LALIT BHALCHANDRA KADU | ARCHITECTURAL PORTFOLIO

AR. LALIT B. KADU

CAPABILITIES AND SKILLS

● HAND DRAFTING, MODELLING

● MS OFFICE, AUTOCAD

● SKETCHUP

● ADOBE PREMIERE PRO

● ADOBE PHOTOSHOP

● ADOBE INDESIGN

● LUMION

EDUCATION

● PILLAI HOC COLLEGE OF ARCHITECTURE (2017-2022)

● K.V. PENDHARKAR COLLEGE (2015-2017)

INTERNSHIP/JOB HISTORY

● M+P COLLABORATIVE ARCHITECTS (2020-2021) SIX MONTHS PERIOD (IN OFFICE AND ON SITE WORK)

● BEKAL GUPTA ARCHITECTS (2022) FIVE MONTHS PERIOD (IN OFFICE AND ON SITE WORK)

● ELEMENTS CREATIVE INDIA (2023) EIGHT MONTHS PERIOD (IN OFFICE AND ON SITE WORK)

◊ kadulalit0@gmail.com

◊ +91 7977887946

◊ www.instagram.com/momo__mojo

● ARCHICAD

● RHINOCEROS (BASIC)

● LIGHTROOM

● PHOTOGRAPHY

◊ A/204, Om Shanti CHS., Tukaram nagar, Dombivli(East), Maharashtra, India, 421201.

LANGUAGES

● MARATHI

● HINDI

● ENGLISH

● JAPANESE (BASIC)

EXTRACURRICULAR ACTIVITIES

WORKSHOP

● BRICK JALI WALL | PHCOA, RASAYANI (2017)

● POTTERY WORKSHOP | PHCOA, RASAYANI (2018)

● WALL PAINTING | PHCOA, RASAYANI (2018)

● HUNNARSHALA HANDS ON TRAINING | BHUJ, GUJRAT (2019) (ADOBE CONSTRUCTION)

● EXPLORING FERROCEMENT HANDS ON TRAINING | PHCOA, RASAYANI (2019)

DOCUMENTATION

● TOUR DOCUMENTATION | PUNE, MAHARASHTRA (2017)

● TOUR DOCUMENTATION | BHUJ, GUJRAT (2019)

PARIVARTAN STUDENT NGO

● SCHOOL PLAYGROUND (OUTDOOR LEARNING) | PANVEL (2018)

● TRIBAL SCHOOL (DESIGNING OUTDOOR AREA) | RASAYANI (2019)

COMPETITIONS

● TINY LIBRARY | VOLUME ZERO COMPETITION (2019)

● THE LITTLE BIG LOO | VOLUME ZERO COMPETITION (2020)

● 7D BOOSTER SPRINT DESIGN | ARCHSOURCE COMPETITION (2020)

● THE MASTER STUDIO | ARCHMELLO COMPETITION (2020)

● WON EXPERT’S CHOICE AWARD IN #BETTERMYCITY

INTERNATIONAL COMPETITION BY CDIA (2020)

LECTURE SERIES

● Ar. CHRISTOPHER BENNINGER | PUNE, MAHARASHTRA (2017)

● Ar. ANUPAMA KUNDOO | PHCOA, RASAYANI (2018)

● MOSAIC TALK SERIES 2018 | BVCOA, NAVI MUMBAI (2018)

● Ar. AJIT RAO | PHCOA, RASAYANI (2019)

● iDAC SERIES | ONLINE (2020)

● Ar. VINU DANIEL | PHCOA, RASAYANI (2020)

FASHION SHOW

● EUFORIA FASHION SHOW (DESIGN TEAM) | RASAYANI (2018)

● ALEGRIA FASHION SHOW (DESIGN TEAM) | PANVEL (2019)

PERSONALITY

● TEAMWORK, CREATIVITY, COMMITMENT, COMMUNICATION, POLITENESS, VISUAL UNDERSTANDING STRONG, LOVES TO TRAVEL, ALWAYS A STUDENT.

SELECTED PROJECTS

(2017 - 2022)

● HOLIDAY HOME

● RESCHOOL

● CULTURAL LAB OF MUMBAI

● TINY LIBRARY

● 7D BOOSTER

● MASTERSTUDIO

● LITTLE BIG LOO

● INTERIOR PROJECT - SHOW FLAT

● WORKING DRAWINGS AND BUILDING CONSTRUCTION

-- TEXTILE MUSEUM

● LANDSCAPE DESIGN

-- VINAWALE FARMHOUSE

● INTERIOR DESIGN

-- REDESIGNING FRANSWORTH HOUSE

● METRO COMPETITION (SEEPZ) REACHED TILL FINAL ROUND

● URBAN INCARNATION (TEXTILE MUSEUM DESIGN)

● INTERNSHIP WORK EXPERIENCE

● INTRODUCTION TO BIOMIMICRY

● PARIVARTAN - STUDENT NGO

● #BetterMyCity INTERNATIONAL CONTEST

● EXTRA CURRICULUM

● PHOTOGRAPHY

TINY LIBRARY BY VOLUME ZERO

SOFTWARES USED :

LITTLE BIG LOO RETHINKING PUBLIC TOILET BY

VOLUME ZERO

SOFTWARES USED :

CURRENT SENARIO -

• THERE ARE LARGE NUMBER OF HERITAGE FORTS IN MAHARASHTRA AND THE STATE GOVERNMENT OF MAHARASHTRA IS UNABLE TO CONSERVE ALL FORTS UNDER ASI(ARCHAEOLOGICAL SURVEY OF INDIA), DUE TO SHORTAGE OF MANPOWER AND FUNDS.

• BUT THESE FORTS ARE STILL VISITED BY PEOPLE FROM DIFFRENT PART OF NATION FOR TREKKING, RESEARCH, MOUNTAINEERING, CAMPING ETC.

• AND HAVE AN AVERAGE ANNUAL FOOTFALL OF 1,08,000.

• BUT ARE NOT PROVIDED WITH PUBLIC FACILITIES, WHICH INDIRECTLY DETERIORATING THE FORTS,ITS CONTEXT AND ITS CULTURAL IMPORTANCE.

• IN ORDER TO OVERCOME THIS ISSUE FACED BY LARGE NUMBER OF STATE FORTS, ITS VISITORS AND ITS LOCAL COMMUNITY; THE IDEA OF LOO+OTA (PLATFORM).

CONCEPT

TYPICAL FORT MODEL

• THE CONCEPT OF THIS TOILET IS TO INCORPORATE THE ELEMENT OF TRADITIONAL FORTS AND HERITAGE STRUCTURE OF INDIA TO PROVIDE A COMPREHENSIVE YET FAMILIAR ENVIRONMENT FOR THE USERS.

• THE BURJ(BASTION) ARE DRAWN FROM THE BUILDING STYLE OF TRADITIONAL INDIAN FORTS, WHICH IS MADE UP OF LOCALLY AVAILABLE STONES.

• THE CENTRAL COURTYARD ACT AS COMMON GROUND FOR LOCAL COMMUNITIES AND TOURIST TO INTERACT.

TERRACE

ABSTRACTION OF FORM (MAXIMIZING ACCESSIBILITY, CIRCULATION AND VISION)

1. DRINKING WATER SUPPLY

a. PLUMBING VENT

b. SEPTIC TANK

c. CLEAN OUT 1

d. CLEAN OUT 2

e. DRAIN FIELD

f. WELL

g. UGT

MEN’S WOMEN’S TOILET, WATER FACILITY ROOM DETACHABLE

PLINTH MADE UP OF LOCALLY AVAILABLE STONE AND DEBRIS (33 sq.m each)

2. GENTS TOILET

3. LADIES TOILET

DESIGN STRATERGIES: CONSTRUCTION DETAILS :

STEEL MESH

TO THE

• EASY INSTALLATION OF WIRE MESH

• FILLED WITH LOCALLY AVAILABLE MATERIAL (STONE).

• THE CHAMFER PORTION OF WALL BREAKS THE RIGIDITY OF FORM AND ALLOWS SUFFICIENT INTAKE OF NATURAL LIGHT.

• PROJECT USES LOCAL BUILDING TECHNIQUES AND HANDICRAFTS TO SUSTAINABLY PROVIDE HEALTHY RESTROOMSAND SAFE DRINKING.

LOFT DECK EXTENDED ACTING AS SHADE FOR MODULE, SUPPORTED BY PERGOLA RAFTERS.

TIED

STRUCTURAL FRAMEWORK, LATER FILLLED WITH LOCAL MATERIALS. LOFT FOR OHT PROVISION

NIGHT VIEW ELEVATION

Interior - Show Flat

Section CC'

SOFTWARES USED :

Plan (Bedroom 01)

Detail at 'B' 18 5 12 12 6

Detail at 'B'

Laminated plywood fabricated center table

Section AA' Section AA'

207, Unique House, Cardinal Gracious Rd, Near Procter Gamble, Chakala, Andheri East, Mumbai 400053 N Revision No.: Project No. 00 Drawing Title Drawn By LK Checked by PB Scale Date 19.07.2022 Key Plan: Scale: 1:100 Stamp and Signature: Project Type: Client Name: Print Size Drawing No.: 00 1:20 Section AA' Elevation B TV Unit Plan (Bedroom 03) Furniture Design TV Unit Details (Bedroom 03) Celestial Heights Sample Flat Shreenathji Group Detail at 'A' Detail at 'B' 3D views 2550 5mm thick Mirror with champher on both sides A A A' Study Table with drawer below 25mm thick Rafter TV unit cabinet above TV H 90 175 75 250 350 2650 1340 1310 650 750 80 2150 6mm thick Mirror 80mm wide with champher on both sides Pelmet / Paint finish as per selection 6mm thick Mirror 160 Storage unit 320mm depth cabinet with top opening shutter Study Table with 100mm drawer below and 50mm top 200mm Drawer unit laminate finish with 50mm top 100 690 1300 585 275 25mm thick Rafter champher on both sides 55 275 350 650 2300 25mm thick Rafter next to TV panel Storage unit Led strip light C Hollow cut in plywood for TV fitting 285 45'' TV Study Table TV Cabinet False Ceiling D 375 235 1130 2650 275 25 230 325 250 50 25 375 235 76 2 2 76 80 13 12.5 6 6 6 C 38 25 Led Strip light Aluminium casing 18mm Plywood 10 25 207, Unique House, Cardinal Gracious Rd, Near Procter & Gamble, Chakala, Andheri East, Mumbai 400053 N Revision No.: Project No. 00 Drawing Title Drawn By LK Checked by PB Scale Date 16.07.2022 Key Plan: Scale: 1:100 Stamp and Signature: Project Type: Client Name: Print Size A3 Drawing No.: 00 1:20 Scale :- 1:5 Scale :- 1:2 Detail at 'D' Detail at 'A' Section AA' Elevation H TV Unit Plan (Bedroom) Scale :- 1:1 Detail at 'B' Scale :- 1:1 Detail at 'C' Furniture Design T.V. Unit Details (Bedroom 01) Celestial Heights Sample Flat Shreenathji Group 8 36 356 400 18mm SS square pipe, coated with Rustic Bronze Metallic Finish 32 192 102 218 250 344 18mm SS square pipe, coated with Rustic Bronze Metallic Finish 12mm Plywood with laminate as per selection 600 576 A A' 8MM Marble with 12mm Bevelled Edges on top 468 460 423 346 A A' 12mm Plywood with laminate as per selection Living Room 2200 300 8 28 214 250 95 12mm Plywood laminate finish as per selection 18mm SS square pipe, coated with Rustic Bronze Metallic Finish 8 36 356 400 18mm SS square pipe, coated with Rustic Bronze Metallic Finish 8MM Marble with 12mm Bevelled Edges on top 207, Unique House, Cardinal Gracious Rd, Near Procter & Gamble, Chakala, Andheri East, Mumbai 400053 Revision No.: Project No. 01 Drawing Title Celestial Heights - Living area Center Table Design Detail Drawn By LK Checked by PB Scale Date 08.07.2022 Key Plan: Scale: 1:100 Stamp and Signature: Project Type: Celestial Heights Sample Flat Client Name: Shreenathji Group Print Size Drawing No.: 05 1:5 BGA/INT/18/2022 Side Elevation Side Elevation

URBAN INCARNATION

SOFTWARES USED :

INTERNSHIP WORK EXPERIENCE

M+P ARCHITECTS COLLABORATIVE, PUNE.

About the office:

M+P produces work informed by an explicitly environmental agenda. The work creatively synthesizes attitudes and technologies into an aesthetic habitat and way of life.

AR. POOJA CHAPHALKAR – JOSHI

Personified by her passion and love for design, she has done B.Arch. from Sinhagad College of Architecture. She completed the post graduate diploma course in Natural Resource Management and Ecological Restoration from Ecological Society. Pooja believes that curiosity combined with good academic skills have helped her immensely. She loves to work hands on, travel the country, and document sources of natural building materials as she travels. She likes to write and to learn from professions other than architecture.

Method of Application and Selection

Sending Portfolio through email at least five months before commencement of your training and contacting them through call.

Informing them about your interest in their work and your keenness in pursuing training at their firm.

Selection

Work Period

Joining date 15.12.2020

Leaving date 31.05.2021 and continuing to work after training period.

Total training period – 6 months

Address : Mangalam Chambers, Flat no 4, Second Floor, Pune, Maharashtra, 411038. Contact no : 9284064449

E-mail id : partners.mplusp@gmail.com Website : www.mplusp.in

AR. MEGHANA KULKARNI

After having completed her B.Arch., she completed the post graduate diploma course in Natural Resource Management and Ecological Restoration from Ecological Society. Meghana believes that Architecture is a social art. It is not just utilitarian, but a combination of Aesthetics, function and craft. It is as much participatory as it is interactive and intuitive. She also feels that ingenuity is integral to design and there is a need to keep finding better solutions to create sensitive environments for the ever-evolving world. Her interests include photography and lens building, product design, crafts, drawing comics, sports and gadgets.

Fig 1.1, 1.2 - My first model in M+P firm. ( Sudhir Jalihal project )

A photo clicked few days after I joined office, I met with an accident, everyone in office was very caring, we interns had some photoshoot of this while working on a physical model.

I wanted to put this on my report as these days will always be remembered and i wanted that to be in this report.

PROJECTS I WORKED ON

1. AKSHAY GAVANDI, WAGHOLI

2. JYOTI DESAI, TINGRE NAGAR

3. RAVI PALIWAL, HADAPSAR

4. SANJAY ZINJAD, GIRIVAN

5. SANIKA JANWALIKAR, GIRIVAN

6. KIRAN CHITNIS, BANER

7. SATISH HARSOOLKAR, AURANGABAD

8. MAHESH KULKARNI, KATRAJ

9. BAGHEERA LIFESTYLE, BANER

10. RAHUL PATHAK, HADASHI

a. Nature of practice undertaken in the office : Residential, educational, planning, landscape, institutional, interior.

b. Your contribution in the office :

Behind the scene photo where we were doing photoshoot in working hours. We used sunboard for the frame which was a waste remaining of the model. That evening Meghana ma’am offered me to drop me to my house, as I used to walk to my house. These were my best 6 month internship I had.

f. What is the final take home for you after the training.

There was a lot I learnt about architecture. One thing I learned is that we always keep learning. Our ma’am still learns about new techniques, materials and new technology. I learnt about new techniques to measure site. In M+P office they hardly use lumion or revit. I learnt that if your design, presentation and communication skills are strong then we don’t need to use lumion or higher softwares.

M+P firm is loyal to their clients, they keep all the transactions and discussions transparent with their client. Because of this honest behaviour many people prefer to come to M+P for their dream homes.

From day one I was always excited to work in M+P office. When I joined the firm there were 2 interns from which one intern ( Shubham) was about to leave the office within few days, but within those days we had gained a special bond of friendship, he explained me about the work method in the office. I helped the interns to make model of a project (Sudhir Jalihal) while I was studying about the projects. I brought stuff like tape, battery cells etc. from stationery before coming to office as per instructed. Sometimes there were technical problems with the PCs, we interns tried to solve the problem and we succeeded most of the times. While doing the photoshoot of Ketaki Jog’s apartment Interior work, me and other Intern ( Chinmay) picked plants, pots, rugs from ma’am’s car to the apartment for photoshoot purpose. The photoshoot day was so much fun and memorable. While meeting with clients, sometimes due to covid situations chai wala wasn’t there for serving tea, so we interns used to serve tea to clients. I felt so warm to greet clients with tea/coffee, it was like we are family or I would feel that we have known eachother for so many years. I had made a video about a completed project Named “Duplex with a view” on Adobe premiere pro software, the video was uploaded on youtube channel on “M plus P Architects”. The youtube link is - https://youtu.be/oVCkSk5jhCo

The below images are from Mahesh Kulkarni’s Site visit. We had to visit the site 3 times just because we didn’t take the measurements correctly. Ma’am was very greatful that she talked to the client and allowed us to visit the site once again to take the correct measurements. This was my biggest mistake I had done in my internship. The site was located in Katraj within the main city. The clients are nature lovers thus they have grown so much trees and plants in their site. Due to so much trees and plants we were getting the measurements wrong at first 2 site visits. We did the correct measurements after ma’am explained us how to do it properly at this situations.

INTRODUCTION TO BIOMIMICRY

INVENTING SOLUTIONS USING BIOMIMICRY

Step 1 – Find out the problems on which you want to work on

Problem

1. As designing the port of Beirut, the port is placed near the sea and as the future years come the water levels are rising because of global warming which makes us think about our waterfront developments. Due to this a design is needed where the port can be much stronger to resist the heavy rains and water floods in coming years.

Define and Biologize

Step 2 – Form questions asking about the problem, how we can strategies the solution.

How might we…….

…. avoid water to enter the land ?

…. build warehouse and silos building above ground level to prevent water entering into them ?

…. direct the water or channelise the water to different direction to avoid water entering into the structure ?

How might we……. (reconstructed questions)

…. avoid water to enter the land ?

…. design the area to prevent water entering into them ?

…. design a structure that repels the liquid ?

Step 3 & 4 – Biologize the selected question and find out biologized strategies from www.asknature.com

Design Question : How might we design the port to avoid excess sea water to enter into the structures ?

Function :

Resist water, protection of goods, repel liquid, Keep products fresh and as it is, to prevent metal from corrosion.

Biologized Questions :

How does nature …

…resist excess water ?

…directs water flow in another direction ? …stabilizes itself in excess water ?

Context :

Sea water, floods, structure near to sea, Storage of products.

Approach 1 : How does nature resist excess water ?

Biological Strategy

Skin of springtails repels liquids with undercut structures that stabilize air bubbles.

Surface roughness is important for repellency as textured surfaces trap an air bubble (or plastron) at the surface, preventing water and other substances from contacting it directly. Water’s surface tension makes it relatively easy to repel, and many organisms have rough surfaces that function in this way. Springtail skin is remarkable in that it resists a far wider range of substances, including oils and other low surface tension liquids, even when subjected to high pressure.

Springtail skin is rough across multiple length scales. It has relatively large bumps that are themselves coated in smaller “primary granules”. Primary granules are unique and convoluted structures approximately 250 nm across. Made from even folds in the skin, they are arranged in a regular lattice, forming nano-scale cavities that trap air. The granules have undercut overhangs that orient surface-tension forces in a way that makes the structures exceptionally effective at stabilizing the plastron. This gives springtail skin its incredible repellency.

Discover and Abstract

Approach 2 : How does nature stabilizes itself in excess water ?

Biological Strategy

Buttresses of the red mangrove enable growth in thin soils by efficiently increasing footprint

They grow in regions where storms and high winds are common and they are continually subjected to water currents and tidal forces. At the same time, they grow in waterlogged and shallow silt that is continually moving and so they are unable to anchor themselves using their roots the way trees growing on land can. Unsurprisingly, these trees invest much less energy in their root system, which can be as low as 5% of the total tree biomass (this compares to between 15-55% for other tree species). Instead, red mangrove trees rely on rhizophora, specialized stilts made from the same material as the main stem that take in and transport water and oxygen and also provide support for the tree on a difficult shifting surface.

Discover and Abstract

Approach 2: How does nature stabilizes itself in excess water?

Design Strategy

Buttresses of the red mangrove enable growth in thin soils by efficiently increasing footprint

They grow in regions where storms and high winds are common and they are continually subjected to water currents and tidal forces. At the same time, they grow in waterlogged and shallow silt that is continually moving and so they are unable to anchor themselves using their base the way structure growing on land can. Unsurprisingly, these structure invest much less energy in their base system which can be as low as 5% of the total tree biomass (this compares to between 15-55% for other tree species). Instead, structure rely on pipe like structure specialized stilts made from the same material as the main stem that take in and transport water and oxygen and also provide support for the tree on a difficult shifting surface.

Discover and Abstract

Step 5 – By taking inspiration from the strategies studied make a solution on the design problem

Conceptual Idea

The containers and machineries will be painted by a coating which will have the ability to direct the water from the surface and to throw it out of the container without damaging the cargos inside. This coat will protect all machineries from damaging.

Container rain is a term used in which due to humidity the water gets collected on the surface. In current situations dehumidifier are used in the container to avoid the water.

Emulate and Evaluate

Conceptual Idea

The base of port could be like mangrove trees which keep themselves intact even in excess water, storms etc. by making it porous to pass the water through it.

As designing the port of Beirut, the port is placed near the sea and as the future years come the water levels are rising because of global warming which makes us think about our waterfront developments. Due to this a design is needed where the port can be much stronger to resist the heavy rains and water floods in coming years.

Emulate and Evaluate

My Inspiration

Skin of springtails repels liquids with undercut structures that stabilize air bubbles.

Emulate and Evaluate

My

Inspiration

Red mangroves, which can survive in the most inundated areas, prop themselves above the water level with stilt roots and can then absorb air through pores in their bark (lenticels).

Machineries used in port

My Invention

My proposed design is to use a super hydrophobic coating on any material which will protect the metal from corrosion or any damages occurring due to climatic conditions near sea.

Look

Metal of Machinery Superhydrophobic Coating

Emulate and Evaluate

My Invention

to make a self

My proposed design is to make an porous material which will have voids which will act as a foundation in waterfront development. The foundation will float on water making easy to sustain the structure on water.

Voids in foundation to let the water pass through foundation making foundation to stabilize itself

1. Spraying the coat 2. The material gets superhydrophobic repelling the water

3. Difference in effect of coated material and uncoated material

of final product after coating

Due to obstruction the high tides create floods on land. Solution is

stabilizing foundation like mangrove trees, which can be used in water front development.

OPEN CLASSROOM (Dyan jyoti savitribai phule school; Panvel,Navi Mumbai)

DESIGN CONCEPT :

TEAM PARIVARTAN’S FIRST PROJECT WAS IN COLLABORATION WITH BERAINDROP AN NGO WHOSE INITIATIVE WAS TO CREATE INTERACTIVE LEARNING ENVIRONMENTS.

THE CONCEPT OF OPEN CLASSROOMS WERE CONSIDERED, AN OPEN SPACE UNDER EXISTING TREE ON SITE WHICH CAN BE USED AS A TRADITIONAL CLASSROOMS GURUKUL AND A INTERACTIVE PLAYING AREA AT THE SAME TIME.

CONCEPT

TAKING A TYPICAL CLASSROOM AND OPENING IT AND THEN PLACING SEATING AREA AROUND THE CENTER.

EXISTING UNUSED TYRES EXISTING WOODEN LOGS FOR SEATING SEATING MADE OF SCRAP OF CRATES

LOOPS ON TREE FOR PLAYING

MINI GOLF

MUSIC STAND

LOOPS FOR BASKET-BALL

WORKING WITH TRIBES (Shindewadi Tribe; Mohpada, Raigad)

AIM AND DESIGN CONCEPT :

TO OBSERVE AND ANALYSIS THE CURRENT SCENARIO OF TRIBAL COMMUNITY IN MOHPADA. AND CONCLUDING ON AN INFERENCE.

TO DESIGN AND CREATE A PLAY AREA/INTERACTIVE SPACE FOR THE CHILDREN, AND WORKSHOP SPACE WHICH REFLECTS THE OBSERVATIONS FROM OUR INFERENCE.

DESIGN

EXECUTION :

IN SHINDEWADI VILLAGE, EACH HOUSE HAS ITS OWN VERANDA SPACE WHERE THEY SIT, RELAX AND DO OTHER ACTIVITES BUT COMMUNITY GATHERING WAS LACKING. TO OVERCOME THIS ISSUE, THE COMMUNITY HUB IS CREATED AT HEART OF THE VILLAGE. PROVIDING SEATING AREA AND SEMI SHADED SPACE THROUGHOUT THE DAY

#BetterMyCity Photo Contest by CDIA

Many of the sidewalks are empty and misused by the people. In the photo I have selected the outer side of a school and a college. In which i have placed a drop-off/pick-up point, also a cycling lane and a safety lane should be mandatory for safety of students as per my observation. Also I tried to make the sidewalk shaded with wood jaali having quotes engraved on it. Many of the food gets wasted in school/college canteen; i tried to give a contact-less food stall for homeless so that people can keep their extra food and the needy people will get their food from this stall.Also I have placed separate dustbins around it and solar lamps are placed for saving the energy. I have placed a solar screen on the other side of the road so that school children or any people passing by gets the track of climate and weather of the city.

A Design For the people

Won Expert’s Choice Award at International level

Also CDIA Published a written Interview in CDIA’s newsletter

September - October 2020 Edition.

EXTRA-CURRICULUM

MODEL MAKING -BUNGALOW (SUNBOARD)

JAALI BRICK WALL WORKSHOP

POTTERY WORKSHOP WALL PAINTING

Hands-on workshop (Adobe construction)

photography

A REAL PHOTOGRAPH IS THE ONE WHICH IS SHOWCASED IN ITS NATURAL FORM.

BAKING POTS

THE RULE OF THIRDS | DHARAVI

TEXTILE MILL OFFICE

THE WORKS OF NATURAL AND ARTIFICIAL LIGHTS | LALBAGH, MUMBAI

COLLEGE WALKWAY

PERSPECTIVE | PILLAI COLLEGE OF ARCHITECTURE, RASAYANI

THE ENTRANCE

SYMMETRY | KONDAN RETREAT, PUNE