Lauren Martig Undergraduate Portfolio by Lauren Griffith

TABLE OF

CONTENTS The following is a collection of four years of select undergraduate works organized in chronological order by semester, project title and respective location.

THE REVIVAL ON THE LOCK AKRON, OHIO

INN ON MAIN ADAPTIVE REUSE AKRON, OHIO

FORTRESS CIVIC CENTER MAGLIANO, ITALY

4TH YEAR / 1ST SEMESTER

3RD YEAR / 2ND SEMESTER

TREE CITY TOWN HALL KENT, OHIO

THE BAKERY RESTAURANT CLEVELAND, OHIO

COMMUNITY CENTER TREEMONT, OHIO

MEDIA HOUSE PRODUCTION CLEVELAND, OHIO

3RD YEAR / 1ST SEMESTER

2ND YEAR / 2ND SEMESTER

2ND YEAR / 1ST SEMESTER

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R E V I VA L

The city of Akron has faced a decline in population and has recently placed a focus on revitalizing and developing their downtown area. The Lock 3 is an existing concert and event space that holds events throughout the year, from food festivals to ice skating. A new hotel adjacent to the Lock will allow event goers stay downtown after an event, further stimulating the struggling city.

PRO GR AM

SIGHT + SOUND

The functions of the building are highlighted to show their respective locations within the hotel.

The hotel utilizes the site in a way to allow for optimum enjoyment of Lock 3 and its events. To emphasize the outdoor event nature, the stairs on the south exterior of the site accommodates those that wish to enjoy an event.

HOTEL SERVICE

HOTEL ROOMS

LOBBY / STAFF OFFICES

DAY SPA / SERVICE

CANAL SIDE RESTAURANT

CIRCULATION

ROOFTOP BAR + LOUNGE

FROM THE LOCK The rendering (left) from the Lock showcases the events taking place in the up-and-coming area. Placed at an optimum location on lock 3, the new construction will overlook the Lock. Shown is the updated plan for the stage in the park. Previously, the stage faced the South, allowing for those in the Lock as well as the street to enjoy the acts. However, with the addition of buildings along the main road, there will be a decrease in views from that area. The new plan allows for optimum views of the stage while adding an opportunity for an extension of the area across the canal.

RENDER IN GS The carport and dropoff area (top) stretches almost the entire length of the building to allow for hotel guests to comfortably deliver their belongings. The carport extends to a small seating area on the parking lot level. The rooftop bar (bottom left) is one of two restaurant areas that emphasize views to the lock so that events may be enjoyed from inside as well as out, no matter the season in Northeast Ohio.

FLOOR PLANS The floor plans shown are as follows. (1) basement and restaurant, canal level. (2) lobby and offices, parking level. (3) hotel room plans, typical for all four hotel floors. (4) rooftop bar and spa level. The layouts take into consideration the privacy levels from North to South, respectively.

ELEVATIO N S The elevation diagrams emphasize the use material and how it ties into the existing architecture. The Akron Civic Theatre (right) and the Canal Square Loft building are both composed of brick but have an emphasis on verticality. The building draws horizontal lines from the design of these surrounding buildings while utalizing stone for a more modern look.

SOUTH ELEVATION

S ECTIONS The section diagrams emphasize the use of the space as well as how the building compliments the existing grade of the site. Most visitors of the building will enter from the North parking lot level, and travel down to experience the Lock. Upon entry of the building, it is evident that the stage and the current event is on display, with curtain walls framing the view.

EAST

I N N ON M A I N

An adaptive reuse project in downtown Akron, Ohio aims to provide a place for visitors of the city to have a warm, welcoming experience.

SITE PLAN The immediate area does not contain many hotels, let alone a boutique hotel. I believe there is a need for one with the number of events that take place in the immediate area. With Lock 3, Lock 4, and Akron Civic Theatre right across the street, the hotel is the perfect location for those coming in from out of town for those events, or who do not wish to drive home. options to suit a wide range of users.

FACADE

T H E

B A N K E R S

C O .

The facade is designed to frame the existing, historical structure that coincides with the surrounding streetscape. In order to modernize the facade, a glass frame surrounds the existing structure to light the top four floors. This also doubles as a sustainable system for air to filter through the top and bottom. The bottom level entry is recessed to create a covered area for hotel guests to unload luggage. A glass curtain wall is recessed ten feet to allow adequate room. At night, the light created from the curtain wall spills out onto the street level to create a clear point of entry.

ENTRY The location is ideal for potential University of Akron students or parents of current students because of the proximity to both the University and the new revitalized downtown Akron. Inside, the building will house 24 large hotel rooms with various furnishing options to suit a wide range of users. The lobby (pictured below) will include a central atrium and small cafĂŠ/bar/lounge for both guests of the hotel and visitors of Akron alike.

S ECTION In section, the main atrium area is highlighted to show how light will enter the central lounge in the lobby as well as the interior rooms. Each of the three hotel room floors contain eight identical rooms for guests.

SERVICE ELEVATOR

MAIN ELEVATOR STAIR SERVICE+ FIRE STAIR

HOTEL ROOMS

CIR CULATION HOTEL KITCHEN BAR + LOUNGE M AI

RECEPTION DESK

N EN TR

The axonometric drawing to the right shows the main vertical circulation points of the extremely narrow floor plan. These points directly relate to the public and private program areas.

AN CE

FLOOR PLAN The existing program area is extremely narrow, therefore the program must be condensed to allow for open, inviting public areas like the lobby with its adjacent bar and seating areas.

R ENDER ING Despite the narrow floor area, a central atrium placed in the center of the space allows for natural light to enter the darkest areas. The massive atrium frames the walkway on each of the hotel floors, shown below.

FORTRESS

The new civic center for the town of Magliano in Toscana calls for a unique yet integrated center to visitors and residents. The new fortress exemplifies a grand, modern structure while paying respect to the the medieval townâ&#x20AC;&#x2122;s history.

SITE PLAN The Tuscan hilltown of Magliano contains a vast amount of history, as in the case of many historic Italian towns. The site plan illustrates the shape and flow of each building and how the new civic center intends to carry along with that tradition while still adding a modern element in plan view.

S ECTIONS Designing a fully functioning building with adequate flow from floor-to-floor is important in this particular design. The sections illustrate the central core of the building and how it is utalized to promote flow throughout the building. Visitors to the town would park on the very bottom level and progress up through the core. The main stairwell wraps around a skylight, allowing for a naturally lit, open experience despite the location deep underground.

WEST SECTION

SOUTH SECTION

TRANSFORMATION DIAGAM Without a complete continuation of the existing facades of Magliano, the new facade extends the streetscape in a unique way. While keeping the size and shape of the surrounding buildings, COR-TEN steel is utalized to create balance between new and old while complimenting the existing Tuscan stone. The site contains fragments of a historic wall that will be left as-is to further integrate the design. The main space is largely glass. This adds a much needed element of modernity for the otherwise ancient streetscape. However, only part of this facade is even visible from street level.

COR-TEN steel is utalized in order to provide proper integration between the old stone facades and the largely glass public space of the civic center. The color of the steel can also be found in the original stone of

TUSCAN STONE of Magliano is necessary to emphasize the connection of the new, modern civic center to the midieval roots of this walled

EXPLODED A XO N To emphasize both vertical and horizontal movement for visitors of the new civic center, the main circulation paths and stairwells are highlighted. The main public circulation space is located in the center, while the stairwells on each respective side are for those using the offices and labs.

RENDER IN GS

TOP: from the street level, the two main uses of the building are clearly distinguished. The existing stone wraps around the COR-TEN steel to integrate the uses and points directly to the glass facade in the center. BOTTOM: the interior of the building

functions as a large welcoming space to those visiting the town. There are several areas on each floor, including the patio, for people to gather. The skylight that the stairs are centered around is a main focal point.

MEETING ROOMS

LIBRARY

ENTRANCE + LOUNGE

PLANS Each plan illustrates the main function of the floor. The bottom two floors (right) are purposely narrow and lead directly to the main circulation space. The issue of vertical circulation from the bottom level parking lot had to be addressed; so minimal program is housed on the bottom two floors.

ELEVATIO N S An elevation from both the bottom of the hill (entry) parking lot and the street level are crucial to understand the vericallity of the building and how those visiting the building should intend to move throughout it. Visitors to the town would park on the very bottom level and progress up through the core to meet the historic streetscape.

LABORATORIES

PROGRAM DIAGRAM Each piece of program is individually defined while maintaining an open concept throughout the building. The program is seperated by public and private use.

EXHIBITION HALL

TR EE CIT Y

The town hall intends to function as an engaged space for members of the University and the community alike. It intends to serve as a place for collaboration between the two in order to generate a progressive future for the city.

SITE PLAN With strong influences from Kent State University students and residents of the city, the main pathways to the building are hilighted for each. Each use should have equal access to the center, no matter which direction they may be approaching.

TRANSFORMATION DIAGRAM The design relies on the direction of the surrounding streets and incoming vehicular traffic. The development of each of the top floor elements comes from the need for an ample amount of light to all office spaces throughout the space.

HAY

W PARK R E K MA

WATER STREET

FLOOR PLANS On each floor, offices surround the exterior windows. The core of the building houses mechanical equipment, restrooms, and certain lounges and utility rooms for staff.

RENDER IN G As seen from Water Street, the building welcomes those approaching from each respective vehicular entrance. Though only two stories, the building is visually a strong element of the city since it is situation on top of the hill.

UNITY CENTER CITY MANAGER COMMUNITY DEVELOPMENT LAW HUMAN RESOURCES BUDGET AND FINANCE HEALTH DEPARTMENT CIVIL SERVICES COUNCIL PUBLIC SERVICE SHARED SPACE

WALL S ECTION The three dimensional wall section demonstrates the system of the facade. The hanging screen is seperate from the glass on the upper level, creating an aesthetic element while providing extra shade and sustainability.

MATER IALIT Y The main decorative element across the entire upper facade is preforated metal panel. Drawing inspiration from Kent’s nickname “Tree City” and the need for added shade around the upper floor offices, the screen is cut in a tree pattern, as seen above. Precedent studies (right) are concepts of how the panel intends to look when exposed to the sunlight.

ELEVATIO N AND S ECTION LEFT: as seen from the North, the building runs directly along Haymaker Parkway, the most highly trafficed street in downtown Kent. The existing sidewalk along this street will be modified to accomidate an entry to the gallery space. From this space, patrons can move directly into the main lobby of the building. RIGHT: due to the large, dense design, a skylight is incorporated in the center of the lobby. This area creates a unique, semi-outdoor space for people to gather or wait for any appointments they may have. On the upper floor, a walkway surrounds it.

BA K ERY

The urban neighborhood of Ohio City is located just west of Downtown Cleveland. Home to 9,000 residents, the up and coming urban neighborhood seeks additional restaurants to cater to the influx of visitors to the area.

TR AN SFO R M ATION The design of the bakery focuses on a simplistic cube. A central atrium houses a central gathering space for each of the functions of the building. The bakery and restaurant are the key elements that are connected by stairwells around three sides of the atrium. The shop is placed in a prime location on the corner, with a patio space above for additional seating.

RESTROOMS

STAIRWELL KITCHEN

RESTAURANT

STORAGE SHIPPING/ RECIEVING

STAIRWELL

ATRIUM

PROD. FACILITY

SHOP

GREAT LAKES BREWERY WEST SIDE MARKET

SITE The surrounding site features many sucessful existing markets, restaurants, and breweries. Two of the most notable include the West Side Market and Great Lakes Brewery.

PLAN S The ground floor (right) primarily houses the shop, restaurant, and market. The second floor houses staff offices, labs, and classrooms, as well as a public seating area above the shop.

R ENDER ING The view from West 22nd Street shows the industrial background of Great Lakes Brewery and the classic brick found throughout the neighborhood.

COM MUNIT Y CENTER

The Treemont, Ohio Community Center is based around the sensation of veiling and unveiling spaces. This sensation promotes movement throughout the center and encourages visitors to explore the center and the diverse programatic experiences that it offers.

SITE PLAN Tremont, located just south of downtown Cleveland, is one of the cityâ&#x20AC;&#x2122;s oldest and most historic neighborhoods. The gentrified area is filled with historic churches, trendy restaurants, and restored Victorian homes. The site, located on the back side of a historic church, is at an optimal location for both pedestrian traffic and privacy.

SQUASH COURTS

POOL

LOUNGE

GLASS STAIRWELL

STAFF GYM

A XON

LECTURE

GALLERY

The axonometric diagram illustrates the diverse programatic experience that is found in the community center. From a gallery to squash courts, the center has an area of interest for those of all ages.center intends to carry along with that tradition while still adding a modern element in plan view.

PLANS On the ground floor (left), the main entry is set back in the site, allowing for a focal point for the main functions of the building. It unveils the indoor pool, which is a main focal point from both inside and outside of the center. This floor contains the majority of the highly trafficed, public spaces while the upper floors contain the lesser trafficed spaces. The pool on the ground floor is a double height space so that those on the upper floor may see the activity of the space from any point in the building.

S ECTIO N + ELEVATION From the exterior, the glass roof raises above slightly, to create even further emphasis. The outdoor pool is framed by the building around it, creating maximum views of both the active and community aspects of the building. Though separated, these two functions are easily accessible to one another, connected by lounges on the interior that can be used by patrons of the building for any reason.

SQUASH COURTS STAFF OFFICES LOUNGE

LOBBY + CIRCULATION

GYM MASSAGE ROOMS + STAFF SPACES

LECTURE HALL GALLERY

PR OGR A M The axonometric diagram illustrates the diverse programatic experience that is found in the community center. From a gallery to squash courts, the center has an area of interest for those of all ages.

MEDIA HOUSE

A new media production facility for Case Western Reserve University with a black box theatre, library, lecture and classrooms.

SITE PLAN Located less than half a mile from the Cleveland Museum of Art, the building sits at a central point for both visitors of the area and students of the University. Due to this high number of individuals, namely students, who circulate the site on any given day, the center is a place for not only media production, but also a hub for public activity and community interaction.

SCHEM ATICS The main public space, a large, open, multi use area, features the cafĂŠ, library, and technology spaces. This leads dire ctly to the upper flo or gallery and lecture ro o m, which are both primarily for public use. These two flo ors are situated at the most public corner, an interface of student and community traffic.

THEATRE The black box theatre is intended to be tucked away during the day, but at night it comes alive and glows as a result of its clerestory windows. This way, the public may always be reminded of when there is a production taking place, which is beneficial to the entertainment of the public and also the work of the media students.

SOUTH ELEVATION

FACADE ELEVATION The mainly glass faรงade places further emphasis on the open, we lcoming atmosphere that is held within. The rest of the center, highly private areas for mainly media students, uses almost entirely stone to further imply the privacy of the spaces. This, in turn, draws more emphasis to the public functions of the building.

SOUTH SECTION

EAST ELEVATION

FUNCTIONALITY By publicizing placed on the something that bringing more the ne eds of with a sense

the cafe and library areas, a spotlight is media production function of the building, might otherwise be overlo oked, therefore patrons to the theatre. This center serves both the media students and the public of unity, but also necessary separation.

EAST SECTION

S K E TC H CO L L E CT I O N FULL CIR CLE STUDIES The sketch of Santa Maria Novella (right) was done during my sophomore year in my history of architecture II course. During my third year abroad, I was fortunate to live in the city that it calls home. During my time in Florence, I gave a presentation on the history of the marble facade for my Italian Art History course.

INTER IOR PERSPECTIVE In addition to studying historical facades, my time in Florence to ok me to many detailed interior spaces. The Monastary of San Marco (bottom left) and the biblioteca courtyard (bottom right) are just two examples of the unique spaces that I was able to visit and study while abroad.

MO DERN + HISTOR ICAL Throughout my studies of European architecture, sketching has become a critical component in learning the form behind any given design. Palazzo Davanzati (top left) is a unique space that I had the opportunity to visit while studying abroad. The arches,stairwells, and textures create a rather abstract design. Kar;skirche and Chiswick House (top right) were two historical buildings studied through history of architecture courses. The final sketch, The Church of the Hill (bottom left) is one of the most modern structures in Italy. The forms are very unique to the previosly studied historical forms.