KRISTYNA UHROVA Architecture PORTFOLIO
selected works 2015 -2019
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Dear sir or madam, I would like to became an intern in your studio and as an exchange I can offer you: realtime rendering in game engine Unreal Engine 4, 3d modeling, interior and architecture design, photogrammetry, ... Next month I m finishing Master degree at Faculty of Architecture BUT in Czech Republic and I have an opportunity to get post graduate scholarship for internship up to 6 months. I have few work experiences. I worked in the studio focusing on competitions and parametric design and now I m working for company (VR Space) focused on applications for virtual reality. I m doing interior design and work in Unreal Engine 4. I also have few interior realizations and projects. My interests are in digital architecture and design, interior design, installations and exhibitions. I m working now in game engine Unreal Engine 4, where I see a big potential not only for architecture presentation. I m doing workshops for UE4 and Rhinoceros + Grasshopper. As a small side project I'm doing library of assets made by photogrammetry. My other interest are music (I play cello), dance and painting. Kristýna Uhrovå Brno, CZ 1994 krstnuhrova@gmail.com +420603789638
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cv EDUCATION 2013-2019 Faculty of Architecture BUT CZ/Master degree 2018 ENSA Bretagne France EDUCATION EXPERIENCES 2014 International architectural workshop/Earthship Sázava 2016/17/18 Workshops Santini´s language (interpretation of Santini’s work by contemporary design techniques ) 2016 Workshop Sloní břich “elephant’s belly” (anarchy-structuralism, nature structures) 2016 Altwasser (exhibition at the Gallery of Architecture Brno) 2016 Porto academy 2016 (summer school, Portugal) WORK EXPERIENCES 2017 Vaši architekti/Hub architektury (visualizations, parametric design) 2018 - now VR Space (interior design, applications for virtual reality in UE4)
Czech native English fluent French B2 Italian A1
SKILLS 3D modeling Rendering (realtime in UE4) photogrammetry Rhino Grasshopper Unreal Engine 4 Adobe Ps Il Id Maya, Blender Autocad
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Hyperloop station 2017 BUT supervisor - Jiří Vítek colaboration - Martin Dlabaja
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Year 2037. The hub. Wodden skyscraper connection node located in the south centre of Brno. Connections and transfers: highspeed trains from Germany, Austria and Slovakia intersecting with Elon Musk´s hyperloop Bringing Prague and Wien. Connection of wood and the newest technologies. Grow and connect.
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THE INTERNAL ORGANIC STRUCTURE is generated by the script according to the requirements of the individual units for space. You can assign the required volume to each cell, and the script can find their best arrangement. Hyperloop, a boom in new technology that can revolutionize communication, but is still at the beginning of its development and will need more space and time to improve. The research center for this issue is placed in center.
apartments offices
research center
hyperloop train/suburban railway
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FACADE The outer facade connects and terminates the individual floors and connects the vertical structure with the horizontal. MATERIAL The main building material is wood - cut and growing, one of the most sustainable building materials. One m3 of wood binds up to 250 kg of CO2 Renewable raw material Good insulation properties Ease Durability Easy disposal and recycling STRUCTURE The internal structure is defined as the minimum surface. This is a geometry that has an overall average curvature of zero. Thus, despite its complexity, it is statically advantageous.
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All renders were made in Unreal Engine 4 video avaible here: https://www.youtube.com/watch?v=rp8gw0JKY5U It s also possible to present it in VR.
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Transport terminal 2017 BUT bachelor project supervisor - Jan MlĂŠÄ?ka
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A new gate to the city. The terminal connects train and bus services and complements the facilities that are missing in the newly emerging city center.
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SITE City is dealing with a bad connection to a traffic infrastucture the railway station is situated 4 km from the city centre. Site is located inside a fragmented industrual area at the outskirts of the czech city with population around 15 000 people. Site is to be revitalized and has a potential to become a future centre of the city. WIDER RELATIONS The new concept uses old supply railload tracks crossing the site towards the thermal power station. A new terminal emerging from this work is fusing a railway station together with bus station and other functions.
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FLOW Area is located at the main crosses of multiple traffic flows. The pedestrians, bicycles, cars and also train. The concept is inspired by these flows and deals with the area as the whole, instead of separated solution to diverging the traffic. BUS MOVEMENT Bus has the shortest path possible. It connects the entry and exit paths. Bus then flows throught the area. TRAIN MOVEMENT The train arrives from the southwest lope across the viaduct to the head stations’ first floor. While exiting the train, a pedestrians move smoothly across the “highline” bordered with poly-functional units such as shops, coffees, library and other services. Visitors are participating in the city life immidiately and are directed into the city centre with both exit routes. PEDESTRIAN MOVEMENT When walking from the city to the terminal, pedestrian is left with choice to continue directly towards the train or buses through the exteriors or enter interior of terminal. Inside the terminal there are bicycle stand at the right side, continuing with tickets place, toalets and snackbar. Navigation inside terminal is intuitive. Through the glass panes you can see the bus station. Inside are dominant stairs with different leveling directing people up through the gallery towards a train station upstairs. The offices of traffic company are also situated inside the terminal, which are accesible from the first frloor of the exterior as well as from the inside. HIGHLINE This main space is bordered with polyfunctional units such as shops, coffees, library and other services. The platform becomes part of the public space, a residential street that works without the presence of passengers. In areas with less movement density, the surface is shaped and serves as a city furniture. 17
ŘEZ C PODÉLNÝ CELÝM ÚZEMÍM
POHLED C VÝCHODNÍ
POHLED A SEVERNÍ
ŘEZ A PODÉLNÝ
POHLED B JIŽNÍ
PŮDORYS 1:200 PŘÍZEMÍ
0
25
0.33
0.32 0.30
0.31
0.29 0.28
0.26
0.27
0.1
TERMINÁL
0.34
0.35
LEGENDA MÍSTNOSTÍ TERMINÁL
LEGENDA MÍSTNOSTÍ POLYFUNKČNÍ DŮM
0.25
OZN.
NÁZEV
PLOCHA (m2)
0.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8 0.9 0.10 0.11 0.12 0.13 0.14 0.15 0.16 0.17 0.18 0.19 0.20 0.21 0.22 0.23 0.24 0.25 0.26 0.27 0.28 0.29 0.30 0.31 0.32 0.33 0.34 0.35
TERMINÁL PŘEDSÍŇ TECHNICKÁ MÍSTNOST ŠATNA WC SKLAD BUFET PŘEDSÍŇ UMÝVÁRNA WC ŽENY WC ŽENY WC ŽENY TECHNICKÁ MÍSTNOST WC MUŽI UMÝVÁRNA WC MUŽI WC MUŽI ŠATNA UMÝVÁRNA WC SPRCHA POKLADNA POKLADNA POKLADNA POKLADNA CHODBA ŠATNA WC UMÝVÁRNA SKLAD KUCHYŇKA ARCHIV ZASEDACÍ MÍSTNOST KANCELÁŘ KANCELÁŘ
430,21 2,82 2,91 3,24 1,82 4,21 19,82 8,21 4,22 1,41 1,45 3,85 2,85 3,95 4,22 1,45 1,42 27.21 1.35 1.20 1.34 5.72 5.72 5.72 5.72 18.20 5.32 2.72 1.84 6.21 5.12 7.35 27.80 41,22 21,58
0.24
0.18
0.23
0.20
0.19
0.21
0.22
0.17 0.15
0.16
0.14
0.13
0.12
0.8
0.11 0.9
0.10
0.7
0.2 0.3
0.6 0.4
0.5
28
KAVÁRNA
. NA ŘÍJ
0.78
0.77
0.79
0.75
0.76 0.80 0.82
0.72
0.74
0.73
0.81
0.57 0.53
0.68
0.55 0.54 0.56 0.51 0.69
0.71
0.49 0.50
0.70
OZN.
NÁZEV
PLOCHA (m2)
0.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8 0.9 0.10 0.11 0.12
SÁL CHODBA SKLAD ŠATNA WC WC WC TECHNICKÁ MÍSTNOST ŠATNA KUCHYŇKA SKLAD UČEBNA
230.23 21.23 10,20 7,24 2,82 4,21 4,82 8,21 9,22 10,41 12,45 30,85
0.13 0.14 0.15 0.16 0.17 0.18 0.19 0.20 0.21 0.22 0.23 0.24 0.25 0.26 0.27 0.28 0.29 0.30 0.31 0.32 0.33 0.34 0.35 0.36 0.37 0.38 0.39 0.40 0.41 0.42 0.43 0.44 0.45 0.46 0.47 0.48 0.49 0.50 0.51 0.52 0.53 0.54 0.55 0.56 0.57 0.58 0.59 0.60 0.61 0.62 0.63 0.64 0.65 0.66 0.67 0.68 0.69 0.70 0.71
SKLAD KOMERČNÍ PLOCHA ŠATNA WC TECHNICKÁ MÍSTNOST SKLAD KOMERČNÍ PLOCHA ŠATNA UMÝVÁRNA WC TECHNICKÁ MÍSTNOST SKLAD SKLAD KOMERČNÍ PLOCHA UMÝVÁRNA WC TECHNICKÁ MÍSTNOST ŠATNA SKLAD KOMERČNÍ PLOCHA UMÝVÁRNA WC TECHNICKÁ MÍSTNOST ŠATNA SKLAD KOMERČNÍ PLOCHA UMÝVÁRNA WC TECHNICKÁ MÍSTNOST SKLAD KOMERČNÍ PLOCHA UMÝVÁRNA WC TECHNICKÁ MÍSTNOST SKLAD KOMERČNÍ PLOCHA UMÝVÁRNA WC TECHNICKÁ MÍSTNOST SKLAD KOMERČNÍ PLOCHA UMÝVÁRNA WC TECHNICKÁ MÍSTNOST ŠATNA SKLAD KOMERČNÍ PLOCHA ŠATNA WC SKLAD KOMERČNÍ PLOCHA ŠATNA WC SKLAD
CHODBA KOMERČNÍ PLOCHA ŠATNA WC TECHNICKÁ MÍSTNOST
40,20 93,95 3,22 1,31 1,35 8,25 76,95 4,22 1,31 1,35 10,25 68,95 4,22 1,42 1,31 1,35 8,25 7,97 23,25 1,22 1,31 1,35 1,41 4,25 33,25 1,22 1,31 1,35 1,41 4,25 30,56 1,22 1,31 1,35 4,35 33,56 1,22 1,31 1,85 4,35 28,66 1,22 1,31 1,85 3,82 21,25 1,22 1,31 1,95 1,81 5,25 23,95 1,98 2,31 6,25 23,95 1,98 2,31 6,25
0.72 0.73 0.74 0.75 0.76 0.77 0.78 0.79 0.80 0.81 0.82
BAR KAVÁRNA CHODBA WC ŽENY ÚKLIDOVÁ MÍSTNOST WC MUŽI
ŠATNA TECHNICKÁ MÍSTNOST WC KUCHYŇ SKLAD
6,98 1,31 4,25 14,55 6,52 6,98 128,52 5,35 2,54 3,95 2,32
0.48
0.66 0.52
0.67
0.65
0.47
0.43
0.45
0.64
POLYFUNKČNÍ DŮM
0.44 0.46 0.40
0.61
0.38
0.59
0.39
AUTOBUSOVÉ NÁDRAŽÍ
0.60
0.41
0.62
0.37
0.58 0.42
0.63
0.36 0.35 0.34
0.31
0.32 0.33 0.28
0.19
0.26 0.27
NÁSTUPIŠTĚ
ŘEZ B PŘÍČNÝ
ŘEZ B´ PŘÍČNÝ
0.25
0.20 0.24
0.29
0.23
0.21 0.22
0.30
0.18
0.17 0.16
0.15
KOMERČNÍ PLOCHY 0.14
NÁSTUPIŠTĚ
0.13
0.11
0.10
0.9 0.12
0.8
0.7 0.2 0.6
0.5 0.3 0.4
0.1
KULTURNÍ CENTRUM
BAKALÁŘSKÁ PRÁCE, KRISTÝNA UHROVÁ, FA VUT BRNO, 2017
ŘEZ C´ PODÉLNÝ CELÝM ÚZEMÍM
Floor ground floor 18
ŘEZ A´ PODÉLNÝ
POHLED A SEVERNÍ
POHLED D ZÁPADNÍ
POHLED B JIŽNÍ
VIADUKT
PARKOVIŠTĚ
PARK
POHLED C VÝCHODNÍ
POHLED B JIŽNÍ
ŘEZ A PODÉLNÝ
POHLED A SEVERNÍ
ŘEZ C PODÉLNÝ CELÝM ÚZEMÍM
PŮDORYS 1:200 PŘÍZEMÍ
0
LEGENDA MÍSTNOSTÍ VLAKOVÉ NÁDRAŽÍ
25
LEGENDA MÍSTNOSTÍ POLYFUNKČNÍ DŮM
OZN.
NÁZEV
PLOCHA (m2)
OZN
NÁZEV
PLOCHA (m2)
1.1 1.2 1.3
SCHODIŠTĚ GALERIE NÁSTUPIŠTĚ
127,21 170,82 1420,91
1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 1.9 1.10
KNIHOVNA VÝDEJ KNIH SKLAD KNIH ŠATNA WC SKLAD TECHNICKÁ MÍSTNOST WC WC CHODBA
238,21 12,82 35,91 7,24 2,82 11,21 4,82 4,21 4,22 48,41
1.11 1.12 1.13 1.14 1.15 1.16 1.17 1.18 1.19 1.20 1.21 1.22
KOMERČNÍ PLOCHA SKLAD ŠATNA WC KOMERČNÍ PLOCHA SKLAD ŠATNA WC KOMERČNÍ PLOCHA SKLAD ŠATNA WC
90,45 29,85 3,85 1,95 72,45 29,85 3,85 1,95 52,45 29,85 3,85 1,95
1.23 1.24 1.25 1.26 1.27 1.28 1.29 1.30 1.31 1.32 1.33 1.34 1.35
KOMERČNÍ PLOCHA SKLAD ŠATNA WC KOMERČNÍ PLOCHA SKLAD ŠATNA WC KOMERČNÍ PLOCHA KOMERČNÍ PLOCHA SKLAD ŠATNA WC
52,45 29,85 3,85 1,95 54,45 25,85 3,85 1,95 31,45 74,20 22,85 3,85 1,95
1.36 1.37 1.38 1.39 1.40 1.41 1.42 1.43 1.44 1.45 1.46 1.47 1.48 1.49 1.50 1.51
ŠATNA UMÝVÁRNA WC KUCHYŇ PŘÍPRAVNA BAR RESTAURACE CHODBA WC ŽENY ÚKLIDOVÁ MÍSTNOST WC MUŽI
CHODBA ODPADY SKLAD CHLADÍRNA TECHNICKÁ MÍSTNOST
17,52 8,25 15,56 13,54 9,87 13,52 1,58 1,35 21,31 20,32 18,67 164,27 5,35 2,54 3,95 2,32
1.54
RESTAURACE
1.1
1.52 1.53 1.54 1.55
1.47
1.2
1.56
1.52
1.46
1.48
1.51
1.50
1.42
TERASA RESTAURACE 107,52 25,24 SCHODIŠTĚ RAMPA 360,25 VEŘEJNÉ PROSTRANSTVÍ 'HIGHLINE' S DŘEVĚNÝM POSEZENÍM 2138,14 RAMPA 346,22
1.45
1.49
1.44
1.43
1.2 1.41
1.53
1.37
1.55
1.39
1.38
1.40
1.36
KOMERČNÍ PLOCHY 1.32
1.31
1.55
1.34 1.33 1.35 1.27 1.3
1.28
1.30
1.29
1.24
1.55 1.23 ŘEZ B PŘÍČNÝ
ZASTÁVKA VLAKU
ŘEZ B´ PŘÍČNÝ
1.26
1.25 1.21
1.22
1.19
1.20
DETAIL - UKOTVENÍ ZÁBRADLÍ KE STUPNI SCHODIŠTĚ
1.16
1.15 1.55 1.17
DETAIL PŮDORYS M 1:5
1.18
1.14
1.13
1.12
1.55
PRYŽOVÁ PODLOŽKA tl. 2 mm ZÁVITOVÁ TYČ M10 NEREZOVÝ DRŽÁK SKLA průměr 50mm
KOMERČNÍ PLOCHY
DVOUVRSTVÉ SKLO celk. tl. 12mm
1.11
DRÁT OCEL - r=4mm OCELOVÝ PÁS tl: 6mm
1.10
1.3
1.9
1.3
1.8
1.7 1.6
1.55
1.5
1.3
NÁSTUPIŠTĚ
NÁSTUPIŠTĚ
DETAIL ŘEZ M 1:5
1.4
1.59
1.2 OCELOVÝ PÁS (tl. 6mm)
1.1
KOUTOVÝ SVAR
KNIHOVNA
NEREZOVÝ DRŽÁK SKLA
DETAIL AXONOMETRIE 1.56 1.55
Floorplan 1st floor BAKALÁŘSKÁ PRÁCE, KRISTÝNA UHROVÁ, FA VUT BRNO, 2017
POHLED B JIŽNÍ
ŘEZ A´ PODÉLNÝ
ŘEZ C´ PODÉLNÝ CELÝM ÚZEMÍM
POHLED A SEVERNÍ
POHLED D ZÁPADNÍ
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POHLED C VÝCHODNÍ 1:200
+12,830
+12,720
+9,100 +4,270
+
Cut
20
Elevations
0,000
4,270
0
STATICAL ANALYSIS OF SHELL IN GRASSHOPPER - KARAMBA. Whole building is designed from white concrete. Bulidings has a shape of a gable. Around the perimeter there are supported by carrier wall 250 mm thick supported by steel columns. The roof of bus station is designed as such. Carrier elements create grid-like structure and are separeted 10 m from each other. The construction of train viaduct is designed similarly.
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House II 2019 BUT supervisor - Jiří Vítek
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Built in 1970 by architect Peter Eisenman, House II still looks completely modern with overlapping rectangular planes and open spaces on a three-dimensional grid.
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Built in 1970 by architect Peter Eisenman, House II still looks completely modern with overlapping rectangular planes and open spaces on a three-dimensional grid. The house is part of a set of architectural experiments designed by Eisenman, only four have been completed.
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ANALYSIS
House II has two structural systems - one of the columns and one of the walls - each is sufficient to accommodate the structural requirements of the house. The columns are built on a basic regular ground grid, the walls on the shifted grid. Its deformation creates additional volumes and structures of the house. The house is divided into 9 squares on each floor. The program is distributed almost independ on structure - for example a different program has the same area. Generally it is not very user friendly. It acts as a mere filling of volume. Unimportant. 26
The columns are built on a basic regular ground grid, the walls on the shifted grid. Its deformation creates additional volumes and structures of the house.
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STRATEGY Script for generating the house is based on deformation of grid of House II. We can change several parameters. 1 PROGRAM variables - number of filled squares and number of habitants
2 STRUCTURE variables - amount of structure and the degree of openness and closeness
3 ARTICULATION variables - grid deformation rate
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1. ENTRY 2. LIVING 3. KITCHEN 4. DINING 5. MORNING TERRACE 6. GARAGE
2.
6.
4.
5.
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3.
1. BATHROOM 2. BEDROOM 3. OFFICE 4. TERRACE
2.
3.
4.
1. 1.
2.
6. terrace
4. kitchen
winter garden 6.5.terrace
3. dining 4. kitchen
2. living 5. winter garden
2. study
2. living
5. bed
3. dining
5. bed 1. hall
ry
ry
lavato
lavato
1. hall
lavatory 1. entry
2. study
lavatory
1. entry 6. bed
6. bed 4. bed
3. study 4. bed
3. study
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Altwasser 2015 BUT cooperation with Roman Kekel supervisor - Jan Mléčka
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Erasing the boundaries between landscape and habitation. The landscape becomes the habitation and the habitation becomes the landscape. The new ecosystem. Symbiotic process. Mutual benefit between the structures. Expansion dependent on each other. The gradual connection. Adapting. Changing. Growing.
The proposed structure, full of technologies, connects human physicality with ecological environment. It prevents spatial emptiness. Physical interface that interacts with the surrounding landscape.The architecture becomes more biological. The structure designed by natural processes. Responds to the surrounding environment.
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URBANISM The every part of rhizom can be and must be connected with every other part of a rhizome. Rhizom can’t be divided and destroyed. It will start to grow from its’ older or newer parts. The fundamental workings of rhizom model illustrates Deleuze and the Guattari with many examples on various levels of life and culture - in nature and biology (orchids and the axis, tubers, rats), a social organization (nomadism), urbanism (spatial structure of Amsterdam), science (way of functioning of the brain, viruses), technology (computer communication network), psychology (schizoanalysis), neurology (short-term memory), philosophy (Friedrich Nietzsche), music (ritornellos, music notation of Sylvan Bussoti), literature (works of Heinrich von Kleist, Marcel Schwob and Armand Farrachii) and even in sports (driving principles surfing, windsurfing or Delta Flyer). Its concept apply to geocultural differences between Western and Eastern civilizations: while the first is dominated by arborescent model, the second is characterized more by Rhizome model. Today, we may add horizontal gene transfer, hypertext, internet or terrorism. The timeless concept of rhizome takes its relevance especially in terms of new creativity and new sensibilities as a reflexive fusion of scientific, aesthetic and the artistic thinking. The principles of a rhizome are defined as: connection, heterogeneity, multiplicity, rupture, cartography, decalcomania.
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GROW It is a long going process, which is neccessery for natural restoration of new eco-system inclining towards the original fauna and flora with integration of human as a part of nature. NATURAL REGENERATION OF THE FOREST The new vegetation grows under the protection of parent stand. Gradual reduction of the original forest in order to create the optimum conditions for seeding, rooting and growth of the new trees.
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STRUCTURE In the first phase, the network will identify strategic points and specific characteristics of the place. They are first impulses, from which the network organically by principle of rhizome, branching into the environment and gradually grow together with others. Each part of the early developed almost independently of the other structures and the network is a sustainable. From solitaires will become a strong and vibrant structure in a few decades that itself finds the best relations and connections. In principle, this will be like the natural base unit - tree. First, take rooting and growing, and then start to look for the best shape and location of branches and leaves. In the next step will connect with other cells.
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TECHNOLOGY In next century our planet will be overpopulated and lack of shelters will be global problem. The use of spruce wood of original forest monoculture will serve as one of the components for the newly emerging habitable structure. They are first impulses, from which the network organically by principle of rhizome, branching into the environment and gradually grow together with others. Each part of the early developed almost independently of the other structures and the network is a sustainable. From solitaires will become a strong and vibrant structure in a few decades that itself finds the best relations and connections. In principle, this will be like the natural base unit - tree. First, take rooting and growing, and then start to look for the best shape and location of branches and leaves. In the next step will connect with other cells. filling - spruce wood glue - PLA material support - glass fiber
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CELL The basis is a cloud of habitable cells, which will grow parallel with trees. It serves as a conduit of energy and water to each other enclosed cells. ENERGY CYCLE The rain water is collected, it flows through the structure. The roots are cleaning it and it soaks the ground beneath. Through the drills it is collected again and cycle closes. Energy is taken from solar and wind power plants. The heat is transfered from the ground beneath using the drills.
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A conceptual model of gradual structure growth. Growth of salt crystals in Sodium silicate solution.
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Symbiont Evolo competition 2018 team Jiří Vítek Martin Dlabaja Vojtěch Marek Patrik Kučavík
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We sit down at the computer and connect to the enhanced world. Having sent several metres of emails, we go to have a coffee, in the corridor we meet just a few colleagues, we do not know what is happening outside, one storey above us, one storey below us.
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THE STORY The skyscraper is a unique example of the exploitation of sources, it is a concentration of sources: financial, social as well as natural. We get up in the morning and elbow our way through the crowds and excessive traffic to get into our skyscraper on the way we come across several dirty people, ignore them, enter the lobby, pass through the detection frame and rise in one of the lifts to reach our open office. We sit down at the computer and connect to the enhanced world. Having sent several metres of emails, we go to have a coffee, in the corridor we meet just a few colleagues, we do not know what is happening outside, one storey above us, one storey below us. We need to go to the toilet, we go there and when finished we flush the toilet: 5 litres, 15 litres, 40 stories, 200 toilets, 80 flushes per hour, 3700 litres per shift, 450000 litres a day, 10,000,000 litres a year... INTRODUCTION Water consumption keeps growing while water sources are becoming inaccessible and polluted. The tendency of the development is leading towards radical measures. Rationed water, the reduction of consumption, overheated cities and the global changes in climate. On the other hand, the solution is easy to see. The skyscraper is a manifestation of individual strength and power. The collective power – the whole, the system and nature – is however much stronger that an individual. We have spent too much time competing and fighting each other and found out that, although we are able to surpass ourselves, we forget about the whole, we forget that through our competition we have destroyed our surroundings, our environment, our relationships. Modernity meant progress based on inexhaustible resources but how to continue: we are beginning to realize that our resources may run dry. We consume thousands of litres of water a day. Our cities are grey concrete areas and rainwater is not retained – just after rain it runs off 45 into the sewerage.
TECHNICAL INFORMATION System of wetland roofs and rainwater retention. The building’s roof will include horizontal and sloping wetland elements. These are green roofs composed of substrate satiated with water in which wetland plants grow.
THE SYSTEM a) retains rainwater on the roof b) cools the roof c) cools and moistens the surroundings Excessive rainwater runs off into the retention tank on the roof. When there in not enough water on the roof, the wetland roof is irrigated from the retention tank. The parts of the of the system of wetland roofs and rain
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WATER DETENTION - horizontal wetland roof - sloping wetland roof - a retention lake for rainwater - pumping and accumulation reservoirs
SECONDARY INFLUENCE: COOLING AND SHADING The common skyscraper facade warms up to the temperature of 5060°C in summer, the green facade can absorb sunbeams and thanks to this its temperature during summer is 26-32°C. With the use of at least 15-21% we manage to save 6600KW of energy needed for cooling.
TERTIARY IMPACT Communications, the spatial city. Thanks to the root zone water treatment plant we obtain a new level of the city that can be used to get to know new spaces, not accessible until now, by walking.
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CONCLUSION I leave the toilet flushed with pre-washed water. I pour myself water and go for a walk on the 35th storey. Thanks to the symbiont we manage to save up to 98% of water. Thus skyscrapers change from closed individuals into the interlinked community of the co-existing and cooperating sociological ecological new reality.
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Pont sur la Seine seminary project 2018 ENSA Bretagne FR colaboration with Nino de Silvestri Charles VallĂŠe
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The location is located in the middle of Paris near Saint Louis Island. It connects three banks, which are not only a tourist destination, but also the seat of the university and the library. We joined these three different neighborhoods and placed in the middle of an attractive program where people from these parts could meet - an open amphitheater and a cafe overlooking the river and nearby Notre Dame.
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THE PRINCIPLE OF STRUCTURE
The principle of reciprocal structure the three arms of the bridge exert an equivalent force on each other and evenly distribute the pressure into the banks.
Slight vaulting in order to keep the height of 7 meters above the Seine in the middle, the bridge forms a slight arc.
Reinforcement The individual arms act on each other by a horizontal force which creates a rotational force in the central part. Hence, horizontal arcs are added to distribute this force to the shoulders.
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CONSTRUCTION PROCESS Step 1 Earthwork, foundation and spacing. The base of the bridge consists of concrete pillars and substructure concrete.
Step 2 At the same time, a support pole is erected on each side, which will temporarily serve as a support for the built-up shoulders.
Step 3 Upon completion of the individual arms, a central section is transported to the site, which is built outside the construction site and transported along the river. Step 4 The central section is lifted up to the shoulders and once the bridge acts as a unit, the boom support systems can be removed.
Step 5 Finishing - adding footbridges and program, reconstruction of banks. The bridge is open to the public.
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Lookout water tank 2018 concept project for the municipal council
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+ 34,0
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5m
Tower water reservoir in Brno-Kohoutovice was designed in 1969 by Czech architect Tomáš Černoušek. The work is inspired by Czech cubism with the sculptural tendencies in the architecture of that time and is one of the landmarks of Brno. In the coming years it should stop performing its function and this structure will remain unused. The city came up with a proposal to transform the water tank into an observation tower. The proposal tries to leave the space to a distinctive brutalist structure and create a new statue, which is a kind of path for gradual familiarization not only with the object itself, but also with the surroundings and the landscape.
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Santini language 2016,2017,2019 Workshops tutors Jiří Vítek Ján Pernecký Tomáš Tholt Shota Tsikolia
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Reinterpretation of Santini´s principles of creating his architecture. Arithmetic, geometry, symmetry. The shape is completely parametric and it was designed in software grasshopper for rhino. Jan Blažej Santini Aichel was a first modern architect. He was able to merge two different architectural styles Baroque and Gothic in harmony in his Baroque epoch. It s a result of workshop Santini´s language II. 11/2017.
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Protoarchitecture, architecture based on light, one of the basic elements of Santini’s work. We made b&w digital photo of the dome of the church of St. John of Nepomuk, there is a matrix of points that carry characteristics of light properties. Then we have programmed a set of vectors in order to spread into the space. Vector in a collision with some point with a different intensity of light changes its direction vector of a certain angle. This creates a structure generated by light. It s a result of workshop Santini´s language I. 4/2016 in cooperation with Roman Kekel and Matěj
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SANTINI LANGUAGE EXIBITION I. 19.3. - 28.3. 19 FA BUT
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SANTINI IN VR
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Kristýna Uhrová 2019
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