LAURA MOLINA architecture
portfolio
LAURA MOLINA architecture
portfolio
Laura Molina, since 1992 Originally from Barcelona, Spain Student of Architecture at ETSAV - UPC (Escola Tècnica Superior d’Arquitectura del Vallès - Universitat Politècnica de Catalunya). Studied first year of Master of Architecture on 2014-2015 at UIUC (The Illinois School of Architecture - University of Illinois at Urbana-Champaign).
“Sustainable architecture: seeking the optimization of natural resources and building systems to minimize the environmental impact of buildings on the environment and its inhabitants. Architecture by and for the people, creating links between the environment and the inhabitants. A flexible framework where users develop their own aims. Architecture as a social, regeneration and teaching tool, seeking the greatest impact with the least intervention possible.“
CONTENTS
RESSÃ’ Solar Decathlon Europe
VE N TU R A G AS S OL S C H OOL design project
MO UNAI N FI L M I NSTI TUTE construction project
HOLISM CHA IR furniture
R E C COM TA L hystorical analysis and regeneration
HO USI NG design project
FACTO RY rehabilitation project
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RESSÒ construction pro jec t S olar D eca thlo n Euro pe 2014 l ocat ion: Ve rsa illes, Pa r is year: 2012-2 01 4 R E S S Ò tea m A w ard s:
RE S S Ò is a strate gy of ur ban, s oc ial and ener gy regenera tion , a nd a te ac hing t ool. I t is a m eet ing place f or ne igh bo rs to s har e r es our c es in or der t o collect ivize . Th is a llow t hem t o s av e ener gy and money at ho me. This enables s ignif ic ant ener gy savings, an d/o r o ffe r a c om f or t s pac e c ondit ions f or househ old s in en erg y pov er t y. I deally als o r e duced m ob ility b ecau se c r eat es a c los er pla ce t o st ay re acha ble b y f oot , and ev en pr ov ides a job. A pe rimete r rin g c ont ains all t he per m anent elements: structure , wa lls , f ac ilit ies and f ur nit ur e. T he rest is varia ble an d r ec onf igur able.
T h i s m e e t i n g s p a c e i s h i g h l y e n e r g y e ff i c i e n t . T h i s m e a n s t h a t i t i s a l m o s t s e l f - s u ff i c i e n t t h a n k s t o solar panels, solar collectors, high isolation and p a s s i v e b i o c l i m a t i c s t r a t e g i e s . We w a n t t o i n c r e a s e t h e u s e o f R E S S Ò o ff e r i n g a f r e e c o m f o r t s p a c e for neighbors, while providing a shelter space with comfort conditions for low income families. Also keep in mind that this space is designed as a collective space, not as a home, where you need a d i ff e r e n t k i n d o f c o m f o r t .
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re sò re
Description
Description
Drawing number
Drawing number www.resso.upc.edu
Flexibility
AR-028
Flexibility
AR-028
www.resso.u
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Double skin façade -Façades are closed, only allowing ventilation when necessary.
Double skin façade -Façades are closed, only allowing ventilation when necessary.
10ºC
10ºC
19ºC
19ºC
21ºC
-No storaged inertia for the active system.
Storage
Partition -Space partitions to reduce volume and optimize heating system. 21ºC
Partition -Space partitions to reduce volume and optimize heating system.
Storage
21ºC
-No storaged inertia for the active system.
21ºC
21ºC
Inertia
19ºC
-Inertia absorbs heat from the room or does release possible heat absorbed during hot days
21ºC
Inertia
19ºC
-Inertia absorbs heat from the room or does release possible heat absorbed during hot days
W INT E R DAY Storage
Case C
Windchill temperature
Case C
-Humidity and airwith radiation < 0.4 KW/m2 Day velocity helps to Winter day thermal comfort
41ºC
-Storaging water for active inertia when needed.
-Protection of inertia from direct radiation. -Chamber façades act as solar chimneys thanks to venturi effect and the pressure difference between the outside air and the overheated one at the top of the chamber
re sò www.resso.upc.edu
Drawing number
41ºC
Page
33ºC
Ventilation
33ºC
-Protection of inertia from direct radiation. -Chamber façades act as solar chimneys thanks to venturi 27ºCpreseffect and the sure difference between the outside air and the overheated one at the top of the chamber
Bioclimatic drawings
BA-013
-Cross ventilation to avoid stagnant air in the interior.
Ventilation
Solar Protection Solar Chimney Solar Protection Solar Chimney
Description
-Storaging water for active inertia when needed.
32
30ºC 30ºC
Storage
Day with radiation < 0.4 KW/m2 Windchill temperature Winter day -Humidity and air velocity helps to thermal comfort
-Cross ventilation to avoid stagnant air in the interior. 23ºC
27ºC
23ºC
26ºC
Inertia
26ºC
-Inertia does absorb heat from the interior.
Inertia -Inertia does absorb heat from the interior.
S U M M E R DAY
Case A Case A
Day with radiation > 0.4 KW/m2 Summer day
Day with radiation > 0.4 KW/m2 Summer day
Description
Bioclimatic drawings Drawing number
BA-011
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VENTURA GASSOL SCHOOL d esig n proje ct B ad alona, Spa in year: 20ww16 i nd ivid ual proje ct T he Ventura Gasso l Sch ool is loc at ed in s ubur ban area at th e city o f Ba dalona. The s t r at egy c onsists of a se ries o f p avillions c onnec t ed t o eac h other and so uth orie nted, allowing nat ur al light and crossed ve ntila tion in all c las s r oom s . M or eo ver, t he spa ce s in -be tween t he pav ilions gener at e shaded p atio s du ring th e war m es t per iods of t he year, t hu s p rovidin g spa c es open t o m any pos s ibi l it ies, inclu din g mob ility f or s om e s pec if ic c las s es or w orksho ps ou tsid e th e s c hool.
The school consists of two main pavilions and four classroom-pavillions. The main ones are located on both sides of the sports field, and they are composed by the common areas: like the dining room, gym, administration area and workshop c l a s s r o o m s . T h e c l a s s r o o m - p a v i l i o n s , h o w e v e r, are located on the west side of the track and they are smaller in size.
S U MME R S OLS TI CE
M ARCH EQU IN OX
WIN T ER SOL ST IC E
TOP OGR A P H Y MOD IF I CAT I O N
NO RD O R IEN TAT ION
C ON N EC T ION S
R OOF V OLU ME TRI E S
EMPTY vs. FULL
F IEL D N - S
S PA C E S IN B E TW EE N
CI RCU L AT ION
F IN A L VOL U M E
SITE
FIRST FLOOR
GROUND FLOOR
SECOND FLOOR
SECTION PERSPECTIVE
LONGITUDINAL SECTION 1
LONGITUDINAL SECTION 2
E
ELEVATION
WINTER
SUMMER
VENTILATION
HEATING
HOT WATER
ELECTRICITY
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M O U N TA I N F I L M I N S T I T U T E construction pro jec t l ocat ion: So gn efje lve ge n, Nor way year: 2015 I nd ivid ual pro jec t UIU C
The Mountain Film Institute is a space designed f or f ilm, p ho tog rap hy and m ount ain lov er s . I t i s a space locate d in t he Nor wegian m ount ains Hurrunga ne , a q uie t and nat ur al env ir onm ent wit h excep tion al views, whic h has bec om e a big claim f or ph oto gra ph er s and f ilm m ak er s in t he past recen t ye ars. Tha t is why in addit ion t o be i ng a m o un tain re trea t , t he building off er s v is i t ors t he po ssibility o f lo ng t er m s t ay s , as well as workshops a nd wo rkin g ar eas , v ideo edit ing, dis play projects, e tc. T he buildin g h as be en des igned under t he pr in ciples of b ioclimatic ar c hit ec t ur e; I t inv olv es t he design of b uild ing s ta k ing int o ac c ount c lim at ic
conditions, using natural resources (sun, rain, wind) to reduce environmental impacts and reduce energy consumption. This implies that through passive bioclimatic strategies, solar gain, high thermal insulation and solar panels become s e l f - s u ff i c i e n t . The design and shape of the building is due to the optimization of solar gains and bioclimatic strategy and the optimization of interior space and privacy gradient. The distribution follows the same logic on each floor; the central area is used to the common areas and the exterior ring is used to the sectorization of small spaces.
C OM PA C TN E S S
SOLA R C OLLE C TOR
LE V E LS
O P E N TO SU N
T HE RM A L M A SS
E L E VAT E D E NT RANC E + T ER R A C E
SOL A R GA IN S + SN OW
SOL A R C H IM EN Y + C IR C U L AT ION
PA R T LY B U R IED
LEVEL 1
LEVEL 2
LEVEL 3
LEVEL 4
S2
S1
S1’
LEVEL 0
S2’
23%
13%
8%
7%
12% 24% 13% total surface
L EV EL 0
SECTION S1-S1â&#x20AC;&#x2122;
ROOF _Completely isolated _Natural light through the top of the chimney
SOLAR CHIMNEY _Allows internal ventilation in summer to decrease the temperature _It is closed in winter to keep the high temperature inside
NORTH FACADE _Completely isolated _Where the facilities take place
EAST & WEST FACADES
SOUTH FACADE
_Small windows allowing natural light and views _Both isolated
Transparent facade acting as a solar captator. 20% is covered with solar panels CENTRAL CORE _Central space in each floor, where the community activities take place _The concrete acts as thermal inertia, keeping the heat in itâ&#x20AC;&#x2122;s walls _Itâ&#x20AC;&#x2122;s walls also can be activated. There is a radiant system inside
PASSIVE S YSTE MS
S U M M E R A I R F L OW
WIN T E R AIRF L OW
WAT E R S YS T EMS
SECTION S2-S2â&#x20AC;&#x2122;
1_PILAR cross laminated timber 2_BEAM cross laminated timber 3_metal plate 4_SECONDARY BEAMS cross laminated timber
5_metalic suport 6_wooden slats 7_waterproof laminated 8_wooden strips 9_isolation 10_steam barrier 11_wooden panel
ENERGY DEMAND 129506,41 kwh/year THERMAL COMFORT AREAS high _1057 m2 medium _1396 m2 low _285 m2 SOLAR GAINS (20% efficiency solar panels) south 731,84 m2 x 884,8 kwh/m2 = 647532,03 kwh/y west 437 m2 x 273,9 kwh/m2 = 206740,33 kwh/y east 437 m2 x 273,9 kwh/m2 = 206740,33 kwh/y By covering 20% of the south facade with transparent solar panels, the energy needs of the building are totaly covered
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FACTORY rehab ilit atio n proje ct l ocat ion: Birmingha m, England year: 2014 i nd ivid ual proje ct UIU C
T he Newma n Broth ers Coff in Fit t ing Wor k s was built as a factory in 1 89 9, and t he c om pany f abr i cated coffins un til 20 01 . The building is appr ox i mately 12 ,00 0 s.f. in size, m as onr y walled, t im ber f ramed, a nd it is fea tur ing a lar ge r ear c our t y ar d. T he f actory is lo ca ted at t he s out h end of t he Jew eller y Qu arte r o f B ir m ingham , one of t he s e veral notab le h isto ric in dus t r ial ar eas in t he c it y. T he B irmin gh am Co nser v at ion Tr us t ac quir ed t he building in 2 01 0 a nd it is int er es t ed in r es t or ing t he
façade facing Fleet Street, restoring parts of the front section of the building as a heritage museum and adapting the rest of the building for a business i n c u b a t o r. The factory is adapted into an innovation-based h e a d q u a r t e r s b u i l d i n g f o r a d i g i t a l c o m p a n y, w i t h a d e s i g n t h a t c o n f o r m s t o E n g l i s h H e r i t a g e â&#x20AC;&#x2122;s S t a n dards for Conservation and tries to reintroduce the factory back to the street life found on Fleet Street in Birmingham.
E X IS TIN GVOLUME V OLU M E EXISTING original building + postconstruction original building + postconstruction
SSECOND E C ON DADDITION A D D ITIO N
P RE SERVAT ION PRESERVATION original building original building
TTERRACES E RRACE SCONNECTION C ON N EC T ION
F IR ST A D D IT ION FIRST ADDITION
ACCESS A C C ESS
vamente xclusivamente [Exclusivamente para uso para académico] para uso académico] uso académico]
vamente xclusivamente [Exclusivamente para uso para académico] para uso académico] uso académico]
PUBLIC P U B LICSPACE S PA C E courtyard courtyard
vamente xclusivamente [Exclusivamente para uso para académico] para uso académico] uso académico]
SSEMI-PUBLIC E M I - P U B L ICSPACE SPA C E museum museum
PRIVATE SPACE PR IVAT E SPA CE software company Software company
SITE PLAN
MODEL
MEAN OF EGRESS
LOBBY
BRAINSTORM AREA
WC + KITCHEN
DINNING ROOM + LOUNGE AREA
MULTIMEDIA ROOMS
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INDIVIDUAL DESKS
STAND UP WORKING STATONS
MEETING ROOMS
WORKING DESKS
MUSEUM
MEAN OF EGRESS
GROUND FLOOR
FIRST FLOOR
SECOND FLOOR
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HOLISM CHAIR f ur n i ture year: 2014 I n d i vi d ual project U IUC HOLISM /noun/ “Idea that natural systems and their properties should be viewed as wholes, not as collections of parts. This often includes the view that systems function as wholes and that their functioning cannot be fully understood solely in terms of their component parts.” T he chair is de sig ne d fr om a s et of piec es ex t r act ed from a 3 /4’ o ak ply wood. This s t r at egy s eek s simplicity in d esign ,
m a t e r i a l i t y a n d e x e c u t i o n a s w e l l a s t h e e ff i c i e n c y in the design of an ergonomic and organic seat. The ribs of the seat have been glued, creating a one-piece body with no need of sophisticated manipulations of the wood. The parts make up the whole. The strength and balance are achieved from the set and not from the independent parts. The wood as the unique material allowing a natural and organic design inspired in the lightness and delicacy of the scandinavian furniture.
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R E C C O M TA L hist orical a na lysis a nd s pace r es t or at ion l ocat ion: Pro vin ce of Ba r celona year: 2014 Team: A na Badia, Elisa bet h Fer r ĂŠ, Sant iago J uliĂ , M e r i M e n s a , L a u r a M o l i n a , B e r n a t P e d r o E TS A V / UPC
T he landscap e is dyna m ic , jus t as t he t er r it or y. O v er t ime, hydrau lic syste ms s uc h as Rec Com t al hav e been swallo wen by the gr owt h of t he c it y. Howev er, specific situ atio ns h ave c om plic at ed wat er s upply i n t he city of Barcelo na , whic h hav e highlight ed t he need t o g ive valu e to t hes e s upplem ent ar y wat er pipeline. Emp ha sizing t he Rec Com t al, we gene rate sma ll mecha nisms t hat s t r uc t ur e his pat h and i ncite t o co ntin ue with in f or m al dy nam ic oper at ions i n his sp aces. Th us, th e phy s ic al c ont inuit y and it s use will be cru cia l to stim ulat e s oc ial and ec onom ic
benefits, and this continuity leads to the ultimate goal: the neighborhoods cohesion. Therefore, formalizing bathing places, creating new pipes for orchards and drawing connections through greenways, we are transforming the Rec i n t o o n e o f t h e s t r u c t u r i n g e l e m e n t o f t h e B a r c elona System Park. Thus, those spaces that have become marginal, wasted and obsolete (due to his own disuse), give us now the chance to adapt them t o t h e p e o p l e â&#x20AC;&#x2122;s u s e .
PHASE 1 : A N A M N E S I S / investigation of familiar antecedents, physiological and pathological before the diagnosis.
2.1 DIAGRAMATITZACIÓ | Flux d’intensions
C OC O H EH E SI SI Ó Ó
2.1 DIAGRAMATITZACIÓ | Flux d’intensions
R RIS BA R RIS DE BA DE
CONTINUÏTATS INCONNEXES | La nova cohesió de barris
econòmic social benefici cultural econòmic social cultural
activar el lloc
PAISATGE
TERRITORI
APROPIACIÓ DE L’ESPAI
TRAÇA
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system park
CONSCIÈNCIA DEL LLOC
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Nus de la Trinitat CONTINUÏTAT
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ECONÒMIC
CULTURAL
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El paisatge dibuixa una traça i degut a la presència de l’home La interacció de les persones amb el territori i els seus iespais la seva intervenció, no podem entendre ni el Rec en com delega a la comunitat un paper protagonista el una traça ni el lloc com com un paisatge. Per això parlem procés de regeneració del lloc. L’estratègia de formalització d’espais delbany Rec ii del territoridels queseus es viu al seul’utilització voltant. de de llocs de la neteja espais, les riberes per al benefici econòmic i l’aprofitament d’altres Teixits urbans Mediterrani traces per a reforçar la continuïtat del Rec, justifiquen tres vies d’interacció amb la ciutat, cohesionen nuclis i aporten beneficis que s’equilibren.
Plaça de les Glòries
CONTINUÏTAT
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CONSCIÈNCIA DEL LLOC
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PAISATGE
system park
Últimes hortes del Rec
Ag l’a
El paisatge dibuixa una traça i degut a la presència de l’home i la seva intervenció, no podem entendre ni el Rec com una traça ni el lloc com com un paisatge. Per això parlem d’espais del Rec i del territori que es viu al seu voltant.
ÚS DEL TERRITORIbenefici
activar el lloc
ESPAI
APROPIACIÓ DE L’ESPAI
Captació d’aigua del Besòs
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La interacció de les persones amb el territori i els seus espais delega a la comunitat un paper protagonista en el procés de regeneració del lloc. L’estratègia de formalització de llocs de bany i la neteja dels seus espais, l’utilització de les riberes per al benefici econòmic i l’aprofitament d’altres traces per a reforçar la continuïtat del Rec, justifiquen tres vies d’interacció amb la ciutat, cohesionen nuclis i aporten beneficis que s’equilibren. [Academic use only]
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_el Rec Comtal no es podia entendre si no era en la seva totalitat. Per tant, l’estratègia ha de respectar aquesta lògica. _Montcada-Trinitat: aprofitament del patrimoni existent que encara es manté. Donar resposta a les iniciative populars per dotar d’ús l’espai del Rec Comtal. _Trinitat-Glòries: ja hi ha projecte aprovat, no actuem. Només ens hi unim en els extrems. _Glòries-Casc Antic: actuació en el Carrer de Ribes, antic traçat de línia ferroviària. _Casc Antic-Mar: fragmentació del traçat fins a desembocar al mar. Utilització del Rec a través del seus barris. [Academic use only]
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C ec
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LA BARCELONETA
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SAGRADA FAMÍLIA
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CAMP DE L’ARPA CAMP CAMP DE DEL DE CLOT L’ARPA L’ARPA DEL DEL CLOT CLOT
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SAGRERA SAGRERA
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NAVASNAVAS
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ANDREU SANT SANT ANDREU
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LA RIBERA
FORT PIENC
Desenvolupament
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A CI
_crear una continuïtat que faci entendre el recorregut en el seu context, adaptant-se a la realitat concreta del lloc. _complementar el projecte BCN-Sagrera en els seus dos límits, continuant l’eix verd proposat de la Diagonal Verda de Barcelona. _zoom in: actuar en punts concrets que recuperin la lògica de l’eix del Rec i permetin cohesionar els barris a partir de la continuïtat. _zoom out: incorporar el Rec Comtal en el Camí Comtal, projecte de ruta que uneix Pirineus i Mar Mediterrani.
IM
Proposta
_memòria històrica en risc de desaparèixer. _infrastructura en desús. _continuïtat física a Montcada; discontinuïtat física a BCN. _el projecte BCN-Sagrera (Nus Trinitat-Glòries) ofereix un eix verd, viable i aprovat, paral·lel al traçat del Rec Comtal.
Ó D’E D IFI C
AC
IO
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AN
Actualitat TRINITAT TRINITAT VELLAVELLA
astructura que abastia les hortes, els molins i les stries. lta vida i activitat a l’entorn del Rec Comtal. Mina Baixa de Montcada oferia aigua de boca a la ciutat.
VALLBONA VALLBONA
SANT SANT JOAN JOAN
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Paisatge és traça i comunitat
N
Ó D’E D IFI C IM [Academic use only]
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Utilització del Rec a través del seus barris.
P HASE 2 : S T U DY / (scientific, artistic, etc.) made with the primary purpose of study or deep in a specific subject or point.
[Academi
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AN
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A CI
LA BARCELONETA
LA RIBERA
CAMP DE L’ARPA DEL CLOT
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FORT PIENC
AC
IO
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SAGRADA FAMÍLIA
gens
ÚS DEL TERRITORI
TRAÇA
PHASE 3 : D I AG N OS I S / knowledge of the physical and psychological state of the organism, acquired through the observation of different signs.
PHASE 4 : T R E AT M E N T / set of hygienic, pharmacological and surgical means implemented to cure or alleviate a disease.
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HOUSING d esig n proje ct l ocat ion: RubĂ, Spain year: 2012 I nd ivid ual pro jec t E TS A V / UPC
The path to a sustainable society means not wasting resources by constructing buildings that can not be adapted at any time, to each users needs. The reality we live in is changing, just as they are p e o p l e â&#x20AC;&#x2122;s n e e d s . N o w a d a y s , i n c r e a s i n g l y, t h e r e i s a t r e n d r e l a tionship between workplace and residential space. Small businesses, small workshops or person a l o ff i c e s a r e l i n k e d t o h o u s i n g , c r e a t i n g s p a c e s w i t h d i ff e r e n t n e e d s . T h u s , t h i s p r o p o s a l p r e s e n t s
a block of collective housing / studio that can a c c o m m o d a t e d i ff e r e n t g r o u p s o f p e o p l e a n d i s flexible regarding the use and distribution of spaces, eliminating hierarchies in distribution and allowing a distribution to each users needs. The access to the dwellings / studio is given t h r o u g h a w a l k w a y, p r o m o t i n g s o c i a l i n t e r a c t i o n and relations between neighbors. In addition, a space between the walkway and the dwellings acts as a transition zone terrace and increases the degree of privacy in the interior space.
SITE PLAN
FLOOR PLAN
CROSS SECTION
top
of
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1-6
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reinforced concrete unidirectional structure 30x55cm grider beams each 70cm
hanging gateways cores access metal structure
FLOOR USES/ ground floor
FLOOR USES/ 1-6 floors
SERVANT SPACES / 1-6 floors
SUPPLIES/ ground floor
STRUCTURE
SUBSTRUCTURE
NORTH ELEVATION
SOUTH ELEVATION
WEST ELEVATION
EAST ELEVATION
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