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1.3.1 Story telling through the overlay between quantitative and qualitative analogy
1.2.1 Story telling through the overlay between quantitative and qualitative analogy.
Narrative
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The Painting here is looked as a Precinct with a Control line dividing the precinct into two opposite stories.
The first story is a stable and simple expression due to presence of a dominant and only one line extending through the dominant. Thus, we call it the story of Simplicity.
The second story is a mayhem of elements. It has two colors having equal areas. There are lines that are not relating to anything. Thus, we call it the story of Chaos.
The only line, part of both the stories, connecting them is the Story connector. The story connector together with the control line makes 4 rooms giving individual spaces for each color to move. Room of red & black in story of simplicity and room of blue & yellow in story of chaos. The only subdivision which is a part of both the stories is the common or neutral subdivision. It is small yet an important part of the story.
Some fixed aspects (CONSTRAINTS)
(1) The control line (2) The location of the colors (3) Area covered by the colors (4) Position of the common subdivision
Some variable aspects (PARAMETERS)
(1) The story connector (2) Proportions of all the rectangles (3) Number of divisions in the story of chaos (4) Area of black divisions
Figure 1-6 Narrative (Astha Shah final year B.Arch) a) Area covered by the painting Painting 1 Painting 2 Painting 3b) Painting is here looked as precedent with control line dividing it into two opposite stories.. c) Subdivision of the painting
Areas covered by colored rectangles with respect to the total area of the painting
a
There is a Dominance of the red color. Areas covered by diff erent colored rectangles are almost of equal proportions in Painting 2 and Painting 3.
This creates Stability. This creates Instability and Chaos.
Control Line Geometric shapes and their meanings
Control Line
Dominant Red Control Line Conclusion
Blue TwinControl LineThe presence of Squarish geometry and a Dominant
in painting 1 makes it a stable expression Blue Twin in comparion to the other two paintings.
The fi rst story is a stable and simple expression due to presence of a dominant and only one line extending through the dominant. Thus, we call it the story of Simplicity.
The only line, part of both the stories, connecting them is the Story connector. The story connector together with the control line makes 4 rooms giving individual spaces for each color to move. Room of red & black in story of simplicity and room of blue & yellow in story of chaos. The only subdivision which is a part of both the Some fi xed aspects (CONSTRAINTS) (1) The control line (2) The location of the colors (3) Area covered by the colors (4) Position of the common subdivision
Dominant Red
Stability (to pause) Transit (to move)
The story of Simplicity
Yellow Twin The story of Chaos
b
The Painting here is looked as a Precinct with a Control line dividing the precinct into two opposite stories.
Yellow Twin
The story of Simplicity The second story is a mayhem of elements. It has two colors having equal areas. There are lines that The story of Chaos are not relating to anything. Thus, we call it the story The Painting here is looked as a Precinct with a Control line dividing the precinct into two opposite stories. of Chaos.
The fi rst story is a stable and simple expression due to presence of a dominant and only one line extending through the dominant. Thus, we call it the Common story of Simplicity.
Subdivision
Room of Red Common Subdivision Room of Blue
Story Connector Room of Red
Room Room of Black Room of Yellow of Blue Story Connector
The second story is a mayhem of elements. It has two colors having equal areas. There are lines that Area-Blueare not relating to anything. Thus, we call it the story of Chaos.
A sq. units
Area-Red (30% of areaprecinct) Area-Blue A sq. units
8A sq. units Area-Red (30% of areaprecinct)
8A sq. units Area-Yellow A sq. units
c
Room of Black Room of Yellow
The only line, part of both the stories, connecting them is the Story connector. The story connector together with the control line makes 4 rooms giving individual spaces for each
Area-Yellow A sq. units
Some fi xed aspects (CONSTRAINTS) (1) The control line Page 29 Some variable aspects (PARAMETERS)(2) The location of the colors (1) The story connector (3) Area covered by the colors
