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LAUREN VISCO interior design portfolio ◆ selected works 2012-2016
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What’s Inside...
I LIKE TO CREATE
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Senior Capstone: VAULT Simeone Deary Design Group Mile Square Lofts REI Flagship D.C. Tau Kappa Epsilon Boffi Chicago LLC. IIDA Product Runway Furniture Ensemble Feature Piece
EXPERIENTIAL SPACES AT
VAULT COMMERCIAL
SITUATED IN THE NEIGHBORHOOD OF WICKER PARK, CHICAGO, THIS COWORKING AND LIVE ENTERTAINMENT VENUE SERVES LOCAL CREATIVES LOOKING TO COLLABORATE, INNOVATE AND SHOWCASE THEIR ARTISTRY WITH THE SURROUNDING COMMUNITY INSIDE A UNIQUE, EXPERIENTIAL ENVIRONMENT.
Reception 1st Level
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AULT was created to address the need for inspiring coworking spaces geared towards creatives in the music and film industry. It also strives to bring together the art-loving, cutting-edge individuals of the Wicker Park community. Located at 1520 W. Division St. in Wicker Park, Chicago, VAULT resides within a 1938 limestone-clad building taking up two floors in its design. There are two entries into the building. From either entry, one may ascend to the first level located 9'-9" above grade, which houses the collaborative spaces and other co-working amenities including meeting rooms, a cafe lounge, and conference areas. Descending 5'-3" below grade from either entry, one enters the underground Vault, which houses the live entertainment component of the program. By providing inspiring spaces for both social interaction and collaboration, visitors will have the opportunity to interact with a whole new network of likeminded professionals as they cultivate their work and showcase it to the community. 4 Coffee/Juice Bar
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RECESSED COMPACT FLUORESCENT
2X2 RECESSED FLUORESCENT
GRID CEILING FLUSH FACEPLATE
VERTICAL SUSPENSION LIGHT CLUSTER
THIN VERTICAL SUSPENSION LIGHT
TOM DIXON PENDANT
FIRST LEVEL REFLECTED CEILING PLAN
HEM ALPHABETA PENDANTS
1. Reception 2. Coffee/Juice Bar 3. Open Work Stations 4. Private Meeting Room 5. Screening Room
6. Mechanical 7. Bike Storage/Lockers 8. Restrooms 9. Janitor Closet/Storage/IT 10. Recording Studio
11. Isolation Booth 12. Sound Lock 13. Equipment Storage 14. Client Lounge 15. Conference Room
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FIRST LEVEL FURNITURE PLAN
5'
10'
20' 7
Conference Room
CONCEPT
The Glitch
VAULT’s interiors are inspired by the symmetrical and assymmetrical movements of sound. These movements symbolize the arranged and unexpected collaboration that happens within the space. Seemingly symmetrical, sound waves transform into something completely different when analyzed three-dimensionally. They become an entity that can be occupied. I took hold of this idea and applied it to my design. Modeling sound processes and discovering how it related to the collaborative process, I designed a custom reception bar for the first level.
The models and sketches shown above explore the idea of sound bits coming together to create a rhythm in a dynamic and continual fashion. This exploration resulted in a centralized, custom millwork piece called. “The Glitch”, that connects the production and work spaces. It encapsulates the idea of sound bouncing around and spiraling through the space, as well as nodding to the idea of glitches in music or film — something that can be considered technological or human error, but can also be made beautiful.
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Northwest Entry
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RECESSED LINEAR FLUORESCENTV
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SPHERE PENDANT LIGHT CLUSTER
TOM DIXON VOID BRASS PENDANT
RECESSED LED DOWNLIGHT
CUSTOM SUSPENDED NEON LAMP
ERTICAL SUSPENSION LIGHT
LIGHTING TRUSS & TRACK LIGHTING
FOSCARINI CHANDELIER
SURFACE FLORESCENT
CUSTOM NEON TUBE CHANDELIER
SUSPENDED LINEAR NEON TUBES
LIGNE ROSET BLOOM PENDANT
SUB-LEVEL REFLECTED CEILING PLAN
1. Reception 2. Main Seating 3. Stage 4. Main Bar 5. Restrooms
6. Storage 7. DJ Booth 8. Raised Lounge 9. VIP
0' SUB-LEVEL FURNITURE PLAN
5'
10'
20' 11
Function From a functional standpoint, VAULT operates similarly to other coworking facilities around the world. A fee is charged to rent out the meeting rooms, screening room, recording, and post-production spaces. Prior to using the equipment, users must go through a training program certifying their knowledge of the studio technology. For alternative revenue, the quick cafe located within “The Glitch” sells grab and go juices, coffee, and pre-packaged snacks to the community. Ticket sales serve as the main revenue for the nightly events that take place in the lower level including film screenings and live performances. For a larger fee, the venue can be rented out for private events as well, and it is equipped to accomodate catering services.
BRANDING The logo was heaviliy inspired by images of glitched television screens and digital representations of sound. Contemplating light and the different colors that form it, I landed on using the four ink colors: cyan, magenta, yellow, and key to highlight elements throughout the space. Specifically in the sub-level, these colors pop out in the furniture selections, but also through the materials and lighting fixtures. As I played with the overlay of these colors, lighting became a major design element of VAULT. Neon lights, ray tubes, and a special effects lightbulb all contributed to the playful, experiential quality of the underground VAULT.
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Stage Elevation
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Raised Lounge/Main Bar Elevation Sub-Level Reception Above/Below: Capitalizing on the character of the building, the entry off of Bosworth Avenue serves as the starting point of the user’s experiential journey through the venue. Passerbys walking along the street catch glimpses into the mysterious character of the spaces beneath ehm through the ground level windows.
Stage/Main Bar
Sub-Level Rear Entry
Above: VAULT Logo; Bottom Right: Promotional Flyers
VIP Lounge
Cincinnati office of
Simeone Deary Design Group COMMERCIAL
Reception
THIS COMPLEX WORKPLACE DESIGN PROJECT AIMED TO POSITIVELY ENHANCE HOW WORK IS DONE AND TO DESIGN SPACES THAT HELP SUPPORT THE CULTURE OF AN ORGANIZATION.
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hrough the use of a holistic approach to design, this studio integrated all programmatic, technical, and professional requirements of a complex project. With an emphasis on space planning, systems furniture design, the preparation of construction drawings and specifications for a commercial office project, this studio challenged me to apply critical thinking to programming, research, planning, and design. Exploring the principles of visual perception as they relate to commercial office design, I identified a solution for Simeone Deary Design Group’s expansion to a 50-person office situated in a multi-tenant building in downtown Cincinnati. Utilizing the abundance of natural light within the space layered with sleek textures and finishes, I created an office space that is both hospitable and inspiring for designers and guests. 14 Lounge
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Open Studio
CONCEPT My design seeks to create an inspiring environment that is attractive to Simeone Deary Design Group’s image-conscious clients and employees. This is achieved through the gradation of space enclosures as one progresses through the office. With a variety of textures layered upon a sleek, neutral backdrop of black and white, designers and guests alike will feel the space transform from its cozy, detailed, hospitality areas and private meeting spaces as it opens into a bright and airy collaborative studio. 18
Collaboration Area
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DETAILS Simeone Deary Design Group is motivated by their roots and is inspired each day by how far they have grown. Noting how the workplace evolves due to technologies, work styles, practices and approaches to employee creativity, I have included a variety of free-flowing spaces for designers to choose where they want to work as well as display walls to remind designers of their firm’s great success. Showcasing the brand’s inception, the main wall in the reception displays an iconic graphic texture of the brand’s identity as it transforms onto different finishes. Using hospitality cues from their projects to provide amenities to designers, guests, and clients, this professional and fun office environment offers a variety of spaces for sharing ideas including the cafe, plaza, workroom, lounge, and multiple other collaboration zones. Towards the south end of the floor, the large windows allow plenty of natural light to filter through the open studios where the blossoming of ideas occurs. As you progress through the space, the ceilings, walls, textures, and materials gradiate as the space seems to expand around you.
Conference Room
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LIVE/WORK STUDIOs AT
Mile Square Lofts COMMERCIAL
THIS ADAPTIVE REUSE PROJECT COMBINES EXISTING HISTORICAL INTERIORS AND INNOVATIVE, SLEEK INTERIORS WHICH RESULT IN REFINED LIVE-WORK STUDIOS WHICH PROMOTE CREATIVITY, COLLABORATION, AND RESOURCEFULNESS.
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ile Square Lofts provide new, live-work studios for the interim lifestyle of graduated students and other young, aspiring professionals. By integrating existing architecture with innovative design applications, we created a layered space, which recalls the mixed media design process. Mile Square Lofts stemmed from the idea of integrating the history of the Oxford location and transforming an old space into a fresh and sophisticated place for artists to thrive. These lofts and additional programmed space are intended for young to middle-aged, higher income professionals specializing in 2D media. The exterior landscape fits a vegetable garden, reading nooks, patio, and exhibition space.
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Gallery
FIRST FLOOR 24
SECOND FLOOR 25
studios at
gallery at
Gallery
DETAILS
Exterior Corner Perspective
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Audience: Mile Square Lofts provides amenitites for resident and visitor use. The gallery/lobby seen above artfully displays works by the residents and allows for guests from the surrounding community to visit during gallery hours. The exterior landscape, as seen to the left, serves the community as well as the residents with reading nooks, cafe tables, and exhibition space for rotating art shows.
Work Studio/Classroom
Branding design: the identity and culture of Mile Square Lofts were communicated throughout the design of the space. Everything from the preservation of the historic brick to the addition of original textures and patterns on uncommon surfaces allowed the space to transform into a multiuse project full of energy and inspiration. The grid displayed on the logo derives from the layout of buildings in Oxford. The colored rectangle highlights the site of the new residence. Paying homage to the town’s old moniker given by long-term residents, Mile Square Lofts serves as an entry landmark into the town and bears the nickname of historic Oxford, OH.
Programmatic details: within our program a flexible, multipurpose studio and classroom allow the community to interact with the residents on the weekend through educational programs along with serving as an additional work studio for the tenants. With movable walls and plentiful natural light, these spaces provide adequate working and educational space for the cognitive needs of the tenants. Additionally, a wine bar and gallery accomodate the social needs of these residents to collaborate and showcase their work to guests and students.
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WINE BAR & LoUNGE at
Mile Square Lofts Upon entrance to Mile Square Lofts, a place for socialization, innovation and collaboration lives. A subset of the Mile Square Lofts brand, Rouge Wine Bar and Lounge, serves as an amenity to the residents of the building as well as guests from the surrounding community. A place for gathering or relaxing, Rouge allows the live-in artists to connect with visitors and exchange ideas as they choose from a wide selection of imported wines. The space’s warm, sophisticated, industrial material palette complements the historic brick and color palette of the Mile Square parent brand. Playing off of the color of wine, the name Rouge came about as it connotates a cafe-type setting, a sense of history and a dash of elegance. Much like when a lady uses rouge to emphasize her cheekbones, Rouge serves as a focal point and emphasizes the notion of collaboration and community engagement that Mile Square Lofts seeks to have within its suburban setting.
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Rouge Wine Bar
Washington D.C.
REI Flagship COMMERCIAL
AS PART OF THE 2014 PAVE STUDENT DESIGN COMPETITION SPONSORED BY REI, THIS DESIGN FOCUSED ON MILLENNIAL CONSUMERS AS WELL AS THE ADVANCEMENT OF TECHNOLOGY IN A RETAIL SPACE.
Outerwear
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y store design concept stems from the idea that humans are connected with all living things. It is through these connections where discoveries happen and journeys begin. This idea that everyone has different links, journeys, and experiences should be celebrated, shared, and incorporated into the design process and customer experience. My design features spaces and fixtures that allow customers to connect closely with the REI brand and share their personal adventure experiences. These elements symbolize how through conversation and the exchanging of ideas, we are connected to each other on a deeper level.
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Main Entrance
FLOOR PLAN | SCALE: 1/32”= 1’-0”
CONNECTIVITY The above reflected ceiling plan showcases how the use of exposed copper conduit connects all the shops. The gridded pattern is broken in the center of the floor plan symbolizing the interconnectivity occuring between guests throughout this key commons space. The commons space includes: a cafe, photo/video walls, product information kiosks, and demo areas. Enjoy a s’more at the cafe. Connect with others. Share experiences on the technology walls. Belong to a community at REI D.C. Central Community Space 32
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REI Community Cafe
The cafe displays how by designing spaces for purposeful and accidental, social interaction in a flagship store, a brand’s user experience greatly improves. These spaces that I’ve designed for the new REI flagship store in Washington D.C. can serve as that “third place” for many people and ultimately bring an urban community together.
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Checkout Station
TAU KAPPA EPSILON AT
Miami University RESIDENTIAL
SITUATED IN A HISTORIC BUILDING, THE RE-DESIGN OF THE FRATERNITY’S QUARTERS SOUGHT TO COMMUNICATE THE MORAL STANDARDS TO WHICH THE MEN HOLD THEMSELVES TO AS WELL AS SERVE AS THEIR SECOND HOME. Entryway
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iami University’s Tau Kappa Epsilon Fraternity presented me the opportunity to design a sophisticated entryway interior adjoining the home’s study room within the parameters of the existing footprint for the members of the fraternity. They desired a simple, sleek and durable foyer as well as a classy, comfortable and masculine space. These revived entry spaces would serve as a welcoming environment for guests and provide the space necessary for meetings, studying or relaxing after class. Using warm wood tones, various textures and neutral colors, the new spaces convey a relaxed sophistication that welcomes home the men of the fraternity. This design includes the Fraternity’s bold red insignia, leather, wood and metal details, and a fresh entry to their historic building.
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FOYER A foyer is the space where the transition is made from the public world to the private world. This small foyer gives the first impression of the fraternity with its clean design and modest accents. A cork-textured wallpaper with metallic flecks provides visual interest to two of the walls without overwhelming the space. For functionality I placed a black, wooden chair and a small table in the foyer’s nook along with two stacked black and white prints. Lacquered stair treads and granite tile flooring allows for an easyto-clean space. Sconces, a table lamp and a contemporary pendant fixture light the room in the evening. 37
STUDY The materials chosen for a space should meet the function of the room. This study room is meant to have various purposes, so I chose furniture and materials that were multi-functional and highly durable. Through the juxtaposition of smooth and rough, shiny and textured surfaces, I created visual interest in the study room. The light gray walls provide a simple backdrop for members to personalize and have flexibility with object placement. As a nod to the University’s mascot, I selected a painting of a Native American next to the fireplace. A large, wooden mirror was placed above the mantel to open up the room. I added a wall graphic of the fraternity’s crest to further personalize the room and showcase the chapter’s colors. To contrast the rectangular lines of the wooden meeting table, I incorporated softer items such as the padded, worn-in armchair. The leather seats, metal light fixtures and darker wood floor all give off a masculine feel when they are combined with the cozy fabrics of the linen drapes, and tweed throw pillows. Now with the renovated space, members can store their personal belongings, study more efficiently, have impromptu meetings, and relax all in the comfort of their new home. Study Room
TKE Insignia Detail 38
Seating/Storage Detail 39
JUNIOR DESIGN WORK AT
Boffi Chicago
Kitchen #1
HIGH-END RESIDENTIAL
HAVING HAD THE OPPORTUNITY TO INTERN WITH A GLOBAL, INNOVATIVE COMPANY THAT COMBINES TRADITIONAL DESIGN PRACTICES WITH MODERN AESTHETICS TO CREATE IMPACTFUL INTERIORS THAT RESONATE WITH A HIGH-DESIGN MINDED CLIENTELE
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Details of three separate kitchen designs created in Sketchup and rendered in Shaderlight.
Kitchen #2
Included below is a custom Lindsey Adelman fixture that I modeled in Sketchup for a client.
y internship experience at the Boffi showroom and design studio in the River North neighborhood of Chicago gave me great insight into the residential kitchen and bath industry. While collaborating on various custom, luxury projects, I learned European design standards, grasped the dynamics of a showroom, improved my technical skills, and accompanied the manager on site installation visits to verify field measurements. In addition to advancing my design skills, this internship also allowed me to implement my Italian language skills. Throughout my experience at Boffi, I combined my enthusiasm for the Italian language and culture with my passion for design, and increased my appreciation for this global company.
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Kitchen #3
Cincinnati IIDA presents
Product Runway 2015 TEAM COMPETITION
SIX MIAMI UNIVERSITY STUDENTS ENTER AS ONE OF ONLY TWO STUDENT TEAMS IN URBAN FASHION COMPETITION DESIGNING AN ENTIRE LOOK OUT OF CARPET MATERIALS. TEAM MEMBERS: KALEY SOBANSKI, ASHLEY KAY, RACHEL HUCEK, LILA WENGLER, JOE MAUTINO, & LAUREN VISCO (MODEL)
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s part of IIDA Cincinnati’s 2015 Product Runway Competition, my design team and I paired up with Mohawk Flooring to create an outfit made out entirely of carpet materials. From a selection of music genres, our team chose a Hip-Hop genre to guide out concept because of its tendency to push the boundaries of fashion. Over the course of 3 months, we played with Mohawk products including: carpet backing, carpet pellets, nylon thread, and unbacked carpet to design a couture outfit ready for the streets. We were intrigued by the challenge of deconstructing carpet to reveal an outfit that displayed a modern take on the prominent hip-hop trends of past decades.
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Mohawk Carpet Outfit
Furniture design
Ensemble FABRICATION
THIS ENSEMBLE OF MATCHING CABINET AND SEATING UNIT ALLOWED FOR A THOROUGH EXPLORATION OF CASEWORK AND FURNITURE-MAKING. AS PART OF A CONFERENCE CABINET WALL, THE WINE CABINET WAS SELECTED FOR FABRICATION.
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asked with the challenge to design a cohesive furniture pairing and fabricate it within an eight-week time span not only taught me the cabinetry technicalities involved in furniture fabrication, but it also increased my appreciation for furniture design as a whole. Prompted to design an entire cabinet wall for a conference room, I started by exploring ideas of how to challenge myself and learn new skills. After establishing my concept of designing a two-piece ensemble that could be customized for multiple clients as well evoke a traditional elegance and luxury, I gathered my materials and planned out the fabrication details of the two pieces. During the fabrication process, I acquired many new woodshop skills and learned all of the joint options there are for wood-working. My finished product, as shown on the opposite page, served as a hospitality and wine cabinet for clients during conferences. Ideally finished in a dark wood with metallic gold detailing, the wine (continued on page 46)
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Front
Side
Door Detail
(continued from page 44) cabinet has many options that can be configurated according to a client’s needs. The curvature of the cabinet’s side panels are reminiscent of the Art Deco period. These curves allow a person to easily work on either side of the cabinet without being obstructed. My cabinet contains a rack that holds 16 standard wine glasses, a drawer for bar tools, and an oversized understorage space for an optional, integrated, refrigeration system. Standing at five feet tall, this cabinet beautifully enriches any cabinet wall that desires a hospitality component as it gives a sense of presence within a space.
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Front
Side
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22 1/16” Lauren Visco
Lauren Visco
Cabinet Mockup
Two Person Seating Unit
2” Interior Design Office
Recreational
Seating Unit Design Design Ensemble
Cabinet Construction Design Ensemble Miami University
5’
1’-2”
6”
1’-6” 2”= 1’-0”
Cabinet elevations/ dimensions
Bench elevatio dimensions
21” 21”
Gold Sheet Metal 15”
B2.1 LV
3”
B1.1
4’ Lauren Visco
Cabinet Mockup
Bench Design
Interior Design Office
Cabinet Construction Design Ensemble Miami University
3’-2”
Door Detail
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In conjunction with my wine cabinet, I designed a simple, sleek bench with characteristics similar to that of my cabinet including the black and gold material palette and the curvature of the legs that appear when one circumferences the piece. At a height of 18 inches, this bench complements any conference or lounge room as an additional seating unit. Top Detail
Feature publication:
Gaze 2D MEDIA
ACRYLIC ON CANVAS | 18 x 24 INCHES | PUBLISHED AS COVER ART AND FEATURED IN MIAMI UNIVERSITY’S ART EFFUSIONS JOURNAL IN THE SPRING OF 2015.
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tarting this piece with a face, I painted a confident, strong woman emerging from her vibrant life. She loves the world around her and seizes each day with the intent of inspiring positive change and growth among others. I aspire to be like her and help motivate those around me to be passionate in everything they do. The geometry of colors, shapes, and lines, all formed from the music I was listening to during the creation process. I implemented whatever emotion I felt at the time into a part of this piece. I worked out my vision on the canvas, however the paint had other ideas. I found beauty in letting it do what it wanted, resulting in a river of color combinations that evoked moods and created depth in my painting.
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Gaze
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