Klรกra Netrefovรก academic portfolio 2015-2019
BC. KLÁRA NETREFOVÁ PORTFOLIO: https://issuu.com/klara.netrefova 20. 12. 1994 klara.netrefova@gmail.com klara.netrefova@mail.polimi.it +420 731 05 05 43
EDUCATION 2019 Architecture and Urban Design - Politecnico di Milano, Italy 2014- 2018 Faculty of Architecture BUT, Czech Republic finished with bachelor degree 2016- 2017 Faculty of architecture Ljubljana, Slovenia ADDITIONAL EDUCATION / COURSES 2011- 2014 ARCHITECTURE COURSE under leadership of: Ing. arch. Petr HURNÍK, akad. soch. Oldřich RUJBR Ing. arch Hana RYŠAVÁ, Ing. arch. akad. arch. Jan VELEK 2012- 2015
School of Jaroslav Kvapil in Brno, DRAWING
WORKSHOPS
2015 SAVE THE PIANO design and realization of piano shelter in public space competition winner 2015 INGS
URBAN DESIGN AND REVITALIZATION OF ROKETNICE STREAM AND ITS SURROUND realization of public mobiliar and playground elements
2016 LEARNSCAPE architectural workshop under the leadership of JURIJ SADAR (SADAR+ VUGA) and RogLab. design and prototype pavilion for elementary school Valentina Vodnika in Ljubljana course of 3D print and laser cutting (RogLab) 2017 SILENCE PAVILION Conceptual design of the pavilion under the leadership of: Dutch architect BAS TEN BRINKE (70F architecture) 2017 SUPERSTUDIO- 24H Formát Design pop up pavilion for reSITE festival finalist of competition 2017
MOOD FOR WOOD design and realization of wooden structures Chwialka city pool, Poznan under the leadership of Slovak architects: JURAJ HARIŠ and ONDREJ MARKO (2021 architects,)
2018 SUPERSTUDIO- 24H Formát happy city
WORK EXPERIENCE
PORTFOLIO:
https://issuu.com/klara.netrefova
2019 CHYBÍK+ KRIŠTOF, internhip 2017 - 2018 KT ARCHITECTS Ing. arch. Pavel Klein, Ing. arch. Olga Kleinová
DESIGN STUDIOS
2. semester ZAN addition, elimination Ing. arch. Jan Foretník Ph.D., Ing. arch. Barbora Ponešová Ph.D 3. semester ARCHITECTURE BASE terraced house, villa prof. Ing Pavel Jura CSc. 4. semester
TOWNHALL WITH CULTURAL CENTER, KOHOUTOVICE Ing. arch. Vítězslav Nový
5. semester INTERACTIVE PLAYGROUND doc.dr.Tomaž Novljan,univ.dipl.inž.arh. Faculty of Architecture Ljubljana 6. semester ARTIST COHOUSING izr. prof. Jurij Sadar, univ.dipl.inž.arh. Faculty of Architecture Ljubljana 7. semester AUTONOMOS Ing. arch, JAN KRISTEK Ph.D., Ing. arch Jaroslav Sedlák collective award for the best studio BACHELOR THESIS MANUFACTURE OF KNOWLEDGE Ing. arch, JAN KRISTEK Ph.D., Ing. arch Jaroslav Sedlák collective award for the best studio 9. semester STUDIO MDKN Ing. arch, JAN KRISTEK Ph.D., Ing. arch Jaroslav Sedlák collective award for the best studio
LANGUAGES
CZECH- ENGLISH- GERMAN-
native B2 certificate A2
PROGRMS AUTOCAD ++++ IN DESIGN PHOTOSHOP +++ RHINOCEROS ++++ GRASSHOPPER ++ SKETCHUP ++++ V-RAY +++ MICROSTATION +++
++++
INTERESTS RAVELLING, DRAWING, PAINTING, SKYING, READING, MUSIC, DANCE, INLINE ROLLERBLADING, ARCHERY PERSONALITY
SOCIAL, OPEN, RELIABLE, GENEROUS, HONEST
AUTONOMOS
STUDIO PROJECT 3.TH YEAR OF EDUCATION// 2017 AUTHORS: KLÁRA NETREFOVÁ, KAROLÍNA MUNKOVÁ FACULTY OF ARCHITECTURE BRNO UNIVERSITY OF TECHNOLOGY
collision An institutional face of faculty and student informality. Order and chaos. Dignity and punk. Coldness and warmth. Two counterparts trapped in one unit. Two wrestlers holding each other in a permanent wedge. The victory of one or the other would mean the end of the faculty. Sometimes they push themselves out of the way, occasionally connect, sometimes clash. The formality of institution collides with the informal energy of students, their desire to usurp the space, to inhabit it and occupy their territory. The school does not give up its seriousness and clean faces so student life hides under its skin - sweeping it behind the closed door. Studio trash vs. polished corridors. SEPARATION How would the spatial layout of the faculty allowing those two components of the system to function together and separately at the same time look like? Learning and teaching- two separate worlds that meet when needed. A world based on voluntariness, where teachers go “to visit” students and students go”to visit” their mentors? Our structure separates chaos from the order, and sets its own territories based on the “aesthetic code”. A solution based on different aesthetic codes of the environment ensures smooth passage between territories and at the same time indicates the permissible mode of behavior in the given place. Aesthetics become communication language, orientation system, and behavioral regulation.
SEPARATION/ collision Parts interact “face to face” through dialogue and cooperation. Faculty function as one unit, spatial principles are divided and declared on the basis of a new (visual) code. I know where I am, I know who i will meet, I know which path to take. Although they are not strictly separated, both territories are able to function as separate units if needed. The interconnection system allows not only to get through the faculty without the need to enter foreign territory, but it also allows the units to be functionally separated if necessary. This, for example, enables a smooth, non-stop operation of the student section, whereby any possible collision of students and representatives of the faculty is eliminated. Each group is assigned its own entrance. The third - neutral - entrance is for the public. Such “neutral” territory can be found in the very core of the faculty. It consists of an aula, a library, an art studio, a gallery, a courtyard, and a ballroom. Meeting and sharing ideas. Instead of clashing two worlds, mixing their rules and aesthetics. Not even here, not even there. Somewhere in between. on the edge of representativeness and anarchy. STUDIO MENTORS Ing. arch, JAN KRISTEK Ph.D. Ing. arch Jaroslav Sedlák
AUTONOMOS
1
4
3
2
autonomos visual codes
1
2
3
4
SAVE THE PIANO
STUDENT COMPETITION// WINNING PROJECT 2015 AUTHORS: KLÁRA NETREFOVÁ, Kristína Kapraľová
The SAFE THE PIANO project was created due to the interest of the group “Klavíry for Brno” (Brno Pianos) to protect the pianos in the public space against weather and vandalism and interruption of nightly rest. Klavíry pro Brno in cooperation with three Brno universities held student competition. Luckily we won the competition with our project and were able to build a prototype of the piano shelter by our hands. Since the moment our design was constructed, the shelter was repetitively reused in public space already for 5 years. Piano with the shelter played its role in many public festivals and have been transported to many places in the centre.
Shelter with the piano quickly became favoured spot on the street allowing people from different social groups bond through music. Project with the pianos in public space quickly spread around the Czech Republic and the world and a new piano shelter was constructed in Kolín. The shelter is a lockable, transportable cube that can be broken down into individual parts, standing on telescopic legs so that it can be easily adapted to the environment. The floor and ceiling slab is made of waterproof plywood, which is held by wooden columns. The doors are equipped with 45-degree laths with graphic print. The proposal introduces transparency and lightness, and we can see graphics from another angle.
INTERACTIVE PLAYGROUND
STUDIO PROJECT 3.TH YEAR OF EDUCATION// 2016 FACULTY OF ARCHITECTURE LJUBLJANA
The INTERACTIVE PLAYGROUND is an experimental project situated in very narrow gap (range 1600- 2100 mm) in between two houses of Ljubljana historical city center. The program consist s of a variety of interactive exhibits that can trick and play with your senses. You can discover visual projections, physics experiments, logic games, or even compose your own music. One of the requirements was creation of a self-standing structure because of the project situation in between two historical houses. The framework of the building is made from steel, which allows flexible and durable structure. The interior of the building is hanged down from the metal structure. The rest of the building is mainly made from glass including glass levels and beams. Thanks to its interior this playground offers open, fluid space. Horizontal levels are colored with vivid cold colors that optically open space and creates an interesting atmosphere. Every level is colored in different colors. The interactive playground is accessible from both sides, from Gallusovo Nabrežje and Stari Trg, Vertical structures move you through the whole building so with a little bit of exaggeration you will feel like in a vertical labyrinth. Access for disabled people provides the central elevator. STUDIO MENTOR: doc.dr.Tomaž Novljan,univ.dipl.inž.arh.
PLAN
SECTIONS
1: 200
MOOD FOR WOOD CHWIALKA CITY POOL
The city swimming pool on the Chwiałkowskiego street (commonly referred to as Chwiałka) is one of the biggest complexes of its kind in the Wielkopolska province. The building was erected at the beginning of the 1960s, in the purist modernist style, and its form references the so called folk classicism, forcefully encouraged at the time. The main building houses a swimming pool with audience stands, children’s swimming pool, gyms, and a small hotel. The facility also has a complex of outdoor summer swimming pools which covers almost 45,000 square metres! For years the Chwiałka swimming pools have been a place of relaxation for many generations of Poznań’s residents. In here, many people have learnt to swim. Even though waterparks with colourful slides and numerous amenities pop up all around the city, Chwiałka still has its fans. For most residents of Poznań, the complex of swimming pools is one of the iconic spots in the city. During hot summer days, the swimming pools are visited by even 2.5 thousand people a day.
INTERNATIONAL WORKSHOP POZNAN 2017
A group of students with the help of tutors, the Slovakian architects Ondrej Marko and Juraj Hariš from the 2021 architekti office, decided to draw attention of the visitors to the historic stands and bring back its former glory. In our design we used the effects of optical illusion, finishing part of the stands with new wooden seating in such a way as to form an enormous logo of Poznań – a star, when looked from a specific point near the pool. This place was marked with wooden paving elements, placed in between the existing elements of the surface. We also have to admit that the task was rather difficult since most of the measuring and cutting was done directly on location by trail-and-error. Nevertheless, the desired outcome was achieved and now in the hot days the stands is a favourite relaxation spot for the residents visiting the bathing site. Authors: Klára Netrefová, Szymon Kuś, Michał Pęczak, Viktor Toth, Olga Gumienna, Zuzia Spaltabaka, Dominika Barlová, Radka Komrsová, Anna Samszi Bakos.
STUDIO mdkn
STUDIO PROJECT 5.TH YEAR OF EDUCATION// 2019 AUTHORS: kLÁRA NETREFOVÁ, MICHAELA DOMIŇÁKOVÁ FACULTY OF ARCHITECTURE BRNO UNIVERSITY OF TECHNOLOGY
CHYBIK+KRISTOF
AEIOU
MDNK In this semester we didn’t focus on “architecture” but on the architectural profession itself. Even though the object of interest of architects – the building – remains the same over the centuries – the profession is changing. We were interested in the transformation of the social role of the architect and the expectations and demands placed on them. In this semester, therefore, we did not focus on “the object of our interest”, but we joined our own ranks. We analysed, reconstructed, and resubmitted the Architect in nowadays society.
This project is a hybrid strategy based on the method of acquiring clients, and the cooperation of two existing offices with them – the psychological approach of the AEIOU studio, and marketing through social media by the Chybík+ Kryštof studio. Through social media, we acquired our first client and a commission to furnish a living room in a flat in a panel block. With a complete lack of references, we attracted a spectrum of potential clients through questions and visual materials distributedthroughout social media. It is an architectonic and educational strategy.
STUDIO mdkn
Through our posts on social media, we were able to acquire some desired data and information about the client, his opinions about architecture and preferable aesthetic. Thanks to it and a consultation with the client, we were able to design the interior and furniture prototype of their wishes. STUDIO MENTORS Ing. arch, JAN KRISTEK Ph.D. Ing. arch Jaroslav Sedlรกk
SPRUCE CHAIR pohledy Design and prototype
My designed SPRUICE chair and its prototype arose as a part of my final project for interior and exhibition subject in the first year of my education. The chair is made from spruce wood, connected just by wooden dowels, secured with glue. Thanks to it there is not a single screw on it. The inclination of the backrest was achieved by grinding the edges of the back of the planer and connecting it with the dowels. The backrest is also supported by the long legs of the chair, which increases its strength. The chair is very comfortable has a robust look and thanks to many reinforcements also a high capacity. I built the chair completely by myself and thanks to it developed basic skills necessary for maintaining wood and wooden constructions. Mentor: Ing. arch, JIŘÍ MAREK
INTERIOR AND EXHIBITION 1.TH YEAR OF EDUCATION// 2015 FACULTY OF ARCHITECTURE BRNO UNIVERSITY OF TECHNOLOGY
ARCHIEVE+ MANUFACTORE FOR KNOWLEDGE
HISTORY PEN, IT
DOES CREATES
BACHELOR PROJECT 4.TH YEAR OF EDUCATION// 2018 FACULTY OF ARCHITECTURE BRNO UNIVERSITY OF TECHNOLOGY
NOT HAPAND CONSTRUCT
On one side stands the archive at the other Architektur Zentrum. These two institutions contrast with one another while cooperating. Archiving documents is a very demanding process that requires extreme concentration. Archival records can be very fragile, valuable, as well as carriers of poisonous fungi that can infect the surrounding area in an instant. They need a constant climate, darkness and a closed space inaccessible to the public. This archive makes an impenetrable controlled zone accessible to a few of the chosen ones. In the immediate vicinity of this wall, there is an Architektur Zentrum, which is functionally the exact opposite, fluid open lightened spaces, with the possibility of free movement of the public. If the archives had ears, they might have heard the wall behind. The archive and the architectural centre are two strictly separate operations, which together have little in common, but this does not apply at the ideological level.
The link between the archive and the architect’s centre works on the mutual transfer of data. Data from the archive go to the architect’s office, the library, the world, and vice versa. They form and expand the context of our knowledge. They create new structures, new contexts, and new archiving materials. The link between the archive and the architect’s centre works on the mutual transfer of data. Data from the archive go to the architect’s office, the library, the world, and vice versa. They form and expand the context of our knowledge. They create new structures, new contexts, and new archiving materials. This process a manufactory
can of
bebcalled knowledge.
ARCHIEVE+ MANUFACTORE FOR KNOWLEDGE
The former student dormitory house is located in the centre of Brno on the Údolní street, on plot No. 19, surrounded by the historic buildings of the late 19th century detached houses. Recently the building served as one of the buildings of BUT Faculty of Fine Arts. FaVu has recently moved and now the building is empty. The characteristic feature is the southern steep slope of the hill on which Špilberk Castle is located. The intention was to allow the exit from the building towards the park under Špilberk. The archive is therefore in a very attractive location with very good accessibility and, together with the architectural centre, this institution could become a major agent in its surroundings.
The construction of the original building is preserved to a greater extent. The design retains its load-bearing walls, breaks the partitions and dramatically rationalizes it by comparing the ceilings in the second building. I choose an additive approach. On existing supporting brick masonry I set reinforced concrete structures
SITUACE ŠIRŠÍCH VZTAHŮ 1:1000
,920
+15
SITUACE 1:500
The main entrance to the building is from the ĂšdolnĂ street, the entrances follow the hall and the hall can be accessed by a commercial bookstore, which is open both to the street and to the yard. The hall continuously links to the gallery with backgrounds. The staircase is accessible from the hall, which leads to the main part of the architectural centre with a library, a study room and a lecture hall. The second floor is dominated by a cafĂŠ with access to the park below Spilberk via an outdoor terrace. Operations are vertically hierarchized on the ground floor and the second floor is fully accessible to the public. On the third floor, there is a coworking room with a corresponding background. The researcher could continue to the fourth floor in the private archive, where staff offices and research rooms are located, with a raised floor and views of the surrounding area.
Part of the deposit is accessible only to employees from the second court. On the ground floor, there are rooms for primary cleaning and archival treatment. The entire depository is accessible from one staircase, each floor is located on both sides of the depository. Only through the fourth floor are the entrance through the depository into the digitization area and the archive preparation for the researchers. The archivist has the opportunity to go through the corridor to the archive office space. The entire building has an adequate social background, it is barrier-free meets fire safety requirements (fire lift, escape staircase).
+4 ±15,970 +3 ±13,020 +2 ±9,080 +1 +5,170
±0 ±0 -1 -3,200
SECTION
109
101
110
111
112 113
+0,000
+0,000
A
115
A
+0,000
+1,650
114
102
108
+0,000
+0,000
116 118
117
119 120 103
104
+1,200
105
106
121
122
+0,000
107
červená - stávající konstrukce
LEGENDA
1.
TH
101 102 103 104 105 106 107 108 109 110 111 112 113 114
FLOOR
215
202
203
204
205
206
115 116 117 118 119 120 121
207
modrá- ŽB konstrukce
ZÁDVEŘÍ HALA KNIHKUPECTVÍ SKLAD ŠATNA WC SKLAD POPELNICE HALA GALERIE WC MUŽI WC ŽENY WC HANDICAPOVANÍ WC HANDICAPOVANÍ SKLAD GALERIE CHODBA GALERIE KOUPELNA ARCHIVÁŘ WC ARCHIVÁŘ ŠATNA GARÁŽ PASPARTOVÁNÍ A OŠETŘOVÁNÍ ARCHIVÁLIÍ PŘÍJEM A OČIŠTĚNÍ ARCHIVÁLIÍ
30,7 m2 47,0 m2 167,1 m2 10 m2 7,1 m2 9,7 m2 9,7 m2 91,6m2 11,6 m2 11,6 m2 6,2 m2 8,4 m2 70,1 m2 49,2 m2
CELKOVÁ PODLAŽNÍ PLOCHA HRUBÁ PODLAŽNÍ PLOCHA
1014 m2 1684 m2
215 m2 4,1 m2 4,4 m2 21,7 m2 53,0 m2 8,7 m2 92 m2
PŮDORYS 1.NP 1:200
A
A 201 +5,180
209
208
+6,000
13x150x330
212
210
13x150x330
+6,000
214
211 213
+5,180
213 215
215
214
LEGENDA
2.TH FLOOR
201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218
červená - stávající konstrukce modrá- ŽB konstrukce
70,9 m2 HALA WC HANDICAPOVANÍ 5 m2 6,9 m2 WC MUŽI 6,9 m2 WC ŽENY 4,1 m2 ÚKLIDOVÁ KOMORA 11,8 m2 SKLAD 9,7 m2 KUCHYNĚ 171,1 m2 KAVÁRNA 239 m2 TERASA 9,3 m2 ZÁDVEŘÍ 2 DEPOZITÁŘ PŘÍRŮSTKOVÝCH SBÍREK V REGÁLECH 92+45,3 m 6,3 m2 KOMORA 64,4m2 TERASA 7,2 m2 WC MUŽI 8,2 m2 WC ŽENY 6,4 m2 WC HANDICAPOVANÍ 10,5 m2 SKLAD 253,5 m2 KNIHOVNA 2
12x164x330
A
301
303
+9,330
A
12x164x330
304 313 302
13x150x330
305 312
13x150x330
311
306 307 310
309
308
3.TH FLOOR
červená - stávající konstrukce
LEGENDA 301 302 303 304 305 306 307 308 309 310 311 312 313
15x150x330
modrá- ŽB konstrukce 38,7 m2 17,1 m2 98,9 m2 136,2 m2 10,5 m2 138,8 m2 15 m2 9 m2 12 m2 5,3 m2 55,3 m2 86,3 m2 84,4m2
SCHODIŠTĚ HALA DEPOZITÁŘ S REGÁLY DEPOZITÁŘ VEDUT V ZÁSUVKÁCH PŘEDSÍŇKA DEPOZITÁŘ SE ZÁSUVKAMI SKLAD WC MUŽI WC ŽENY WC HANDICAPOVANÍ DENNÍ MÍSTNOST COWORKING COWORKING CELKOVÁ PODLAŽNÍ PLOCHA HRUBÁ PODLAŽNÍ PLOCHA
416
A
12x164x330
402
403
1073 m2 1432 m2
PŮDORYS 3.NP 1:200
401
A
+13,195
12x164x330
404 415
414
412
405
413
13x150x320
411
406
13x150x320
410
409
407 408
4.TH FLOOR
401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416
A
červená - stávající konstrukce
LEGENDA
502
502
modrá- ŽB konstrukce
SCHODIŠTĚ BADATELNA MANIPULAČNÍ MÍSTNOST, DIGITALIZACE DEPOZITÁŘ SE ZÁSUVKAMI PŘEDSÍŇKA DEPOZITÁŘ SE ZÁSUVKAMI KANCELÁŘ WC KANCELÁŘ CHODBA KANCELÁŘ KANCELÁŘ DENNÍ MÍSTNOST KANCELÁŘ HALA FOTOGRAF
37,1 m2 65,4 m2 110,3 m2 136,5 m2 10,3 m2 142 m2 34,4 m2 11,2 m2 30,9 m2 18,5 m2 26,3 m2 33,5 m2 53,0 m2 25,2 m2 41,8 m2 57,6m2
CELKOVÁ PODLAŽNÍ PLOCHA HRUBÁ PODLAŽNÍ PLOCHA
834 m2 1082 m2
PŮDORYS 4.NP 1:200
+15,920
A
501 +15,920
5.TH FLOOR
NEW CONSTRUCTIONS OLD CONSTRUCTIONS LEGENDA
červená - stávající konstrukce modrá- ŽB konstrukce
klara.netrefova@gmail.com +420 731 05 05 439