KYLETAVEIRA Architecture I Design
TABLECONTENTS FOUNDATIONS
UNDERGRADUATE
GRADUATE
CAPTUREMOVEMENT
INTERTWINEPAVILION
DREAMTIME
SPRING 2015
FALL 2016
SPRING 2018
FORESTESSENCE
UPCYCLEDROW
THECATALYST
FALL 2015
FALL 2016
SUMMER 2018
REIMAGINESTAIRS
FACADECONCEPTION
URBANSCHOOL
SPRING 2016
FALL 2016
FALL 2018
LABYRINTHLIVING
RENOVOLIBRARY
SPRING 2017
SPRING 2019
CIRCULATE2059 FALL 2017
CAPTUREMOVEMENT SPRING 2015 I PROFESSOR Eric Oskey In order to study basic movement within space, a hand operating a wine bottle opener was photographed then digitally mapped using Rhino. After selecting different times through the movement, I highlighted different parts of the hand with unique movements. Using lofted surfaces, I generated a visual representation of movement through space and time. Then, I fabricated a physical manifestation through material tests and manipulation. The changes in materials allow for a visual relationship as well as a visual isolation of specific movements.
MAPPING MOVEMENT IN SPACE
MATERIAL MANIPULATION
QUANTITATIVE + QUALITATIVE DRAWING
FORESTESSENCE FALL 2015 I LOCATION Elkins Park,PA I PROFESSOR Dennis Playdon
MAPPED SECTIONS
Measured Sections and Plotted Points
In order to understand the relationship between the human body and nature, a selected section of terrain in High School Park was surveyed using only the human body. By relating steps to a known factor, a person’s height, we were able to map out and triangulate the terrain. After mapping the triangulation, the points were input into Rhino and a surface was generated. To be able to fully comprehend the site, sketches and photos were taken to understand the quality and spatial aspects of the site. Special attention was given to the areas between the leaves and the trees that allowed light to flow through the space as well as the different thresholds the trees created.
TRIANGULATED MESH
Triangulated Mesh
Patch Surface and Contour Lines
CONTOUR SURFACE
SELECTED SITE + PATH
Selected Site and Path
SECTIONS CUTS
Selected Cuts of Site
ASSEMBLED CUTS
Selected Cuts Modeled from Site
SPATIAL SKETCHING
PROCESS BREAKDOWN
4 HAND DRAFTED SECTION OF MODEL
3
2
1
CAPTURING THE ESSENCE After further study of the selected site, certain aspects were mimicked into a physical model. The way the light shone through the trees was projected in the design of the module that allows light to come through. The way the water and rocks interacted in the creek influenced the shape of the model, which portrays the exact instant the water hits the rocks. The light from the trees and the movement in the water was reproduced further into a spatial model that recreated the essence of the creek. The wave-like modules grew vertically to create a shaded structure resembling the tree canopy. The wood grid represents the vertical and horizontal elements of the tree trunks and branches. The armature became a structure for the different levels of the terrain.
SELECTED SITE
TRANSITION
THRESHOLD
SHELTER
LIGHT
1
2
3
4
FOOT TO STAIR CONTACT ANALYSIS
REIMAGINESTAIRS SPRING 2016 I LOCATION Tuttleman Learning Center I PROFESSOR Sonja Bijelic In order to understand the relationship between the human body and the built form, a staircase was surveyed and drafted. Through measurement and documentation, a general understanding of scale was developed. The body’s movement up the staircase was drawn and analyzed to evaluate the relationship between the human foot and the scale of a stair tread. After a general comprehension of the current ratios of tread to riser, a choreographed routine movement was developed to examine what a staircase would look like with a different natural movement.
CHOREOGRAPHED MOVEMENT
SPATIAL POINT CLOUD SYSTEM
Point Cloud scale 1”=1’
HAND DRAFTED STAIR SURVEY
TRIANGULATED MOVEMENT
REIMAGINING STAIRS Certain points on the person enacting the choreography were mapped in space and time. These points allowed for an analysis of how the person used and filled the space. After studying the movement and recognizing a consistent swaying pattern, the new stairs were shifted and curved to allow for maximum movement in a wave-like form. The second flight of stairs overlooked the first flight and mirrored the wave movement. This new shape challenges what it means to be stairs by helping guide that natural movement up and down.
BOTTOM OF FIRST STAIR SKETCH
TOP OF FIRST STAIR SKETCH
INTERTWINEPAVILION FALL 2016 I LOCATION Yanaka Ginza, Japan I PROFESSOR Andrew Wit Yanaka Ginza is a well-known street in Tokyo filled with mixed markets as well as the home of large populations of cats. The task was to develop a pavilion that could embody what this space is about, keeping in mind the tight and condensed space of the steps and street. After using paper modeling to come up with an origami type of module for the space, it was applied to the main staircase. The pavilion is made up of two modules that interlock with one another with alternating aluminum and bamboo plywood. The lower level is known as a “cat cafe�, that shelters the immense number of stray cats and establishes a set area for locals and tourists to sit down and play with the cats. The upper level is an artist gallery where each month local artists can display their work. SITE PLAN
YANAKA GINZA SITE PLAN
CROSS SECTION
WEST ELEVATION
1
2
4
5
APPROACHING WEST ENTRANCE
FOLDING DIAGRAM
WEST ENTRANCE
APPROACHING EAST ENTRANCE
3
6
FLOOR PLAN
LONGITUDINAL SECTION
MATERIAL ANALYSIS
UPCYCLEDROW
PROGRAM
FALL 2016 I LOCATION Olde Kensington, PA I PROFESSOR Andrew Wit Philadelphia is known for the typical rowhouse for a single family. The challenge was to develop a prototype that could create a mixed-use building that had the same qualities of a typical rowhome while also housing a workspace. Upcycled Row pairs an resident artist with a team of upcyclers. The lower levels include workshops and assembly spaces for furniture upcyclers. A private entrance to the upper levels in the back allow for the resident artist to go to their house at the top or to their private art studio. The third floor encourages a collaboration space where the upcyclers and the resident artist can display their work and have people come in and see it. The outward movements of the masses are set up based on public versus private views from the street. The reimagined part of the rowhouse is the interaction between public and private within the building.
FOURTH FLOOR RESIDENCE
PROGRAM ANALYSIS
PRIVATE VS. PUBLIC
THIRD FLOOR ARTIST STUDIO
FIRST FLOOR MAKER SPACE
SECOND FLOOR COLLABORATIVE SPACE
CROSS SECTION
LONGITUDINAL SECTION
UP
DOWN
THIRD FLOOR PLAN
FOURTH FLOOR PLAN
DETAIL DOUBLE-SKIN CONSTRUCTION SYSTEM 1- Galvanized steel copping 2- Window operating machinery 3- Roof: Galvanized steel shingles, waterproofing membrane, roofing membrane, 9” tapered rigid insulation, 5” poured in place concrete, corrugated metal sheet, intumescent painted steel beam 4- Flashing 5- Ventilation opening 6- Galvanized steel support 7- Steel column 8- Aluminum clad double glazed insulated operable awning window 9- 4” Rigid insulation, aluminum paneling 10- Galvanized steel grid 11- Steel columns, aluminum clad laminated single glazed operable window 12- Floor: sealed & polished poured in place concrete slab, corrugated metal sheet, intumescent painted steel beam 13- 5” Slab on grade, vapor barrier membrane, 4” thermal insulation, w/ protection board 14- 4” Gravel depth 15- Concrete foundation poured-in-place, waterproofing, protection board & drainage mat 16- 4” Dia. drain pipe
DETAIL WALL ELEVATION
FACADECONCEPTION FALL 2016 I PROFESSOR Sonja Bijelic The facade consists of an operable double skin system. During the winter, the facade stays closed, allowing the sun to heat up the space in between the two skins. The interior skin can be opened, allowing the warm air from between the two facades to enter the building. During the summer, the exterior facade can be opened, allowing for ventilation and acting as a shading device. With the exterior facade opened, the heat can be released reducing interior heat gain. The exterior skin opens with a motorized system located on the roof.
DETAIL MODEL
DETAIL WALL SECTION
DETAIL RAIN SCREEN CONSTRUCTION SYSTEM 1- Stainless steel copping 2- Flashing 3- Waterproofing Membrane 4- 3/4” Roofing Membrane 5- 9” Tapered Rigid Insulation 6- 3/4” Exterior Gypsum Board 7- 2”x12” Joist - 16” O.C. 8- 10” Thermal Batt Insulation 9- 3/8” Drywall 10- Alumnium Clad Double Glazed Insulated Operable Awning Window 11-Galvanized Steel Grid Framing System 12- Terra Cotta Rainscreen Facade 13- Ashtech Powdered Aluminum Rainscreen Facade 14- Ventilation Cavity 15- 3/4” Hardwood Floor & 3/4” Plywood Subfloor 16- 4” Rigid Insulation, Tyvek, 3/4” Exterior Sheathing, 2”x6” Stud - 16” O.C., Thermal Insulation w/ 3/8” Drywall 17- 5” Slab on Grade, Vapor Barrier Membrane, 4” Thermal Insulation w/ Protection Board 18- 4” gravel Depth 19- Concrete Foundation Poured in PLace, Waterproofing, Protection Board & Drainage Mat 20- Double Glazed Fixed Insulated Safety Glass Window 21- 4” Dia. Drain Piper 22- Aluminum Door w/ 2” Aluminum Door Frame DETAIL WALL ELEVATION
FACADECONCEPTION FALL 2016 I PROFESSOR Sonja Bijelic The facade consists of a series of rainscreens. The terra cotta rainscreen stands off from the moisture-resistant surface of an air barrier applied to the sheathing that creates a capillary break to allow drainage and evaporation. The system prevents the wall air/moisture barrier on the sheathing from getting wet. The pattern of the facade creates a linear movement across drawing your eye to the vertical curtain wall system wraping the corner.
DETAIL MODEL
DETAIL WALL SECTION
LABYRINTHLIVING SPRING 2017 I LOCATION East Kensington, PA I PROFESSOR Chris Renn A neighborhood plagued with condemned houses and demolished lots called for a new prototype of housing and community development that could revitalize its original essence. After visiting an ecovillage in Ithaca, NY, I became aware of how sustainability could be a bonding element in community development. After interviewing locals, it became apparent that they did not have any green space for growing. The location was optimal for maximum solar exposure as well as being right down the street from public transportation. The name originates from the interior maze that runs throughout the building. The structure consists of scaffolding with a specially designed joint enabling its use for planters. On the upper floors are affordable micro-apartments. Both the residents and the community come together to fill the scaffolded pathways with greenery ranging from vegetable plants to common ferns. The residents also share a communal kitchen to encourage an interior community richness.
MOCK-UP SCAFFOLD MODEL
PROCESS MODELS
UP
UP
DOWN
UP
DOWN
SECOND FLOOR
DOWN
THIRD FLOOR
MODULAR CONNECTION
FOURTH FLOOR
MODULAR GLASS INSERT
PLANTER SYSTEM
Su
nl
ig
ht
ial
ific
Art
Diffused
ht
Lig
Light
Charge Controller
Breaker Panel Electricty Demand Battery Storage
D/C to A/C Inverter
Electrical Grid Meter
SMART SOLAR GLASS
OPERABLE WINDOWS
CROSS SECTION
CIRCULATE2059
PONDS
FALL 2017 I LOCATION South Philadelphia, PA I PROFESSOR Andrew Wit In 2059, the water level will rise tremendously leaving most of Philadelphia under water. The question is, what will architecture look like and what will its purpose be? First, an urban master plan was developed to remediate the toxic land and accommodate new life. In order to respond to the rising water levels, a super structure was designed on the southern tip of the site that sits high above the predicted water line. Circulate works as a transition building to go between water, air, and land. The building also becomes a hub for trading in the market place in a time where each person has their own specialty item. The back side of the building uses aeroponic farming to mass production produce. The spiraling building mimics the superstructure’s amphitheater legs while also narrating the interior circulation ramp. Architecture in the future becomes a living being that shifts its uses based on evolving needs.
JETTY
PEDESTRIAN PATH
AMPITHEATER GREEN SPACE
BOATING DOCK
PARK SPACE
COLLABORATOR Ashley McCabe (Super Structure) DRONEPORT
DEVELOPED TERRAIN
PHYTOREMEDIATION
TRANSPORT PONDS RAISED STRUCTURE
CHARGING PADS
CHARGING PADS
ROADS & PATHS
SUPER STRUCTURE SUSTAINABLE FEATURES
SUPER STRUCTURE MAIN COMPONENTS
TERRAIN
FIRST FLOOR BOAT DOCK
FOURTH FLOOR RAMP
GREEN ROOF the sloped green roof meshes in with the lucious green super structure to continue the landscape
DRONE LANDING the roof top drone landing port is accessed for commuters arriving and departing short distances
5
45°
45°
EXTERIOR SHELL a perforated facade is added to minimize light and heat gain for the aeroponic farm
4
3 FLOOR LEVELS the floor plates follow the main path’s slope allowing for maximum views and connections
2
AEROPONICS a large aeroponic controlled by an artificial intelligence program supplies the market
1
FORM DERIVATION
CIRCULATION main circulation ramp flows through whole building for pedestrians and bikes
RESEARCH & PROGRAMMING
LAZARUS LEG structural element of super structure
BUILDING MAJOR COMPONENTS
PROGRAM DIAGRAM
TRANSPORTATION
COMMUNITY MARKETPLACE
16 4 2 1
<-- FIRST FLOOR
3
5
6 7
8
9
1. Water Filtration Equipment 2. Restrooms 3. Fish Market 4. Lounge Space 5. Boat Dock 6. Drone Part Replacement 7. 3D Printing Room 8. Drone Programming 9. Entrance Area
LONGITUDINAL SECTION 1
1. Water Filtration Equipment 2. Restrooms 3. Fish Market 4. Lounge Space 5. Boat Dock 6. Drone Part Replacement 7. 3D Printing Room 8. Drone Programming 9. Entrance Area
15
SECOND FLOOR --> 10. Women’s Restroom 11. Men’s Restroom 12. Aeroponic Farming AI Storage 13. Drone Repairs 14. Drone Maintenance Parking 15. Drone Maintenance 16. Market Trading Station
13
14
12 10 10. Women’s Restrooms 11. Men’s Restrooms 12. Aeroponic Farming AI storage 13. Drone Repairs 14. Drone Maintenance Parking 15. Drone Maintenance 16. Market Trading Station
11
<-- THIRD FLOOR
29
28
27 26 25 17
18
23 19
20 22
17. Harvesting Room 18. AI Programming 19. Plant Incubation 20. Preparation Station 21. Seed Storage 22. Lounge Area 23. Cafe Seating 24. Cafe 25. Men’s Restrooms 26. Women’s Restrooms 27. Rentable Marketspace 28. Commuter Cafe 29. Commuter Lounge & Waiting
LONGITUDINAL SECTION 2
21
24
17. Harvesting Room 18. AI Programming 19. Plant Incubation 20. Preparation Station 21. Seed Storage 22. Lounge Area 23. Cafe Seating 24. Cafe 25. Men’s Restrooms 26. Women’s Restrooms 27. Rentable Marketspace 28. Commuter Cafe 29. Commuter Lounge
34 33
FOURTH FLOOR -->
30
31 32
30. Skywalk Lounge 31. Vegetable Market 32. Bike Parking 33. Herb Market 34. Flower Market 30. Skywalk Lounge 31. Vegetable Market 32. Bike Parking 33. Herb Market 34. Flower Market
DREAMTIME SPRING 2018 I LOCATION Melbourne, Australia I PROFESSOR Eric Oskey
HUMAN WORLD Ceremony, dancing, singing, story telling, people, family
The aboriginal dreamtime concept states that there are three parts to our world, the human world, the physical world and the sacred world. Together, the three components were created from the same source and everything was created in our dreamtime. Inspired by the theory, this installation strives to encapsulate the three components. A ceremonial opening in the field of stalks allows for celebration and space for the annual Tanderrum event. The elongated promenade of the installation mimics the shape of the rainbow serpent of the aboriginal art. The interactive light elements of the night allow for transformation from body to spirit. The dreamtime installation becomes an art PHYSICAL WORLD HUMAN WORLD piece that flows through the St. Kildasinging, Triangle site down towards Sky, the Port Bay. It animals, stars,Phillip sun, moon, Ceremony, dancing, becomes a visual enhancing sensation of serenity. site, rocks story phenomenon, telling, people, familythe site and developing aland,
PHYSICAL WORLD Sky, stars, sun, moon, animals, land, site, rocks
SACRED WORLD SACRED WORLD Time, existence, stories, creation,stories, spirit, transference Time, existence, creation, healing, spirit, transference
Range of Motion
COMPETITION ENTRY Land Art Generator Intiative, Melbourne PHYSICAL (4th Place) WORLD HUMAN WORLD
Range of Motion
PHYSICALPHYSICAL WORLD WORLD PHYSICAL WORLDSACRED WORLD HUMAN WORLD HUMAN WORLD HUMAN WORLD SACRED WORLD SACRED WORLD SACRED WORLD Sky, stars, sun, animals, Ceremony,Ceremony, dancing, singing, Time,animals, existence, creation, Sky,moon, stars,Sky, sun, stars, moon, sun, Sky, animals, moon, stars, sun, animals, moon, Ceremony, dancing,Ceremony, dancing, singing, singing, dancing, singing, Time, stories, existence, Time, existence, stories, Time, creation, stories, existence, creation, stories, creation, land,family site, rocks story telling,story people, family transference land, site,land, rockssite, rocks land, site, rocks healing, spirit, telling, story people, telling,story family people, telling, family people, healing, spirit, healing, transference spirit, healing, transference spirit, transference
Range of Motion
Range of Motion
Range of Motion
3
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Range of Motion
ters me 4.6
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ters me 4.6
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18 meters
18 meters
18 meters
SPIRITUAL fiber optics
triboelectric fabric
piezoelectric disks
18 meters
Range of Motion
me
Range of Motion
4.6
18 meters
s
Range of Motion
3
SPIRITUAL 3 SPIRITUAL3 SPIRITUAL fiber optics fiber opticsfiber optics
3
TRANSFERENCE oled lighting
SPIRITUAL 2
fiber optics
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THECATALYST SUMMER 2018 I LOCATION Callowhill, PA I PROFESSOR Ximena Valle Callowhill in Philadelphia is full of large superblocks made up of industrial buildings and factories. It creates a divide in the city with a dead space and lack of greenery. This proposal rethinks the city block and how to move within and around it, while incorporating important green infrastructural element to reduce the overall contaminated run-off of the impervious pavement of the surrounding parking lots. The Catalyst is intended to spark change and encourage developers and urban planners to think about cars and humans as two separate entities. The site separates itself diagonally inviting pedestrians to enjoy the spaces. The interior paths also generate safer spaces to move away from the streets. The overall master plan starts to become more humancentric rather than center around a machine. The interior spaces was design through spatial sequencing pairing programs that seem very different but could be connect in different ways or through different times of day creating an overall richer environment for a greater audience.
CONNECTOR WALKING PATHS
BUILDING DENSITY
MAJOR HIGHWAY STRUCTURE
PARKING LOTS
ROAD STRUCTURE
GREEN SPACE
PUBLIC TRANSPORTATION NETWORK
SOLAR PATH
FUNDAMENTAL SITE COMPONENTS
CONTAMINATED RUN-OFF
GREEN INFRASTRUCTURE
CLEAN WATER
ACCESSIBLE WALKING PATHS
ACCESSIBLE BIKING PATHS
PEDESTRIAN SAFETY FROM CARS
INTERIOR VIEW OF SITE
FORMAL DIAGRAM
SPATIAL SEQUENCING
1
2
3
A PLACE FOR SHOPPING, EXERCISE, ENTERTAINMENT
A PLACE FOR NATURE, PLAY, RETREAT
A PLACE FOR DISPLAY, EXERCISE, RETREAT
1
3 2
LONGITUDINAL SECTION
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8
7
16
6
<-- FIRST FLOOR 10 4
3
1. Rock Climbing Wall Area 2. Fresh Market Rentable Booths 3. Prototype Sales Rentable Booths 4. Lobby Area 5. Mail Room & Housekeeping 6. Drop-Off / Pick-up Waiting Area 7. Break-out Spaces 8. Kitchen 9. 24-Hour Cafe 10. Robotic Book Retrieval
SECOND FLOOR --> 1
EAST ELEVATION
2
11. Restaurant & Bar 12. Kitchen 13. Game / Play Room 14. Housekeeping & Mechanical Closet 15. Lobby Area 16. Classrooms & Event Space
15
14
13
11
12
21
<-- THIRD FLOOR 20
22
19 18
17
SOUTH ELEVATION
17. Gym 18. Laundry Cafe 19. Kitchen 20. Dry Cleaning 21. Quiet Reading & Computer Area 22. Mechanical Room
NINTH FLOOR --> 23. Mixed Housing Units 24. Electrical Closet & Housekeeping 25. Start-up Company Office 26. Mixed Lounge 27. Senior Housing Units 28. Lounge
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28
25 23
URBANSCHOOL
N
FALL 2018 I LOCATION Philadelphia, PA I PROFESSOR Bob Shuman, Fauzia Garcia The Temple University Architecture and Environmental Design division has been relocated many times. In 2011, the Architecture Building was built on Main Campus, aside from Landscape Architecture and Horticulture on the Ambler Campus. This distance has created a divide in the majors underutilizing the collaborations that the professions typically utilize. The proposal brings these majors together under one roof finishing the last part of the Tyler School of Art Complex. The proposal includes a new entry to the complex with a large atrium leading directly to the courtyard. The atrium is seen as a collaboration space for all majors to interact. By closing off the courtyard, it can be used as interior circulation. A major component of the landscape school is the green house, which is located on the top floor of the building collecting optimal solar energy and can be seen from inside the Tyler Complex.
Students from Kardon Atlantic
1. Remove existing entrance and fill in overhang
2. Establish new signified entrance and atrium leading to courtyard
N
3. Add additional square footage for new building programs
4. Break down new facade towards rowhouses
Students from the View
Students from Morgan Hall, The Edge, and 1300
Students from Diamond Green, SEPTA regional rail
N
Students from 1940 and West Norris Street
Students from 12th Street
Students from Camac Street Students from 13th Street
PEDESTRIAN PATHWAYS
Students from West Diamond Street, J&H, and Susquehan-
5. Utilize an expressice butterfly roof for shading
6. Create dedicated landscape areas for students to use
FIRST FLOOR
SECOND FLOOR
DESIGN-BUILD SHOP 1578 SF OFFICE 89 SF
OFFICE 89 SF
OFFICE 90 SF
OFFICE 89 SF
OFFICE 90 SF
SHADE HOUSE 1438 SF
DN
OFFICE 92 SF
SUITE 2 217 SF
OFFICE 90 SF
OFFICE 122 SF
OFFICE 131 SF
BATHROOM 174 SF
LOADING DOCK 166 SF
BATHROOM 166 SF
OFFICE 120 SF
BATHROOM 171 SF
OFFICE 113 SF
CLOSET 59 SF
BATHROOM 165 SF
UP
UP
UP UP
OFFICE 92 SF
OFFICE 89 SF SUITE 1 257 SF
OFFICE 94 SF
OFFICE 94 SF
SEMINAR ROOM 249 SF
PROGRAM OFFICE 208 SF
FACULTY WRKRM 200 SF
COPY/WRKRM 182 SF SMALL CLASSROOM 487 SF
OFFICE 96 SF
EXHIBITION CORRIDOR 1711 SF
LA UNDERGRAD STUDIO 2386 SF
LARGE CLASSROOM 2 958 SF
EXHIBITION CORRIDOR 2211 SF
ADJUNCT OFFICE 232 SF
COMPUTER ROOM 490 SF
PLOT ROOM 118 SF
MULTI-PURPOSE/ JURY ROOM 1610 SF
PLANT BIOLOGY LAB 1198 SF LARGE CLASSROOM 1 971 SF
DN
UP
LOBBY EXHIBITION 2992 SF
UP
ATRIUM 1865 SF
DN
COLLABORATION SPACE 1518 SF
OFFICE 136 SF
FOUNDATIONS STUDIO 3715 SF
SUITE 3 198 SF
FOUNDATIONS STUDIO 3658 SF
OFFICE 134 SF
OFFICE 139 SF OFFICE 134 SF
ARCHITECTURE LOBBY 3522 SF
STUDIOS
SEMINAR ROOM 1262 SF
MULTI-PURPOSE JURY ROOM 2257 SF
COLLABORATION SPACES
OFFICES
DESIGN BUILD SHOP
THIRD FLOOR
FOURTH FLOOR
OFFICE 131 SF
OFFICE 122 SF
OFFICE 92 SF
OFFICE 120 SF
BATHROOM 171 SF
OFFICE 113 SF
BATHROOM 165 SF
CLOSET 59 SF
MANAGER OFFICE 103 SF
GREENHOUSE SUPPORT 258 SF
BATHROOM 171 SF
BATHROOM 165 SF
CLOSET 59 SF
UP
DN
UP
UP
VESTIBULE 73 SF
SMALL CLASSROOM 487 SF
LA UNDERGRAD STUDIO 2386 SF
EXHIBITION CORRIDOR 2193 SF
COMPUTER ROOM 490 SF
ADJUNCT OFFICE 232 SF
PLANT RESEARCH LAB 581 SF
PLOT ROOM 118 SF
EXHIBIT CORRIDOR 1501 SF
LA GRADUATE STUDIO 1195 SF
GREENHOUSE 4003 SF
PLANT BIOLOGY LAB 1197 SF
ATRIUM 1163 SF UP
DN DN
ATRIUM 1865 SF
VESTIBULE 79 SF
ARCH UNDERGRAD STUDIO 3715 SF
GREENHOUSE
ARCH UNDERGRAD STUDIO 3658 SF
ARCH GRAD STUDIO 2810 SF
CLASSROOMS
LOADING DOCK
ARCH GRAD STUDIO 2421 SF
CORE
CROSS SECTION
Aluminum Air Foil Assembly Bolted Into HSS Roof Assembly Type 2 Roof Membrane 8.5" Rigid Insulation Damp Proofing 3" Corrugated Metal Deck W Steel Beam Metal Furring Metal Cladding
4th Floor 133' - 0"
Spider Glass Assembly Double Glazed Panel Spandrel Cable Tensioned Structure
2nd Floor 105' - 0" Typical Store Front Assembly Double Glazed
Stainless Steel Structure Attached to Atrium Wall Framing
Entrance 88' - 0"
TRANSPARENT WALL DETAIL SECTION
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K
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P
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1:12
1:12 3:12
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3:12
3,264 FT2 OF SOLAR WATER HEATERS
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2
1 C A
TYPICAL REFLECTED CEILING PLAN
WEST ELEVATION
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TYPICAL STRUCTURE + HVAC PLAN
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F
H
ROOF PLAN
Mechanical 145' - 0"
Aluminum Air Foil Assembly Bolted Into HSS Roof Assembly Type 2 Roof Membrane 8.5" Rigid Insulation Damp Proofing 3" Corrugated Metal Deck W Steel Beam Metal Furring Metal Cladding Coping Stone Parapet 136' - 6" Wall Assembly Type 2 Metal Cladding Metal Furring 3" Rigid Insulation Damp Proofing 5 / 8" Exterior Gypsum Board 6" Metal Stud Bat Insulation 5 / 8" Gypsum Board
4th Floor 133' - 0"
Roof Assembly Type 1 5" Poured Concrete Damp Proofing Concrete on 3" Corrugated Metal Deck W Steel Beam
3rd Floor 119' - 0"
Floor Assembly Concrete on 3" Corrugated Metal Deck Bolted Structural Plate W Steel Beam Dropped Ceiling
2nd Floor 105' - 0"
Wall Assembly Type 1 Stone Panels Steel Brackets 3" Rigid Insulation Damp Proofing 8" CMU Metal Furring 5 / 8" Gypsum Board
1st Floor 91' - 0"
Ground 86' - 0"
OPAQUE WALL DETAIL SECTION
1/2â&#x20AC;? Opaque Wall Section
RENOVOLIBRARY SPRING 2019 I LOCATION Renovo, PA The proposal is a prototype to replace the typical Carnegie Library type. The site-specific mountainscape influenced the libraryâ&#x20AC;&#x2122;s overall form. The shell lifts up to reveal the interior activity at the two entrances. The shell holds up the sloping green roof keeping with the greenscape of the surroundings. The roof collects water and is reused for irrigation and as a grey water system to minimize wasted usable water. The back of the building has built-in amphitheater seating for community events and gatherings. The overall concept of the library is to allow for growth in a multigenerational environment. With technology constantly changing and the stigma behind libraries, this new library proposal allows for timeless spaces that can adapt to change as needed. The library is no longer just to read books, but a hub for gathering and learning. Learning is no longer solely through reading books, but itâ&#x20AC;&#x2122;s about discovery using computers, tablets, phones, etc.
GREEN ROOF
ASH STREET
12TH STREET
COMPETITION ENTRY John Stewardson Competition
STONE SHELL BIRCH STREET
HURON STREET
PARKING
GLASS REVEALS SITE PLAN
MULTIPURPOSE ROOM
LONGITUDINAL SECTION
THE COVE
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<-- FIRST FLOOR UP
1. Public Lobby / Gallery Space 2. Mechanical Room 3. Large Meeting Room 4. Stoup Lounge 5. Multi-Purpose Room 6. Public Computer Area 7. Computer Classroom 8. Classroom 9. Small Meeting Rooms
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9 7
UP
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4 DN
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CROSS SECTION
SECOND FLOOR --> 10. Reading Room 11. Staff Work Room 12. Directorâ&#x20AC;&#x2122;s Office 13. Storage
DN
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