œæ œæ œæ æ œæ œæ œæ œæ œæ æ œæ œæ œæ œæ Vln. & b œ œ œ œ œ œ œ

Vc.

¢

? bb œ

œ

œŒ

œœœ

œ

Œ

œ

œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

œ ‰ œ J œœ˙

œ

œ

œŒ


35 ° b Vox 1 & b 150

Vox 2

Œ

bœ œŒ b &

Œ

Par - is.

Vox 3

Vox 4

Vln.

Œ

˙

˙

The

wom

˙

˙

The

wom

-

-

œ

œ œ™

en

are

œ

œ œ™

en

are

j œ œ œŒ

Œ

re - bel ling.

œ J

œ œ Œ

Œ

re - bel ling.

b &b

b b & ¢

° b æ æ æ æ æ æ & b œ œ œæ œæ œæ œæ œ œæ œæ œæ œæ œæ œ œæ œæ œæ œæ œæ œ œæ œæ œæ œæ œæ œ œæ œæ œæ œæ œæ

œ œ ? bb œ œ Œ Vc. ¢

œ œ J‰ œ œœ˙ œ

œ

œ

œŒ

œ œ œ œ Œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


36 ° b Vox 1 & b 155

Vc.

œ œ œ

Œ

œ

Let's

œ œ œ

˙

hope that will

do

œ

˙™

mf

œ œ œŒ

do some good

Œ

some good

œ

œ

and

a -

b &b

b b & ¢

Vox 3

Vln.

hope that will

b &b Œ

Vox 2

Vox 4

mf

° b ææ æ æ æ æ & b œ œ œæ œæ œæ œæ œ œæ œæ œæ œæ œæ œ œæ œæ œæ œæ œæ œ œæ œæ œæ œæ œæ œ œæ œæ œæ œæ œæ ¢

? bb

œ œJ ‰ œ œœ˙ œ

œ

œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

œŒ

œœœ

œ

Œ

œ

œ

œ

œ J‰


37 ° b Vox 1 & b 160

all

b & b ˙™

Vox 2

b &b

Vc.

œ

œ

œ

Ϫ

œ œ J

bring

œ

œ

œ

œ

all

the

Ϫ

œ œ J

bring

the

Ϫ

mf

œ œ J

bring

b Vox 4 & b ¢

Vln.

œ

œ

˙

bove

Vox 3

œ

the

mf

j œ œ

Ϫ

bring

the

° b æ æ æ æ æ j & b œ œ œæ œæ œæ œæ œ œæ œæ œæ œæ œæ œ œæ œæ œæ œæ œæ œ œæ œæ œæ œæ ‰ ¢

? bb

œ œ ˙

œ

œ

œ Œ

œ œ œ

œ

Œ

œ

œ

œ ‰ œ J

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


38 ° bœ Vox 1 & b

œ

˙

˙™

œ b &b

œ

˙

˙™

œ

˙

˙™

œ

˙

˙™

164

f

end—

f

Vox 2

end—

f

bœ &b

Vox 3

end—

b Vox 4 & b ¢

f

œ

end—

° b œœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœ Vln. & b f

Vc.

¢

? bb

œ f

6

6

œ

6

6

˙

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

œ

6

œ

6

œ

Œ


39 ° b ˙™ Vox 1 & b

˙™

166

˙™ b &b

˙™

b ˙™ b &

˙™

b b & ¢ ˙™

˙™

Vox 2

Vox 3

Vox 4

œœœœœœœœœœœœ ° b œœœœœœœœœœœœœœœœœœ œœœœœœ Vln. & b 6

Vc.

¢

? bb œ

6

œ

œ

6

6

œ

Œ

œ

6

œ

6

œ

œ J

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


40 ° b Vox 1 & b

b &b

b &b

b b & ¢

168

Vox 2

Vox 3

Vox 4

° b œœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœ Vln. & b 6

Vc.

¢

? bb

œ

6

œ

6

6

˙

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

œ

6

œ

6

œ

Œ


41 ° b Vox 1 & b

b &b

b &b

b b & ¢

170

Vox 2

Vox 3

Vox 4

œœœœœœœœœœœœ ° b œœœœœœœœœœœœœœœœœœ œœœœœœ Vln. & b 6

Vc.

¢

? bb œ

6

œ

œ

6

6

œ

Œ

œ

6

œ

6

œ

œ J

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


42 ° b Vox 1 & b

b &b

b &b

b b & ¢

172

Vox 2

Vox 3

Vox 4

° b œœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœ Vln. & b 6

6

decresc. poco a poco to m.186

? bb æ Vc. œ ¢

æ œ

6

6

æ ˙

decresc. poco a poco to m.186

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

œ æ

6

œ æ

6

œ æ

Œ


43 ° b Vox 1 & b

b &b

b &b

b b & ¢

174

Vox 2

Vox 3

Vox 4

œœœœœœœœœœœœ ° b œœœœœœœœœœœœœœœœœœ œœœœœœ Vln. & b 6

Vc.

? bb œ æ ¢

6

œ æ

œ æ

6

6

œ æ

Œ

6

6

æ ˙™æ Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


44 ° b Vox 1 & b

b &b

b &b

b b & ¢

176

Vox 2

Vox 3

Vox 4

6 6 6 6 ° b b œœœœœœ œœœœœœ Vln. & œœœœœœœœœœœœ œœœœœœœœœœœœ 6

Vc.

¢

? bb

˙™

6

˙™

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

6

œœœœœœ ˙™

Œ œœœœœœ 6


45 ° b Vox 1 & b

b &b

b &b

b b ¢&

179

Vox 2

Vox 3

Vox 4

gestural approximation ok 6 6 6 ° b Vln. & b œœœœœœ œœœœœœœœœœœœ œfij œ œ œ œ œfij œ œ œ œ œfij œ œ œ œ œfij œ œ œ œ œfij œ œ œ œ œfij œ œ œ œ-

Vc.

¢

? bb

˙™

˙™

˙

œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


46 ° b Vox 1 & b

b &b

b &b

b b & ¢

182

Vox 2

Vox 3

Vox 4

o o o o o o varyo harmonic o oad lib.o o o o o o o o o ° b œ œ œ œ œ œ Vln. & b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Sul G

pp

Vc.

¢

? bb

˙™

˙™

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

˙™


° b U ∑ Vox 1 & b 185

Vox 2

Vox 3

Vox 4

¢

Slightly slower, with rubato q=144

47

b U b ∑ &

b U b ∑ &

b U b ∑ &

p

œ

Why

Œ Œ

˙

then

j œ œ œ œ™

the

all

˙™

these

˙™

˙™

˙™

˙™

Œ Œ œ ˙™

sac - rif - ice

of

lives?

Slightly slower, with rubato q=144

continue figure as unmeasured tremolo to end

Vln.

° bb U ∑ &

U ? b Vc. ¢ b ˙™ pp

˙™

˙™

˙™

˙™

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


48 ° b &b

b &b

b &b

193

Vox 1

Vox 2

Vox 3

Freely, but slower q=88

b j‰ Œ Œ œ Vox 4 & b ˙ ¢ œ

Fa- ther,

Vln.

Vc.

¢

fa -ther

can this tru - ly be

the will of God?

Freely, but slower q=88

° b &b

? bb

˙™ Œ Œ œ œ œ œ œ œ œ œ œ œ pp

n

˙™

˙™

˙™

˙™

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

˙™

˙™

˙™

˙™

n


II. L'Odeur de Mon Pays

49

Lucie Delarue-Mardrus (French)

° #4 Vox 1 & 4 1

#4 & ¢ 4

° #4 Vln. & 4 Vc.

=

¢

Œ

œ

œ

j™ ™ ≈ œ œ œ œœ

con sord., senza vib.

w

p con sord., senza vib. p

poco vib.

w w

in an ap - ple.

¢

Ó

8

Vc.

Gently pulsing q=69

? # 44 w

° # &

° # Œ Vox 1 & œ œ œ œ ¢ œ

Vln.

mp

The scent of my coun try was

#4 & 4

Vox 2

Vox 3

Gently pulsing q=69

w

?# w

w

w w

w

w

w

w w

w w

poco vib.

3 œ œ œ œ ˙ œ œ ‰ œ œ œ œ œ 3

3

I have bit-ten it

with eyes

ful - ly closed,

w

w

w

w

Œ

œ™ œ

to

im

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


50

but moving forward 13 Hushed, q=72

, p 3 3 ° # j œfij œ œ j fij Œ ‰ œ j ˙ œ ‰ j œ œ Vox 1 & œ œ œ œ œ œ œ œ œ œ œ ¢ œ œ œ œ œ œ J œ œ take time

11

3

mf

3

ag-ine my self stan ding in a green mead ow.

Vln.

Vc.

° # & ¢

?#

ord. (vib.)

take time

w

mf

˙™

, 13 Hushed, but moving forward q=72 j‰ ˙ ˙ œ ˙ ˙

˙™

˙ j‰ ˙ œ p cresc. poco a poco

w

I

p cresc. poco a poco

ord. (vib.) mf

The shad ows of the pop lars are long rays.

˙ ˙

= 3 3 ˙ ° # œ œ œ œ œ Vox 1 & œ œ ¢ œ œ œ

15

heard the sounds of birds

° # Vln. & Vc.

¢

?#

œ ‰ J œ

fil-ling the hedge - rows.

To

˙

˙

˙

˙

˙

˙

˙

œ œ™ œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

œ ‰ œ œ œJ œ œJ

eat,

with eyes closed, the

œ ˙ ˙

œ ˙


51 take time

° #œ œœ œ œ œ Vox 1 & ¢ œfij

18

3

plump

° # Vln. &

j œfi

œ

œ œ

ap ple fromyourmead ows,

take time

Vc.

=

¢

?#

Œ

˙

˙

˙

œ 3œ

œ 3œ œ œ œ

boun ti - ful Nor man-die—

Œ

˙

f

Œ

3

œ

œ

f

œ

œ

f

3

j œ œ œ œ

œ œ J

21 Freely , 21 3 mp ° # œ œœœ œ œœ‰ œ œ œ œ œœœ œ œ œ œ Œ Œ Œ œ Vox 1 & œ œ ˙ œ œ Ah!

#

I wil nev er be cured

w

Ah!

Vox 3

¢&

#p

w

21 ° # Vln. & ¢

?#

Freely

˙™

w

w

Ah!

Vc.

And who ev -er has been cured

p

& w

Vox 2

of my coun try!

w

of her

Œ Œ

˙™

,

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


52 ° # & #˙

A tempo

25

Vox 1

with different rubato each time

Ó

Œ

youth?

Mmm

#

œ

Mmm

Vox 3

¢&

#

œ

Mmm

Vln.

° # &

pp

˙™

w

follow Vox 1 re: rubato

˙™

A tempo

œ œ œ œ #˙

follow Vox 1 re: rubato

& ˙™

Vox 2

œ

œ œ œ œ œ

œ

˙™

œ

pp

˙™

senza sord. follow vocal rubato

Ó

œ

Œ

œ

pp

Vc.

¢

?#

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

senza sord. follow vocal rubato

Ó

Œ

œ

pp


53 ° # Vox 1 & Œ 28

Vox 2

Vox 3

Vln.

&

¢&

#

#

° # &

pp

œ

rall.

œ œ œ œ œ

Mmm

w

œ œ œ œ #˙

U w

˙

U w

˙

œ

˙™

U

w

w

U

rall.

˙™

?# w Vc. ¢

œ

w

˙

attacca

w

˙

U w attacca

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


III. Women of Europe

54 Women's Peace Party, 1915, German

° ### 4 Vox 2 & 4 ¢ 1

Thrashy punk q=160

° ### 4 q=160 Vln. & 4 Œ œœŒ >. >.

Thrashy punk

Vc.

¢

? ### 44

f

œœ >. >.

Œ

œœ >. >.

Œ

œœ >. >.

Œ

œœ >. >.

Œ

œœ >. >.

Œ

œœ >. >.

Œ

œœ >. >.

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œ. œ. >. >. œ. œ. >. >. œ. œ. >. >. œ. œ. >. >. œ. œ. >. >. œ. œ. >. >. œ. œ. >. >. œ. œ. >. >. >> >> >> >> >> >> >> >>

f

= 5 ° ### Vox 2 & ¢

° ### Œ Vln. & Vc.

¢

? ###

œœ œœ Œ >. >.

œœ œœ Œ >. >.

œœ œœ Œ >. >.

œœ œœ Œ >. >.

œœ œœ Œ >. >.

œœ œœ Œ >. >.

œœ œœ Œ >. >.

œœ œœ >. >.

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œ. œ. >. >. œ. œ. >. >. œ. œ. >. >. œ. œ. >. >. œ. œ. >. >. œ. œ. >. >. œ. œ. >. >. œ. œ. >. >. >> >> >> >> >> >> >> >>

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


55 ° ## j j Vox 2 & # œ œ œ œ œ ‰ nœ J ¢ 9

f

Wo men of Eu- rope, when

Vln.

Vc.

° ### & Œ ¢

? ###

œœ œœ Œ >. >.

œœ œœ >. >.

œnœ œ œ ™ J

will your call

Œ œœŒ œœ >. >.

œ œ œj ˙ J

ring out?

œœ œœ Œ œœ œœ Œ œœ œœ Œ œœ œœ Œ œœ œœ >. >. >. >. >. >. >. >. >. >.

œœ œœ œœ œœ œœ œœ œœ œœ . . . . . . œ. œ. > > œ. œ. > > œ. œ. > > œ. œ. >. >. > > >> >> >>

j œ. j >œ. nœ. œœ œ >. >- > >. >#>œ

j œ œ œ œ œ 78 œ œ œ œ^ ‰ œ^ ‰ 44 ‰ œ J J

œ œ œ œ œ J

œœ œœ œœ œœ . . œ. œ. > > œ. œ. >. >. > > > >

= ° ### œ Vox 2 & ¢ J œ 13

Sum mer's

° ### Œ Vln. & Vc.

glo

œ œ >.

œ Œ œ >.

ry was shat -

terred by light - ning—

œ œ 78 Œ ™ œ œ >. >.

j j 4 œ ‰ œ nœ. œ. ‰ 4 Œ > >

the

light - ning of the

œ œ >.

œ Œ œ >.

œ œ >.

œ œ >.

? ### 78 j ‰ j ‰ 44 œ. œ. œ. œ. œ œ œ œ œ œ œ ¢ œ œ . œ œ . . > > > <#> œ # œ. >. >. n œ. œ. >. >. . >. œ. œ. > > > . >. > > > > > > > > Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


56 16 ° ### œ œ œ œ œ œ Vox 2 & J ¢

most

° ### Œ Vln. & Vc.

¢

? ###

fright ful

œœŒ œœ >. >.

œ 46 œ œ J J of

all

œ œ 46 Œ œœ >. >.

j œ w

44

wars.

œœ œœ Œ >. >.

œœ œœ Œ >. >.

44 Œ œœ œœ >. >.

œœ >. >.

Œ

œœ >. >.

44 œ. œ. œ. œ. 46 œœ œœ œ œ œ œ # œ. œ. > > n œ. œ. > > œ. œ. >. >. œ. œ. >. >. œ. œ. >œ. >œ. >œ. >œ. >. >. >œ. >œ. >. >. >> >> >> >> >>

= ° ## Vox 2 & # ¢ 19

° ### Œ &

20 ∑

œœ œ œ œ nœ œ f

Mil lions of wo men's hearts

20

œ œ œJ œ œ œ œ œJ œ ™ J

ff

blaze up

j nœ œ J œ œ #œ # œ n œ œ # œ n œ œœ œ œ œ >. >. > œ mf ? ### j œj œnœ Vc. ¢ œ. -œ >. œ. > . # œ œ # œ >œ. >œ. œ œ >œ. >œ. # œ œ >œ. >œ. >> > > >. >. >. >. >.

Vln.

mf

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

in an -

˙

˙

guish.

˙o

f

œ œ œœ œœ œ. œ. >. >. >œ. >œ. >. >. >œ. >œ. >. >. >> f


57 ° ### Vox 2 & ¢ 23

° ### Vln. & Vc.

¢

? ###

>œ œ œ >œ œ #>œ ™ n œ œ œ J jœ J J œ œ œ œ œ

˙

sim.

Mil lions of wo men's hearts

in an -

guish.

œ nœ œ œ œ œ nœ #œ ˙ œ œ œ œ œ œœ J J J J J J

Œ

blaze up

mf

ff

œnœ œœ œ. œ. œœ œ œ œ œ œ œ œ œ . .. . . œœ œ œ œ . . . . . . . . .>>. >>>. > # œ œ. # œ. > > œ. œ. > > # œ. œ. > > œ. œ. > > >. >. > > >œ. >œ. >> > > > > > >> >> mf

ff

= 27 ° ### Vox 2 & ¢

° ### Vln. & Vc.

¢

? ###

28 mf

j œ œ

Wo men

j œ œ œ ‰ nœJ

œ nœ ™ J

œ œ J

j œ

j œ nœ ™

j œ œ

of Eu- rope,

28

j œ œ™

mp legato 3

Ϫ

where

œ œ œ. œ. >. >. œ. nœ. œ # œ n œ œ œ >œ. >œ. œ œ >œ. >œ. >>> >> >. >. >. mf

is

your

j œ voice?

j œ

œ. œ. >œ. >œ. œ. œ. >œ. >œ. > > >>

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


58 30 ° ### ˙ Vox 2 & ¢

Ó

° ### & ˙

Ó

Vln.

Vc.

¢

? ###

j œ œ

j nœ œ œ œ ‰ J

Wo men

of Eu- rope,

j œ œ™

œ œ

where

‰ nœj

3

œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ. nœ. œ # œ n œ œ œ >œ. >œ. œ œ >œ. >œ. >> >> >>> >> >. >. >.

= ° ###<n>œ nœ ™ Vox 2 & J ¢ 33

is

° ### j Vln. & <n>œ œ ™ Vc.

¢

? ###

rit.

œ œ œj J

˙

Ó

your voice?

j œ œ œj

œœ œœ œ. œ. >. >. œ. œ. >. >. >> >>

mf

œ œ œ œ œJ œ J

Are you on

˙

Ó

rit.

ly

great

œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ œ >œ. >œ. œ œ >œ. >œ. >> >> >> >> >. >. >. >.

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


59 ° ### œ œ œ œ œ œ œJ œ œJ ˙ Vox 2 & ¢ J 37

in pa -tience and suf -

Vln.

Vc.

° ### & ¢

? ###

˙

mp

œ œ œ œ œJ œ J

Ó

fer - ring?

Are you on

ly

great

œ. œ. œ. œ. œ. œ. œ. œ. œ œ œ œ œ œ œ œ œ œ œ œ . . . . œ. œ. > > œ. œ. > > >. >. > > >. >. > > >. >. > > >. >. > > œ. œ. >œ. >œ. œ. œ. >œ. >œ. >> >> >> >> mp

= ° ### œ œ œ ˙ Vox 2 & ¢ in pa

° ### Vln. & Vc.

¢

? ###

p

3 œ œ œ# œ œ œ œ 3

41

-

˙

mf

Ó

tience and suf fer ing?

∑ œœ œœ œ. œ. >. >. œ. œ. >. >. >œ. >> >> desc

nw

Ah

œ. >œ. >œ. œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ œ >œ. >œ. œ œ >œ. >œ. > >> >> >> >. >. >. >. p

mf

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


60 ° ### ˙ ¢& 45

Vox 2

decresc. to end

° ### Vln. & Vc.

¢

? ###

œ œ™ J

˙

˙

˙

Ó

w Mmm

œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ. œ. >œ. >œ. >> >> >> >> >> >> >> >> decresc. to end

= ° ### w Vox 2 & ¢ 49

° ### Vln. & Vc.

¢

? ###

œ œ œ œ œ. œ. >. >. œ. œ. >. >. œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ. œ. >œ. >œ. œ. œ. >œ. >œ. > > > > > > > > > > > >

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


52

Vox 2

Half time, swung q=80

° ### j ¢& œ œ 52

p

Wo - men

52 ° ### Vln. & Vc.

¢

61

j œ œ œ ‰ nœJ

of

Eu - rope,

where

, molto rit.

œ œ œ œ œ œ œ œ œ is

voice

your

Half time, swung q=80

? ### ˙

pizz.

, molto rit.

˙

p

that should be

= ° ### œ œ Œ Vox 2 & ¢ 54

sow - ing

° ### Vln. & Vc.

? ### ˙ ¢

œ #œ œ

seeds

of

peace?

w

∑ n˙

j ‰ Œ œ

∑ ˙

˙

Ó

∑ #w

ppp

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


IV. Socks

62 Jessie Pope (British)

° 7 Vox 1 & b 4 1

Spunky, nervous q=200 (swung) — q.+q.+h+h

Vox 2

7 & b4

Vox 3

7 & b4

Vox 4

7 b 4 & ¢

œ œ™ œ™ œ œ œ

œ œ™ œ™ œ œ œ

œ œ œ™ œ œ ™ œ

Vln.

Vc.

° 7 & b4 ¢

? b 47

Spunky, nervous q=200 (swung) — q.+q.+h+h

pizz.

mf

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


63 ° Vox 3 & b ¢ 4

° pizz. j œ œj œ œ ˙ Vln. & b œ œ

Œ œ œœ˙

mf

Vc.

¢

?b

Ϫ

Ϫ

œ œ œ œ œ™ œ™

j œ œj œ œ ˙ œ œ

˙

œ œ œ œ œ™

Ϫ

œ œ œ œ

= ° Vox 3 & b ¢ 7

¢

?b

j œ œ

œ

œ

j œ œ

j œ œ

œ

˙

Ϫ

œ

œ

œ

œ

Œ

Shi - ning pins that dart and click

° Vln. & b ‰ œ œ œ œ ™ Vc.

œ

j œ œ

mf

Ϫ

Ϫ

j œ œ™ œ

œ

j œ Œ œ

œ

Ϫ

œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


64 ° Vox 3 & b ‰ œ œ œ œ œ ˙ ¢

under dotted slur: backphrase slightly behind

9

in the fire side's

Vln.

Vc.

° &b ¢

?b

œ œ œ

shel tered peace

˙™

Ϫ

œ œ ™ ™ œ œ œ œ œ œ œ œ œ™ œ™

œ œ œ œ

Ϫ

w

= ° 6 j Vox 3 & b 4 ¢ œ œ œ 12

in time

3 3 œ œ œ j œ œ 4 œ œ œ œ œ œ œ œœœ w 4Œ œ œ

Check thethoughtsthat clus ter thick—

° 6 Vln. & b 4 Vc.

? b6 ¢ 4

Ϫ

Ϫ

Twen ty plain

44

44 œ œ #œ œ œ œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

and then

de - crease.

∑ œ

nœ œ nœ œ bœ œ œ œ


65 ° Vox 3 & b ¢ 16

Vln.

Vc.

° &b ¢

?b

17 47

Œ

He was brave—

17 j 47 œ œj œ œ œ œ ˙

œ œ œ œ 47 œ™

œ œ œœœ œ J ‰ œ œ œœ 3

Ϫ

œ œ œ˙

Œ

œ œ œ œ

well, so was I—

Ϫ

Ϫ

˙ œ œ œ

œ

= ° Vox 3 & b ˙™ ¢ 19

Ó

#˙ Keen

œ œ œ œ Œ Œ #œ bœ ˙ and mer ry,

° j œ œj œ œ ˙ Vln. & b œ œ Vc.

¢

?b

but his

lip

3

œbœ œ œ œ œ œ œ

quivered when he said good

œ™ œ œ œ œ œ™ œ™ œ™

œ œ œ œ

∑ œ™

bb

Ϫ

œ œ œ œ

bb bb

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


66 ° b Vox 3 & b ¢ œ ˙ 22

-

Vln.

Vc.

° b &b ¢

? bb

bye—

œ œ™

w œœ œ ˙˙

j œ™ œ

œ

∑ >œ œ œ œ œ Œ œ œ Œ œ

œœ œ ˙˙

j œ™ œ

> œ œJ œ œ œ œ ™ œ œJ œ œ œ œ œ

œ œJ œ œ œ œ ™ œ

=

25 25 sub p ° b j œ Vox 3 & b bœ œ ¢ Purl

j œ Œ

the seam - stitch,

25 ° b Vln. & b Vc.

¢

? bb

Ϫ

sub p

‰ œj œ œ œ œ purl

and

slip.

˙™

∑ œ

œ J œ

∑ œ

œ

œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

Ϫ

œ

œ J œ

œ

œ

œ


67 ° b Vox 3 & b bœ ¢ 27

Purl

Vln.

Vc.

=

j œ œ

j œ Œ

the seam - stitch,

° b &b œ

œ J œ

° b Vox 2 & b 29

mp j b b œ b œ & œ

b Vox 4 & b œ ¢

mp

Purl

Vc.

¢

slip.

∑ œ

j œ Œ

œ

œ

Ϫ

œ

j œ œ

purl

j Œ œ

the seam - stitch,

Ϫ

œ œ J

œ

œ

œ

and

slip.

j œ œ œœœ purl

and

slip.

œ

œ

œ

˙™

˙™

∑ œ

œ J œ ∑

‰ œj œ œ œ œ

the seam - stitch,

° b &b ? bb

and

Purl

Vln.

purl

˙™

? bb œ™ ¢

Vox 3

‰ œj œ œ œ œ

∑ œ

œ

œ

Ϫ

œ

œ œ J

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


68 ° bœ œ j œ œ Œ ‰ b œ œ œ œ œ ˙™ & J J 31

Vox 2

mf

Purl the seam stitch,

purl

b j jŒ ‰ j Vox 4 & b œ œ ¢ œ œ œ œ œ œ œ ˙™

Purl the seam stitch,

purl

and slip.

mf

Purl the seam stitch,

Vln.

Vc.

° b &b

¢

? bb

purl

Ϫ

p

j j‰ Œ j œ œ œ œ œ œ œ

Nev er used to liv -ing rough,

and slip.

œ œJ œ œ

and slip.

mf j b j & b bœ œ œ œ Œ ‰ œj œ œ œ œ ˙™

Vox 3

33

œ

œ

33

œœ œ œ œ œ œ™ J œ™

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

p

œ œJ œ œ œ œ


69 ° b Vox 3 & b ¢

° b &b

34

Vln.

Vc.

¢

? bb

j œ œ œ j Œ œ œ œ œ

Lots of things he'd got to learn;

œ œJ œ œ œ œ ™ ™ œ œ

œ œJ œ œ œ œ ™ œ œJ œ œ œ œ œ

= ° b j b œ œ œ œ ˙ œ œ ¢& J

œ™ Œ ™

37

Vox 3

Won der if he's warm e-

° b Vln. & b Vc.

¢

? bb

nough—

∑ œ™

œ œJ œ œ œ œ

39 45 Ϫ Ϫ Knit

39 45

œ œ

2,

catch 2,

œ œ œ œ 5 œ œ œ œ œ J J œ 4 œ™ œ™ Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


70 ° b Vox 1 & b

b &b

40

Vox 2

b &b

Vox 3

Vln.

Vc.

œ™ œ™ ˙

œ™ œ™ ˙

turn.

° b &b

œ™ œ™ œ œ œ™ œ™ ˙

Knit 2,

turn.

œ™ œ™ œ œ œ™ œ™ ˙

Knit 2,

œ œ ? bb œ ™ œ J œ

catch 2, knit 1,

catch 2, knit 1,

turn.

turn.

œ ™ œ ™ œ œ œ ™ œ ™ #˙

Knit 2,

b b & ¢

¢

knit 1,

knit 1,

Vox 4

catch 2, knit 1,

turn.

œ™ œ™ œ œ œ™ œ™ ˙

Knit 2,

catch 2, knit 1,

turn.

œ™ œ™ œ œ œ™ œ™ ˙

Knit 2,

catch 2, knit 1,

turn.

œ œ œ œ œ œ œ œ J œ œ™ œ œ œ™ J œ œ œ œ œ J J œ™ œ™

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


71 ° b ˙™ &b 45

Vox 1

Vox 2

Vox 3

mf

˙

mf

b & b <#>˙ ™

b &b

b Vox 4 & b ¢

° b Vln. & b

˙

mf

˙™

˙

mf

˙™

˙

47 47

47

74 œ œj œ œj œ œ ˙ Won - der if

47

47 ∑

œ œ œ J ? œ b œ™ Vc. ¢ b

∑ œ œ œ J œ œ™

he's fight - ing now,

47 ¿ ™

¿™

47 œ ™

œ œJ œ œ œ œ

Y

tap on instrument body mp

mf

Y

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


72 ° b Vox 3 & b ¢ 48

Vln.

Vc.

j œ œ œ j œ œ œ ˙

What he's done an'where he's been;

° b &b ¿ ¿ ¿ ¿ ¿ ¿ ¿™ ¿™ ¿ ¿™ ¢

? bb

Ϫ

œ œJ œ œ œ œ ™ œ

¿™

Y

Y

¿ ¿ ¿ ¿ ¿ ¿ ¿™ ¿™ ¿

œ œJ œ œ œ œ ™ œ

œ œJ œ œ œ œ

= ° b Vox 3 & b œœ œ ˙ ¢ œ œ 51

He'll come out

° b Vln. & b ¿ ™ Vc.

¢

? bb

Ϫ

¿™

œ 43 ˙

on top

Y

Œ

¿Œ Œ

some - how—

Y

43 ¿ ¿ ¿ ¿ ¿ ¿ ¿ ™ ¿ ™

œ œJ œ œ œ œ 43 œ ™

œ #œ œ œJ œ œ œ œ™ œ J œ œ œ œ #œ ™ J

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


73 ° b &b

b &b

b &b

57

Vox 1

Vox 2

Vox 3

b Vox 4 & b ¢

Vln.

° b &b

58

Œ

p

œ œ

Œ

Slip 1,

œ œ

Œ

knit 2,

œ œ

Œ

˙™

purl four - teen.

mp

œ œ

Œ

Slip 1,

Œ

mp

œ œ

knit 2,

Œ

Slip 1,

œ œ

œ œ

knit 2,

58

j j œ j œ œ œ œ œ œ œ œ œ œ œ™ œ œ œ œ œ™ œ™ p mp

Vc.

? bb œ œ œ ˙™ ¢ p

b˙ ™

˙™

n˙ ™

˙™

mp

b˙ ™

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


74 ° b Vox 1 & b 64

Œ

mf

œ

purl

b &b

Vox 2

Œ

mf

œ œ

Slip

b &b Œ

Vox 3

b Vox 4 & b Œ ¢

Vln.

Vc.

° b &b ¢

? bb

œ œ

˙™

Œ

purl four - teen.

œ œ

˙™

1,

mf

œ œ

Slip

Œ

purl four - teen.

Ϫ

Ϫ

mf

˙™

n˙ ™

˙™

Œ

1,

mf

œ œ

Slip

œ œ œJ œ œ

Œ

œ

œ

knit

2,

œ

œ

knit

Œ

1,

œ

knit

mf

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

Œ

œ

œ

purl

Œ

2,

four -

œ purl

2,

œ œJ œJ œ œ œ J

b˙ ™

Œ

œ

œ

purl

œ four -

œ

four -

œ

four -

œ œ œ nœ ‰ J

Ϫ

Ϫ


75 ° b Vox 1 & b ˙™ 69

Œ

teen.

Vox 2

b & b #˙ ™

Œ

b &b

Œ

teen.

Vox 3

b Vox 4 & b ¢

˙™

teen.

˙™

teen.

° b Vln. & b

Vc.

¢

? bb

#˙ ™ f

˙™

œ

œ

Slip

1,

œ

œ

Slip

1,

œ

Slip

Œ

œ

Slip

œ

Œ

Œ

Œ

1,

œ

1,

œ

œ

knit

2,

œ

œ

knit

2,

œ

knit

Œ

œ

knit

œ

Œ

purl

Œ

2,

œ purl

Œ

2,

œ

œ

œ

purl

Œ

œ

ff

Œ

U Œ

Œ

U Œ

ff

Œ

U Œ

Œ

U Œ

four - teen.

œ

ff

four - teen.

œ

four - teen.

ff

œ

purl

a bit longer than the rest

œ

# -œ

four - teen.

a bit longer than the rest

U ∑ U ∑

f

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


76

V. The Dancers

Edith Sitwell (British)

° b2 Vox 4 & b 2 ¢

Gritty shuffle, swung back beat, half time feel h=50

° b2 &b 2

Gritty shuffle, swung back beat, half time feel pizz. (use pick if desired) h=50

1

Vln.

Ó ‰ j œœœœœœœ œœœœ

‰ j œœœœœœœ

p

Vc.

=

? bb 22 Ó ¢

‰ bœ ™ > f

°5

b &b Ó

Vox 4

bÓ b & ¢

Vc.

° b &b ¢

? bb

œ œ œ œ ˙

˙

w

mp raw play around with sul pont. and scratch tone, subtle swells ok

mp

Œ

œ œ

The floors

˙

j œ œ

˙

j œ œ

mp

Œ

œ œ

The floors

Vln.

‰ bœ ™ >

arco

Ó ‰ bœ ™ >

are

are

j œ

slip -

j œ œœœ œ slip -

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

j j œ œ œ

per y

‰ j œ œ œ œ œ œ œ œ w

w

˙

œ œ œ

with blood:

Ó ‰ bœ ™ >


77 ° b Vox 4 & b ¢ 8

Vln.

Vc.

w

Ó

Œ

œœ

The world

° b Ó &b ‰ j œ œœœœœœ œœœœ ¢

? bb

w

˙

Ϫ

w

j j j œ œœ œ gy

rates too.

‰ j Ó œ œœœœœœ œœœœ

‰ bœ ™ >

˙

w

‰ bœ ™ >

= ° b Vox 4 & b ¢ w 12

Vln.

Vc.

dolce

Œ ‰ j j j œ œœ œ w God

is good

° bb Ó & ‰ j œ œœœœœœ œœœœ ¢

? bb

w

˙

‰ bœ ™ >

p

‰ j œ œœ œ œ œ

That while His wind

‰ j Ó œ œœœœœœ œœ œœ w

p

˙

‰ nœ ™ >

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


78 3 ° b 3 Vox 4 & b ¢ œ œ œ œ ˙

16

mp

blows out the light

Vln.

˙

Œ

3

œœ

For those

° b Ó &b ‰ j œ œ œ œ œ œœ œœœœ

ord. ? b Vc. ¢ b w mp

˙

j œ œ œ œ œ œ œ™

Ϫ

who ho ur-ly

die

j œ œ™ œj for

us—

‰ j Ó œ œœ œ œ œœ œ œœœ

‰ b >œ ™

‰bœ ™ > p

˙

w

= Ó

° b Vox 4 & b ¢ w

Vc.

˙

Ó

° b Ó &b ‰ j œ œœœœœœ œœœœ ¢

? bb

w

œ œ

The mu-

mf smugly

j j œ œ œ œ œ œ

Ó

Œ

We still can dance each night.

Vln.

p

Œ

˙

Œ

Ó

‰#œ ™ œj ‰ Œ > >

Ó

œ >œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

p

œœ

The mu

#œ Œ Ó œ j ‰ Œ ‰ bœ ™ > œ


79 °24

24 b &b

Vox 4

¢

b &b

-

-

j Œ œ

Ϫ

sic

jŒ œ

Ϫ

sic

œ œ

has

grown

3

œ œ

has grown

24 strum j ° b Vln. & b ‰ œ œ œ œ œ œ œ œœ œœ œœ œœ œœ œœ œœ Vc.

¢

? bb

p

w

p

œœœœ

numb

j j œ œ œ

w

with death—

œ œ œ œ Ó œœ œœ œœ œœ

jœ œ œ œ œ œ œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

˙

w w

‰ bœ ™ >

mp

mp

= ° b ‰ mp Vox 4 & b j ¢ œ œ œ œ 27

But

Vln.

Vc.

3

œ œ œ œ œ œ ˙

we

will suck

° bœ œ œ œ &b œ œ œ œ Ó œ œ œ œ ? bb ˙ ¢ Ó̇

3

their dy - ing

breath,

˙

Œ

œ œ The whis

j ‰ œ œ œ œ œ œ œ œ œ œ œ Ó œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ >œ™

w

˙

b >œ ™

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


80 ° b j Vox 4 & b ¢ œœ 30

pered

j j‰ œ œ œœ name

they breathed

j ° b b œ ‰ Vln. & œ œœ œœ œœ œœ œœ œœ œ œœ œœœœ Vc.

¢

? bb

œ

œœ

Œ

to chance,

‰ j j œ™ œ œ œ œ

To swell our mu sic,-

make it loud

j œ ™ œ bœ ™ œj #œœ ˙˙

n˙˙

w

˙˙

mf

‰ ™ >œ

˙

œ œ˙

3

œœœœ Ó œœ œœ œœ œœ

w

Œ

f

3

f

mf

f

= ° b mf Vox 4 & b Œ ¢ œ œ œ œ 34

A tempo

Slower, freely

œ

Œ ‰

That we may dance,—

° b Vln. & b #œ Œ Ó œ

Slower, freely

Vc.

¢

? bb

w

mf

bœ ™ may

p

w

˙

dance.

Ó

A tempo

Ó

arco

b >œ ™ mf

˙

‰ bœ ™ > mf

w p

˙ pizz.

j œ‰ œœœœœœ œœœœÓ

p

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

bœ ™

sim.


81 ° b ¢& b 38

Vox 4

Vln.

Vc.

° b &b

40 p ‰ j œ œ œ œ œ

œœœœ

Ó

We are the dull blind car -ri - on fly

w

˙

bœ ™

40

? bb ‰ j ¢ œœœœœœœ œœœœÓ

w

˙

‰ œj œ œ œ œ

œœœœÓ

bœ ™

= ° b Vox 4 & b Œ ¢ 42

œ œ œ

that dance

Vln.

Vc.

° bb &

œ œ œ

Ϊ

and bat- ten.

w

? bb ‰ j ¢ œ œ œ œ œ œ œ

j j j œ œ #œ œ œ

ThoughGod die,

˙

œ œ œ œ Ó

bœ ™

‰ œj œ œ œ œ œ mf

Mad from the hor - ror

w

mf

œ œ œ œ œ œ

mf

œ œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


82 ° b Œ Vox 4 & b ¢ œœ œ œ

poco rit.

45

of the light—

Vln.

Vc.

° b &b ¢

? bb

œœ œ œ

w

Ó

° b Vox 4 & b ¢ œ 49

Vln.

Vc.

Œ

° bb & ¢

? bb

Œ

We dance,

œ

mp

Ó

œ

mp

œ œœœœœœ

2nd time: optional group improv (whoever wants to), execute studio fade out immediately upon repeat, maybe ghost a couple notes at the end, no rit.

jœ œ œ œ

j œ

˙

œœ œœ

Œ

Œ

œ œ

we dance,each night. We dance, 2nd time: optional group improv (whoever wants to), execute studio fade out immediately upon repeat, Slightly slower maybe ghost a couple notes at the end, no rit. q=108 50 pizz. (strum)

™™ Œ

œ œ œ œ

œ œ

™™

œ œ ˙

‰ bœ ™ w

œœœœœœœœ œœœœ

Slightly slower q=108 50

3

fleckedwith blood,—

˙

=

œ

too,

poco rit.

‰ bœ ™

3

The light is mad,

mp

‰ j œ œ œ œ œ ˙ 3

Ó

™™

œœ œœ Œ

mp

j‰ j‰ œ œ œ œ œ œ mp

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

œœ œœ Œ

œœ œœ

œ œ œ ‰ ‰ œ J œ œ J


83 ° b Vox 4 & b ¢ œ 52

Vln.

Vc.

° b &b Œ ¢

? bb

j œ

˙

œœ œœ

Œ

jœ œ œ œ

we dance,each

œœ œœ Œ

night.

j‰ j‰ œ œ œ œ œ œ

Œ

œ œ

œ

œœ œœ

Œ

We dance,

œœ œœ Œ

j œ

jœ œ œ œ

we dance,each

œœ œœ Œ

night.

œœ œœ

j‰ j‰ œ œ œ œ œ œ

œ ‰ ‰ œJ œ œ œ œ J

= ° b Vox 4 & b ¢ ˙ 55

j œ œj œ œœ œ

1.

° b Vln. & b Œ œ œ Œ œ œ œœ œ œ

Œ œœ Œ œœ

1.

? bb œœ œ ‰ ‰ Vc. œ ¢ œ J J œ

j‰ œ œ ‰ œ J œ œœ

Œ

œœ

We dance,

we dance,each night.

œœ œœ

˙

Œ

œ œ

We dance

™™

2.

Ó

˙

Œ œ œ Œ œ œ ™™ Œ œ œ Ó œœ œ œ œ œ 2.

pp

œ œ œœ œ ™ Ó œ ‰ ‰ œ œœJ J œ ™ œ pp

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


84

VI. Right and Left

Kathe Kollwitz (Germany)

° # ™12 ™8 Vox 2 & ¢ 1

Hypnotizing, thin, sinewy violin and rich vocals q.=112

™™

Hypnotizing, thin, sinewy violin and rich vocals q.=112

Bœ œ œ œ œ œ œ Bœ œ œ œ œ œ œ œ œ œ œ ° # ™12 œ œ œ œ œ œ ™™ ™8 Vln. & arco

Vc.

=

¢

?#

™™12 8

pp

™™

3 nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ° # ™œ œ œ œ œ œ ™™ ™ Vln. &

Vc.

=

¢

? # ™™

° # Vox 2 & ¢ 5

™™

7 ∑

mp

w™ Where

# œ œ œ œ œ œ n œ œ œ œ œ œ # œ œ œ œ œ œ7 œ œ œ œ œ œ # œ œ œ œ œ œ œ œ œ œ œ œ ° # Vln. & Vc.

¢

?#

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


85 œ ™ w™ œ ™ œ™ œ™

° # Vox 2 & ˙™ 8

Vox 4

¢&

œ J ‰ ‰ Œ™

Ó™

are my chil dren now?

#

œ œ œ œ œ#œ œ œ œ œ œ œ œ œ œ#œ œ œ œ œ œ œ œ œ œ œ œ#œ œ œ œ œ œ œ œ œ ° # Vln. & Vc.

¢

?#

= ° # œ™ Vox 2 & ¢ 11

What

œ™ œ™ ˙™ is

left

Ó™

Ϫ

œ

to

their

œ J

moth

#œ œ œ œ œ œ œ œ œ œ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ ° # Vln. & Vc.

¢

?#

∑ Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


86 ° # Vox 2 & œ ¢ 13

-

œ œ™ J

˙™

er?

Ϫ

˙™

One

boy

œ

œœ

to the right

œ œ#œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ° # Vln. &

Vc.

¢

?#

= ° # Vox 2 & œ ™ ¢ 16

Ϊ

Ϊ

j œ œ ˙™

and

one

Ϫ

œ œ œ™

Ϊ

Ϊ

to the left,

‰œ

My

œ œ œ œ œ œ œ œœœ œœœ œœ œ œ œ œ œœœœœœœœœœ œ ° #œ œ œ œ œ œ Vln. & Vc.

¢

?#

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


87 19 Warming up ° # Vox 2 & ˙ ™ ¢ ˙™ 19

right

son

˙™

Ϊ

‰ œ œ ˙™ and my left

˙™

son,

19 Warming up ° # œœœœœœœœœœœœ œœœœœœœœœœœ œ œœœœœœœœœœœœ Vln. & Vc.

¢

?# œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ arco pp

= ° # Vox 2 & ¢ ˙™ 22

Ϊ

‰ œ œ ˙™ as they call

Ϫ

‰œ them -

˙™

˙™

mf

selves.

° # œœœœœœœœœœœ œ œœœœœœœœœœœœ œœœœœœœœœœœœ Vln. & mf non decresc.

Vc.

¢

?# œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ mf non decresc. Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


88 ° # Vox 2 & w ™ ¢ 25

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ#œ œ œ œ œ œ œ œ œ œ œ œ#œ œ œ œ œ œ œ ° # Vln. & sub p

Vc.

?# œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ¢ sub p

=

28 28 ° # mf Vox 2 & w™ ¢

˙™

Where

œ ™ w™ œ ™ œ™ œ™ f

are my chil dren now?

28 #œ œ œ œ œ œ œ œ œ œ œ œ#œ œ œ œ œ œ œ œ œ œ#œ œ œ œ œ œ œ œ œ œ œ œ œ œ ° # Vln. & mf

Vc.

¢

?#

f

œœœœœœ œœœœœœ œœœœœœ œœœœ œ œ œœœœ œœœœœœœœ mp

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

f


89 ° #œ Vox 2 & J ‰ ‰ Œ ™ ¢ 31

Ó™

˙™

mf

˙™

One

dead

Ó™

Ϊ

Ϫ and

œ œ œ#œ œ œ œ œ œ œ œ nœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ° # Vln. & mf

Vc.

¢

?#

œœœœ œœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœ mf

= ° # Vox 2 & w™ ¢ 34

Ϊ

one

Ϫ

mp

so

Ϫ

far

j œ œ

a - way—

° # œœœœœœœœœœœœ œœœœœœœœœœœœ Vln. &

w™ œœœœœœœœœœœœ

mp

Vc.

¢

?#

œœœœœœœœœœœœ œœœœœœœœœœœœ mp

œœœœœœœœœœœœ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


90 ° # Vox 2 & ¢ 37

° # Vln. & Vc.

¢

?#

˙™

˙™

Mmm

˙™

Ó™

œœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœ

œœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœ

= ° # Vox 2 & ¢ 40

Ó™

Ϫ

pp

so

Ϫ far

° # œœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœ Vln. & pp

Vc.

¢

?#

œœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœ

pp

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


91 ° # ¢& ˙ ™ 43

Vox 2

Ϫ

œœœ

a - way—

° # œœœœœœœœœœœœ Vln. & Vc.

¢

?#

œœœœœœœœœœœœ

w™

w™

accel.

accel.

œœœœœœœœœœœœ œœœœœœœœœœœœ

Ϫ

œ œ œ ˙™

Ó™

˙™

= ° # Vox 2 & ¢ 46

° # œ Bœ œ œ œ œ œ œ œ œ œ œ œ Bœ œ œ œ œ œ œ œ œ œ œ Vln. & Vc.

¢

?#

∑ Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


92 ° # ¢& 48

Vox 2

5-10"

° # œ Bœ œ œ œ œ œ œ œ œ œ œ Vln. & Vc.

¢

?#

U ∑

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

B

U ∑

seamlessly accel. into trill, take your time

5-10" Ÿ~~~~~~~~~~~~~~~~~~~ U w™

U ∑

n

U ∑ U ∑


° 4 Vox 3 & b 4 ¢ 1

93

VII. Salonika

Anonymous (Irish)

Bouncy, straight e q=108

Bouncy, straight e q=108 . . .

° 4 ‰ œ ‰ œ ‰ œ ≈ œ- ™ ≈ ≈ œœœ‰ œ œ œ œ™ Vln. & b 4 J J J J œœœ œ œ œ p Vc.

¢

? b 44 œ. p

œ.

f

j œ ‰ œ‰ . p

œj ‰ œ.

. . œ œ j œ œ ‰ œ œ ≈ ≈ ≈ œ œ ™ œ œ™ œ œœœœ >œ p > -

œj ≈ œj™ œ. œ- ™

≈ j œ ™ œ œ™ > -

f

= ° Vox 3 & b ¢ 4

° b Vln. & ≈

‰ œ œ œ œ œ œœœœ

f Vc.

¢

?b ≈

j ‰ œ‰ œ. p

≈ œ œ œ œ. œ œ ‰ œ. œ œœœœ >œ p

f

j œ‰ œ.

. . œ. -œ ™ j j œ œ œ ≈ œ™ ‰ œ ‰ œ ‰ œ ≈ œ™ œ. -œ ™ J J J J

≈œ œœ œ œ ≈ j ≈ ™ . œ œ œ™ œœœ œ œ >

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


94 ° Vox 3 & b ¢ 7

Ó

Œ

‰ œj œ œ œ œ œ œ œ ‰ œj œ mf

My hus band's in Sal-on

i- ka,

I

° œ. ‰ œ. ‰ œ. ≈ -œ ™ ‰ œ. ‰ œ. ‰ œ. ≈ -œ ™ ‰ œ. ‰ œ. ‰ œ. ‰ œ. œ œ œ œ™ œ œ œ œ™ œ œ œ œ Vln. & b ‰ J J J J J J J J J J J J mp

f

Vc.

¢

?b

j‰ ™ ≈ j j‰ ™ ≈ j j‰ ™ ≈ œ™j œ œ œ œ œ œ™ œ œ œ™ œ œ > - œœœ > - œ œ > >œ œ œ mp f

= ° Vox 3 & b œ œ œ œ™ œ ¢ 10

won - der if he's dead.

‰ œJ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ I won - der if he knows he has a kid

with a fox y head. -

‰ œj

œ. -œ ™ œ. œ. œ. œ. œ. œ. ° œ œ™ œ œ Vln. & b ‰ œ ‰ œ ‰ œ ‰ œ ‰ J ‰ J ‰ J ≈ J J J J J

œ. œ. œ. ‰ œJ ‰ œJ ‰ œJ Œ

-œ ‰ œ ™ >œ ≈ -œ™ ?b j ‰ ™ œ ≈ œ™j Vc. œ œ œœ J J ¢ œ œ œ œ> -

>œ œ™ œ œ œœ J ‰ Œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

And


95 allarg. 14 3 3 ° r œ œ œœ ‰ œœ œ œ œ œ œ œ œ œ 42 œ Vox 3 & b œ œ œ œ œ œ œ ‰ ™ œ œ œ œ œ J ¢ œ 13

when the war is o ver - What will theslack ers do? -

. œ. œ. -œ ™ 14 œ ° œ œ œ œ™ ‰ Vln. & b ‰ J ‰ J ‰ J ≈ J Vc.

¢

?b

œ

œ

œ

œ

œ œ œ œ

œ

They'll - all be - af ter the - sol dier-boysfor the

.œ -œ ™ allarg. œ ‰ œ ≈ œ ™ œœ œ œ œ œ œ œ œ œ 42 J J 3

œ. œ J

œ. ‰ œJ

œ

œ œ 2 œ œ œ œ œ 4 œ œ œ œ œ œ œ

3

= bit slower 17 Aq=100 ° 2 4 Ó Vox 3 & b 4 œ œ œ œ œ 4 ¢ ˙ 16

loan of a bob or

° 2 Vln. & b 4 œ œ œ Vc.

Œ ‰ œj

Ó

two.

And

17 A bit slower. 44 q=100 ‰ œœ ˙ J mf

œ œ -œ ™ > j œ ™ œ œ ™ œ ≈ œ ™ fij œ ≈ œ ™ œ œ œ- ‰ ‰ J œ œ J œ œ J

? b2 œ 44 œ œ œ ™ œ Œ œ 4 j œ œ ¢ > œfi œ œ mf

j‰ Œ œ œœ œ - œ œœ >

j œfi

œ

œ

j œ œ ™œ ≈ œ™ > œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


96 ° ‰™ Vox 3 & b œ œ œ œ œ œ œ ¢ œ Even slower q=92

20

when the war

is

o

- ver

Even slower q=92.

œ ° œ Vln. & b ‰ J Vc.

¢

?b

œ

œ

-

What -

œ. œ- ™™ ‰ œJ ≈ œJ

œ. ‰ œJ

œ

r œ œ œ œ œ œ œ

œ

œ

œ

œ

will the sol diers do?

œ. œ J

‰ œ

œ J

œ

œ

They'll

. œ. œ ‰ œJ ‰ œ ≈ œœ ™™ J J œ

œ

œ

œ

œ

œ

= 3 ° œ 3œ œ œ 3 j ™ b œ œ œ Vox 3 & œ œ œ œ œ œ œ ¢

22

hob ble a-long on a leg and a half but the slack ers

j œœ will

j œ

have

° œ œœ œ œœœ œ œ œ œ œ œ ˙™ Vln. & b 3

Vc.

¢

?b

œ

3

œ

œ œ œ

œ

œ

œ

œ œœœœœœœ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

j œ œ™

˙

j œ œ™

˙

mp

two.

p

j œfi p

œ

œ

œ

œ

œ

œ

œ

œ


97 25

° Vox 3 & b ¢ 25

accel.

accel.

25 ° Vln. & b ‰ Vc.

¢

?b

œ œ œ œ™ œ œ

>œ. œœ

mf

‰ œ œ œ œ™ œ œ œ œ >œ.

Tempo I q=108

Tempo I q=108

œ œ œ œ™ œ œ

>œ. œ œ œœ

j ‰ ™ ≈ j j ‰ ™ ≈ j j ‰ ™ ≈ j œ œ œ œ œ œ œ œœ œ >œ œ- ™ œ œ œ >œ œ- ™ œ œ œ > œ- ™ mf

= ° Vox 3 & b ¢ 28

6 6 6 6 ° œ œ œ œ œ™ œ œ b œ Vln. & œ œ ™ œœœœœœœœœœœœœœœœœœœœœœœœ > > > >. >œ- >

Vc.

¢

?b

j ‰ ™ œ œœœ - œ

œ> ≈

j œ- ™ >œ œ œ œ >œ œ œ œ >œ œ œ œ >œ œ œ œ > Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


98 ° Vox 3 & b ¢ 30

Vln.

6 6 6 6 ° b & œœœœœœœœœœœœœœœœœœœœœœœœ > > > >

fff

Vc.

¢

?b

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ > > > > fff

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


99

VIII. Finally Elizabeth Lazenby (American)

Vox 4

Freely, a capella

b & b bbbb Y

1

Spoken: "Finally, when the end came,"

=

œ œ œ œ

When the end came,

b & b bbbb œ œ œ œ œ œ

5

Vox 4

ev -ery one's breatha - way.

= b & b bbbb

8

Vox 4

œ œ œ œ œ œ œ

b & b bbbb œ œ

11

Vox 4

=

Fi - nal - ly,

when the end—

end came,

œ

Or

From the old Frenchwom an in the

œ œ œ œ œ

œœœœ œ œ

e-ven to the Ger mans

b & b bbbb œ œ œ œ œ œ œœ

œœ œ

No one could re-al-ize it

vil lage ba -ker - y,

œ œ œ

Fi - nal - ly,

œ

œ œ

when the

œ œ œ œœ œ œ

in the camps Who tossed their caps in-to the air,

15

Vox 4

it took

œ œ œ œ œ œ œ œ œ œ œ œ œ

To the grin ning Tom my who passed you on the road—

=

œœ

œ œ œ

œ œ œ

œ œ œ œ

When the end came,

œ œœ

Fi - nal ly,

œ œœ

Fi - nal ly,

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


100 echo b b b &b b b œ œ œ œ œ œ œ œ

19

Vox 4

=

it tookev -ery one's breath a - way.

b & b bbbb œ œ œ œ œ œ œ œ œœ œ

œ œ œ œ œ œ

On the e - lev-enth day

22

Vox 4

=

"Hos - til it-ies ceased at e - lev en a. m."

bbb b b & b œ œ œ œ

œœœ

in - to the ward.

of the e - lev-enth month

œ œ œ œ œœ

Fi-nal ly, when—A clerkbrought the com mun i-qué

26

Vox 4

œ œ œ

œ œ œ œ œ œ

œ œ œ

Fi - nal - ly,

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

œ œ œ

Fi - nal - ly,

œ œ œ That was all.


IX. There Will Come Soft Rains

101

Sara Teasdale (American)

° #9 Vox 1 & 8 1

Turbulent lullaby, mark the down beats q.=112

#9 & 8

#9 & 8

#9 Vox 4 & 8 ¢

Vox 2

Vox 3

Vln.

Vc.

° #9 & 8 ¢

? # 98

Turbulent lullaby, mark the down beats q.=112

œ œ œ œ

mf

œ

œ

œ

œ œ œ

œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


102 ° # Vox 1 & ¢

° # &

4

Vln.

Vc.

¢

?#

mf

˙™

Ϫ

There

œ œ œ

will

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

= ° # Vox 1 & œ ™ ¢ 7

come

Vln.

Vc.

?#

œ

œ œ œ œ

˙™

Ϫ

soft

° # & ¢

Ϫ

j œ œ

˙™

Ϫ

rains

∑ œ

œ

œ œ œ

œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


103 ° # ™ ˙ Vox 1 & ¢

Ϊ

10

Vln.

Vc.

¢

∑ œ

Ϫ

Ϫ and

° # & ?#

Ϊ

œ œ

the

Ϫ

smell

j j œ œ œ

œ

of

the

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

= ° # Vox 1 & œ œ œ ¢ 13

˙™

˙™

Ϫ

Ϫ

Ϊ

Ϊ

ground,

° # Vln. & Vc.

¢

?#

∑ œ œ œ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ

œ

œ

œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


104 ° # Vox 1 & Œ ™ ¢

Ϊ

16

Vln.

Vc.

° # & ¢

?# œ

Ϫ

And

Ϫ

˙™

swal

lows -

∑ œœœ œ œ œ

œ œ ˙™ J

cir - cl - ing

∑ œ

œ œ œœ œ

œ œ œ

j œ œ

˙™

with their

œœ œ œ œ œ œ œœ œœ œœ œ œœ œ œœœ

= ° # Vox 1 & ˙™ ¢ 20

Vln.

° # Œ™ &

œ œ œ ˙™

Ϫ

Ϫ

œ œ œ ˙™

Ϫ

Ϫ

shim mer ing

Ϊ

mp

œ œ œ œ œ œ ?# œ œ œ œ œ œ Vc. œ ¢ œ Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

œ

œ

˙™ sound;

˙™

œ œ œ œ œ œ œ œ œ œ œ


105 ° # ˙™ Vox 1 & ¢

Ϫ

23

Vln.

Vc.

° # & ¢

?#

˙™

œ œ œ œ

Ϫ

œ

œ

Ϫ Ϫ

Ϊ Ϊ

Ϫ

25 ˙™

And

frogs

Ϫ

25 Ϫ

2

œ œ

in

the

˙™

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

œ

œ

œ œ

= ° # Vox 1 & ¢ ˙™

Ϊ

° # ˙™ Vln. &

Ϫ

26

pools

œœ J

œ œ J

œœ J

Ϫ

sing ing

at

Ϫ

Ϫ

Ϊ

night,

Ϫ

Ϫ And

œœ J

œ œ J

Ϫ

œœ œ œ œ œ œ œ œ œ œ œ œ œœ ?# œ œ œ œ Vc. œ œœ œœœ ¢ œ œ Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


106 ° # Vox 1 & œ ™ 29

œ

wild

Vox 4

#

¢& œ ™

œ

° # ˙™ Vln. &

=

Vln.

j œ œ

j œ ˙™

œ œ

plum

trees

in

Ϫ

?# œ œ œ œ ¢

° # Vox 1 & ˙™ Vox 4

œ ˙™ J

plum

wild

Vc.

œ œ J

œ

œ

œ

Ϫ

trees

in

˙™

Ϫ

¢&

#

œ

° # & ˙™

j œ ˙™

lous

j j œ œ œ

feels like triplet

œ

trem - u -

œ

lous

Ϫ

white,

Ϫ

white,

feels like triplet

œ œ œ J J

Ϫ

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

˙™ ˙™

Ϊ

œ œ œ J J

trem - u 2

32

Ϫ

œ

feels like triplet

Ϊ

Ϊ

∑ ∑

œ œ œ œ œ œ œ œ œ œ œ ?# œ œ œ œ œ œ Vc. œ œ œ œ œ œ ¢ œ œ œ œ Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


107 35 2 ° # 2 j œ œ œ œ œ™ Œ™ Œ Vox 1 & œ œ ¢ œ œ 35

Rob - ins

will wear their feath er - y fire

œ œ œ œ œJ œ™ œ œ ˙™

Whis tl - -ing their whims on a low

35 ° # j ‰ ‰ Œ™ Vln. & œ

Ϊ

j œ ‰ ‰ Œ™ Œ™

j œ ‰ ‰ Œ™

Ϊ

? # œj ‰ ‰ Œ ™ ¢

Ϊ

œ ‰ ‰ Œ™ Œ™ J

œ ‰ ‰ Œ™ J

Ϊ

Vc.

= ° #Vox 1 & œ™ 39

Vox 4

Vln.

Vc.

¢&

#

° # ˙™ & ¢

?# ˙™

40

Slower q.=104

™ œ ™ Œ œ™

˙™

wire;

mp

And

Ϫ

Ϫ

not

one

mp

˙™

Ϫ

not

Ϫ

œ

one

fence

œ ‰ ‰ Œ™ Œ™ J œ ‰ ‰ Œ™ Œ™ J

œ œ J

œ œ™ J

œœœ

Ϫ

Ϫ

œœœ

will know

will

of the

know

of the

Slower

40 q.=104 œ™ œ™ Œ ™ Œ ™ œ™

Ϫ

Ϊ Ϊ

œœ œœ œ œœ œ œœ œ œ œœ œœ œ œ Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


108

° # Vox 1 & ˙™ 43

Ϫ

war,

Vox 4

¢&

#

˙™

Ϫ

war,

° # Vln. &

Ϊ

˙™

Ϫ

not

one

Ϫ

Ϫ

Ϊ

˙™

Ϫ

not

one

œ œ œ ˙™ will

œ œ J

care

at

œ œ œ #˙ ™ will

œ œj

care

at

œ œœ œœ œœ œ œ œ œ œ œ œ # œ #œ œ ?# œ œœ œ œœ œœ œ œ œœ Vc. œ œ œ œ œ ¢ œ #œ

=

° # Vox 1 & ˙™

œ œ

last

when it's

Vox 4

Vln.

Vc.

47

2

#

¢& ˙ ™ ° # & ¢

?#

2

œ œ

last

when it's

j œ œ

done.

œ

œ œ œ œ œ œ

Ϫ

done.

∑ œ

œ œ

Ϊ

˙™

˙™

∑ œ œ

˙™

Ϊ

˙™ ∑

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


109 ° #p Vox 1 & œ™ Not

#p & Ϫ Not

one

would mind,

#p Vox 4 & ¢ œ™

Ϫ

j œ œ

50

Vox 3

Not

° # Vln. &

Vc.

¢

Ϫ

one

j œ œ

would mind,

˙™

Ϫ

j œ œ

˙™

one

would mind,

?# œ œ p

œœ

œ

œ

nor

œ œj ˙ ™

nor

j œ œ ˙™

tree

nor

Ϊ

tree

œœ œ

Ϊ

j œ œ ˙™

nei - ther bird

œœœ œ œ œ

tree

j ™ œ ˙ œ

nei - ther bird

Ϊ

j ™ œ ˙ œ

nei - ther bird

˙™

œœœœ

j œ œ ˙™

œœœ œ œ œ

œœ

œœ œ œœ œ

œœ ™™

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


110 ° # Vox 1 & Œ ™ 54

Vox 2

Vox 3

# & Ϊ

# ™ & Œ

mf

Ϫ if

man

mf

Ϫ

œ

if

man

-

-

mf

Ϫ if

# Vox 4 & Œ ™ ¢

œ

œ

man

if

œ

man

˙™

œ J

˙™

kind

kind

j œ -

mf

Ϫ

j œ

kind

j œ -

kind

œ œ œ ° # œ Vln. & œ œ œ œ œ mf

Vc.

?# ˙™ ˙™ ¢ mf

œœ ™™

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

œ

per

˙™

-

-

œ

per

ished

j œ

œ per

ished

œ J

œ per

˙™

j œ

-

ished

j œ -

ished

œ œ œ œ œ œ œ œ œ ˙˙ ™™

œœ ™™


111 ° # Vox 1 & œ 56

ut

Vox 2

Vox 3

&

ter -

ly.

# ˙™ ut

-

#

& ˙™ ut

Vox 4

-

j j œ œ œ

-

#

¢& œ ut

-

Ϫ

˙™

œ

œ ˙™ J

ter -

ly.

œ

j œ ˙™

ter -

j j œ œ œ

ter -

ly.

Ϫ

Œ

Œ

?# ˙™ ˙™ ¢

œœ ™™

f

Œ

ly.

her - self,

j ˙™ œ

œ œ J

f

˙™

˙˙ ™™

f

j œ ˙™

And Spring

Œ

f

j œ ˙™

And Spring

œœ ™™

œ œ J

And Spring

And Spring

œ œ œ ° # œ œ œ Œ™ œ Vln. & œ œ œ œ œ œ œ œ

Vc.

j ˙™ œ

her - self,

j œ œ

her - self,

j œ œ

her - self,

˙™ ˙™

Ϫ Ϫ

˙™ ˙™

Ϫ Ϫ

f

f

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


112 ° # Vox 1 & ˙™ 59

2

œ œ

˙™

when she woke

Vox 2

# & ˙™

2

œ œ

˙™

when she woke

Vox 3

Vox 4

#

& ˙™ #

¢& ˙ ™

œ œ

˙™

when she woke

2

˙™

j œ œ

˙™

j œ œ

˙™

j œ œ

˙™

at

at

at

dawn,

dawn,

dawn,

that

Ϫ

˙™

Ϫ

Ϫ

˙™

-

ly

know

that

Ϫ

˙™

-

ly

Ϫ

know

˙™

that

˙˙™™

œœ™™

˙˙™™

œœ™™

˙˙ ™™

œœ ™™

˙ ™™ ˙

œ ™™ œ

would scarce

would scarce

˙ ™™ ˙

œ ™™ œ

˙™ ˙™

Ϫ Ϫ

?# ˙™ ¢ ˙™

Ϫ Ϫ

˙ ™™ ˙

œ ™™ œ

˙ ™™ ˙

œ ™™ œ

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018

know

˙™

Ϫ Ϫ

dawn,

ly

Ϫ

Ϫ

would scarce

˙™ ˙™

at

˙™

˙™

˙™

when she woke

Ϫ

Ϫ

œ œ

° # Vln. &

Vc.

2

j œ œ

would scarce

-

-

ly

know

that

Ϫ

˙™

Ϫ

Ϫ


113 ° # Vox 1 & ˙™ 64

we

Vox 2

Vox 3

&

&

#

˙™

we

#

˙™

we

Vox 4

¢&

#

° # Vln. &

˙™

we

Ϫ

were

Ϫ

were

Ϫ

were

Ϫ

were

˙™

Ϫ

˙™

Ϫ

mp

Ϫ

mp

gone.

gone.

˙™

gone.

˙™

gone.

Ϫ

˙™

mp

˙™

˙™

mp

˙™

Ϫ

U ∑

Ϫ

U ∑

Ϫ

Ϫ

U ∑

U ∑

˙˙ ™™

œœ ™™

˙˙ ™™

œœ ™™

˙˙ ™™

mp

œœ ™™

U ∑

?# ˙™ Vc. ˙™ ¢

Ϫ Ϫ

˙™ ˙™

Ϫ Ϫ

˙™ ˙™

Ϫ Ϫ

U ∑

mp

Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


114 68

Tangled yet effortless Tempo I (q.=112)

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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


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Kirsten Volness - Letters ThatYouWill Not Get:Women'sVoices From The GreatWar - 2018


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