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For this touch-up, a bit of lens
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of the sky area, a loose bikini
small skin, hair and bathing suit
dust was removed from the middle strap was removed, and several imperfections were improved.
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This sequence of wakeboarder
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Chad Sharpe was taken by Joey
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of this project were the two ends
and following each tow line
Meddock. The most difficult parts where he heavily overlaps himself, through the other frames.
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This shot by Joey Meddock, titled
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Everlasting Cloud, is the result of
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shots to reconstruct the scene.
carefully tilting and tiling the three
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This image had several spot touch
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face/body skintone matching and
ups on the face and hair, as well as overall color vibrancy.
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This sequence of Brian Grubb
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shows every step of the Big Spin
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due to constant body overlap, a
always-tricky reflection.
trick, and was a major challenge frame-crossing rope line, and the
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This composition puts two photos
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and illustrated graphics together in
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illustrated apostles were done by
a perspective-bending scene. The Orlando’s own, Swamburger.
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This sequence of Kyle Murphy was
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taken by Rodrigo Donoso. The
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keeps your eyes jumping around
visual traffic jam of lines and colors the image.
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Swamburger created an illustration
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inspired by this photo by Joey
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detailed cleaning and refining, the
hybrid artwork.
Meddock. After some highlytwo fit together to create dramatic
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This sequence of Erik Ruck takes
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a different approach by making it
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from the edge of one photo to the
the frames at the edges.
look as though the rider is jumping next, rather than simply blending
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Taken by Aaron Katen, this merged
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image shows Tino Santori passing
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stunning and stylish arch.
over the tube line in a visually
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