Ethan Koch Design Portfolio 2021 by Ethan Koch

ETHAN KOCH The University of Adelaide BA | 2016 - 2020 U n i v e r s i t y o f Te c h n o l o g y S y d n e y M A | 2 0 2 1 -

ETHAN 03/276 Bulwara Rd 2007, Ultimo, Sydney

KOCH Ethan.r.koch@outlook.com 0410002319

PERSONAL STATEMENT Hello, my name is Ethan. I am a 24-year-old, young designer from Adelaide, Australia. By way of introduction, I spent my childhood growing up in Singapore before moving to Adelaide, where I completed the Bachelor of Architecture at the University of Adelaide. During this time, I had the opportunity to experience the profession both locally and overseas. In 2017, I gained my first experience in professional practice through an internship at Concept Consult Architects (Lausanne, Switzerland) and more recently in 2020, I practiced at Brett Aylen Architecture (Adelaide). Collectively, these experiences developed my skills in architectural documentation, concept design and client presentation. I was also involved in site visits, team meetings and model making. At the start of 2021, I moved to Sydney to pursue a Master of Architecture at the University of Technology Sydney. Having completed the first semester, I am now seeking to expand my knowledge and experience once again in the professional environment. I am motivated by curating meaningful experiences for people through architecture. I believe architecture houses all facets of life, with people at the center of this notion, and to design in collaboration with people for people. My portfolio is a curation of selected projects from academic, professional, and personal work, which defines my approach to creating spaces and demonstrates my judgement in how I use architecture to solve design problems.

CURRICULUM VITAE SKILLS SUMMARY Rhinoceros: 3D modeling experience in conceptual and design development phases. Revit: Experience in developing projects, concept plans, documentation and refining for presenstation standard. Vray: Skilled in producing quality renders for projects of all scales. Grasshopper: Competent in grasshopper ability to generate parametric modelling, and am currently undertaking intensive grasshopper studio with Mohammed Makki - an expert in the field. Autocad: Ability to work efficiently to produce documentation from plans to construction detailing. Adobe Suite: Well versed and experienced in the use of photoshop, illustrator, indesign to generate compelling graphics for presentation delivery. Microsoft 365: Comprehensive experience in both working individually and collaboratively to produce presentations for both draft and client

EDUCATION University of Adelaide, Bachelor of Architectural Design | 2016 - 2020 University Technology of Sydney, Masters of Architecture | 2021 - ongoing RELEVANT EXPERIENCE Concept Consult Architects - Lausanne, Switzerland | October 2017 - November 2017 Initialized research and development for the design for a loft apartment in Stuttgart. Developed interior concept and presentation for Nestle warehouse project.

Brett Aylen Architects - Adelaide, Australia | January 2020 - April 2020 Closely assisted in the concept design of a house extension, contributing in client meetings and developing models and documentation in revit. Designed a interior shop fitout with a colleague, whilst developing a good relationship with the client by collaborating at each stage. Use of revit to model and present to design, to detailing final construction documents.

Personal business - AG23 Bagel House - Adelaide, Australia | March 2018 - December 2018 A personal project embarked upon alongside my sister. We quickly developed the business from market stalls to a permanent position within the span of two weeks. We were resilient and adaptive in how we transitioned to a fully funtioning stall. We made it a focus to collaborate with artists and other small local business owners to hone in on the spirit young adolescents in Adelaide.

ACHIEVEMENTS + REFERENCES Laurence T Schneider Prize in Art History | November 2019 School of Architecture and Built Environment, The University of Adelaide Awarded to the student whom achieves the highest grade in the subject of History Theory III

David Linford - Director, Concept Consult Architects Brett Aylen - Director, Brett Aylen Architecture Alan Peters - Head of School of Architecture and Built Environment, University of Adelaide Katherine Bartsch - Program Director, Bachelor of Architectural Design, University of Adelaide

TRT World. (12/10/2019). Rendezvous with multi-awarded architect Emre Arolat.(video file). Retrieved from: https://www.youtube.com/watch?v=JPu7fhlS9wo&t=13s

“Architecture is such a story, an occupation that penetrates all aspects of your life. It is in what you eat, what you drink, where you go, what you see. From your choice of movies and restaurants to the music you listen to and the clothes you wear, this world grabs you somehow and you get a position for yourself therein.” - Emre Arolat

CONTENTS ACADEMIC PROJECTS Institution of Memory for the Otherness Jakarta Superblock Exhibition: Past, Present, Future In Harmony For Harmony ALONE

TECHNICAL WORK: REVIT South Australian State Bridge 5-storey mixed use project

PROFESSIONAL PROJECTS Brett Aylen Architects: Heathpool residence Brett Aylen Architects: Hunabku

PERSONAL PROJECTS AG23 Bagel House Allen Grove Courtyard

REFERENCES

INSTITUTION OF MEMORY FOR THE OTHERNESS ACADEMIC TERM: 1A DESIGN STUDIO | 2021 PROFESSOR: AMAIA SANCHEZ-VELASCO TYPE: MIXED USE/URBAN SITE: EDINBURGH, SCOTLAND GROUP PROJECT: ETHAN KOCH, GRACE CRACKNELL, SAM LEE

3 | PART I

SITE ALLEGORY

This siter allegory constructs a critical analysis on MID CENTURY edinburgh. during the rise of capitalism, and scarcity in the landscape of edinburgh a narrative was created to thrust the otherness of society into demise by the label of witches. through methods of construction of fear such as media, the church, economic power and the landscape, women were targeted and labelled as witches and sentenced, often leading to death. This allegory allows us to convey complex ideas and concepts in comprehensible ways, and acts as a tool of reference as we develop our project.

MANIFESTO | 4

MANIFESTO The curation of the scapegoat is a methodology which upholds existing power structures. We are surrounded by infrastructures which enable this to happen. In consuming these narratives, we become complicit actors ourselves. And yet, history tends to remember tragedies through the outcome, rather than what enabled the outcome: how did murderous ideologies gain popularity and momentum? When we remember the 2000 murdered women in Edinburgh, should we not also remember those that curated their scapegoat identity and thus contributed to their death? Edinburgh Castle has long existed as a geographical and political power structure. Built upon an extinct volcano, access to the castle was only possible through a curated promenade controlled by the castle. Politically, Edinburgh Castle, inhabited by King James, was the home-base for the demonisation of women, as illustrated in James’ text, Daemonologie. This text was widely distributed across Scotland and had a cult following amongst both church and state, entangling the teachings of church and state with the construction of a scapegoat. Not only the King’s writings themselves, but complicit texts, such as Shakespeare’s Macbeth, are examples of how problematic ideologies breached the power divide between royalty to the public. Such ideologies spreading through society allowed the construction of fear and therefore control, a trickle down effect from power to people. Our proposal intends to analyse how the construction of the scapegoat occurs from the moment of conception to normalisation: how is fear constructed between media, literature, music, art, law and order right through to individual accepted norms. The Institution For The Memory of the Others invites residents to examine the archive of constructed narratives and to edit, analyse and modify such narratives and exhibit their findings at an annual festival.

5 | MANIFESTO

VERTICAL NOLLI The project invites residents to examine the archive of constructed narratives and to edit, analyse and modify such narratives. An annual festival takes place to exhibit their projects to the public. Structurally, a series of walls of been inserted into the existing site and utilises the typology of frames to mask, create curiosity, and to guide festival goers on a contemplative path of. Bridging, framing and uncovering are the spacial unravellings in which the juxtaposition of existing site and introduced urban insetions create.

PLAN AND SECTION

PROGRAM MATRIX | 6

7 | PLANS

EXPLODED AXONOMETRIC

BUILDING SECTION | 8

AXONOMETRIC DIAGRAM

9 | BUILDING SECTION

JA K A RTA

S U P E R B LO C K

ACADEMIC TERM: 1B DESIGN STUDIO 2021 PROFESSOR: MOHAMMED MAKKI TYPE: URBAN / SUSTAINABLE SITE: JAKARTA, INDONESIA GROUP PROJECT: ETHAN KOCH, KIM RICAFORT

BUILDING SECTION | 10

11 | BUILDING SECTION

SITE ANALYSIS Urban Patch Analysis Urban Patch A Urban Patch B Urban Patch C

Urban Patch A

Street Typologies

Urban Patch B

Urban Patch C

Road & Access Analysis

Entry Points

Building Typologies

100

200

Type A

Type B

Type C

Type D

Type E

Type F

Single Storey Kampung Low-income

Single Storey Kampung Middle-income

Double Storey Kampung Low-income

Double Storey Kampung Mid-income

Double Storey Kampung with Warung. Low-income

Triple Storey Kampung Low-income

300

Ecology Site Analysis Waterway Flood Risk

Urban Interaction

Greenery

BUILDING SECTION | 12

EVOLUTIONARY MATRIX

Goal To generate an urban superblock that mitigates the environmental challenges and addresses the lack of planning in informal urban settlements in Jakarta (Kampung), whilst maintaining its micro-economic culture, and social activities activated by its organic spatial formation.

Objective 01 Ensure flood resistance

Objective 02 Maintain the Kampung’s communal culture

Objective 03 Provide more communal spaces for social interaction

Objective 04 Diversify urban spatial conditions to promote better living standards

Objective 04 Improve pedestrian circulation within site

Fitness Criteria 01 Maximise water catchment towers

Fitness Criteria 02 Maximise views towards water catchment towers

Fitness Criteria 03 Minimise shaded area on ground plane

Fitness Criteria 04 Maximise open spaces on platform level

Gene Pool 01 Location of water catchment towers

Gene Pool 02 Height of buildings and platforms

Gene Pool 03 Location of platforms

Gene Pool 04 Recess of building footprints in relation to location of water catchment towers

Phenotype: 300m x 440m

Chromosomes Building Forms

Building Forms

Platforms

Water Catchment Towers

Location of water catchment towers

Height of buildings and platforms

Building Forms

Location of platforms

Building Forms

Platforms

Water Catchment Towers

Recess of building footprints in relation to location of water catchment towers

13 | BUILDING SECTION

FORM DEVELOPMENT

Defining a Site Grid

Introduction of Water Catchment Towers

Created a 30m x 30m isotrim surface

Variable amount of water catchment towers introduced within the site grid, ensuring no water catchment tower is within 60m of another.

Developed Building Footprint

Finalised Superblock

Define building footprint within the platforms and generate more open space by recessing off the catchment tower, and turning select platforms into green space.

BUILDING SECTION | 14

Shifting the Platforms

Integrating the Main Pedestrian Network

The regular isotrim surface is broken apart by allowing a gene pool to shift the platforms in the X, Y and Z axis within a tolerance.

Using the water catchment towers as nodal points of the site, a main pedestrian network is linked to these networks across the whole site.

Axonometric / Elevation 01

Axonometric / Elevation 02

Axonometric / Elevation 03

Isotrim and water catchment implementation

Move platform in X, Y, Z and define platform space

Finalised superblock

15 | BUILDING SECTION

FINAL SUPERBLOCK

Cross Sectional Perspective

BUILDING SECTION | 16

WALLACEI ANALYSIS - COMPARING OBJECTIVES

Pareto Front Solutions

Generation Size: 50 Generation Count: 100

Hierarchical (Average Linkage) - Gen: 99, Cluster: 20

Population Size: 5000 Crossover Probability: 0.9 Mutation Probability: 1/n Crossover Distribution Index: 20 Crossover Distribution Index: 20

Minimise Shaded Areas on Ground

Maximise Water Catchment Views

Maximise Water Catchment Towers

Maximise Open Space on Platforms

Simulation Run Time: 12 hours 40 minutes

EXHIBITION: PAST PRESENT FUTURE EXHIBITION: PPF

ACADEMIC TERM: 3B DESIGN STUDIO 2020 PROFESSOR: FELICITY SANDO TYPE: PUBLIC/SUSTAINABLE SITE: ADELAIDE, AUSTRALIA

19 | MANIFESTO

PPF past present future

MANIFESTO

PROBLEM [THE PROBLEM]

PPF past present future

[THE DAMAGE]

As human population rises, our urban landscape expands and densifies. In these environments, human lives and demands exacerbate climate change, and as a result, temperatures in cities, a place which by 2050 will house two thirds of the global population, will continue to rise, jeopardising our health, livability, and functionality as a civilisation. An effect caused by large expanses of urbanisation is the ‘heat island effect’ (UHI). Studies show that temperatures within the confinements of these areas are higher than those surrounding, due to heat absorbant surfaces, lack of greenery, and human density.

PPF past present future

CONCEPT An exhibition space located in the city. Temporal in its existence, yet impactful in its message the exhibition aims to: [THE SOLUTION]

PPF past present future

- Educate and inform visitors on the effects and damages which climate change and UHI has on cities, and other urbanised areas. - The physical construct of the exhibition will transport visitors to future, in which, adaptation has occured and urban greenery has integrated into the existing urban landscape, providing cooler, greener and more liveable environments. - The exhibition will also act as a ‘cool zone’ in summer. Providing visitors with a space in contrast to its surrounds, with natural materials and foliage cover.

[THE BENEFITS]

PROCESS | 20

1. scale and modularity

2. creating scaffold and joining

3. grouping bamboo for different functions

4. examining size of each module

5. use site boundaries to form scaffold volume.

21 | EXPERIENTIAL SECTION

[net] draping areas of the space with a net provides addtional shade coverage, and allows extra coverage to urban surface area, thus reducing the heat reflectancy.

PERSPECTIVE SECTION

PROBLEM

How can we create a constant fluidity built environment, i am often confront and enter another, as i move from floo nection.

[bamboo] using completely natural building materials minimises the exhibitions carbon footprint, and reduces the heat absorption during summer, providing a cooler environment.

[organic surface material] covering urban surfaces with natural soil reduces heat absorbtion and promotes positivity.

EXPERIENTIAL SECTION | 22

[bamboo scaffold] An elevated exhibition space allows circulation of ventilation, and allows heat to disperse when gathered.

y in space; viscerally and visually? I find that in the ted with a sense of collision. As i leave one room, or to floor, there is a momentary feeling of discon-

[cantilever/balcony] utilising extended floor plates to increase density of greenery.

[plant box] scattered throughout scaffold to provide shade, increase bio-diversity and increase transpirational cooling.

23 | DETAIL

PLAN

SECTION

ATMOSPHERE

DETAIL | 24

IN HARMONY FOR HARMONY ACADEMIC TERM: 3A REPRESENTATION PROFESSOR: ENZO FERRARO TYPE: PUBLIC SPACE / LANDSCAPE SITE: ADELAIDE, AUSTRALIA

27 | WATERLOO LEGACY PROJECT

MANIFESTO PROBLEM How can we create a constant fluidity in space; viscerally and visually? I find that in the built environment, i am often confronted with a sense of collision. As i leave one room, and enter another, as i move from floor to floor, there is a momentary feeling of disconnection.

SOLUTION In Harmony for Harmony, is a pursuit for connectivity. By first splitting, and then shifting floorplates into varying elevations, we can connect spaces from above and below to create a more interconnected environment. In doing so, a new type of space emerges: pathways. The pathways which have been created to now connect floorplate to floorplate, hones in on the idea of connectiveness, whilst also functioning as dilineators and places to dwell.

Selected form

WATERLOO LEGACY PROJECT | 28

PROGRAM DEVELOPMENT

Fringe Works + Club

Other Finance Production

C HARMONY L L A B O R A T FLU I DITY O N

Program Operations

Marketing

Ticketing + Digital

DISSONANCE SOLITARY

People + Cultures

DIVIDED

DISSONANCE DISSONANCE SOLITARY SOLITARY DIVIDEDDIVIDED

C C H A R MHOANRYM O N Y L L L L A A B B O O R R A A T T F L U I DF ILTUY I D I T Y O O N N

The problem and current status of todays workplace office space is a limiting box. Operating within a single floor and ceiling, people are confined to a restrictive space, that seperates people from one another. Working in a collaborative manner, in which conversations, energy and interaction are the basis for results, we can start to curate solutions with a vast range of perspective.

29 | WATERLOO LEGACY PROJECT

Working on a digital platform is alluring, and whilst posseses its benefits, also, beholds limitations, which in the field of Architecture and design, a balance of both is necessary to achieve the most authentic results. Physical touch, and the use of senses allows an individual to analysis and explore in a way which digitally cannot be replicated. This lead us to our next step, of beginning the task of modelling our newly developed form.

WATERLOO LEGACY PROJECT | 30

MODEL MAKING

6 2

11 9

7 10 17

13 12

18 13 5

31 | WATERLOO LEGACY PROJECT

WATERLOO LEGACY PROJECT | 32

GRASSHOPPER FACADE DESIGN

Attractor Mapping

Surface Projection

Surface alteration

Layered Projection

GRASSHOPPER DEFINITIONS TO DESIGN

33 | PROCESS

SHADOW PROJECTION

ATMOSPHERIC RENDER

PROCESS | 34

ACADEMIC TERM: 3A DESIGN STUDIO 2020 PROFESSOR: MIRAI MORITA TYPE: MIXED USE/RESIDENTIAL SITE: ADELAIDE, AUSTRALIA

37 | INTRODUCTION

ARTISTIC SITE IMPRESSION

STRATEGY | 38

MANIFESTO [ALONE], explores the ideology that, who we are when surrounded by people and who we are in our own company are different versiosn of ourselves. Our unique traits and interests that defines who we are is often subdued when in the eye of society. To those who seek, that ‘true self’, will find [ALONE] the concas they need to become who they really are. To turn the notion of being alone into one of celebration and happiness.

39 | SECTION

The progran of [ALONE] is divided into two categories. Defined by a modular and non mudlar form which is then integrated into each other. The spacial qualities of the modular form creates residential spaces, only to be occupied by one person at all times. Architecturally, the interior space is bare. Where you choose to sleep is not defined by a bedroom, where you choose to eat is not defined by a dinner table. The purpose being that, over time, an individuals character and mannerisms will forge its own spacial layout within. One purely unique to them. The non modular form, houses a cemetery. With the purpose of the program encompassing the idea of loneliness, and being alone, a cemetery is a simple space, much like the that of the given apartment space, and much like the dynamics of the residents, are alone at all times.

SECTION | 40

PLANS

41 | RENDERS

PROJECT RENDERS

RENDERS | 42

43 | RENDERS

TECHNICAL WORK: REVIT

RENDERS | 44

RENDERS D3 45 |CONSTRUCTION III

3D View 2

REVIT: STRUCTURAL REPRESENTATION AND DETAILING

ORT. FALL

ET TTER

FALL

ER, FIXED FING

OUND, RE.

ING

TO D TO

SECTION B - D4 1:5

SPRINKLER SYSTEM.

PLAN VIEW

FIRE PIPE, DISTRIBUTING WATER TO SPRINKLERS.

1 : 100

WEST ELEVATION

1 : 100

T. 1 A102

GALVANISED STEEL BALUSTRADE. FIXED TO OUTRIGGER (REFER D)

STUDENT NO.

a1690463

DATE:

405

ONSTRUCTION III 2019

5780 PROJECT TITLE Assignment 6002B

4580

600

9/05/2019 7:51:20 PM 1:5

SCALE:

DRAWING TITLE

Details 3,4 and Exploded view

DRAWING NUMBER

A104

A103

12394 U:\CONSTRUCTION 4\2B.rvt

405 1830

1830

20 11994 30

1830

1740

400 80

699

100mm

RL 8481

WOODEN FLOOR FINISH.

FCL 2

250X250 SHS COLUMN, FIXED TO GROUND, SUPPORTING ROOFING STRUCTURE.

10890

11994

7650

3 FFL

GLASS PANELS FIXED TO BALUSTRADE.

3560 FCL 1

2856

A103

UNDERLAYING STRUCTURAL SYSTEM.

400X400 SHS COLUMN, FIXED TO GROUND, SUPPORTING 310 UB.

699

GFL

0 250X250 SHS COLUMN, FIXED TO GROUND, SUPPORTING ROOFING STRUCTURE. GLASS PANEL, FIXED TO BALUSTRADE. 400X400 SHS COLUMN, FIXED TO GROUND, SUPPORTING FLOOR STRUCTURE AND 310UB.

33 PROJECT TITLE Assignment 2B

DRAWING TITLE

Plan View and West Elevation

1 : 20

1:5

RENDERS | 46

8481 LYSAGHT KLIP LOK CLASSIC ROOF SHEET, FIXED TO PURLINS. WOODEN FLOOR FINISH.

COLD ROLLED SUPA PURLINS, BRACKET FIXED TO RAFTERS, TO SUPPORT ROOF SHEET AND BOX GUTTER.

FCL 2 7650

400X400 SHS COLUMN, FIXED TO GROUND, BEARING FLOORING SYSTEM.

20X40 WOODEN BATTENS. 20mm STRUCTAFLOOR. FIXED TO BEARER/JOIST SYSTEM. 100X50 COLD ROLLED FLOOR JOIST, BRACKET FIXED TO BEARER.

GLASS PANEL, FIXED TO BALUSTRADE VIA SPIDER CLIP.

200X50 COLD ROLLED FLOOR BEARER FIXED TO 310 UB.

310 UB, WIELDED TO SHS COLUMN TO SUPPORT FLOORING SYSTEM AND GLASS PANELS.

GALVANISED STEEl RAILING, FIXED TO OUTRIGGER, TO SUPPORT GLASS PANELS.

400x400mm SHS COLUMN, FIXED TO FOOTINGS. FLOORING LAYERS AS DETAILED IN (SECTION A - D1).

SUSPENSION ROD.

FFL

100X50 COLD ROLLED FLOOR JOIST, BRACKET FIXED TO BEARERS.

3560

200X50 COLD ROLLED FLOOR BEARER FIXED TO 310 UB, SUPPORTING FLOORING SYSTEM.

A102

FCL 1

310UB WIELDED TO SHS COLUMN, BEARING SUPPORTING FLOOR JOIST AND BEARER, STRUCTURAL SYSTEM.

2856

SECTION B

RONDO KEYLOCK SUSPENDED CEILING AS DETAILED IN (SECTION A - D1).

SUSPENSION CLIP, FIXING SUSPENSION ROD TO TOP CROSS RAIL.

4mm ALUCOBOND ALUMINIUM PANEL, CONCEALED INTERLOCKED INTO FURRING CHANEL.

129 FURRING CHANEL LOCKED TO TOP CROSS RAIL.

1 : 20

PLENUM BOX DISTRIBUTING AIR, RECEIVED FROM AIR HANDLING UNIT.

1 2 CONSTRUCTION III 2019 A104

RL 8481

FCL 2 7650

A104

BOX GUTTER AS DETAILED IN (SECTION B - D3

PROJECT TITLE Assignment 2B

a1690463 LYSAGHT KLIP LOK CLASSIC 7:50:25 ROOF 9/05/2019 SHEET FIXED TOPM PURLINS. As indicated

STUDENT NO. DATE: SCALE:

ALUMINIUM GLASS FRAME. COLD ROLLED SUPAPURLIN BRACKET FIXEDTO RAFTER, TO SUPPORT ROOF SHEET. 100X50 COLD ROLLED RAFTER BRACKET FIXED TO SHS COLUMN, TO SUPPORT ROOF STRUCTURE.

GALVANISED STEEL BALUSTRADE BOLTED TO OUTRIGGER, TO HELP SUPPORT GLASS PANELS.

FLOOR LAYERS AS DETAILED IN (SECTION B-D2).

3560 2 A103

FCL 1 2856

STRUCTURAL STEEL ENDPLATE, FIXING BALUSTRADE TO OUTRIGGER. STRUCTURAL STEEL OUTRIGGER, WIELDED TO 310UB, SUPPORTING BALUSTRADE AND GLASS PANELS.

310 UB WIELDED TO SHS COLUMNS, TO SUPPORT FLOORING SYSTEM. BEYOND - 400X400 SHS COLUMN, SUPPORTING 310UB AND FLOORING SYSTEM.

1:5

DRAWING TITLE

GALVANISED STEEL BALUSTRADE, FIXED TOAOUTRIGGER Section and Detail 1 AND GLASS PANEL.

A102 PANEL FIXED TO BALUSTRADE, DRAWING NUMBER GLASS SUPPORTED BY OUTRIGGER.

U:\CONSTRUCTION 4\2B.rvt

FLOOR LAYERS AS DETAILED

200X50 COLD ROLLED FLOOR BEARER SUPPORTED BY UB.

GLASS PANEL FIXED TO BALSUTRADE VIA SPIDER CLIP. SERVICE'S AS DETAILED IN (SECTION B - D4).

FFL

SECTION B - D2

127 TOP CROSS RAIL. CLIPPED ONTO SUSPENSION CLIP.

RONDO KEYLOCK SUSPENDED CEILING AS DETAILED IN, (SECTION B-D2).

STRUCTURAL STEEL ENDPLATE, BRACKET FIXED TO OUTRIGGER, SUPPORTING BALUSTRADE AND GLASS PANEL.

SPIDER CLIP FIXING GLASS PANEL TO BALUSTRADE. BOLT FIXING BALUSTRADE TO ENDPLATE. BRACKET FIXING OUTRIGGER TO ENDPLATE. STRUCTURAL STEEL OUTRIGGER WIELDED TO 310UB, SUPPORTING BALUSTRADE AND GLASS PANEL.

SUSPENSION CLIP, FIXING SUSPENSION ROD TO TOP CROSS RAIL. 129 FURRING CHANEL, FIXED TO TOP CROSS RAIL, SUPPORTING ALUMINIUM PANEL. 127 TOP CROSS RAIL, CLIPPED ONTO SUSPENSION CLIP. ALUCOBOND 4mm ALUMINIUM PANEL. CONCEALED INTERLOCKED INTO FURRING CHANEL.

47 | RENDERS

CONSTRUCTION III REVIT: SYSTEMS AND ANALYSIS

EAST ELEVATION

LVL 2 - FLOOR LAYOUT

1 : 200

1 : 200 1 A119

ROOF 20000 Level 5

Egress provision, fire escape within 6m of both apartment exits.

16000

Level 4 12000 Level 3 8000

Room Legend

Level 2 4000

Apartment 1

Ground floor level

Apartment 2

bedroom

Basement

Corridor

-4000

Fire escape shaft Retail wc

HVAC SYSTEM DIAGRAM Plant room, deliberately placed above shaft for all risers.

Supply diffuser ducted to FCU, to supply cool air.

Each apartment equipped with its own FCU, and pipe connected to its own condenser in plant room (lvl5). Return grille in apartment spaces unducted. Provides air into sealed ceiling. Ceiling used as plenum box for fresh air. Return grille supplying fresh air to FCU, to ensure air ventilation. * Return grille and ducts only used within, public/communal spaces.

STRUCTURAL FRAME DIAGRAM

Room Schedule Name Retail Apartment 2 wc bedroom bedroom Apartment 1 bedroom wc wc bedroom bedroom Corridor Fire escape shaft

Number

Area

8 13

80 m² 125 m²

Level 2 Level 2

14 15 16 17

11 m² 21 m² 24 m² 150 m²

Level 2 Level 2 Level 2 Level 2

18 19 20 21 22 35 36

32 m² 12 m² 9 m² 21 m² 15 m² 33 m² 41 m²

Level 2 Level 2 Level 2 Level 2 Level 2 Level 2 Level 2

LVL2 - STRUCTURAL DIAGRAM

300x300 structural concrete column. Fixed to footing, assisting structural beams to transfer load from the slabs to the ground. 310UB fixed to columns or sheer wall to support concrete slab flooring system.

Concrete sheer wall, supporting structutral beams. also increases the fire safety of building.

RENDERS | 48

GFL - CEILING PLAN / STRUCTURAL LAYOUT 1 : 100 2

Sewage/grey water riser connected to city sewage system on basement level.

300x300 Structural concrete column, fixed to basement floor slab, to support structural beams.

A119

Curtain wall system, Fixed to concrete square column.

150mm interior partition wall seperating retail spaces.

Downlight connected to the retail space distribution board.

Sprinkler system, connected to cold water pipes, supplied from main water supply.

Cold water pipe, connected to main water supply. Hot water pipe connected to hot water unit in plant room.

FCU unit piped to condenser, feeding regulated air into space below.

1 A119

Level

Return grille supplying fresh air to FCU, to maintain air circulation within retail space.

Fire escape stair well shaft, with fire escape exit onto open alley way.

Supply diffuser, ducted to FCU, supplying regulated air to below space.

Elevator shaft.

Riser shaft from ground floor to plant room on level 5, providing all floor levels with connection to all hydraulic and mechanical services.

Fire booster cabinet connected to main water supply.

300mm structural concrete sheer wall, fixed to footing, to provide stability for structural steel beams. Fire indicator panel, connected to smoke detectors.

GFL distribution board, connected to main DB, to regulate electricity, for all spaces on this level. Distribution board, connected to floor level DB, to regulate electricity within room space.

Sewage/grey water riser, connected to city sewage system in basement level.

LEGEND

Return grille Supply diffuser

Downlight 300 x 300 structural concrete column 450mm structural round concrete column Sprinkler 300mm concrete sheer wall / fire wall Fire equipment and safety

Electrical equipment Cold water pipe

LEGEND

Hot water pipe

300mm concrete sheer wall / fire wall Structural columns

Structural beams

LEGEND 1 : 100

LEGEND -DIAGRAM 1 : 100

36 DATE:

10/06/2019

49 | RENDERS

CONSTRUCTION III REVIT: SECTIONS AND DETAILS

SECTION A

1 : 100

A119

ROOF 20000

P a a

Level 5 16000

F 3 w st

Level 4

g re

12000

Level 3 8000

Level 2 4000

C in

4 A119

Ground floor level 0

B A w to b

Basement -4000

SECTION A - D1

1 : 20 Curtain wall system. framed to concrete slabs, and acting as main source of light for apartments. Aluminium window frame, as detailed in (section A - D2). 450mm structural column, fixed to footing. Supporting structural beams and helping transfer load from the beam to the ground.

150mm reinforced concrete slab, moulded into metal deck. 50mm metal deck, forming concrete slab, fixed to 310UB. as well as distributing load into beams. 310UB bolted to column, to support concrete slab. Cast in plate, weilded to bracket to fix column to UB. Suspension rod. Suspension cip, fixed to top cross rail.

5 A119

10mm plasterboard fixed to furring chanel. 129 furring chanel, clipped into top cross rail, supporting 10mm plasterboard. 127 top cross rail clipped into furring chanel.

RENDERS | 50

SECTION B 1 : 100

1 A119

Plant room, with 10 condensers, a hot water unit for whole building, and direct access to riser shaft.

Fire escape shaft, built with 300mm concrete fire walls. which also provide structural support for tuctural beam and slabs.

garbage shoot for building esidents.

Void space in apartment 3.

Elevator shaft. Sealed ceiling used as plenum for fresh air in all apartments. Services within ceiling space, as detailed in (west callout - 1)

3 A119

Ceiling services as detailed n (west callout - 1) Masonry feature wall dividing retail spaces on GFL.

Basement level, with parking space. Also home to main switch board, which is connected to the street, o regulate power coming into the building.

SECTION A - D2

SECTION B - D1

1:5

1 : 20

Double glazed curtain wall system.

100x50 aluminium glass frame. 150mm reinforced concrete slab, moulded ino metal deck, and suported by 310UB.

Sub frame seal. Setting block.

50mm metal deck, forming concrete slab, fixed to 310UB. as well as distributing load into beams.

Rod fixed to slab, supporting fire pipe.

R2.5 batt insulation.

40mm firepipe, connected to main water supply. Supported by rod fixed to slab.

10mm plasterboard, fixed to 90mm steel stud.

Structural concrete column (beyond). 310 UB fixed to structural column, supporting concrete floor slab.

310UB fixed to column, to support concrete slab. Concrete slab with metal decking as detalied in (section A - D1).

Steel stud track.

Suspension rod, fixed to slab, suspending rondo keylock system. As detailed in 150mm air supply ducts. transferring cool air to space below.

Cast in plate. Bolt, fixing bracket to UB. bracket weilded to cast in plate, joining UB to sheer wall.

310 UB fixed to sheer wall and structural column, supporting concrete slab.

152mm recessed downlight, directly linked to retail space's distribution board. Supply diffuser, distributing cool air from the FCU into space below.

Return grille, supplying via ducts, fresh air back to the FCU, for fresh air circulation.

Sprinkler connected to fire pipe.

Ducts, connecting FCU to return grille.

300mm sheer wall, fixed to footing, supporting structural beams, and slabs.

38 10/06/2019

51 | RENDERS

INTERNSHIP | BRETT AYLEN ARCHITECTURE FLOORPLAN 1:50 DRAWINGS *with furniture REVIT: CONSTRUCTION

FLOOR PLAN WITH FURNITURE

13164 140 200

2839

100

2000

100

4000

100

3615

200

4352

1044

220

100

4660

3060

2845

980

200

1500

A0.13

200 70

1360

435

BRETT AYLEN ARCHITECTURE

140

17 Beulah Rd Norwood SA 5067 m | 0423 151 093 e | info@brettaylen.com.au w | www.brettaylen.com.au Client Name

HUNABKU Project Address

18 EBENEZER PLACE, ADELAIDE Sheet Name

FLOOR PLAN with furniture Project Number

1915

Date

02/13/20

CONCEPT DESIGN FLOORPLAN 1:50

Sheet Number

Revision

A0.9

FLOORPLAN 2 WITHOUT FURNITURE

IP POINT 13164 2839

100

2000

100

4000

100

3615

200

200140 70

BENCH

1044

220

100

5060

3060

2848

200170

1330

980

1 A0.13

200 70

1360

435

1044

EXISTING JOINERY

BRETT AYLEN ARCHITECTURE

SWITCHBOARD CAVITY

EXISTING WALLS

17 Beulah Rd Norwood SA 5067 m | 0423 151 093 e | info@brettaylen.com.au w | www.brettaylen.com.au

PARTITION WALL 70mm STUD (NOMINAL)

NEW CONSTRUCTION

Client Name

140

HUNABKU Project Address

140mm CAVITY FOR DRAINAGE PIPE CONNECTED TO IP POINT

18 EBENEZER PLACE, ADELAIDE Sheet Name

Floorplan 2 Project Number

1915

Date

9/03.2020

CONCEPT DESIGN Sheet Number

A0.10

Revision

RENDERS | 52 CEILING PLAN 1:50

CEILING PLAN

NEW SUPPLY GRILL

DOWNLIGHTS

A0.13

NEW RETURN AIR GRILL EXISTING RETURN AIR GRILL

EXISTING RETURN AIR GRILL

BRETT AYLEN ARCHITECTURE

EXISTING WALLS

17 Beulah Rd Norwood SA 5067 m | 0423 151 093 e | info@brettaylen.com.au w | www.brettaylen.com.au

INTERIOR PARTITION AT 2500mm

Client Name

INTERIOR PARTITION AT CEILING HEIGHT (3030mm)

HUNABKU Project Address

18 EBENEZER PLACE, ADELAIDE Sheet Name

Ceiling plan Project Number

1915

Date

02/14/20

CONCEPT DESIGN

SECTION 1:50 *without furniture

Sheet Number

Revision

A0.11

SECTION A

EXISTING RETURN AIR GRILL

NOMINAL - CONFIRM ON SITE

NEW SUPPLY GRILL CONC SLAB 3430 CEILING HEIGHT 3030 JOINERY HEIGHT 2500

GFL 0

NEW RETURN AIR GRILL HAND BAISIN

PARTITION WALL 70mm STUD (NOMINAL) 140mm CAVITY FOR DRAINAGE PIPE BRETT AYLEN ARCHITECTURE 17 Beulah Rd Norwood SA 5067 m | 0423 151 093 e | info@brettaylen.com.au w | www.brettaylen.com.au Client Name

HUNABKU Project Address

18 EBENEZER PLACE, ADELAIDE Sheet Name

Sections Project Number

1915

Date

03/09/20

CONCEPT DESIGN Sheet Number

A0.13

Revision

PROFESSIONAL PROJECTS

55 | RENDERS

INTERNSHIP | BRETT AYLEN ARCHITECTURE HEATHPOOL RESIDENCE Extension + Renovation

PERSPECTIVE VIEWS

CONDITION

SOLUTION

A family of four. 2 boys a mother and a father, are looking to extend and renovate their house in heathpool. The client has expressed their interest in adding a fourth bedroom, a study area, and a more generous living space overall.

The importance of introducing natural light is prominent in the areas of change. A pitched roof, to allow light in from the North generates a higher ceiling level, as well as enriches the living space. A glass atrium at the back, acts as a point of entry and depature for the family, and large glazed windows which frames a new courtyard to on the west side of the house, connects multiple areas of the house together.

NORTH EAST

NORTH WEST

SOUTH EAST

| Original document size is A3 | Do not scale from drawing | Confirm all dimensions on site | Inform Architect if there are conflicts between details | Ensure any alterations to the documents are in writing before proceeding |

Section 1 1 : 100

RENDERS | 56

18056

200

4899

100

FLOORPLAN CONCEPT 1:100

5339

3961

100

4933

200

1731

3729 1906

1906

VERANDAH

BEDROOM 3

BEDROOM 2

4896

4009

BACK ATRIUM

100

200

LOUNGE

HALLWAY

OUTDOOR LIVING

Revision Description

MASTER BEDROOM

BATHROOM

150

17 Beulah Rd Norwood SA 5067 m | 0423 151 093 e | info@brettaylen.com.au w | www.brettaylen.com.au

11298

200

Project Name

HOME EXTENSION

DINING

FRONT ATRIUM

PRIVATE PATIO

LAUNDRY

ENSUITE

2724

1885

ENTRANCE

Brett Aylen Architecture

2481

Date Revision Description

Revision Description

100

4445

Rev# Date

Date

1595

LIVING

BEDROOM 1

Rev#

100 1061 100

107

9848

VERANDAH

200

PERSPECTIVE VIEWS

Client Name

100

TANYA & STUART BOAST

Project Address

STUDY 2589

2289

20 Stannington Ave, Heathpool SA 5068

2103

e | info@brettaylen.com.au

132

4724

100 1062 100

1720

103

6803

200

3196

11811

Project Name

HOME EXTENSION

Project Address

20 Stannington Ave, Heathpool Client Name SA 5068 TANYA & STUART BOAST Sheet Name

Project Address PERSPECTIVE

Project Number

20 Stannington Ave, Heathpool SA 5068 Date

2 APRIL 2020

Sheet Name

PERSPECTIVE BA

Drawn

Checked

Sheet Size

Project Number

Sheet Number

Rev

Date

2 APRIL 2020

A5.1EKA3 CD-04BA Drawn

Sheet Size

Checked

Rev

A1.4 CD-04

Rev#

Date

Revision Description

| Original document size is A3 | Do not scale from drawing | Confirm all dimensions on site | Inform Architect if there are conflicts b

Brett Aylen Architecture

Project Name

HOME EXTENSION Client Name

TANYA & STUART BOAST

Project Address

20 Stannington Ave, Heathpool SA 5068

Scale

CONCEPT DESIGN Sheet Number

1 : 100

17 Beulah Rd Norwood SA 5067 m | 0423 151 093 e | info@brettaylen.com.au w | www.brettaylen.com.au

Scale

CONCEPT 1923DESIGN

Scale

CONCEPT DESIGN Sheet Number

TANYA & STUART BOAST

2 APRIL 2020

Checked

Sheet Size

5852

Date

5250

1923

1923 EK

29247

Client Name

FP - CONCEPT

Drawn

w | www.brettaylen.com.au HOME EXTENSION 3138

Sheet Name

Project Number

200

Project Name

4297

OPEN SHELVES

PANTRY / STUDY

200

2654

1051

Brett Aylen Architecture

17 Beulah Rd Norwood SA 5067 m | 0423 151 093 SIDE ENTRANCE 17 Beulah Rd Norwood SA 5067 e | info@brettaylen.com.au w | www.brettaylen.com.au m | 0423 151 093

KITCHEN

COURTYARD

A3.0

200

Brett Aylen Architecture

Rev

A5.0 CD-04

Sheet Name

PERSPECTIVE Project Number

1923 Drawn

Date

2 APRIL 2020

Checked

Sheet Size

Scale

CONCEPT DESIGN Sheet Number

Rev

A5.1 CD-04 42

57 | PROFESSIONAL WORKS

INTERNSHIP | BRETT AYLEN ARCHITECTURE HUNABKU

CONDITION

SOLUTION

Our client, Joy, approached us with the goal of transforming a former clothing retail shop into one which accomodated her expanding business - Hunabku. Hunabku offered people spiritual teachings in yoga, services in energy massages, and conducted talks on the topic of death for the elderly. Her requirements were an open space to have small gathering which doubled as a space to conduct small yoga lessons and

Operating in a very narrow space, along with the necessityt of privacy we proposed a secondary shopfront which allows privacy for the activities in the back, but to also act as a space to prepare for the spiritual engagement which lie beyond. We utilised an existing storage and bathroom to fixate the massage therapy space, and openend up the middle of the space for activities on a

to have two consultation rooms.

larger scale.

concept 1 render

PROFESSIONAL WORKS | 58

concept 1 plan

concept 1

concept 2

59 | PROFESSIONAL WORKS

P E R S O N A L

P R O J E C T S

PROFESSIONAL WORKS | 60

61 | PROFESSIONAL WORKS

AG23 BAGEL HOUSE | my biggest design Operated: 16/3/18 - 12/12/18 VISION STATEMENT ‘Created by the vision of providing quality hand rolled bagels with proper fillings to the masses, whilst cultivated by their passion for food and experience, two siblings bring to life AG23 bagel house. ‘

PHILOSOPHY AG23 bagel house, was an idea which i thought of whilst travelling in Europe. It was a time, when i realised the opportunities which living in a city such as Adelaide provided. When my passion for food and experience joined my curiosity in design, my sister and i decided to open up a place which resonated youth culture, embodied who we were as individuals, and all in the form of bagels. What we soon discovered, whilst developing our brand, is that everything is about the PEOPLE. AG23 bagel house, set out to be a brand that embodies this notion, and every decision we made, was reflective of our morals, and fine tuned to that of our followers and supporters.

LOGO DESIGN -

In collaboration with Sascha Tan

PROFESSIONAL WORKS | 62

Midnight hustle in collaboration with ANGVS

63 | PROFESSIONAL WORKS

COURTYARD RENOVATION During the summer of 2020, my father and i set upon a project to renovate our courtyard. It is an integral component of the house as it is located centrally and provides connectivity for the staircase, living room and front lounge. The design was simple - we wanted to create a space with qualities which felt distant from the rest of the house, and for it to provide an open function based on temporality. A strong focus was set on using as many recyled materials as possible, and with the space intended to be a blank canvas we wanted to opt for contrasting materials to the surrounds, whilst selecting materials with character and texture. The bricks have retained a rich patina, whilst the besser blocks contrast the smooth wooden floorboards as one crosses into the courtyard space. The bench is a recycled piece of lightweight concrete which we took from a nearby construction site, and is now a bench, table top and plant hoarder.

PROFESSIONAL WORKS | 64

65 | PROFESSIONAL WORKS

PROFESSIONAL WORKS | 66

67 | PROFESSIONAL WORKS

PROFESSIONAL WORKS | 68

19 June 2020

Letter of reference for Ethan Koch To whom it may concern I am writing this reference at the request of Ethan Koch who worked for me at Brett Aylen Architecture for 3 months between January and April 2020. Ethan has a number of strengths I’d like to share. He has exceptional design skills. For example when I asked him to do some concept designs for a house extension he created an alfresco space with built in furniture around a tree and a circular opening in the roof above. The clients loved it. Ethan is also a fast learner; he improved his Revit software proficiency quickly. I found Ethan very mature in his approach to architecture; not just in design but also in his ability to communicate ideas direct to clients. While working for me Ethan worked on a new home, a home extension and a shop fitout. He demonstrated good design skills, good time management and good communication skills on all projects. For the shop fitout in particular he was a very important part of the team that was made up of architect, interior designer, builder and client. The end result is fantastic with a very happy client. In conclusion, I would highly recommend Ethan for any study or work applications he makes in future. I wish him the best of luck in his architecture career. If you need any additional information, feel free to contact me anytime. Kind regards, Brett Aylen

Architect

Page | 1

Brett Aylen Architecture Architectural Practice Board of SA Registration Number 2893 ABN 95 976 943 704

17 Beulah Rd Norwood SA 5067 Mobile number : 0423 151 093 Email : info@brettaylen.com.au Web : www.brettaylen.com.au

69 | PROFESSIONAL WORKS

27th September 2020 To Whom It May Concern, RE:

Reference for Mr Ethan Koch

I am writing to you regarding the academic performance of Mr Ethan Koch. Ethan is currently completing the Bachelor of Architectural Design at the University of Adelaide, Australia. I am the Program Director of this Degree and I have known Ethan since 2016. I taught Ethan in several courses including Design Studio I, Environment I and History Theory II. Ethan is a creative, enthusiastic, highly motivated student who is passionate about architecture. His academic performance has gone from strength to strength and this is demonstrated in his academic transcript. This transcript provides evidence of Ethan’s well-rounded abilities ranging from technical work to creative design exercises and critical thinking demonstrated in Design Studio (the backbone of our Program). His latest studio work is of a very high calibre. Ethan has demonstrated his ability to complete tasks of a high quality in all areas of the curriculum. He always demonstrates his ability to think laterally and he has excellent problem solving skills. Notably, Ethan has always demonstrated a very professional attitude to his work. He has strong organisational skills and he completes his work in a timely manner. Ethan has developed skills in different software programs to demonstrate his design ideas. He has software and production skills in, not least, Rhino, Revit, Photoshop, InDesign and AutoCAD. These skills were enhanced by Ethan’s experience abroad in 2017. During this period, Ethan travelled and gained work experience with the multi-lingual firm Concept Consult Architecture in Lausanne, Switzerland. To quote Director, David Linford, “during our brief and fruitful collaboration Mr Koch assumed to our entire satisfaction his role and position as a responsible student architect passionate about Architecture and the built environment as well as a great curiosity to learn more about all aspects of the Architectural profession.” Ethan’s mature, professional attitude and his design skills were also highlighted by Brett Aylen; Ethan worked with Brett Aylen Architecture for 3 months in early 2020. In addition, Ethan’s business acumen is demonstrated in his innovative enterprise AG23 Bagel House which was also inspired by his travels. Ethan is keenly focused on a professional career in architecture. Given his considerable technical skills, his design excellence, his passionate attitude and his strong work ethic, I am confident that Ethan will make a tremendous contribution to the profession of architecture. Ethan is a global citizen who will thrive during the next stage of his academic training and I wish him all the best for his future studies. If you have any questions regarding Ethan’s character or achievements, please do not hesitate to contact me at the email address provided below. Sincerely,

Dr Katharine Bartsch

Affiliate RAIA Associate Head of School Program Director, Bachelor of Architectural Design School of Architecture and Built Environment University of Adelaide School of Architecture and Built Environment / Faculty of Professions The University of Adelaide SA 5005 AUSTRALIA Tel: +61 8 8313 2305 Email: katharine.bartsch@adelaide.edu.au www.adelaide.edu.au CRICOS provider number 00123M

PROFESSIONAL WORKS | 70

SCHOOL OF ARCHITECTURE AND BUILT ENVIRONMENT PROF. ALAN PETERS HEAD OF SCHOOL The UNIVERSITY OF ADELAIDE ADELAIDE, AUSTRALIA 5005

Monday, 21 September 2020

TELEPHONE 618 8313 4592 alan.peters@adelaide.edu.au CRICOS Provider Number 00123M

To whom it may concern: Reference for Ethan Koch Ethan Koch has been a student in our undergraduate architectural design degree and will complete that degree at the end of this year. He has been a good student whom I recommend wholeheartedly. Ethan is an interesting man with a diverse background. In order to find his true calling, in the middle of his degree he took a semester off to travel in Europe. As part of that he did a summer internship in Lausanne Switzerland for Concept Consult Architects. Recently he had a paid internship in Adelaide with Brett Aylen Architecture. Both firms appear to be greatly impressed by Ethan’s work ethic, ability and character. Ethan came back from Europe visibly more motivated in his degree, evidenced by his winning the T. Schneider prize in Art and History Since returning he has started his own small business, a bagel house in the revitalized market of one of Adelaide’s rapidly changing suburbs. He is clearly a person with a desire to make a difference but in a designerly way. Ethan is an interesting student with diverse but complementary talents. I recommend him strongly. Yours truly,

Professor Alan Peters, Head of School (SABE)

THANKYOU FOR YOUR TIME

ETHAN.R.KOCH@OUTLOOK.COM