kyra bauman
A r c h it e c t u r a l Po r t f o l i o
contents
Studio
office
Etc.
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Architecture as Urbanism Research Studio Fall 2015 - Spring 2016
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01
02
Coffer Your Tracks Advanced Topics Studio Fall 2015
02 Drawn SBCC Art Class Summer 2011
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Harmonic Slump Tech Core Studio Spring 2014
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04
High Vaultage Introductory Design Studio Fall 2013
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Steel House Comprehensive Design Studio Winter 2015
Boyer 510 QCB Lab UCLA DPMO Summer 2015-Summer 2016
Learning to See Special Workshop - Sou Fujimoto Spring 2014
Canine Reflections and Shadows Self-guided project Summer 2012
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architecture as urbanism Research Studio | Fall 2015-Spring 2016 | Critic: Roger Sherman The school is the center of life in the Amazon town. It typically consists of a simple roof structure, which spans a concrete field and classrooms. This sheltered area takes on a multitude of public functions, acting as host to markets, community meetings, recreation, and a zone of shelter from the elements. This project, located in a critical new development zone in the Ecuadorian Amazon, explores what could happen if the simple roof
becomes a raised foundation for housing, and the classroom buildings grow and diversify, hosting a variety of program from shops and restaurants to microenterprise. The form of the building comes from the shape of the road and forest-lining canal. Its walls rise from the walls of the edge of the waterway, and climb, sloped, into a mountainous form. A vantage from the northeast yields a view of a an enigmatic mass, part mountain, part building.
From the other side, the project appears a thin shell; an open maw that seems an unlikely counterpart to the solid mass on its opposite side. This structure exists in scale between very large building and chunk of urban fabric. This expanded school becomes an anchor point for a burgeoning community to grow from. Designed to be built and occupied in stages, the building grows with the needs of the community, attracting development with the infrastructure it offers.
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simple roof structure, which spans a concrete field and classrooms. This sheltered area takes on a multitude of public functions, acting as host to markets, community meetings, recreation, and a zone of shelter from the elements. This project explores what could happen if the simple roof becomes a raised foundation for housing, and the classroom buildings grow and diversify, hosting a variety of program from shops and restaurants to microenterprise.
zon town. It typically consists of a ete field and classrooms. This sheltered ns, acting as host to markets, communier from the elements. This project oof becomes a raised foundation for w and diversify, hosting a variety of croenterprise.
light, temporary
Shell Side
The form of the building comes from the shape of the road and forest-lining canal. Its walls rise from the walls of the edge the waterway, and climb, sloped, into a light,of temporary mountainous form. A vantage from the northeast yields a view of a an enigmatic mass, part mountain, part building.
amazonian
Shell Side From the other side, the project appears a thin shell; an open maw that seems an unlikely counterpart to the solid mass on its opposite side. This structure exists in scale between very large building and chunk of urban fabric.
hape of the road and forest-lining canal. the waterway, and climb, sloped, into a rtheast yields a view of a an enigmatic
Massive Side
cosmopolitan
amazonian
This expanded school becomes an anchor point for a burgeoning community to grow from. Designed to be built and occupied in stages, the building grows with the needs of the community, attracting development with the infrastructure it offers.
thin shell; an open maw that seems an ts opposite side. This structure exists in nk of urban fabric.
heavy, permanent
Formal Tactics
Massive Side
point for a burgeoning community to pied in stages, the building grows with velopment with the infrastructure it
heavy, permanent
Formal Tactics
roof
housing
roof
n. It typically consists of a and classrooms. This sheltered ng as host to markets, communithe elements. This project omes a raised foundation for versify, hosting a variety of prise.
classrooms
field
commercial
commercial
housing
commercial
classrooms
housing
light, temporary
field
store
School in relation to town
Rearranged
roof
Shell Side
housing
market
the road and forest-lining canal. rway, and climb, sloped, into a yields a view of a an enigmatic field
commercial
housing
commercial
classrooms
cosmopolitan
amazonian store
Rearranged
ll; an open maw that seems an ite side. This structure exists in ban fabric.
storage + covered area restaurant commercial
Massive Side
r a burgeoning community to tages, the building grows with nt with the infrastructure it
market
heavy, permanent
school + field
school
storage + covered area
Formal Tactics
restaurant
school + field school + field
school
Program Distribution
Prototypical Amazon Structures
school + field roof
housing
field
commercial
housing
commercial
classrooms
Prototypical Amazon Structures store
Rearranged
market
storage + covered area restaurant
school + field
school
school + field
Prototypical Amazon Structures
First members poured
Walls and enclosure added
Roof in place
Initial form complete; housing added over time
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Render from Southwest
Render from Northeast
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Ground Level Floor Plan
Second Floor Plan
forest
canal
pedestrian path`
small shops
small shops
residential zone
restaurant area small shops
warehouse / workspace
small shops
shops
small shops
classroom
classroom
multipurpose field classroom
classroom
classroom
classroom
road
bus stop
Roof Plan
residential zone
residential zone
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Arduino Processor programmed to interact with video projection, which was mapped to the 8’ x 8’ CNC-milled MDF site model.
My 3D printed model, with projection
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Coffer Your Tracks Advanced Topics Studio | Fall 2015 | Critic: Steven Christensen This studio took an interest in the coffer as a civic symbol, and explored its applications to the design of a new LAX inter-modal transit hub. Taking cues from the DC Metro and Kahn’s Jewish Community Center, I explored a scheme of room-sized coffers and an elevated piano nobile to define and connect the many flows of travelers within a single building.
This new transit hub is sited where two metro lines converge, bewteen LAX and the 405 freeway, and signifies the beginning of the procession leading up to one’s departure gate, or ending one’s de-barking from a plane.
Longitudinal Section 3/64” = 1’-0”
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Precedent Study Diagrams San Carlo alle Quattro Fontane section and render showing tessellated coffers
Study of coffered ceiling vs. floor patterning
Metro Platform (C)
Metro (C)
Program Diagram, showing connectivity and level changes
Metro Platform (C)
Doors
Doors
Vert Circ (I)
Vert Circ (I)
Metro Concourse (I)
Project Site
Patio Dining (O)
Landscape (O)
Bus Staging (O)
Doors
Doors
Doors
Cafe (I)
Main Concourse (I)
Doors
Retail (I) Airline Check In (I)
Info (I)
Auto/ Taxi Drop Off (I) Baggage Handling (I)
Vert Circ (I)
Fare Gates (I) Tickets (I)
Vert Circ (I)
Main Concourse (I) Vert Circ (I)
Security (I) Comm. (I)
APM Platform (I)
Baggage Platform (I)
Doors
Doors
APM (C) Doors
Vert Circ (I)
APM Platform (I)
1 2 3
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Render View from concourse
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Render View from metro tracks
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Ground level floor plan
Concourse level
Cafe Bike Shop
Metro Ticketing
Books
Car +Taxi Drop-off
Cafe
Main Atrium
Flight Check In
Departure Board + Waiting Area Open to Below
Restroom Info Desk Mechanical/Electrical
Metro Platform
Metro Ticketing
First Floor Plan 1/32” = 1’-0”
Second Floor Plan 1/32” = 1’-0”
APM Platform level
RCP
Snack Shop
To LAX
APM Platforms
From LAX
Reflected Ceiling Plan 1/32” = 1’-0”
Third Floor Plan 1/32” = 1’-0”
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Harmonic Slump Tech Core | Spring 2014 | Critic: Mohamed Sharif (Group Work) In architecture, an aqueous affect can be achieved by manipulating translucency and distortion, working with a vocabulary of reflectivity, opacity, and layering. In this project, thin layers lend themselves to a reading of thick, viscous space. We sought to expand on the affect produced in precedents such as
Herzog & de Meuron’s Elbphilharmonie, SANAA’s Tokyo Dior, and PTW’s Water Cube by invoking the tectonic in the cosmetic. We sought to achieve both actual and phenomenological distortion by separating and slumping layers of glass, lending the project a “rippling” parallax effect.
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Deconstructing the facade assembly of Herzog and de Meuron’s Elbephilharmonie
Grid
Precedent
Other Patt
Frame
Precedent
Vertical Prioritized
Plane
Precedent
Distorted
Varied
Dots
Precedent
Other Patterns
Figural
Vertical Ch
Conceptual leaps - analysis of the precedent project’s facade elements, developing toward new form
GridGrid
Grid
Precedent Frame
Grid
Other Patterns Precedent Precedent
Layered Precedent Other Other Patterns Patterns Precedent Varied OtherLayered Patterns Layered
Other Patterns Mixed Layered Varied Varied
Layered
VariedMixed Mixed
Frame
Precedent Vertical Precedent Prioritized
Precedent
Vertical Mullion-Fin Vertical Precedent Prioritized Prioritized Hybrid
Vertical PrioritizedMullion-Fin Fin Vertical Mullion-Fin and Point Prioritized Hybrid Hybrid Connection
Mullion-Fin Hybrid Fin and Mullion-Fin Fin and PointPoint Connection Hybrid Connection
Fin and Point Connection Fin and Po
Plane
Precedent istorted Precedent
Precedent
Precedent Varied Distorted Distorted
Other Precedent Figural Other Patterns Patterns
Precedent Vertical Distorted Channel Varied Varied Glass
Other Patterns
Distorted Vertical Varied Slump Vertical Vertical Channel Channel Glass Varied Glass
Figural Dissipated Figural Other Patterns
Figural
Vertical Vertical Channel Vertical Slump Glass Slump Vertical ChannelVertical Glass Slump
Dissipated Integrated Figural DissipatedInto Structure
Dissipated
Integrated Integrated Dissipated IntoInto Structure Structure
Vertical Slump
Integrated Into Structure Integrated
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Final Model
12” x 24” x 24” Wood, vacuum-formed plastic, metal
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Planimetric section
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High Vaultage Intro Design Studio | Fall 2013 | Critic: Steven Christensen This project involved creating an object based on formal analysis of a Gothic vault. The reading of the precedent Ste-Chapelle as a surface problematizes the creation of a solid object from it. This project seeks to establish a conceptual approach for the disciplinary problem of transforming surface into mass. I imposed a temporal dimension to a series of planimetric transformations, allowing me to describe them in
terms of motion, and envision each stage as a snapshot in a gradually accelerating path of motion. Superimposing these stages leads to the creation of an object whose thickness is conceptually independent of the physical mass of the original vault, yet the underlying logic of the transformations are directly related to the geometric order of the precedent.
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that transcends earthly restraints. Its builders went to great lengths to conceal details of the masonry, covering all stone surfaces with painted patterns. The project demonstrates a deliberate attempt to obscure the thickness and materiality of the structure, aspiring to be read purely as a composition of surfaces. Reading the precedent as a surface problematizes the creation of a solid object from it. With physical materiality removed from our consideration, this project seeks to establish a conceptual approach for the disciplinary problem of transforming surface into mass. I imposed a temporal dimension to a series of planimetric transformations, allowing me to describe them in terms of motion, and envision each stage as a snapshot in a gradually accelerating path of motion. Superimposing these stages leads to the creation of an object whose thickness is conceptually independent of the physical mass of the original vault, yet the underlying logic of the transformations is directly related to the geometric order of the precedent.
A
1/2 A
30ยบ
A
1/2 A
60ยบ
1/4 A
Analysis of precedent
Derivation of rule set
Planimetric tranformation
Extrapolated rule set
Result of planimetric tranformation upon ribs of vault
Each stage’s “ribs” form a surface, which are collapsed into each other to make a solid object that shows the progress of the planimetric tranformation.
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Contoured elevations of object
3D Printed object
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sTEEL hOUSE cOMPREHENSIVE dESIGN sTUDIO | wINTER 2013 | Critic: nEIL dENARI A capstone project in UCLA’s core studio curriculum, the Steel House Studio was a comprehensive project that allowed me to address structural details, building code, and wheelchair accessibility while engaging with frame/envelope relationship, siting, orientation, and the Eames’ architectural legacy in Los Angeles.
This house’s radial organization privileges the ramp as a processional experience, while huge expanses of glass and dividing walls simultaneously provide privacy and sweeping views.
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Render from ramp
WEST ELEVATION 1/4” = 1’-0” WEST ELEVATION 1/4” = 1’-0”
NORTH ELEVATION 1/4” = 1’-0” NORTH ELEVATION 1/4” = 1’-0”
Elevations VERTICALLY EXTRUDED ZONING ENVELOPE
SET 0’ OFFSET
VERTICALLY EXTRUDED ZONING ENVELOPE
18
'-7
0'
"
-7' 2"
11 '-
-5' 5"
20
31
-2'7"
'-0
-34"
11 '-
"
31'-3
"
31'-3"
3"
0
11'-3"
11 '-
'-3"
3"
11'-3"
11'-3"
31'-3"
3"
-6'2"
-4'8" -1' 10"
11 '-
3"
"
11'-3
25'-2"
0
46'-3"
-2'1"
31'-3"
-3'6"
11'-3"
"
-6'9"
0"
7'-
-6'2" '-3
'-3"
31
11'-3"
11'-3"
-9'8" 0
31
-5'1"
0
-5'11" "
'-0
20
-11' 2"
31
'-3
"
-8' 6"
"
31'-3
-2' 5"
11'-3
"
Ramp iterations on graded site
BEDROOM 1
5'-
0"
BATHROOM 1
BEDROOM 2
2'11"
1:12 SLOPE
UP
CLOSET
VENT TO ROOF
MASTER BATH CLEAR SPACE UNDER COUNTER
1:12 SLOPE
BUILDING SECTION
1:12 SLOPE
LIVING ROOM DOWN
1:12 SLOPE
1:12 SLOPE
MASTER BEDROOM
FLUSH THRESHOLD
POWDER
LOW PROFILE GLASS SLIDING DOOR
0"
5'-
OUTDOOR PATIO
KITCHEN/DINING
SECTION PERSPECTIVE
Floor Plan
41
'-11"
"
'- 11
22
22
17 '-4 " 17'-10"
17'-10"
" '-4 22
0" '-1
25
”
’-0
20
BRACED FRAME
17'-10"
BRACED FRAME
17'-10"
0" '-1
"
25
'-0
20
SINGLE LINE PRIMARY ROOF STRUCTURE 1/16” = 1’-0”
SINGLE LINE PRIMARY FLOOR STRUCTURE 1/16” = 1’-0”
W16
6
X2
W16
W16
6
X2
X26
W16X26
X26
W12X19
W16
6
6
X2
W16
W16
X26
W16
X26
W16X26
W16X26
W10
X1 7
X2 W16
W10X17
W10X17
W16X26
W16X26
W16X26
W10X17
W10X17
W10X17
W12X19
W12X19
W12X19
W10X17
9 X1
W12
W10X17
W12X19
W10X17
W18X35
W10X17
W10X17
W10X17
X35
W18
W12X19
W10X17
W16X26
STRUCTURAL INVENTORY W10X17 FOR 17’ SPAN
6” (150) JOISTS 24” O.C.
FLOOR JOIST PROPOSAL 1/16” = 1’-0”
STRUCTURAL PARALINE DRAWING 3/16” = 1’-0”
W12X19
W10X17
W10X17
W16X26 FOR UP TO 25’SPAN OR 22’ CANTILEVER W18X35 FOR >25’ SPAN 6” DIAM ROUND COLUMN
W10X17
PLAN OF FLOOR BEAMS 1/16” = 1’-0”
W16X26
W16X26
W10X17
W10X17
W10X17
W10X17
W12X19 FOR 20’ SPAN
W12X19
PLAN OF ROOF STRUCTURE 1/16” = 1’-0”
8” (205) JOISTS 24” O.C.
ROOF JOIST PROPOSAL 1/16” = 1’-0”
OPERABLE CLERESTORY WINDOW
MASTER BEDROOM
OPEN TO OUTSIDE
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10
8 10
8
10 1 14 8
12
11
2 3 4 5 7 2
9
13
1 2 3 4 5 6 7 8
14
9 10 11 12 13 14
FLOOR CONSTRUCTION: HARDWOOD FLOORING, 3/4” PLYWOOD SHEETING, RIGID BOARD INSULATION W12X22 PAINTED STEEL SECTION 8“ DIAMETER COLUMN ON 30”x30“ GRADE BEAM LIGHT STEEL FRAMING 2X8X97 16” O.C. LAMINATED GLASS W/SILICONE JOINTS WELDED STEEL BRACKET ALUMINUM WINDOW MUNTIN ROOF CONSTRUCTION: ALUMINUM STANDING-SEAM ROOFING, 3/4“ PLYWOOD SHEETING, VAPOR BARRIER, ACOUSTIC INSULATION METAL PANELING LIGHT STEEL FRAMING 2X6X97 24” O.C. ROLL-UP WINDOW SHADE STEEL ANCHOR ANGLE DOUBLE-GLAZED OPERABLE AWNING CLERESTORY WINDOW GUTTER
DETAIL B
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8
10 TASK LIGHTING OVER COUNTERS OVEN-ADJACENT COUNTER SPACE
KITCHEN/DINING
48” WALL SWITCH
LOWEST OVEN RACK COUNTER TOP 36” COUNTER HEIGHT
LIVING ROOM
EASY-ACCESS DRAWERS
12
11 RAMP AS PRIMARY CIRCULATION
15” OUTLET HEIGHT
0”
2
13
43 14
06 16 23 07 21 13 05 12 13 05 12 13 03 31 00 05 41 00
SUBFLOORING BOARD INSULATION AESS FRAMING; 09 97 12 AESS FRAMING STRUCTURAL CONCRETE STRUCTURAL METAL JOI
08 43 13 07 61 13 07 11 19 07 21 16
ALUMINUM FRAMED STO STANDING SEAM METAL R BITUMINOUS SHEET WAT BLANKET INSULATION
05 54 00 05 41 00 12 21 23
METAL FLOOR PLATES STRUCTURAL METAL JOI ROLL-DOWN BLINDS
08 51 13
ALUMINUM WINDOWS
boyer 510 qcb lab ucla dpmo 2015-2016 This project was built within UCLA’s Boyer Hall for a Quantitative and Computational Biology research group. I worked on construction documents, answered RFI’s and Submittals, and helped coordinate HVAC with the MEP team. The new office space features a wet lab, adjacent to a computational lab, breakout workspaces,
and meeting rooms. Glass walls separate the areas, while maintaining visual connectivity. Ceiling soffit “clouds” of different heights accommodate building systems, while perserving maximum ceiling clearance.
40"x36" UP
MECH RM 54 SF 510E
F6(54)
13
12"ØF1
F6(54)
10
FSD
10"Ø
8"Ø
VCD
VCD
11
20
F1
F6(108) F1
T
F6(72)
F6(72)
F6(72) 14" x 12"
F1
F1
10"Ø
6"Ø
13F1
F1
20
14" x 12" F6(36)
F6(18)
F1
F1
F6(54)
F6(36)
CHAT ROOM 42 SF 510A F1 17
F6(72)
13 F2
F1
F6(72)
F6(18)
5
F6(54)
F2
COMPUTATIONAL LAB 10"Ø 3352 SF 510 F1
EX1
16" x 14"
VCD F1
F1
13
20
F2
F1
MULTIMEDIA F1 BREAK-OUT
F1
F6(54)
EX1
21
60" Fume Hood
DI
ADJUSTABLE TABLE
20 38 10"Ø
F2
10"Ø
16
ADJUSTABLE TABLE
FSD FSD
13
MICROSCOPE
14" x 12" 14" x 12"
CO2 INC. (TWO UNITS STACKED)
F1
8
CO2 INC. (TWO UNITS STACKED)
F6(54)
34"x12" FSD MECH RM 53 SF 520B
48" BSC CLASS II, TYPE A2
48"x34" UP
9
F1 18
12"Ø 18
12"Ø F1
F1
FSD
8"Ø
16" x 14"
12 IHW ICW DI
8"Ø
F2
F1
FSD
8"Ø
F1 24"x12"
12
12 F1
T
IHW ICW DI
FSD 25
40"x34" UP
OPEN LAB 1450 12"ØSF 530 18
F6(180)
F1 ADJUSTABLE TABLE
8"Ø
ADJUSTABLE TABLE
44"x12" 10"Ø 29 FSD
F6(36)
8"Ø
F4
F1
TISSUE/CULTURE 160 SF 12 530C 19
F2
16"x14"
F2
8"Ø
VCD
F4
COMPUTER TABLE
CO2 INC. (TWO UNITS STACKED)
48" BSC CLASS II, TYPE A2
F6(54)
12
8"Ø
F1
14"x12" 14"x12"
COMPUTER TABLE
F4
12
8"Ø 37 MICROSCOPE ROOM 12"x12" 164 SF F18 530B19 12
13
F6(180) F4
12"x12"
MICROSCOPE
F1 F1
T
F6(54)
20
CHEMICAL ROOM PICCV 164 SF 22 530A 23
13
T
F6(36)
IN-USE
12"Ø
IHW ICW DI
F1 3/4" HHW S&R
F6(72)
F2
OPEN OFFICE 164 SF 10"Ø 520
F6(72)
F1
EX1
26
F1 13
EX1
F1
14 PI OFFICE 164 SF F1 520A
F6(54)
F6(72)
10" x 7"
20
F1
F
F1
10"Ø
F6(54)
F1 F1
F6(72)
F6(72)
F6(54)
F1
F1
F1
F1
F6(54)
F6(54)
10"Ø
13
F6(108)
HW CW
F6(180) F1
F1
F1
10"Ø
8"Ø
F1
10"Ø
TF1
F1
F1
EX1
F1
F6(36)
T ADMIN
BALCONY 95 SF 501CU
T
13
F1
F6(54)
20
F1
CLASSROOM 947 SF 529
T
F1
12 F1
F2
F1
20
F3
COPIER / OFFICE SUPPLIES 13
10"Ø VCD
2 3 PRIVATE MEETING 12" x 10" 175 SF 14" x 12" 12" x 10" 510C VCD
F2
F1
F1
14" x 12"
F6(72)
F1
20 PI OFFICE 157 SF 510G F1
F1
F6(54)
F1
20
VCD
F6(54)
F1
STAIR 214 SF 501ST
10"Ø
F1
10"Ø
8"Ø
11
F6(36)
PI OFFICE 14 162 SF F1 510F
FSD
12" x 10" 12" x 10" F3
12" x 10" 12" x 10"
14" x 12" F3
F1
FSD 44"x12"
MECH RM 54 SF 529A
MECH RM 55 SF 510B 10
FSD 34"x12"
1 PRIVATE MEETING 175 SF 14"x12" 16" x 14" 4 510D 14"x12" VCD F3 20
F1
26
F1
48"x36" UP
MECH RM 53 SF 530E
MECH RM 53 SF 530D 24
BOYER 510 QCB L CEILING HEIGHT, MECHANICAL, & CEILING HEIGHT
10'
F1
OFFICE 203 SF 13 539
F1
6"Ø
13F1 20
F6(18)
F1
F6(72)
5
MEETING ROOM 95 SF 535A
F6(72)
F1
F1
F1 EX1 F6(54)
F2
16" EX1x 14"
20
F6(72)
VCD 8"Ø CORRIDOR 299 SF 510CO
20 F2
MULTIMEDIA F1 BREAK-OUT
F1
10"Ø
13 F1
EX1
12
IHW ICW DI
F1
20" x 16"
20 F4
F2
40F4
F6(108)
1341 F4
14"x12" 14"x12"
6
10"Ø
F2 -80 FREEZER
-80 FREEZER
52"x12" FSD
42"x12" FSD
44"x14"
34"x14"
MECH RM 53 SF 520B
REFRIGERATOR
9'-0"
48" BSC CLASS II, TYPE A2
30 34"x12" FSD 44"x12"
FSD
40"x34" UP
8'-7"
CO2 INC. (TWO UNITS STACKED)
CO2 INC. (TWO UNITS STACKED)
FSD
ADJUSTABLE TABLE
10"Ø 29
MECH RM 53 SF 536A
48"x34" UP
26
16"x14" F6(36)
39 ICE MAKER
F1
12 8"Ø
VCD
F4
OPEN LAB 1450 12"ØSF 530 18
F6(180)
18 F1
8"Ø
F1
12
MEETING ROOM F2 279 SF 554
12
9
F1
FSD
IHW ICW DI
12
8"Ø
FSD
8"Ø
F1 24"x12"
12
12 F1
T
F4
-80 FREEZER
-80 FREEZER
52"x12" FSD
42"x12" FSD
44"x14"
34"x14"
6 10"Ø 7
16" x 14" VCD
REFRIGERATOR
30
FSD
SCALE: 163 " = 1'-0" AUGUST 5, 2015
BOYER 510 QCB LAB RENOVATION CEILING HEIGHT, MECHANICAL, & STRUCTURAL COORDINATION 10'-2"
9'-0"
8'-7"
VCD F6(54)
13
F3
24
CEILING HEIGHT
12"Ø
10"Ø
MECH RM 53 SF 536A
MECH RM 53 SF 530E
MECH RM 53 SF 530D
F3
20 F3
12
F2
FSD 25
41 F1
-20 FREEZER IHW ICW DI
F6(108)
18 40F4
F2
F1
F4
18
13
OPEN OFFICE 399 SF 536 T
F2 F4
F1
T
20" x 16"
12"Ø
8"Ø
16" x 14"
F3
F6(144)
F1 ADJUSTABLE TABLE
F3
IHW ICW DI
F1
12"Ø F1
F6(54)
TISSUE/CULTURE 138"Ø 16010"Ø SF 12 530CF3 19
LAB RENOVATION & STRUCTURAL COORDINATION
'-2"
8
16" x 14"14" x 12" 14" x 12" VCD CO2 INC. (TWO UNITS STACKED)
F3
F1
F1
28
F4
COMPUTER TABLE
VCD
48" BSC CLASS II, TYPE A2
12
F2
FSD
12
EX1
F1
EX1
F4
F4
F1
26
F6(180)
8"Ø
F1
FSD
12"Ø
MICROSCOPE
COMPUTER TABLE
7
15
F6(108)
F6(72)
T
12 F3
OPEN OFFICE 399 SF 536 8"Ø T
F3
F6(36)
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37 MICROSCOPE ROOM 164 SF 12"x12" 20 F18 530B19 12
F6(36)
F6(108)
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ADJUSTABLE TABLE
MICROSCOPE
F4
1838
-20 FREEZER
CHEMICAL ROOM PICCV 164 SF 22 530AF3 13 23
ADJUSTABLE TABLE
F6(144)
10"Ø
21
60" Fume Hood
PI OFFICE 159 SFF6(36) 540
DI
12
F6(54)
VCD 8"Ø CORRIDOR 299 SF 510CO
20
F1
F1 F2 ELEVATOR LOBBY 637 SF 20 500CO
F1
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IN-USE
13
F1 13
F1
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IHW ICW DI
F6(54)
OPEN OFFICE 12 164 SF 10"Ø 520
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FSD F5 FSDF1
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F1
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ICE MAKER
F1
F1
F6(54)
31
F1
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F1
F1
F1
20
F1
ELEVATOR 68 SF 555EL
ELEVATOR F6(18) 68 SF F2 551EL
F1
F1
39
F1
12
MEETING ROOM 95 SF 535A
F1
13
F6(72)
COMPUTATIONAL LAB 10"Ø 3352 SF 510 F1
F1
F1
F1
F6(72)
Ø
F6(54)
F2
HW CW
F6(180)
F6(54)
F1
10"Ø
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F6(54)
F6(36)
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MECH RM 90 SF 553
CLOSET 28 SF 543A
F6(72)
13
F6(36)
13 F2
F1
F1
RECEPTION 151 SF F1 539LO
F1
F6(72)
F6(54)
F6(54)
F6(18)
F6(54)
F6(54)
F6(54)
F6(36)
CHAT ROOM 42 SF 510A F1 17
48" A.F.F.
F1
J
14" x 12" F6(36)
PP
F1
PP
F6(72)
F6(72)
F6(72) 14" x 12"
WOMEN'S RESTROOM 100 SF 543
F1
F1
10"Ø
COPIER / OFFICE SUPPLIES
F6(18)
TF1
T
F6(72) F2
13
VCD
20
F3
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OPEN OFFICE 682 SF 535
CLASSROOM 947 SF 529
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F6(54)
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F6(108)
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OPEN OFFICE 682 SF 2 3 PRIVATE MEETING 12" 535 x 10" 175 SF
1 PRIVATE MEETING 175 SF 14"x12" 16" x 14" 4 510D 14"x12" VCD F3 20
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14" x 12"
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VCD
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34"x12"
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MECH RM 53 SF 535B
MECH RM 54 SF 529A
F6(108)
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TV
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F6(36)
40"x36" UP
MECH RM 54 SF 510E
T
An artist I learned from, when I was younger Had only one answer, when students would wonder “How do I draw?” they’d beseech and they’d plea but all he’d respond, was “draw what you see... Learning to draw is learning to see” A decade later, that lesson persists. There comes another teacher, and a new twist. “How do I make architecture?” now is my plea. With Fujimoto now here, at A.U.D. Architecture also, is learning to see.
lEARNING TO sEE WEEK-LONG gUEST sTUDIO | sPRING 2015 | Critic: sOU fUJIMOTO Sou Fujimoto came to UCLA to host a short workshop. I was selected to participate in this workshop based on the poem I wrote as my application essay. This workshop examined the origin of architectural ideas, and sought serendipitous, coincidental “premonitions” about architecture in everyday objects. We worked under the premise that “everything and everyplace can become architecture”, according to Sou Fujimoto; “architecture, I think, is something that is first found and then made”.
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drawn SBCC Art Class | sUMMER 2011 I’ve been drawing since I could hold a crayon, and refined my abilities through art classes in high school and college, before beginning my study of architec-
ture. The drawings below represent a selection of observational studies undertaken for an art class I took as a pre requisite for graduate school.
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Canine Reflections and Shadows pERSONAL eNDEAVOR | sUMMER 2012 This collection of studies of canine friends was done as a personal project. I seek to grant depth to each dog’s personality in these quick studies. Each work, measuring 3” x 5”, was painted in under two hours. From left to right, top to bottom: The poodle, ordinarily seen as a symbol of fribolity, stares contemplatively at the lake around him, seemingly deciding whether or not to jump off, or wait for rescue.
The dog who fears swimming in deep water stares logingly at the stick floating just out of reach. She too is on the brink of a decision: to face her fears, or call upon her human to help. The black and white dog casts a shadow upon the carpet, unaware of the way the light plays around him, washing over and between his paws, whereas the spotted pitbull rejoices in the warmth of the sun on her face.
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