Krisandrah Smith Architecture Portfolio 2022

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P O RT F O L I O


I am from Idaho Falls where I spent most of my time outside playing in the wild on the weekends and exploring the built environment during the day. After high school I set out to explore Vancouver Island, British Columbia, Canada on my own. I then moved to Lewiston, ID to attend trade school for auto body repair at Lewis-Clark State College. From there I chose to explore more higher education, getting my degrees in Art and Engineering at LCSC. Eventually I found myself at Washington State University studying Engineering but looking for another option, I found Architecture. From the beginning I felt that architecture is the perfect mix of the technical and artistic skills that I have been searching for. I entered the professional world of design in 2019 with TCF Architecture in Tacoma WA. I spent two years there learning lessons that can only be taught through working on projects with a professional team. Included here are some examples of my professional and academic work along my journey in architecture.

NEWFORMA

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Krisandrah Smith Washington State University BS Architecture Master of Architecture Lewis-Clark State College Certificate of Auto Body Repair AS Arts AS Engineering

krisandrah.crall@gmail.com +1.208.553.3519 issuu.com/krisandrahsmith


CONTENTS P R O F E S S I O N A L E X P E R I E N C E - TC F ROCK Y REACH DISCOVERY CENTER CHEL AN COUNT Y PUBLIC UTILIT Y DISTRICT K O PA C H U C K & K E Y P E N N I N S U L A M I D D L E S C H O O L S L AV E N T U R E M I D D L E S C H O O L

ACADEMIC EXPERIENCE - WSU R U R A L C O M M U N I T I E S D E S I G N I N I T I AT I V E R E G I O N A L E C O N O M I C A D M I N I S T R AT I V E C I V I C H U B THE FLEX HOUSE S T U D Y A B R O A D A N A LY S I S Page 3


EXPERIENCE

Page 4


RRDC

INTERIOR WALL DETAILS

Modernization

SQ

C 2" 1/

5" AR

2

20

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T

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SE

GA

FF

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4"

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4"

1/

1

MTL SCALES PER FINISH SCHEDULE

2

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The discovery center features a viewing room with windows into the fish ladder as well as an education room about the dam, the natural habitat, and energy. This detail is for cladding on the entry wall, the fish ROCKYscale REACH DISCOVERY CENTERsurface welcomes the guests in by creating a unique engaging space. pattern on the curved

1/2" STAINLESS S STEEL L "FISH H SCALE"- TYP

ACOUSTIC WALL COVERING

PER JAMB DTL

4 A72.10

FINISH SEALANT EA SIDE

'F' TRIM MTL EA SIDE

NO SHAR PERIMEME

B.O. STEEL PLATE NEXTT LAP

7' - 8"

JULY 9, SHIM(S) 2020

2ND STEEL PLATED JAMB BEYOND

LAYER 1ST T LAYER OF F SCALES S

EXTERIOR RAIL DETAIL

2

5"

L

C 2" 1/

2"

(E) WD 5" GUARDRAIL CAP PATCH AND REPAIR AS NEEDED

MAX GAP

BELOW

SOLID BLOCKING NEXT LAP

2"

O OR OF FL

OF SCALES

OPEN TO BELOW 3/8" HOT-ROLLED STEEL PLATE AT BOTH JAMB CONDITIONS AT THIS LOCATION

(2) POINTS OF FASTENING FOR EACH MTL SCALE. FASTENERS ARE NOT TO BE EXPOSED AND WILL BE 3/8" 3" EDGES, WITH DIA EASED COVERED BY THE HEAD BEVELED ALL SIDES, WELD FULLY FOLLOWING LAP OF TO OVERHEAD LAG SCREW SCALES. FASTENER HEADS HORIZONTAL WILL INSTALL FLUSH WITH 1/4" X 2" STEEL THE FINISH SCALE OF FINISH SEALANT SUPPORT EACH MTL SCALE. 'F' TRIM MTL EA SIDE BRACKET PTI-2

ACOUSTIC WALL COVERING

4" FASTENERS

2"

EDGE OF FLOOR BE LOW

2"

MAX GAP

SUBSTRATE E - SEE E WALL L TYPES S

SHIM (E) MTL GUARDRAIL VERTICALS - NO WORK WD BACKING 4"

VERIFY IN FIELD 3 1/2" MAX ALLOWED 20 0 GA A SS S SQUARE E W/FOLDED D EDGE

OVERLAP

HEADER ABOVE

3" = 1'-0"

SEE G2.02 FOR ACCESSIBILITY

4X4X3/8" MTL ANGLE. ANCHOR 3" = TO 1'-0" FLOOR

3" = 1'-0"

SHIM

6" = 1'-0"

3 4"

FISH SCALES - SECTION GUARDRAIL SE FISH CORNER SCALES - ELEVATIONELEVATION VIEW OF GUARDRAIL FISH SCALE - SECTION 2 3 3 4 3"

FISH SCALES - DETAIL DEVELOPMENT

"

https://www.tcfarchitecture.com/project/rocky-reach-discovery-center/

4"

3"

3" = 1'-0"

6" = 1'-0"

5"

2

THEATER DOORWAY HEAD

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HAND RAIL ELEVATION AS VIEWED FROM MEZZANINE SIDE

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1ST LAYER

EXAMPLE LAP

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LAYER RECESSED FIRE EXTINGUISHER CABINET (FEC). INSTALL PER MANUFACTURER SPECS

SQ

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EDGE

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VECTOR R FILE E WILL L BE E PROVIDED D DURING G CONSTRUCTION.

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FISH

M OC K F A S T EN E R

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2ND

VERIFY Y IN N FIELD

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C

NO O CUT-OUT T NO CUT-OUT TATAT CONNECTION N POINTS POINTS S STEEL PLATED CONNECTION JAMB OF VERTICALS TYP F VERTICALS S TYP OF BEYOND

2"

SOLID WD BACKING FINISH SEALANTSEE EA WALL SIDE TYPES FOR CONSTRUCTION B.O. STEEL PLATE SHIM(S) 2"" DIA 1"" DIA

1/

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4

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FISH SCALES - ELEVATION

THEATER DOORWAY HEAD

2

1

AFF

EXAMPLE E LAP

FISH SCALE - PATTERN & ASSEMBLY DEVELOPMENT

The existing guardrailFISH did notSCALE meet modern code so BASE to bring it up CLADDING to standards this decorative 1 3" = 1'-0" extension was designed to go on top.

RAIL

(2)) POINTS S OF F FASTENING G FOR R EACH H MTL L SCALE.. FASTENERS S ARE E NOTT TO O BE E EXPOSED D AND D WILL L BE E COVERED D BY Y THE E FOLLOWING G LAP P OF F SCALES.. FASTENER R HEADS S WILL L INSTALL L FLUSH H WITH H THE E FINISH H SCALE E OF F EACH H MTL L SCALE..

JAMB CONDITIONS @ THIS LOCATION

4"

Rocky Reach Discovery Center On this project I worked with the two project architects to draft details. Under their direction I designed new guardrail to bring the SS BASE outdoor space to code, and designed the overlapping decorative ADHERE TO SUBSTRATE metal at the entry wall.

3/8" HOT-ROLLED PHASE 3 - BID SET STEEL PLATE @ BOTH

1/4"

MTL SCALES PER FINISH SCHEDULE

Page 5 MTL SCALES PER FINISH SCHED


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A GENERATIONAL APPROACH

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Chelan County PUD Service Center

The site drafting and design took significant effort working with the project architects as well as several consultants such as landscape architect,civil, and others. Because of the scale of the project, the site Revit model required constant attention managing links to all the individual building models and consultant models to maintain the most up-to-date and accurate information. Many of my responsibilities for this portion of the project required me to take the initiative and communicate with several parties to resolve issues as they where revealed. This page includes a small selection of drawings from the project site.

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Given the variety of building and site conditions we were working, with the team was able to create several solutions and I was given the opportunity to learn about the codes that drive these designs. This page has a selection of my work from the operations buildings across the site.

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Page 9

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9506

REGISTERED ARCHITECT

BRIAN«T.O.«HO

KOPA & KPMS

STATE«OF«WASHINGTON

Modernization and Addition

Kopachuck (KOPA) and Key Peninsula middle schools (KPMS) share the same original floor plan, TCF developed a modernization and addition design for both schools keeping similar aesthetic for both. 9506

9506

REGISTERED ARCHITECT

BRIAN«T.O.«HO STATE«OF«WASHINGTON

REGISTERED ARCHITECT

BRIAN«T.O.«HO STATE«OF«WASHINGTON

EXTERIOR WALL DETAILS

EXTERIOR REFERENCE

ROOF DETAILS 9506

REGISTERED ARCHITECT

9506

REGISTERED ARCHITECT

BRIAN«T.O.«HO STATE«OF«WASHINGTON

BRIAN«T.O.«HO STATE«OF«WASHINGTON

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Page 10

EXTERIOR MATERIAL AND WALL CORNER TRANSITION DIAGRAM

TYPICAL SURFACE-MOUNTED COUNTER FLASHING

TYPICAL SHEET METAL SADDLE FLASH

https://www.tcfarchitecture.com/

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LVMS

Addition & Site Development

SCHEDULES

BUILDING SECTIONS 9506

REGISTERED ARCHITECT

BRIAN«T.O.«HO

:,'7+

STATE«OF«WASHINGTON

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La Venture Middle School classroom addition project was a small team that collaborated on efficiently designing a new classroom building while planning a new layout for existing portables.

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Page 11


EXPERIENCE

Page 12


COLLEGE PLACE, WA - DOWNTOWN DESIGN DEVELOPMENT GUIDELINES

RCDI is an interdisciplinary organization within the SDC that works on design projects with rural communities in the area. This organization allows students to work with real clients on real projects that the communities want help with. RCDI provides many services that are useful to the community to get beyond the predesign phase so that they can move on with grant applications and gaining additional support. The primary student activities include research, conducting public workshops, producing draft drawings and other documentation, and other predesign services under the guidance of a few WSU faculty who direct the RCDI and its projects.

ELECTRIC CITY, WA - TRAIL SIGN CONCEPTS

MATTAWA, WA - STREET DEVELOPMENT

COLLEGE PLACE, WA - DOWNTOWN DESIGN DEVELOPMENT GUIDELINES

Logos from the cities and organizations involved in projects I worked on.

Page 13


Regional Economic Administrative Civic Hub Kinshasha & Brazzaville

R.E.A.C.H. Graphics and renders created through Illustrator, Photoshop and Rhino.

This was a research heavy project with an emphasis on borders and how design can create or eliminate boundaries whether physical, social, economic, or otherwise implied. I chose this region because it was almost completely unknown to me before beginning so my hope was to remain as neutral as possible and only focus on creating a design to support the local community. As expected there are many factors that would impact this project so I focused on three that would influence the most people in their day to day lives. Transportation, economics and trade, and a regulated river crossing for safety and diplomacy.

Form Inspiration Kinshasha

A view from the pedestrian path close to the public market looking out over the public circle and across to Brazzaville. This platform is ideal for public events for both Congo-Brazza and CongoKinshasha citizens to enjoy. This view from the ferry looking back at Kinshasha shows how the super structure lies low close to the water as to not obstruct the view across from either city. The Kinshasian market plaza circle protrudes into an arc creating a point for the architecture to pivot around.

ROME

Uncertainty Zone

Imports The Republic of Congo:

“uncertainty zone” “a power space constructed upon the availability of unofficial information or the possession of implicit powers that reinforce their autonomy to get free from rules.” “The river port was no place for “weaklings” or “serious people,” it was not for the naïve or the polite.” “Like Rome, the Beach is like a country within a country... People act very differently here, ordinary norms are discarded and rudeness is accepted as normal.” -Clara Devlieger

Page 14

China, France, South Korea, Norway and the US.

The Democratic Republic of Congo:

China, South Africa, Zambia, Belgium-Luxembourg, and India.

Layout reflecting colonial hierarchical organizational strategy, used to impress upon locals the place of central powers and prevent military coups

Over the course of 20th C development, planning layouts began to hybridize and reflect a mix of circular and linear strategies

By the mid 20th C one form of colonial power began to give way to a more visible economic bias, reflecting the influence of American economic efficiency

The platform that the structure is built on mimics the hierarchy that the city was built upon.

Capitalism driven hierarchy can be found in the centralized commercial hubs on the arm.

An economic hierarchy is duplicated within the internal organization of the support spurs.

Special Purpose Ships, Iron Structures, Insulated Wire, Packaged Medicaments and Palm Oil Packaged Medicaments, Refined Petroleum, Human or Animal Blood, Delivery Trucks, and Excavation Machinery.

Exports The Republic of Congo:

China, Italy, India, Portugal and the US.

The Democratic Republic of Congo:

China, Saudi Arabia, South Korea, and Belgium-Luxembourg.

Crude Petroleum, Refined Copper, Rough Wood, Refined Petroleum, and Sawn Lumber.

Refined Copper, Cobalt, Cobalt Ore, Copper Ore, Cobalt Oxides and Hydroxides


The Flex house This studio project was focused on collaboration between the studio class as a, the local business owners, and community members of Garland district in Spokane WA. My team created a co-op building that would house budding small businesses as well as provide the equipment and place for the community to gather and become more united. The key amenities the building features are a large fabrication workshop and industrial kitchen on the ground floor, garden and green house space on the roof, and flexible office/business rooms in between.

Page 15


Textures & Touch

Study Abroad Building Analysis

Casa Batllo Barcelona, Spain Antoni Gaudi Photo: Gaudi Sketch

Walking through Casa Batllo is like walking along the ocean shore, each step a discovery of sight and experience for your body, yet every surface and texture are carefully crafted to suit its purpose. The walk up the staircase, from the entrance to the first floor was completely satisfying, feeling the wood rail in my hand and transitioning up from a cave-like room into a high-ceilinged hall with wood accents all around, every sensation seems to have been given thought. This diagram was created to express the forms that created the most tactilely memorable moments along the path I took through the house.

Graphic created through Illustrator and InDesign.

Page 16

Geometry & Uncommon spaces Study Abroad Building Analysis

Military History Museum Dresden, Germany Libeskind Photo: Hufton+Crow Photography

The historic building’s section is quite beautiful and rich with traditional architectural features while the new addition’s section is a wealth of abstract angles and dizzying shifts. When standing in the new addition it is easy to forget that just a moment before you were standing in a classical and wholly symmetrical historical building. Libeskind’s design seems to intentionally make the occupant feel slightly uncomfortable and off center, the tilt of the walls seems to reference the crookedness of the content displayed inside. This museum’s focus is on the human experience of war, the expositions do not simply name generals and state the outcomes. The texture, smell, and weight of the conflicts are on display to be experienced.

Graphic created through Illustrator and InDesign.


KRISANDRAH SMITH

Page 17


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