Table Of Contents 2 Resume 6-13 Drawings 16-17 Three Dimensional Design 18-19 Concepts of Furniture and Space 22-25 Studio: Spacial Design 26-29 Studio: Building Theory 30-33 Studio: Housing 34-37 Studio: Urban Design 38-41 Studio: Builfing Construction 42-53 Bachelor Thesis: Urban Design 1
RESUME Education 2008-2013 2004-2008 2003-2004
Bachelor of Architecture at Technical University of Vienna, AUSTRIA Saint Georg, Austrian High School in Istanbul, TURKEY Golf-HAK, commercial academy in Stegersbach, AUSTRIA
Work Experience 2012 Contemporary Istanbul Art Fair - at the Gallery “CDA-projects / Gallery Zilberman” 2012 VIENNAFAIR - at the Gallery “The Empire Project” 2011 Suyabatmaz Demirel Architects - 5 weeks of architecture internship
Honors/Awards 2012 2012 2011
Bachelor Thesis with Denizhan Sezer was nominated to Pfann-Ohmann-Award Building Construction Project with Erim Gokalpay was selected for the “Best Of TU-Superstructure” and wil be represented in a publication and an exhibition Urban Design Project with Denizhan Sezer and Bettina Wiedeman was represented at the Studio Exhibition in the 10th District Service of Vienna
Program Knowledge ++ Adobe Il ustrator ++ Adobe Indesign +++ Adobe Photoshop +++ Archicad +++ Autocad + Cinema 4D + Microstation 2
Language Skil s +++ Turkish ++ English +++ German
Lal BAHÇECIOGLU 3
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Three Dimensional Design 2009
“The whole is more than the sum of its parts.� Aristotle. During the creation of this object I thought about the actual development and the growth of starfruit. Then I started to think creativly: How could I deform it? What would happen if it grew only in height? It has now become something completely different than at the beginning. The star slices, which make up the object, were inspired by starfruit. They are hand-cut, so no two slices are identical. Each of the sections represents a different starfruit (first modulated plurality- within the object). A slice by itself does not tell us much, but many of them together can show and tell a great deal. One can see three objects that come from the same family, but are not identical (second modulated pluralityoutside of the object). 16
The surface of the object is made of gypsum, which makes it rough. It is similar to the starfruit’s skin. The object has energy, momentum and dynamism via the derformation that occurs when rotating the sections. What one can see in the work is only a part of what I envision. It is neither the beginning nor the end.
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Concepts of Furniture and Space (with Denizhan Sezer), 2010
The task was to develop a stool. The starting point to design this stool was to observe everyday objects from a different perspective. Several objects were analyzed, like Mikado sticks for example. Mikado sticks were considered appropiate objects of inspiration for the design of the stool. They have characteristics like lightness, deconstructability and playfulness. The randomness of the sticks, which can be seen at on the table during a game of Mikado, stands in stark contrast to the order of the unreleased sticks just before the game. Capturing the moment of the transition (order to disorder) forms the core of the design, “BUMBAK�. Plexiglas tubes were chosen as the construction material in order to symbolize the lightness of Mikado sticks. These are tied at three points. For the better grip of the cords the sticks are slit at three points (top, middle and bottom).
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The cylindrical shape of the stool’s parts makes storage and transport much easier. The two ends of the Plexiglas tubes are fitted with deformable Bast, which are used as seats. The deformability and softness of Bast helps to create a seamless seating surface for every possible position of the stool. The headboards and Tubes can be easily connected by hand. They can be shifted together. BUMBAK is an attempt to capture the moment and create something playful and concrete out of it.
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architectural projects 21
Studio Spatial Design 2010
The task of this studio was to design a university pavilion for the students of the Department of Architecture at the Technical University of Vienna. The pavilion is located in the yard of the mainbuilding of TU Vienna in Karlsplatz. In recent years, the number of the students of the Department of Architecture, the architectural education culture and the working practices in the department have changed a lot. The need for new spaces for working, presenting, informing and communicating determined the function of the studio spatial design program this year. A lightweight pavilion - especial y in the warmer seasons - is expected to provide a venue for indoor and outdoor space activities for architecture students in Vienna. The pavilion is multifunctional. The cocktail tables and seats can be tipped up and down. So it is possible to turn a completely empty room into a meeting room within a few minutes. 22
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As you can see, it is possible to open the wooden ‘curtains’, to let in fresh air and provide a view to curious onlookers.
If you want to have privacy or a little bit of peace, you can always close the wooden ‘curtains’.
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Studio Building Theory 2011
The project “PR-UMBLE” was designed for an area in Vienna, which is located at the subway and fast-track station of Praterstern just minutes away from the major landmark of Vienna, the “big wheel”. Praterstern is an important hub point for public transport. While visitors can of course enter the terrain by car, there is a big surprise for bikers and skateboarders: a special ramp-entrance specifically for them, leading to the Bike Park on the top floor. Thw Bike park has two parts. The first part is the beginner’s zone. To reach the second part you have to go through a closed area, which includes the cloak-room and the small helmet rental store. This area is made of glass and has two large doors, which are kept open during the summer, so this section acts as a passage. The second part is the advanced zone. There are sunken-down and raised-up parts, which can be seen by the first upper floor. These different levels offer an unusual amphitheater at night. The steel-construction-grid of the building has two functions: one is to help contribute to the static and two serves as a banister. 26
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Studio Housing 2010
Something that used to be impossible in the city is now possible! A summer house in the big city of Vienna, and not just for the summer: for FOREVER! This residential complex offers nature to its residents. All open-air paths (arcades, porch) are decorated with vines on the faรงade. One has the feeling of wandering through a jungle. Each floor is designed differently. No apartment is identical to another. All apartments have good daylight. None of the apartments have windows to the porch, so that it is possible to maintain privacy. There are two floors of underground garage and five floors of apartments. In total, the building has twenty three apartments, twenty five parking places and twenty five storage rooms. At the entrance of the residential complex there is a small bistro, a party room and a kindergarten. Social activities can be carried out in the first courtyard, which is semi-public. At the second courtyard there are apartments with private gardens. This area is only for residents. The shape of the residential complex is enhanced by the surrounding buildings and natural sunlight. 30
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Studio: Urban Design (with Denizhan Sezer, Bettina Wiedemann), 2012 was represented at the Studio Exhibition in 10th District Service of Vienna
The area of the “Ice-ring South” is part of the tenth district of Vienna, Favoriten. The key issue of this years urban design studio is to develop projects involving new uses for this area, taking into consideration the surrounding neighborhoods. It is important to develop an urban project that acts as a catalyst for its environment, which can be repositioned in the city context. Nowadays it is very important to think about the environment. We took it seriously and created a scenario: “Let us be carfree!”. We designed the whole area to be quite dense, so that no cars are able to go through. Each building has private and public zones. Everything is clustered together very closely. All of the buildings have low heights which creates a warm, bright, fresh ambiance in the area.
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Studio: Building Construction (with Erim Gokalpay), 2012 selected for the “Best Of TU-Superstructure� wil be represented in a publication and an exhibition
The task was to design a revision of the second courtyard at the Technical University of Vienna. The goal of this project was to overcome the sombre ambiance of the courtyard, which is created by the surrounding buildings. In order to accomplish this, we designed an underground building.
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The pure glass building includes the following areas: Offices for architecture student council members, a meeting room, a 150 m2 drawing room with its own bar and kitchen, a 120 m2 model-making atelier with 40 working spaces, a 180 m2 conference room for 300 people and a small conference room for 150 people with an anteroom. For public events there is a 100 m2 multi-purpose room with 10 m ceiling height. There are “exhibition-bridges� for visual and acoustic separation of the entire building complex. The seat-stairs and the large public hall create a social and warm meeting place for the students. 40
The complex has three barrier-free entrances, which lead the visitor to the “exhibition-bridges”. In this way, one experiences the effects of a puppet theater. These bridges go around the building and connect to two central elevators that fulfil the Accessibility Statement for the building. In addition to the three main stairways, there are two emergency exit stairways. The entire complex contains 1766 m2 of area and 14760 m3 of space. The ceiling is self-supporting, with freely formed triangular steel sections that are connected with OKAGEL-insulating glass. This special glass façade is used for energy efficiency and the use of daylight.
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Bachelor Thesis: Urban Design (with Denizhan Sezer), 2012 nominadet to Pfann-Ohmann-Award
In a sense, the architecture of an old city has something in common with an old musical score. Interpretation of either art form requires profound knowledge and respect towards our cultural heritage. At the same time the urban architecture of open spaces is an endless source of inspiration and can give us the impulse for a contemporary interpretation. In the summer term of 2012, an experimental drafts program was carried out in the specialized field of Urban Planning at the Technical University of Vienna under the title „City Lab“. The program dealt with highly complex open spaces, which are part of the world heritage, on the fringes of the historical centre of Vienna. The students Lal Bahcecioglu and Denizhan Sezer created the film PATPAT in the context of this programme. The film examines these urban areas and their characteristic urban topics from an artistic perspective. The film intends to disrupt the pragmatic paradigms in urban planning in a radical way and identifies in a precise way the essential levels of the various areas of interpretation. Thus it represents an art of urban interpretation, which can serve as the basis of and an inspiration for all further planning activities. Faculty of Architecture and Planning
Erich Raith Ao.Univ.Prof. Arch. Dipl.-Ing. Dr.techn. Faculty of Architecture and Planning Institute of Urban Design and Landscape Architecture 42
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