portfolio STUDIO PROJECTS PART 1
Turn lights on
03|
2B Studio
21|
99|
4B Vertical Studio
113|
3A Studio
4B CD
41|
144|
3B Studio/4A DD
5A Vertical Studio
73 |
4A Studio
01
2B STUDIO
FRAMEWORKS: PROGRAMS NEW FILM SCHOOL: HOLLYWOOD, LOS ANGELES The studio will work as a research laboratory for exploring programming as a means of generating organizational models and conceptual narratives that shift basic morphologies into new spatial realms. This demands an understanding of how what we do see and determine as architects affects what we don`t see or don`t determine as architects and vice versa. The formal choices an architect makes impacts the range of behavioural outcomes a building affords. Primary to this study is an investigation into the gradient of space between architectural form and cultural action.
Cahuenga St. looking South
FRAMEWORKS: PROGRAM Spring 2011 Instructor: Mary-Ann Ray
Hollywood, Los Angeles Film School The new Film School for the 21st Century engages itself with inncorporating new ideas of exposure, production and show. Located in the epicenter of entertainment, the heart of Dowtown, Hollywood, gave way to create a concept based on a series of stag-
EVOLUTION_360
es that allow for performance zones, exposure zones, production zones and grand events. The structure encases a series of 4 stages, stage one which is located at ground level for the public audience, begins to spiral into stage 2, dealing with production requirements, into stage 3, the editing zones and finally into the grand event, the theatre.
Introducing Hollywood`s new Film School, redefining a school of thought, a school of interation.
DS 2B STUDIO
EVOLUTION
ORIGIN FORM : MAT
ACTION 2 : EXTEND
1. REMOVE A remove was made after a split in 4 unequal parts based on a extension determined by Ivar St. and the Dome Corner.
ACTION 1 : REMOVE
ACTION 3 : BURROW
2. EXTEND The splited mat was extended towards Sunset Blvd to accommodate underground circulation from Sunset/ Ivar Street.
3. BURROW A burrow operation was made to raise the mat at the heights of the most of the surrounding buildings
EVOLUTION 360 Frameworks: Program
05
ARGYLE AVE
VINE ST
MORNINGSIDE CT
N CAHUENGA BLVD
WILCOX AVE
COLE AVE
N CAHUENGA BLVD
IVAR AVE
VINE ST
LELAND WAY WILCOX AVE
DE LOUNGPRE AVE
IVA
RA VE
VINE ST
SELMA AVE
06
IVAR AVE
COSMO ST
N CAHUENGA BLVD
WILCOX AVE
EVOLUTION 360 Frameworks: Program
HOOLYWOOD BLVD
SUNSET BLVD
EVOLUTION 360 Frameworks: Program
07
1
PROGRAM DIAGRAM Lower Level/Core Circulation
Core Circulation
08 EVOLUTION 360 Frameworks: Program
Situated on the vertical centre origin of the building, the stairwell responds its language in geometry to the sequence series of stages that moves along a centre origin and continue in an upward spiral direction.
ENTRANCE Sunset Blvd
Outdoor Amphitheatre 2000 sq feet
Main Core Circulation 3000 sq feet
Entrance Outdoor Amphitheatre_ an open platform that allows high volume of public audiences facing Cahuenga Blvd.
3D Virtual Reality Lab 3000 sq feet
Slopped Circulation Seminar Room (5) with private pin-up space 400 sq feet
Seminar Room (4) with private pin-up space
STAGE_2 The editing suites_the program becames more private and student based, the editing suites arrange themselves in the centre of stage 2 on its second floor elevation, which allows the curious visitor a glance on behind the scenes Editing Suite (3) visual interaction, due to its 200 sq feet Editing Suite (2) outward circulation around the 200 sq feet suites, and expressed one way Editing Suite (1) viewed glass slits. 200 sq feet
400 sq feet
Seminar Room (3) with private pin-up space 400 sq feet
Seminar Room (2) 400 sq feet
Seminar Room (1) 400 sq feet
Indoor Theatre 3500 sq feet
STAGE_3 Learning Centre Class room_private program, that allows the editing suites to move into the judgement zone, which case will allow the final process to see what products the students delivered get viewed into its final stage. The theatre.
Outdoor Terrace 500 sq feet
STAGE_4 The Theatre_ a multiple platform theatre with exposure on both sides, allowing a social interaction of cross relationship viewing.
09 EVOLUTION 360 Frameworks: Program
2
PROGRAM DIAGRAM Stages
3
CIRCULATION DIAGRAM THEATRE/ PROGRAM
C OFFE E BA R
EVOLUTION 360 Frameworks: Program
10
5 T H LE V E L 47 ’- 0 ”
C AST ING ROOMS
4T H LE V E L 3 5 ’- 0 ”
SE MINA R ROOMS ED I TI N G SU I TS 3D V I R T U A L LA B OU T D O O R AM P H I T H EAT RE
3 RD LE V E L 25 ’- 0 ” 2 N D LE V E L 2 0 ’- 0 ”
1 S T LE V E L 1 0 ’- 0 ” G. LE V E L
0 ’- 0 ”
SUN S E T BLVD SOU N D STAG E/ EQ U I PM E N T STOR AG E B G LE V E L - 0 ’- 2 0 ”
THEAT R E C I R C U L AT I O N P U BL I C STUDENT
PROGRAMS C IRC ULATI ON STAIR S SLOPE D
//FIRST FLOOR PLAN
B
scale 1/16”= 1’-0”
2
A
3
A
3
3
3
4
1 5
8
7
01/ ENTRANCE AMPHITHEATRE 02/ 3D SCREEN ROOM 03/ 2D AND 3D SIMULATION ROOM 04/ RESOURCE CENTRE
05/ 06/ 07/ 08/
RESTROOMS STORAGE EQUIPMENT B LOUNGE/PLAZA MAIN CORE CIRCULATION
1
0
5
10
15
25
N
EVOLUTION 360 Frameworks: Program
11
6
//SECOND FLOOR PLAN scale 1/16”= 1’-0”
EVOLUTION 360 Frameworks: Program
12
1
4
2
3
01/ EDITING SUITE 1 02/ EDITING SUITE 2 03/ EDITING SUITE 3 04/ MAIN CORE CIRCULATION 0
5
10
15
25
N
//THIRD FLOOR PLAN scale 1/16”= 1’-0”
9
11
13 EVOLUTION 360 Frameworks: Program
10
8
7
5
6
4 12
3
2
1
01/ SEMINAR ROOM 02/ CASTING ROOM 1 03/ CASTING ROOM 2 04/ STUDY ZONE 05/ FOYER 06/ STORAGE EQUIPMENT
07/ RESTAURANT/ COFFEE BAR 08/ SCREENING ROOM 1 09/ SCREENING ROOM 2 10/ AMPHITHEATRE/ 250 SEATS 11/ OUTDOOR TERRACE 12/ MAIN CORE CIRCULATION
0
5
10
15
25
N
//SECTION
scale 1/16”= 1’-0”
EVOLUTION 360 Frameworks: Program
14
N LOS ANGELES FILM SCHOOL A_A Scale: 1/16”= 1’-0”
//SECTION
scale 1/16”= 1’-0”
EVOLUTION 360 Frameworks: Program
15
N LOS ANGELES FILM SCHOOL B_B Scale: 1/16”= 1’-0”
EVOLUTION 360 Frameworks: Program
16
The editing suites_the program becames more private and student based, the editing suites arrange themselves in the centre of stage 2 on its second floor elevation, which allows the curious visitor a glance on behind the scenes visual interaction, due to its outward circulation around the suites, and expressed one way viewed glass slits.
Entrance
EVOLUTION 360 Frameworks: Program
17
EVOLUTION 360 Frameworks: Program
18
EVOLUTION 360 Frameworks: Program
19
02 3A STUDIO
FRAMEWORKS: STRUCTURES L.A`s COLISEUM!- OLYMPIC TRAINING FACILITY “Games are not won in time, rather time reminds us of the place that held that triumphant victory and forever will be memorialized.”
Larisa Rus
Cahuenga St. looking South
Los Angeles is a city comprised of many different elements. A city that allows itself to continue to re invent itself through its decades, from fashion to its design, and emerges a sense of a new image one that is in a state of constant change. When the ‘32 Olympics were brought
L.A`s COLISEUM!
to Los Angeles, it allowed the young city of Los Angeles to once again become a city for tomorrow, a city of promise, affluence, and a city that could allow for not just the citizen of Los Angeles to embrace it, but the citizens of the world. The stadium was designed for an Olympic venue, one that would house all events.
22
FRAMEWORKS: STRUCTURE Fall 2011 Instructor: John Bohn
LOS ANGELES MEMORIAL COLISEUM
DS 2B STUDIO
L.A`s COLISEUM! Frameworks: Structure
COLISEUM
S Vermont Ave.
COLISEUM!
“games are not won from athlets in time, rather time reminds us of the place that held that triumphant victory and forever will be memorialized.”
OLYMPIC TRAINING FACILITY Larisa Rus
12
LA’S COLISEUM!
3A
[INSTRUCTOR: JOHN BOHN]
23 L.A`s COLISEUM! Frameworks: Structure
L.A`s
The challenge exists, to convert a stadium, to be designed for many events, to develop a solution, so the football stadium, could be enjoyed on a more personal level, and improve
FRAMEWORKS: STRUCTURE Fall 2011 Instructor: John Bohn
DS 2B STUDIO
its core performance. Solution- adapt a plan that would embody the historical relevance back to the city by engaging the existing core of the stadium to meet with its architectural potential. By keeping the existing structure, we take a new seating plan that would bring the seating arrangement in deck levels that elevate every 10 feet vertically
L.A`s COLISEUM! Frameworks: Structure
per section of seats, and improve the slant to be met with the most optimal arrangement for the fans to embrace its team. By doing so we create a optimal amount of circulation space between the existing facade and its new seating arrangement. This allows for active zones to occur.
24
1
OUTDOOR CIRCULATION
BETWEEN PUBLIC TRANSPORTATION AND COLISEUM USC Students flow
L.A`s COLISEUM! Frameworks: Structure
25
LOS ANGELES COLISEUM
BUS STOP LOCATION METRO STOP LINE
2
OUTDOOR CIRCULATION BETWEEN PARKING LOTS AND COLISEUM USC Students flow
525
L.A`s COLISEUM! Frameworks: Structure
26
643
2116 underground
LOS ANGELES COLISEUM
216
226
203
175
800 PARKING LOT LOCATION AND CAPACITY
3
SUN ANALYSIS DURING SUMMER/ WINTER
N
4 MIDNIGHT
43 NOON
18:00
L.A`s COLISEUM! Frameworks: Structure
W
27
ATRIUM
SU N S P 19 NOON
AC E 21 JUNE
SUN WING
E
21 MARCH
06:00
12:00
S
FORMAL ANALYSIS
NO SUNRISE DURING 22 NOV- 25JAN
4
PROGRAM / LOCATION AROUND LOS ANGELES COLISEUM
L.A`s COLISEUM! Frameworks: Structure
28
SKETCH AIRSPACE GALLERY AIR & SPACE EXIBITS
ADMINISTRATION WEST CALIFORNIA SCIENCE CENTER NATURAL HISTORY MUSEUM
CALIFORNIA AFRICAN AMERICAN MUSEUM LOS ANGELES MEMORIAL SPORTS ARENA
RALPH M. PARSON PRE-SCHOOL W.M KECK AMPLITHEATRE EXPO CENTER
AHMANSON SENIOR CITIZEN CENTRE
EDUCATIONAL BUILDINGS ATHLETIC BUILDINGS MUSEUMS
29
OFFICESRACKETTABLE BALL TENNIS
GYMNASIUM
BOXING MECHANICAL/ ELECTRICAL ROOM High Jump HammerThrow 34,92
ATRIUM Javelin Throw
TRACK AND FIELD
29
34,92
Discus Throw SHOPS
Long/ Triple Jump TICKET BOOTH
GYMNASIUM OFFICES GYM RESTAURANT
CIRCULATION/ ELEVATORS EXISTING RESTROOMS
L.A`s COLISEUM! Frameworks: Structure
5
PROGRAM / LOWER CONCOURSE ATHLETIC FACILITY LOCATIONS
6
MASING COMPONENTS AXONOMETRIC
PERFORATED CARBON FIBER SKIN ROOF
L.A`s COLISEUM! Frameworks: Structure
30 STEEL STRUCTURE
TOP LEVEL INCLUDING THE RAMPS
2ND LEVEL & THE VERTICAL CIRCULATION
EXISTING COLISEUM
7
STRUCTURAL COMPONENTS AXONOMETRIC
Added structure_PRIMARY
L.A`s COLISEUM! Frameworks: Structure
31 SEATING DECK
CROSS BRACING
BEAMS
Added structure_SECONDARY
Added structure_TERTIARY COLUMNS FLOOR SLAB
GROUND
PYLONS
PRIMARY SECONDARY TERTIARY CONCRETE ON GRADE DIRT
L.A`s COLISEUM! Frameworks: Structure
32
L.A`s COLISEUM! Frameworks: Structure
33
L.A`s COLISEUM! Frameworks: Structure
8
34 RENDERS LA COLISEUM
L.A`s COLISEUM! Frameworks: Structure
35
L.A`s COLISEUM! Frameworks: Structure
36 N
LOS ANGELES MEMORIAL COLISEUM CROSS SECTION Scale: 1/32”= 1’-0”
N
LOS ANGELES MEMORIAL COLISEUM LONGITUDINAL SECTION Scale: 1/32”= 1’-0”
+165’-0” Higher Roof
+105’-0” Lower Roof
+80’-0” Highest Level +46’-0” Second Concourse +31’-6” First Concourse
+36’-6” Undergr Level
37 L.A`s COLISEUM! Frameworks: Structure
Ground Level
+165’-0” Higher Roof
+105’-0” Lower Roof
+80’-0” Highest Level +67’-0” Third Concourse +46’-0” Running Track +31’-6” First Concourse
Ground Level
+36’-6” Undergr Level
L.A`s COLISEUM! Frameworks: Structure
38
N
LOS ANGELES MEMORIAL COLISEUM LONGITUDINAL SECTION Scale: 1/16”= 1’-0”
+105’-0” Lower Roof
+80’-0” Highest Level
39 L.A`s COLISEUM! Frameworks: Structure
+67’-0” Third Concourse
+46’-0” Running Track Level
+31’-6” First Concourse
Ground Level
-36’-6” Undergr Level
L.A`s COLISEUM! Frameworks: Structure
40
N
LOS ANGELES MEMORIAL COLISEUM LOWER CONCOURSE Scale: 1/32”= 1’-0”
B
A
A
B
N
LOS ANGELES MEMORIAL COLISEUM ROOF PLAN Scale: 1/32”= 1’-0”
L.A`s COLISEUM! Frameworks: Structure
41
03
3B STUDIO
VIGOROSA NEW YORK CONTEMPORARY MUSEUM The intent of Vigorosa was to create a contextualized assemblage of spaces for contemporary art to be explored and where all scales of the building can be observed. The interior was formed through a series of morphologies looking at the juxtaposition of larger and smaller galleries. By connecting galleries and studying the spaces between them we focused on an interior surface that wraps itself through the building, blurring the line between areas which are inhabitable and which are not.
DYNAMIC ARCHITECTURAL SYSTEMS ANABOLIC, METABOLIC, CATABOLIC Spring 2012 Instructor: Herwig Baumgartner
New York Contemporary Museum The intent of Vigorosa was to create a contextualized assemblage of spaces for contemporary art to be explored and where all scales of the building can be observed. The interior was formed through a series of
VIGOROSA
morphologies looking at the juxtaposition of larger and smaller galleries. By connecting galleries and studying the spaces between them we focused on an interior surface that wraps itself through the building, blurring the line between areas which are inhabitable and which were not.
[NEW YORK CONTEMPORARY MUSEUM] in collaboration with Kyle Branchesi
DS 3B STUDIO
VIGOROSA
The continual motion expands to the facade of the building, through a series of design exploration we focused on the organization of splines. Specifically we explored how we can couple and expand splines to create various surfaces which align to interior conditions. The facade is created using multi-layered ETFE panels that are coated and pumped with air. The panels are supported by series of muliens which run along the splines of the facade. The panels filters direct daylight and acts with the seasonal weather to allow natural ventilation within the building. The facade is responsive to its internal programming as well as the external forces surrounding it.
VIGOROSA Dynamic Systems
45
1
MASSING MORPHOLOGY INTERIOR/EXTERIOR GALLERIES
Small + Large Galleries
Vertical Shift
Morphing
Expanding
46 VIGOROSA Dynamic Systems
160’
80’
0’
Placem
ent
Alignme
nt
Twisting
Module L
ayout
Connect
ion
Fitting
Intrinsic
Massing
New Sp
a c es
Folding Surfaces
Abstract ion
GALLERY
GALLERY
GALLERY EXTERIOR GALLERY
OFFICES
47
COMPUTER ROOM
CLEAN ROOM
LEARNING CENTRE
WORKSHOP
MEDIA LOUNGE
VIGOROSA Dynamic Systems
2
PROGRAM DIAGRAM EXTERIOR/INTERIOR GALLERIES
EXTERIOR GALLERY
LOCKER ROOM
GALLERY
SPECIAL GALLERY
GALLERY
OFFICES OFFICES
CAFE
COAT ROOM
MUSEUM SHOP
THEATRE ART STORAGE FREEZER/COLER
LOBBY/ TICKET SALES EQUIPMENT STORAGE
entrance
3 VIGOROSA Dynamic Systems
48
CIRCULATION DIAGRAM INTERIOR CIRCULATION
E
CORE
S
S
city resting zone viewing point viewing pedestrian flow
STRE
ET
GALL ERIE
49 VIGOROSA Dynamic Systems
4
CIRCULATION DIAGRAM EXTERIOR CIRCULATION
VIGOROSA Dynamic Systems
51
VIGOROSA Dynamic Systems
52
53 VIGOROSA Dynamic Systems
6
AXONOMETRIC SECTION 3D CHUNK
VIGOROSA Dynamic Systems
54
N
NYM SECTION CHUNK Scale: 1/16”= 1’-0”
+ 170’-0”
+ 155’-0”
+ 140’-0”
+ 125’-0”
+ 90’-0”
+ 75’-0”
+ 60’-0”
+ 45’-0”
+ 30’-0”
+ 15’-0”
entrance Ground level
- 15’-0”
- 30’-0”
- 45’-0”
EAST
55 VIGOROSA Dynamic Systems
+ 105’-0”
VIGOROSA
Total Square Feet: 47,000 Floors: 15 Occupation Type: A3, B, M Type of Construction: 1B PROJECT TEAM: Branchesi, Kyle Hsu, Amanda Jefferson, Shawn Britaigne Lam, Chung Ming Rus, Larisa
The intent of Vigorosa was to create a contextualized assemblange of spaces for contemporary art to be explored and where all scales of the building can be observed. The interior was formed through a series of morphologies looking at the juxtaposition of larger and smaller galleries. By connecting galleries and studying the spaces between them we focused on an interior surface that wrapped itself through the building, blurring the line beetween areas which were inhabitable and which were not. This singular gesture allowed us to fade the distinct area of when a floor transitions into a wall. Circulation wraps into and out of the gallery spaces in a similar motion which can be seen from section. The continual motion expands to the facade of the building, through a series of design exploration where we focused on the organization of splines. Specifically we explored how we can couple and expand splines to create various surfaces which allign to interior conditions. The facade is created using multi-layered ETFE panels that are coated and pumped with air. The panels are supported by a series of moliens which run along the splines of the facade. The panels when filled with air expand both outwards and inwards. The panels filters direct sunlight and acts with the seasonal weather to allow natural ventilation within the building. The facade is responsive to its internal programming as well as the external forces surrounding it.
APPLIED STUDIES 3040 DESIGN DEVELOPMENT FALL SEMESTER 2012 INSTRUCTOR: SCOTT URIU & PAVEL GETOV
DIVANI BRANCHESI, KYLE HSU, AMANDA JEFFERSON, SHAWN LAM, CHUNG MING RUS, LARISA
CONSULTANTS:
VIGOROSA
VIGOROSA Dynamic Systems
57
THE NEW MUSEUM NEW YORK, NEW YORK
TITLE
COVER
SCALE
DRAWING REVISIONS: NO. DESCRIPTION 1
DESIGN DEVELOPMENT
DATE 9.17.2012
2
DESIGN DEVELOPMENT
3
DESIGN DEVELOPMENT 10.01.2012
PROJECT
01
DRAWN BY
DIVANI DATE
10.01.12
SHEET NUMBER
9.24.2012
B
A
VIGOROSA Dynamic Systems
58
C
E
D
F
G
4
B 206 B 207
UP
DN
DN
UP
B 201
3
B 203
DN
B 205
2
B 204
EL -45'-0"
EL -30'-0"
B 202
EL -30'-0"
1
DN
- 30’-0”
- 45’-0”
B
A
C
E
D
F
G
59 VIGOROSA Dynamic Systems
4
UP UP
DN
DN
UP
DN
005
3
Entrance 002
004
001
2
Entrance
1
006
Entrance 003
- 30’-0”
- 45’-0”
VIGOROSA Dynamic Systems
60
CONCRETE ROOF SYSTEM PEDESTAL
W.P.M INSULATION
STEEL CLOSURE
ROOF SUB STRUCTURE
GUTTER ETFE MULLION STEEL
AIR PIPE
GYPSUN BOARD INSULATION VERTICAL SUB FRAME
SUB FRAME GFFC CLADDING
2
ETFE CONNECTION DETAIL SCALE: 1/8”= 1’-0”
ETFE CUSHION
ETFE MULLIEN
1 A
PERFORATED FIBER GLASS PANELS
61 VIGOROSA Dynamic Systems
PERFORATED FIBER GLASS PANELS
PRIMARY STRUCTURE
ETFE CUSHION
PRIMARY STRUCTURE
1
3D/2D SKIN ENCLOSURE DETAIL CONNECTION NTS
EXHAUST
EXHAUST CHILLER CHILLER
CHILLER CHILLER
CHILLER
CHILLER
VIGOROSA Dynamic Systems
62
OUTSIDE FRESH AIR
AHU
AHU
MECHANICAL ROOM
MECHANICAL ROOM
GEOTHERMAL SYSTEM
HEATING(air) COOLING(air) AIR RETURN
GEOTHERMAL SYSTEM
OUTSIDE FRESH AIR
3
WINTER [HEATING] NTS
2
SUMMER [COOLING] NTS
15 1. EXTERNAL FRESH AIR INLET 2. HEAT EXCHANGE UNIT 3. FRESH AIR INTAKE CONDUIT 4. DISTRIBUTOR 5. AIR SUPPLY DUCTS 6. ELECTROSTATIC FILTERS 7. COOLING (A/C) UNITS 8. COLD AIR FAN 9. COLD AIR COLUMN 10. HEATING (FURNACE) UNIT 11. WARM AIR FAN 12. WARM AIR COLUMN 13. FRESH AIR INLET 14. CONTROLLED ROOM 15. EXAUST AIR OUTLETS 16. EXAUST AIR COLUMN 17. EXAUST AIR FAM 18. RECYCLED AIR DISTRIBUTOR 19. EXTERNAL EXAUST AIR OUTLET
8 7 6
17
9 12
VIGOROSA Dynamic Systems
63
5
6 13
10
14
11
3 4
15 16
1
17 18 2 19
1
10
12
11
2 9
17
3 4
8 5
7
1
HVAC/ MECHANICAL ROOM NTS
ETFE ANCHORAGE PRIMARY STRUCTURAL BEAM
VIGOROSA Dynamic Systems
64
VENTILATION
CONCRETE FLOOR METAL DECKING
2
3D CHUNK DETAILS NTS
FIBER GLASS PERFORATED PANELS
65 VIGOROSA Dynamic Systems
STEEL FACADE FRAME ETFE PANEL SYSTEM GFRC FORMED INTERIOR MODULES PRIMARY STEEL CONCRETE COMPOSITE SLAB METAL DECK VENTILATION RIGID INSULATION SUB FLOOR PRIMARY BEAM
3D CHUNK
1
3D CHUNK NTS
VIGOROSA Dynamic Systems
66
FOLDED METAL GUTTER
1 C
THERMAL INSULATION
PEDESTAL
INNER LINING SHEET W-12 x 50 I BEAM
HOT AND COLD WATER PIPING
FAN COIL UNIT
2
ROOF SLAB FLOOR DETAIL SCALE 3”= 1’-0”
NAILED @3 “
4” MAX. METAL GUTTER BRACE
METAL GUTTER
METAL GRAVEL STOP
BRACKET
CLEATS @ 12” SOFIT TRIM
VIGOROSA Dynamic Systems
67
FOLDED METAL GUTTER PEDESTAL THERMAL INSULATION
INNER LINING SHEET W-12 x 50 I BEAM
HOT AND COLD WATER PIPING FAN COIL UNIT
1
GUTTER DETAIL SCALE 3”= 1’-0”
CONTINUOUS ALUMINIUM EXTRUSION CLAMPING STRIP
STEEL ANCHORAGE CHANNEL CONTINUOUS WATERPROOF MEMBRANE
68 VIGOROSA Dynamic Systems
CONTINUOUS STAINLESS STEEL GUTTER 3D AXON VIEW
1
3D ANCHORAGE CHANNEL DETAIL SCALE 6”= 1’-0”
10” 2”
6”
2”
CONTINUOUS ALUMINIUM EXTRUSION CLAMPING STRIP SEALING STRIP
ETFE CUSHION
3”
SUPPLEMENTAL STRUCTURAL STEEL CHAIR
1 1/2”
6”
1 1/2”
OVERSIZED BOLT HOLE IN STRUCTURAL STEEL CHAIR
4 BOLT CONNECTION
PLAN
4
PLAN ANCHORAGE CHANNEL DETAIL SCALE 6”= 1’-0”
SEGMENTED ALUMINIUM EXTRUSION CLAMPING STRIP
12”
ANCHORAGE CHANNEL
12”
CONTINUOUS ALUMINIUM EXTRUSION CLAMPING STRIP CONTINUOUS STAINLESS STEEL GUTTER. FULLY- WELD & GRIP SMOOTH ETFE EXTRUSION IN ASEMBLY
ANCHORAGE CHANNEL
14”
CONTINUOUS ALUMINIUM EXTRUSION CLAMPING STRIP 36”
PLAN
AXON
CONTINUOUS STAINLESS STEEL GUTTER. FULLY- WELD & GRIP SMOOTH
69
ELEVATION
2
ETFE ANCHORAGE CHANNEL NODE SCALE 3”= 1’-0”
SUPPLEMENTAL STRUCTURAL PLATE STEEL ANCHORAGE
3
ETFE ANCHORAGE CHANNEL NODE SCALE 3”= 1’-0”
ANCHORAGE CHANNEL ETFE CUSHION CONTINUOUS ALUMINIUM EXTRUSION CLAMPING STRIP
SUPPLEMENTAL STRUCTURAL PLATE STEEL ANCHORAGE MULLIEN STRUCTURE 6” DIAM INFLATION TUBE
5
3D ETFE CONNECTION DETAIL SCALE 6”= 1’-0”
PRIMARY STRUCTURE
VIGOROSA Dynamic Systems
6”
ETFE EXTRUSION IN ASEMBLY
VIGOROSA Dynamic Systems
70
2
3D ETFE ANCHORAGE DETAIL NTS
CONTINUOUS STAINLESS STEEL GUTTER. FULLY-WELD & GRIND SMOOTH. CONTINUOUS ALUMINIUM EXTRUSION CLAMPING STRIP
71
6”
SUPPLEMENTAL STRUCTURAL STEEL ANCORAGE CHANNEL 3/8” STAINLESS STEEL ANCHORAGE BOLTS, SEAL ALL PENETRATIONS CONTINUOUS WATERPROOF MEMBRANE
7”
TEFLON BEARING PAD OR OTHER ISOLATION MATERIAL COUNTERSUNK 1/2” 316 SS BOLT
VIGOROSA Dynamic Systems
EPDM SEALING STRIP
1’ - 2”
SUPPLEMENTAL STRUCTURAL STEEEL CHAIRS, TYP. SS WASHER AND LOCKING NUT OVERSIZE HOLE IN CHAIR 6” DIAM. INFLATION TUBE ELECTRICAL CONDUIT AND ATTACHMENT CLIPS TO BE CANCEALED WITHIN STRUCTURAL STEEL CHAIRS PRIMARY STRUCTURE
10”
1
ETFE ANCHORAGE DETAIL SCALE: 3”= 1’-0”
VIGOROSA Dynamic Systems
72
BYPASS VALVE TO ETFE SPECIALIST CONTRACTORS DESIGN
ETFE CUSHION LAYER PRESSURE RELIEF VALVE
VIGOROSA Dynamic Systems
73
PRESURE REGULATING VALVE ETFE CUSHION MIDDLE LAYER
LINE OF FRIT
ETFE CUSHION INNER LAYER
BYPASS VALVE TO ETFE SPECIALIST CONTRACTORS DESIGN
ETFE CUSHION LAYER
1’-2”
PRESSURE RELIEF VALVE
10”
PRESURE REGULATING VALVE ETFE CUSHION MIDDLE LAYER ETFE CUSHION INNER LAYER
LINE OF FRIT
1
ETFE CUSHION SECTION SCALE: 3”= 1’-0”
1 E
ETFE CUSHION CONTINUOUS ALUMINIUM EXTRUSION CLAMPING STRIP 6” DIAM INFLATION TUBE
MULLIEN STRUCTURE
VARIES
74 VIGOROSA Dynamic Systems
PRIMARY STRUCTURE
SUPPLEMENTAL STRUCTURAL PLATE STEEL ANCHORAGE 1 A ETFE CUSHION CONTINUOUS ALUMINIUM EXTRUSION CLAMPING STRIP 6” DIAM INFLATION TUBE
VARIES
MULLIEN STRUCTURE PRIMARY STRUCTURE
SUPPLEMENTAL STRUCTURAL PLATE STEEL ANCHORAGE
2
2D ETFE MULLIEN CONNECTION SCALE 3”= 1’-0”
ETFE CUSHION PRESSURE REGULATING VALVE
6” DIAM INFLATION TUBE
1 E
MULLIEN STRUCTURE ANCHORAGE CHANNEL
6” DIAM INFLATION TUBE
MULLIEN STRUCTURE PRIMARY STRUCTURE SUPPLEMENTAL STRUCTURAL PLATE STEEL ANCHORAGE
ETFE CUSHION
1
ETFE CONNECTION DETAIL SCALE: 3”=1’- 0”
75 VIGOROSA Dynamic Systems
CONTINUOUS ALUMINIUM EXTRUSION CLAMPING STRIP
ANCHORAGE CHANNEL
04
4A STUDIO
WELCOME TO CITY LIMIT DOWNTOWN LOS ANGELES Cities are built on grids of data, the visible and the non visible, the used and the non-used, all work together to create layers. Each layer consists of boundaries, and each boundary is given evolutions and potentials of expanding. Expansions occurs when data becomes overwhelmed for the specific region of initial development, populations create ecologies,demographics create regions, and when two interconnect it creates zones within a city.
CITY OPERATIONS FALL 2012 Instructor: Alexis Rochas
DS 4A STUDIO
Coordinates: 34.057 N, 118.238 W Area: 5.305 sq mi Population: 45, 518
LOS ANGELES DOWNTOWNWELCOME TO CITY LIMIT
WELCOME TO CITY LIMIT
CITY OPERATIONS Welcome to City Limit
79
17 Miles Line Path Development
CITY OPERATIONS FALL 2012 Instructor: Alexis Rochas
CONCEPT The concept behind this project is creating exterior frameworks that define series of characteristics around the perimeter of the 4 quadrants I have defined in a specific 17 mile loop that establishes the different zones in the city of Los Angeles. Using key concepts to create exterior framing that works with landscape,
START
DS 4A STUDIO
CITY OPERATIONS Welcome to City Limit
edge conditions, foreground and background, in turn the new skyline will frame the old skyline in key locations developing a relationship of the existing and the new. Heights will be determined by ecologies, and densities of each region.
80
Developed
Potential
Refurbished
TOTAL AREA: 8, 781, 553 sq f 42.6%
D 3, 745, 830 U 2, 393, 214 P 1, 912, 283 R 723, 655 8.2%
27.5% 21.7%
81 CITY OPERATIONS Welcome to City Limit
Undeveloped
CITY OPERATIONS FALL 2012 Instructor: Alexis Rochas
DS 4A STUDIO
The initial diagram that navigates a perimeter around a 17 mi loop of downtown Los Angeles studies key points of access inside the city from major freeway exits. The major key access points illustrates levels of perspective and visual hierarchy when given a true definition of what characteristics develops a dialogue of downtown. Along the initial pa-
CITY OPERATIONS Welcome to City Limit
rameter of the city were moments of opportunity when observing the relationship of built and unbuild sites, along with used and non used structure, which allows for the new data line to establish a new grid and a new dialogue that begins to discuss place and perspective with the visual and the systematic.
82
-118.261333,34.051667,88
-118.235667,34.0525,74
-118.254167,34.059,91 -118.254,34.059,86 -118.261167,34.049833,118 -118.2375,34.052833,75
-118.2475,34.058833,89
-118.231667,34.052833,68
-118.241667,34.054,80 -118.236,34.052667,71 -118.246167,34.057833,91
-118.231333,34.054333,69
-118.241667,34.054,74 -118.2365,34.0505,73
-118.237667,34.052833,71 -118.235667,34.052667,74
-118.239,34.052,68 -118.245167,34.057,91
-118.235,34.0525,71
-118.2275,34.053167,79
-118.235,34.0525,70
-118.255167,34.058167,90
83
-118.236167,34.052667,71
-118.2345,34.050667,69
-118.225,34.051167,71 -118.267833,34.0355,52 118.225,34.051333,74 -118.226667,34.050333,70 -118.2675,34.035167,56
-118.2665,34.035833,72
-118.2275,34.053167,79
-118.259167,34.0535,93
-118.226833,34.053,69
-118.2635,34.044833,78 -118.268333,34.036,55
-118.267,34.045833,69 -118.223333,34.036833,56
-118.226667,34.050333,70
-118.226167,34.050667,73 -118.270167,34.045167,50 -118.267667,34.035833,51
-118.247667,34.026833,62 -118.2245, 34.05, 67 -118.226, 34.048, 75
-118.267833,34.035833,69
-118.224667,34.050167,69 -118.224667, 34.050167, 68
-118.226833, 34.0475, 72 -118.2515,34.028667,60 -118.224833, 34.04, 65 -118.233667, 34.0275, 67
-118.2685,34.036,52
-118.2355,34.0265,64 -118.262,34.032333,46
-118.259667,34.031333,54
Unbuild Developed
CITY OPERATIONS Welcome to City Limit
-118.249667,34.0565,112
CITY OPERATIONS Welcome to City Limit
84
“ A driver 30 years ago could maintain a sense of orientation in space. At the simple crossroad a little sign with an arrow confirmed what was obvious. One knew where one was. When the crossroads becomes cloverleaf, one must turn right to turn left...But the driver has no time to ponder paradoxical subtleties within a dangerous, sinuous maze. He or she relies on signs for guidance.� Learning from Las Vegas, Venturi
CITY OPERATIONS Welcome to City Limit
85
“ The space that divided high-speed highway and low, sparse buildings produces no enclosure and little direction. To move through this landscape is to move over vast expansive texture; the mega texture of the commercial landscape. The parking lines give direction much as the paving patterns, curbs, borders as tapes vert give direction to Versailles.� Learning from Las Vegas, Venturi
CITY OPERATIONS FALL 2012 Instructor: Alexis Rochas
DS 4A STUDIO
SPATIAL RELATIONSHIP Because Los Angeles has an identity unlike most cities, due to the nature that freeways operates as main arteries into the city, I start looking at the spatial relationship between my 17 line path and the freeway.
CITY OPERATIONS Welcome to City Limit
86
CITY OPERATIONS Welcome to City Limit
87
I. Points Network
II. Loose Compression
III. Compression
IV. Variation
CITY OPERATIONS FALL 2012 Instructor: Alexis Rochas
DS 4A STUDIO
The diagram illustrates the entire 17 mile loop as a enclosed system of towers and circulation defining the new skyline. The shaded volumes indicate the varying heights and densities within the populated zones, and functions as a new grid system redefining existing strategies and trajectories.
CITY OPERATIONS Welcome to City Limit
88
CITY OPERATIONS Welcome to City Limit
89
CITY OPERATIONS FALL 2012 Instructor: Alexis Rochas
DS 4A STUDIO
The diagram illustrates the ratio of new volumetric systems of the already defined downtown and the new towers. The ratios indicate placement and scale with relationships between each tower and the trajectory around the entire site boundary. The new skyline replaces the old skyline with a new perspective of density and framed boundaries.
CITY OPERATIONS Welcome to City Limit
90
TOTAL AREA LOS ANGELES/m3 3
47, 192, 110 m
CITY OPERATIONS Welcome to City Limit
91
TOTAL AREA /m 3
5, 344, 515 m
3 11.27%
TOTAL AREA /m 3
2, 528, 683 m
33 5.31%
TOTAL AREA /m 3
567, 784 m
1.2%3 3
-118.235667,34.0525,74
-118.233667,34.053167,70
-118.235667,34.0525,74
-118.233667,34.053167,70
-118.235667,34.0525,74
-118.233667,34.053167,70
-118.235,34.0525,71
-118.231333,34.054333,69
-118.235,34.0525,71
-118.231333,34.054333,69
-118.235,34.0525,71
-118.231333,34.054333,69
-118.235,34.0525,70
-118.231667,34.053667,73
-118.235,34.0525,70
-118.231667,34.053667,73
-118.235,34.0525,70
-118.231667,34.053667,73
-118.2345,34.050667,69
-118.2275,34.053167,79
-118.2345,34.050667,69
-118.2275,34.053167,79
-118.2345,34.050667,69
-118.2275,34.053167,79
-118.255167,34.058167,90
-118.231333,34.054333,69
-118.255167,34.058167,90
-118.231333,34.054333,69
-118.255167,34.058167,90
-118.231333,34.054333,69
-118.259167,34.0535,93
-118.231667,34.053667,73
-118.259167,34.0535,93
-118.231667,34.053667,73
-118.259167,34.0535,93
-118.231667,34.053667,73
-118.268333,34.036,55
-118.2275,34.053167,79
-118.268333,34.036,55
-118.2275,34.053167,79
-118.268333,34.036,55
-118.2275,34.053167,79
-118.2375,34.052833,75
-118.246167,34.026167,69
-118.2375,34.052833,75
-118.246167,34.026167,69
-118.2375,34.052833,75
-118.246167,34.026167,69
-118.236167,34.052667,71
-118.236167,34.052667,71
-118.223333,34.036833,56
-118.236167,34.052667,71
-118.223333,34.036833,56
-118.236,34.052667,71
-118.236,34.052667,71
-118.226833,34.053,69
-118.236,34.052667,71
-118.227667,34.0345,75
-118.231667,34.052833,68
-118.231667,34.052833,68
-118.231667,34.052833,68
-118.227667,34.0345,72
TOTAL AREA LOS ANGELES/m3 3
47, 192, 110 m
CITY OPERATIONS Welcome to City Limits
92
TOTAL AREA /m 3
26, 722, 575 m
3 56.80%
TOTAL AREA /m 3
12, 643, 416 m
33 26.8%
TOTAL AREA /m 3
2, 838, 922 m
33 5.95%
-118.235667,34.0525,74
-118.233667,34.053167,70
-118.235667,34.0525,74
-118.233667,34.053167,70
-118.235667,34.0525,74
-118.233667,34.053167,70
-118.235,34.0525,71
-118.231333,34.054333,69
-118.235,34.0525,71
-118.231333,34.054333,69
-118.235,34.0525,71
-118.231333,34.054333,69
-118.235,34.0525,70
-118.231667,34.053667,73
-118.235,34.0525,70
-118.231667,34.053667,73
-118.235,34.0525,70
-118.231667,34.053667,73
-118.2345,34.050667,69
-118.2275,34.053167,79
-118.2345,34.050667,69
-118.2275,34.053167,79
-118.2345,34.050667,69
-118.2275,34.053167,79
-118.255167,34.058167,90
-118.231333,34.054333,69
-118.255167,34.058167,90
-118.231333,34.054333,69
-118.255167,34.058167,90
-118.231333,34.054333,69
-118.259167,34.0535,93
-118.231667,34.053667,73
-118.259167,34.0535,93
-118.231667,34.053667,73
-118.259167,34.0535,93
-118.231667,34.053667,73
-118.268333,34.036,55
-118.2275,34.053167,79
-118.268333,34.036,55
-118.2275,34.053167,79
-118.268333,34.036,55
-118.2275,34.053167,79
-118.2375,34.052833,75
-118.246167,34.026167,69
-118.2375,34.052833,75
-118.246167,34.026167,69
-118.2375,34.052833,75
-118.246167,34.026167,69
-118.236167,34.052667,71
-118.236167,34.052667,71
-118.223333,34.036833,56
-118.236167,34.052667,71
-118.223333,34.036833,56
-118.236,34.052667,71
-118.236,34.052667,71
-118.226833,34.053,69
-118.236,34.052667,71
-118.227667,34.0345,75
-118.231667,34.052833,68
-118.231667,34.052833,68
-118.231667,34.052833,68
-118.227667,34.0345,72
TOTAL AREA LOS ANGELES/m3 3
47, 192, 110 m
CITY OPERATIONS Welcome to City Limits
93
TOTAL AREA /m 3
53, 445, 150 m
113%3
TOTAL AREA /m 3
25, 286, 832 m
TOTAL AREA /m 3
33 53, 6%
5, 677, 844 m
33 11.9%
-118.233667,34.053167,70
-118.235667,34.0525,74
-118.233667,34.053167,70
-118.235,34.0525,71
-118.233667,34.053167,70
-118.235667,34.0525,74
-118.231333,34.054333,69
-118.235,34.0525,71
-118.231333,34.054333,69
-118.235,34.0525,70
-118.231333,34.054333,69
-118.235,34.0525,71
-118.231667,34.053667,73
-118.235,34.0525,70
-118.231667,34.053667,73
-118.2345,34.050667,69
-118.231667,34.053667,73
-118.235,34.0525,70
-118.2275,34.053167,79
-118.2345,34.050667,69
-118.2275,34.053167,79
-118.255167,34.058167,90
-118.2275,34.053167,79
-118.2345,34.050667,69
-118.231333,34.054333,69
-118.268333,34.036,55
-118.231333,34.054333,69
-118.259167,34.0535,93
-118.231333,34.054333,69
-118.255167,34.058167,90
-118.231667,34.053667,73
-118.2375,34.052833,75
-118.231667,34.053667,73
-118.268333,34.036,55
-118.231667,34.053667,73
-118.259167,34.0535,93
-118.2275,34.053167,79
-118.236,34.052667,71
-118.2275,34.053167,79
-118.2375,34.052833,75
-118.2275,34.053167,79
-118.268333,34.036,55
-118.246167,34.026167,69
-118.231667,34.052833,68
-118.246167,34.026167,69
-118.236167,34.052667,71
-118.246167,34.026167,69
-118.2375,34.052833,75
-118.255167,34.058167,90
-118.223333,34.036833,56
-118.236,34.052667,71
-118.223333,34.036833,56
-118.236167,34.052667,71
-118.259167,34.0535,93
-118.226833,34.053,69
-118.231667,34.052833,68
-118.227667,34.0345,75
-118.236,34.052667,71
-118.236167,34.052667,71
-118.235667,34.0525,74
-118.227667,34.0345,72
-118.231667,34.052833,68
CITY OPERATIONS FALL 2012 Instructor: Alexis Rochas
DS 4A STUDIO
1. The existing city grid and key intersection points of streets
CITY OPERATIONS Welcome to City Limits
2. Reestablishing a city scape that icumpasses an erratic system into a rationalized system by examining the existing city grid.
94
CITY OPERATIONS Welcome to City Limits
95
CITY OPERATIONS FALL 2012 Instructor: Alexis Rochas
DS 4A STUDIO
SAMPLING MAP_HEIGHTFIELD Illustrates levels of densities. The darker shades are the denser area, which means taller towers. The gradient (which is the height of the towers) has a limitation of 0-450 m.
CITY OPERATIONS Welcome to City Limit
96
TOTAL AREA LOS ANGELES/m3 3
47, 192, 110 m
TOTAL AREA /m 3
323, 400, 291 m -118.2275,34.053167,79
97
-118.231333,34.054333,69
-118.2275,34.053167,79 -118.246167,34.026167,69 -118.255167,34.058167,90 -118.259167,34.0535,93 -118.236167,34.052667,71 -118.235667,34.0525,74 -118.235,34.0525,71 -118.235,34.0525,70 -118.2345,34.050667,69 -118.268333,34.036,55 -118.2375,34.052833,75 -118.236,34.052667,71 -118.231667,34.052833,68 -118.233667,34.053167,70 -118.231333,34.054333,69 -118.231667,34.053667,73 -118.2275,34.053167,79 -118.231333,34.054333,69 -118.231667,34.053667,73 -118.2275,34.053167,79 -118.246167,34.026167,69 -118.223333,34.036833,56 -118.226833,34.053,69 -118.235667,34.0525,74 -118.235667,34.0525,74 -118.235,34.0525,71 -118.235,34.0525,70 -118.2345,34.050667,69 -118.255167,34.058167,90 -118.259167,34.0535,93 -118.268333,34.036,55 -118.2375,34.052833,75 -118.236167,34.052667,71 -118.236,34.052667,71 -118.231667,34.052833,68 -118.2275,34.053167,79 -118.231333,34.054333,69 -118.231667,34.053667,73 -118.2275,34.053167,79 -118.246167,34.026167,69 -118.223333,34.036833,56 -118.227667,34.0345,75 -118.227667,34.0345,72 -118.233667,34.053167,70 -118.231333,34.054333,69 -118.231667,34.053667,73 -118.2275,34.053167,79 -118.231333,34.054333,69 -118.231667,34.053667,73 -118.2275,34.053167,79
CITY OPERATIONS Welcome to City Limit
-118.231667,34.053667,73
TOTAL AREA LOS ANGELES/m3 3
47, 192, 110 m
98
TOTAL AREA /m 3
206, 326, 583 m -118.235,34.0525,71
CITY OPERATIONS Welcome to City Limit
-118.235,34.0525,70 -118.2345,34.050667,69 -118.255167,34.058167,90 -118.259167,34.0535,93 -118.268333,34.036,55 -118.246167,34.026167,69 -118.255167,34.058167,90 -118.259167,34.0535,93 -118.236167,34.052667,71 -118.235667,34.0525,74 -118.235,34.0525,71 -118.235,34.0525,70 -118.2345,34.050667,69 -118.268333,34.036,55 -118.2375,34.052833,75 -118.236,34.052667,71 -118.231667,34.052833,68 -118.231333,34.054333,69 -118.231667,34.053667,73 -118.2275,34.053167,79 -118.231333,34.054333,69 -118.231667,34.053667,73 -118.2275,34.053167,79 -118.231333,34.054333,69 -118.231667,34.053667,73 -118.2275,34.053167,79 -118.246167,34.026167,69 -118.223333,34.036833,56 -118.227667,34.0345,75 -118.227667,34.0345,72 -118.226833,34.053,69 -118.235667,34.0525,74 -118.235667,34.0525,74 -118.235,34.0525,71 -118.235,34.0525,70 -118.2345,34.050667,69 -118.255167,34.058167,90 -118.259167,34.0535,93 -118.268333,34.036,55 -118.2375,34.052833,75 -118.236167,34.052667,71 -118.236,34.052667,71 -118.231667,34.052833,68 -118.2275,34.053167,79 -118.236,34.052667,71 -118.231667,34.052833,68 -118.2275,34.053167,79
TOTAL AREA LOS ANGELES/m3 3
47, 192, 110 m
TOTAL AREA /m 3
84, 409, 828 m -118.2275,34.053167,79
99
-118.231333,34.054333,69
-118.2275,34.053167,79 -118.246167,34.026167,69 -118.255167,34.058167,90 -118.259167,34.0535,93 -118.236167,34.052667,71 -118.235667,34.0525,74 -118.235,34.0525,71 -118.235,34.0525,70 -118.2345,34.050667,69 -118.268333,34.036,55 -118.2375,34.052833,75 -118.236,34.052667,71 -118.231667,34.052833,68 -118.233667,34.053167,70 -118.231333,34.054333,69 -118.231667,34.053667,73 -118.2275,34.053167,79 -118.231333,34.054333,69 -118.231667,34.053667,73 -118.2275,34.053167,79 -118.246167,34.026167,69 -118.223333,34.036833,56 -118.226833,34.053,69 -118.235667,34.0525,74 -118.235667,34.0525,74 -118.235,34.0525,71 -118.235,34.0525,70 -118.2345,34.050667,69 -118.255167,34.058167,90 -118.259167,34.0535,93 -118.268333,34.036,55 -118.2375,34.052833,75 -118.236167,34.052667,71
CITY OPERATIONS Welcome to City Limit
-118.231667,34.053667,73
CITY OPERATIONS FALL 2012 Instructor: Alexis Rochas
DS 4A STUDIO
The diagram shows the ever changing skyline from all views in the 17 mile loop around the city skyline. With perspective and scale that shifts and changes from each direction, the towering fortress allows for the place to become the form.
CITY OPERATIONS Welcome to City Limit
100
SECTION A_A
SECTION B_B
CITY OPERATIONS Welcome to City Limit
101
SECTION C_C
SECTION D_D
SECTION E_E
SECTION F_F
SECTION G_G
SECTION H_H
05 4B VERTICAL STUDIO
CITY AS A THRESHOLD BARCELONA, SPAIN The project explores the city void, and establishes the relationship of the city grid, the axis in which it circulates, and embodies the verticality. The city of Barcelona was planned from an agenda to accommodate the necessities of life with pedestrians in mind first, and the circulatory systems of the city to establish a multi functional assembly of travel within the city, waste management, live and work conditions, and reestablishing how people live in the city.
CITY AS A THRESHOLD SPRING 2013 Instructor: Peter Trummer Team: Clifford Ho, Larisa Rus
The project explores the city plan of Barcelona, in particular the redefined plan by Ildefrons cerda, and his proposal to modify the city with ultimate efficiency to accommodate the pedestrian and the transportation system as the basis for a new circulation. This project examines the problems of congestion to reorient the axis to a new vertical vernacular,
the monumental and the void, in turns creates a city as a void.
104
4A VERTICAL STUDIO: PETER TRUMMER
4B VERTICAL STUDIO City as a Threshold
CITY AS A THRESHOLD
ORIGINAL CITY BLOCKS Operations: shift, move, rotate, intersect, remove
4B VERTICAL STUDIO City as a Threshold
105
4B VERTICAL STUDIO City as a Threshold
1.
106 2. 3.
9. 10.
26.
4.
4B VERTICAL STUDIO City as a Threshold
5. 6. 7.
107
16. 17.
32. 41.
CITY AS A THRESHOLD SPRING 2013 Instructor: Peter Trummer Team: Clifford Ho, Larisa Rus
4A VERTICAL STUDIO: PETER TRUMMER
Initial concept diagrams establishing void space. By developing a system of volumetric forms, and establishing an off axis grid, a series of operations and rule sets were implied to perform axial shifts, rotations, and negative space. With a new vertical vernacular, the project takes ideas of void space, framing large openings in a vertical city, which establishes a
4B VERTICAL STUDIO City as a Threshold
network of intertwined circulations that give light to efficiency, experience and overall integration of plan and purpose.
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4B VERTICAL STUDIO City as a Threshold
109
CITY AS A THRESHOLD SPRING 2013 Instructor: Peter Trummer Team: Clifford Ho, Larisa Rus
4A VERTICAL STUDIO: PETER TRUMMER
By examining the Cerda and its arrangement of a central courtyard, creating light and private vs public boundaries, the project inherits the plan and arranges the basis to a new vertical arrangement. Within the main idea of the project being “Cerda� this project takes the Cerda and arranges the plan vertically, in turn the center courtyard becomes
4B VERTICAL STUDIO City as a Threshold
the threshold and the void. The circulation works around the Cerda allowing the pedestrians to have to move through void space to move into the program, so the function works with the purpose of outside/ inside movements. The city within the city, from plane to elevated heights the new city in Barcelona is the threshold to the city.
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4B VERTICAL STUDIO City as a Threshold
111
4B VERTICAL STUDIO City as a Threshold
112
4B VERTICAL STUDIO City as a Threshold
113
4B VERTICAL STUDIO City as a Threshold
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06
4B CON. DOC
SMALL LOT SUBDIVISION CITY OF LOS ANGELES A new project type has emerged in the City of Los Angeles, and elsewhere, spurred on by the need of high quality, small scale, ownership based residential living. In an effort to encourage increased density and ownership, free from the established drawbacks of the condominium model, the city of LA implemented the “Small Lot Subdivision� ordinance in order to provide for this new dwelling model. Each building is a stand-alone structure, and owned fee-simple. I was engaged in the design of a small lot dwelling unit as part of a larger small lot subdivision project.
Instructors: Jay Vanos, Pavel Getov AS 3041- Construction Documents
CONSTRUCTION DOCUMENTS Point View Residence
119
CONSTRUCTION DOCUMENTS Point View Residence
1450 S POINT VIEW ST
120
CONSTRUCTION DOCUMENTS Point View Residence
121
CONSTRUCTION DOCUMENTS Point View Residence
122 Roof 35' - 0"
Level 4 24' - 0"
Level 3 16' - 0"
Level 2 8' - 0"
Level 1 0' - 0"
1
LONGITUDINAL SITE SECTION
1/8" = 1'-0"
CONSTRUCTION DOCUMENTS Point View Residence
123
CMU
26' - 5 3/4" 12' - 11"
10' - 5 1/4"
4' - 3" Division 5
2 A-10
124
A U Panel
Bathroom 8' - 3 1/2"
7' - 11"
BRICK and CMU Panel
2 87 SF
Bedroom 1 104 SF 3 5
A-18
Parking 28' - 9"
4
4
28' - 9"
B
Not Enclosed
17' - 2 7/8"
Foyer 18' - 4 1/2"
CONSTRUCTION DOCUMENTS Point View Residence
1 A11
3 273 SF
C
1
1
Section1
A-10
17 R @ 0' - 6 23/32" UP
D
1
E
2
1
A11
2
3 3' - 0"
8' - 3 1/2"
18' - 2 1/4" 26' - 5 3/4"
2
FIRST FLOOR PLAN
1/4" = 1'-0"
4
2 A-10
Kitchen_elevation2 interior_kitchen_west_elevation
U Panel
A11
- Elevation 5 - a
2 3 Englarged_Kitchen A-23
Copy of Interior Kitchen Kitchen Interior North kitchen_elevation1 1 Elevation 3 2
-
3
B
Englarged_Kitchen A-19 A-23
A-18
-
5' - 0"
9' - 10 7/8"
9' - 10 7/8"
C
1
1
Section1
A-10
D
E
2
1
1
A11
2
FIRST FLOOR PLAN RCP
1/4" = 1'-0"
125
BRICK and CMU Panel
CONSTRUCTION DOCUMENTS Point View Residence
1
4' - 11 1/4"
A
3
4
29' - 1 3/16" 16' - 8"
2 A-10
2
4' - 3"
U Panel
1 A11
BRICK and CMU Panel
- Elevation 5 - a A-23
Copy of Interior Kitchen Interior Kitchen 1 Elevation North 3
-
UP
3 A-19 A-23
Kitchen/Dinning 26' - 6"
-
DN
4
17' - 6 13/32"
A-18
34' - 6 1/2"
676 SF
1 A-10
5' - 6"
C
10' - 9 13/32"
16' - 8"
D Balcony 5 182 SF
E
Division 08 2
1
A11
3
2
16' - 8"
8' - 1 3/4"
18' - 10 15/16" 29' - 1 3/16"
2
SECOND FLOOR PLAN
1/4" = 1'-0"
4
34' - 6 1/2"
B
6' - 0"
CONSTRUCTION DOCUMENTS Point View Residence
interior_kitchen_west_elevation
A
126
29' - 1 3/16"
2 A-10
DN
-
1
A-18
Living/Entertainment 6 676 SF
UP
34' - 6 1/2"
-
1
C
A-10
Open to Below
D
E
2
1
A11
2
4
3
16' - 8" 8' - 1 3/4"
18' - 10 15/16" 29' - 1 3/16"
1
THIRD FLOOR PLAN
1/4" = 1'-0"
127
BRICK and CMU Panel
-
34' - 6 1/2"
22' - 0 1/4"
3
B
U Panel
4' - 3"
1 A11
CONSTRUCTION DOCUMENTS Point View Residence
Elevation 3 - a
A
29' - 1 3/16" 13' - 7"
12' - 11 3/16" 2' - 0"
2 A-10
-
18' - 0"
A11
-
4' - 3"
BRICK and CMU Panel
A-19
Master Bedroom
3
B
U Panel
2 Elevation 4 - a
9' - 2 1/2"
CONSTRUCTION DOCUMENTS Point View Residence
1
Elevation 3 - a
A
128
7
A-18
469 SF
DN
1
16' - 1 15/16"
C
A-10
D
E
2
1
A11
3
2
4 8' - 1 3/4"
16' - 4 27/32"
9' - 2" 29' - 1 3/16"
2
FOURTH FLOOR PLAN
1/4" = 1'-0"
34' - 4"
12' - 0 3/4"
34' - 1 15/16"
-
29' - 1 3/16"
2 1 A-10
A U Panel
1
CONSTRUCTION DOCUMENTS Point View Residence
17' - 8"
3
B
1
A-18
34' - 0"
-
1
C
A-10
D
E
2
1
A11
129
BRICK and CMU Panel
A11
2
3
4
10' - 2 1/4"
18' - 10 15/16"
29' - 1 3/16"
1
ROOF PLAN
1/4" = 1'-0"
1
2
4
3
2
2
A11
A-10 1 A11
9' - 2 31/32"
Roof 35' - 6"
11' - 6"
Level 4 25' - 6"
35' - 6 1/4"
CONSTRUCTION DOCUMENTS Point View Residence
130
Level 3 17' - 6"
Second Floor 9' - 6"
First Floor 0' - 0" Foundation -1' - 3"
2
SOUTH ELEVATION
1/4" = 1'-0"
C
3
1
A-18
A-10
D
E
Roof 35' - 6"
35' - 6 1/4"
Level 4 25' - 6"
Level 3 17' - 6"
Second Floor 9' - 6"
First Floor 0' - 0" Foundation -1' - 3"
1
WEST ELEVATION
1/4" = 1'-0"
131 CONSTRUCTION DOCUMENTS Point View Residence
B
A
1
2
3
4
2 A-10 2
1
A11
A11
1 A3.3.3
132
Roof 35' - 6" U Panel
CONSTRUCTION DOCUMENTS Point View Residence
BRICK and CMU Panel
Level 4 25' - 6"
---
Level 3 17' - 6"
1 A3.3.2
1 A3.3.1
2
SECTION A
1/4" = 1'-0"
Second Floor 9' - 6"
First Floor 0' - 0" Foundation -1' - 3"
1
3 A-18
A
A-10
B
C
D
E
Roof 35' - 6" U Panel
133 CONSTRUCTION DOCUMENTS Point View Residence
BRICK and CMU Panel
Level 4 25' - 6"
Level 3 17' - 6" ---
Second Floor 9' - 6"
First Floor 0' - 0" Foundation -1' - 3"
1
SECTION B
1/4" = 1'-0"
1
2
3
4
2 1 Section2 A-10 2
1
A11
A11
Roof 35' - 6"
134
U Panel
CONSTRUCTION DOCUMENTS Point View Residence
BRICK and CMU Panel
Level 4 25' - 6"
Level 3 17' - 6"
---
Second Floor 9' - 6"
---
3
SECTION C
1/4" = 1'-0"
First Floor 0' - 0" Foundation -1' - 3"
1
4
Roof 35' - 6"
Roof 35' - 6"
1 A3.3.3
2 A11 U Panel
135
Level 4 25' - 6"
Level 4 25' - 6"
2 A3.3.2
Level 3 17' - 6"
Second Floor 9' - 6"
Level 3 17' - 6"
Second Floor 9' - 6"
1 A3.3.2
2 A3.3.1
First Floor 0' - 0" Foundation -1' - 3"
SECTION (A) 2 WALL 3/8" = 1'-0"
First Floor 0' - 0" Foundation -1' - 3"
SECTION (B) 1 WALL 3/8" = 1'-0"
1 A3.3.1
CONSTRUCTION DOCUMENTS Point View Residence
BRICK and CMU Panel
D
E
E
Roof 35' - 6"
Level 4 25' - 6"
CONSTRUCTION DOCUMENTS Point View Residence
136
U Panel BRICK and CMU Panel
Level 4 25' - 6"
Level 3 17' - 6"
UP BALCONY 5 BLOWN 1" = 1'-0"
Second Floor 9' - 6"
First Floor 0' - 0" Foundation -1' - 3"
SECTION (D) 4 WALL 3/8" = 1'-0"
A
1
Roof 35' - 6"
4
Roof 35' - 6"
Roof 35' - 6"
2 A11
U Panel
Level 4 25' - 6"
Level 4 25' - 6"
Level 4 25' - 6"
Level 3 17' - 6"
Level 3 17' - 6"
Level 3 17' - 6"
Second Floor 9' - 6"
Second Floor 9' - 6"
First Floor 0' - 0" Foundation -1' - 3"
First Floor 0' - 0" Foundation -1' - 3"
Second Floor 9' - 6"
First Floor 0' - 0" Foundation -1' - 3"
SECTION (C) 3 WALL 3/8" = 1'-0"
SECTION (E) 2 WALL 3/8" = 1'-0"
1
1 A3.3.2
1 A3.3.1
WALL SECTION (F) 3/8" = 1'-0"
137 CONSTRUCTION DOCUMENTS Point View Residence
BRICK and CMU Panel
TYPICAL WALL AIR SPACE BRICK VENEER
TYPICAL WALL CMU
TYPICAL WALL AIR SPACE BRICK VENEER
TYPICAL WALL CMU
FLUID APPLIED FLASHING AND JOINT COMPOUND, AFTER WB (FILLET BEAD, 1/2" ONTO EACH SURFACE) FLUID APPLIED FLASHING AND JOINT COMPOUND, AFTER WB (FILLET BEAD, 1/2" ONTO EACH
BRICK TIE
DUCT PENETRATION SURFACE)
THRU-WALL FLASHING WITH 1/4" DRIP EDGE BRICK TIE
138
DUCT PENETRATION
CONSTRUCTION DOCUMENTS Point View Residence
THRU-WALL FLASHING FLUID APPLIED WB WITH 1/4" DRIP EDGE (2" MIN. OVER THRU-WALL FLASHING AND FASTENERS)
FLUID APPLIED FLASHING AND JOINT COMPOUND, BEFORE WB (FILLET BEAD, 1/2" ONTO EACH FLUID APPLIED FLASHING AND SURFACE)
FLUID APPLIED WB
(2" MIN. OVER SYSTEM THRU-WALL SEALANT FLUID APPLIED
FLASHING AND FASTENERS)
JOINT COMPOUND, BEFORE WB (FILLET BEAD, 1/2" ONTO EACH SURFACE)
SEALANT FLUID APPLIED SYSTEM
MECHANICAL FASTENER
4" MIN.
PIPE PENETRATION MECHANICAL FASTENER DAMP PROOFING
4" MIN.
PIPE PENETRATION DAMP PROOFING
TYPICAL WALL CMU
TYPICAL WALL AIR SPACE TYPICAL WALL BRICK VENEER
TYPICAL WALL CMU
AIR SPACE BRICK VENEER
BRICK TIE
FLUID APPLIED FLASHING AND JOINT FLUIDCOMPOUND APPLIED FLASHING AND (FILLET 1/2" ONTO EACH JOINT BEAD, COMPOUND SURFACE) (FILLET BEAD, 1/2" ONTO EACH
BRICK FLUID APPLIED WBTIE PRE-TREAT OR POST-TREAT FLUID APPLIED WB BRICK TIE PRE-TREAT OR POST-TREAT BRICK TIE
SURFACE)
SEALANT FLUID APPLIED SYSTEM
SEALANT FLUID APPLIED SYSTEM
MECHANICAL FASTENER
MECHANICAL FASTENER
PENETRATION
FLUID APPLIED WB FLUID APPLIED WB (2" MIN. OVER THRU-WALL (2" MIN. OVER THRU-WALL FLASHING AND FASTENERS) FLASHING AND FASTENERS)
PENETRATION
SEALANT SEALANT BYBY OTHERS OTHERS
THRU-WALL THRU-WALL FLASHING FLASHING WITH 1/4" DRIP EDGE WITH 1/4" DRIP EDGE DAMP PROOFING DAMP PROOFING
1
1
CMU BASE OF WALL DETAIL
2
3" = 1'-0"
CMU BASE OF WALL DETAIL 3" = 1'-0"
FLUIDAPPLIED APPLIEDWEB WEB FLUID OVERLAPPEDONTO ONTO PENETRATION PENETRATION OVERLAPPED
2
CMU PENETRATION WALL DETAIL 3" = 1'-0"
CMU PENETRATION WALL DETAIL 3" = 1'-0"
TYPICAL WALL AIR SPACE BRICK VENEER TYPICAL WALL AIR SPACE BRICK VENEER
CMU
FLUID APPLIED WB (2" MIN. OVER THRU-WALL FLASHING AND FASTENERS)
CMU
FLUID APPLIED WB (2" MIN. OVER THRU-WALL FLASHING AND FASTENERS)
NICHIHA STARTER TRACK
NICHIHA STARTER TRACK
NICHIHA CLIP MAX. 16" O.C. VERTICAL SPACING
MECHANICAL FASTENER
139
NICHIHA CLIP MAX. (18 16" GA.) O.C. OR PT METAL
THRU-WALL FLASHING WITH 1/4" DRIP EDGE MECHANICAL FASTENER
4" MIN.
FURRING METAL (18 GA.) OR PTCHANNEL
THRU-WALL FLASHING WITH DRIP EDGE FLUID1/4" APPLIED FLASHING AND
WOOD NICHIHA PANEL FURRING CHANNEL
JOINT COMPOUND (TRANSITION TREATMENT, 1" MIN, ONTO EACH FLUID APPLIED FLASHING AND SURFACE)
CONSTRUCTION DOCUMENTS Point View Residence
4" MIN.
VERTICAL SPACING WOOD
FIRST CLIP WITHIN 6" OF
STARTER TRACK NICHIHA PANEL FIRST CLIP WITHIN 6" OF
JOINT COMPOUND (TRANSITION TREATMENT, 1" MIN, ONTO EACH TYPICAL WALL SURFACE)
STARTER TRACK
AIR SPACE BRICK VENEER
1/4" CLEARANCE FROM EDGE
TYPICAL WALL AIR SPACE BRICK VENEER
OF PANEL TO FLASHING
1/4" CLEARANCE FROM EDGE OF PANEL TO FLASHING
NICHIHA STARTER TRACK NICHIHA STARTER TRACK
SEALANT FLUID APPLIED SYSTEM
FLASHING BY OTHERS
SEALANT FLUID APPLIED SYSTEM
FLASHING BY OTHERS
MECHANICAL FASTENER MECHANICAL FASTENER
FACE FASTENER
FLUID APPLIED WB
FACE FASTENER
FLUID APPLIED (2" MIN. OVERWB THRU-WALL (2" MIN. OVER THRU-WALL FLASHING AND FASTENERS) FLASHING AND FASTENERS)
NICHIHA SPACER
NICHIHA SPACER
THRU-WALLFLASHING FLASHING THRU-WALL WITH1/4" 1/4"DRIP DRIPEDGE EDGE WITH FLUIDAPPLIED APPLIEDFLASHING FLASHING AND FLUID AND JOINTCOMPOUND COMPOUND (TRANSITION JOINT (TRANSITION TREATMENT, ONTO EACH TREATMENT,1" 1"MIN, MIN, ONTO EACH SURFACE) SURFACE)
3
3
CMU CANTILIVERED WALL DETAIL 3" = 1'-0"
CMU CANTILIVERED WALL DETAIL 3" = 1'-0"
OPTIONAL WEATHER OPTIONAL WEATHER RESISTANT RESISTANT BARRIER BASED ON BASED ON BARRIER LOCAL BUILDING BUILDING CODES LOCALCODES
4
CMU PANEL WALL DETAIL 3" = 1'-0"
4
CMU PANEL WALL DETAIL 3" = 1'-0"
METAL COPING WEATHER RESISTANT BARRIER
COPING FASTENER THROUGH PRE-DRILLED HOLE, NO SEALANT BETWEEN NICHIHA PANEL AND COPING
TOP OF PANEL
140
NICHIHA SPACER
DETAIL NICHIHA CLIP MAX. 16" O.C.
CONSTRUCTION DOCUMENTS Point View Residence
VERTICAL SPACING
NICHIHA PANEL
METAL FURRING CHANNEL
FASTENER APPLIED TO HORIZONTAL CHANNEL
CUT EDGE CMU
SUPPORT CLIP DETAIL
FLASHING BY OTHERS
NICHIHA SPACER
ORIENT HORIZONTAL CHANNELS FOR WATER DRAINAGE AWAY FROM STRUCTURE
4
TYP ROOF WALL DETAIL 3" = 1'-0"
CMU
NICHIHA SINGLE FLANGE SEALANT BACKER
CMU
NICHIHA CLIP 12"-16" O.C.
141
SEALANT
VERTICALLY SPACED
NICHIHA PANEL
RESISTANT BARRIER BASED ON LOCAL BUILDING CODES
OPTIONAL WEATHER
FASTEN INTO PRE-DRILLED
RESISTANT BARRIER BASED
HOLE MIN. 1" FROM EDGE
ON LOCAL BUILDING CODES
HORIZONTAL METAL FURRING CHANNEL SHEATHING
NICHIHA PANEL
NICHIHA SPACER
1 FACE FASTENER
INSIDE CORNER DETAIL 3" = 1'-0"
CMU
1/4" CLEARANCE FROM EDGE OF PANEL TO FLASHING
FLASHING BY OTHERS
NICHIHA SINGLE FLANGE NICHIHA CLIP MAX. 16" O.C.
SEALANT BACKER
VERTICAL SPACING, TWO FASTENERS PER CLIP
SEALANT
NICHIHA PANEL FACE FASTENER MAX. 16" O.C. VERTICALLY
NICHIHA RECOMMENDS WEATHER RESISTANT BARRIER (BASED ON
METAL FURRING CHANNEL
LOCAL BUILDING CODES)
3
WINDOW HEADER DETAIL 3" = 1'-0"
2
DOOR JAMB DETAIL 3" = 1'-0"
CONSTRUCTION DOCUMENTS Point View Residence
OPTIONAL WEATHER
2 1 A-10
15' - 6 13/16"
A 2 Kitchen_elevation2 interior_kitchen_west_elevation
2
A11
-
1
2
A11
A-10
---
1 A11 - Elevation 5 - a
2 3 Englarged_Kitchen A-23
1 3 2
3 1
142
A-18
Englarged_Kitchen A-19 A-23
B
Second Floor 9' - 6"
CONSTRUCTION DOCUMENTS Point View Residence
Kitchen/Dinning 4
-
676 SF
1
7
2 A11
2
KITCHEN PLAN 3/8" = 1'-0"
6
KITCHEN SECTION
4
KITCHEN 3D VIEW
3/8" = 1'-0"
26' - 3 1/2" 14' - 0"
C
B
Second Floor 9' - 6"
5
KITCHEN ELEVATION 3/8" = 1'-0"
3/8" = 1'-0"
B
Level 4 25' - 6"
3 -
143 CONSTRUCTION DOCUMENTS Point View Residence
---
Level 4 25' - 6"
3
MASTER BATCHROOM ELEVATION 3/8" = 1'-0"
4' - 3"
Elevation 3 - a Master_Bathroom_Elevation1
13' - 7"
9' - 5"
Elevation 4 - a 2 Master_Bathroom_Elevation2 3
2- Master_Bath -
Master_Bath A-19
B
3
BATHROOM 2 MASTER 3/8" = 1'-0"
4
1
MASTER BATCHROOM 3D VIEW 3/8" = 1'-0"
Foyer 3 14' - 0"
273 SF
stair_plans 6
C
1st_floor_stair
17 R @ 0' - 6 23/32"
UP
CONSTRUCTION DOCUMENTS Point View Residence
144
D 6' - 7"
3
1
FIRST FLOOR STAIR PLAN 3/8" = 1'-0"
3
First Floor 0' - 0"
4
FIRST FLOOR STAIR ELEVATION 3/8" = 1'-0"
5 2nd_floor_stair UP stair_plans
B
UP
8' - 7 3/4"
stair_plans 4
3rd_floor_stair_elevation
6' - 9 3/4"
A
Kitchen/Dinning 4
DN
676 SF
CONSTRUCTION DOCUMENTS Point View Residence
145 9' - 9 9/32"
8' - 8 1/2"
3
C
3
3
2
THIRD FLOOR STAIR PLAN 3/8" = 1'-0"
4
SECOND FLOOR STAIR DETAIL 3/8" = 1'-0"
B
3
Level 4 25' - 6"
Second Floor 9' - 6"
5
SECOND FLOOR STAIR ELEVATION 3/8" = 1'-0"
Level 3 17' - 6"
6
THIRD FLOOR STAIR ELEVATION 3/8" = 1'-0"
CONSTRUCTION DOCUMENTS Point View Residence
146
2 3D SECTIONAL VIEW
NTS
CONSTRUCTION DOCUMENTS Point View Residence
147
1 3D SECTIONAL VIEW NTS