Erik M Larson, AIA | Portfolio by larsonerikm

Erik M. Larson, AIA resume + work sample | 2016–present

additional projects provided upon request

building lobby ceiling wrap detail project: Wells Fargo Center

social stair + furniture detail project: PacWest Center

Table of Contents

built-in planter and bench detail project: Exchange Block

Jungle Bungalow

an Overgrown Home

Eastbound

Illustrating Architecture

Resume, About Erik

The house under construction: workers prepare for the pour of the entry floor level slab while showcasing the house’s view of the Pacific Ocean

Jungle Bungalow

Ground-Up Construction, residential Troncones, MEX | 2022 - ongoing $340,000 USD; 2,250 SF My best friend's parents are retiring in Mexico. As both a general contractor and Grateful Dead fan, her dad spent a month driving solo across the country to scout where to spend their golden years. He found Troncones, Guerrero: a quiet town of locals and expats who love to surf, cook, and dance together in their oceanside community. Once they'd purchased the land they called me and asked me to site, layout, and detail their dream home before we'd pass it to a local Mexican architect for translation and administration. They'd manage its construction. It was the very reason I'd wanted to become an architect: the chance to work with people I love tailoring a space that reflected their dreams and desires. The house is on track to complete construction in the spring. — role: design architect programming, concepting, schematic design, design development, detailing

programmatic adjacencies

site, sloped towards view

= layout & massing

seasonality of home’s use

AD RO S CES AC

PROGRAMMING AND CONCEPTUAL PROCESS The layout of the home was the result of synthesizing spatial adjacency requirements and its double-story program with the sloped nature of the site.

D direct access

implied using views

VEL

Programmtic Diagram (above) After we roughed out the program area of each space, the footprint of every room was arranged according to whether literal or suggested connections are needed between one another.

LE EST

A ON S A SE

Conceptual Site Massing (right) Next, the interconnected program is shaped to the site. Views out to the Pacific Ocean are tantamount, as are shading from sun, storms, and road noise.

A B C D E F G H I J M 6

FLEX LIVING SPACE OFFICE DINING AREA BATHROOM KITCHEN PRIMARY BEDROOM COVERED “OCEAN” PATIO GUEST BEDROOM BUNK ROOM COVERED “JUNGLE” PATIO POOL + SUNNING DECK

GUEST BATH

D I H GUEST BEDROOMS

Jungle Bungalow

path of sun

O R-R YEA

IVIN

L ND

D F

FLEX LIVING, DINING, KITCHEN

MAIN BATH

PRIMARY BEDROOM

OFFICE

d e pe gl lo n ve e ju de rv un ese pr 7

PROGRAMMING AND CONCEPTUAL WORK The project was unique in its hyper-locality: a thick jungle landscape, bare-bones utilities (electricity but no plumbing or sewer), and construction methods that capitalized on the ingenuity of labor in the absence of affordable lumber. The house was essentially cast-in-place among the jungle. The concrete frame is infilled with bricks that are dug out as clay, shaped, and fired just miles up the road from the project. It was a lot of fun to learn from the workers and adjust my design to the parameters of the site and its implications on the house's form. The clients and I settled on a design that embraced the steep slope: an oversized traditional thatch roof to shelter from both road noise and tropical sun and storms and a two-story program that gestures towards their view of the Pacific Ocean.

The Jungle Bungalow under construction with its tectonics on display: a site-cast concrete frame with adobe brick infill.

Process Site Section (looking south) The design process was iterative and interactive: every week the clients and I sat at their kitchen table and critiqued while I sketched and modeled their feedback in real time. The exaggerated hipped roof is both formal and functional. Stormwater runoff, views, natural ventilation, and acoustics all played a role in shaping the extremely contextual material that contrasts with the solidity of the house's concrete. The lower level program carves into the building's stone site wall for year-round temperature control for visitors.

Hil org

Jungle Bungalow

ll becomes brick: the workers dig out clay soil, blend it with local ganic material, and shape bricks for firing in a kiln created on site.

The home's cistern awaiting installation in the jungle on-site and appearing to be a forgotten relic reclaimed by the wilderness.

Wall Section The tropical, temperate, and ocean-side location of the house means the elements are an inevitable guest rather than an unwelcome intruder. Modern insulation and barriers, mechanical conditioning— even glass in the window panes—are eschewed for their cost and logistical unavailability. Instead, traditional and contextual methods shade, shield, and regulate the home's thermal comfort. It was a process of "unlearning" some of my contemporary architectural detailing experience.

02_T.O. WALL +7’-10”

THATCH COATWORK, MIN. 20” DISTANCE FROM FIXING TO THE OUTSIDE OF THATCH; ANCHORED TO OPEN FRAMING GRID FASCIA BOARD

CONCRETE SLAB W/ 1/2” ISOLATION JOINT. CERAMIC TILE ATTACHED W/ EPOXY GROUT AND EPOXY MORTAR BOND COAT 01_GROUND FLOOR +0’-2”

WATERPROOFING MASONRY PAINT ADOBE BRICK INFILL CONCRETE SKIM COAT FINISH CONCRETE HEADER

WOOD TRIM, TYP. PAINTED PER SCHEDULE

DOOR, WINDOWS PER SCHEDULE

CONCRETE SILL BACKFILL SLOPED AWAY FROM FOUNDATION UNDISTURBED SOIL

00_GUEST FLOOR -7’-10” GEOFABRIC WRAPPING FOUNDATION DRAIN FREE-DRAINING AGGREGATE BASE

Jungle Bungalow

Exploded Isometric The final design aims to plant the house into its site. Neither of nature nor apart from it, the house is a concrete and thatch celebration of construction ingenuity, a siterestrained material palette, and a home I'll visit and continue to grow alongside. 11

F 2

Entry Floor (upper)

A B C D E F G

FLEX LIVING SPACE OFFICE DINING AREA BATHROOM KITCHEN PRIMARY BEDROOM COVERED “OCEAN” PATIO

H I J K L M

GUEST BEDROOM BUNK ROOM COVERED “JUNGLE” PATIO OUTDOOR SHOWER PUMP + HEATER HOUSE POOL + SUNNING DECK

Jungle Bungalow The entry floor is intended as a standalone unit for year-round living and, eventually, aging-in-place. In plan the diagram is simple: offices and the primary bed and bathroom have access to sunlight all day while shielding the main volume of the house from southern solar gain. Windows are strategically located for views to the landscape and ocean sunset from bed while remaining private from group gathering areas like the outdoor patio. Those spaces are a simple porous linear arrangement to again maximize views, ventilation, and flexibility of the room while interacting with the large covered outdoor space. Storage was strategic in the tight footprint and accommodates hobby and construction equipment. The lower level is intended to function as extra space, accessible down the outdoor stairs, to be opened or shuttered for guests as required. Private and bunk rooms share another full bath which, in the name of economy are styled as "wet rooms" that can be easily cleaned. The lower outdoor patio is meant as both extra gathering space between guests outside of their rooms as well as servicing the pool with an outdoor shower among the planted column supports. The pool was a must-have and completes the cabana experience with daily swimming among their own private jungle. Ground Floor (lower)

H 2

K M

ground floor volume

planted volume in situ

iterative massing models explore scale and volume

second floor volume

third floor volume

an Overgrown Home

Ground-Up Construction, residential Portland, OR | 2020 - 2021 2,250 SF A young family of four was interested in reinterpreting the conventional logic of a garden remaining on a home's ground floor. Through their willingness to stack program into distinct yet interrelated volumes of bedrooms and living spaces, we took advantage of Portland's recent up-zoning to maximize outdoor space within the massing. The result was a spectrum of intimate sunken living rooms to double-height gathering areas, with each floor able to access their own garden atop the previous level's roof through an oversized pivot door that punched through the cube form. Although pandemic uncertainty led to the indefinite pausing of the project, the design was an exercise in breaking down traditional orientations of indoor, outdoor, and the way a home engages in both. — role: project designer programming, concepting, schematic design, design development

Massing Diagram The home's massing is ordered by privacy in plan and material in elevation. The home rises into seclusion to gain views and private outdoor areas as the width of the scalloped precast widens to express each volume.

PRIMARY LEVEL

GUEST LEVEL

HOSTING LEVEL

an Overgrown Home

Renderings The identity of each massing volume is unified in appearance through material similarity yet distinct through the increasing scale of the pattern. The extrusion is interrupted by punched openings that correspond to programmatic privacy and access requirements. The warm interior lighting and materials glow with the family's activity.

Longitudinal Section While upper living levels in a single-family residence are typically limited to plants contained within a small balcony or potted plants, the design brought the outdoors upward with thickened floor plates that bring greenery and seasonality to each family member's bedroom. The plants also screen private spaces while offering views out as desired.

third floor

second floor

ground floor

an Overgrown Home

opposite: The ground floor of the home is the most programmatically diverse. We therefore wanted the plan to reflect that experientially for the residents. Entrances are through oversized pivot doors that puncture the building shell in formal synonym with the large square windows. The act of hosting, whether in the manner of dining, chatting, or gathering together, was a foremost priority for them so the ground floor is arranged as a spectrum of intimacy and light levels. The second and third floor become more private as you ascend, contrasted by the views gained across the Albina neighborhood. Two children's bedrooms and an extra sleeping space for guests share a bath on the second level while the highest floor is a true primary suite: a full bath, walk-in closet, and a variety of spaces to retreat to, indoors and out.

left: The double-height entertainment and gathering space focuses inward while still being bathed in natural light. Soft materials (eggshell white walls and wood paneling) in the home's tallest space are timeless and allow the couple's art collection and impressive amount of indoor plants to remain the central talking point. below: A view of the kitchen and dining space with the living space, entry hall, and second floor landing visible beyond. While lower, the kitchen's ceiling height is still generous and has views to the garden space behind the view.

precast shell

build in se

columns in landscape

mod faca superstructure

building in situ

simp in wa

ding grid ection

Eastbound

Ground-Up Construction, class-A office Austin, TX | 2018 - 2020 230,000 SF

”

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13’-0” R.O.

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14’-0” HEIGHT

The continued tech boom of Austin and its adjacent industries have created a modern gold rush for the creative city, encouraging growth on greenfield sites such as our project location. Originally zoned for factory and industrial, the creative complex design found inspiration in the low-slung warehouse aesthetic of the area which offered a compact and affordable construction method. Warmcolored precast concrete with exposed aggregate and cedar soffiting added a southwestern warmth to the exterior and the site's landscaping met the facade with playful diagonal columns as the interface between architectural and organic. My role included the modeling, documentation, and visualization of the project as well as continued efforts of coordination between the owner, contractor, engineers, and the executive architect. ”

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13’-0” R.O.

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R.O . 6” 2’-

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9’-0” R.O.

14’-0” HEIGHT

concept, schematic design, design development, design detailing, administration of construction with OAC + AOR ”

13’-0” R.O.

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18’-0” HEIGHT

13’-0” R.O.

6”

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role: project designer

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ple punches wall plane

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18’-0” HEIGHT

2’

Completed Project Photos

Eastbound

Project Information The design consisted of two masses, each with three levels constructed on a previously-unbuilt site in east Austin. The creative office desire for industrial sites melded well with the context of the area. Concrete was a great choice that, being precast, offered cost-effective patterning across the facade. Modern amenities on the ground floor include a gym, tenant lounge, gathering spaces, and bike parking. Each office gains their own private outdoor space in the form of recessed covered decks punched into the gridded facade in addition to the campus's ground-level paseo and dual rooftop terraces. The warm exterior tones of concrete, glazing, and mullions continue within the building's industrial palette of oiled metal, polished concrete, leather, and wood cladding and built-ins. A generous parking garage spans both office volumes, livened with a local artist's mural across its vertical stair and elevator core. The project is intended to improve with age, weathering in the Austin sun while the landscape continues to grow ever closer to meeting the building's carefully-detailed exterior. 23

10"

CTION WALL WALL WT-1C TYPE TYPE SECTION WALL TYPE WT-1C WT-1C SECTION WT-1C 3 SECTION SCALE: 3/4" = 1'-0"

LEVEL LEVEL 04 04 504'504' - 2"- 2"

REF: 1 / A05.303

10"

3 ________ A05.303

1' - 8" 2' - 9" 18' - 7" WT-1C PANEL HEIGHT

GENERAL NOTES

AD 4 1/2"

5 3/4" 5 3/4" 4 1/2" 4 1/2"

INTERIOR FINISH BACK OF MULLION

5 3/4"

FACE FACE OFOF GLASS GLASS (SF-2A) (SF-2A)

1' - 1" 1' - 1"

FACE OF GLASS (SF-2A)

1' - 1"

4 1/2" /

A6 A6

INTERIOR INTERIOR FINISH FINISH

7 1/2" 1/2"

REF:

7' - 0" TRANSOM

9' - 9" SF-2A OPENING HEIGHT

SCALE: 3/4" = 1'-0"

BACK BACK OFOF MULLION MULLION

5 3/4"

BACK OF MULLION

1' - 1"

\\gensler.ad\projects\RevitUserModels\27854\3232 East Cesar Chavez_ARCH_R19_Jeff_Schranghamer.rvt

AD AD

INTERIOR FINISH

________ ________ 1 A05.401

ONOMETRIC WALL WALLTYPE TYPE AXONOMETRIC AXONOMETRIC WALL WT-1C TYPE AXONOMETRIC VIEW VIEWWT-1C WT-1C VIEW WT-1C 4VIEW

43:47 PM

3 3 ________ ________ A05.303 A05.303

10"

1" 1" 10" 10" 1' - 8" 1' - 8" 2' - 9" 2' - 9" 18' - 7" WT-1C PANEL HEIGHT 18' - 7" WT-1C PANEL HEIGHT

9' - 9" SF-2A OPENING HEIGHT 9' - 9" SF-2A OPENING HEIGHT

3/4"3/4" = 1'-0" = 1'-0" 1SCALE: REF: SCALE: / A05.303

1 /1A05.303 =/1'-0" A05.303 SCALE: REF: REF:3/4"

FACE OF GLASS (SF-2A)

3 ________ A05.303

WALL TYPE ELEVATION WALLTYPE WT-1C TYPE ELEVATION WALL TYPE WT-1C WT-1C ELEVATION WT-1C 11 WALL 1 ELEVATION

3 ________ A05.303

LEVEL 04 504' - 2"

HEET EET NOTES NOTES unrolled SHEET NOTES elevation

3 3 ________ ________ A05.303 A05.303

10" 10"

10" 18' - 7" WT-1C PANEL HEIGHT

2 1/2"

1' - 8" 1' - 8"

LEVEL 04 504' - 2"

SCALE:

3 ________ A05.303

1' - 8"

________ ________ 1 A05.402

SCALE: SCALE:

10"

3 A05.406

7' - 0" TRANSOM 7' - 0" TRANSOM

PRECAST CONC. PANEL PC-1

3 3 A05.406 A05.406

1' - 8" 1' - 8"

PRECAST PRECAST CONC. CONC. PANEL PANEL PC-1 PC-1

3 A05.406

SF-2A

10" 10"

PRECAST CONC. PANEL PC-1

= 1'-0" = 1'-0" SCALE: SCALE:3/4"3/4"

1" 10" 1' - 8" 2' - 9"

C.I.P. CONCRETE SLAB PER STRUCT. ENG.

7' - 0" TRANSOM

STOREFRONT MTL-1

C.I.P. CONCRETE SLAB C.I.P. CONCRETE SLAB PER STRUCT. ENG. PER STRUCT. ENG.

9' - 9" SF-2A OPENING HEIGHT

GL-1

C.I.P. CONCRETE SLAB PER STRUCT. ENG.

________ ________ ________ ________ 1 1 A05.402 A05.402

OFFICE A-400

1' - 8"

18' - 7" WT-1C PANEL HEIGHT

ROOF 519' - 2"

OFFICE OFFICE A-400 A-400

GYP. INTERIOR FINISH ON 6" STUD FRAMING, BATT INSUL.

________ ________ 1 A05.402

ROOF ROOF 519'519' - 2"- 2"

10"

10" 1" 10"

2' - 9" 7' - 0" TRANSOM

OFFICE A-400

STOREFRONT SF-2A SF-2A STOREFRONT MTL-1 MTL-1

SF-2A

STOREFRONT MTL-1

ROOF 519' - 2"

2 A05.406

1' - 8"

7' - 0" TRANSOM 7' - 0" TRANSOM

9' - 9" SF-2A OPENING HEIGHT 9' - 9" SF-2A OPENING HEIGHT

GL-1 GL-1

T.O PARAPET 522' - 9"

GL-1

GYP. INTERIOR FINISH GYP. INTERIOR FINISH ONON 6" 6" STUD FRAMING, BATT INSUL. STUD FRAMING, BATT INSUL.

GYP. INTERIOR FINISH ON 6" STUD FRAMING, BATT INSUL.

T.OT.O PARAPET PARAPET 522'522' - 9"- 9"

A6 A6

1 A05.406

2 2 A05.406 A05.406

9' - 9" SF-2A OPENING HEIGHT

2' - 9" 2' - 9" 18' - 7" WT-1C PANEL HEIGHT 18' - 7" WT-1C PANEL HEIGHT

GL-1 GL-1

2 A05.406

T.O PARAPET 522' - 9"

________ ________ 3 A05.402

1 1 A05.406 A05.406

GL-1

2 1/2"

1' - 8"

________ ________ ________ ________ 3 3 A05.402 A05.402

1 A05.406

GL-1

2 1/2"

10" 1" 10" 10" 1" 10" 2 1/2" 2 1/2" 2 1/2" 2 1/2" 1' - 8" 1' - 8"

________ ________ 3 A05.402

AD AD

10 15/16"

10 15/16" 10 15/16"

10" 10" 2 1/2" 2 1/2"

2' - 9"

7' - 0" TRANSOM

Detail Documentation If it appears repetitive at first glance, the facade in fact included many, many different conditions and intersections that needed in-depth representation and problem solving. The precast exterior panels were attached to the building's superstructure through an anchoring system that also broke the thermal bridging in the Texas climate. Construction joints and gapping were strategically implemented to create depth and shadow lines across the building facade.

10"

________ ________ ________ ________ 1 1 A05.401 A05.401

1 1/4"

1' - 8"

1/2"1/2"

SF-2A ________ ________ 1 A05.401 7 1/2" 7 1/2" EQ

10"10"

1 1/4" 1 1/4" 7 1/2" 1' -1'8"- 8" 1/2"

WALL TYPE PLAN_WT-1C WALLTYPE TYPE PLAN_WT-1C WALL TYPE PLAN_WT-1C 22 WALL 2 PLAN_WT-1C SCALE: REF: REF:3/4"/ =/1'-0"

3/4"3/4" = 1'-0" = 1'-0" REF: SCALE: SCALE: /

GENERAL GENERALNOTES NOTES GENERAL NOTES

SCALE: 3/4" = 1'-0"

6 A05.406

SF-2A SF-2A

EQ EQEQ

1 1/4"

SF-2A

4 6 6 A05.406 A05.406 A05.406

EQ EQEQ

9' - 11" SF-2A OPENING 1' - 8" WIDTH 10"

1' -OPENING 8" 9' -9'11" - 11" SF-2A SF-2A OPENING OPENING WIDTH WIDTH 9' - 11" SF-2A

15' - 0" WT-1 TYP PANEL WIDTH

15'15' - 0"- WT-1 0" WT-1 TYP TYP PANEL PANEL WIDTH WIDTH 15' - 0" WT-1 TYP PANE

Built Photographs The constructed result of the detailing. At major entrances and interior amenities a lively colonnade of canted columns rise up from the ground to meld the building grid with the landscape that supports it. Generous glazing, floor-to-floor height, amenities, and softened edges prioritize the experience of the project's users.

T.O PARAPET 522' - 9"

T.OT.O PARAPET PARAPET 522'522' - 9"- 9"

Eastbound

The Kor Group The The/ Kor KorGroup Group The Kor / / Group / Lincoln Property Lincoln LincolnProperty Property Lincoln Property Company Company CompanyCompany

T.O PARAPET 522' - 9"

3232 E CESAR CHAVEZ STREET 3232 3232 AUSTIN, E ECESAR CESARCHAVEZ CHAVEZ 3232 STREET STREET E CESAR AUSTIN, AUSTIN, CHAVEZ STREET AUSTIN, TX 78702 TXTX78702 78702 TX 78702

ROOF 519' - 2"

ROOF ROOF 519'519' - 2"- 2"

GL-1

ROOF 519' - 2"

212 Lavaca Street Suite 390 Austin, TX 78701 United States

Tel212512.867.8100 212 Lavaca Lavaca Street Street Fax 512.867.8101 Suite Suite 390390 Austin, Austin, TXTX 78701 78701 United United States States

Associate Architect West of West 331 NE Hancock St Portland, OR 97212 Tel 559.359.6896

LandscapeAssociate Architect Associate Architect Architect TBG West West of West of West 1705 Guadalupe St., Suite 500 331331 NENE Hancock Hancock St St Austin, TXPortland, 78701 Portland, OROR 97212 97212 Tel 512.327.1011 TelTel 559.359.6896 559.359.6896

Landscape Associate Landscape Architect Architect Architect TBG TBGof West West 1705 1705 Guadalupe Guadalupe Suite Suite 500500 331 NE HancockSt., StSt., Austin, Austin, TXTX 78701 78701 Portland, OR 97212 Tel 512.327.1011 512.327.1011 TelTel 559.359.6896

Landscape Architect TBG 1705 Guadalupe St., Suite 500 Austin, TX 78701 Tel 512.327.1011

Structural Engineer

MEP Engineer Structural Structural Engineer Engineer Integral Group AEC AEC 1519 E Cesar Chavez St., 3800 3800 N Lamar N Lamar Blvd., Blvd., Suite Suite 330330 Suite 100Austin, Austin, TXTX 78756 78756 Austin, TXTel 78702 Tel 512.472.2111 512.472.2111 Tel 512.598.1721

MEP Structural MEP Engineer Engineer Engineer Integral Integral Group Group AEC 1519 1519 EN Cesar E Cesar Chavez Chavez St.,St., 3800 Lamar Blvd., Suite 330 Suite Suite 100 10078756 Austin, TX Austin, TXTX 78702 78702 TelAustin, 512.472.2111 TelTel 512.598.1721 512.598.1721

MEP Engineer Integral Group 1519 E Cesar Chavez St., Suite 100 Austin, TX 78702 Tel 512.598.1721

GL-1 AEC

GL-1 GL-1

3800 N Lamar Blvd., Suite 330 Austin, TX 78756 Tel 512.472.2111

Facade Engineer Engineered Exteriors, LLC 13740 Research Blvd. Suite C2 Austin, TX 78750 Tel Tel 512.571.3530

GL-1

GL-1 GL-1

GL-1

SF-2A

STOREFRONT STOREFRONT SF-2A SF-2A MTL-1 MTL-1

STOREFRONT MTL-1

PRECAST CONC. PANEL PC-1

PRECAST PRECAST CONC. CONC. PANEL PANEL PC-1 PC-1

PRECAST CONC. PANEL PC-1

STOREFRONT MTL-1

Facade Facade Engineer Engineer Engineered Engineered Exteriors, Exteriors, LLC LLC 13740 13740 Research Research Blvd. Blvd. Suite Suite C2C2 Austin, Austin, TXTX 78750 78750 TelTel TelTel 512.571.3530 512.571.3530

Description

Date Date

09.13.2019 50% CD 09.25.2019 ISSUE FOR PERMIT

LEVEL LEVEL 04 04 504'504' - 2"- 2"

Tel 512.867.8100 Fax 512.867.8101

Facade Engineer Engineered Exteriors, LLC 13740 Research Blvd. Suite C2 Austin, TX 78750 Tel Tel 512.571.3530

SF-2A

Date

LEVEL 04 504' - 2"

TelTel 512.867.8100 512.867.8100 212 Lavaca Street FaxFax 512.867.8101 512.867.8101 Suite 390 Austin, TX 78701 United States

Description Description

Date

Description

09.13.2019 09.13.201950% 50% CDCD 09.13.2019 50% CD 09.25.2019 09.25.2019ISSUE ISSUE FOR FOR PERMIT PERMIT09.25.2019 ISSUE FOR PERMIT

LEVEL 04 504' - 2"

REF: 2 / A02.102

REF: REF:2 /2A02.102 / A02.102

REF: 2 / A02.102

EQEQ 7 1/2"

EQ 1/2"

4 A05.406

1' -1'8"- 8"

INSET INSET FACE FACE OFOF WT-1 WT-1 FACE FACE OFOF WT-1 WT-1

7 1/2" 7 1/2" 10"10"

7 1/2" 1/2"1/2" 1' - 8"

10"

1' - 0"

7 1/4" 4 3/4"

EDGE OF SLAB

BACK OF WT-1 INSET FACE OF WT-1 FACE OF WT-1

EDWARD ALLEN MUTH, #17609

1/2"

EL WIDTH

Seal / Signature

2' - 4"

BACK BACK OFOF WT-1 WT-1

INT. FINISH

1' - 0"

FACE OF WT-1

EDGE EDGE OFOF SLAB SLAB

Seal Seal / Signature / Signature

GYP. INTERIOR FINISH ON 6" STUD FRAMING, BATT INSUL.

1' - 2"

INSET FACE OF WT-1

PRECAST CONC. PANEL PC-1 Seal / Signature

GYP. GYP. INTERIOR INTERIOR FINISH FINISH ONON 6" 6" STUD STUD FRAMING, FRAMING, BATT BATT INSUL. INSUL.

INT. INT. FINISH FINISH

2' - 4"

7 1/4" 4 3/4"

BACK OF WT-1

EDGE OF SLAB

1' - 2"

INT. FINISH

6 4 4 05.406A05.406 A05.406

10" G WIDTH

OFFICE PRECAST PRECAST CONC. CONC. PANEL PANEL A-400 PC-1 PC-1

GYP. INTERIOR FINISH ON 6" STUD FRAMING, BATT INSUL.

OFFICE OFFICECONC. PANEL PRECAST A-400 A-400 PC-1

8" 6" 7 1/4" 4 3/4" 8" 6" 7 1/4" 4 3/4" 1' - 2" 1' - 0" 2" 1' - 2" 1' - 0" 2" 2' - 4" 2' - 4"

OFFICE A-400

Project Name

EDWARD EDWARD ALLEN ALLEN MUTH, #17609 #17609 EDWARD ALLEN MUTH, #17609 10/15/2019 12:43:47 PM MUTH, 10/15/2019 10/15/2019 12:43:47 12:43:47 PMPM

Project Project Name Name

10/15/2019 12:43:47 PM

Project Name

3232 E CESAR CHAVEZ 3232 3232EECESAR CESARCHAVEZ CHAVEZ 3232 E CESAR CHAVEZ OFFICE BUILDING OFFICE OFFICEBUILDING BUILDING OFFICE BUILDING Project Number

REF: 1 / A05.104

KEY PLAN

Project Project Number Number

Project Number

25.1556.000 25.1556.000

25.1556.000

Description

Description Description

Description

Scale

Scale Scale

Scale

3/4" = 1'-0"

3/4" 3/4"= =1'-0" 1'-0"

3/4" = 1'-0"

25.1556.000

REF: REF:1 /1A05.104 / A05.104

REF: 1 / A05.104

KEY KEYPLAN PLANEXTERIOR KEY PLAN WALL TYPE WT-1C EXTERIOR EXTERIORWALL WALLTYPE TYPE EXTERIOR WT-1C WT-1C WALL TYPE WT-1C

Unrolled Elevation The facade's egalitarian grid — efficient for the building's program and F.A.R. — is punctuated by balconies that interact with the site’s environment and breathe life into the pattern. The same strategy is implemented at all scales of the design: organic dynamism meeting architectural order.

Eastbound

southern UK 20km

greater London 5km

Epping Forest

Dalston District

Heathrow

River Thames

Illustrating Architecture Published and Personal Work anywhere | 2015 - ongoing Drawing was my first love. I used to get in trouble for doodling all over my schoolwork. When, at age 10, I learned from an architect family friend that he drew for a living it started me down the path I'm on now. I still find (make!) time to draw. I do it on my own to convey ideas or depict research with diagrams. I do it at work to understand or develop concepts. And I've gotten to do it with some really incredible collaborators who have worked with me to illustrate their own ideas, which has even gotten me published a few times. I've included a small sample of my drawings to demonstrate my passion and process and how it helps round me out as an architect, designer, and a grown up who still doodles in the margins. — role: illustrator using digital and physical representation techniques to independently or collaboratively draw things that interest me

Award Winning Published Illustrations Since 2017 I've worked with Professor Emeritus Thomas C. Hubka of the University of Wisconsin–Milwaukee. My thesis professor, Howard Davis, introduced me to his colleague as he knew I was interested in working class architecture and its documentation which Tom happened to be an expert in. He and I collaborated on a book that he wrote and researched which I illustrated over the course of several years. How the Working Class Home Became Modern, 1900-1940 was the recipient of the Abbott Lowell Cummings Award from the Vernacular Architecture Forum. It was also awarded the University of Mary Washington Center for Historic Preservation Book Prize. Both honors are a testament to Tom's incredible knowledge and scholarship which I was humbled to help draw.

worker's cottage

early bung

shotgun

worker's c

side hall

hall and pa

Tom and I continue to work together, illustrating his ideas and findings at forums and guest lectures at colleges around the country and world. We've also designed and constructed his niece's family home in Maine and are in the process of creating another book focused on his research on Portland's housing stock. While we've created dozens of drawings, diagrams, and illustrations together, I've included a few of my favorites here. Past and current collaborators also include my thesis professor Howard Davis, on his "architectural memoirs" and study of gentrification's effects on the working city, Regents Professor of Landscape Architecture Chris Wilson of the University of New Mexico on the re-urbanization of the American southwest, and several others.

arts and crafts/bungalow: open living room to dining room connection condition diagram

central corridor apartment, typical floor plan

Spanish revival

colonial revival

Illustrating Architecture

galow

four box

two-up, two-down

hall and parlor

cottage

shotgun duplex

row house (modified)

worker's cottage (modified)

arlor

row house (modified)

colonial revival

row house (modified)

Tudor

Italian renaissance

craftsman

31 stick Victorian

early Victorian

Italianate

A love letter to my former city. The North Portland library was constructed in Jacobean style with funds from the Carnegie Corporation in 1913. I drew this while in the process of moving to New York. I wanted my wife and I to have this to remember our neighborhood's special little library. It's brick, just like our home there.

Illustrating Architecture

References

Professional + Character Provided upon request.

About Erik

Statement of Standards I've worked at small, highly design-focused offices where I cut my teeth on residential, commercial, and retail projects. Most importantly, I learned how much I enjoy cultivating and sustaining relationships with clients, consultants, and coworkers. While the quality of our work got our foot in the door, the collaborative experience I worked hard to cultivate helped us develop our ideas into a built space together as a team. My time working at a design-build office—as well as the licensure process I completed last year—deepened my passion for architecture as it culminates in the art of construction. I'm grateful to every consultant and site superintendent who shared their expertise with me. The knowledge I've gained of the realities of construction means I'm proud to be well versed in both the process of design and the craft of construction. I enjoy communicating my team's ideas into comprehensive drawings that are built to the client's and my own high standards. I've also complemented my passion for residential design by freelancing as an architectural illustrator. Books I've illustrated have won multiple national awards in historical and vernacular architecture thanks to the incredible research of the authors I've had a blast working with. When I'm not working on a deadline I'm exploring the city's museums and restaurants, walking my German Shepherd, or seeing movies at the Metrograph with my wife, a nurse with New York Presbyterian. I really appreciate you checking out my work and I hope we can create great spaces together. Thank you! /eml 34

Erik M. Larson, AIA architect, project lead, NCARB

education

Bachelor of Architecture | University of Oregon

work experience

Architectural Project Lead

541.556.8657 larsonerikm@gmail.com 150 E 7th St, D7 New York, NY 10009

09. 2011 - 06. 2016

minors in Philosophy + Business Administration

06. 2021 - 07. 2023

Design + Build Office Group Worked under the company’s design director to manage the architectural design studio. Modeled, documented, and administered the construction of creative office space renovations—including the office’s own headquarters—in a design-build delivery method.

Architectural Illustrator

University of Minnesota Press, et al

02. 2017 - present

Ongoing freelance and collaborations with college professors with a focus on American upper and working class housing typologies. Created award-winning published drawings.

Architect II

07. 2020 - 07. 2021

SSOE Group | architectural small business unit Picked up work at the Portland location of a multinational engineering office mid-summer shutdown. Used Revit to design and model highly-scientific and trade-coordinated building designs for technology and cleanroom clients (including the Moderna vaccine).

Project Designer

10. 2016 - 04. 2020

West of West Architecture + Design Joined a two-person office after my graduation grew to eleven employees and a satellite studio in LA. Working independently, within teams, and under design direction on a variety of high-end retail, creative office, and multifamily residential projects across California, Texas, Japan, and the Pacific Northwest. Experienced in creating and leading project pitches, developing relationships with clients, and coordinating with consultants.

Architectural Assistant, Part II

06. 2015 - 09. 2015

Rick Mather Architects (now MICA) | London, UK Created presentation drawings for the schematic master planning of London’s post-2012 Olympics park. Designed and detailed operable shading devices for Passivhaus residences. Prepared renderings and models for competition and public exhibition.

professional skills

Applications

Rhino, Revit, Sketchup, AutoCAD, Enscape, Lumion, V-Ray, Adobe Suite, Bluebeam, MS Office, Gsuite

Design Process + Experience

Concept and design modeling across all phases of a project. Construction drawing and administration, project management, presentation modeling, rendering, code and zoning research, consultant coordination, diagramming, presentation drawing, data visualization, hand media.

teaching experience

Guest Critic / Panelist University of Oregon

06. 2018 - ongoing

Fortunate to stay involved with academia by reviewing for the thesis studio reviews for both undergraduate and masters students at the University of Oregon Portland campus.

Studio Teaching Assistant University of Oregon

03. 2014 - 06. 2014

Assisted the studio professor in developing the skills and confidence of first-year architecture students; leading classes, holding critiques, and guiding along the design solution process.

achievements

Work Design Magazine Next Work Environment competition: winner, 2 categories Abbott Lowell Cummings Award from the Vernacular Architecture Forum University of Mary Washington Center for Historic Preservation Book Prize PacWest Center: Portland Business Journal’s CRE Transformer Award Freeman Foundation Fellowship recipient

2022 2021 2021 2019 2015