As we usher in the new year, a time of personal growth and renewal, I find myself deeply inspired by the extraordinary journey of Kaitlyn Hubert. From overcoming addiction to becoming the powerhouse behind the thriving Tomboy Hair Care product line and Pelo Beauty Collective, Kaitlyn’s story is one of strength, transformation, and the power of self-love. With locations in Middletown, Lexington, and the newest Pelo West at the iconic Galt House Hotel, Kaitlyn is a stunning example of what can be achieved if we only believe in ourselves, even in our toughest moments. For the first time, she opens up to the VOICE-TRIBUNE about her remarkable journey. Kaitlyn, thank you for sharing your powerful story—it’s one that I believe will resonate with and inspire many.
I’m also thrilled to introduce our January Wedding Volume! This stunning photoshoot, styled by the ever-so-fashionable Mike Tomes, was inspired by the beauty of the four seasons. This project was made possible by an incredible team: the talented stylists at J Michael’s Spa & Salon, our wonderful models and real couples, and our exceptional vendors—House of K Boutique, Sam Myers, Susan’s Florist, The Gillespie, Aesthetics in Jewelry, and Dolfingers. We hope this photospread warms hearts this winter season, love is a party and everyone is invited!
Speaking of parties, be sure to take a peek at the 2025 Balls & Galas Guide, where you can find Louisville’s most anticipated Balls & Galas and save the date as we start this new calendar year.
This month’s showcase of love and creativity reflects what makes the VOICE-TRIBUNE so special: a genuine commitment to celebrating the vibrant people, businesses, and stories that make Louisville unique. It’s this same spirit of connection and love for this city that guided me when I took on the challenge of reviving a 74-year-old publication.
Two years ago, I boldly decided to revive and breathe new life into a 74-year-old publication that has long been a cornerstone of Louisville’s story. As we enter our 76th year, it’s been a journey filled with lessons, challenges, and many moments of heartfelt pride for the city that raised me.
At the heart of the VOICE-TRIBUNE is the very human desire for connection, the same could be said for many other ways in which we as people create. Our team has had a blast these last two years connecting our readers with the amazing stories Louisville has to offer.
From orchestrating vast, intricate projects—like pairing 48+ athletes with animals at the Louisville Zoo (Shout out to Kyle Sheppard at the zoo, you are incredible!)—to accomplishing and supporting projects and events such as The Secretariat Film Project, the American Heart Association Go Red Luncheon, and the WOW (Women of Whiskey) Awards, this journey has been nothing short of extraordinary. And let’s not forget traveling with all of you to Antarctica to celebrate The VOICE-TRIBUNE’s 75th anniversary—an experience I’ll never forget.
But perhaps the most thrilling and unexpected part of this journey has been uncovering the history of VOICE-TRIBUNE. When I started, there was hardly any record of it left. We soon discovered that the archives had been stolen, donated, and, in some cases, completely lost.
If it weren’t for the tireless efforts of Julie Koenig—who reached into the past, connecting with every former employee who would answer the phone—we wouldn’t have been able to begin piecing this incredible history back together.
That said, we need your help! Next month, we’ll be posting a list of the missing years online, and if anyone has any old issues tucked away, we’d love to hear from you. Scans, photos—every piece helps us rebuild the archives and preserve the VOICE-TRIBUNE’s remarkable history for generations to come.
Every page we publish is a promise to keep Louisville’s voice strong. Thank you to all of our readers and advertisers for being part of this journey and for allowing us to share the stories that make our city so special.
We hope you like this volume!
Amelia Frazier Theobald
EDITOR’S NOTE
STARTING WITH THE MAN IN THE MIRROR
Entering this new year, our team at the VOICE-TRIBUNE has new beginnings on the brain. New beginnings can evoke both excitement and apprehension, whether you’re starting a new chapter with your greatest love or working towards personal goals and aspirations-- the key is always to trust in yourself and be the author of your own story. What is your personal happily ever after? Who would you be if you were living your best, most authentic life? What steps do you need to take to get there?
Too often, the greatest barrier to new beginnings is our own resistance. We pick ourselves and our dreams apart and say “No” before we’ve even allowed ourselves to try. Doubts creep in—”What will people think?”, “Do I have what it takes?”, “I can’t because of XYZ.” –If there is one thing I have learned from sharing some of our city’s most inspiring stories with our readers, it’s this: you can. Your dreams are reflections of what you are capable of achieving.
And when you take that first step toward your goals, something really special happens. Life begins to align in unexpected ways, and doors you hadn’t noticed before start to open. Yes, the journey may come with challenges. You might lose a few people along the way—sometimes, those we expect to cheer us on don’t react as we hoped. But no path, no peak of success, is immune to criticism. So, why not choose the road that leads you to happiness and fulfillment?
In this volume, we feature stories of individuals following their passions in love, business, advocacy, innovation, music, and film. We hope that these stories inspire you to chase your own dreams and passions. In this new year of 2025, our team sends love and well wishes that the direction you choose is the one in which you shine the brightest. Your path forward begins and ends with you.
Take care,
Alisha Proffitt Chief Director of Editorial & Co-Editor
“If you wanna make the world a better place, take a look at yourself and then make the change. You gotta get it right while you got the time, ‘cause when you close your heart then you close your mind.“ -Michael Jackson, Man in the Mirror
PRESIDENT/CEO, AMELIA FRAZIER THEOBALD OPERATIONS MANAGER, MARY ZOELLER
CHIEF REVENUE OFFICER, JULIE KOENIG
CHIEF DIRECTOR OF EDITORIAL & CO-EDITOR, ALISHA PROFFITT
FASHION & EDITORIAL PHOTOGRAPHER & VIDEOGRAPHER, ANTONIO PANTOJA
ACCOUNT EXECUTIVE, CLEO HEINE
DISTRIBUTION, KELLI VAN HECKE, JILL & JOHN MINNIX
CONTRIBUTING WRITERS: ALISON CARDOZA, ALISHA PROFFITT, AMELIA FRAZIER THEOBALD, ANTONIO PANTOJA, BRITTANY MARSHALL, CHRIS MORRIS, DR. RANDY WHETSTONE JR., GILL HOLLAND, JACKIE ZYKAN, KATHRYN HARRINGTON, KELSEY KNOTT, KEVIN MURPHY WILSON, REMY SISK, RUSS BROWN
CONTRIBUTING PHOTOGRAPHERS: CONNOR CUNNINGHAM, FIRM ANCHOR, GIOIA PATTON, JACKIE ZYKAN, MARTIN BOLING, MUSIC FOR A PURPOSE, RYAN ARMBURST, UOFL ATHLETICS
Volleyball Cards Attain an ‘Epic Moment’ with the Final Four in the Yum! Center
87
Dress for Success
By Dr. Randy Whetstone Jr Photos by Kathryn Harrington
Cultivating Kinder Communities with Ethan Almighty
By Kelsey Knott
Photos by Matt Johnson
By RUSS BROWN Photos by Connor Cunningham 92
Here Comes the Sun (Bowl), Giving Cards Another Chance to Show Their Grit
By RUSS BROWN
Photos by UofL Athletics
By RUSS BROWN
Photos by UofL Athletics
It’s Still Early, but Kelsey Has Already Proven He’s the Right Coach to Revive Cards
By RUSS BROWN
Photos by UofL Athletics
What is Whiskey?
By Chris Morris
Photos by Matt Johnson
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Monarch Artist Feature: Cait Justice By Gill Holland
A Beautiful Nightmare: Life is a song.
Written and photographed by Antonio Pantoja
Celebrating the 70th Anniversary of Frazier Rehab: Honoring Founder Amelia Brown Frazier
By: Amelia Frazier Theobald
Photos by Kathryn Harrington 108 Director, Angelo Pizzo, Films Independent Passion Project, Someone Saved My Life
By Brittany Marshall
Photos by Martin Boling
Celluloid Hero: Dean Otto Keeps the Magic and Wonder of Film Alive
By Kevin Murphy Wilson
Photos by Matt Johnson
Tai Chi By Alison Cardoza Photos by Matt Johnson
A Bespoke Wedding to Remember: Jill Beavins and Adam Yount Tie the Knot at Peterson Dumesnil House
Photos by Firm Anchor
Julia Cash on the Power of Music
By Kevin Murphy Wilson
Bodhi Salt Center: Bringing Global Holistic Health Traditions to Louisville By VOICE-TRIBUNE Photos by Matt Johnson
2025 Balls & Galas Guide
Photos by Kathryn Harrington
Kathryn Harrington’s Society
Photos by Kathryn Harrington
By VOICE-TRIBUNE • Photo by Oleksandr P (Pexels.com)
As the calendar turns and a new year begins, many of us take the opportunity to reflect on the past and set goals for the future. (“Home - C&C Disposal”) Whether you call them resolutions, aspirations, or simply new habits, creating positive change is a universal desire. But how can we ensure our goals are meaningful and achievable? Here’s a simple, effective guide to help you set and stick to your New Year’s resolutions—without feeling overwhelmed.
1. START SMALL AND SPECIFIC
One of the biggest mistakes people make when setting resolutions is aiming too high too quickly. While it’s great to dream big, starting with small, actionable steps increases the likelihood of success. Instead of saying, “I’m going to get fit,” try something like, “I will go for a 20-minute walk three times a week.” Small changes are easier to manage and build momentum over time.
2. FOCUS ON ONE OR TWO GOALS AT A TIME
It’s tempting to overhaul your entire life at the start of the year, but juggling too many goals at once can lead to burnout. Pick one or two priorities that are most important to you, and channel your energy into those. Once you’ve established new habits in one area, you can add more.
3. WRITE DOWN YOUR GOALS
Putting your goals in writing helps make them real and keeps you accountable. Use a notebook, journal, or even a digital planner to document what you want to achieve. Be specific about what success looks like and set a timeline for review.
4. BREAK IT DOWN
Big goals can feel daunting. Break them into smaller, manageable milestones. For example, if your goal is to save $1,200 this year, break it down into saving $100 each month. Celebrate each milestone as a step toward your ultimate achievement.
5. CREATE A SUPPORT SYSTEM
Share your goals with a trusted friend or family member who can encourage and motivate you. Sometimes, having an accountability partner or joining a group with similar goals can make all the difference.
6. BE PATIENT WITH YOURSELF
Changing habits takes time. According to research, it can take anywhere from 21 to 66 days to form a new habit. Slip-ups are normal and part of the process. The key is to recognize when you’ve veered off course and get back on track. Remember: progress, not perfection, is what matters.
7. REFLECT AND ADJUST
As the year progresses, take time to review your goals. Are they still relevant? Are there new challenges or opportunities to consider? Flexibility is important. Adjusting your goals doesn’t mean you’ve failed—it means you’re evolving.
8. CELEBRATE YOUR WINS
Every step forward, no matter how small, deserves recognition. Celebrating your achievements helps reinforce positive behaviors and keeps you motivated to continue.
A FINAL THOUGHT
Remember that resolutions aren’t about being perfect; they’re about making progress. (“Home - C&C Disposal”) Change is a journey, not a sprint. Even if you stumble, don’t give up. Each day is a new opportunity to try again. By setting realistic goals, staying patient, and believing in yourself, you’ll be well on your way to making this year your best one yet.
HAPPY NEW YEAR, AND HERE’S TO ALL THE INCREDIBLE THINGS YOU’RE ABOUT TO ACHIEVE!
Tomboy Hair Care and Pelo Beauty Collective owner Kaitlyn Hubert talks success through sobriety
By Remy Sisk • Photos by Antonio Pantoja
Kaitlyn Hubert is an icon of style. Her Instagram page @kaitlyn_hubert has over 148,000 followers, and the success of her products line, Tomboy Hair Care, propelled her to open three salons. While it may look on the surface that Hubert’s success has come naturally to her – and perhaps it has – what the photos don’t show is Hubert’s journey to get to where she is now. Her road from addiction to sobriety was a tumultuous one, but one she walked with determination – one that led her to her success today.
“My life is a testament to the power of resilience, hard work and the unwavering belief in second chances,” Hubert says. “Today, I want to share my story – not just as a narrative of struggles and triumphs but as a beacon of hope for those facing their own challenges.”
Fifteen years ago, Hubert was facing the challenge of addiction, losing custody of her children and landing her at The Healing Place, a recovery program and shelter in Louisville. She spent a full year there working to overcome the hold addiction had on her and remembers, “While it was a time filled with uncertainty and despair, it also became a space for healing and reflection.”
Her decision to lead a life of sobriety came on New Year’s Day 2014. “The journey was not easy,” she emphasizes. “It required relentless dedication and a willingness to confront my past. Each day brought new challenges, but I learned to lean on the support of others. I attended meetings, sought guidance and focused on rebuilding my life. The struggle was real, but so was the victory. Gradually, I began to reclaim my identity and my role as a mother.”
Making this change came with its challenges but also with wins, both big and small. The greatest, however, was getting her kids back. “Regaining custody of my children was a monumental achievement that filled my heart with joy,” she recalls. “It was a symbol of my commitment to transformation and a reminder of my purpose. I wanted to create a stable and loving environment for them, one where they could thrive and feel secure. My children became my motivation, driving me to push through the toughest moments and strive for a brighter future.”
Invigorated with the shape her life was taking, her newfound independence and her tenacious determination, Hubert took a leap of faith into entrepreneurship, chasing a dream she now felt ready to pursue. She launched her first business, Tomboy Hair Care, in 2018 before opening two salons in Louisville and one in Lexington. “Each venture represents not just financial success but a personal triumph over adversity,” she says.
The brand of Tomboy is founded on kindness and equality with its primary goal being to fill the gap in gender-neutral/ non-binary styling products. “I didn’t think that there were many short hair products made for male or female clients,” she says. “And I just wanted it to be a universal kind of short, funky hair product that men, women, gays, theys, everyone can use. I just wanted it to be very inclusive.”
The success of Tomboy led to Hubert’s salons: Pelo Beauty Collective located in Middletown, Pelo Lexington and then the newest addition, Pelo West inside the Galt House Hotel. Similar to Tomboy, the core concept of the brand is to be inclusive, to be positive and to uplift clients of all walks of life. “I hope they come in and they feel special, they feel taken care of, they feel a positive energy” Hubert says. “I really pride myself on hiring the right people because you can’t have a space with the wrong people in it. So, when people come into one of my spaces, everyone’s smiling, everyone’s greeting them. I want them to leave feeling better than they did when they came in.”
With kindness as the concept, it’s hard to go wrong, and as the latest location continues attracting new clients downtown, there’s no end in sight to Hubert’s upward spiral. “My journey has taught me that challenges can be transformed into opportunities for growth,” she reflects. “I want my story to inspire others who may be struggling, reminding them that change is possible. No matter how dark the circumstances, there is always a way forward. I believe in the power of community and the importance of sharing our experiences to foster hope and resilience.”
While the smiling and styling photos on Instagram may not explicitly reveal her story, perhaps her smile says it all. The smile that’s a result of determination to make a new life, to regain the identity she thought was lost and to follow a dream that had once seemed out of reach. Her choice to overcome and to heal despite the challenge feeling insurmountable is proof that it’s never too late to start over, as you never know what the future holds when you decide to make a change.
“As I reflect on my journey, I am filled with gratitude for the lessons learned and the obstacles overcome,” she shares. “My life is a testament to the belief that we can rise from our struggles and create a life we love. I hope that by sharing my story, I can inspire others to embrace their own journeys and pursue their dreams, no matter how daunting they may seem. Together, we can lift each other up and build a brighter future.”
This is the greatest party of your life. Dress accordingly. This is the greatest party of your life. Dress accordingly. This is the greatest party of your life. Dress accordingly.
Q&A WITH DR. BRADLEY CALOBRACE
By VOICE-TRIBUNE • Photos by Matt Johnson
As the field of breast surgery enters a new era, Louisville’s own, Dr. Bradley Calobrace, stands at the forefront of innovation with the introduction of the newly FDA-approved Motiva® Breast Implants. On September 30, 2024, Dr. Calobrace became the first surgeon in the United States to place these groundbreaking implants, a mere few days after their FDA approval. Motiva Implants, already renowned internationally for their 15-year track record, bring to the U.S. market advanced features such as SmoothSilk surface technology, which significantly reduces complications like capsular contracture, boasting rates of less than one percent. With a low rupture rate and no reported cases of lymphoma, Motiva addresses critical safety concerns, offering women safer, more reliable options in breast augmentation and reconstruction. A leader in breast surgery and a pioneer in clinical research, Dr. Calobrace played a pivotal role in the FDA trials and will serve as the medical director for Motiva’s post-approval study. Beyond his surgical expertise, he is committed to advancing education about this revolutionary technology, further cementing his role in shaping the future of women’s health. In this exclusive Q&A, Dr. Calobrace shares insights into the significance of Motiva Implants, the clinical advancements they represent, and what they mean for the future of breast surgery in the United States.
What was the most challenging part of the FDA clinical trials for Motiva® Breast Implants, and how did your role influence the approval process?
“The most challenging aspect is simply the coordination and implementation of such a challenging undertaking that was under the expert direction of Caroline Glicksman, MD. The study will take 10 years and includes aesthetic and reconstructive breast surgery. There is an enormous amount of data collection and follow-ups. My team was led by Keri Tomes and Nicole Beams, two of my long-term nurses, who know breast surgery well.“
What sets Motiva® Implants apart from other breast implants on the market, and why is their introduction to the U.S. so significant after a decade-long gap in new implants?
“There has not been a truly new breast implant approved in the US market in over a decade. All devices thus far have been some modifications of other implants already available. These implants are unique in that true scientific studies led to the development of many unique aspects… the smoothsilk surface (4-micron surface), the monobloc technology that links the shell to the gel creating one unified structure, and viscoelastic properties (the stretchability) that allows for softer implants placed through smaller incisions, and finally the ergonomic properties that allow these round implants to take on a more natural, anatomic appearance when the patient is upright. In other words, the implants tend to mimic the natural movements of breasts.”
Could you elaborate on the SmoothSilk surface technology and how it minimizes complications like capsular contracture and rupture?
“The 4-micron surface is generally a smooth surface with a very mild microtexture present on it… giving it the feel of very soft silk. This surface is unique in that it acts like a smooth implant with no association with lymphoma and a mobile, natural feel (not stuck or resistant to movement like textured implants) and yet unlike smooth implants, the smoothsilk surface is more biocompatible, meaning it has minimal inflammation, fibrosis or immune activation when placed in the body. The body does not react, and thus very little capsule is formed which is then associated with a much lower capsular contracture rate (less than 1%)”
Motiva® Implants have reported zero cases of lymphoma. How does this innovation address safety concerns associated with previous implants?
“Only textured implants are associated with lymphoma, especially the biocell texture which is no longer available anywhere in the world. Smooth implants are NOT associated with lymphoma at all… and likewise, the smoothsilk surface acts like a smooth implant and has no cases of lymphoma. I believe this is because of the biocompatible nature of these implants which tend to be non-immunogenic and noninflammatory. Inflammation is felt to be one of the important contributors to the development of lymphoma associated with breast implants.”
With Motiva® Implants having a 15-year track record internationally, what lessons or insights from global use were most influential during the FDA trials?
“The most important experience is that these implants ACT like smooth implants, not textured. There are very thin capsules and thus one cannot depend upon capsules to keep these implants in place. Therefore, creating very tight pockets with a hand-in-glove fit is important. Tissue preservation has become a buzz phrase to describe doing less and preserving the natural supportive structures of the breasts during surgery. In the US, unlike the rest of the world, SMOOTH implants are used in the majority of cases. Outside the US, texture implants were used and the transition to Motiva was more challenging. In the US, the surgeons were able to master these implants much more readily as they function much more like the smooth implants surgeons have been used to using.”
As a leading cosmetic surgeon, how has your expertise shaped the adoption of Motiva® Implants in the United States?
“I have a long history of significant expertise in issues related to breast implants. I have conducted many FDA trials related to implants and led the launch of Sientra breast implants. I likewise co-authored the 10-year FDA summary paper for Sientra and Mentor implants and have traveled the world over the past 16 years lecturing on issues related to breast surgery. With the recent FDA approval of the Motiva implants in the US, and as a part of the FDA study, I will take my years of experience and expertise to help surgeons achieve optimal outcomes for their patients. FDA approval is just the start. It is imperative that these implants are used effectively to achieve the very best outcomes for their patients. It is my job to help provide leadership in achieving this goal.”
As the medical director for the post-approval study, what specific aspects of the implants’ performance and safety will you be focusing on?
“The post approval studies are designed to continue the evaluation of breast implants in the “real-world” with many surgeons using them… which is a bit different than the rigorous protocols and limitations placed on the initial FDA trials. The post-approval studies will last 10 years, and I will work with the company to ensure compliance from surgeons that participate in the study and ensure collection of this very important data. I was the primary author on a 6-year review of the Sientra post approval study on their implants, so I bring experience and expertise which will be helpful in leading this study. These implants will be evaluated for capsular contracture, infection, ruptures and need for revisional procedures, as well as many other aspects. Uniquely, as these implants produce minimal capsules, we will be looking closely at the stability of the implants and whether malpositions or stretch deformities are more problematic with these implants. Capsules can be problems… but they also stabilize the implants. We will evaluate these issues and whether such issues could lead to additional revisional surgeries.”
You’ll be leading educational efforts for Motiva’s U.S. launch. What will these efforts entail, and how will they impact the plastic surgery community?
“Like the post approval studies, my goal in leading the Motiva US launch is simply to assimilate the knowledge we have with nearly a 15-year experience with Motiva implants internationally and using that knowledge to speed up the learning curve and help surgeons achieve optimal outcomes immediately. So many of my colleagues internationally have been using Motiva for years… and I am using that experience plus the experience of the FDA-participating surgeons in the US to develop educational programs that optimize the outcomes with these implants. Many US surgeons have a large experience as part of the FDA trials, and their experience will be invaluable. My job is to coordinate and structure the education, but what will be taught will be from the great experience and talents of my US and International plastic surgery colleagues.”
How do you see the introduction of Motiva® Implants transforming the landscape of women’s health and aesthetic options in the United States?
“Well, I believe women can feel assured the FDA is very careful to evaluate completely the safety and efficacy of new breast implants and that FDA-approval signals that these implants have met these rigorous requirements. I do believe the unique properties of the surface of these implants provide a biocompatible environment that leads to way less inflammation and immune reaction. I believe this may help women feel more confident that these implants can be used and that the implants will live more “quietly” with their bodies not creating the capsular contractures, fibrosis, and immune responses that we have seen with other implants placed in the body.”
What advancements in implant technology or plastic surgery do you envision following the introduction of Motiva® Implants to the U.S. market?
“Motiva implants are very unique and quite different from other breast implants available. I believe development will always look for new implant surfaces that provide the optimal support without the detriment of inflammation. Additionally, tissue expanders are being developed that allow for MRI studies (which has been a problem in the past) and radiation treatments. The most recent advancements have been in the increased use of fat grafting in breast surgery and achieving predictable outcomes. We participated in a one year study of fat grafting showing the Viality system achieved 79% retention of fat at one year. Also, the use of “internal bras” with scaffolds or mesh are increasingly used to stabilize and support implants. I have used internal mesh bras for the last 8 years and now I use these internal bras every day to achieve way more predictable, outstanding results for our patients.”
By VOICE-TRIBUNE • Photo by Eftodii Aurelia (Pexels.com)
Weddings are one of life’s most cherished celebrations, bringing together family, friends, and loved ones to honor a couple’s journey into marriage. While tradition has long provided guidelines for etiquette, modern weddings have evolved, creating new norms and unspoken rules. Whether you’re a guest, part of the wedding party, or planning your big day, understanding wedding etiquette helps ensure everyone enjoys the occasion with grace and consideration.
For the Couple: Thoughtful Planning and Clear Communication
Planning a wedding can be overwhelming, but communication is key to a smooth event. Save-the-dates and invitations should be sent with ample time for guests to prepare—six to eight months for a destination wedding, and four to six months for a local celebration. Invitations should include essential details: date, time, venue, dress code, and RSVP instructions. If you’re opting for a wedding website, include helpful information such as accommodations, transportation, and gift registries.
For an added touch of creativity and convenience, couples can opt for QR code magnets as part of their invitations. These small, stylish magnets feature a scannable QR code that directs guests to the wedding website for RSVPs and event details. Not only are they functional, but they also serve as a fun keepsake that guests can stick to their fridge as a reminder of the upcoming celebration. This modern approach ensures the RSVP process stays front of mind for guests, helping couples receive timely responses while adding a unique, practical element to their wedding stationery. Plus, with so many customizable design options available, QR code magnets can seamlessly blend with the overall aesthetic of the wedding.
Regarding gifts, it’s perfectly acceptable to include registry information on your website or pass it through word-of-mouth. However, avoid placing registry links on formal invitations—it’s considered a breach of traditional etiquette. If you’ve chosen a “no gifts” policy, express your wishes kindly but accept that some guests may still offer something sentimental. Gratitude is paramount. Sending handwritten thank-you notes within three months after the wedding is a timeless gesture that shows appreciation for your guests’ time, presence, and gifts.
When it comes to guests, make your intentions clear. If the wedding is adults-only, communicate this early, but with sensitivity. A polite note on the invitation—“We kindly request this to be an adults-only celebration”—helps avoid confusion.
For Guests: Being Respectful and Present
Receiving an invitation is an honor, and your response matters. RSVP promptly—ideally within a week of receiving the invitation. Your hosts depend on accurate guest counts for seating arrangements, catering, and budgeting. If you must decline, do so politely, and avoid last-minute changes unless it’s truly unavoidable.
Dress appropriately for the occasion. The invitation’s dress code is your guide, whether it’s black tie, cocktail attire, or casual chic. When in doubt, err on the side of being slightly overdressed rather than underdressed, and never wear white (or anything resembling white) unless explicitly requested by the couple.
Arrive on time—or better yet, early. Few things are more disruptive than walking in during the ceremony. Once you’re there, be present and respectful. Avoid using your phone for photos unless the couple has encouraged it, as many weddings now feature “unplugged ceremonies” to foster an intimate atmosphere.
As for gifts, follow the registry if possible—it’s designed to make your life easier. If purchasing off-registry, select something meaningful, and remember that cash gifts are increasingly common and welcomed.
For the Wedding Party: Supporting the Couple
If you’re part of the wedding party, your role is to offer support and positivity. Bridesmaids and groomsmen should communicate proactively with the couple, attend key events like showers and rehearsals, and help coordinate tasks without complaint. Be considerate of costs—dresses, suits, and travel can add up, but open communication ensures clarity about expectations.
At the end of the day, weddings are about celebrating love and unity. Whether you’re a couple planning your dream day or a guest attending, a little thoughtfulness and consideration go a long way in creating an event to remember.
Scan to view this month’s collection of featured properties
From Save the Dates to programs, menu cards and signage, Cartwheels will help create your exquisite wedding papers for your special day.
Cartwheels is Louisville’s exclusive Arzberger retailer.
Call for an appointment or come in to see these beautiful papers
A
Photo By Antonio Pantoja
Love Story at The Gillespie
Photo By Matt Johnson
By: Mike Tomes
SEASONS OF THE BRIDE
Styling a bridal photoshoot around the four seasons offers a unique opportunity to capture the evolving spirit of the bride, each season reflecting a different aspect of her journey. Spring ushers in a sense of renewal with pastel hues, 3D floral accents, and delicate lace, evoking a dreamy, fairy-tale atmosphere. The bride is surrounded by soft blooms, a whimsical tea garden setup, and the sparkle of sunlight, embodying the fresh, vibrant energy of the season. This lightness and femininity carry through the soft fabrics and intricate details of her gown, highlighting the beauty of new beginnings and growth.
As the seasons shift, summer brings a sense of warmth and freedom, where the bride embraces crisp whites and the breezy elegance of lace. A beachside feeling with flowing dresses and natural, sun-kissed styling, while subtle details like delicate pearls or a loose, windswept hairstyles reinforce the season’s effortless beauty. Summer’s brightness contrasts with the cooler tones of autumn, which introduces deeper, earthier shades like rich browns, burnt oranges, and even bold touches of black. This season exudes sophistication and drama, with luxurious fabrics like silk and colorful overlay with striking accessories, allowing the bride to embody both strength and romance.
Finally, winter transforms the bride into an ice queen, where frosty blues, icy whites, and shimmering silvers create a regal, ethereal atmosphere. Long-sleeved gowns, faux fur wraps, and dramatic crystal accessories reflect the season’s quiet majesty, while snowy or frosted backdrops elevate the sense of elegance. Together, these four seasons create a captivating narrative, each reflecting a different facet of the bride’s evolving journey—from the softness and joy of spring to the boldness of fall and the regal, frozen beauty of winter—culminating in a photoshoot that tells a complete story of love, transformation, and timeless beauty. Incorporating all forms of diversity into this seasonal bridal photoshoot wasn’t just a thoughtful decision—it was essential to ensuring that the shoot celebrated every bride and groom, regardless of their background or identity. After all, love knows no bounds, and neither should a photoshoot that’s meant to tell the universal story of a bride’s journey through the seasons. Imagine the magic of seeing brides of all walks of life, each glowing in their own unique way, as they embody the vibrancy of spring, the freedom of summer, the richness of autumn, and the regal elegance of winter.
Styling and directing this special shoot wouldn’t have been possible without the incredible team behind it. A huge thank you to our talented photographers, Antonio Pantoja and Matt Johnson, for bringing the vision to life. We couldn’t have asked for a better styling team from J Michaels Salon—Mariah, Kaiti, and Corinne—for their expertise and creativity. Our amazing models—Scooter, Alexis, Max, Twitty, Jordan, Jalin, Sheldon, Morgan, Elizabeth, and Luis—were absolute stars, with Mariah and Kaiti going above and beyond as both stylists and models. Special thanks to Mary and Alisha for their invaluable on-set support.
A heartfelt thank you to Amelia for the incredible opportunity, creative guidance, and expert jewelry styling. And to the vendors who worked extra hard behind the scenes to elevate this shoot: Britni and Alex at House of K Boutique, Packy, Alicia and McCall at Sam Myers, Amy, Margaret and Shelby at Susan’s Florist, Brian at The Gillespie, Linda and Jimmy at Aesthetics in Jewelry, Linda at Dolfingers, your contributions were absolutely essential.
Thank you all for making this shoot a success!
Photo By Matt Johnson
Photo By Matt Johnson
Alexis Fischer
Dress and Veil: House of K
Jewelry: Aesthetics In Jewelry
Model:
Photo By Matt Johnson
Dress and Veil: House of K
Jewelry: Aesthetics In Jewelry
Flowers: Susan’s Florist
Photo By Matt Johnson
By
Photo
Antonio Pantoja
Models: Mariah Sanchez & Elizabeth Singer
Dress and Veil: House of K Tux: Sam Meyers
Jewelry: Aesthetics In Jewelry
Flowers: Susan’s Florist
Photo By Antonio Pantoja
Models: Morgan Reining and Scooter Ray Dress and Veil: House of K
Tux: Sam Meyers
Jewelry: Aesthetics In Jewelry Flowers: Susan’s Florist
Photo By Antonio Pantoja
By
Tux:
Models: Luis Torres, Mariah Sanchez, Jalin Snandon, Morgan Reining and Scooter Ray
Dresses and Veil: House of K
Sam Meyers
Jewelry: Aesthetics In Jewelry
Flowers: Susan’s Florist
Photo By Antonio Pantoja
Photo
Antonio Pantoja
Models: Jalin Snandon and Scooter Ray
Dress and Veil: House of K
Tux: Sam Meyers
Jewelry: Aesthetics In Jewelry
Photo By Matt Johnson
By
Photo
Antonio Pantoja
Model: Jalin Snandon
Dress and Wedding Hair Accessories: House of K
Jewelry: Aesthetics In Jewelry
Photo By Antonio Pantoja
Models: Jalin Snandon, Morgan Reining and Mariah Sanchez
Dresses and Veil: House of K
Jewelry: Aesthetics In Jewelry Flowers: Susan’s Florist
Photo By Antonio Pantoja
Models: Kaiti Venable and Luis Torres
Dress and Veil: House of K
Tux: Sam Meyers
Jewelry: Aesthetics In Jewelry
By
Photo
Matt Johnson
By
Flowers: Susan’s Florist Wedding Dinnerware and Serveware: Dolfinger’s
Photo By Antonio Pantoja
Photo
Matt Johnson
By
Dress,Veil and Hair Accessories: House of K
Tux: Sam Meyers
Jewelry: Aesthetics In Jewelry
Flowers: Susan’s Florist
Wedding Dinnerware and Serveware: Dolfinger’s
Models: Kaiti Venable and Luis Torres
Photo
Matt Johnson
By
Photo
Antonio Pantoja
By
Model: Margaret Streeter
Dress: House of K
Jewelry: Aesthetics In Jewelry
Flowers: Susan’s Florist
Photo
Antonio Pantoja
By
Photo
Antonio Pantoja
By
Models: Amanda Conway and Jordan Spurling
Dresses and Hair Accessories: House of K
Jewelry: Aesthetics In Jewelry
Flowers: Susan’s Florist
Photo
Antonio Pantoja
By
Photo
Antonio Pantoja
Models: Amanda Conway and Jordan Spurling
Dresses and Hair Accessories: House of K
Jewelry: Aesthetics In Jewelry
Flowers: Susan’s Florist
LOCATION: The Gillespie
PHOTOGRAPHY:
Antonio Pantoja & Matt Johnson
FLORIST: Susan’s Florist
FASHION & ACCESSORIES: House of K Boutique
Sam Meyers
JEWELRY: Aesthetics In Jewelry
WEDDING DINNERWEAR AND SERVEWEAR: Dolfinger’s
OUR COUPLES:
Sheldon Burton-Tomes & Mike Tomes
Mariah Sanchez & Elizabeth Singer
Amanda “Twitty” Conway & Jordan Spurling
Kaiti Venable & Luis Torres
MODELS:
Scooter Ray
Jalin Snandon,
Max Whelan
Alexis Fischer
Morgan Reining
Margaret Streeter
Shelby Wikoff
HAIR AND MAKEUP:
Mariah Sanchez
Kaiti Venable
Corinne Butcher
PRODUCTION ASSISTANT: Mary Zoeller
VOICE-TRIBUNE EDITORIAL
DIRECTOR: Alisha Proffitt
VOICE-TRIBUNE CEO & PUBLISSURE: Amelia Frazier Theobald
By Jackie Zykan
With over 20 years of experience in beverage alcohol, and a love affair with the natural world, I am delighted to share some of Kentucky’s finest distilled spirits alongside fresh, local, and seasonal botanicals.
January is a month of celebration, renewal, and fresh starts. Many find themselves rewriting routines, including going “dry” to welcome reprieve from the overindulgence the holidays tend to bring. To offer options for those curious to try something different, this month’s twist on the classic cocktail “Death in the afternoon” will be presented with ample modifications.
Featured Kentucky Product: Neeley Family Distillery Absinthe Verte (MSRP 69.99; 60.1% ABV)
Distilled on a restored 1890’s French absinthe still, this Kentucky made absinthe is produced at the Neeley Family Distillery in Sparta, Kentucky. The recipe is based on a Swiss classic dating back to 1871 and features a base constructed of quintuple pot distilled moonshine. With 11 generations of distilling experience in the Neeley family, it’s no surprise this product has received vast international recognition. Herbaceous and anise forward in flavor, this beautiful green liqueur blooms with a milky louche when diluted, bringing a beautiful pastel green hue to your glass.
Featured Kentucky Flora: Pinus strobus (Eastern White Pine)
Also known as White Pine or Northern White Pine, these ancient and gentle giants have been found over 500 years old in some eastern United States areas and reaching over 200 feet tall. Their soft, long needles are easily discernible growing in bunches of 5. Aromatically, white pine is a standard for the season, but these beauties have greater gifts to offer than holiday decor. The needles can contain six times the vitamin C as orange juice and have been used medicinally to remedy sinus and respiratory infections, menstrual cramps, and improve circulation.
Early Afternoon Revival (zero alcohol)
1 oz White Pine Syrup, chilled 4 oz sparkling water, chilled
Afternoon Revival (low alcohol)
1 oz White Pine Syrup, chilled 4 oz dry sparkling wine, chilled
Late Afternoon Revival
1/2 oz White Pine Syrup, chilled 1/2 oz Neeley Family Distillery Absinthe Verte
4 oz dry sparkling wine, chilled
Directions for all variations: Combine ingredients in flute glass. Garnish with pine needles (optional).
White Pine Syrup
yields 8 oz
1 cup Fresh Pine Needles
1 cup hot water (not boiling)
½ cup sugar
Directions: Bring water to a boil then remove from heat. Add pine needles then allow to steep for at least 15 minutes, yielding a strong tea. Strain solids from liquid, add sugar, and warm if necessary to dissolve sugar while stirring. Be cautious to not boil the liquid in order to preserve the vitamin C content. Keep syrup refrigerated.
No cocktail required
White Pine syrup is a wintertime staple, especially when some extra doses of vitamin C can come very much in handy. The syrup for the aforementioned recipes uses water and granulated sugar, but works wonderfully with honey as an alternative to sweeten hot tea during cold and flu season. Simply use 1 cup honey + 1/2 cup strong white pine tea (as prepared in the original recipe).
Sherri Churchill
TRANSFORMS THE LIVES OF MANY
Dr. Randy Whetstone, Jr. • Photos by Kathryn Harrington
Life is the only therapist who will not ask the patient if they want to take the treatment or not. That’s the inevitable challenge that every person faces. The lack of control in determining the hand dealt to you coupled with how to play that very hand to overcome life’s challenges and be successful is a daunting task for some, yet the ultimate goal.
There is a non-profit in Louisville, Ky who helps women not only face the tough hand life has dealt them but also offers them the resources needed to fix challenges and live victoriously. It all starts with appearance. Dress for Success helps unemployed and underemployed women achieve economic independence by providing no-fee programs, development tools and professional attire to thrive in work and in life (per louisville.dressforsuccess.org).
Dress for Success has been around for the last 24 years and was incorporated in 2001. The organization is worldwide and currently holds 120 offices in 30 countries. The mission has remained the same across the globe: help those who identify as a woman regain financial independence by providing clothing for interviews, employment, networking opportunities, and professional development programming. Women gain resources to get employment and progress in their respective fields.
“A lot of women who come to us are really down on themselves,” says Christi Vandersyde, Board Chair for Dress for Success. “I can relate to that. I am a single mom, and I come from a family that is affected by addiction and a divorced family. So, a lot of our women come from recovery and are referred to us after they go through addiction recovery (programs). They don’t have a lot of hope. So, that is what we provide. We are suiting them and it’s the first time they have ever seen themselves in professional clothing. Just to feel comfortable in clothing you have never seen yourself in before just provides so much confidence when you are walking into an interview or a new job.”
Dress for Success offers a transformative experience for many women including personal stylists who work with women “hand and foot”, says BillyJo Avy, Executive Director. Ulta Beauty reps come in to do make up along with a professional photographer to shoot headshots for the Women’s Resource Expo. When clothes are coordinated and women begin a new beginning in the mirror, a change in countenance happens as women grow in their confidence and self-belief.
Alisha Campbell
“You start to see heads rising a little bit taller and their shoulders begin to come back down. They’re not as stressed. So, not only do we build confidence when dressing the woman for the interview, but we are also trying to build confidence in other areas. It is making sure we build a well-roundedness of confidence in the woman in our community,” says Avy.
There are no background or financial restrictions for women or teenage girls to receive services. For those who may already have a job, Dress for Success also offers resources to allow those to upskill themselves and become more marketable as they seek a promotion, regardless of field, trade, military or civilian. The non-profit works to meet the needs of all. Moving forward, they will be expanding their efforts by opening a tech center that focuses on resume assistance, job exploration, and workplace security. Skill development around MS Office Excel will be a key emphasis.
As a segue to 2025, Dress for Success will host an event called Bourbon, Bags, and Bling, a one-of-a-kind event celebrating women in bourbon. The event also includes a panel discussion, and an exclusive silent auction filled with premium bourbons, luxury, high-end handbags, exquisite jewelry and more. The focus will be to celebrate women in industries that are typically male driven.
“It recognizes anything in manufacturing, technology, or finance. There are so many industries I think we need to tell our community, ‘Don’t be afraid to look into this’. There is opportunity there. To showcase the women leaders who are already (in prominent positions), will allow them to share their stories. Not only is everything an experience, but everyone has a story,” Avy adds.
“Hope” and “Empowered” are the two words BillyJo and Christi use to describe Dress for Success and their experiences over time.
“The reason I got involved with Dress for Success is because I was recently divorced,” Vandersyde reflects. “The only reason I was able to get out of the situation was the support system I had at the time. I knew I wanted to be involved in an organization that I could help women get out of their situations. I (want) them to know there is a support system and they don’t have to stay where they were because of their circumstances. That’s what we are. We are their support system. That’s why I do what I do, empowering.”
Kaitlyn Morrison
By Kelsey Knott • Photos By Matt Johnson
“It was never just to get his name on something.” It’s been a major year for Louisville’s beloved boy, Ethan! In March, Ethan’s Law passed in Kentucky and became law in July, making the intentional torture of a cat or dog a first-offense class D felony. Fast forward to now, and filmmakers prepare to make Ethan’s story a movie.
Jeff Callaway, Ethan’s owner, was always involved in animal rescue. Even when they adopted Ethan, they had five dogs and five cats at home. “It wasn’t something we talked about–it was just something we did because we knew these animals needed help. Ethan’s story gained a large following of people who had a personal connection with him even though they never met him. We felt a responsibility to give back to all the people that had helped and supported him while he was recovering.”
Jeff continued updating social media daily with Ethan’s incredible progress, thinking the hype would eventually die down. It didn’t. “We were so happy to see that he could make a difference… We just wanted to make sure that before he passed away, he knew someone cared about him.” Now, Callaway states that whether recognized or not, Ethan always puts a smile on people’s faces. Ethan won the American Humane Shelter Dog of the Year in 2022 before eventually being named the overall Hero Dog of the Year at the Hero Dog Awards, where he competed against the other category winners!
Callaway reminds us that being a voice for the voiceless is crucial: “An animal can’t show up to court and testify on its behalf. We’ve got to be there to stand up for them. And in the short run, you’re helping animals and you’re putting criminals away.” While Louisville is no exception to crowded shelters where digressions and behavior issues can occur, Callaway empathizes with how difficult it must be for these animals to be expected to bring their best selves to the table. “There’s not any animal out there in a shelter by choice. Anything you can do–help volunteer, spread the word on social media, report abuse, foster, or ultimately adopt… Ethan’s name is known only because he lives. Had he not made it, people would have talked about him for a bit and then they would have forgotten. That’s part of why it’s so important to do what we’re doing with the law and the court–to give all those other animals a name and make sure their stories get told, whether they survive or they don’t.”
While there’s much excitement for Ethan’s Law passing, the prevalence of the issue and correct prosecution and adjudication reminds Callaway of the work that’s still to be done. Callaway notes: “Over 90 percent of people that commit a violent crime against another person started with an animal… It was a good tie-in to tell people in Frankfort that even if you don’t want to vote for this ‘animal bill,’ vote for it because it’s going to make your community safer.” Callaway and Ethan have traveled to D.C. to work with Congress on some better federal legislation. “You never know what you may have prevented in the future, but it’s still important to do.”
Because paying forward kindness has always been at the heart of their mission, the movie will focus on how one random act of kindness changed the world. “Ethan’s story is all about kindness, even though it didn’t start that way. You can’t imagine what he had to go through in the months before, but kindness is what saved him. When we first saw him dumped in a parking lot, a law changed in Kentucky with his name on it, to a movie about how kindness can change people’s lives. The whole thing is pretty cool, and sometimes very surreal.” The film will be filmed at the beginning of 2025 and released next fall.
And the kindness doesn’t stop there. Callaway started a nonprofit, EthanAlmighty’s Blessings, to remove barriers for animal rescuers, providing free spay and neuter, microchipping and rabies shots, and paying vet bills.
“Just in the last six months, we’ve helped a little over 132 animals.” Knowing that animals won’t be euthanized or surrendered due to finances is a major win. Callaway stays inspired by words from those who claim Ethan’s story has helped them battle their own struggles.
What’s next for EthanAlmighty? Jeff hopes to cultivate a museum exhibit in Louisville so that Ethan’s story can exist among the other major game-changers in the city. Furthermore, Ethan and Jeff are the grand marshals of the Bardstown Christmas parade. Come join and celebrate their hard work! Visit ethanalmighty.com, follow on Instagram and Facebook, and “please do something kind for someone today.”
ETHANALMIGHTY
AWARDS/ACHIEVEMENTS/RECOGNITIONS AS OF 12/11/24
Named Ambassador of Compassion by Kentucky Derby Festival
Proclamation from Louisville Mayor’s office
Appeared in People.com 8 times
Thrown out the first pitch at 4 baseball games
Named Busch Dog Brew Chief Tasting Officer
Fundraise and advocate for animal shelters
Inducted into Kentucky Veterinary Medical Association Animal Hall of Fame
Issued Senate Resolution from Kentucky Legislature
Achieved his Canine Good Citizenship Certification
Named American Humane Shelter Hero Dog of the Year
Named overall American Humane National Hero Dog of the Year
Participated in the Kentucky Derby Festival Parade multiple times
Have participated in Unbridled Eve celebration multiple times
Received CHAMP award from Muhammed Ali Center
Honored as Season Ticket Holder of the Match for Louisville City FC at a soccer match
Recognized as subject of a story on the social media organization Dodo
Subject of a short documentary through WLKY and Hearst Media
Top Community Team fundraiser for American Heart Association
Received Commonwealth Community Legacy award from the I Am Her Foundation for domestic violence
Received Kentucky Colonel Honor (Jeff received through his work with Ethan)
Received acclamation from Governor Andy Beshear naming January EthanAlmighty Shelter Animal Awareness Month
Received Bluegrass Equine Therapy Center Community
Proclamation from Louisville Metro Council
Official representative for American Heart Association Heart Walk
Received Governor’s Service Volunteer Award
Featured story on CBS Lucky Dog
Has a 60’x20’ banner on the side of the Louisville Downtown Marriott
Subject of a painting by rescue animal artist Maxine Trainer
WLKY Bell Award winner
Participated in Governor’s Inauguration Parade
Collaborated with Russ Smith and Mr. and Mrs. Bourbon Company to launch 2 versions of EthanAlmighty bourbon
Named Humanitarians of the Year by Person of the Year.com
Named overall Persons of the Year by Person of the Year.com
Special recognition on billboard in Times Square
Testified in front of House Judiciary Committee
Testified in front of Senate Judiciary Committee
Helped pass HB 258 to become Ethan’s Law, revising KRS 525.135, making the intentional torture of a dog or cat a first offense Class D felony in Kentucky
Attend multiple court hearings around the state
Founded a 501c3 non-profit called EthanAlmighty’s Blessings, Inc. to help pet owners pay for vet bills they cannot afford. Also, provide free spay/neuter, rabies, heartworm and microchipping.
Grand Marshal’s of the Bardstown Kiwanis Christmas Parade
Subject of full-length feature film, EthanAlmighty-How One Random Act of Kindness Changed the World
Subject of painting by artist Jaime Corum, painting was on display at Headley-Whitney Art Museum
Have spoken at many events bringing awareness to shelters and abused animals-libraries, shelters, nursing homes, veteran groups, galas, international conference etc.
Helped raise money for: many non-profits, other shelters and humane societies, Heart Association, MS Society, Brown Cancer, Make A Wish, Dream Factory of Louisville, KY, WHAS Crusade for Children, Veterans, Special Olympics, and so many more.
Featured in many media stories: The Voice, WLKY, WHAS, WDRB, WAVE, People, KET, Spectrum 1, WKYT, WLEX, 840 WHAS radio, Pets Celebrity, Towne Post, Ballarat Times (Australia), The Palm Beach Post, and so many more.
Photo By Kendra Farris
301 S. Peterson Avenue Louisville, KY 40206
e 155-year-old Peterson Dumesnil House o ers a charming and historic setting for weddings and events. We exclusively work with our exceptional catering team at Clementine Catering.
For more information, visit petersondumesnil.org
15 th Annual
WRAPPED IN red Gala
Saturday, February 8, 2025 at Louisville Marriott Downtown
PRESENTED BY
Join the American Red Cross Louisville Area Chapter for a specially prepared three-course dinner, live entertainment provided by Groove Essential and a live auction featuring exciting trips and one-of-a-kind items. Your support enables our workforce — more than 90 percent volunteers — to prevent and alleviate human suffering in the face of emergencies.
Tickets on sale now! redcross.org/wrappedinredgala
COACH GETS NEW CONTRACT; CLUB RETAINS MOST PLAYERS
By RUSS BROWN • Photos By Connor Cunningham
Louisville City Football Club and coach Danny Cruz have agreed to a new multi-year contract, and he will be surrounded by plenty of familiar company in the 2025 season because 18 players from the successful 2024 season are returning.
Cruz won the USL Championship Coach of the Year in 2024 as LouCity went 24-6-4 and claimed its first ever Players’ Shield as the club tied the league’s record for wins in a season.
“I am grateful to John Neace, Chris Harding and our entire ownership group for the opportunity to continue my time here at Louisville City FC,” Cruz said in a news release. “I don’t take for granted how special it is to work at a club like this with the group of people that I do on a daily basis. When I reflect on the 2024 season, staff, players and I recognize that we fell short. My hope is that everyone associated with this club feels an immense amount of pride in the consistency we showed throughout the long season while also knowing we needed to be better when it mattered most. (“LouCity signs Coach of the Year Cruz to new contract ahead of 2025 ...”)
““I was fortunate to be in a position at the end of this season to make a decision on where I wanted to coach in 2025. After discussing with my wife, we both agreed that at this moment in time, there is not a better place for me to be than Louisville. I’m a young coach who is still constantly looking to evolve and grow. I have high ambitions, but in making big decisions I always choose to look at the people who I work with first.
“Here, I’m at a club that allows me to work with and for people that want to push me and help me become a better coach every day. On top of that, I am extremely excited about the chance to push forward with this amazing group of players. I cannot wait to get back on the field, and I’m looking forward to seeing this group continue to push toward our ultimate goal of winning a USL Championship title.” (“LouCity signs Coach of the Year Cruz to new contract ahead of 2025...”)
At years old, Cruz is set to coach his fifth season managing LouCity. He is the club’s winningest and longest-tenured head coach. He took over on an interim basis in 2021 and The Boys in Purple won an Eastern Conference title in 2022.
“We believe that in Danny, we have the best young coach in the country,” LouCity’s president James O’Connor said in a release. “Our 2024 regular season was record-breaking and one we are all very proud of. However, we all feel we have unfinished business going into 2025 and are delighted to have Danny lead the charge toward our third star.”
LouCity FC is hoping the reload of the record-setting roster from 2024 can ultimately mean winning a third USL Championship trophy in 2025.
The following players who helped the club score the most points in the league have contracts that are ready to carry into another year: Wes Charpie, Amadou Dia, Phillip Goodrum, Wilson Harris, Aiden McFadden, Jake Morris, Arturo Ordóñez, Adrien Perez, Manny Perez, Sean Totsch and Elijah Wynder. LouCity then picked up options on Isaac Cano, Evan Davila, Sam Gleadle, Carlos Moguel Jr., Ray Serrano and Ryan Troutman. (“LouCity reloading roster for 2025, bringing 18 players back from ... - WDRB”)
“We are looking forward to returning a core group of players that put together a great regular season,” Cruz said. “The key for everyone — staff and players included — is to make sure that we all come back with a burning desire to be better.” (“18 LouCity players already under contract for 2025 season”)
According to the club, more announcements are expected soon as negotiations with other returning players are ongoing. They will have no trouble finding incentive for improvement.
Despite the 24 victories and setting a new club high with 76 points and goals scored (86), LouCity fell short of the Eastern Conference Final for the first time in its decorated history. Rhode Island FC, which was the only club to beat Louisville at Lynn Family Stadium during the regular season, shockingly shut out the two-time league champions to bring their campaign to a close.
“We recognize that we fell short of our own expectations in the playoffs and will do everything we can this offseason to prepare ourselves to be better next year in the moments that matter most,” Cruz said. “I know this group, and I know that how 2024 finished will fuel them until we are back pushing again in preseason. We have a good foundation going into 2025 and will continue to put together a group that we feel can get us a third star.”
CURRENT 2025 LOUISVILLE CITY FC ROSTER
Forwards: Isaac Cano, Evan Davila, Sam Gleadle, Phillip Goodrum, Wilson Harris, Adrien Perez, Ray Serrano
In the release, the club extended well wishes to departing players Owen Damm (end of contract), Damian Las (end of loan period), Dylan Mares (end of contract) and Sebastian Sanchez (end of contract). Jorge Gonzalez, who suffered a season-ending injury last summer, continues to coordinate with the club on his rehabilitation.
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In addition to the amenities and services enjoyed by our independent living and personal care residents, our skilled nursing services include:
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Registered Nurse 24/7
Full-time Nurse Practitioner
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Audiology, Dental, & Podiatry Services
Wound Care
In-house Physical, Occupational and Speech Therapy
PACE Program Partner
Chef Prepared Meals
Registered Dietitian
Specialized Diets (by request)
Partner with UofL Geriatrics and Family Medicine
Infection Prevention Specialty
Psychiatric Services On Site
Memory Care Programming
Palliative Care
Hospice Care
Full-time Chaplain
Your leading Life Plan Community in Old Louisville, dedicated to providing a thriving, supportive environment for seniors and offering a range of residential options and comprehensive services tailored to meet the diverse needs of older adults.
By RUSS BROWN • Photos Provided By UofL Athletics
Congratulations are in order for Louisville’s tenacious volleyball team. The Cardinals ignored the pressure of expectations and overcame some late-season adversity to reach their goal of playing in the NCAA Final Four in the KFC Yum! Center, their homecourt.
Because of the Voice-Tribune’s holiday printing schedule, you may be reading this when you already know the outcome of the tournament on Dec. 19 and 22. But win or lose, it’s been another successful season in a long string of highlights for coach Dani Busboom Kelly.
Throughout the season, the Cards didn’t let nerves or anxiety creep in despite knowing that anything short of reaching the Final Four in an arena just a few miles from their campus would be a disappointment not only to themselves but also to their thousands of fans. As WDRB’s Eric Crawford put it, that was the pot of gold at the end of the rainbow.
Kelly called the Final Four “an epic moment for this program.”
“When the Final Four got announced (to be held) here in 2024, it was like a dream,” she said. “Can we ever do this? Will we have a team that can make it and then to go through the season with all the pressure? You know, we’ve been talking about this almost every single week, and to be able to get through those moments and play how we have been incredible. It’s hard to get there, especially when all that extra pressure is on your back. I’m just really, really proud of what our team did.”
Kelly made sure players were tested time again, forged by the iron of a non-conference schedule she put together that featured games against six Top 25 teams, in addition to the challenge of an ACC slate with four more ranked teams. The Cards faced seven Top 10 clubs, plus No. 11 Kentucky. That strength of schedule and a 25-5 record earned them one of the four No. 1 seeds for the tournament.
They needed to summon all of their confidence and intensity after losing their last two regular season matches against No. 1 Pitt and No. 5 Stanford and then staring at what would have been a shocking elimination loss to unseeded Northern Iowa in the second round of the tournament, losing the first set before rallying for a 3-2 win.
Playing in Freedom Hall in front of 5,284 fans, whose enthusiastic cheering sounded like twice as many, U of L dominated Purdue in the regional opener, sweeping the No. 4-seeded Boilermakers and prompting their coach, Dave Shondell, to remark that the Cards “are on fire.” They proved it again in the Elite Eight, ousting Stanford 3-1 to avenge a loss in California in the regular season finale and earn the program’s third trip to the Final Four in four years.
U of L had a chance to avenge two more of its defeats in the Final Four, where it faced top overall seed Pittsburgh (32-1 with an 18-match winning streak). The Panthers beat the Cards 3-2 on Oct. 25 in the Steel City and 3-1 in Louisville on Nov. 27. If U of L was able to get past Pitt, it would have met either Nebraska (33-2) or Penn State (32-2) in the championship game. The Cards lost to both early in the season.
Advancing to the Final Four was especially gratifying for hometown star Anna DeBeer, the former Assumption High School standout who returned for a fifth season because of her determination to make sure the Cards didn’t fall short of their goal.
Against Stanford DeBeer, an outside hitter, recorded her second consecutive match with 15 kills while adding six digs, two blocks and an ace. She was named the Most Outstanding Player of the regional for the second time. Also selected to the All-Regional team were senior outside hitter Charitie Luper and senior libero Elena Scott, another local product from Mercy Academy.
“It’s a crazy feeling,” DeBeer said. “Knowing it was in Louisville, and knowing how hard it has been to get there in the past. Knowing it was so hard every single match, all the pressure, all the things you have to think about, and to finally do it again for my last year. . .I think it was truly every single person really stepping up and giving it their all to be back in the Yum again. We had a little saying, ‘It starts and ends in Yum!’ This team wanted it really bad, and that just shows our fight and our grit and the mental toughness we have. (“Starting 5: Louisville volleyball has chapters to write for NCAA ... - MSN”) We were having fun and going after it.”
U of L will lose four of its top five players next season, but nobody is counting the Cards out. In her eight seasons, Busboom Kelly has never missed the NCAA Tournament, where her .759 winning percentage (22-7) is among the nation’s leading coaches, as is her overall record of 202-43 (.824).
By RUSS BROWN • Photos By Matt Johnson
Pat Kelsey is only 11 games into his first season as Louisville’s basketball coach, but he has already shown he was the right choice to lead the Cardinals’ program out of the wilderness and, eventually, into the promised land once again.
Want the latest and most convincing proof? Here it is: No. 5 Kentucky 93, U of L 85.
True, the Wildcats prevailed in the Battle of the Bluegrass for the sixth time in the last seven meetings and the 14th time in the last 17. But this was different, especially compared to the last two when Kenny Payne’s team was outscored by an average of 21 points and was never a threat.
Undermanned and playing against a team with superior talent in one of the most hostile environments in college basketball, the Cards put up a gallant fight. They took UK’s best punch -- a red-hot shooting seminar at the outset that produced a 14-point lead -- and never blinked. Time and again they fought back from the brink to keep the pressure on their hosts.
This is telling: UK went up anywhere from 7-12 points on 10 different occasions after the early blitz. But after a timeout, or whenever the lead got pushed to that margin, Louisville outscored the Cats 49-8 on the following possessions. That’s excellent coaching. U of L cut its deficit to three points twice in the second half and with under two minutes remaining was well within striking distance at 79-74.
UK coach Mark Pope was impressed.
“Louisville, hats off to them,” he said. “I mean those guys are playing so hard right now and doing it shorthanded. Pat is doing an unbelievable job coaching that group and they got a ton of fight and a ton of heart and leadership, and they had guys making big plays and making shots, and they should be super proud.” (“Mark Pope full postgame comments after Louisville win”)
Even before the UK game, however, Kelsey had given U of L’s fans starved for a return to the glory days of Denny Crum and Rick Pitino reason for hope and optimism. And he has done it under adverse circumstances.
Using the transfer portal, Kelsey built an all-new roster and has brought energy, passion and enthusiasm to a program that had hit rock-bottom prior to his arrival. Now the Cards are playing with a cohesion and toughness that had been sorely lacking.
ESPN college basketball commentator Seth Greenberg said Kelsey is the perfect hire to put the pieces back together again, “to utilize the resources Louisville has, to bring an energy, utilize the resources Louisville has, and an ownership and enthusiasm and positive spin on almost anything and everything, and to be accessible.”
Morehead State coach Jonathan Mattox was in awe of what Kelsey had already done with the Cards after they beat the Eagles 93-45 in their opener.
“He has reenergized this fan base at a high, high level, very excited,” Mattox said. “He’s a good coach. He’s got a great track record and he’s going to do a really, really good job at the University of Louisville.” (“Louisville basketball vs Morehead State: Future with Pat Kelsey bright”)
And just think what he could do with a full roster.
Due to injuries, U of L is down to eight healthy scholarship players and what essentially is a seven-man rotation because the eighth player off the bench averages only four minutes a game, often playing less than that.
Within 48 hours in late November, Kelsey lost his second-best player, 6-foot-10 forward/center Kasean Pryor (12.0 points, 6.1 rebounds, 2.3 assists and 1.1 blocks per game), along with backup point guard Koren Johnson. Pryor, the team’s best interior defender, suffered a torn ACL against Oklahoma in the championship game of the Battle 4 Atlantis and is out for the season. Johnson played in just two games before a shoulder injury sidelined him. He too underwent surgery and won’t return this season.
Before those two were lost, versatile 6-5 forward Aboubacar Traore suffered a broken arm in practice after the third game. He is expected back for either the Dec. 28 game against Eastern Kentucky or Jan. 1 for North Carolina, both in the KFC Yum! Center.
U of L’s fearless performance at Kentucky wasn’t the first indication of its about-face from recent seasons by any means. All of the Cards’ losses have been to ranked teams, with just two by double digits. And they gained respect in the Bahamas by routing then-No. 14 Indiana 89-61 and upsetting West Virginia 79-70 in overtime before falling to now No. 13 Oklahoma 69-64.
“We’re making adjustments on the fly, trying to figure out a new identity,” Kelsey said. “It changes because of the depth piece and guys moving into new and expanded roles and things like that. (“Pat Kelsey brought energy back to U of L basketball. Can the Cards be ...”) It’s been interesting trying to figure some stuff out.
“I’ve been pretty clear on the makeup and the fabric of our guys. You know, they say the game doesn’t build character, it reveals character, and our guys continue to show character by fighting through some of this adversity. (“Kentucky-Louisville Postgame Quotes - UK Athletics”) You talk about how many minutes our guys have to play and the standard of their hustle and their grit and their tenacity. I’m proud of ‘em.
“We’ll have Traore back soon, hopefully right after Christmas, and that will be a big boost from a depth standpoint and he’s a very versatile player. We need him. (“Kentucky-Louisville Postgame Quotes - UK Athletics”) So, we’re looking forward to that, having an extra body, and it will help us move forward.”
The schedule also eases when Louisville gets into its ACC schedule full swing. There is only one ranked team among the remaining 20 opponents, No. 16 Clemson, and the Cards get the Tigers at home.
“It hurts not having those injured guys on the floor with us,” point guard Chucky Hepburn said. “But we’re going to do whatever it takes to win games. We’re all winners, we all come from different places, and we’ve won a lot of games. We’re going to dig deep, we’re going to trust our coach’s system and we’re going to be able to find ways to win games.” (“What Pat Kelsey, Chucky Hepburn Said After Louisville MBB’s 77-74 Win ...”)
By RUSS BROWN • Photos Provided By UofL Athletics
Louisville’s football season was on the brink, looking as if it was about to implode. Two weeks after an historic win at No. 11 Clemson, the Cardinals’ train wreck of a performance as a three-touchdown favorite against Stanford in Palo Alto, Calif. in a 38-35 loss was threatening to suck the air out of their season.
Coach Jeff Brohm labeled the defeat “embarrassing” and said his team showed “a complete lack of discipline,” most obviously reflected in a season-high 13 penalties.
With only two games remaining and a 6-4 record, the Cards were at a crossroads. Would they chart a path of upward mobility or continue on the downard route?
We know which one they chose. U of L finished the season strong, bouncing back from its puzzling West Coast meltdown to handedly defeat Pitt (37-9), then end a five-game losing streak against Kentucky (41-14) in the Governor’s Cup.
That gave the Cards (8-4) five wins in their last six games and earned them an invitation to the Tony the Tiger Sun Bowl in El Paso, Texas on New Year’s Eve afternoon.
How did they prevent their season from heading south? Mainly by paying attention to Brohm’s pleas and taking them to heart.
“We want to feel the pain of the loss and there is a lot of pain to feel,” Brohm said during preparations for Pitt. “I think myself, coaches and players feel the pain, and you need to let it motivate you to not let it happen again. At the same time, you cannot let it get you down, you have got to respond and move forward.
“Anytime you have a loss that disappoints us all, you’ve got to be man enough to look in the mirror and identify the problems and go about trying to fix them,” Brohm said after the win over Pitt. “I think we did a really good job of that, played hard and played a much cleaner game.”
The same was true against UK, which equaled the upset at Clemson as a complete performance in all three phases -- offense, defense and special teams.
“I think this team has been resilient,” U of L offensive coordinator Brian Brohm said. (“Louisville football: Jeff Brohm in position to snap streak vs Kentucky”) “Really just talked to them about what kind of character this football team has and challenged them to go out there and play their best and perform to the best of their ability in that game, and they really answered the call. So, I think this team has great character.”
Naturally, the Cards’ win over Kentucky was the most gratifying of Brohm’s two seasons at Louisville, surpassing even beating Clemson for the first time in nine tries. Brohm never got a chance to face the Wildcats as a quarterback at U of L (1990-93) before the rivalry was renewed in 1994, and he lost his first game against them as a head coach last year.
“It’s huge,” he said of the victory. “I’m fully aware of what it means to the fan base and to this university. To finally get the Governor’s Cup back and represent our university and bring it back to our fans is a great day for us.” (“Winning Back Governor’s Cup ‘Huge’ for Jeff Brohm, Louisville Players”)
Now, with a win over Washington (6-6) the Cards can cap the season with a three-game winning streak, reversing last year’s seasonending three-game losing skid and winning nine games for the first time since 2016, when Bobby Petrino’s club finished 9-4.
But the Cards will once again have to overcome adversity because they will go into the Sun Bowl (2 p.m. ET, CBS) without their starting quarterback, Tyler Shough, who has opted out of the game to prepare for the 2025 NFL Draft. Shough threw for 3,195 yards and 23 touchdowns while completing 62.7% of his passes.
Shough’s absence means the Cards will face the Huskies with an inexperienced quarterback because redshirt junior Harrison Bailey and redshirt freshman Pierce Clarkson combined for only 12 passes, completing 11 for 74 yards and no touchdowns. Furthermore, U of L will be without 1,000-yard receiver Ja’Corey Brooks, who has also opted out, and 14 scholarship players who have entered the transfer portal.
But we have already seen what the Cards can do with their backs against the wall, so don’t be surprised if they survive their latest challenge successfully.
Sarah Katherine Davis
By Chris Morris • Photos by Matt Johnson
In the December 2024 issue of The Voice we established that Bourbon Whiskey is both a spirit and a Whiskey. What else do we know about it? We know that it is “the distinctive spirit of America” as designated by a resolution of Congress. In 1964 the United States Congress passed Senate Concurrent Resolution 19, which officially recognized bourbon as a “distinctive product of the United States”. This resolution established Bourbon Whiskey as a protected American spirit and placed it under federal regulation. In other words, Bourbon cannot be produced in any country outside of the US. This may be the best thing that Congress has ever done. The only “oops!” from my standpoint, the resolution didn’t specify “Kentucky Bourbon” rather than “Bourbon” in general. More about that in a future article.
In 2014 the Kentucky Distillers Association was able to obtain the original resolution from the United States Archive for temporary display at The Frazier History Museum. It was the first and only time this historic declaration had been removed from the Archive. This action certainly shows the power that Kentucky Bourbon wields in the industry!
Globally consumers usually think of American Whiskey as being a Kentucky Bourbon or Tennessee Whiskey. However, there are a number of other Whiskey types produced in the United States and Canada – referred to collectively as “New World Whiskies”.
In fact, the New World Whiskey family has a greater number of classifications than those found in the Old-World tradition. Why? This is due to the more diverse range of grain crops, weather conditions and distilling cultures found on the North American continent when compared to those of the Irish and British Isles. A look at the rules governing the production of these Whiskey families illustrates the fact that while they are all entitled to be called “Whiskey” they do have significant production differences.
New World Whiskey (North America) Types…
Bourbon
Rye
Corn
Wheat Malt
Single Malt (under consideration)
Tennessee
Blended Light Spirit
Canadian Flavor Grain
Blended
Single Malt
Let’s point out that a qualified product can simply be called a “Whiskey” – that means it was made according to the broad global Whiskey standard and does not comply with any of the other specific Whiskey classifications. A geographic descriptor may add some definition to such a product. For example, a “Kentucky Whiskey” product would be an undefined Whiskey type that was made in Kentucky.
The standards of identity that govern the production of Whiskey in the United States were adopted in 1935, after the Repeal of Prohibition. They have remained largely unchanged and are as follows:
Bourbon – a Whiskey crafted in the USA from a mash that is composed of at least 51 % corn and any mixture of other grains. It must be distilled to no more than 160°, must enter charred new oak barrels at no higher than 125° and bottled at a minimum of 80° with nothing added to it but pure water.
Straight Bourbon - Bourbon that has been aged at least two years in new, charred, white oak barrels.
Bottled-in-Bond – Bourbon produced at one distillery during one distilling season, aged a minimum of four years and bottled at 100°. Tennessee Whiskey – a whiskey made in Tennessee - while conforming to the same standards of Bourbon. However, the one difference that sets Tennessee whiskies apart is the additional step of charcoal-mellowing after distillation and prior to barreling.
The following Whiskey types are all derived from the Bourbon standard differing only in their grain recipe dominance. Their big exception is that none are “distinctive” to the USA. All have the ability to be “Straight” and “Bonded” as well as having some unique features as well.
Rye Whiskey – the predominant grain must be rye, not corn.
Rye Malt - Rye Whiskey made from 100% rye.
Rye Mash - Rye Whiskey aged in used barrels.
Wheat Whiskey – the predominant grain must be wheat, not corn.
Malt Whiskey – the predominant grain must be malted.
Corn Whiskey – a Whiskey crafted from a mash that contains at least 80 % corn and any mixture of other grains. It must be distilled to no more than 160°, and if stored in oak containers stored at not higher than 125°in used or uncharred new oak containers and not subjected in any manner to treatment with charred wood.
Straight Corn – a Corn Whiskey that is crafted to the same standards as straight Bourbon.
Blended - is a blend which contains straight Whiskey or a blend of straight Whiskies at not less than 20 percent on a proof gallon basis, excluding alcohol derived from added harmless coloring, flavoring, or blending materials, and neutral spirits.
Blended Bourbon - a blended Whiskey containing not less than 51% on a proof gallon basis of straight Bourbon.
Blended Rye - a blended Whiskey containing not less than 51% on a proof gallon basis of straight Rye Whiskey.
Blended Wheat - a blended Whiskey containing not less than 51% on a proof gallon basis of straight Wheat Whiskey.
Blended Straight –a blend of 100% straight Whiskies.
Light Whiskey – a Whiskey, lighter in taste and body than its conventional Whiskey predecessors. It is distilled at a much higher proof (161 to 189°) than traditional American Whiskies and aged in used or uncharred new oak containers.
Spirit Whiskey - is a mixture of neutral spirits and not less than 5% Whiskey on a proof gallon basis of whiskey, or straight Whiskey and Whiskey, if the straight Whiskey component is less than 20% on a proof gallon basis.
Canadian Whisky – a whiskey made in Canada from a blend of whiskies each distilled from a fermented mash of corn, rye, wheat, and/or barley. The classic method of producing Canadian Whisky is to blend component whiskies with grain Whiskey and to add a non-whiskey-based blender.
Flavor – a full-flavored component Whisky that is crafted like a Rye or Bourbon Whiskey and aged in new, charred barrels.
Grain – a light bodied component Whisky that is column distilled at 185- 189°and aged in used barrels for a minimum of three years.
Blended – a blend of component Whiskies, predominately made up of grain Whisky, with a blender added that may contain sherry, sweetener, caramel coloring and concentrated fruit juice.
Single Malt - a Whisky distilled at a single distillery from water and malted barley without the addition of any other cereals, and by batch distillation in pot stills.
These classifications account for thousands of different brands which are primarily distributed in the US market. So, what sets Bourbon Whiskey apart from the other New World Whiskey types? Several things – the use of corn, the use of new charred barrels and the fact that it is “the distinctive spirit of America.” More on the reasons for these distinctions in the next issue of The Voice.
Kortnee Kate Photography
By Gill Holland • Photos Provided
One night at the Monarch, the non-profit music venue and arts community space on Bardstown Road in Louisville, KY, founder Mark Roberts pointed out a young woman sitting alone listening to a performer (although now I can’t remember who), and he said something like “You should meet Cait, since you are doing some stuff in Appalachia, and she’s from out there.” So, Mark waved her over, introduced us, and we had a nice short chat at the bar.
Cait Justice seemed like a confident, smart person - and sounded Appalachian, which I love. I went home that night, saying to myself, “Man, I hope she is a good singer and songwriter, because I would love to do a record with her.” Last year we released an album from Hazard, Kentucky’s great country singer Ben Fugate and the Burning Trash Band, and I felt like our record label sonaBLAST! needed a female folk/Americana Appalachian singer. Maybe Cait would be the one.
In a fit of insomnia, I scoured the web. While there was not much, there were some TikToks and a couple of video performances and interviews: notably she was featured on Community Music Alliance’s Terra Firma on WFMP-LP 106.5 FM (where host Michael Logsdon says her “beautiful voice and equally beautiful songs reflect the joys and the stories of life from where she is from” and calls her “a mountain bluebird singing in the middle of the hills.” She has also appeared on Louisville Forward Radio, and the Top Hill Recording Podcast show “One Shot, One Mic, One Song,” and at the River Roots Festival as part of House of Jane Songwriter Sessions.
I was impressed. Cait had that ephemeral quality that we call “star quality.” She had charm, a compelling presence, a good look and wow, what a voice. Having sat through thousands of auditions in my decades as a film producer, I have come to realize that star quality is an actual thing, and you know it immediately when you see it. At the end of the day (or sleepless night, as it was in this case), the voice and clever lyrics are what sold the deal, however.
My next move was to ensure she was a nice person that I could work with, because life is too short to work with jerks or divas. We had several meetings, at Fante’s and Heine Brothers, and then signed a recording contract. Remarkably, a mere three weeks later we were at LaLaLand and she recorded ten songs! This has got to be some all-time record for shortest time going from first meeting to a full-blown recording session! And then, in a bit of karmically good timing, Longshot Records brought a film crew to LaLaLand during the recording, and they filmed an episode starring Cait.
Project director Evan Mascagni recounts: “While I was at Heine Brothers, I ran into Gill, and we got to talking about my latest project—directing episodes for a documentary series spotlighting emerging musicians across Kentucky. He mentioned he was actually there to meet the newest artist he was signing with sonaBLAST! Records. I got to meet Cait Justice, and later, when Gill sent me Cait’s music, it was raw and captivating — I knew right away we had our next artist for the series. I sent it over to my producer, Travis, and the team at Paisley Mountain Productions, and they all felt the same energy. Within a week, we were rolling cameras, capturing Cait’s unique sound and spirit. I can’t wait for everyone to experience the magic that drew me in so instantly.”
I asked Cait about her musical background: “My dad played guitar, but not often – he did give me my first guitar though! The rest of my family didn’t play music at all. I was only surrounded by music in school with a choir and band - my church didn’t have a choir or anything, it was just the whole congregation singing hymnals with no instruments. My Papaw was a preacher, so I went with him and my grandma to church every Wednesday and Sunday. I did singing lessons for a short time in high school and college, but guitar/ukulele (the first instrument I learned) etc. is all self-taught! I just looked up chords and tried to learn songs I liked and watched a lot of YouTube videos. After my short stint of playing the flute 6th grade band (I was no virtuoso), I started choir in 7th grade, and I stayed with it all the way through college. One thing I love above Appalachia is that if you go anywhere out there and just… throw a rock, or something, you’re bound to hit someone who can play the guitar and sing better than the radio. Music is just a natural progression of the area’s oral folklore. It’s a beautiful thing.”
I asked her about why more of the songs seem downbeat and she laughingly replied,
“I guess if you get your heart broken, or you’ve been through a lot, at least get a song or two out of it… or an album if you can! Writing happy songs is not really my forte, I guess. Folks say write about what you know, and I know a lot about home, so I started with that. Songs like Mud Creek Morning are among those. I also use music as a way of dealing with hard times. There’s always a story I’m trying to tell in my songs, about one thing or another.”
Cait Justice was born and raised in Pikeville, in the hills of Eastern Kentucky, surrounded by the beauty of the mountains. Over the years, she’s honed her craft as a self-taught Folk and Americana singer-songwriter, using music as both a therapeutic outlet and as a way of doing what she loves most - storytelling. Cait’s lyrics describe both the harsh realities and the beauty of the human experience, and along with her landlocked siren voice, her music captures the spirit and heart of Appalachia –haunting and achingly beautiful.
Cait has performed at the Red Bicycle Hall in Madison, Indiana as a part of the 2024 RiverRoots Music Series, presented by House of Jane Songwriter Sessions and the Kindred Folk Society. She is a regular at the Monarch. Her first album, “Angel Teeth”, out in early 2025 on sonaBLAST! Records was recorded with producer Anne Gauthier at Louisville’s famed LaLaLand Studios. Featured musicians on the record include Johnny Berry on steel lap guitar, Chris Rodahaffer on guitar and mandolin, and banjo maestro Steve Cooley, and fiddler Blakeley Burger.
Interesting facts for Voice Tribune readers at cocktail parties when Cait is famous, and you can say you heard of her here first: Cait was born on 9/11. On her bucket list is to write a musical. Her first love is Shakespeare’s works. Her favorite color is pastel pink. Here she is singing and we are at Heine signing her record deal!
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Hannah Jones
Pam Jones
Location: Jen Wagley and Ken
By Antonio Pantoja
If I put a 2x4 on the floor and asked you to walk across it, you could do it no problem. One foot right in front of the other.
Let’s say I raised that same board 200 feet into the air and it was a bridge between two buildings. Could you walk across that same board? You’d be so concerned with the idea of falling, you’d fall. And so would I. This is the Missing Bannister Theory.
There’s a superpower in removing fear when it comes to art, business, or maybe asking that person out you’ve always wanted to.
Taking any risk can be scary. But do you know what’s even scarier? Regret.
In my last article I discussed overcoming obstacles. If you only focus on the path, you don’t even notice the obstacles and removing limitations from within yourself. But I think there’s a bit more to this.
Sometimes we become so concerned with the goal that we forget to enjoy the journey. And sometimes, the person you become on the way to your goal is more important than the goal itself.
There is no rush. We become so infatuated with some sort of destination that we have to arrive at that we forget to enjoy the journey. Attach your happiness to the pursuit of approaching the goal. The reward is in the pursuit.
In music, a composer doesn’t make the end of a composition only. Comparatively, if we were in a rush, the best composers would be those who played the fastest. We’d fast forward through every song only to hear the end. We’d attend concerts only to hear the last crashing chord.
When people dance, the whole point of dancing is the dance itself. There is no rush.
Don’t be so quick to get to the finish line. Enjoy the run. What happens when you get to the finish line in life? I think you know. Are you in a hurry?
When you wake up one day and you’re 40 years old, you’ll think to yourself “I’ve arrived”. But you don’t feel any different.
We think of life with a profound analogy of a journey and a race to the end whether it be success or heaven or whatever you believe or chase in the end.
But the entire time, it was a musical thing. And you were supposed to sing and dance while the music was being played.
Enjoy the journey. Enjoy the dance. Enjoy the music.
When you wake up tomorrow, be thankful that you get to give it another try. Because one day, you may not. Even reading this magazine, although it’s free, you are choosing to purchase it with your life. Choose your time wisely.
ARTIST CHALLENGE:
create an image that represents how limited our time here on earth is and submit to @antoniopantoja
“Life is a journey, not a destination” - Dondi Monti
Clouds: Kanada Esteppe
Matt Goodlett Hand Model and makeup @goodlettmakeup
John Curry Hand Model
Dorthea Mayrose Burton @nail_vigilante
Katie Kinman Nail Model
Cleo Heine
CRITICALLY ACCLAIMED DIRECTOR, ANGELO PIZZO, FILMS INDEPENDENT PASSION PROJECT, SOMEONE SAVED MY LIFE
By Brittany Marshall • Photos Provided By Martin Boling
Indiana born filmmaker, Angelo Pizzo, 76, director of Hoosiers and Rudy, has embarked on a new passion project: a coming-ofage film centered around Pizzo’s middle school experience. Someone Saved My Life, written and directed by Pizzo, features up-and-comer actors, West Mulholland (Roy) and Preston Oliver (Dean), Twilight actress, Rachelle LeFevre (Eileen) and Disney starlet, Ruby Rose Turner (Beth).
The story follows a young prodigy breaking free from his mother’s exorbitant expectations, tackling themes of maturation— discovering personal agency and charting one’s own life path, explains Pizzo.
“My stage mother had me overscheduled, living her own unlived life through me. I became the go-to boy and piano player at Indiana University theatrical and musical productions. I was a little toy puppet with very little agency of my own, until I met a charismatic, confident boy in eighth grade who showed me an alternative way of becoming my own person.”
“He gave me the kind of power to individuate from my mother and her clutches. He was incredibly smart, charming, and mature beyond his years—a sociopath, but I didn’t see that.”
Bloomington. Indiana,1962
When Pizzo started Binford Junior High School in 1962, he met a young boy—the quarterback at his school—who became his ‘mentor.’
“You were either scared shitless of him or you were in awe. I knew I wouldn’t be allowed to play football for fear of my hands getting injured. When I told him this, he responded, ‘has it ever occurred to you to tell your mother to go fuck herself?’”
“I went through an intense rebellion stage, going from a straight A kid to walking on the wild side and rejecting everything, I stopped piano lessons and even went to school at times,” said Pizzo. At one point, I even lived with this friend.”
In his high school yearbook, Pizzo had zero activities listed and graduated in the lower eighth of his class but, for the first time, he was a “totally free agent.”
“After many years of therapy, I discovered the irony that this boy, who was seriously disturbed in his own right, really saved my life. The same power he gave me to individuate from my mother, was the same strength I needed to walk away from him in ninth grade.”
Story Comes to Life
The title, Someone Saved My Life, came from enlightened therapy sessions focused on Pizzo’s childhood trauma. He began writing the script 12 years ago and shared it with his siblings, a process he found “therapeutic.”
“They were uniform in saying, ‘don’t make the film while mom’s alive.’ I didn’t think about it again until she passed away, and it started bubbling up in my brain.”
“There are some intense scenes between characters playing my mom and I, and I was nervous to relive that trauma,” said Pizzo. “Rachelle [Lefevre] understood the challenge of that role and really humanized her. You can sympathize with her, and some people will understand her perspective.”
After casting, characters become an “amalgamation” of what was originally intended, with actors adding their own personality and quirks, explains Pizzo.
“Roy is a mastermind, like a cult leader. His words are hypnotic and manipulative, and he has a charisma that demands respect wherever he goes,” said Mulholland, Stanford film and media studies student acting the part of Roy. “He comes from a poor family but doesn’t want anyone to know that. This is one reason he’s obsessed with Dean; He wants his life.”
Production
Creating a period film adds additional financial burden, from specific wardrobe to cars, he explains. For example, it cost $30,000 to rent the vintage football uniforms. Working with an A-list crew, including a dramatic score from composer Larry Groupé and cinematography from Indiana native, Larry Blanford, brought unique quality and experience to the set.
“It was a gift to be there from the start of the film, assisting the crew behind the scenes gave me a unique perspective playing Roy, and as an aspiring filmmaker,” said Mulholland.
Pizzo was resolute in filming in his Indiana hometown, a feat which required personal funding from Pizzo, family, and friends. This also allowed him to have full creative control of the project. In total, the film cost $2 million to produce and was filmed in 20, 14-hour days.
“It was not just a low budget, it was a microbudget. It was a new experience being the bank and financing, but I knew I needed to shoot this in Bloomington. I renegaded against taking this movie to Netflix. This could be my last movie, and I wanted to make it very personal, but it was the hardest thing I’ve ever had to do.”
“I aspire to make films with the kind of production quality I’ve been connected to in my other films; the stories you don’t stop thinking about, even if it’s just a particular moment in the film that resonates with the audience.”
DEAN OTTO KEEPS THE MAGIC AND WONDER OF FILM ALIVE
By Kevin Murphy Wilson • Photos By Matt Johnson
Dean Otto has served as the Curator of Film and head of the Speed Cinema since it first opened its doors within the Speed Museum nearly a decade ago. By all accounts, this city is incredibly fortunate to have such a highly-esteemed expert in our midst. Filmmaker/philanthropist Owsley Brown III told the VOICE-TRIBUNE that this is, in part, because Otto has both vision and passionate dedication to the idea that the Speed Cinema can bring people together in deep and very meaningful ways. “He has dedicated his life to fostering the idea that we are all part of one human family and uses the cinema as a forum for this human family to gather, share and relish in the magic and wonder of the cinematic mirror,” Brown said. We recently caught up with Otto to hear more about his journey and what’s next on the metaphorical marquee at Speed Cinema.
VT: Please tell us a bit about your own backstory.
DO: “I moved to Louisville nine years ago to serve as the founding Curator of Film at the Speed Art Museum. I arrived on Halloween night and had roughly five months to build the program and oversee the final construction of the Speed Cinema.We launched with 30 hours of consecutive film screenings in March 2016. Last year, we hosted over 300 screenings which included films like Wildcat, which was shot in Louisville, and I had the pleasure of interviewing director and co-writer Ethan Hawke for the first public screening. Prior to the Speed, I worked for the Walker Art Center in Minneapolis where I worked closely with film collection digitizing dozens of films which were made accessible to the public through an interactive Mediatheque. I also got to host many film directors for discussions of their work and screenings including Todd Haynes, Spike Lee, Francis Ford Coppola, Claire Denis, Jane Campion, and Steve McQueen.”
VT: What put you on this career path in the first place? How did you initially become interested in film?
DO: “I grew up in a blue-collar town in Wisconsin and film provided an escape in which I could experience the world through the imagination of filmmakers across the world. I started researching films at the public library and crafted a list of films that I would see when I would move away. When I attended the University of Wisconsin in Madison, I became involved in a film program at the Wisconsin Union Directorate that trained me in film projection and presentation. They gave me the opportunity to arrange public screenings of the films that I had always wanted to see and to share them with others. It also gave me experience in partnering with academic departments and to collaborate with artists and musicians. I even got to work with John Waters for the first time.”
VT: Are there any specific folks who inspired or encouraged you along the way?
DO: “At the Walker as I was starting my career in film, Bruce Jenkins, who was the museum’s curator, gave me fantastic opportunities and challenges to grow. He knew how important relationships with artists are and he insisted all artists feel welcomed and respected. We would meet the filmmakers at the gate (when one could do that at an airport), escorted them around the city, and made sure that their needs were met. Through Bruce’s kindness I got to help host filmmakers like Werner Herzog, Jodie Foster, and Tom Hanks.”
VT: For the uninitiated, how would you describe your work as a film curator?
DO: “I serve as a conduit between filmmakers and audiences to build programs that show the creative process of artists and support their ideas presented in films. At a museum, this could involve making connections between other art forms or histories, partnering with academic departments to share their expertise outside of the classroom, or collaborations with community organizations who may be associated with the themes of the film to discuss how their work is reflected in the films. At the Speed, I’m building an audience for world cinema by providing screenings of international children’s films and helping to build the next generation of film enthusiasts.”
VT: What are some of your all time favorite films and why?
DO: “My favorite film is Wong Kar-wai’s In the Mood for Love. When I first saw it, I returned to the cinema for the remaining five nights of screenings, bringing new people with me each time to share in the mesmerizing story of two people betrayed by their spouses who are attracted to one another, but too refined to act upon it. It’s a film in which the character’s romantic longing ignites the screen.”
VT: Tell us about what you’re up to at the moment in terms of current and upcoming events and screenings.
DO: “I’m particularly excited to share films that I’ve seen at festivals which are being nominated or winning awards lately including Payal Kapadia’s All We Imagine as Light which was New York Times Chief Film Critic Manohla Dargis’ top pick for Best Film of 2024, Mati Diop’s Dahomey which won the top prize at the Berlin Film Festival, and Maura Delpero’s Vermiglio which was just nominated for a Golden Globe for Best Motion Picture, Non-English Language. These are exciting, new spellbinding films from the world’s top female directors. We’ll also be hosting artist Roger Bebe for a night of his multi-projector performances on January 2, a selection of the best films from the New York International Children’s Film Festival on January 3, and our first Science on Screen program with the film Songcatcher with live music and a discussion by a musicologist presented by our Assistant Curator Nathan Viner on January 16.”
For more information visit speedmuseum.org.
Julia Cash on the Power of Music
By Kevin Murphy Wilson • Photos Provided By Music for a Purpose
Julia Cash primarily makes music to create positive change. Although Cash’s long and winding musical journey has taken her all over the world, Louisville is still the hometown of her heart. Accordingly, her locally-based 501c3, Music for a Purpose, keeps her busy producing and promoting constantly varied performances and programs that all support other nonprofit organizations in the area. Past beneficiary partners have included the Healing Place, Olmsted Parks, Louisville Climate Action Network and Maryhurst.
VT: What makes the current beneficiary, KRM, special to you?
JC: “Kentucky Refugee Ministries is a local organization created to compassionately welcome and serve the world’s displaced people It encourages the hope that lives within each human being by providing an atmosphere of hospitality, responsiveness, mutual respect, trust and tolerance. It also broadens cultural awareness throughout the community and holds a personal connection for me. My childhood best friend here in Louisville, her mother, Donna Craig, founded Kentucky Refugee Ministries through our church after a mission trip to Latin America. It has now grown into an organization that has helped over 30,000 people, from around the world, call Kentucky home. The inspiration of that has been a cornerstone of Music for a Purpose.”
For more information visit musicforapurpose.org.
Honoring Founder Amelia Brown Frazier
By: Amelia Frazier Theobald • Photos Provided
This month, I had the privilege of standing at the podium at Frazier Rehab to commemorate its 70th anniversary and honor my greatgrandmother, Amelia Brown Frazier. As I prepared for my speech, a small hiccup occurred—my usually wonderful and helpful husband accidentally grabbed the printout too early, leaving me without the first page of my speech.
Nervous and delivering only my second-ever public speech, I took a deep breath and reflected on the tour the Frazier Rehab staff had given me during my visit. My mother’s stories about her grandmother, Amelia, came rushing back, and at that moment, I chose to speak from the heart.
When I was done, I let everyone know that if they wanted to learn more about her, I would take a moment this month to write for those who would like to get to know her better. This is for you.
A woman who was in a car crash started one of the U.S.’s best rehabilitation Hospitals, and her name was Amelia Brown Frazier.
Amelia Brown Frazier’s name is synonymous with resilience, philanthropy, and a tireless commitment to the community. As we celebrate the 70th anniversary of Frazier Rehab and the 50th anniversary of the Physical Medicine & Rehabilitation Program, it is fitting to reflect on this extraordinary woman’s remarkable life and enduring legacy.
Born in 1908 as the middle child of George Garvin Brown II and his wife, Amelia was a beacon of brilliance from an early age. After graduating high school at just 15 years old, she embarked on lifelong learning and cultural immersion, mastering seven languages, including French, Italian, German, Mandarin, and English. Her travels took her to France and Italy, where she honed her language skills and experienced the rich cultures of Europe before the age of 18. Amelia had a striking presence, standing over six feet tall with curly red hair and an air of impeccable poise. Yet, her stance had a hint of awkwardness as she often tried to downplay her towering height. Her brothers, never missing a moment, would playfully call out, ‘Chin up, sis!’ whenever they caught her slouching to appear smaller than she was.
In 1929, at the age of 21, Amelia’s life took a dramatic turn when a car accident left her in a full body cast for 10 months and would ultimately affect her for the rest of her life. Doctors warned her she might never walk again or have children, but Amelia defied the odds. She recovered and married her doctor, Dr. Harry Stucky Frazier, and raised two sons, Harry Stucky Frazier Jr. and Owsley Brown Frazier.
Amelia’s personal experiences fueled her passion for physical rehabilitation, leading to the establishment of Frazier Rehab in 1954. The center, named in her honor in 1983, became a sanctuary of hope and healing for countless individuals, including members of her own family. Her granddaughter, Laura Frazier, benefited directly from the center’s expertise, overcoming Legg-Calvé-Perthes disease as a child with their help.
Beyond Frazier Rehab, Amelia’s philanthropic endeavors spanned a wide range of causes. She was a founding contributor to Actors Theatre of Louisville, ensuring the arts flourished in her community. She supported institutions like Bellarmine University, which named the Amelia Brown Frazier Convocation Hall in her honor. Her dedication to historic preservation saved Locust Grove, a cherished landmark. Amelia also championed mental health through her involvement with Wellspring and supported organizations like the Boy Scouts of America. To this day, it is good luck to rub Amelia’s nose on a bronze plaque outside the dining hall named after her at Camp Crooked Creek.
The family was central to Amelia’s life. She even planned my parent’s 2nd date, and when they were engaged, she sold a part of her land to my mother and father so they could be close and continue cherished Friday night dinners, a tradition her granddaughter, Laura, carried forward with Sunday dinners. Amelia’s deep connection to her family was evident in her close bond with Laura, whom she guided through wedding dress fittings and supported through life’s milestones.
Amelia’s indomitable spirit shone through even in her later years. Despite lingering effects from her accident, she remained active and engaged, frequently visiting Frazier Rehab to meet new therapists and connect with patients. Her determination to give back never waned. On Christmas Eve of 1989, her health declined, and she passed away on January 24, 1990, at the age of 81. Her granddaughter, Laura, was the only one by her side in her final moments.
Amelia’s obituary celebrated her as a philanthropist and a strong advocate for Louisville. Her contributions to economic development, the arts, social services, and education left an indelible mark on the community. Charles Huddeke III, president of the Louisville Chamber of Commerce, praised her generous spirit, while Eugene Petrik, president of Bellarmine College, noted her unwavering faith and spiritual outlook.
Amelia Brown Frazier’s legacy is etched in the institutions she helped build and the lives she touched. Her story is one of perseverance, compassion, and an unyielding belief in community.
Frazier Rehab is not only a place of rehabilitation but a sanctuary of second chances, resilience, and triumph for future generations. As we celebrate Frazier Rehab’s 70th anniversary, let us remember that her strength and unwavering spirit laid the foundation for this incredible institution. Her commitment to the community, family, and innovation reminds us that what we do today shapes tomorrow.
By: Alison Cardoza • Photograhy by Matt Johnson • Sponsored
Martha Thomas has a profoundly positive impact on numerous lives Baptist Health Milestone. Participants in this class experience a strong sense of belonging and connection, thanks to Martha. She has been teaching Tai Chi at Milestone for 5 years and practicing for 16 years. Tai Chi class is offered Tuesdays and Thursdays at 1pm.
“When my journey with Tai Chi Chuan started 16 years ago, I never envisioned that part of it would be sharing Yang style Tai Chi with students at Baptist Milestone. Mfundishi Baba Serikali, NuChapter Tai Chi Chuan & QiGong Institute, had been asked to provide a Tai Chi teacher and so he sent me. I had been practicing for about 11 years then. The class started slowly but quickly grew thanks to word of mouth by Milestone students.
Tai Chi is a slow, gentle exercise to help with a person’s balance, blood pressure, memory issues and other health issues. It is often called “meditation with movement” because our movements are slow and easy on our joints. We do stand for an hour in class, but if you are unable, you can remain seated during class and benefits will still be realized. Every Milestone person who walks in our class is unique and searching for something to help in their daily life – back pain, balance, memory issues or just getting stronger. With practice, Tai Chi can help with just about all aspects of our life. You develop a sense of “family” with your fellow students as we practice together inside the classroom or outside in the parking lot or park. We care and support each other in our practice, and we are always eager to have new students join us “in the flow”. I encourage all students to consider Tai Chi as a journey and we are here to help you on this trip to a more relaxed life.”
Are you interested in exploring Tai Chi? Milestone welcomes you to explore your Zen during the holidays and explore something new this year. Members and non-members are always welcome to all of our classes we offer at Milestone. For more information, please contact Baptist Milestone to help address your fitness goals and find the class that fits your specific needs and desires this New Year. Happy 2025!
Alison Cardoza ACSM Certified Personal Trainer and Fitour Group Exercise Instructor at Baptist Health Milestone Wellness Center. BS Exercise Science and Sports Medicine with a minor in Health Promotions from University of Louisville. Former UofL Ladybird and NFL Colts Cheerleader.
BRINGING GLOBAL HOLISTIC HEALTH TRADITIONS TO LOUISVILLE
By VOICE-TRIBUNE • Photos by Matt Johnson
Louisville has welcomed a new addition to its wellness scene with the opening of the Bodhi Salt Center in St Matthews. This new center, which opened on December 12, 2024, blends ancient healing practices with modern technology to create an innovative approach to health and well-being. Located at 4802 Sherburn Lane, Bodhi Salt is the vision of wellness entrepreneurs Anna Shulgina and Dasha Grankina.
Drawing from personal experiences and a shared passion for holistic health, the founders have introduced a concept that combines global wellness traditions with advanced preventive care. As part of the growing global wellness economy, which is projected to reach $9 trillion by 2028, Bodhi Salt stands out for its unique focus on community wellness and family accommodations.
Bodhi Salt’s origins stem from co-founder Anna Shulgina’s personal health journey. Shulgina and her son, Gary, encountered persistent health challenges after moving to Louisville. Allergies and related symptoms prompted Shulgina to explore alternative treatments like salt caves, which offered relief but also inspired her to develop a more comprehensive wellness solution.
The concept of Bodhi Salt grew from her desire to integrate salt therapy with advanced wellness treatments, creating a center that would offer physical, mental, and emotional health benefits. Shulgina credits her partnership with Dasha Grankina, a certified yoga and pranayama instructor, as pivotal to realizing this vision.
“Holistic health has always been my passion,” Grankina shared, reflecting on her role in the project. Her years as an educator and yoga practitioner shaped the center, which aims to bring non-invasive, comprehensive wellness practices to the Louisville community.
Bodhi Salt Center offers a variety of treatments designed to promote relaxation, healing, and rejuvenation. The facility combines traditional practices with state-of-the-art treatments, including:
Salt Therapy
Bodhi Salt features clean and contemporary style salt rooms, offering therapeutic benefits for respiratory and skin health while promoting relaxation. The center has two specialized salt rooms—one for adults and another for children.
In the children’s salt room, Bodhi Salt offers unique programs like Storytime, crafts, and homework workshops. These activities are designed to provide children with natural, safe treatments for allergies and asthma while also holding space for creativity and learning.
Steam Cedar Barrels
Exclusive to Kentucky, Bodhi Salt is the only facility in the state to offer Steam Cedar Barrels, a detoxifying treatment from Siberia. The steam and natural cedarwood combine to enhance skin health, relieve stress, and promote overall wellness.
Shirodhara Therapy
Another highlight is Shirodhara, an Ayurvedic treatment with roots in India. This therapy focuses on calming the nervous system, releasing stored emotions, and promoting spiritual rejuvenation through the gentle pouring of warm oil over the forehead.
Yoga in the Salt Room
Yoga sessions, led by Grankina, are held in the adult salt room and provide the dual benefits of salt therapy and yoga practice.
Bodhi Salt offers a “Chill-Out Zone,” where guests can relax and decompress before and after treatments, as well as shower and changing areas. Guests are provided with robes, cozy slippers, and fresh water during their visit– as well as herbal teas such as Saigan Daila, a traditional tea made from natural herbs native to the pristine mountain region of Altai that is known for its health benefits. A retail lobby features bath and body products designed exclusively for the center.
The name “Bodhi” is derived from Sanskrit and means awakening or realization. Shulgina and Grankina designed Bodhi Salt to be a sanctuary where individuals can find and maintain their personal “place of strength.”
In addition to its wellness treatments, Bodhi Salt emphasizes family and community. The children’s programs are offered in both English and Russian, a nod to the founders’ backgrounds. The center also strives to make wellness accessible by creating a welcoming environment that supports individuals of all ages and needs.
Bodhi Salt’s arrival in Louisville comes at a time when the wellness industry is expanding rapidly. As part of this global movement, the center provides a unique opportunity for locals to explore innovative treatments that blend tradition with technology.
For more information, call 502.252.1030, email info@bodhisaltcenter.com, or visit bodhisaltcenter.com
Michele P Glazier Finn
July
5, 1959-November 18, 2024
Michele P. Glazier Finn, 65, of Winnipeg in Manitoba, Canada, left her earthly home and entered into the arms of her awaiting beloved husband Hugh Finn on November 18, 2024.
The Finns married and moved to Louisville, KY when Hugh was hired by WAVE TV in 1981. In spite of his well-known 15-year persona as morning anchor and frequent weatherman, this most private of public couples was thrust into an uninvited international spotlight on March 9, 1995. A c atastrophic car accident that icy morning on the way to the bus stop resulted in a traumatic brain injury which eventually claimed Hugh’s life, and seriously injured their young children, Keeley Hibdon (Finn) and Bridget Finn, then 9 and 4.
Hugh’s sudden total disability and eventual death on October 9, 1998, led Michele into an advocacy role for others who suffered the aftermath of brain injury.
As Government Liaison for the Brain Injury Association of Kentucky 1996-2006, Michele amplified the message of awareness and fought for legislation to protect the interests of her husband and despairing families like her own. BIAK’s Outreach Director Eddie Reynolds remembers Michele as “a very valued member of our organization who tirelessly worked in Frankfort to advocate for persons with brain injuries, who was able to relate her devastating personal experience to legislators to effect change on behalf of our survivors. She left an amazing legacy at BIAK and will be sorely missed.”
As National Director of Development for The Dream Factory from 2007-2015, Michele motivated thousands in funding to grant the wishes of seriously ill children in Kentucky. Dream Factory National Director/CEO Tommie Kendall shares, “Michele helped to fundraise thousands of dollars to support our mission. Her work allowed countless children with critical and chronic illnesses to have their dreams fulfilled. On behalf of all of our chapters and volunteers, and the entire Dream Factory family, we are heartbroken to hear of Michele’s passing. We send our love and strength to Michele’s daughters Keeley and Bridget and her grandchildren, while also honoring the impact she left on the Dream Factory.”
Michele graduated from Muhlenberg High School in Laureldale, PA. Her Master of Arts in Teaching from Bellarmine University and a Bachelor of Arts in Business from Penn State University made Michele a formidable educator, planner and facilitator throughout her professional and personal lives.
Just prior to the accident, Michele and Hugh created and developed Hugh Finn Horseracing News on the nascent “World Wide Web,” translating traditional coverage of Kentucky’s hallmark sport to the masses via never-before-utilized global satellite access.
Michele’s last years have been filled with the joy of grandchildren who adored Michele as she did them, the youngest considering her beloved “Grandma” as one of “two peas in a pod.”
Michele was predeceased by her parents, Mary Margaret and George Glazier and her husband Hugh, and is survived by daughters Keeley Hibdon Finn and Bridget Finn, grandchildren Avalei Juno, 14, Hugh, 12, and Molly, 9, Owen, 11, sister Cathy Carrick, sisters-in-law Karen Finn and Eileen Finn, and a worldwide chosen family of loved ones and admirers.
A private memorial service for friends and family was held on Saturday, December 7th, at Fern Creek Funeral Home.
In lieu of flowers, and in light of all Michele has done throughout her life for the children of others, donations to the GoFundMe set up for her grandchildren’s future education are requested. gofund.me/7beae675 or scan the code here >
JILL BEAVINS AND ADAM YOUNT TIE THE KNOT AT PETERSON DUMESNIL HOUSE
By VOICE-TRIBUNE • Photos by Firm Anchor
When Jill Beavins and Adam Yount envisioned their wedding day, they set out to create an experience that felt as personal as their love story. Their celebration, held at the historic Peterson Dumesnil House, was a gorgeous display of intentionality and bespoke design. From the thoughtful decor to the carefully curated menu, every detail reflected their unique vision.
Guests were welcomed at 4:30 with pre-ceremony cocktails and a spread of charcuterie. The setting was thoughtfully arranged, with lanterns hanging from the trees surrounding the circular driveway, casting a soft, golden light as the fall sun began to lower. Clementine Catering’s Polo Bar added a classic touch, serving up refreshments that invited guests to relax. Friends and family mingled around a cozy furniture setup arranged to feel like a curated living room.
At 5:30, everyone moved to the outdoor ceremony space. Custom-made lap blankets, draped over Vineyard-back chairs, were a thoughtful gift for guests and a nod to the crisp fall weather. Lanterns lined the aisle, guiding attendees to their seats as the evening light softened. By the time Jill and Adam exchanged their vows under a bistro-lit arch, the setting had transformed into an intimate tableau of light and love.
Following the ceremony, the celebration transitioned to the porch for a lively cocktail hour. Signature cocktails, named after the couple’s three pets, were served from a stylish bar, complemented by an adorable sign featuring photos of the furry inspirations. Guests were treated to hors d’oeuvres and live music by the Highland Chamber Players. A bourbon-tasting station featuring Maker’s Mark offered a spirited nod to tradition, while custom-made burgundy velvet cushions lining the porch seating walls provided a touch of understated luxury.
Dinner, served indoors at 7:00, was presented by Clementine Catering who delivered a pre-plated menu featuring salmon and filet. The florals, designed by Carolyn Minutillo of Lavender Hill, enhanced the setting with arrangements that captured the beauty of fall. Jill’s expertise as a flower farmer was evident, from the centerpieces to the ceremony decor, creating an organic beauty that tied the space together.
After dinner, guests returned to the porch for cake and a champagne toast. The cake, crafted by Merts, was as delicious as it was beautiful, standing as a sweet centerpiece to the evening. The celebrations continued with dancing to the DJ’s lively tunes.
The celebration concluded with a sparkler send-off, as Jill and Adam made their way through a line of cheering guests. Jill and Adam’s wedding was a reflection of their story and the community that surrounds them. Every choice they made, from the lap blankets to the cocktails, felt personal and genuine, leaving their guests with lasting memories.
Congratulations to Jill and Adam on a wedding as unique and timeless as the love it celebrated!
Louisville’s rich tradition of philanthropy comes alive in this year’s Balls & Galas Guide, our curated collection of the city’s most anticipated charitable events. Known for its iconic Derby season, Louisville also boasts a year-round calendar of celebrations that blend style, community, and purpose. From grand ballrooms illuminated by dazzling chandeliers to intimate evenings supporting causes that inspire, these events highlight the spirit of generosity and camaraderie that defines our city.
Whether you’re donning your finest black-tie attire or stepping into a themed soirée, this guide offers a glimpse into the events that bring our community together. Explore opportunities to celebrate, connect, and contribute, as Louisville’s most glamorous nights promise unforgettable memories and impactful legacies. Let this guide be your companion as you plan your year of giving back in style.
If your favorite Ball, Gala, or Premier Event is missing from this list, we’d love to hear from you! Reach out to us to ensure your event is included. Plus, join us in celebrating Louisville’s vibrant event scene by casting your vote for the city’s best events of 2025 later this year. Make your voice count and honor the events that embody Louisville’s heart and soul!
LOUISVILLE PREMIER EVENT SPOTLIGHT:
KENTUCKY DERBY MUSEUM BALL: RUBY JUBILEE
April 25, 2025
Celebrate Kentucky Derby Museum’s 40th Anniversary at the annual Ball, presented by Central Bank. The red carpet begins at 6 PM, and the evening promises curated cocktail stations, artfully plated dinner and dessert, live entertainment, and dancing. Tickets are now on sale!
GILDA’S NIGHT
November 7th, 2025
Gilda’s Club Kentuckiana is devoted to uplifting and supporting individuals in Kentucky and southern Indiana impacted by cancer by providing free social and emotional support. In 2024, over 3,600 people living with cancer benefited from more than 190 free programs offered each month. These programs include support groups, individual and family counseling, as well as health and educational initiatives. Gilda’s Night is our premier fundraising event and is crucial for ensuring that members of our community continue to receive essential support at no cost. Join in celebrating the 21st anniversary of Gilda’s Night!
Waterfront Botanical Gardens celebrates its 4th Annual Fascinator Affair. This stylish and vibrant celebration brings together the community to support the Gardens’ mission of cultivating beauty, education, and sustainability. This Derby-season luncheon fundraiser features a fashion show of locally designed accessories for both men and women. Proceeds from the event help advance the Gardens’ programs and initiatives, ensuring this urban oasis continues to thrive and inspire.
RED TIE GALA
February 22, 2025
Louisville Marriott Downtown hosts Ronald McDonald House Charities of Kentuckiana (RMHCK) for the 2025 Red Tie Gala, presented by McDonald’s Restaurants of Kentuckiana. Enjoy an evening filled with delicious food, exciting auctions and raffles, live entertainment, and inspiring stories of families served by RMHCK. Wear your best red and help continue providing a home filled with love and care for families in need.
WRAPPED IN RED GALA
February 8, 2025
The 15th annual Wrapped in Red Gala is the signature event of the American Red Cross Louisville Area. The gala serves up a specially prepared three-course dinner, live entertainment provided by Groove Essential and a live auction featuring exciting trips and one-of-a-kind items. The 15th annual gala is presented by Lexus of Louisville. All proceeds benefit local Red Cross community programs.
2025 BALLS & GALAS:
JANUARY
- Charla’s Angels Fundraising Gala
- 2nd Annual Romantasy Gala
FEBRUARY
- KET February Fanfare
- KY Shakespeare in Love Gala
- Peace Awards Dinner
- Sneaker Ball Aquarius Edition Finale
- Wrapped in Red Gala
MARCH
- Beacon Ball
- Beaux Arts Ball
- Blessings in a Backpack Pack the Sack
- Day Spring Horizon of Hope Gala
- Great Futures Sneaker Ball
- Inaugural LGBTQIA+ Awards Gala
- Speed Art Museum Ball
- Tyler Gerth Art Gala
APRIL
- Down Syndrome of Louisville Gallop Gala
- Fillies Derby Ball
- Frazier History Museum Gala
- JDRF Gala
- Kentucky Derby Museum Ball
- KMAC Couture
MAY
- 100 Black Men Derby Gala
- American Lung Association Derby Eve Gala
- Annual Women of Color Cancer Benefit Gala
- Annual VIPS Gala
- Barnstable Brown Gala
- Fillies and Lillies
- Fillies and Stallions
- Horizon of Hope Gala
- Louisville Urban League Derby Gala
- Red Tulip Gala
- Revel at the Races
- Silks Bash
- Sneaker Ball
- Trifecta Gala
- Unbridled Eve Derby Gala
- Young Nonprofit Foundation Derby Gala
JUNE
- Juneteenth Gala
JULY
- Twisted Pink Gala
AUGUST
- Conrad Caldwell House Gatsby Garden Gala
- Hear on the River Gala
- Live & Be Gala
- Park DuValle Community Health Center Legacy Fundraising Gala
SEPTEMBER
- Black and White Masquerade Ball
- Create a Stir About Autism Gala
- Soccer Ball
- The Art of Bourbon
- The Louisville Witches Ball
- VAREP Gala Dinner
- Yew Dell Twilight in the Garden
OCTOBER
- 65 Roses Gala
- A Night for Life Gala
- Brown Hotel Gala
- Denim & Diamonds
- KRM Global Gourmet Gala
- St. George’s Scholar Institute Gala
- The Dracula Ball
NOVEMBER
- Art Sanctuary Surreal Soiree
- Bacchanal
- Bows and Bowties Gala
- Expressions of Hope Gala
- Gilda’s Night
- Kentucky Brain Ball
- KTO Gala Awards Dinner
- Louisville Tourism Annual Gala and ROSE Awards
- Louisville Youth Group Glitter Gala
- REACH Gala
- Snow Ball
DECEMBER
- Apron Inc. Sparkle Ball
- Greater Louisville Area Realtors Sneaker Ball
- Lineage and Legacy Spirit Fest Afro Masquerade Ball
- National Action Network Black Tie Gala
- Toys for Tots
- Willenium Holiday Fundraising Gala
Welcome to Louisville, Kentucky Y’all—where the bourbon flows freely, and the events are more plentiful than the horses in a derby parade. However, if you’re new here and think the Bluegrass State is just about horse racing and bourbon distilleries, think again!
This beautiful and eclectic city of ours boasts a mix of festivals, art shows, food tastings, Galas, and so much more that keeping up can feel like a full-time job (it definitely is). But fear not! In this column, I’ll take you through Louisville’s vibrant event scene, exploring the unique happenings that make this city a true hidden gem. From artsy soirées that can outshine any gallery in New York to culinary events that could make even the most stoic foodie weak at the knees, join me on a journey where every invitation is an opportunity for a good time (and a great story). This city has a real knack for transforming any occasion into a full-blown festival. As we get through these chilly winter months and inch closer to spring, you’ll find that if you’re willing and up for the task, we at the Voice-Tribune can help you pack your social calendar to the brim. Whether you’re an artsy type, a foodie, or someone who just enjoys a good excuse to wear sequins and sip cocktails, there’s something for everyone—and I do mean everyone!
An Artistic Haven
Let’s start with the artistic flair swirling through the streets. Enter the St. James Court Art Show, where artists gather like moths to a flame (or perhaps like derby hats to a… well, derby). It’s a kaleidoscope of creativity, featuring everything from whimsical paintings to sculptures that might make you question your understanding of “what is art.” Outside of St. James, there are so many other art shows and festivals year-round including the Cherokee Triangle Art Fair, the Big Four Arts Festival and the Butchertown Art Fair just to name a few.
A Foodie’s Dream
Next up, the culinary delights! Louisville is home to some seriously mouthwatering food festivals, because nothing brings folks together quite like the creations of Louisville’s legendary culinary artists. Events like the Taste of Louisville, the Louisville Chocolate Wine and Whiskey Festival, the Louisville Street Food Festival and Signature Chefs prove that putting on weight is an acceptable sport as you sample bites from the best local talent this city has to offer.
We’ve Got the Horsepower
Of course, you can’t mention events in Louisville without tipping your hat to the Kentucky Derby—the granddaddy of them all. Who knew a horse race could be the backdrop for such fabulous hats, mint juleps, and unabashed day-drinking? It’s a chance to mingle with the elite, the eccentric, and to celebrate Louisville for nearly a month straight leading up to the most exciting two minutes in sports. Prepare yourselves for the plethora of parties and celebrations in the months of April and May. We’ll of course be there to help with our guide to all things Derby! I definitely suggest conserving your energy now, it truly is a marathon.
For the Music Lovers
But wait, there’s more! If you think art and food are the only games in town, think again. The music scene here is booming, with events like Louder Than Life, Poorcastle and Bourbon and Beyond turning the city into a live concert arena. Just keep your ear to the ground, and your eyes on our calendar. With so much talent emerging from every corner, you might find yourself dancing to a band you’ve never heard of—but end up loving. Also be sure to regularly check out my personal favorites, Headliner’s Music Hall and The Mercury Ballroom for some truly exceptional head banging experiences.
Swanky Soirées
If you’re in the mood to put on your best duds, this city certainly has no shortage of balls, galas and red carpeted high society events. One of my favorite galas of the year, the Norton Snow Ball, is actually featured in our society section this month! I also highly recommend the Speed Art Museum’s annual Ball which will be held on March 1st. Not only do you get to mingle with all the movers and shakers of Louisville, but attendees get to dine amongst the art inside the galleries!
So, what’s the takeaway from all this? Louisville’s event scene is an extravagant buffet of fun waiting to be devoured (sometimes literally), and you definitely don’t want to miss out. Whether you’re channeling your inner Picasso, sampling local delicacies, or are looking for other ways to get involved in this beloved and wacky community, there’s no shortage of opportunities here. And I’ll be here to help you find them!
So, grab your friends, throw on something fabulous, and dive headfirst into the eclectic and sometimes chaotic mix that is Louisville. Trust me, your Instagram feed will thank you for it. After all, in a city where the events are as rich and varied as the history, every weekend can be a celebration—and who doesn’t love a good reason to party?
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