SITE PLAN
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PAVILION DESIGN 1
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ELEVATIONS
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PAVILION DESIGN 2
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3D VIEWS
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IN CONTEXT
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SITE ANALYSIS
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ARIAL AND GROUND VIEWS
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PHOTOGRAPHIC STUDY
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INTERNAL VIEWS
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LUMINOSTY DEFINITIONS
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PERCEDENT
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MEANING IN ARCHITECTURE
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REFLECTION DEFINITION
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MEANING IN ARCHITECTURE
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REFERENCE
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SITE PLAN
The Braggs Building
Molecular Life Sciences
Engineering and Maths Science
Barr Smith Library
1:1000 Ingkarni Wardli
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Front Elevation- Braggs Building (left), Molecular Life Sciences building (right)
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Front Elevation- Engineering and Maths, Science building (left) Ingkarni Wardli building (right)
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Front Elevation- Barr Smith Library
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3D VIEWS
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SITE ANALYSIS
Summer (9am)
SITE ACCESS MAP
Summer (12pm)
Summer (3pm)
Site access map
Winter (9am)
Winter (12pm)
Winter (3pm)
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PHOTOGRAPHIC STUDY
Shot in daytime
Shot in night time
Shot in daytime
Shot in night time
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ADDITIONAL SITE INFORMATION SOCIAL AND CULTURAL The Maths lawn has multi-function purposes, it can be for educational purposes as well as social gathering activity purposes. Educational services such as, students being able to relax on the lawn either sitting on the benches alongside or lying on the grass while studying. Social and gathering purposes, for example students having their lunch with friends, or university activities with their students. The most common social activity that occur on the Math lawn would be the annual University of Adelaide open week, which happens on the Maths lawn. There is free BBQ service, fair floss giveaway, DJs with music and many more. Sporting O Week also have their activities at the Maths lawn.
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DEFINITIONS LINGUISTIC The basic objects of the model and their relations, it specifies the general terminology that is common to the whole standard and talk about the dictionaries, components and their interactions. Linguistic architecture ensures that the model at the top level is consistent. LUMINOSITY It refers to the measurement of glow and brightness within a piece of artwork. Luminosity refers to the creation of light which can be different, according to the reflections and/or the amount of diffraction and intensity. In the astronomy aspect, luminosity measures the amount of energy produced by a star and other astronomical objects per unit time. ILLUMINATION Illumination, a property and effect of light which could be seen. It is the intensity of light display at a given area or surface. The luminous flux incident per unit area, expressed in lumens per unit of area. MEANING IN ARCHITECTURE The use of light in architecture is an important factor in understanding their architectural designs. The relationships between light and architecture is surrounded by physics, it is about energy and also implies an emotional effect on people. Lighting creates difference meanings and expresses difference feelings. The lighting in a living room will be warm and dimmed, with light textures, balancing the dark and clear areas which creates a relaxing and enjoyable environment. However, on the other hand, lighting used in a laboratory place, will be cool in appearance, focusing on the specific places of work. A wide and clean lighting, creating a multitasking, dynamic and energetic mood in the workplace. Light in architectural space contributes to its perception and understanding to the functions and brings an emotional factor for its users.
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“THE ARCHITECTURE LIGHTING OF ZAHA HADID” British female architect, Zaha Hadid, her projects are extraordinary through her advanced ways in handling materials and her creative imagination regarding to the use of light. Her theories of fragmentation and fluidity are now wellknown designs which enabled her form-findings. Luminosity in Zaha Hadid’s design Zaha Hadid’s design back in the early 90s, The Vitra Fire Station (fig. 1), the light lines in the ceiling, between wall and Zaha Hadid ground, between the wall and flying roof highlight the linear architecture. The whole structure of the building is constructed with concrete in the light, paying extra attention to the sharpness of all the edges. The detailing on the inside of the building (fig.2), with open frames, polished aluminum sliding plans for the garage door (fig. 3) and other lighting designs, presents another language meaning to the whole.
Fig. 1 The Vitra Fire Station
Fig. 2 Interior of The Vitra Fire Station
Fig. 3 Garage door
Zaha Hadid’s use of light might appear graphical at first sight with her light lines in her designs. Zaha designed skillfully to express her architectural imagination. The recent project by Zaha Hadid, Nanjing International Youth Cultural Centre (fig. 4) demonstrates a dynamic transition from vertical glass towers to horizontal concrete podium. The interior displays advancement of fluid luminosity. The Nanjing Centre shows a luminous surface, with numerous amounts of small holes allowing light to transfer through, following the dynamic interior geometry for illumination (fig. 5).
Fig 5. Nanjing International Youth Culture Centre
Fig. 5
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Natural daytime sunlight
The use of spiral staircase: - Uses less space compared to a horizontal staircase. - Applies a modern element to the design
Ideal space use: - Social/ study - Work - Group meeting - Relaxing
Spiral staircase Access to underground
Design 1, elevation Design 1, top view
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Staircase access to underground
Private room for group meetings
Clear glass rooftop for natural sunlight
Natural daytime sunlight
Public area for students. Work/ relaxation area Ideal for students to work and socialize
Entrance Design 2, top view
Elevation
Side view
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Design 1, close up
1: Barr Smith Library 2: Molecular Life Sciences 3: Engineering and maths building 4: Ingkarni Wardli 5: Braggs building 6: Pavilion
Design 1 site plan
Design 1, front elevation
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1: Barr Smith Library 2: Molecular Life Sciences 3: Engineering and maths building 4: Ingkarni Wardli 5: Braggs building 6: Pavilion
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Design 1
Design 1
Design 2
Design 2
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Design 1
Design 1
Design 2
Design 2
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Louvre Palace, 75001 Paris, France "Formally, the pyramid is the more compatible figure with the Louvre's architecture. Also, it is one of the most stable forms, ensuring its transparency ... and it is constructed of steel and metal, symbolizing a break with past traditions, it is work of our time. "
Louvre glass pyramid at night time
Louvre glass pyramid day time
Name: Louvre glass pyramid Designer: L. M. Pei Completion year: 1989 Climate: Mediterranean Owner: Louvre museum Main material: Glass Material properties: Glass panels in steel frames, forms modern element to historic building. Two triangles, one interior and one exterior, reflect off the other to form unique relationship. Application: Exterior Cladding
The Louvre glass pyramid design consisted of a large glass and steel pyramid that is surrounded by three smaller triangles that provide light to the space underground.
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Staircase
Detail of spiral staircase
Staircase in my design
The Louvre Pyramid is a famous architectural building which engages with natural light in its own way, by using glass as the main material, it creates a specific shafts of light or using reflective materials to bend natural light to suits the environment and achieve to provide access to natural light.
Section
Side view of my design pavilion, showing the above ground area is see through, shape similar to Louvre pyramid
I.M. wanted the structure of the pyramid to have a certain attractiveness and not be a simple based structure. He wanted transparency. At the outset, he was interested in a lightly reflective glass, so models were made to allow him and the team to view that at different angles.
Top view and side view of the pyramid
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A reflection is a reflected duplication of an object that appears identical, as can be seen looking in a mirror, glass or water. Examples of reflecting would be light or heat, mirroring, or giving back an image. Reflection from the surfaces of a mirror, or any other reflections, where all the ray rays reflect off a surface at the same angle is called specular reflection. In fact, by law, the reflection is always true when you go from a mirrored surface to a regular surface, it isn’t the law that changes by the surface itself. It is often believed that light and brilliance could help in generating an iconic architecture and a better world for human and living, glass and metal have been innovatively transformed to create crystalline and glassy images. As a result, the locus of meaning in architecture has shifted from interior space to exterior space During the early 20th century, Paul Scheerbart and Bruno Taut envisioned a new glass culture made of colored glass, sparkling in the sun. Mies van de Rohe absorbed this vision, and explained his skepticism regarding the urban monotony of glass mirror effects. Because he was dealing with glass, he was cautious about avoiding dead surface reflecting too much light, so he broke the facades a little and started with different angles reflecting the flight.
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Reflection in Architecture The glass facades at the Elbphilharmonie in Hamburg by Herzog &de Meuron, it refers to the visionary glass culture of scheerbart, and indirectly to the golden shimmering skin of Berlin’s Philharmonic by Hans Scharoun as well. They built a fresh contrast the plane glass curtains of the international modern style. The environment did not appreciate it being a clear mirrored picture, but instead a process of modification and reproduction.
Elbphilharmonie in Hamburg
The design of curves on the balcony, the building is able to reflect a bright clear light streaks, also with the blue and diffuse sky, the curve also allows it to clearly stand out and reflects the bright lines, similar to those in the automotive industry. Under direct sunlight to the building, bright points appear and evoke a jewel-like shimmer. Adding on from that, numerous vertical and horizontal glass elements can reflect off and shine reflecting to the sky. Overall the curving exterior, with its printed dot screens evokes a rich and water-like image.
Elbphilharmonie in Hamburg
Another well-known example, showcased Herzog & de Meuron’s desire to transform the mirror effects of the glass scrappers was the Prada Epicenter in Tokyo. The Glazing shell consisted numerus rhombus-shaped elements, however, due to the complexity of the exterior shapes of the glass, only parts were selected to create a different reflection, making it more distinctive and special throughout. The rich transparency and brilliant reflections from the transparent glass facade, it is not limited to only outside of the building, but on the inside as well. Offering an interesting view from the inside looking out.
Prada Epicentre, exterior
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Reference https://www.adelaide.edu.au/campuses/mapscurrent/north_terrace.pdf http://www.dictionary.com/browse/illumination http://www.dictionary.com/browse/linguistic https://en.wikipedia.org/wiki/Linguistics https://en.wikiarquitectura.com/wp-content/uploads/2017/01/Bomberos_vitra_4.jpg http://images.adsttc.com/media/images/5717/4035/e58e/ce9e/0b00/00cb/newsletter/901_CR_SP_018.jpg?1461141519 https://www.adelaide.edu.au/openday/ https://www.adelaide.edu.au/orientation/oweek/ https://www.bluffton.edu/homepages/facstaff/sullivanm/germany/weilamrhein/vitracampus/hadid/fire.html http://www.zaha-hadid.com/people/zaha-hadid/ https://www.designboom.com/wp-content/uploads/2016/09/zaha-hadid-nanjing-international-youth-culture-centre-china-designboom04.jpg http://www.designboom.com/wp-content/uploads/2016/06/Nanjing-Youth-Olympic-Games-International-Convention-Center-gd-lightingdesign-zaha-hadid-china-designboom-fullscreen-original-818x545.jpg http://www.archdaily.com/868157/fluid-luminosity-the-architectural-lighting-of-zaha-hadid http://openscholarship.wustl.edu/cgi/viewcontent.cgi?article=1124&context=bcs http://architecturalmoleskine.blogspot.com.au/2012/10/i-m-pei-and-louvre-museum.html
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http://www.archdaily.com/88705/ad-classics-le-grande-louvre-i-m-pei http://www.architectmagazine.com/awards/aia-honor-awards/louvre-pyramid-the-folly-that-became-a-triumph_o http://www.archdaily.com/796974/veiled-in-brilliance-how-reflective-facades-have-changed-modern-architecture
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