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VIRGINIA TECH | B. ARCH 2018
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UNDERGRADUATE ARCHITECTURAL WORKS OF KEVIN GARCIA
ARCHITECTURE PORTFOLIO K evin W . G arcia Bachelor of Architecture 2018 Virginia Tech
contact kwgarcia94@gmail.com (757) 322-7583
ta b le of content s
b lack s b urg b oul d er s
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RICHMOND LIBRARY
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SAILING SCHOOL
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s culpture galler y
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m ap archive
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current work
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naef to y s alt an d pepper s haker s
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re s u m e
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B L A C K SB U R G B O U L D E R S 4th Year Studio | Blacksburg | Fall 2016
After reviewing the historic importance of where the site sits in relationship to the Blacksburg Original 16 Squares, I felt that it was necessary to create a redevelopment of several public spaces to give back to the community and to ultimately reinvigorate the surrounding spaces. As a reaction to the site, a clear public space for travel played an essential role to opening the alleyway near Bollo’s and the church. In addition to the renovation of the public staircase, the pre-existing tree near Bollo’s will remain as the building’s entrance will wrap and adapt around it. Considering that Downtown Blacksburg is surrounded by historic red brick buildings, it was important to have a clearly defined building while keeping an industrial facade that is present from the Armory. Thus, using concrete and corten allowed for a visual weight to the corner of Jackson Street and Draper Road. Due to the importance of cadence and rhythm throughout the building. The lightwells depict the clarity of the idea of the building the best. Due to the placement and how it connects to the structure, the lightwells allow for the public to enjoy both the light and view of the sky. In addition, how the overhead plan shifts from high ceiling to low ceiling allows for an overall tension of space. This in turn makes the tall ceiling of the rock climbing wall to be the most attractive space. Although the interior was an important facet, the public spaces that are sanctioned in three clear areas will give the public different spatial relationship to the surrounding buildings. For example, the outdoor climbing wall also functions as a place for resting as it overlooks the Armory and the large oak tree near Bollo’s.
GYM INTERIOR
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LOCKERS
ELEVATOR
(UNDERNEATH): ADMINISTRATIVE SUITES OUTDOOR BOULDERING SPACE
RESTROOMS SMALL EVENT SPACE
TRANSITIONAL SPACE
ROCK GARDEN
RECEPTION DESK SMALL WORKSHOP MAINTENANCE ROOM/STORAGE COWORKING SPACE
ROCK CLIMBING WALL
FIRE EXIT ROUTE 2.5’
5’
HANDICAP ACCESSIBILITY 10’
FIRE RATED STAIRCASE
OUTDOOR CIRCULATION 5
STRUCTURAL ASSEMBLY AXON CORTEN FLASHING
CAST IN PLACE CONCRETE RIGID INSULATION 1” THICK CORTEN SHEET BOLTED ON CONCRETE WALL 1/8” THICK GLASS SKYLIGHT
WALL-LIGHTWELL DETAIL
DRAPER ROAD ELEVATION
JACKSON STREET ELEVATION
3”
6”
PARKING LOT ELEVATION
12”
1’
2’
4’
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R I C H M O N D L I B R A RY 3rd Year Studio | Blacksburg | Spring 2016
At the site of Shockoe Bottom in Richmond, Virginia, there was lack of cultural spaces that truly activated the neighborhood. Within the proposed site, there is an historic church that sits atop of the hill and across lies view of the James River. N
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Taking inspiration from Buddhist temple designs, I wanted the space to have a certain monumentality in each floor. I found it crucial to create a large spiral staircase that functions as the main artery of the building as well as lightwell for each floor. The feeling of going through the spiral staircase was meant to feel cosmic and similar to a journey to enlightenment. Thus the higher the individual goes up into the space the more variety of books one is able to gain knowledge and wisdom from.
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It was important in the design of the library that the space connect near a crucial corner of North 21st Street, East Franklin Street and also having access to East Grace Street.
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In each floor, a rhythm of archways are accented in each room. The arches allow the space to be open to circulation as well clearly denote a change in programmatic relationship. EA
FLOOR CONSTRUCTION
CEILING CONSTRUCTION
1. CONCRETE FOUNDATION FLOOR SLAB 2. METAL DECKING 3. 3 INCH CONCRETE POUR OVERTOP METAL DECKING 4. INSERT STEEL RODS FOR FLOOR RISERS 5. WOOD PANEL OVERTOP STEEL RODS 6. THIN CUSHION MEMBRANE LAYER (THERMAL BREAK) 7. POLISHED STONE TILES OR HARDWOOD FLOORING
1. 2 INCH X 1 INCH X 10 FEET WOODEN SLATES 2. STEEL THREADS WITH WASHERS TO CONNECT WOODEN SLATES 3. OPEN WEB STEEL JOIST 4. METAL DECKING 5. CAST ON SITE CONCRETE
RAMMED EARTH WALL CONSTRUCTION
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VIEWS TO THE JAMES RIVER
3’
6’
12’
1. WOODEN FORMWORK TIED WITH REBAR 2. PORTLAND CEMENT AND SOIL FOUND NEAR SITE MIXED 3. 1 FOOT LAYER COMPACTED INTO FORMWORK 4. PER EACH FLOOR DIVISION, CONCRETE TIEBAR IS CONSTRUCTED
LIGHTING SECTION ATMOSPHERE
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SPIRAL STAIRCASE ATMOSPHERE
CONCRETE TO GLASS DETAIL
4TH FLOOR MEZZANINE
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4TH FLOOR
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1. CONCRETE STRUCTURE 2. INSULATION 3. STEEL REINFORCEMENT 4. STEEL C-CHANNELS 5. METAL PLATE WITH BOLTS 6. GLASS
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3RD FLOOR MEZZANINE
3RD FLOOR
2ND FLOOR MEZZANINE
2ND FLOOR CONCRETE ARCHWAY AND GLASS CONNECTION GROUND FLOOR
BASEMENT FLOOR
CIRCULATION FLOW
LIBRARY PROGRAMS
READING SPACES
STORAGE | SERVICE SPACES
PUBLIC SPACES
MAIN LOBBY
INDIVIDUAL STUDY ROOMS
RESTROOMS
MULTIPURPOSE ROOM
STACKS
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40’
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SAILING SCHOOL 3rd Year Studio | Blacksburg | Spring 2016
The site in Claytor Lake in Pulaski County, Virginia, saw a need to redistribute where sailboats would be placed in the area. During summer seasons many locals and tourist inhabit the site to enjoy beach-like waterfronts as well as learn how to sail. It was crucial that the sailing school be placed near waterfront as well as close enough to the main parking lots. The sailing school is separated by public, private, and the transitional space between the public and private areas. Using that idea, the school is anchored by a large staircase which multi-functions as an auditorium, steam room, and as well as a public place of gathering. The curves of the stairs allow for a flow of pathways between room to room and it allows certain views of the interior space to be framed. With the use of polycarbonate screens, the translucency of the material makes a luminous field of light and allows for the atmosphere to feel weightless. The polycarbonate screens are filled with aerogel and supported by steel columns. The aerogel would function as both an insulation as well as a material that diffuses the natural light of the outside--in a way the boxed forms of the exterior facade would perform as a light box for the interior space thus, blending the conditions of the indoor and outdoor.
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CLAYTOR LAKE
NORTH ELEVATION
28’ 22’
9’
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STRUCTURAL SCREEN AND ROOF DETAIL 1. CONCRETE STRUCTURE 2. GLASS 3. WOODEN SCREEN 4. POLYCARBONATE TRANSPARENT INSULATION
OFFICES BATHROOMS SERVICE SPACES INDOOR GARDEN LOCKER ROOMS
PROGRAM RELATIONSHIP
COMPUTER ROOM BOAT STORAGE PUBLIC AUDITORIUM CLASSROOMS DOCK
4.5’
STAIR DETAIL
9’
18’
PUBLIC AUDITORIUM 11
S C U L P T U R E G A L L E RY 3rd Year Studio | Blacksburg | Fall 2015
Located in Virginia Tech’s campus, the importance to blend the presence of nature became a vital starting point to the integration of the gallery in the campus.
CORTEN CLADDING DETAIL
Focusing on the transitional space between the light and dark spaces, the decision to submerge the gallery spaces into the earth allowed for the viewers to experience the passing of time. This linear flow from above to below ground choreographs the pathways of the viewers. The importance of the line and the rhythm of space allows the sculptures to be framed in its own space.
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The retaining walls are timber framed concrete that has been burned slowly allowing for a certain texture and smell to develop into the space. The concrete roof are coffered and lined with copper. Using zenithal lighting, the tunnel space uses indirect lighting to guide the observers into the main atrium where they are able to go into several gallery spaces. 2 4 1. CONCRETE STRUCTURE 2. INSULATION 3. STEEL PLATE 4. METAL BOLT 5. CORTEN FLASHING
CIRCULATION AND PROGRAMMATIC RELATIONSHIP
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SOUTHEAST PERSPECTIVE
SCULPTURE GALLERY TRANSITIONAL SPACE CIRCULATION
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MAP ARCHIVE MUSEUM 2nd Year Studio | Blacksburg | Spring 2015
The concentric forms of the two semicircles and the connection at their midpoints allow the forms to weave in and out of each other like a river. Carved into the ground a grand staircase is introduced before the main lobby. The viewer enters the building and is captivated by the lightness of the lobby. As the viewer progress into the upper viewing space, it becomes significantly darker. The lack of light forces the viewers to adjust their eyes on the curved walls where the maps are hung for viewing.
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The juxtaposition of these two areas make the viewer experience the space in different manners. With the lobby’s glass walls the space is defined as the “light space,” whereas the viewing gallery’s indirect lighting and heavy concrete walls makes the space seem like the “dark space.” With experiences in the dark and in the light spaces, the viewer is able to serpentine through the gallery space as the curved spaces push and pull the individual to and from a corner.
EXPERIENTIAL QUALITY OF GALLERY SPACE
CURVED STAIRCASE ENTRANCE
2 STORY CURVED GALLERY WALL
OPEN ENTRANCE THAT TRANSITIONS INTO THE GALLERY SPACE
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2’
4’
ATMOSPHERE OF LIGHTNESS
CURVING STAIRCASE THAT INVITES THE PUBLIC INTO THE SPACE
ATMOSPHERE OF HEAVINESS
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CHANGSEO E L E M E N TA R Y
W O R K S I N P R O G R E SS 4th Year Studio | Seoul | Spring 2017
In the high foot and vehicular traffic that meets at the Sinchon site in Seoul, the preexisting park functions as a dead and unused space. In the development of iterations and site analysis, it was important to maintain the natural circulation of site. Pedestrians naturally lineate through the space perpendicular from one street to the next; therefore, the conception of the design stems from the idea of cutting into the solid in order to activate the center. This multi-programmatic building investigates the relationship between private and public spaces and how the in between can function as a threshold to another space. It was important that the building’s division of residential and community spaces be at opposite ends, but are connected by two bridges. These bridges allow for circulation between each program but also helps frame the market space below.
FIRST FLOOR
These varying moments of interaction between public and private allow the site to interact with the surrounding demographics as well as blend into the city’s context of public space.
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SECOND FLOOR
SINCHON S TAT I O N
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THIRD FLOOR
PROGRAM SECTION
FOURTH FLOOR
N A E F T O Y | S A LT A N D P E P P E R S H A K E R S 1st Year Studio | Blacksburg | Spring 2014 Industrial Design Studio | Blacksburg | Summer 2015
NAEF TOY: Named after the German word for bliss, “Wonne� is a toy designed with three handles. These handles are intended to invite interaction which produces a rewarding rattle. The inside of Wonne is designed for even weight distribution. This allows for the rattle to freely spin without losing balance. Coated with linseed oil, the maple wood toy is designed to be non-toxic. Babies to toddlers are encouraged to teethe on without repercussion SALT AND PEPPER SHAKERS: These traditional Japanese tea cup inspired salt and shaker peppers allow the user to elegantly season their food. Using the maple and walnut wood to denote which shakers are salt or pepper, the user is able to quickly identify which shaker to use. Hidden within the each wood vessel, magnets allow the aluminum lid to be sealed but also easily removable.
TOY PACKAGING
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RESUME
KEVIN W GARCIA 5620 Wilson Creek Rd. | Virginia Beach, VA 23464 Cell: 757-322-7583 | kwgarcia94@gmail.com
EDUCATION Bachelor of Architecture | Industrial Design Minor Virginia Tech, Blacksburg, VA Dean’s List – GPA 3.7
Expected Spring 2018
Fourth Year Study Abroad Hanyang University, Seoul, South Korea
Spring 2017
WORK EXPERIENCE Virginia Tech Marketing - Blacksburg, VA Pamplin College of Business Marketing Department Assistant Secretary Manages schedule for the Head of Secretaries of Marketing
June 2015 - Present
EXTRACURRICULAR ACTIVITIES Filipino American Student Association - Blacksburg, VA A cultural student organization that creates a show every year to express Filipino culture at Virginia Tech Script Director Producing a script that ties into Filipino culture Promoting the importance of understanding our heritage through dance, song, and script Studio Collective - Blacksburg, VA Design magazine aimed at creating an ongoing archive of conversations about design Co-Founder/ Graphic Designer/ Support Staff Advisor Organizing the general layout of magazine Advocating for our message and inspiring other designers to create conversations Dancing’s Our Poison - Blacksburg, VA A dance organization that hosts weekly dance workshops for the Blacksburg community Co-Director Functions as the artistic director for dance sets Graphic Designer/Executive Board Member Designing a weekly banner for guest workshops on Thursdays
August 2014 – May 2015
March 2014 – August 2015
September 2012 – Present
AWARDS | HONORS | PUBLICATION Fourth Year Fall Competition - Blacksburg, VA Selected for honorable mentions for the Blacksburg Boulders Project
December 2016
Clark Nexsen Architecture Scholarship Recipient- Blacksburg, VA Presented for outstanding work ethic and project quality
May 2016
Dance as Design - Blacksburg, VA Co-authored on a published article that correlates choreography to design research
December 2015
Second Year Competition- Blacksburg, VA Selected for honorable mentions for competition board graphics
February 2014
SKILLS Photoshop Illustrator InDesign Graphics
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AutoCAD SketchUp Rhino Photography
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2nd Year Studio | Blacksburg | Fall 2014
WOODEN SCREEN CONCEPT