KOLA OFOMAN SELECTED WORK | 2016 - 2018
YALE SCHOOL OF ARCHITECTURE
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Kola Ofoman
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CONTENTS 4
URBAN TRIANGLES Brooklyn, NY
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BRONX MARKET Bronx, NY
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MARINE BIOLOGY LABORATORY Guanacaste, Costa Rica
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SEED VAULT New Haven, CT
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BUSHWICK LIBRARY Brooklyn, NY
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COHABITATION Siteless
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NEW HAVEN HOUSE New Haven, CT
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THE HILL HOUSE New Haven, CT
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ELECTIVES Custom Crafted Components - Kevin Rotheroe Formal Analysis - Peter Eisenman Visualisation
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Kola Ofoman
Spring 2018
URBAN TRIANGLES TRANSPORT NODES | PEDESTRIAN PLAZAS | COMMUTER SERVICES
In response to the impending shutdown of the NYC L train line, we tackeled the issues of accessibility and pedestrian experience in the city.The project involved recapturing underutilized space within the existing urban fabric as a method of empowering communities to build stronger local networks while increasing their access to the greater metropolitan area. Through a mission of inclusivity and connectivity, the New York City Department of Triangles aims to provide a new model for accessible and efficient transportation. While increasing public access to necessary utilities and facilities, the project reclaims underused spaces for communities in need while confronting dangerous pedestrian intersections to create a safer and more comprehensive system for navigating and enjoying New York City. Working concurrently with two existing New York City initiatives, the MTA Select Bus Service and the Pedestrian Plaza Program, the Triangle project conducted a feasibility study of the triangular lots throughout the city and proposes the use of these spaces as new nodes for a pedestrian oriented rapid bus service.
Critic: Rosalyn Shieh Team: Millie Yoshida, Ryan Hughes
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Urban Triangles Brooklyn, NY
Current Transit Conditions
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Kola Ofoman
Spring 2018
N Q R W L 4 5 6
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Current Transit Conditions
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Urban Triangles Brooklyn, NY
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Kola Ofoman
Spring 2018
Triangles with urban street context and transit context.
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Urban Triangles Brooklyn, NY
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Spring 2018
ON LY
Kola Ofoman
ONLY
PALMETTO ST
BUS
WYCKOFF AVE
Street - Myrtle Wyckoff Plaza
NEW UTR ECHT AV
ST
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AV
39 TH
Triangle - Heffernan Park AVE GRAND
X-ING
SCHO OL
FULTO N ST
Triangle and Street - Putnam Triangle
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Urban Triangles Brooklyn, NY
Railways and Stations
Major/Minor Roads
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Kola Ofoman
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Spring 2018
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Urban Triangles Brooklyn, NY
Plaza Catalog a. Fulton St / Dekalb St. b. Fulton St / Lafayette St. c. Flatbus Ave / Gold St. d. Lewis St / Fulton St e. St. Felix St / Fulton St f. Atlantic Ave / Flatbush g. Greene Ave / Fulton St h. Gates Ave / Fulton St i. Underhill Ave / Pacific St j. Fulton St / Franklin Ave k. Myrtle Ave / Knickerbocker Ave l. East New York Ave / Union Ave m. Rockaway Ave / Livonia Ave n. Fulton St / Williams Ave o. Fort Hamilton Parkway / 45th St p. McDonald Ave / 20th St q. Lynch St / Wallabout St r. Nostrand Ave / Quentin Rd s. Flatbush Ave / E. 53rd St t. East New York Ave / Utica Ave u. Amersfiort Pl / E. 27th St
Criteria
High Traffic Intersections Close Proximity to Subway or SBS Line Trianangular Block Intersection Major / Minor Street Negotiation
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Kola Ofoman
Spring 2018
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Brooklyn Plazas - Existing and Potential
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Urban Triangles Brooklyn, NY
01 - B46 Line 02 - B44 Line 03 - Flatbush Avenue Line 04 - Kings Highway Line 05 - 14th Avenue Line 06 - Flatlands Avenue Line 07 - Church Avenue Line 08 - Downtown Brooklyn to Ridgewood 09 - Fulton Street Line 10 - Brooklyn Access to JFK 11 - South Brooklyn East-West Line
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Spring 2018
Urban Triangles Brooklyn, NY
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Kola Ofoman
Spring 2018
Gates Avenue Plaza
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Urban Triangles Brooklyn, NY
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Kola Ofoman
Spring 2018
Fort Hamilton Parkway Plaza
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Urban Triangles Brooklyn, NY
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Kola Ofoman
Spring 2018
Lynch St & Bedford Ave.
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Urban Triangles Brooklyn, NY
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Spring 2018
Urban Triangles Brooklyn, NY
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Spring 2018
Plaza Component Catalog
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Urban Triangles Brooklyn, NY
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Kola Ofoman
Fall 2017
BRONX MARKET FERRY TERMINAL | MARKET | INCUBATOR KITCHENS
The goal for this project was to create a space that allows for an overlap of different activities and motion, a space that in its austerity and flexibility allows businesses to take root, change and flourish while providing basic infrastructural support–so that the activities and use of the building are just as important in the making of this space as is the physical architecture. The building is made up of spaces that produce varying and overlapping patterns of motion and use–linear and constant relative to the terminal, which is located on the ground level, but circuitous and discontinuous in the market. The kitchen incubators, which occupy both levels of the central bar [DO], then, become a tool to mediate that traffic – capturing flows when needed to showcase the activities of these new startups, and stimulate exchange in the market.
Critic: Aniket Shahane
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Ferry Terminal and Market Bronx, NY
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Kola Ofoman
Fall 2017
D0. Central bar with two levels of incubator kitchens and ground level terminal/ticketing area.
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Ferry Terminal and Market Bronx, NY
D0
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Kola Ofoman
Fall 2017
L: FIRST FLOOR PLAN showing central bar with upper level kitchen incubators with warehouse above. R: GROUND FLOOR PLAN showing central bar with ground level restaurant kitchens and ticketing area, with loading dock above.
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Ferry Terminal and Market Bronx, NY
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Kola Ofoman
Fall 2017
SECTION A From left: Market, first floor incubator kitchens, ground level terminal, first floor warehouse and ground level loading dock.
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Ferry Terminal and Market Bronx, NY
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Kola Ofoman
Fall 2017
View of outdoor sitting area on first floor with incubator kitchens in the background.
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Ferry Terminal and Market Bronx, NY
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Kola Ofoman
Fall 2018
MARINE BIOLOGY LABORATORY BIOLOGY LABS | RESIDENCES | NATURE RESERVE PATHWAY
For a building where biologists perform much needed research towards the preservation of Costa Rica’s Leatherback Turtles, where volunteers can assist, and guests can visit and engage with the ecologically diverse building site--Murren Reserve, the focus for the project settled on providing opportunities for social interaction between these user groups. The typical housing typology of Matapalo, a town 3 miles from the Murren Reserve, is the central corridor house. From a covered porch, the house opens up on to a central corridor that clearly separates the private areas, like bedrooms, from public areas like the living room or sala, and the kitchen. On the exterior the house displays a formal language of roof, pavillion and base. Using these exterior and interior elements, the biology lab creates social spaces for all user groups, negotiated by the extension of the roof across pavilions assigned to living, working and exhibition. In-between spaces become nodes for social interaction enforced by the angular decks below. On another level, the decks and roofs work together as enviromental tools for rainwater collection on a draughtpron site. The organic roofs slope down to rain gardens supported by the decks below, to further the biodiversity of the site.
Critic: Julie Snow and Surry Schlabs
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Marine Lab Guanacaste, Costa Rica
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Kola Ofoman
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Fall 2018
Marine Lab Guanacaste, Costa Rica
Site Plan 1:1000
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Kola Ofoman
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Fall 2018
Marine Lab Guanacaste, Costa Rica
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Fall 2018
Section - V 1/4
Visitor Center 4” = 1’
Marine Lab Guanacaste, Costa Rica
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Kola Ofoman
Fall 2018
Wall Detail - Visitor Center 1/2” = 1’
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Marine Lab Guanacaste, Costa Rica
Wall Detail - Biologist Residence 1/2” = 1’
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Fall 2018
Marine Lab Guanacaste, Costa Rica
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Fall 2018
Marine Lab Guanacaste, Costa Rica
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Kola Ofoman
Fall 2016
SEED VAULT SEED STORAGE | RESEARCH LABORATORY | BOTANICAL GARDEN
The seed vault project began with a siteless proposal that allowed an exploration of pure form and the and its symbolic implications. The program called for a combination of a study space and and a vault for the seeds. Formally, the seed vault as a whole was expressed as pure geometry-that of a cylinder, and within that, the study space occupied the center. The stepped periphery of the vault, where the seeds are stored imply that the space is not to be occupied long term, and is processional, while the center of the cylinder, with its skylight above, where the steps begin and terminate, houses the study space. With this study in mind, the second iteration, more robust programmatically, feature public botanical gardens winding around the more conditioned spaces of a laboratory and seed vault. As this project is located on Yale University’s Science Hill, there are also classrooms and lecture halls. And so, in addition to formal explorations, this project involved designing circulation and understanding what areas are public, semi-public or private.
Critics: Brennan Buck
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Seed Vault and Research Center New Haven , CT
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Kola Ofoman
Fall 2016
View of botanical garden with windows opening to the brick wall of the seed vault and down into the lab spaces.
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Seed Vault and Research Center New Haven , CT
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Kola Ofoman
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Fall 2016
Seed Vault and Research Center New Haven , CT
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Kola Ofoman
Fall 2016
BUSHWICK LIBRARY PUBLIC LIBRARY | MAKERSPACE | COMMUNITY CENTER
This project explores an expanded program for the library in light of its waning relevance in our increasingly digital society. As a result of the gradient from residential to manufacturing zones in the Bushwick area, between which are small businesses, the site has a rich culture of creativity, artistry and production. The program of the library incorporates spaces for creation and innovation, alongside spaces for gathering and sharing information. The Bushwick library would provide materials and infrastructure for learning and creating, and avenues for meeting people with similar interests, so that innovation can truly happen. The form of the building is derived from cutting through a brick, factory-like shell with narrow bars that hold the stacks. The result of this boolean operation are spaces housing makerspaces, meeting rooms, presentation halls and social gathering spaces. This building also opens itself to the neighborhood by putting the work being done inside on display by way of large windows on the building’s facade.
Critic: Brennan Buck
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Bushwick Library Brooklyn, NY
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Kola Ofoman
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Fall 2016
Bushwick Library Brooklyn, NY
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Kola Ofoman
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Fall 2016
Bushwick Library Brooklyn, NY
D1. View of library interior showing atrium-like spaces and intersecting bars.
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Kola Ofoman
Spring 2016
COHABITATION TWO SINGLE-OCCUPANT HOUSING UNITS
The cohabitation project prompted a combination of two apartment units in a limited volume, with restrictions on how the units are accessed, and how light and air are channeled into the interior spaces. Both units are constrained to a 14ft cube and an elevation of 10 feet off of the ground, creating a space for a single stair that provides access to both units. The concept was to provide equality of space without submitting to symmetry. Light is let into the building by way of a delaminated wall that has openings to the ceiling, allowing for passage of air as well. Structure is achieved by running members through the gap in the walls–in some cases, they become part of the interior furnishings of the house, morphing from structural members to table tops, seating and hand rails.
Critic: Alan Organschi
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Cohabitation Siteless
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Kola Ofoman
Spring 2016
L: FIRST FLOOR PLAN showing winding nature of the unit on the left, terminating in a bedroom on the right side. R: GROUND FLOOR PLAN showing asymmetric split of the units.
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Cohabitation Siteless
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Kola Ofoman
Spring 2016
L: Section of double-height unit with bedroom of second unit in top left. R: Section of second unit showing its winding nature. 68
Cohabitation Siteless
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Kola Ofoman
Spring 2016
NEW HAVEN HOUSE MULTI-OCCUPANT UNIT | SINGLE-OCCUPANT UNIT
The prompt for the first iteration of the Jim Vlock Building Project, called for two units under a single envelope of 1200 sq.ft–one for a small family and the other for a single occupant, all of whom have been previously homeless. In an exchange between potential occupants of the house, there were resounding calls for privacy and control of private spaces. The concept for the house became about defining the thresholds between the interior and exterior of the home, and the experience of walking or looking in and out of the house, making sure the occupants remained in control. The procession of entering both units begins from a shared outdoor space, and then an enclosed outdoor space defined by an entrance courtyard. One then approaches the more public areas of the home like the living room and kitchen, and further exploration takes one to private areas like the bedrooms. The facades of the house also mimic this idea of control. They feature louvre blades that allow for either strengthening or weakening the barrier between inside and outside.
Critic: Alan Organschi
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New Haven House New Haven , CT
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Spring 2016
D2
GROUND FLOOR PLAN
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New Haven House New Haven , CT
D2. Multi-occupant living area.
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Kola Ofoman
Spring 2016
D3
FIRST FLOOR PLAN
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New Haven House New Haven , CT
D3. Single-occupant living area.
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Kola Ofoman
Spring 2016
THE HILL HOUSE MULTI-OCCUPANT UNIT | SINGLE-OCCUPANT UNIT
The second iteration of the Building Project, completed with ten of my coursemates, is based on a similar concept of defining thresholds of access using the courtyard as a device, in a single level scheme. The courtyards are an avenue for presenting a different experience of the outdoors to the occupants who have previously been homeless and have experienced the outdoors as a space within which they are policed. We were interested in having the courtyards present a center within the units that reclaimed for the occupants a sense of ownership, and blurred the lines between indoors and outdoors, creating a realm within which the occupants had complete control.
Team members: Gwyneth Bacon-Shone, David Bruce, Davis Butner, Pik-tone Fung, Jeffery Liu, Martin Man, Samantha MongeKaser, Gus Steyer R: Three-quater scale model, built by Gwyneth Bacon Shone, Kola Ofoman, Martin Man, Jeffery Liu and Davis Butner.
Critics: Andrew Benner and Peter de Bretteville
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The Hill House New Haven , CT
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Kola Ofoman
Spring 2016
A
FLOOR PLAN Showing multi-occupant unit on the left of the shared entrance, and the single occupant unit on the right.
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The Hill House New Haven , CT
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Kola Ofoman
Spring 2016
SECTION A Showing the sloping site, and speculation for the house to be constructed as six prefabricated volumes-indicated by the dotted lines.
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The Hill House New Haven , CT
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Kola Ofoman
Fall 2017
L: 3D - printed mold derived from a 3D - scanned water-warped piece of paper. R: Concrete cast with record of digital processing.
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Electives | Custom Crafted Components | Undulating Wall Tile
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Kola Ofoman
Fall 2016
This drawing shows the different relationships between the vertical elements, (i.e columns and pilasters) and the horizontal elements (i.e. cornices) on the interior and exterior facades of Tempio Malatestiano, that speak to different perceptions of scale. On the exterior of the church, the cornices look as though they were broken to make way for the elongation of the large columns of the exterior. This emphasizes the verticality and monumentality of the exterior columns. On the interior however, a different relationship exists. The pilasters here, are conforming to the cornices in the way that they fold over them. Here the verticality of the pilasters is repeatedly broken giving the horizontal elements of the interior greater influence.
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Electives | Formal Analysis
This drawing highlights the spatial characteristics of Santa Maria dei Monte Santo and Santa Maria dei Miracoli and the formal elements that influence certain perceptions of each space. In the case of Monte Santo, the elliptical plan causes a decentralized focus as a result of its bi-focal nature. On the other hand, Miracoli, which has a circular plan, implies a central focus. There are also interesting spatial tensions that exist in both churches. In Monte Santo we are presented with a tension caused by the elliptical push towards the interior surfaces but the fact that the cornice line runs past the side chapels but into the alter, reinforces the axis running through the altar towards the entrance. In Miracoli, the central focus of the circular plan is counteracted by the pilasters of the altar that break the cornice line, emphasizing that axis, but the two larger side chapels are topped with pediments that also interrupt the cornice line, emphasizing that axis as well.
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Kola Ofoman
L: Hand-drawn isometric projection of the staircase in Rudolph Hall. R: Digital painting of a ruinous Johnson Wax Building.
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Electives | Visualisation
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Kola Ofoman
L: Constructed drawing producing a three-dimensional spatial composition based on the lattice on the facade of the Beinecke Rare Book Library. R: Charcoal drawing exploring the intersection of two infinite periodic minimal surfaces. 88
Electives | Visualisation
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Kola Ofoman
KOLA OFOMAN kolawole.ofoman@yale.edu
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issuu.com/kolaanitaofoman
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+1 530 917 8855
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linkedin.com/kolaofoman
EDUCATION MASTER OF ARCHITECTURE I
2016 - 2019
at Yale School of Architecture
B.A URBAN DESIGN AND ARCHITECTURE STUDIES
2012 - 2016
at New York University
EXPERIENCE ARCHITECTURAL INTERN
at Thomas Phifer and Partners
Summer 2018
• Produced design and construction documents for an outdoor performance space using AutoCAD. • Produced architectural renderings and collages using Rhino3D, VRay and the Adobe Suite.
DESIGN TEAM
Spring 2017
at Yale School of Architecture
• Designed a two-family housing scheme for the first stage of the 2017 Jim Vlock Building project along with ten team members. • Produced presentation drawings and models. • Built prefabricated panels during construction of the final scheme of the project.
WEB & GRAPHIC DESIGNER
at Yale School of Architecture
Spring 2017
• Designed and maintained a website to document the 2017 Jim Vlock Building Project using HTML and CSS.
ARCHITECTURAL INTERN
at Jeewon Kim Architect
• Produced presentation quality renderings for an infrastructure project. • Measured and built a 3D model of the site of a gallery renovation project. • Produced design sketches for intitial stage of design.
SKILLS Conceptual Design, Adobe Suite, Autocad, HTML + CSS, Rhinoceros, Vray 90
Summer 2015
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