Some
Thoughts on Work
Your office habitat may re-create your working habits. Now, its time to re-work your office.
Borges & Cap Design by Studio Kairos, 2014
Borges is designed to offer working solutions “off the grid� and far removed from a rigid office standard. Instead of a deeper worksurface module, a shelf takes the center stage as the main lifeline and axis of this system. From this central axis stem elements that create standard depth worksurfaces, meeting tables, privacy zones and much more. Koleksiyon, Tarabya
Onur KolkÄąr
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Add-on elements used with this open desking solution are easily shifted and moved along the central axis without the use of tools. They slide freely along extruded aluminum rails embedded in the connection channel that extends along the central lifeline.
Designers are able to play with the elements of the system to create the configurations and scale needed in an endless variety of options unique to the habitat that surrounds the shelf axis. Unique layouts can be composed for each project and place. Never replicated in a tiring repeat pattern, each specific scheme is authentically composed out of the behaviors and attitudes in the open work environment. Orgatec 2014, Cologne Thomas Mayer
Cap is designed as a personal working spot, to provide a silent harbor in the midst of a large open plan office layout. With the growth of open and communal areas, privacy is becoming more critical for anyone who wishes to concentrate on a piece of work that needs attention and focus.
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Oblivion Design by Koray Malhan, 2014
A theme in the quest for a creative place. By cutting out big holes, one can create voids in the open plan which seem impossible in the over-clogged layouts of our present time. Creating voids for areas of non-work places, we are faced with the archaic settlement of a communal place...
Oblivion is conceived as a very basic geometry, the conical shape provides many structural advantages, apart from an aesthetic statement. All the vertical posts and brackets that are holding the horizontal surfaces, angle toward the central point of the structure.
Orgatec 2014, Cologne
Thomas Mayer
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Therefore, all the vertical surfaces support the horizontal ones and vice versa. Thus, all the shelves, desktops, seating, etc. are supported without the use of any leg supports. This provides great freedom practically, in use, and visually lightening the design. All horizontal surfaces float freely, cantilivered off the main frame, without the disruption of vertical supports.
Each structure is constructed in several steps working in tandem with the architect and the customer. The first step is to define the floor diameter, the second to choose the height and top diameter, each step constructing a void using volume.
Koleksiyon, Tarabya
Onur Kolk覺r
Finally, the decisions for the inner construction and functions are made. This concerns the planning of the shelves, desks, cabinets, seats etc, depending on the desired performance that this void is dedicated to.
Finally, the outer surface cover is installed. A range of colors are available in our wide selection of graded-in fabric selections. Uniquely specified COM can be chosen from a wide range of approved fabrics.
The next decision involves the electrical and electronic equipment. Wire management is easily conducted horizontally and vertically through the extruded aluminum beams. Following this, lighting solutions are planned as LED strips mounted on the vertical beam, where necessary.
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Tube Design by Studio Kairos, 2014
The compositions presented with the abstract stacking of these “tubes” provides a rich variety of utilities. While the cabinets serve as storage units, the empty spaces created between present exciting alternative areas of use, for storage or display.
Invisible pulls The pull design is integrated into the structure of the tube. A gap between two adjacent panel surfaces creates a streamlined visual effect and place to grasp the opening element.
The way the compositions are used, brings a unique character to the product for each set up, where life begins in the voids among the volumes, books, magazines, flowers, lamps, ceramic or glassware, etc…
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Tube is designed as a fresh solution for storing documents and objects in the new work habitat. Replacing the rhythmically replicated typical file cabinet with doors, the design brings a new approach in layout options and the use of alternative volumes and spaces that are created while composing its elements.
The main element is the single box (or tube) as the building block. The designer can develop, with the customer, their desired compositions as the system is designed to accommodate regular and ordered compositions as well as “chaotic stacking” to realize abstract installations.
Each single box is designed resembling a tube, as the surrounding surface panels are extruded out of the two sides. The handle is concealed in a cut-through opening detail; this cut line is either above or below the cabinet depending on the direction of the door opening.
According to their positioned height and function, the cabinet modules have door options for; opening up, folding down or pull-out drawers. With its refined outlines and detailing, the box has more of a sculptural effect than that of furniture with doors or handles. Composed with the principles of ‘open work’ in mind, no two project installations of Tube will look the same, even using the same elements.
The dark side of the box The sides of the boxes always come in darker colours, to elude the volumetric feeling and create the impression of stacking tubes.
Open areas created to display The boxes are for storing all necessary documents and stationary etc. The open areas created by randomly stacking the boxes are alternative spaces both for display and storage.
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Vis Design by Studio Kairos, 1998 (Relaunched by Koleksiyon in 2014)
Surfaces vertical and horizontal, all in different angles and directions, a chaotic order that has its own aesthetic language, this is Vis, a very light cabinet which is not constructed as a volume, but rather as horizontal and vertical planes. The “openness� in this work is devised in the details of its construction.
The back panel The back panels stabilize the system while providing an aesthetic impact by creating a visual barrier. Recruit these structual supports to add a sensory effect by choosing to finish them in vibrant colors.
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A presence through chaotic columns Thanks to the discreet construction of the vertical axis, these singular vertical pieces can be rotated at will and be left facing different directions, allowing the final visual impact of each composition to be unpredictable and open to interpretation every time. Shelves & panels The shelves and back panels are constructed from 14 mm thick MDF and available in myriad color combinations. Shelves and the back panel are secured with discreet metal inserts providing further stability and strength.
All shelves are connected to each other through a chord that runs inside the vertical beams. The beams are elliptical in shape and the ability to rotate them allows the user to impact the final look. During installation the direction of each column section can be set by the one viewing the piece. One can enjoy a series of interrelations inside the context of the structural system, where the beams all end up pointing at different directions, thus creating unique dynamics in each installation of this product.
Vis can be used as storage, display and moreover as a partitioning element between neighboring zones that can accomodate different uses. The richness carries on with the selection of colors for the vertical beams, these can create another level of dynamism. The disorderly placement of the vertical beams can be specified in different colors or done in monochromatic tones of gray, dark gray, beige or white.
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Halia Design by Studio Kairos, 2014
Halia is a new chair typology which is very refined in its form, resembling a flower in its simplest shape. The idea is to create a tranquil work environment with soft looking chair forms, as they are the most repeated objects in the work place.
Soft armrests The armrests are designed as part of the whole body. In doing so nothing compromises the visual simplicity and unity of the overall form.
The mechanism The mechanism is a soft & sculpted form, providing a tilt action that can be locked in three positions with angled increments. The mechanism is also height adjustable, as standard.
Four-star base with glides This unique four-start base design is on matching polished chrome leveling glides.
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Halia’s design direction is purposefully and directly in contrast and opposite to the popular chair designs that embody a mechanical spirit. The Halia chair family is designed in natural forms and radiates a spirit embodied in tranquility and humanity. To maintain the crispness of the soft forms, Halia chairs are produced using injected polyurethane foam.
In order to add to the simplicity of the design, the body is a single piece that is connected to a mechanism which provides a tilt action that can be locked in three positions with angled increments. These mechanisms are also height adjustable, as standard. Specially designed wheels for the star base have a hollow center, maintaining a light visual impact. Casters are available for hard and soft floor surfaces.
Higher back support For those who need it, the medium back version is available with an extra-soft armrest, headrest options and a higher back executive version is also available among the standard model options.
Back heights The extensive Halia collection is available as a guest chair, lounge chair, side chair, office chair, conference chair for use in unlimited spaces. Every model is available in a variety of back heights. Casters Specially designed casters can be specified for hard or soft floors.
Chrome leg frames Halia chairs are available with several base options from four- and five-star bases, sled bases, leg frames (shown above), four legs in metal or wood, on glides and casters, each base option is adapted to the shell it supports and provides maximum comfort and endless variety among one family of chairs.
Halia family comes in many sizes for different occasions in the work habitat;
The high-back executive office chair is also available with extra-soft arm pads, on a five-star base, with gas lift and tilt mechanism.
Low armchair with higher depth and width comes with sled base, wooden legs and disc base Low-back office chair comes with a five-star base, gas lift and tilt mechanism Medium-back office chair comes with a five-star base, gas lift and tilt mechanism The high-back executive office chair is available with a five-star base, gas lift and tilt mechanism
Guest chairs come with a sled base, on a polished chrome base of four legs and on four legs in varying wood finishes. The lounge chair version comes in medium and high-back on a four-star based and can be specified with a curved headrest The Ottoman comes with a four-star base that matches the lounge chair and is available in the all the same upholstery options.
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Ikaros Design by Koray Malhan, 2008 WKL Building, Basel
Ikaros is a sofa designed as an alternative to a desk and serves the needs of any work environment. This design can be placed in the middle of any work zone or in communal areas to bring people together for chance or formal encounters; to ehance the cross-fertilization of ideas and discussions in any work area.
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Ikaros combines work with pleasure and relaxation, with the sofa doubling as a writing tablet and a table at the same time. All horizontal surfaces can be used to serve the needs of any user.
Thomas Mayer
The extension wing in the rear is at table height, where it can be used as a worktop while seated on a chair. This feature allows the seating unit to be used simultaneously from inside and outside, providing users with a collaborative space for more casual work.
Single unit This module comes as a left and right hand unit
Side wing of the sofa This table top height side wing can be used as a service area for snacks, drinks etc.
Back wing of the sofa This table top height back wing can be shared as an intermediate work area both from the inner and outer sides of the sofa.
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Partita Design by Faruk Malhan, 2010
Partita is a new and boutique approach for the new work habitat. The wooden X-framed legs present a solid and architectonic language with a high standard. This new offering brings the idea of ‘high touch’ to the office as opposed to ‘high tech’ presented by the steel-framed furniture of the past decade.
Technology is invisibly incorporated in this design, where you can find alternative sources to dock in with your mobile phone, pc, laptop etc… The overall design language strikes a fundamental tone by simplifying all expressions, concealing all details, and serving all contemporary needs without displaying the complexity of a configuration.
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It helps to create a calm atmosphere and natural aura; the touch of naturally treated wood surfaces introducing tactile elements into daily work - a quest for silent joy.
A specially designed steel under-frame connecting the legs to the table top is a functional solution that acts as a track for all IT links above or below the table. It also doubles as a cable management tray and has a large capacity. All connections are easily achieved by centralizing the beam that can be installed easily by any service team. This allows a unique modularity as well as versatility, multiplicity, and easy customization of the desk system for corporate brands.
The desk attachment possibilities are; a) Modesty / privacy panel under the desk, b) CPU holder, c) Selection of vertebrae for vertical cable traffic d) Design of the cable channel for horizontal cable traffic e) Waste paper box. Above the desk attachment possibilities are; a) Mini-screen in a special felt upholstery fabric, b) A tray or a small box above the desk for personal objects (wallet, mobile, cosmetics, medicines, stationery, plants etc.), c) Personalized light fittings; task lamps, d) Screen holder attachments, or e) Signs, graphics. Another important design decision is the organization of layout possibilities. The richness of the available configurations due to the geometrics of the desks is what gives a novel character to the program and this helps to create new possibilities in space planning.
Due to the shrinking size of screens on any desktop today, the need to re-evaluate the proportions of the work top in relation to the activity that takes place is becoming even more crucial. In a more collaborative work culture, it is critical that any table surface is planned and located to be used for working and/or meeting at the same time. Both producers and consumers are now enriching their overall product portfolios by feeding them with new plug-ins and add-ons. This shift from product to process allows a designed piece like Partita to be adapted over time according to personal needs and tastes.
The desk top The table is approachable from all directions as it cantilevers out from both sides.
X legs The simple X structure of the legs grant the table its architectonic edge.
The bench module This module can be used as an executive desk or a meeting table.
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Dilim Design by Gernot Oberfell, Jan Wertel, 2009
Dilim is a modular sofa or single chair designed for offices, bars, hotels and waiting areas, and is offered in a way that allows designers to explore the endless possibilities inherent in combining fabrics.
Dilim sofa can satisfy different demands with the different sizes and options it offers. The back-to-back version, for example, might be used in offices or various waiting areas, or matched in with other furniture systems.
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The high-back version can be used to create a cellular environment for meetings and working or for reading and resting within common areas. The upholstered surface of the high back sofa assists to isolate noise which might otherwise be a critical problem in open office layouts.
Dilim - while working
Dilim - while waiting
Dilim - while meeting
Upholstered metal frame This modular system allows for the use of a wide variety of colors.
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Tola Design by f/p Design, 2012
Tola is a fresh proposition for a democratic work habitat where the distinctions between executive, management and working teams are fading.
Overlapping shells Tola offers alternative back height options thanks to its modular structure.
The basic idea for this new chair platform is best presented in the designer’s own words; “Human’s environment mirrors their personality, and people with character need equivalent furniture. The design of Tola chair started with thinking about the people who would sit in.
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We imagined people, that are individual, flexible and liberal, who are more interested in a chair, that becomes a lifelong friend, than in a purely imposing piece of furniture.
Armrests Black soft genuine leather covered armrests provide an elegant look to the design.
The image of Tola with its overlapping shells finds the balance between modern and classical shapes between past and future, so to say. Beyond this the modularity of the back shells offers a wide range of applications, from low back conference chair to high back executive, as well as team meetings, mid management and bench seating.�
Polished-chrome base Tola’s 5-star base enables balanced seating.
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Rarum Design by Koray Malhan, 2008
Rarum adds aesthetic value to storage as much as it does to its display capabilities. Black lacquered top panels The painted finish offers an area for storage and display.
Natural veneer side panels Veneered surfaces create a natural atmosphere in the working environment.
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Rarum boasts of an unusual solution for storage and display requirements and may either be used in front of a wall or act as a warm partition, heightening the area’s depth.
Large drawers and racks emerge when Rarum’s closed boxes are opened. Spaces between the boxes create an additional display area that enriches the atmosphere of any environment. Offering modular flexibility and easily adapting to its environment, Rarum adds as much aesthetic value as it does storage capacity.
Black anodized profiles In combination with veneer surfaces it creates an elegant look.
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International Showrooms North America
Europe
CIS
NEW YORK
ENGLAND
RUSSIA
DALLAS
TURKEY
Koleksiyon New York 228 East 58th New York, NY 10022 USA Tel: +1 212 486 7500 info@koleksiyon.us
Koleksiyon Dallas 211 North Ervay, Suite 130 Dallas, TX 75201 USA Tel: +1 214 577 6070 info@koleksiyon.us
South America COLOMBIA
Schaller Group Cra 11 No: 93A-20 Bogota, Colombia Tel: +571 743 560 mariam@schallertech.com
PERU
Ziyaz Avenue Mariscal La Mar 835 Lima, Peru Tel: +51 714 9914 webziyaz@ziyaz.com
Koleksiyon Furniture Limited 9 Brewhouse Yard London EC1V 4JR United Kingdom Tel: +44 (0)20 3405 1885 info@koleksiyon.co.uk
Workplace Interiors Ltd. Moscow, Russia Tel: +7 926 124 48 48 Info@workplace.com.ru
Koleksiyon Cumhuriyet Mahallesi Hacı Osman Bayırı Cad. No: 25 Sarıyer 34457 Istanbul Tel: +90 212 363 63 63 info@koleksiyon.com.tr
Planmax Piskarevskij Prospect, 2 Building 2, Office 221 Business Center “Benois” 195027, St. Petersburg, Russia Tel: +7 812 612 12 95 info@planmax.ru
GERMANY
AZERBAIJAN
Network2Design Röntgenstrasse 104, 64291 Darmstadt, Germany Tel: +49 6151 9189512 info@network2design.de
AUSTRIA
Buerofreunde GmbH Börsegasse 9, A-1010 Vienna, Austria Tel: +43 1 532 028 7 office@buerofreunde.at
SPAIN
Artis, Arquitectura Interior Entença 242, 08029 Barcelona, Spain Tel: +34 973 25 78 00 artis@artis.es
NETHERLANDS
DingsDesign B.V. G. van Nijenrodestraat 151 3621 GJ Breukelen, The Netherlands Tel: +31 63195 1872 info@loading-ddesign.com thijs@loading-ddesign.com
CYPRUS
Divani Mobilya 2 Irmak Sokak Gönyeli Çemberi, Gönyeli, Nicosia, Cyprus Tel: +90 392 224 04 50 - 51 fetanetcan@gmail.com
Workplace Interiors Marine Plaza, 62 Uzeyir Hajibeyli Street Baku, Azerbaijan Tel: +99 412 599 05 82 / 83 ilham.behbudov@workplace.az
KAZAKHSTAN
V-time Object Office Ltd. Office 111, b/c ‘Prime’ Furmanova 100 ‘g’ 050000, Almaty, Kazakhstan Tel: +7 727 312 11 22 / 23 v-time@yandex.ru
MEA & Africa
Asia Pasific
EGYPT
AUSTRALIA
Koleksiyon Egypt The 47th Building, 90th Street North 5th Settlement, New Cairo, Egypt Tel: +20 2266 87 01 info@koleksiyonegypt.com
LIBYA
Avc覺 Interior Fourth Ring Road Venezia St, Benghazi, Libya Tel: +218 92 396 4653 cihad@avciorman.com.tr
JORDAN
Triology Furniture Company Iritiria Str. Um Uthienah Vista P.O. Box 630 - 11118 Amman, Jordan Tel: +962 6 5563778 salah@trilogyfurniture.com
SAUDI ARABIA
Technolight P.O. Box 12679 Jeddah 21483 Saudi Arabia Tel: +966 2 669 3241 hazemalazem@technolight-ksa.com cihan.koseoglu@almanagalleria.com.qa
BAHRAIN
Builders Depot SPC Block No 704, Road 411 Building 405 Flat 0 Salimabad Kingdom of Bahrain Tel: +97 176 80460 info@buildersdepot.biz
QATAR
Al Mana Galleria Salwa Road Ramada Signals Nissan Showroom P.O. Box 91 Doha, Qatar Tel: +974 4 428 3636
IRAN
Mammut Construction 7th Street, Khaled Estamboli Ave, No:7, P.O. Box 1513737511 Tehran, Iran Tel: +98 21 88 109 109 info@mammutgroup.com
Envoy Furniture Suite 30391 Murphy Street Richmond 3121 Melbourne, Australia Tel: +613 9029 3161 dan@envoyfurniture.com.au
GRAPHIC DESIGN
İrem Mangıtlı PHOTOGRAPHS
Cemal Emden Joseph Brewster Ömer Çiçek Gürkan Akay Onur Kolkır Bob Laughton Levent Kuğu Faruk Kurtuluş Ali Bekman Büşra Yeltekin Serdar Şamlı Thomas Mayer
November 2015 Koleksiyon© All intellectual property rights, such as trade marks, patents and copyrights are reserved. Nothing contained in this brochure may be reproduced without written permission.
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