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PORTFOLIO of LI PANXU
Applicant Name: LI Panxu Qingdao University of Technology Bachelor of Engineering in Architecture-5 years Application: Design for Manufacture MArch Application number:24145327 Tel: (86) 136-2834-9371 Email: Lipanxu24@outlook.com
PROLOGUE
CONTENTS
"Creating architecture with unbridled imagination is like unpredictable clouds."
01.
—Wolf D. Prix
Architectural renovation design | fall 2023
02. For me, architecture is not only a discipline and a form of creative expression, but also a mindset, a sentiment, and a means of conveying narratives. Architectural design involves the integration of intricate external factors, along with the continuous interpretation of spatial dynamics within my cognition, culminating in visual representations. In my view, architecture necessitates ongoing innovation and the establishment of new paradigms. It serves as a vessel for tension, intricacy, and multiplicity. Within my portfolio, I aspire to convey the concept of crafting architecture that is pioneering, discerning, organic, and intricate, harmonizing aestheticsand structural integrity, while also addressing the contextual environment of the architecture and resolving challenges.
THE WANDER
THE CARNIVAL OF SUBCULTURES Design of the space under the viaduct | fall 2022
03.
THE REUNION Commemorative architectural design | fall 2021
04.
THE FUTURE AIRPORT TERMINAL Graphical synergism of form and force | winter 2023
TOWARDS LIGHT(other work) The vertical farm based on genetic algorithms | summer 2023
01. THE WANDER Dialogue with time and space ARCHITECTURAL RENOVATION DESIGN 2023/8
Site: Ripafratta Castle,Florence, Italy Academic Project Instrutor：Finn Lam (lin@lin.archi) Individual work
VISION
The site is located in an ancient castle in Italy, which was once used as a fortress during the war. It has now become a relic. However, how to understand the site's environment, geography and other aspects. I think about new and old, it does not mean to overthrow and destroy the old things, on the contrary, through new materials and new design language to create a new confidence, a new stage. At the same time, let people walk through the new building when feeling the dialogue withW space and time. Stroll on the top of the ruins. Become a new development trend of the ancient castle.
SITE ANALYSIS
SITE REFLECTIONS SITE COLLAGE OZZERI CANAL
VIEW
TRAIN STATION
SERC
HIO
PISA
VILLAGE
OZZERI CANAL
MAIN SQUARE
R
CHURCH
OZZ CASTLE
SERCHIO RIVER
1
RIVE
ERI
CAN
AL
LUCCA CENTINO TOWER
VIEW
2
SITE NICCOLAI TOWER
S.BARTOLOMEO CHURCH MAIN SQUARE
VILLAGE NICCOLAI TOWER
The site is located between Pisa and Lucca, formerly used as a fortress of war, surrounded by mountains, and is mainly divided into two perspectives, three quarters of which face the canal, the river, the village and the church. Another view faces the two towers.
SITE OVERVIEW
CENTINO TOWER
UNKNOWN &DISAPPEAR
CLOSE
The castle is now overgrown with trees both inside and out, as if the castle has been submerged in the woods. People are about to forget about this place.
The castle is completely separated from the inside and outside, and because it was used as a wartime fortress, the towering walls enclose an enclosed space.
CHAOS
The castle has been rebuilt several times over the years due to war, and its materials are very diverse. The Giuliano da Sangallo’s intervention is still shown by the bricks addition on the top, contrasting with the stone bottom of the medieval walls.
Located at the top of a hill and surrounded by mountains, the site is very high and has a very good landscape around, the interior of the castle is accompanied by a complex height difference, with abandoned walls separating the surroundings and forming a closed system. Historically, the castle has been restored as a war fortress, so it has been built in many places at different times.
VISUAL FIELD ANALYSIS HOW TO RENOVATE
OLD
Old elements should not be copied in the name of respecting the old architecture, but rather create a new period.
New construction
The walls of the ancient castle In ancient times, the castle served as a fortification. It has lost any functionality at the moment.
The main material of the wall is stone, and bricks were added during the subsequent construction process. The interior ground is overgrown with weeds, and there are still some remaining low stone walls.
The walls are very thick and high, and many places have been built in different years, and they are heavy, closed and cluttered.
NEW
FUNCTION
MATERIAL
FEATURES
Taking advantage of the good view of the site, it is mainly functionally walking paths, cafés, bars, and corridors.
It is mainly made of steel structure and doublelayer curtain wall. The materials of the corridor are light steel and steel wire mesh. The cafe and bar are entirely truss structures.
The combination of metal perforated panels and translucent materials creates a strong collision with the stone walls of the ruins. At the same time, there is a dialogue with time, and people seem to be walking on the ruins. It has become a new local symbol.
There is a good view from outside the castle
If the new building volume is within the walls, it will block the good view
If the new building wraps the walls, it will be possible to interweave the interior and exterior spaces while providing a better view
DESIGN SKETCH attraction
EXPLODED DIAGRAM ANALYSIS attraction
attraction
Pe sh rfor ee at t ed Tr alu an m slu in um Se cen co t (m nd po et ar lyc al y a m ke rbo es el na h te gr ill e)
attraction
attraction attraction
attraction
attraction
First, according to the position of the surrounding scenic spots, for the location of the castle walls, determine the event point and orientation.
Cafes/bar routes Main walkway(horizontal) Forest corridors Ramp
Do
ub le-
According to the main flow lines formed by circles and tangents, the corridor goes back and forth through the wall. The dynamic trend is formed.
wa ll
ed
In the main flow line, a resting space is set up, and the flow line becomes diverse. The entrance ramp extends downwards along the terrain from the entrance.
cu
rta
in
wa ll
Finally, the double-skin curtain wall is wrapped around the outside of the wall, while wrapping the corridor and bar, coffee shop, some corridors out of the curtain wall, some in the curtain wall inside. Dialogue with the ancient stone wall. Create an ambiguous spatial relationship.
FUNCTIONAL DIVISION
ss
Four main hangout spaces, coffee shops and bars.
ew
ien
Tr us Corridors and ramps wrapped in curtain walls.
N
Gr ad
tr uc
tg
tu
las
re
M
et
st
sc
ru c
urt
ain
ru ra l
wa ll
su
pp
or t
all
ic
st
ai
rc a
se
PLAN
RENDERINGS
05
03
1
02 04
Within the curtain wall, there are winding ramps, sometimes going out and sometimes wrapping back, allowing people to walk on the ruins.
The curtain wall creates an ambiguous spatial relationship. Liquid and light.
01
1 M
01 Cafe (two watchtowers can be seen) 02 Bar (towards the train station, canal) 03 Bar (towards the train station, canal) 04 Spiral staircase (around the central tower) 05 Small stage
Bar entrance.
The cafe is embedded in the city wall, and the ramp flows around the cafe and the wall.
RENDERINGS
DOUBLE-LAYER CURTAIN WALL CONSTRUCTION DETAIL
Perforated aluminum sheet
Translucent polycarbonate Corridor section The double ramp gradually disappears at the end of the wall, and the rhythm of the opening in the screen wall controls the control and zooming of people's vision. 01 Perforated aluminum sheet 02 Translucent polycarbonate 03. Silicone adhesive,Bent aluminum alloy 04 Suppor ting construction，steel rectangular hollow section 05 Steel beam 06 Fixed aluminum alloy parts 07 Corrugated and perdorated steel model 08 Steel tube 09 Steal mesh grille(galvanised steel tube) 10 Steel beam 11 Steel bolt
Detail B
Detail A
The glass box wraps around the ancient city wall, with a steel structure passing through it. People can pass through the holes in the wall, and the two-story space has functions such as viewing and indoor coffee shops.
Corridor plan
CONSTRUCTION DETAIL C
01 Frame system for inner glazing 02 Structure beam 03 Fibre quilt thermal insulation 04 Concrete on mental deck 05 Steel beam 06 Polyester grating 07 Glass 08 Concrete
AERIAL VIEW
09 Outer profiled metal sheet 10 Inner lining sheet 11 Fibre quilt thermal insulation 12 Batten 13 Folded metal gutter 14 Aluminum alloy cover 15 UPN 400 16 Light steel keel ceiling
PERSPECTIVE SECTION 1-1
C
02. THE CARNIVAL OF SUBCULTURES The utopia of subculture DESIGN OF THE SPACE UNDER THE VIADUCT 2022/8
Site: Chongqing.China Academic Project Instrutor：Finn Lam (lin@lin.archi) Group work with Qian Chen Contribution: Design(90%)/Digital Modeling(100%)/Drawings(65%)
This project is located at the Egongyan Viaduct in Jiulongpo District, Chongqing. There are many different kinds of subcultures surrounding the venue. Most subcultural groups are disordered, lack a sense of identity, and lack space to develop their own culture. At the same time, the space under viaducts is often considered a secondary area in the urban landscape, potentially creating a negative public perception of the space.
VISION
So we decided to build a space and a venue for the subculture under the viaduct. I use complex system to organize subculture, let subculture from disorder to order under the viaduct, find their sense of belonging, and reuse the wasted space under the bridge. Finally, we put forward our own standards for site design and architectural design, creating logic with seemingly disorderly and abstract space.
SITE ANALYSIS
SITE PROBLEM
VIADUCT ANALYSIS 1
Environment Subcultural district
The site is seriously polluted and a lot of garbage is piled up.
The site where the Gegongyan Viaduct is located has a large elevation difference and complex terrain
2 Kowloon Beach Plaza
Space
Subcultural district
The space is divided into fragmented spaces by the bridge columns.
Sequence
Because of the large height difference and the dense number of bridge columns, there is no sequence in the space.
Function The space under the viaduct has a single function
Chongqing Olympic Sports Center
The Googong Yan viaduct network is complex
3
The three-dimensional elevated system shows complex spatial relationships
Space
Environment
A lot of space is not being utilized.
Noise pollution is high under the viaduct.
Subcultural district Chongqing Jianchuan maritime Frontier Museum
4
The columns at the bottom of viaduct are dense and complicated
5
Subcultural district
Yangjiaping pedestrian commercial street
People
It squeezes the urban space and causes the residents' life to be depressed.
Environment
There are security risks in the space under bridge. The site is located on the Egongyan Viaduct in Jiulongpo District, Chongqing. There are many subcultures around the site. The whole space under the viaduct is disordered and chaotic, and its space needs to be reused. At the same time, subcultural groups are disordered, lacking a sense of identity and lack their own space to develop their own culture.
There are some problems with the current site.
The space under the viaduct is more available
6
The whole space under the viaduct is disordered and unitary, and its space needs to be reused. Height and width analysis of vertical space of viaduct trunk road
SITUATIONS
COMPLEXITIY OF SUBCULTURES CULTURAL FEATURES
Climbing
Graffiti
Parkour
Skateboarding
Rock
Rap
Street dance DIVERSITY OF SPATIAL REQUIREMENTS
ENTITY
SOCIETY
RELATION
Lack of identification
Unordered
Dispersive
Marfinal minority
Casual
Disorganized
They are not recognized by the mainstream and lack cultural confidence.
SOCIAL LEVEL
Street dance
Subcultures are disordered and lack a sense of identity.
Skateboarding Rap
They need a group that brings together people of the same culture.
Climbing
Lack of their own space to develop their own culture.
COMPLEX ADAPTIVE SYSTEM
Graffiti Interaction
Historic
Self-organized Adaptability
The interaction is very rich.
Rock
They have historical information, which is constantly evolving, and their historical information has a cer tain impact on the present system behavior.
Parkour
Main body
The system consists of interdependent, interacting parts and diversity within the system. Systems that are both ordered and disordered are more adaptable and resilient.
Independence
The layer s are relatively independent from each other.
Hierarchy
The layers are well defined.
Establish contact
Form a complex system
CHARACTER LEVEL
CULTURAL DISSEMINATION
BEHAVIERAL LEVEL
CONSTANT SITUATIONISM AND SITUATIONAL SPACE CONSTRUCTION
SUBCULTURAL BLOCKS
The personality characteristics and activity space needs of subcultural groups are in line with the method of Constance's "game man" and situational space construction. Combined with the spatial needs and personality characteristics of subcultural people, the design techniques of Constant are integrated, and six new design standards for subcultural communities are proposed. Détournement(rerouting)
Psychogeography
SIX NEW DESIGN STANDARDS FLOAT
SYMBIOSIS
THREE-DIMENSIONAL TRAFFIC
Dérive(drift)
Sector REROUTING
COMPLEX WALLS
FLUID SPACE
SITE GRID STRATEGY
1
2
3
The order of the bridge columns under the viaduct was chaotic.
Use a grid structure to deal with the chaos of the site.
Depending on the position of the pillars, their orientation, and the difference in height of the ground, the mesh is deformed.
4
The mesh curve is softened according to the projection of the viaduct deck.
(rerouting)
5
Distribute functional areas according to functional needs.
(Psychogeography)
6
Depending on the type of subcultural activity, the space and circulation are designed.
PLAN
RENDERINGS
13 12
11 04
09
10
08
VIEW OF SIDE STAGE The layout of the stage is scattered, and many subcultures who love rap and rock and roll show their culture on it.
05 08
06
07
03
06
04
03 01 02
01 Street Dancing Center 02 Skate Park 03 Skateboard Tracks 04 Graffiti Wall 05 Climbing Center 06 Skate Bowl Pool 07 Rock Stage 08 Aerial Stage 09 Rap Stage 10 Indoor Lounge 11 Rap Stage 12 Indoor Livehouse 13 Bar
19M Street Dance Center Plan
VIEW FROM THE VIADUCT
M
The rap and rock stage is centered on the core tube under the viaduct and rotates around. There is an LED display screen in the middle for display in various activities, as well as various spotlights. Subcultures can freely immerse themselves in the stage.
AERIAL VIEW
RENDERINGS
VIEW OF SKATEBOARDING AREA
VIEW OF STREET DANCE STAGE
Below the rock and rap stage is the skateboard field, whose space forms are rich and varied and highly compliant with the terrain.Skateboard parks have a variety of skatepark types, including street-style venues and bowl pools.
The street dance area is composed of different levels of space, and the special cable structure supports the whole system.This space is divided into three spherical central spaces, with three layers of corridors to cut the spheres, and the cable structure suspends the spheres in the air.
VIEW OF GRAFFITI WALL CENTER
VIEW OF CLIMBING AREA
The graffiti area consists of a rotating graffiti wall with a glass cover at the top reflecting a rich light and shadow effect.many graffiti walls with metal support columns as the core that can be rotated to form a fluid, free space.
The climbing wall and pillars are built around the pillars of the original viaduct, with a cable in the middle that allows the climbing crowd to interact with the different pillars.
03. THE REUNION No permanent separation COMMEMORATIVE ARCHITECTURAL DESIGN 2021/07
Site: TengCounty,WuzhouCity,Guangxi.China Academic Project Instrutor：Xu qianfei Individual work
The Reunion is located at the crash site of mu5735 on March 22, 2022.
VISION
In order to remember this incident and comfort the families of the victims, a commemorative building is designed. This building integrates the concept of yin and yang into the design by investigating the types of people involved in the event and their emotional needs, combined with the Chinese people's understanding of the concept of life and death. It connects the opposing elements of life and death, separation and reunion that should have been corresponding to each other, due to the presence of loved ones and the arrival of tourists. Through the guidance of the route, people who arrive reflect different emotional spaces, such as unknown curiosity doubt suppression shock calm hope release.
SITE LOCATION
EVENT
FLIGHT PATH
FALLING PATH In the last few minutes, the descent speed once reached tens of thousands of feet per minute. 29,100ft
China Eastern Airlines flight MU5735
Track before crash
Date:March 21,2022 Guangxi Zhuang Autonamous Region
Wuzhou city
MAPPING
Teng County
2 minutes
Original planned track
Kunming Changshui International Airport
CHINA
BACKGROUND IMAGE
Guangzhou Baiyun International Airport
Crash site:Near Molang Village,Langnan Town,TengCounty,W uzhouCity,Guangxi.
Crash
Occurrence:A Boeing 737 passenger plane of China Eastern Airlines lost contact and crashed over Wuzhou during the Kunming--- Guangzhou flight mission. All 132 people on board were killed.
Teng County, Wuzhou City, Guangxi
3225ft
Wuzhou City LIFE GONE
Wuzhou
CRASH
Teng County
P E O P L E TRYING TO SAVE LIVES
Crash site
Mo Lang village
Health Funnel
CRASH SITE AREA
AFTER THE ACCIDENT
CHARACTER EMOTION
Families of victims
Provide compensation to the families of the victims.
Core area Around a radius of 30 meters The surface extends down to about 20 meters
People involved in the event
People Mountain fire area
Make ever y effor t to search for the plane's black box and investigate the cause of the air crash.
Victims MISS
Greif-stricken,Helpless,Depression
Resue workers
Shock,Hard
Psychological workers
Hope,Comfort COMFORT
Aviation Practitioners Other People online(most people)
Anxious,Fear,Helplessness Sympathetic Indifferent
PURPOSE
SITE PLAN What is the meaning of the architecture?
Family members visit the deceased
Commemorating the crash
Giving visitors a sense of the event. Heidegger’s philosophical(off-cover) Mo Lang village
HEIDEGGER’S PHILOSOPHICAL(OFF-COVER) For most people, this air crash is in a state of obscuration, that is,
Architecture
meaningless.
CONCEPT
Only when the emotion of the event is expressed through architecture, can it reach the state of being uncovered, so as to be seen by people.
Transfermation of Form
Processes Of Emotional Change Unknown
Curious
Doubtful
Depression
01
02
03
04
Relief
Positive&hopeful
Tranquility&calmn
(View of the impact crater from above)
07
08
06
Shocking
01
02
Tai Chi Diagram
Extract Line
04
03 Transforming Forms
05
Entrance
(Looking again at the point of impact)
30m
Crash point
CHINESE CULTURE Chinese People's Outlook on Life and Death
Family members of the deceased and tourists(The connecting link)
Connect Life and death are untouchable, afraid to face death, holding a strong
The Ring of Separation
negative attitude towards death and a sense of fear. The Ring of Reunion
The two opposing principles in nature How to connect ?
Sun and Moon
Death and Life
Separation and Reunion
Men and Women Hot and Cold
Separation from each other
Separation from each other
0
5
10
15
20m
PERSPECTIVE SECTION 1-1
CONSTRUCTION DETAILS
WATER LEVEL
GREEN GRAY SCHIST CEMENT MORTAR GEOMEMBRANCE CEMENT MORTAR REINFORCED CONCRETE
CEMENT MORTAR GEOMEMBRANCE CEMENT MORTAR RETAINING WALL
CEMENT MORTAR REINFORCED CONCRETE CEMENT MORTAR GREEN GRAY SCHIST
GREEN GRAY SCHIST CEMENT MORTAR NON CLAY BRICKS CECENT MORTAR GEOMEMBRANCE CEMENT MORTAR REINFORCED CONCRETE PLAIN SOIL COMPACTION
A
B
A B
PLAN
07
04
06
1
03
08
01 The Road of Reunion 02 The intersection of going and returning 03 Ring of Separation 04 Deep craters of impact 05 Names of the deceased 06 Ring of Reunion(Meditation Room) 07 The Tower of Light 08 The Way of Return
0
5
05
10
15
01 02
1 20M
RENDERINGS
11 (Looking again at the point of crash)
05 The intersection of three walls represents separation, reunion, and connection.（132 victims）
08(The Ring of Reunion(Meditation Room))
06 The Ring of Separation (the name of the deceased is on the opposite ring, as the plane crash made viewers only able to watch and not touch it)
11 09 07
06 08 10
03(The intersection of going and returning)
01
02
03
04
02
09
05
Path diagram
01(The Road of Reunion)
10 (The Tower of Light) The sacred light dispels negative emotions in people's hearts.
07Hear the sound of water and step into the meditation room.
04
04. THE FUTURE AIRPORT TERMINAL Graphical Synergism of Form and Force STRUCTURAL DESIGN 2023/10
Academic Project Instrutor: Li Meizi Individual work
VISION
The built form of the future will be positively influenced by technology, with technological advancements in the transportation industry such as drone taxis and hyperloops changing the way we think about commuting, transitional spaces and so-called terminals. Terminals will be interstitial spaces where multiple modes of transportation meet, so I’m thinking about what the terminals of the future will look like? Study of specific structural forms and spatial configurations of future infrastructure, especially airports. I use graphic statics to explore the generation and evolution of non-traditional architectural structures that meet the needs of such spaces and programs more succinctly than traditional structural forms, while pursuing the perfect balance between mechanics and aesthetics.
GRAPHICAL STATICS 2D-3D
Type 5
Type 6
Polyhedron-based Approaches
|F|
This methodology is founded on projected geometry, which offers a straightforward method of deriving force diagrams. The duality between the form and force diagrams is evident, with vertices corresponding to cells and edges corresponding to spaces. This approach is characterized by its directness, yet also presents the possibility of viewing the diagrams in reverse. Thus, the force diagram can represent the form, or the ideal object in a broader abstract context.
l
2D Force Diagrams（top）
2D Form Diagrams（top）
2D Force Diagrams（top）
2D Form Diagrams（top）
3D Force Diagrams
3D Form Diagrams
In this approach, we have reciprocal objects. By using this type of reciprocal functions, we can derive a generative design methodology for updating form and force diagrams, but also updating Topological language.
2D Reciprocal Diagrams
|F| 3D Force Diagrams
3D Form Diagrams
Type 7
Type 7.1
A=| F |
C
A
the vertices correspond to each cells and the edges correspond to each spaces.
B
Force Diagrams
3D Reciprocal Diagrams
2D Force Diagrams（top）
2D Form Diagrams（top）
2D Force Diagrams（top）
2D Form Diagrams（top）
3D Force Diagrams
3D Form Diagrams
Copy and mirror
Form Diagrams
STUCTURAL DESIGN STUDY Type 2
Type 1
3D Force Diagrams 2D Force Diagrams（top）
2D Form Diagrams（top）
2D Force Diagrams（top）
2D Form Diagrams（top）
3D Force Diagrams
3D Form Diagrams
3D Force Diagrams
3D Form Diagrams
3D Form Diagrams
Structural Sysytem
Type 7.2
2D Force Diagrams（top）
2D Form Diagrams（top）
Type 4
Type 3
2D Force Diagrams（top）
2D Form Diagrams（top）
2D Force Diagrams（top）
Front View
2D Form Diagrams（top） Top View
3D Force Diagrams
3D Form Diagrams
3D Force Diagrams
3D Form Diagrams
3D Force Diagrams
3D Form Diagrams
Right View
MASTER PLAN
PLAN-level 1
04
01
01
01
01
05 05
05
01
04
05
01
02
01
05
05
05
03
02
03
04
01 05
07 01 02
01
01 Garden 02 Arrivals Hall 03 Departures Hall 04 Airport Runway 05 Piers 06 Hotels 07 Railway Station Concourse
01
03
01
01
06
06 0
60
120
180
240 m
01 Boarding gate 02 Entrance 03 Terminal Hall 04 Subway Elevator 05 Baggage Handling System
01
0
20
40
60
80 m
MODEL
PLAN-level 4 1
01
01
02
03
04
04
05
04
04 02
01
01
01 Boarding gate 02 Pedestrian Bridge 03 Flight Board 04 Boarding gate 05 Terminal Hall
0 1
20
40
60
80 m
PERSPECTIVE SECTION 1-1
MEMBRANE ETFE
TRUSS GRIDER
MODEL
MEMBRANE PVC
MEMBRANE ETFE
PHOTOVOLTAICS
PHOTOVOLTAICS
RENDERINGS
Terminal Hall
Pedestrian Bridge
Boarding Gate
Towards Light
The design is centered around a vertical farm and ecological restoration, based on an analysis of the soil conditions on the site, with the goal of improving crop yields on the original site while at the same time ecologically restoring it.
AGRICULTURAL DEVELOPMENT
SITE ANALYSIS
poor soil quality
Site's soil N, P, and K levels are all lower than normal due to the fact that the same plants have been grown for a long time and the same elements have been absorbed within the soil.
soil lacks elements needed for crop growth restoring agricultural land forest strategy lack of crop management inefficient crop
manual management
1
The main island is growing, the south side of the island is disappearing, the north side will be connected.
3
integrated transit island
shelterbelt
2
impact on site planning
WALLACEI EVOLUTIONARY ALGORITHM DESIGN PROCESS
BLOCK UNITS
vulnerable to typhoons
+ loss of mudflat
4
TRANSITION ISLAND 4
Optimal Path Generation Process and Reasons Use wlc to generate the most accessible line within the site and set it as the "good line". The site is divided into 4 zones according to the location of the available area of the entire site, and "good lines" are generated for each zone. In total, 10 "good lines" were generated and set up as watercourses for irrigation and transportation.
4
4
wetland poor irrigation water use
mechanization
family-based planting inefficient transport
MATER PLAN
Vertical Farming Site location: Shanghai,China Instructor : Prof.Enriqueta LIabres-Valls&Dr.Aiman Tabony Teamwork with Gu rui, Gao yuejia, Lai weizi Contribution: Preliminary research (70%), preliminary plan conception (100%), GH wallacei (60%), modeling (60%), renderings (100%)
Transit islands are set up with gondolas for faster transportation of vertical farm produce to the cities that need it.
cash crop
fishing
Pipe
Bottom Surfaces Random Surfaces Cube
Height Generation
vegetables
picking
green house
free range
fruits
capivity
vine
hydroponics
1.Wetlands 2.Buffer Zones 3.Woodlands 4.Vertical Farming Building
seed culture human activities
WIND AREA TEST
BUILDING COMPLEX ELEVATION
Use blender to calculate the distribution of the building complex to ensure the ventilation capacity of the building.
The design includes four main clusters where the planting-harvesting-sorting-packing process is realized.
ACKNOWLEDGEMENT
I would like to express my sincerest gratitude to all those who have helped me in my pursuit of architecture. Especially Korean professors in the school ,Mr Lin and my parents. They profoundly inspired me to have a passion for architecture and gave me encouragement and guidance on the path to pursuing my dreams. It made me more determined to choose architecture.
Tel: (86) 136-2834-9371 Email: Lipanxu24@outlook.com