Architectural
PORTFOLIO
YE JINGKUN THE UNIVERSITY OF AUCKLAND THE CHINESE UNIVERSITY OF HONG KONG GUANGDONG UNIVERSITY OF TECHNOLOGY
[ ACADEMIC EXPERIENCE 01 ]
4th YEAR l M.Arch. (Prof.) NOV 2012 l M.Sc. JUN 2010 l B.Eng.
RESUME
EDUCATION
SKILLS
YE JINGKUN
M.Sc. in Sustainable and Environmental Design, The Chinese University of Hong Kong B.Eng. in Urban Planning, Guangdong University of Technology e: kyip0083@gmail.com t: +64 021-0838-5058
Master of Architecture (Professional), The University of Auckland
2015-Now
Master of Science in Sustainable and Environmental Design, The Chinese University of Hong Kong · Lighting observation and assessment for office space in CUHK, Instructor: Prof Mike Wilson · Correlation between Sky View Factor and indoor air temperature requirement, Instructor: Prof Edward Ng · Urban air ventilation improvement design project for Sheung Wan HK, Instructor: Prof Lutz Katzschner
2011-2012
Bachelor of Engineering in Urban Planning, Guangdong University of Technology · 2010.06: Innovation award of Graduate Design(02/94), Guangdong University of Technology · 2008.12: The third scholarship of Guangdong University of Technology (for outstanding student) · 2008.12: The third scholarship of Guangdong University of Technology (for excellent academic performance) · 2008.12: The third scholarship of Academic Progress of Guangdong University of Technology · 2007.09: Activist of society activities, Guangdong University of Technology
2005-2010
Computing
Craft + Technique
Personal
Languages
· AutoCAD · ArchiCAD · Sketchup · Rhino · Revit · 3ds Max · Adobe Creative Suite · MS Office
· Hand-modelling · Hand-drafting · Laser cutting · Screen Printing
· Quick learner · Meticulous · Organized · Responsible · Self-motivated · Team player
· Cantonese · Mandarin · English
RECOGNITION
EXPERIENCE
The encouragement award of “City Vision-Achieve a Sustainable Future in Guangzhou” University Student Design Competition
2008.12
The winning award of “Tian Zuo Cup” National Student Architectural Concept Design Competition
2008.08
The second prize of the 12th Campus Cultural Festival—Architectural Design Competition
2007.11
OPD-Intership in Moller Architects @ Auckland, New Zealand · Physical model making, 3D model making
2015.03-2015.04
Architectual Designer in Zhongjing International Construction Design & Research Institute @ Zhuhai, China · Participation mainly in conceptual design, residential detail design and drawing · Participation partly in the institute’s project discussion and design · Computational Simulation, program design, text layout and PPT report
2013.09-2014.09
Architectural Assistant in SRT (S&P) Architects Ltd. @ Hong Kong, China · Participation in conceptual design, residential detail design and drawing · Lighting environmental and CFD simulations, energy modeling, text layout and PPT report
2012.07-2013.09
Urban Planner in Zhongjing International Construction Design & Research Institute @ Zhuhai, China · Participation in the institute’s project discussion and design · Market survey, information collection and analysis, program design, text layout and PPT report
2010.06-2011.09
Apprentice and Teaching Assistant in TSI DESIGN AND RESEARCH.INC.USA.CHINA @ Guangzhou, China · Participation partly in "Research on China’s waste plastic recycling" and "Termite residential concept program design" · Material collection and analysis, drawing design, 3D model design and analysis
2009.09-2009.12
Assistant Architectural Designer in Guangzhou Guangdong Engineering Consultant Co. Ltd. @ Guangzhou, China · Program design, text layout
2009.06-2009.09
CONTENTS 2015/06
TRICK & CAPTURE
01
2015/10
TO MEET BUT DON'T
07
2015 INDIVIDUAL ASSIGNMENT OF ADVANCED DESIGN 1
2015 INDIVIDUAL ASSIGNMENT OF ADVANCED DESIGN 2
PERSPECTIVE
Entrance of Theatre
01
TRICK & CAPTURE ONEHUNGA INNOVATION DISTRICT
Location: Total Constructed Area: FAR: Green Rate:
Auckland, New Zealand 2,6356 m2 0.25 37%
Individual Assignment of Advanced Design 1
FLOATING COMMUNITY The main concept of this design focused on how to emphasize and consolidate the core feature of the water based site. Because water does not serves as background of land and buildings, but the major figure of the distinctive link between natural resource and human activity in this region. Architecturally, two main buildings are made up of this Innovation District: “CIRCLE”, a bowl shaped stage relying on steel truss system, would double the stars by its highly reflective aluminum skin, just like the sea; “SQUARE”, a casino looks like a floating mousetrap with a hanging cheese, would offer an indoor space that feels like the outdoors, for notable even and funding the district development. However, rather than just offering a permanent plans that might enfeeble the possibilities of development, it proposes an idea to release the whole area under the CIRCLE and the SQUARE as a dock filled with diverse floating elements to form a dynamic environment that bring unique ambience and fresh experience.
HEIGHTS PLANISPHERE STARS
AUCKLAND
SITE ANALYSIS
ONEHUNGA WHARF
NEW ZEALAND
ARTERY ALLEY RAIL BLOCKING
PEDESTRIAN TRAIN PATH
The commercial complex would become the lobby for the project and the hotel will be set in the other side of the entrance lobby, where may be quitter and own a grand view. These two parts build up a HOPSCA that will benefit the functional integrity (completeness). The central area is for commercial service, exhibition and park, which mentioned before, a moving maze. While, before jump into the water, there will be an administration center in left side, which may also help to deal with the public ferry service in future. Last, the hydrophilic area is around the land and able to link with the foreshore in process.
1 9
A shot cut will be built to break the spatial separation caused by main road. So that people will be able to reach the refined harbor much easier. There will be telescopic bleacher stored in the refined shipyard and the new train station for people to enjoy the floating sport match or concert.
3
2
10
5
8 4
URBAN DESIGN
7 8
P
6
1. MALL 2. COMMERCIAL COMPLEX 3. HOTEL 4. TRAIN STATION
5. LIBRARY 6. CASINO 7. ART CENTER 8. DOCK
9. MARKET 10. PARKING
MASTER PLAN
PERSPECTIVE: LOBBY OF CASINO
PERSPECTIVE: DOCK OF ART CENTER (UP)
PERSPECTIVE: WATERSCAPE OF ART CENTER (DOWN)
DETAILS OF STAGE
STAGE ROOF
LEVITATING PLATE
1 2
HANGING GARDEN
CASINO OBSERVATION DECK
3
SKIN
4 5 6
EXHIBITION
LOBBY GARDEN
LEVITATING PLATE DETAILS MIRROR
WATERSCAPE PARK
1. ALUMINUM PANELS 2. METAL BEAM 3. STEEL TRUSS
SECTION A-A
ART CENTER
DOCK
ENTERTAINMENT COMPLEX
AXONOMETRY11
LEVITATING PLATE SUPPORT 4. METAL CONNECTION PIN 5. REINFORCED CONCRETE 6. CONCRETE BEAM
PERSPECTIVE: STAGE OF THEATRE
SECTION B-B
SOUTHERN ELEVATION
GROUND FLOOR MASTER PLAN11 FLOOR PLANS 1. ENTRANCE LOBBY 2. WATERSCAPE PARK 3. POOL 4. DOCK 5. EXHIBITION 6. MULTIPURPOSE HALL 7. MEETING ROOM 8. REGISTRATION 9. GIFT SHOP 10. BINGO 22
11. FOOD VENUE 12. BAR 13. GAMING AREA 14. VIP ROOM 15. RESTROOM 16. CAFÉ 17. KITCHEN 18. OFFICE 19. STORAGE 20. TOILET 21. HARBOUR 22. MARKET 23. PARKING 24. PLATFORM 25. READING ROOM 26. STAGE
23
25
18
21 1
3
5 1
6
19 5 5
24
2
20 4
5 20
7 5
FIRST FLOOR
5
6
18
PASSIVE HEATING AND COOLING DESIGN
TEMPERATURE BUFFER ZONE There is a temperature buffer zone between glass facade and central building. Also it is a ventilation tunnel, which can enhance the natural ventilation to take away the excess heat and keep the indoor temperature at the comfortable range for user in summer.
SOLAR USE Large area curtain walls with Low-E double glazing can take the best use of daylighting (solar), and achieve better effect of solar passive heating, meanwhile reduce heat loss in winter.
THIRD FLOOR
16
8
11
9
11
17
26
SECOND FLOOR
FIFTH FLOOR
14
13
10
FOURTH FLOOR
12 17 12
14
16 17
PERSPECTIVE
Cabin of Sense Tunnel
07
TO BUT
MEET DON'T
DANSE URBANUS: THE MECHANICS OF SERENDIPITY Location: Total Constructed Area: FAR: Green Rate:
Auckland, New Zealand 3,907 m2 0.09 86%
Individual Assignment of Advanced Design 2
THE CITY IS INDUCED TO PROMOTE SERENDIPITY ? With the information saturation produced by the digital milieu, in which predictive logistics negate chance, what becomes of serendipity and spontaneity in the city? This studio will look at the city as a Danse Urbnus and attempt to preserve and enhance this key characteristic of civitas by inciting accidental collusion through architectural agency. Can the three stages of intervention (e.g. illness,- the “Agent”, the “Infection”, and the systemic “Symptoms” resulting from the preceding two) be corroborative with a city’s ability to dance? As a point of departure, students will establish characteristics of the city through various ways of mapping creating their own context to produce active built agency.
AGENT Meet can be defined as specific contact between human and object. However, whether things have met may be hard to be clarified in some times. For example, some people may consider the core meaning of meet is separately based on seeing, hearing, smelling, touch, even feeling. Thus, my agent, my design topic, “to MEET, but DON’T” is intend to have a experiment about “meet” in our society.
TRANSMISSION Building normally is built for improving human’s environmental adaptability. These man-made structures offer a space where people can stay with others or stay away from others. In other worlds, building is exactly one kind of object that would help human to meet or not to meet some things. Thus, I try to use architectural language to represent “meet” and “not meet”.
SITE PLAN
GROUND FLOOR PLAN
HOST My host is an open space located at the gap between a high court and a church. As an open space settled in a brae, my host is not quite suitable for people to stay. In fact, many people do just go across it in hurry. They are able to meet someone in there, but most of they just pass someone in there. “Meet” or “not meet” are blurring in this place.
LEN My host’s subterranean contain a historical tunnel linked to Albert Park. The tunnel under my host is made up of three parts, two are 2.1m square and one is 2.7m high by 4.6m wide. It just likes that there are two separated worlds in the same place where let elements in there be united and detached.
UNDERGROUND FLOOR PLAN
DETACHMENT Due to the elements existing on the ground and in underground are so different, the additional part being about to be built in the host would contain two significantly different styles. The folly on the grounds would be lithe and light and the space under the land would be thick and dark. But there always are some building elements would link two parts of structure together.
NATURE The “forest� in the tunnel is created by the mirror and several trees. If the number of the trees in this space were able to fulfill the requirement of carbon recycle, would the people in this space can accept they have met the forest? This space would become a beginning of the question about what is the core meaning of the nature we often talk about.
A
A
A - A SECTION
LIGHT TUNNEL SECTION
LIGHT FLOOR SECTION
ALBERT PARK TUNNEL
AXONOMETRIC
Entrance of Underground (Up)
Cabin of Sense Tunnel (Down)
B
B
IMAGE In the tunnel’s entrance, visitors are able to see others who are staying at different places of tunnel from the mirror. Due to these spaces, it may remind people to think about whether the reflection showed in the mirror can have the same meaning of the man stand in front of they, just like the images showed in our electronic product. Can people really accept “meet” just means stay with some images?
Entrance of Tunnel (Up)
Hall of Mirror (Down)
C
C
PARTITION In the places where originally installed baffles, there are several glass partition walls. People may be separated by just a single glass wall or a waterscape or a landscape around by glass. They may hear the voice of the people behind the mentioned elements, or sharing the same smell with them, but they just never would have chance to touch them, which may be one of most close and natural communicating behaviors between humans. Would lacking the possibility of touching each other make people feel this kind of “meet� is not perfect?
Image Meeting (Up)
Seperation of Meet (Down)
D
D
LIGHT Light is a sensitive element that is able to help people to feel surroundings. Building on the ground commonly blocks the light to keep the privacy of indoor environment, even though that building is public. In this tunnel, some public rooms are easier to be seen through them from outside rather than inside. These spaces are not only to encourage people to think about the meaning of public space, but also want people to think about the relationship between one way contact and “meet�.
Sight in Light (Up)
Sight in Darkness (Down)
NATURE The “forest” in the tunnel is created by the mirror and several trees. If the number of the trees in this space were able to fulfill the requirement of carbon recycle, would the people in this space can accept they have met the forest? This space would become a beginning of the question about what is the core meaning of the nature we often talk about.
INFECTION Finally, the one wheel shop would collect visitors’ opinion by letter, and post them to meet people by mail randomly. Thus, people may receive interesting messages come from unpredictable place, which means people may meet others’ will come from different background or even different time period.
MEET
TO BUT
See through Hole (Up)
Forest in Mirror (Down)
CONTACT
KYIP0083@GMAIL.COM APARTMENT 102, 34 EDEN CRESCENT, AUCKLAND, 1010