portfolio2021
EXPERIENCE Workshop executive
I had the opportunity to work on projects of different scales with BIM (Building Information Modeling). https://www.kr2b.com
CERTIFICATES Internship April/Agust’21
Moral foundations of politics
Internship April/Agust’21
Introduction to Philosophy Workshop
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Online
SOFTWARES
Workshop
Organization team member Internship
Design team of different scales projects,revisions of mix use projects, and city analysis of mega projects in different countries. http://www.ikidg.com/aboutiki.aspx Internship
Luxury high-rise building construction site,meter measurements, control of works performed,revisions and details drawings Internship June/July’18
http://fada.mef.edu.tr/tr/2018
AWARDS
honor student
REFERENCES
received a high honor scholarship.
arda.inceoglu@mef.edu.tr , Phone:+90 212 395 36 48 Head of Interior Design Department
LANGUAGES
sezginah@mef.edu.tr, Phone:+90 212 395 37 49 Head of architecture Department ananonim.istanbul köknarb@mef.edu.tr, Phone:+90 533 358 90 10
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It is an attitude that both draws and breaks the border. In order to produce difference in this ambiguous intermediate space, daily practices need to be differentiated. At this point, I started to go over the concept of homoludene. I include the game in the program as a method in an environment where people are most free and can produce in the most free way, independent of disciplinary practices. It is an intermediate place where people of all ages and groups can experience in the most free way and produce to discover themselves. People will be able to become actors and producers in this venue. so what is the reason for this fiction?
At this point, I started to think about the concept of island in terms of earth, land, mainland and land. Island; disconnected from the mainland, the land is surrounded by the sea, which is a natural border. When we look at the quarries specific to the island, the topography is carved to extract stones. in other words, we see that the island, which has become defined by a natural border, has been deformed from the topography by creating an artificial border.
After analyzing the various potentials of the area, if we look at the concept of ecotone through the coexistence of these borders, we see that these are the meeting points where production and productivity are highest. At this point, it provides the generation of transformation and interaction that occurs with the collision of different situations. I started to think about how I can integrate this deformed piece of the island's introverted life and culture into the island life with interfaces that blur the border.
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In ecotones the soil corresponds to the horizontal edge, Between the plant and the root. Considering that the spatial equivalent of the edge effect is provided by the vertical structure, a 3. A moment 3. An intermediate space is formed between the vertical and horizontal edges. With reference to ecotones, we see the coexistence of different species after a more detailed analysis of the vegetation analysis, which seems to be uniform.
In these intermediate places; I aim to reproduce the introversion brought about by the fact that the island is a piece of land detached from the mainland and the cultural difference it creates. If we refer to the fact that culture is created by differences, I aim to be able to produce the spatial practice created by Cartesian space independent of time, independent of disciplinary practices. In other words, through the commodification of lost art, daily life and production practices, I aim to reproduce these practices with stone soil and nature. laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis nostrud exerci tation ullamcorper suscipit lobortis nisl ut aliquip ex ea commodo consequat.
Being aware of the difference between practices and disciplines, namely the designed and lived space, the 3rd Moment is to design the intermediate space and to establish the relationship of this moment with the ambiguous. It is a kind of playground where the boundaries of the space make semi-defined and sometimes sand and earth pools are extensions of the space, providing the production of a player-space relationship with the space itself.
It is a place where artists who are interested in soil, agriculturalists, people of the island and those working on soil construction materials can come together. When we look at the user profiles, we see that they are all
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DESIGN AND BUILD STUDIO
SOCIAL RESPONSIBILITY PROJECT
Location: İstanbul/Boğaziçi University Sarıyer Campüs Tutor: Arda İnceoğlu-Ahmet Sezgin Groups or Individual: Group Project Award type: 1st class achievement award The boathouse project we designed with teammates for Boğaziçi University sailing club. The structure, which is designed to store club equipment such as mini catamaran, windsurfing, surfboard, and to gather club members on the beach of Boğaziçi University Kilyos Sarıtepe Campus, consists of two masses that are compatible with the natural topography of the beach. The valley where the building is located is surrounded by sand lilies unique to Kilyos beach. The building, which aims to meet the needs of the club with a minimum space volume, has two adjacent blocks oriented towards the sea. One of these blocks allows the storage of large-volume equipment such as catamarans, masts, and the other, small-volume equipment such as surfboards, vests, ropes. The interior of the building has been designed to transform to meet the Club's changing space usage needs. The massive mass also becomes a single volume when the steel pipes on which the catamaran hulls slide are lowered.
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PLATEAU
SEVENTH TERM PROJECT
Location: İstanbul/Beykoz Tutor: Çağrı Küçükay Groups or Individual: Individual Project
I started to examine the subject of change through the change of production styles. In today's system, which is the return of capital, people lead normative, standardized lives without doing anything for the system to return, rather than making individual production. At this point, I wanted to build on the concept of homoluden and construct a place where people can produce in order to discover themselves with a protest attitude against this system. It is a project where people can move to the position of actor and producer in this space. Will take art as the basis of production. Against the increasing monopolization of art, it is a plateau where people from all walks of life can come together just to produce art, regardless of class.
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BORDERLINE
SIXTH TERM PROJECT
Location: İstanbul/Beykoz Tutor: Kürşad Özdemir Groups or Individual: Individual Project
Within the scope of this project, I aimed to develop the idea of how an incubation center should be within the framework of the physical, geographical and historical context of the region. I work in a region whose future is still uncertain, which is physically between the Galata Bridge and Atatürk Bridge on the Golden Horn, and is effectively stuck between gentrification projects such as Galataport Haliçport. uring the Ottoman period, their dominance continued by protecting their commercial rights for a while. In other words, we can say that the Genoese are starting to hack the city they came from and to build a new border, with an economic paradigm based on maritime trade, which they were good at at the time. We come across this when we follow the footsteps of the Galata walls, beyond the sea, which is a natural border, an artificial border, that is, the city wall, is being built and when we look at the current land-sea border, we see that the sea is filled and a new artificial We see that the border is being built. current name, is sometimes used as an arsenal, warehouse, cellar.
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non-Lımıty
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ORGANISMA
COMPETITION PROJECT
Location: Denizli / Meserret sok. Tutor: Groups or Individual: with teammate
Cities are just like organisms, they are born, grow, and die untimely if they begin to become disidentified. The identity of a place can be realized by strengthening the production in the perceived, designed and lived space. The mistakes in the designed space reduce the quality of the living space in the city and destroy the sense of belonging and cause the identity of the city to disappear. Within the scope of the organism project, it is aimed to make urban acupuncture at the focal points of the foresight, which is critical for spatial production along the street. Based on the dialectical relationship of the production of the space with the social production, it is aimed to design a structure that will turn into spaces where people can be stimulated along the street, since the production realized only at the focal points will not be enough to show the desired urban improvement.
Cities are just like organisms, they are born, grow, and die untimely if they begin to become disidentified. The identity of a place can be realized by strengthening the production in the perceived, designed and lived space. The mistakes in the designed space reduce the quality of the living space in the city and destroy the sense of belonging and cause the identity of the city to disappear. Within the scope of the organism project, it is aimed to make urban acupuncture at the focal points of the foresight, which is critical for spatial production along the street. Based on the dialectical relationship of the production of the space with the social production, it is aimed to design a structure that will turn into spaces where people can be stimulated along the street, since the production realized only at the focal points will not be enough to show the desired urban improvement. Meserret Sokak is an alternative walking route between the Metropolitan Municipality Building and Denizli High School Building on the north-south axis of Denizli. Organism Project is a new intervention proposal based on existing references in order to renew this axis, designed by Cengiz Bektaş in the 90s, under today's conditions, and to integrate it into the time it is in from now on. In urban transportation planning, this axis, which should be easily integrated into urban life due to its location, has lost its function over time and the primary strategy of the project is to reintegrate this 500-meter-long walking path into urban life. In the current situation analysis of the project area and its immediate surroundings, secondary axes working as connectors on the main traffic road route and meserret street axis have been determined. The new arrangement strategy is designed to connect to the street texture not only from 2 points but also from intermediate axis with the relevant program, and thus the program transportation strategy generates new encounter scenarios. The proposed project has previously undertaken the water, which has lost its function on the axle, on its own; The axis aims to create an organism, a structure that lives and transforms in the urban fabric, by taking on the role of unifying as well as its distinctive feature. The structure, which is placed on the axis and can carry the water texture at different levels and regions along the axis, is designed to enable the citizens to communicate with the city.
This structure, which is proposed on the Meserret Street axis, is positioned as an upper-scale proposal to different parts of the city. Thus, while this walking path route foresees the operation of the city as a generator space for the new structure proposal, it has become an upper scale proposal that disperses and spreads over this focal point and also creates an alternative scenario that unites. It has been designed to be adaptable so that the structure will be reworked by the citizens of the distant future while undertaking different programs for different focuses on behalf of the near future. aims to buy a house. In summary, the program proposal that the structure will undertake in the future -although suggesting alternative scenarios to the current situation- is left to the conditions of the time and the user profile of that day.
Different climatic conditions are foreseen as the primary factor that directly affects the working principle of the structure. In the new structure scenario, it is aimed to collect the rain water reaching the underground reservoirs on the axis on rainy days and to transmit the water collected by the mechanical system of the structure to the earth through the structure along the axis. The distributed water finds exit points for the purpose of the architectural program in different parts of the structure and therefore the axis, so that water ceases to be just a visual element and assumes a task that provides social unity by serving different purposes.
I aimed to design an organic texture without disturbing the grid in the design that we set out from because cities are built on certain inputs.
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MAXIM / BEYAZIT SQUARE
RESEARCH / RESTORATION PROJECT
Location: Taksim / Beyazıt square Tutor: Sevim Aslan Groups or Individual: with teammate
Within the scope of the restoration course, the historical and future touches of Beyazıt Square were determined first. Afterwards, it was tried to understand the purpose of the interventions made from the Venice charter and the necessary dictionaries. Afterwards, our intervention in the maxim gazionos was again dealt with by the necessary regulations and dictionaries. The analogies of the labor cinema and the maxim casino were made. New suggestions have been developed in accordance with good examples and articles.
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ATELIER ARC
COMPETITION PROJECT
Location: Istanbul / Karaköy Tutor: Groups or Individual: with teammate
In our project within the scope of the architectural workshop, our design, which is in the design of art and design, and our design, which can be designed for our design, will be considered not only for the purpose, but also in a way that will meet the external requirements of the artists. We decided to choose a land with these cultural venues. With regard to its closeness to these cultural venues and education, he wanders around Beyköy. It attracted our attention with its proximity to a local land in the land belonging to the land, with its backwardness in such a central place, and with its wonderful view of the Bosphorus and the Golden Horn, and we decided to dig on this land. Bb will be considered to be on the land. It will be in the recreation area in this part of the land to be built right on the place where the metro line passes. While they are designed in places that have the ability to respond in accordance with two different sizes of web wall mounting, they take their place within the wall and their permeability. Design the spaces that will form the structure designed in the design. We created a space setup.
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