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Inspiration and insight for architects and interior designers

Volume 9 | Issue 1 | April 2017 | `50

Published by ITP Publishing India

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EDITOR’S LETTER

SHAPING THE WORLD

CONCEIVED BY GAYATHRI AND NAMITH ARCHITECTS, THE NETZERO ENERGY BUILDING IS A STERLING EXAMPLE OF WHAT IS POSSIBLE...

It is not often that one encounters a built project that is a successful marriage of form and function. Structures are shaped by architects and their vision, based on the client’s brief. That is a given. But how many of us realise that they can shape the occupants’ quality of life and, in so doing, change their world? When the thought strikes us, we realise the responsibility shouldered by architects who take their job seriously – for their job is not to experiment with materials and sculptural forms at the expense of the client, but to shape the building to meet the functional requirements of the space. ȱ¢ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ǰȱ ȱ ¢ȱ ȱ Ĵ ȱ ȱę ȱ ȱ the dramatic shape of the building. Read our special feature on Jaquar’s global headquarters in Manesar (pg28), and you will learn that the soaring form is ȱ ¢ȱ ȱ ȱ ȱ ȱ ȱ ȱ ę ȱ ȱ Ȃ ȱ ȱ ȱ ȱ ¢ ȱ ȱ ȱ company’s growth as well as to shape the quality of life for those who spend ȱ ȱ ȱ ȱ ȱ ¢ȱ ȱ ȱ Ĝ ȱ ȱ ȱ ȱ ¢ȱĚ ȱ ȱ ȱ Ě ȱ ¢ȱ ȱ ȱ ȱ ȱ ǯȱ Conceived by Gayathri & Namith Architects, the net-zero energy building is a sterling example of what is possible when the client, architects and consultants are on the same page. The pride with which not just directorpromoter Rajesh Mehra, but also the employees of Jaquar Group speak about their world, is testimony to a job well done. Our visit to Manesar is memorable ȱ ȱ ȱ ȱ ȱ ěȱ ȱ ȱ ¡ ȱ ȱ Ȃ ȱ ȱ Ȭ of-the-art brand experience studio (pg44) designed by Foley Designs. The importance of the right HVAC system in the context of enclosed environments like the Jaquar global headquarters cannot be stressed enough. The radiant screed cooling/heating system installed here reduces more than 30% of the operating energy in HVAC as compared to the conventional system. ȱ Ȭ ȱ ȱ ȱ ȱ ȱ ȱ ¢ȱ ȱ Ĝ ¢ȱ ȱ because the radiant system uses chilled water to condition the space at a much higher temperature (15°C instead of 6°C with conventional air-conditioning). Consequently, the chiller has to work only in producing 15°C water instead of 6°C water – resulting in high energy savings. Read our product spotlight on

ȱ ¢ ȱǻ śŗǼȱ ȱę ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ǯ The indoor air quality can also be engineered naturally, especially in residential projects that follow the tenets of vernacular Indian architecture and promote the use of jaliȱ ȱ ȱ ¢ ȱ ȱ ȱ ȱĚ ȱ ȱ ȱ ȱ ensure cross-ventilation. Projects done by the two-decade-old Dalvi Associates, ȱ Ȭ ȱ ȱę ǰȱ ȱ ȱ ȱ ǯ This issue, following close on the heels of our eighth anniversary issue featuring our iGen hotlist for 2017, is yet another keeper. We hope it shapes ¢ ȱ ȱ ȱ ȱȮȱ ǰȱ ȱ ǰȱ ȱ ȱ ȱ ȱ ě ȱ ȱ ȱ quality of life for those who occupy the spaces you create.

Maria Louis, Editor maria.louis@itp.com

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CONTENTS

APRIL 2017 VOLUME 9 ISSUE 01

28 18

PROFILE

Swapnil and Rahul Dalvi share their twodecade-long journey at Dalvi Associates. 28

SPECIAL FEATURE

Gayathri & Namith Architects creates a symbolic and sustainable global headquarters for the Jaquar Group.

PRODUCT SPOTLIGHT

Innovation in HVAC is ensuring that the VXUJH LQ GHPDQG FDQ EH PHW HIÀFLHQWO\ 60

FOCUS

Westminister Design Competition (South Asia) inspires change in urban pockets. 64

INTERVIEW

Emma Stinson’s remarkable journey at the now-wildly successful Studio EM.

INTERNATIONAL CASE STUDY

HBA imbibes Lebanese culture in the newly restored Kempinski Summerland Beirut. 72

INNOVATION

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64 Cover: Jaquar’s global headquarters in Manesar (pg28); Photograph: Amit Dhir Photography

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

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60-SECOND INTERVIEW

MANIK WANDREKAR, FURNITURE AND INTERIOR DESIGNER

Volume 9 | Issue 01 | April 2017 | `50 ITP Publishing India Pvt Ltd Notan Plaza, 3rd floor, 898 Turner Road Bandra (West), Mumbai – 400050 T +91 22 6154 6000

Deputy managing director S Saikumar Group publishing director Bibhor Srivastava

EDITORIAL Editor Maria Louis T +91 22 6154 6037 maria.louis@itp.com Contributors Anamika Butalia, Aruna Rathod, Carol Ferrao

ADVERTISING

Over the last year, 75-year-old veteran designer Manik Wandrekar has been working tirelessly to produce a unique set of installation furniture. b ȱ ȱ ȱ ȱ ȱ ¢ȱ ȱ ȱ ę ȱ ¡ ǰȱ Luxury in Leather, which was held at the Oberoi hotel, New Delhi, way back in 1970. Last month, at The Art Hub, Atria Mall, Mumbai, she proudly presented her new collection, where the principles of art, environment and emotions inform the design. The one-of-a-kind furniture pieces, 60 in total, were divided into three furniture series: Emotional, Recycled and Art. Wandrekar has even taken inspiration from great artists and converted it into third dimensions, such as a chair she has designed in memory of the late Parmeshwar Godrej or one based on Andy Warhol’s famous pop art. ȱę ȱ ȱ ȱ ȱ ȱ Ȭ Ȭ Ȭ ȱ ¡ ȱ ȱ ȱ ȱ ȱ

Director Indrajeet Saoji T +91 93202 85997 indrajeet.saoji@itp.com South India Director Sanjay Bhan T +91 98457 22377 sanjay.bhan@itp.com

STUDIO Head of design Milind Patil Senior designer Vinod Shinde Contributor Saili Bandre

PRODUCTION

conversation with this ever-young designer.

Deputy production manager Ramesh Kumar

What was the inspiration behind this exhibition? Manik Wandrekar: The monotony in today’s furniture design brought upon by computerisation, mass production, space and time constraints ȱ ȱ ȱ ȱ ȱ ȱ ¡ ǰȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ to give way for new thought processes in design. You can say, out-of Ȭ ¡ȱ ǯȱ ǰȱ ȱ ȱ ȱ ¡ ȱ ¢ȱ ȱ ¢ȱ ȱ ȱ ȱ ȱ ¢Ȃ ȱ ¢ȱ ȱ ȱ ȱ ȱǻ ȱ ȱ trees). The show is dedicated to my late guru, SH Wandrekar, who through his work at Rachana Sansad, has honed the skills of umpteen number of interior designers, architects, artists, etc, who are spread out across the world, doing challenging work.

CIRCULATION Distribution manager James D’Souza T +91 22 61546006 james.dsouza@itp.com

The publishers regret that they cannot accept liability for error or omissions contained in this publication, however caused. The opinions and views contained in this publication are not necessarily those of the publishers. Readers are advised to seek specialist advice before acting on information contained in this publication, which is provided for general use and may not be appropriate for the readers’ particular circumstances. The ownership of trademarks is acknowledged. No part of this publication or any part of the contents thereof may be reproduced, stored in a retrieval system or transmitted in any form without the permission of the publishers in writing. An exemption is hereby granted for extracts used for the purpose of fair review.

In the exhibit, how does furniture rise above its utilitarian purpose? Wandrekar: My works are based on three principles – art, environment ȱ ǯȱ ȱ ȱ ȱ ȱ Ȭ ȱ ǰȱ ȱ will challenge your ‘thinking’ as well as beautify your environment. The furniture also speaks about the state of our cities and the future we are heading towards. ‘Ultimate truth is life’ and so many such statements are made through design. Plus, there’s restricted art-like paintings, ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ǯȱ ȱ ȱ their shackles and bring them on the ground in the form of furniture for

Printed and Published by Sai Kumar Shanmugam, Flat no 903, Building 47, NRI Colony, Phase – 2, Part -1, Sector 54, 56, 58, Nerul, Navi Mumbai 400706, on behalf of ITP Publishing India Private Limited, printed at Indigo Press India Pvt. Ltd., Plot No. 1C / 716, Off Dadoji Konddeo Cross Road, Between Sussex and Retiwala Ind. Estate, Byculla (East), Mumbai-400 027, India, and published at ITP Publishing India, Notan Plaza, 3rd Floor, 898, Turner Road, Bandra (West), Mumbai - 400050. Editor: Maria Louis

To subscribe, please visit www.architectandinteriorsindia.com

people to feel, touch, caress and enjoy. ȱŚŝȱ¢ ȱ ȱ ǰȱ ȱ ȱ¢ ȱ ȱ ȱ ȱ ȱ ȱę ǵȱ Wandrekar: Computer technology, the restrictive classroom education system of the present, and the (pace of) construction are slowly poison ȱ ȱ ¢ǯȱ ȱ ǰȱ ȱ ¢ȱ ȱ ¢ǰȱ ȱ ȱ ¢ȱ ȱ ȱ ¢ǯȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱȁ ȱ Ȃǯ

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

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INDUSTRY DATA ȱ ȱ ȱ ȱ ȱ ȱȮȱ Ȭ ěȱ ¢ȱ ȱ Group and Tumidei – in smart, space-saving furniture at their Ě ȱ ȱ ȱ ǯȱ ȱ Ȧ ȱ ¢ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ Ȭ ȱ ǯȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ǯȱ ¢ȱ ǰȱ ȱ ȱ ȱ ȱ ȱ ȱ Ĵ ǰȱ ǰȱ ȱ ǰȱ ȱ ȱ ȱ other items – making it ideal for studio apartments, multi-use ǰȱ Ȭ Ȭ ȱ Ȭ ǰȱ ǯȱ ȱ ¢ ǰȱ ȱ ȱ Ĵ ǰȱ ǰȱȃ Ȭ ěȱ ¡ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ǯȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱȮȱ ȱ ¢ ȱ ȱ ȱ ȱ ȱ ǯȄ ȱ ȱ ȱ ȱ ȱ ¢ȱ ȱ ŘŖŗŝȱ ȱ ȱ ȁ ȱ ȱ ȱ ȱ ȱ ¢ Ȃȱ ȱ ȱ ȱ ¢ ȱ ȱ ǯȱ ȱ ȱ ȱ ǰȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ¢ȱ ȱ ǰȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ Ȭ ¢ȱ ǰȱ ȱ ȱ ¢ȱ ǯȱ ȱ ǰȱ ǰȱ ȱ ǰȱ ǰȱ ȃ ȱ ȱ ¢ȱ ǯǯǯȱǽ ȱ ȱ Ǿȱ ȱ ¢ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ǯȱ ȱ ȱ ȱ ȱ ȱ Ȭ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ¢ ǰǲȱ ȱ ȱ ȱ ¢ ǰȱ ȱ ȱ ȱ ȱ ȱ ȱ ǯȄ

DLF Home Developers Limited (DHDL) has two upcoming projects in the DLF Gardencity area in Gurgaon – Ultima and the Skycourt – and both are aimed at being the choicest luxury home destinations. The Skycourt is a large complex, divided into ȱ ȱ ȱ ¡ ǰȱ ȱ ȱ Ȭ Ĝ ȱ ȱ ȱ ǰȱę ȱ ǰȱ Ȃȱ ¢ȱ ȱ ȱ ǯȱ ȱ ȱ ȱ in Sector 86, at the heart of DLF Gardencity, which will be home ȱ ȱŗŖǰŖŖŖȱ ĝ ȱ ǯȱ ȱ ě ȱ Ȭ ǰȱ luxury homes, neighbouring a staggering 1,000 acres of reserved open spaces and landscape design by award-winning designer Paul Friedberg.

Ȃ ȱ ȱ ǰȱ ȱ ¡ ¢ȱ ȱ ȱ ȱ ȱ ǰȱ ȱ ȱ ǰȱ ȱ ȱ Ě ȱ ȱ ȱ ǯȱ ȱ ȱ ȱ ǰȱ ȱ ȱ Ȃ ȱ ȱ ǰȱ ȃ ȱ Ě ȱ ȱ ě ȱ ȱ ȱ another with regard to its features – such as the thickness of the baseboard, abrasion class, aesthetics, size, surface texture and colours. The features ensure durability and long use, while ȱ ȱ ȱ ȱ ȱ ȱ ę ȱ ȱ ¡ ȱ ȱ ȱ ȱ ȱ ȱ ǯȄȱ ȱĚ ȱ ȱ ȱ ȱ ȱ chemicals, yet promises to be scratch- and dent-resistant.

ȱ ȱ ȱ ȱŘŖǰŖŖŖȱ ȱ ȱ ȱę ȱ ¢ȱ ȱ ǰȱ ȱ Ȃ ȱ ȱ ȱ ȱ ȱ ǰȱ ȱ ȱ Ȭ ǰȱ ȱ ȱ ǯȱ ȱ ȱ ȱ ȱ £ ȱ ȱ ȱ ȱ ȱ ȱ ȱ Ĵ ȱ ȱ ȱ ȱ ǯȱ Ĵ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ¢ȱ Ĵ ȱ ¢ȱ ȱ ȱ ȱ ȱ ȱ ǰȱ ȱ ȱ ȱ ¡ȱ ȱ ȱ ȱ ȱ ȱ ǯȱ ȱ ȱřȱ ȱ ¢ȱ ȱ ȱ ȱ ȱ Ȭ ȱ ȱ ȱ ȱęĴ ȱ ȱ ȱ ǯ

ȱ ȱ ȱ ȱ ȱ ȱ ¡ ǰȱ ȱ ¢ȱ ȱ ȱ ȱ ȱ ȱ ȱ ě ȱ ȱ ȱ ȱ ǻ ȱ ȱ ¢ Ǽǯȱ ȱ ¢ȱ ¢ȱ ¢ ǰȱ ȱ ȱ ȱ ȱ ¢ȱ ȱ ȱ ȱ Ȧ ȱ ȱ ȱ ȱ ȱ Ȭ Ȭ ǰȱ ¢Ȭ ȱ ř ȱ ȱ ȱ ȱ ȱ ȱ ȱ ¢ ǯȱ ȃ ȱ ȱ ȱ ¡ ȱ ȱ ȱ ȱ ȱ ȱ ¢ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȁ Ȃȱ Ȯȱ ȱ ȱ ȱ ȱ ȱ ȱ ¢Ȭ ȱ ¢ȱ ¡ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ȱ ǰȄȱ ȱ ȱ ǰȱ ǰȱ ȱ ȱ ȱ ǯ

Ȭ ȱ ȱ ȱ ȱ ȱ Ȭ ȱ ȱ ȱ ȱ ę ¢ȱ ǯȱ ȱ ę ¢ȱ ȱ ȱ ȱ ȱ ě ȱ ȱ wide range of solar control and thermal insulation solutions for architectural applications. The line of products is manufactured ȱ Ȭ Ȭ Ȭ ȱ ¢ǰȱ ȱ ȱ ȱ ǰȱ ȱ ȱ ¢ȱ Ĝ ¢ȱ ȱ ȱ ȱ ȱ such as minimum visual glare, advanced thermal insulation ȱ ȱ Ȭ ȱ ȱ ǯȱ ȱ ȱ ȱ ȱ ȱ ȱ ¢ȱ Ȭ ǰȱ ȱ ȱ ě ȱ ȱ ȱ ȱ ě ȱ ȱ ȱ ȱ ǰȱ ȱ ǰȱ Ȭ ȱ (insulation), UV Protection and daytime privacy.

ǰȱ ȱ Ȭ ȱ ȱ ǰȱ ȱ ȱ ȱ Ȭ Ĝ ȱ ȱ ȱ ȱŝŗŖȱȱ ȱ ȱŘŖŗŝȱ ȱ ȱ ǯȱ ȱ ȱ ȱ ȱ ȱ ¢ ȱ ȱ ȱ ȱ ę ȱ ȱ ȱ Ȭ ǰȱ ȱ ȱ ¢Ȭ Ȭ ǯȱ ¢ȱ Ĝ ȱ ȱ ¢ȱ ȱ ȱ ěȱ ȱ ǯȱ Stickers, posters or signs that have been pasted on to walls can easily be removed as well. The product contains no organotin compounds or oximes and is a low-solvent formulation. The ȱ ȱ ȱ ȱ ¢ȱ ȱ ȱ ǰȱ Germany – from April 4-6.

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NEWS & PEOPLE

Chakraview travels from London to New Delhi

Following an acclaimed presentation as India’s official entry to the inaugural London Design Biennale in 2016, India Design Forum (IDF) is presenting its installation Chakraview as part of Serendipity Arts Festival-16 in 17 in New Delhi. The installation received rave reviews at the Biennale – “With its mirrored floor, hanging textiles and walls of street signs, it was definitely the most vibrant of our exhibits and certainly one of the most photographed,” said Dr Christopher Turner, director, London Design Biennale. Now the installation comes to its home country, made possible with the support of the Ministry of

Commerce & Industry, Department of Industrial Policy & Promotion, Confederation of Indian Industry and Aadyam, an Aditya Birla Group initiative. “We are delighted to be exhibiting Chakraview in association with Serendipity Arts Festival, as part of our shared ambition to promote creativity and innovation in art and design in India. We are thrilled to exhibit it in the place that inspired it,” said Rajshree Pathy, founder, IDF. Curated by Pathy in collaboration with scenographer Sumant Jayakrishnan, the installation incorporates the work of design strategist Avinash Kumar, artist Hanif Kureshi and designer Rutva Trivedi, to poignantly portray the multiple utopias that India emulates. Weaving together India’s cultural heritage, using traditional textiles and ancient mythology with modern design innovations, Chakraview successfully portrays a sense of modern India. The work presents a unique blend of the social, political and religious climates that will always characterise India. It can be witnessed first-hand at Bikaner House, New Delhi from April 6-16.

Axor fights piracy with awards

Two blatant copies of Axor and Hansgrohe taps were among the winning products of the 41st Plagiarius Award, the infamous prize given to those manufacturing or distributing counterfeits. “Successful brands and products, like Axor Starck V glass tap and Hansgrohe Metris Classic tap, are always the ones to be imitated or copied,” emphasised Carmen Vetter, head of the Proprietary Rights Department at Hansgrohe. “The Hansgrohe Group will continue to be relentless in its fight against product piracy, including taking legal action across the globe.”

Unique fibre art by Madhuri Kathe

Emami and Sheth partner up for new project

Emami Group and Sheth Corp, both well known in the real estate industry, announced the launch of their flagship project Montana in Mulund, Mumbai. Emami Group’s realty arm, Emami Infrastructure – developer from Eastern India, and Sheth Corp – developers in the luxury and mid-housing segment, have formed a LLP for Montana. With international architect James Law, renowned interior design firm HBA Singapore and Bangkok’s TROP landscape

Every building must be a temple to architecture, a place where the spirit of architecture is inculcated and transmitted.” ABHIN ALIMCHANDANI, PRINCIPAL, STUP CONSULTANTS

designer, this is poised to be a luxury offering. Ashwin Sheth, CMD, Sheth Group, said, “We are already present in Mulund with our projects Vasant Oscar and Vasant Garden. We are confident that we will be successful in delivering a landmark project and set a benchmark of luxurious living. With this project, our association with Emami Group, James Law, HBA Singapore and TROP will be stronger and longlasting.” Spread over seven acres, these towers will be located on the arterial LBS Road in one of Mumbai’s fastest growing suburbs. It comprises four towers with spacious apartments of two-, three-, four- and five-BHK configurations. Speaking about the investment in Montana, RS Agarwal, joint chairman, Emami Group, said, “Montana is our third project with Sheth Corp. Taking benefit of the respective strengths and opportunities, we are launching our flagship development in Mulund, christened Montana.”

We owe Mother Nature for what we…have achieved/invented. And it is our duty to give her back.”

HIREN PATEL, PRINCIPAL, HIREN PATEL ARCHITECTS

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

Through her upcoming solo show at Artisans Gallery, Kala Ghoda, Mumbai, artist Madhuri Kathe will give organic cotton a distinct expression. Using fabrics and gauze, she is creating undulating layers, neat folds, coloured forms, featured cuts, holes, creases and ragged markings to “resemble some strange opinions in terms of uniqueness.” Kathe added, “Fibre art, which is oriented towards serious art expressions, is the tradition of clinging to pigments… The outcome is reflected in the sculpted tactile quality that embodies each work that appears raw and visceral yet muted and delicate.” Her whimsical creations can be seen at the Artisans Gallery from April 18-22.

India can be a design and architecture powerhouse. Few other places have the heritage, the diversity and complexity.”

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Nirmala Niketan students get creative

At their annual exhibition titled Creations 17, students of Nirmala Niketan Polytechnic came up with some technologically innovative, spacesaving and sustainable furniture. The exhibition was inaugurated by image consultant and life coach Chhaya Momaya, and saw students from a variety of disciplines – interior design, fashion and commercial art departments – come together to showcase their inherent creativity and academic excellence. Their work was evaluated by a jury comprising eminent architects Ketan Vaidya, chairperson of IIID; Dhiraj Salhotra, principal of

Thakur college; architect Amit Valsangkar, chairman, board of studies in interior design (ad-hoc), member of Academic Council of University of Mumbai; and leading landscape architect Hrishikesh Phadke. On display were academic assignments by all the students – from portfolios showcasing projects such as 2BHKs, bungalows, high-end showrooms, gyms and spas, and corporate offices. Miniature models created by first year students were also on display. Students across the academic years took up the challenge to design exclusive products – second year students designed home accessories with alphabets as the central theme, while third year students utilised their creative prowess to create life-size, foldable/ stackable furniture. A wide range of furniture items like lounge chairs, rocking chairs, dressing tables, swings, centre tables, study tables, sofas, console tables, shoe racks, etc, were designed and realised with precision and dedication. The thematic interpretation of alphabets was seen in accessories such as key holders, book racks, wine bottle holders and iPad stands.

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Dow Corning provides Sahayog to Mumbai

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Dow Corning is expanding its India operations with the opening of the Sahayog Building Solutions Centre at Kanjurmarg in Mumbai, which will provide comprehensive project support, technical training and hands-on skill-building workshops. The centre will focus on the performance, safety and durability of buildings constructed using Dow Corning silicone materials. It will enable visitors to see and experience the company’s range of highperformance building technologies such as: Dow Corning’s Transparent Structural Silicone Adhesive (TSSA) for fixed-point exterior glass façades, PanelFix System and 121 Structural Glazing Sealant. “Our silicone innovations have been playing a key role in the building and construction industry for many years,”

With the launch of Agate Pro to its existing range of Agate faucets, Parryware marks the addition of yet another smart solution to the company’s bestselling faucet line. KE Ranganathan, MD, Roca Bathroom Products, said, “A winning combination of design, quality, performance and price, Agate Pro has been conceived keeping in mind modernday bathroom needs.” The new product is pocket-friendly and comes with chromelasting finish, a 10-year warranty and customer care support.

A design should chuck all superfluous elements and be perceived in an uncomplicated manner.”

ANINDYA DAS GUPTA, DESIGN MANAGER, VIP INDUSTRIES

said Dharmesh Shah, India commercial leader. “Now that Dow Corning Corporation is a wholly owned subsidiary of The Dow Chemical Company, it gives us the opportunity for newer product offerings, increased geographic reach and expanded R&D power to bring innovations to our Indian customers faster.” For further information, visit dowcorning.com/sahayogbsc

While architecture tends to focus on a visual culture, I think our role is a social one.”

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ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

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PROFILE DALVI ASSOCIATES

TWO IS COMPANY

SWAPNIL AND RAHUL DALVI RECOUNT THEIR TWO-DECADELONG DESIGN JOURNEY AT DALVI ASSOCIATES BY ANAMIKA BUTALIA & MARIA LOUIS

S 1. Rahul and Swapnil Dalvi: A cricketer and a dancer form the perfect team.

he was just a girl when her mother and sisters introduced her to art. Drawing, painting, writing, stitching and learning Bharatanatyam was part of young Swapnil’s daily schedule. But eventually, she was drawn to a different art – of space and form – and she left no stone unturned to adapt her interest in architecture into a career. The various festivals she attended as a classical Indian dancer led to interactions with people from different parts of the world – which, in turn, led to the understanding of different cultures, values and how architecture lives through it. “The journey through other cultures made me realise, value and respect our motherland all the more,” declares Swapnil Dalvi today. Surprisingly, her batchmate (at MS University, Vadodara)turned-husband’s foray into architecture has been quite different from hers and that of other architects in the country. Rahul says that being in the field of architecture was “a sheer

stroke of luck” and not something he dreamt of in school. “As most established achievers in my known circle were doctors or engineers, I aspired to become a mechanical engineer,” he recalls. “It was only after getting into college that I got interested in architecture. Today, I strongly believe there is no other field better than architecture... at least for me.” It’s no wonder that he feels this way, for his and Swapnil’s combined architectural journey as the principals/partners at Dalvi Associates, has been as inspirational as it is influential. The contrast in their journeys – Rahul’s involved a change, while Swapnil’s was straightforward thanks to her art inclinations – add an interesting dynamic to their working relationship and their approach to design. Swapnil’s initial outlook of architecture was that it was a staid desk job; but during family trips to various architectural cities in the country, she “got influenced, enthused and interested in architecture.” Till today, art in every form – a

2. For the private residence, Elysium, the duo navigated through a complex brief to create a beautiful abode.

PROFILE DALVI ASSOCIATES

expertise, but also their originality and enthusiasm when they established Dalvi Associates in 1997. In fact, they bagged their project before even beginning their career officially. “We got an opportunity to work on city development projects. Our first was a very important urban design work for Vadodara. We were chosen from among 14 entries, including those by IIA and other nationally-reputed architects (some of them were actually judging our work as juries when we were in college!),” the Dalvis share with understndable delight. “This was just a couple of years after graduation, and it became a landmark in our professional life – as we became the first-ever consultants to the corporation for traffic decongestion solutions and urban design issues. We were immediately catapulted from being freshers to young achievers.” Since then, their practice has engaged in a number of

3. The Tree House school building optimises natural ventilation and lighting.

PHOTOGRAPH: PARTHAVI YADAV

window display on an Italian street, a Zen garden or even a salad platter – provides inspiration. As an architect, Swapnil counts Zaha Hadid inspiring for her womanhood, her unconventional and executable, out-of-the-box ideas; Charles Correa for his use of earthy colours, communicative designs and incorporating artworks in the structures he built; Rahul Mehtrotra for his experimentative solutions; Brinda Somaya for her conservation projects... and the list goes on. ‘On the other hand, a national level cricketer, Rahul had to leave sports to focus on submissions and attendance – which got him four hours a day of spare time; so he approached architect Dipak Panchal for a job. What started out as a timefiller quickly turned into work that he did for all four years of his education. Rahul adds that architect-teachers Harish Patel and Yashwant Mistry played a crucial role. “I am indebted to them for keeping me interested in the field as a student,” he says, adding that it was this time that gave him focus. “I may not recall fun-filled evenings with my friends, but I have amazing memories of work discussions at the office,” he adds. “I wanted to understand office operations before I graduated; that’s how eager I was to start practice in the least possible time, but not at the cost of limited knowledge. Being in a professional work culture helped me in college, as my submissions got processed as real executable creations.” Like Swapnil, Rahul’s list of inspirational design icons is equally long. Though, he says, “It is natural and human to be inspired by those who may not be that famous.” He mentioned Anand Shirgaonkar, an Aga Khan award nominee from Vadodara, for his structural understanding and incorporating details; Dipak Panchal for his originality and focus to create popular architecture; Santiago Calatrava for his design process and the structural clarity of his sculptural architectural marvels; apart from other masters such as Frank Lloyd Wright, Le Corbusier, Tadao Ando and Moshe Safdie. The duo brought not just their inspirations, influences and

www.architectandinteriorsindia.com | APRIL 2017 | ARCHITECT and INTERIORS INDIA

PROFILE DALVI ASSOCIATES

4. This creative exploitation of concrete shows the Dalvis’ enduring love for design exploration. 5. Meticulous and intricate execution is a key strength of Dalvi Associates.

projects, small and large. Their repertoire includes urban development, institutional works like schools and educational campuses (schools in Maharashtra, Gujarat and Rajasthan, designed keeping in mind the local implications and context), hospitals, industrial architecture, urban design of congested city pockets, commercial and residential schemes to theatre sets and a variety of interior-designed spaces. “All our projects, regardless of size, are significant to us, as each speaks of the users needs and the financial and creative liberty to innovate,” they add. “However, as architects, we feel our best project is yet to happen – and we wish to die with this feeling, as this notion does keep us motivated.” But in the last 20 years since they set up shop, there’s been a sea change in architecture. The couple share their unanimous thought: “Ours is probably the last generation that witnessed the transition from drafting boards to computers, as the boards reduced in a slow manner initially – but became obsolete almost overnight. The criterion of qualification for hiring an architect is not about the quality of drafting anymore, but about the knowledge of software and presentation capabilities. Internet changed the perception of inspiration and brought in the cut-copy-paste culture, as it became increasingly easier to duplicate than derive a design… a killer

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

to one’s sensibility or innovative capability. Humble spaces, architecture and interiors are now being created for style rather than character. Words like Green and sustainable are hammered a lot and, hence, are creating a positive impact to save resources. But they are becoming too technical, and it’s merely for publicity and awards. Having said that, a segment of good designers are genuinely more conscious too, which is a positive takeaway of this movement and exposure. “On the other hand, we have an excessive number of architectural colleges, which is leading to practically anyone becoming an architect/designer, irrespective of capability or interest. The tsunami of colleges is creating a black hole for capable teachers and, hence, a noticeable drop is seen in the level of education and practice standards. The smart generation is relying on the Internet, instead of on teachers, for solutions. This medium superficially answers all queries, but the authenticity and views could be debatable/untrue, as it does not solicit a dialogue. Architecture, design and creative fields do not have one answer, like in mathematics, which is why a dialogue rather than ‘Google answers’ is the right way to derive conclusions.” And this is why Rahul, in particular, takes avid interest in his role as professor/visiting faculty. He has guided many students from various colleges for their thesis programmes, and also guided architects who move on to private practice from Dalvi Associates. “I get pleasure to see my students, from college or from office, do well – especially when they practice innovative and progressive architecture, rather than follow trends. Being in touch with my associates is a learning exercise for me, as I try and understand their thought process and progressive mindset,” he maintains. Being a visiting faculty has helped him too, Rahul points out. “Remaining attached to academics and sharing the dais with my teachers as co-faculty was an important episode that made me open and receptive to new, fresh, impractical and absolutely out-of-the-box approaches. It is amazing to see the new, bold and fearless generation that poses questions to the conventional mindset with information at their fingertips, a debatable situation though. My teaching journey is still on, though in a small proportion, as I enjoy being a jury member to many colleges in Gujarat and Maharashtra. Being a teacher also teaches you that one remains a student all through life, as your students are likely to become your teachers.” When asked what kind of architecture makes them tick, the duo mention the Taj Mahal, Eiffel Tower, works of Antonio Gaudi, Frank Lloyd Wright, Le Corbusier and Santiago Calatrava. They believe that “architecture is an absolute mix of engineering and fine arts.” The duo believes, “A bad painting or sculpture may be covered or removed from the wall if repulsive, but that cannot happen with architecture. One has to think a hundred times before practising this art, as the creations seldom get pulled down. The structure may remain an eyesore or a landmark... or just one more block on the streetscape. We wish and sincerely feel that each practising architect should understand this responsibility before writing ‘good for execution’ on their working drawings.” And what would the Dalvis like to be remembered for? Rahul quips in response, “When [BV] Doshi sir was asked this question by architecture students, he answered, ‘To be remembered as a person who tried…’ – I envy that answer for its wisdom and maturity. “But I wish to be remembered as an architect who valued the power of line, one who tried to achieve more through less – be it design complexity or the use of material.” We can see that in the key projects by Dalvi Associates.

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PROFILE DALVI ASSOCIATES

NIKHIL KOTAK’S ‘ELYSIUM’, VADODARA For client Nikhil Kotak’s private residence, Elysium in Vadodara, the duo created a high-end family home to house three generations. The 40,000sq-ft plot had no significant vegetation or any strong context that could govern a design concept. The client had a clear idea of the functional aspects required, including no wastage of space, a contemporary concept and climate-conscious design. His brief spoke about room requirements, but more significant was the request to

PROJECT DETAILS Project: Elysium The client: Nikhil Kotak The designers: Rahul Dalvi, Swapnil Dalvi, Mansi Radadia, Bhupendra, Kaushal Thanki, Shruti Parikh Structural consultant: Harish Patel, Comten Engineers Landscape consultant: Karmavir Ghatge & Associates Sanitary consultant: Jayesh Shah, Vraj Sanitation Civil contractors: Jigneshbhai Interior supervisor: Amrutbhai Carpentry agency: Shivkumarji Plot area: 40,000sq-ft Construction area: 16,000sq-ft Location: Sevasi Road, Vadodara Cost: Rs.8 crore Duration of project: 2013-16

6. The expansive, central lounge in Elysium forms the heart of the house. 7. Cross-ventilation through jali perforations allow the Southwest winds to cool the interiors of Elysium. 8. Exposed RCC walls are aesthetic and functional, as they facilitate the flow of wind into the house.

PHOTOGRAPHS: PARTHAVI YADAV

understand the thought process of his father – who himself was a developer in Bahrain and had constructed in Europe in association with European architects. So, the challenge was to convince, impress and gain his confidence. The choices, of the client and his father, differed significantly from each other... as did their idea about space. The largeness of the site made it easy to accomodate the brief. In fact, the Dalvis note that, had the requirements been less, the built mass would have been insignificant or disproportionate to the site. The design segregated the formal public zone, semi-public zone – bar, entertainment, family sitting room – and the home, which included the kitchen, dining area and bedrooms, in a manner by which they were held together by the central lounge that housed the staircase, internal garden and entrance foyer. The concept invited the southwest winds to condense over a water body and pass through the inner core of the house, thus ventilating it in total. The entertainment block was placed in such a way as to create a private landscape zone, providing privacy for the lap pool and the party lawn from the formal spaces or the entrance lawns. In the construction, natural materials are used – such as the black basalt dressed with Rajula grey stone that creates an interesting façade. Graphite grey SS 316 laser-cut jali fences welcome the southwest winds and cut out the sun’s

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ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

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PROFILE DALVI ASSOCIATES 9

PHOTOGRAPHS: PARTHAVI YADAV

harsh radiation, while the same geometry was used to determine the flooring patterns and the furniture language. The client’s taste for art and his existing collection was used extensively. In the dining space, an entire wall functions as a canvas for a masterpiece. Decisions related to shortlisting art – whether it was paintings or sculptures – were mutual, with the client taking the lead to put options on the table.

TREE HOUSE HIGH SCHOOL, VADODARA

9. The refreshing pool and landscape within Elysium’s entertainment zone. 10. Play of stone, wood and water forms a welcoming patio at Elysium. 11. Traditional elements fit seamlessly into Elysium’s minimalist palette.

Astounded by the plot’s tight geometry, the architects’ first reaction was: “Can a school’s premises ever function on this tight and linear site!?” However, having worked on more than 14 schools for the client, the duo were determined to solve the issue at hand. The slight angle in the perimeter and other limitations gave a strong insight for a good design and concept derivative. Since the client, Tree House, has a specific brief for each project, the architects followed the norm of optimising the space to accommodate maximum students, without compromising their well-being, besides making the project profitable and sustainable. The fan-shaped plot has two approach roads on either of its narrow sides. Access to students and their vehicles was designated to the smaller 12m-wide road and the larger 18m-wide road was chosen as entrance for auditorium, administrative staff and parents. Functions were segregated by categorising blocks for classroom activity, labs, auditorium and administration. Considering there was no immediate playground other than the multi-purpose basketball and volleyball court, it became imperative to lift up the structure on stilts to provide maximum space for the assembly hall, which doubles up

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

as a skating rink, recreation space and a sunken portion for dance class and extra-curricular activities. Though a large plot for a playground is being procured, this openness is immediate and, hence, frequently used. The plot also permitted the opening up of classroom bays, thereby creating a light well to borrow light into the central part of the structure. This light well doubled up as a vent shaft that sucks up hot air from adjacent classrooms and, thus, facilitates cross-ventilation in classrooms, passages and other spaces. Proper east-west light with screen shade devices ensure a healthy atmosphere – an essential requirement for young working minds. What also resulted from the fan-shaped concept was ‘bridges’ as a circulation mode from the main passage. This interesting network of bridges communicate with each other as well as with the ground below. Since school teaching is the best community learning experience, the evolved design provides interconnectivity of levels and layers – giving the experience a concrete expression. The innovatively-designed school manages to provide openness in an otherwise inward-looking, closed structure. The top light brightens up four levels of wall that has been converted tino an art wall with slogans that can be viewed from passages at all levels. Taking a cue from the name Treehouse, the architects derived a sun-shade element, a graphical representation of tree branches, and a wall with circular cut-outs on the north-

PROJECT DETAILS Project: Tree House High School, Vadodara The client: Tree House Trust The designers: Rahul Dalvi, Kaushal Thanki, Bhupendra Structural consultant: Harish Patel, Comten Engineers Sanitary consultant: Vraj Sanitation, Jayesh Shah Contracting agency: Bright Constructions, Vadodara Location: Atladra, Vadodara Cost: Rs.3 crore Duration of project: 15 months Date of completion: July 2015

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PROFILE DALVI ASSOCIATES

MATERIALS & SUPPLIERS Flooring: Kota stone Laminates: Greenlam, Corian Tiles: Johnson Paint: Asian Paints Sanitary fittings: Cera 12. The access leading to the administrative section and auditorium. 13. A community spirit is fostered through interconnected ‘bridges’. 14. The innovative design provides openness in an otherwise inward-looking, closed structure.

entry façade (for students). The artistic play of form lends a dramatic light-shadow play. Being a school, the choice of material is prima facie costbased. Kota stone and cement-plastered walls and ceiling was the specification. Bright colour walls incite interest amongst students, whereas the basic dull white base forms the dominant colour palette. Time was the most challenging factor, with only 16 months for the project of around 1,00,000sq-ft to transition from concept to built form. Programmed drawing stage and

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

well-lined-up workforce by the contractors ensured timely delivery of the project. Working their way around the daunting limitations, the Dalvis succeeded in creating a school that is appreciated by all. “It is a pleasure to watch students use the premises the way it is designed… respecting its architecture and supporting the concepts,” they note. “We keep getting compliments from all concerned for creating a landmark in the vicinity, as well as providing a good environment with ample light and ventilation to everyone concerned.” A&I

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ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

skylight above, reflecting off the steel sculpture by Alex Davis (you guessed right... it’s called Splash), playfully bouncing off the surface of the pool and glistening on the transparent flooring under which the water flows – leading me, almost unconsciously, to the wall that holds the art installation by Himanshu Dogra and his team at Playclan. As I examine the representations of the five cosmic elements that define the company’s philosophy, I cannot help but revel in the lavishness of space around me. This section of the lobby is delightful, but it pales in comparison to the brand experience studio designed by Michael Foley of Foley Designs. A brainchild of Gayathri and Namith Architects (GNA) and their team, this path-breaking project was conceived

1. The net-zero energy building housing Jaquar’s global HQ is both symbolic and sustainable. 2. View from the North. 3. Founder directors of GNA, Gayathri Shetty and Namith Varma.

SPECIAL FEATURE JAQUAR’S GLOBAL HQ

sense of arrival and anticipation quickens my pulse as our car sweeps into the driveway of the 12-acre site at the end of a 1.8km drive in the industrial belt of Manesar. Stopped by the security staff at the gate of Jaquar’s global headquarters, I drink in the picturesque setting of lush landscaped gardens topped by an imposing eagle-shaped building with wings widely spread. The gushing waterfall and water bodies flowing seamlessly from the exteriors to the interiors offer a subtle hint of what lies ahead. Yet, nothing prepares me for the grandeur of the entrancing entrance which makes a splash – quite literally! Sunlight streams into the quadruple-height atrium from the

www.architectandinteriorsindia.com | APRIL 2017 | ARCHITECT and INTERIORS INDIA

SPECIAL FEATURE JAQUAR’S GLOBAL HQ

5 6

4. Art installation by Playclan, representing the five cosmic elements that define the company’s philosophy. 5. Splash, a sculpture by Alex Davis, becomes the focal point in the atrium. 6. Library on the ground floor.

in 2011 and delivered in 2016 – to the utmost satisfaction of their client (see interview on pg40). Namith Varma, founder director of the design firm, who confesses that he was inspired by the seagull from the 1970s novel Jonathan Livingston Seagull (by Richard Bach), explains, “We wanted to take a big leap and challenge ourselves as architects to deliver something unique – hence was born an iconic structure that represented Jaquar’s brand value.” Taking a big leap may be scary for many architects, but GNA has a lot of practice – as inspiration invariably strikes when least expected, often when they are well into the construction stage. “The very first proposal for the building was a 20,000sq-ft multi-storeyed structure on a small plot, but the brand value was the main reason why we convinced the clients to do an enthralling campus as envisioned by

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

WATER EFFICIENCY

• 100% of the water consumed by the building is recycled by high-efficiency treatment plants and used for irrigation most of the time. The design is done in such a way that if the treated water is left over after irrigation, it can be used for cooling tower makeup purposes. • Two large water tanks have been specially built for storing rainwater that has been collected from the constructed spaces. The collected water is treated and used in domestic water tank. In all other areas, rainwater is used for ground recharge – making optimum use of the free resource. • Low flow fixtures further facilitate water conservation.

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SPECIAL FEATURE JAQUAR’S GLOBAL HQ 7

PHOTOGRAPH: AMIT DHIR PHOTOGRAPHY

WASTE RECYCLING

• Jaquar had installed a waste-to-energy plant in the factory, and the size of the equipment accommodates food waste from Jaquar’s global HQ too. The food waste is sent twice a week to the factory, and cooking gas (which is used to cook food for the workers) is produced from it. • STP waste from the office is converted into manure, and is used in the landscaping area of Jaquar’s global HQ.

7. Aerial view of the soaring structure, which sits on a verdant landscape with seamless water bodies. 8. The volume of the atrium, with the skylight above and the sculpture below. 9. Nabeel Ahmad of Environmental Design Solutions.

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

us,” disclose the architects. “We requested them for a site of minimum 10 acres, and we were awarded with 12 acres in the industrial area of Manesar.” It is not only in the shape and the architecture (the organic design, the space planning, the visual form inspired by nature), but also in the functionality (factory space and office space) and technicality (net-zero building) that this project is remarkable. The setting of the building was important to cre-

• To optimize energy systems and energy savings, detailed hourly analysis using a simulation tool was conducted for a complete year (8,760 hours). Thus, it was made possible to look into various energy conservation measures and quantify the savings through analysis. • The HVAC system installed in the building is a non-conventional system – which is the radiant screed cooling/heating system that reduces approximately 50% of the operating energy as compared to an ASHRAE baseline building. • Air Handling Units employ VFDs (Variable Frequency Drive). Air is distributed through VAV’s (Variable Air Volume), with auto control offering maximum energy conservation. • Fresh air is also supplied through a Heat Recovery system (HRU) in which the exhaust air – equal to the fresh air required in the building – is routed through the HRU system. The energy required to cool/heat the exhaust air is recovered through a heat exchanger, which reduces the air-conditioning load for fresh air. • Fresh air is not fixed in each space, but is designed to work based on demand through CO2 sensors. When the requirement for fresh air is less, the controls and motorised dampers will lower the fresh air intake – resulting in energy savings. • Automatic controls installed in the air-conditioning pumps optimise the chilled water flow through the VFDs. • The radiant cooling system, which is a low energy consuming system, uses chilled water to condition the space at a much higher temperature, viz, at 15˚Celsius instead of 6˚Celsius as seen in conventional airconditioning – resulting in high energy savings. • The cooling tower is designed to work by modulation of the condenser fans, which are installed on the cooling towers that have variable controls. • Cooling towers have a low approach temperature – meaning the difference between the outside wet bulb and the cooling tower outlet temperature is low, resulting in high efficiency. • Cooling towers are also water-efficient with their consumption reduced by 15-20% as compared to conventional towers. • The lighting system is optimised after taking into account a thorough daylighting analysis. Sensors are installed to detect occupants and control the light fixtures in a given space. • Energy-efficient Jaquar light fixtures like LEDs are installed for better energy savings. Apart from the operational load reduction due to daylight and sensors, the connected load of lighting for the campus is itself reduced by at least 50% in comparison to a conventional installation. • Façade materials were chosen after a detailed analysis of the building envelope to ensure energy efficiency and comfort. • Insulation on the external walls and roof resist heat conduction from the outdoors, reducing the cooling load.

SPECIAL FEATURE JAQUAR’S GLOBAL HQ PHOTOGRAPHS: AMIT DHIR PHOTOGRAPHY

ENERGY EFFICIENCY & RENEWABLE ENERGY FEATURES

• Indoor comfort is increased, and is consistent throughout the office because of the radiant effect from screed. Special glazing of double glass offers high thermal resistance, good direct solar radiation resistance and high visual light transmittance (more towards clear glass). • Sub-metering provides accurate energy break-up that helps analyse the different systems and the building operation. • All systems are connected with the Building Management System (BMS), which monitors, controls and records all major equipment from a central location. • With these measures, the total energy required is reduced by approx. 48% when compared to an energy-efficient ASHRAE baseline building. • Special consideration has been reserved for environmental protection by utilising no-ozone depletion refrigerant in the air-conditioning system. • With all the energy conservation measures, the energy demand is reduced to a great extent; and then the solar energy system is designed to compensate for the entire energy used by the campus. • The energy demands are being met by the renewable energy system installed within the office boundary. • A solar PV system of 975kW capacity has been installed on the parking area (which also provides shade to the cars) and terrace to make the HQ a Net Zero Energy building. As of now, the building is net positive in terms of energy generation, which means the renewable energy generated on campus is more than the consumption. This system is designed as a grid connected system for net metering. The energy generated from the solar system goes to the grid if it’s not consumed in the building.

Note: As this building has all the modern technology systems installed to be energy efficient, water efficient, with energy generation, waste recycling, etc, it is registered with the United States Green Building Council (USGBC) for the Green Building certification under its CI category.

www.architectandinteriorsindia.com | APRIL 2017 | ARCHITECT and INTERIORS INDIA

SPECIAL FEATURE JAQUAR’S GLOBAL HQ

ate a sense of awe as one encounters the refreshing landscaping and water bodies while approaching it. The architects wanted to redefine a corporate space that is “intimate in feeling, iconic in its presence, illuminated on the inside, with art interventions.” All this contributes to making it an enriching experience for both the employees and visitors. After all, the most memorable aspect of a built project is not the structure – but the space it envelopes. The concept presented was a design that experimented with dynamic spaces, collaborative environments and the experience centre designed by Michael Foley and his team, who explored interactive technology, automation and holographic imagery. As GNA rightly maintains, it was the client’s willingness to experiment and faith in the designers that motivated them to create this world of difference. The initial zoning of the site involved a factory block at the back end and the corporate office in front; but soon, the architects realised that they were not using the site to its full potential. “Just making an iconic structure isn’t enough if you don’t give space for appreciation,” points out Varma. “Stacking of the two into a single structure was proposed in a meeting by our senior associate architect, Sudhir. We decided to put the corporate office on top and the factory below it. The landscape was bermed, raising the drop-off point by 8m and giving us space for an elaborate, planned landscape with water features.” The corporate office on top has three wings projecting in three directions. The floor plate of each level of this G+4 building shifts along a central pivot where the quadruple-height atrium lies, on the inside. The cantilever that projects due to this shift is approximately 4m on each level – viz, 12m overall, clearly visible on the south side of the building. Varma admits that it was a difficult structure to plan and execute. “It was projecting on one side, and the volume of spaces that we planned on the inside had to come through the large-span post-tension slabs. The entrance is through a drop-off located 8m above ground level, and we wanted to have the same grandeur when we

COMFORT AND INDOOR AIR QUALITY

• After thorough daylight analysis, maximum daylighting is ensured in the office areas. • Optimal natural light provides energy saving and better indoor conditions to the occupants. • Measures have been introduced to control CO2 levels in the occupied zones. The fresh air is modulated as per demand. As CO2 level in the zone increases from its limit of 800ppm, inflow of fresh air will automatically increase – thereby maintaining good comfort levels. • Thermal control system has been designed in the central airconditioning system, where the single AHU serves multiple zones. All the independent zones have been equipped with Variable Air Volume system (VAV) which operates and controls the circulation of air with each thermostat as per the demand. • Apart from the cooling through the air convection, radiant system has been installed in the floors, which is equally distributed throughout and results in better comfort. • Cooling and heating systems have been installed to give yearround thermal comfort. • These measures have created a healthy work environment and it has been observed that the work efficiency has increased to quite an extent.

10. Spaciousness and grandeur mark the third floor, which houses all senior level executives, presidents, joint directors and directors. 11. The reception desk. 12. Office of Rajesh Mehra (director and promoter, Jaquar Group).

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SPECIAL FEATURE JAQUAR’S GLOBAL HQ

MATERIALS

Structure: Long-span post-tension slabs Glazing: Saint Gobain optimum e-value semi-unitized system Roof, soffit cladding: Kalzip, aluminium sheets, VM zinc panels

Note: The materials used for this structure and the interiors were procured from around the world, but all of them have been used to create a contemporary Indian demeanour.

13. Understated design characterises the office of Kanav Mehra, Jaquar Group. 14. Conference room on the first floor.

enter the building – which is why an atrium with a skylight above was planned,” explains Varma. Jaquar’s product portfolio revolves around water. Since the company’s tagline is ‘experience bathing’, the architects wanted to embody the same sentiment with their design interpretation – which is why they chose to integrate a striking feature of free-flowing water into the monumental structure to create drama. These are interconnected water bodies from the atrium on the inside to the waterfall on the outside, and this uninterrupted flow ends at the entrance of the site. The space planning for the structure was hierarchical. The lowest level is occupied by the factory spaces with their own separate entry and exits, along with an office space for the supervisors on the mezzanine. This level is not visible from the main entry, and the roof plate of the factory becomes the

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

ground floor and drop-off point for the corporate office – which is divided into public, semi-public and private areas. At the entrance, you are greeted by the volume of the atrium filled with sunlight from the skylight above. The striking features of this space, of course, are the sculpture and the art installation. The ground floor is the most important area, as this is where Jaquar receives its clientele – be it architects, designers, developers, dealers or end users. The most relevant space here is the experience studio, which introduces the brand to them through a series of surprising acts. “This floor also has the amenities that they would use – reception, the 120-seater auditorium and the meeting rooms – and the recreational spaces for the people of the Jaquar family (the employees), which includes a cafeteria, an indoor sports room, a gym, library, etc,” points out Varma. The first and second floors are the main work areas, and the space planning for these are in a collaborative format. Each wing is colour coded and the workstations are customised. The wings have the senior personnel of the respective departments occupying individual offices on the edge, while the corresponding team sits in the shared space. There are seven conference rooms and two meeting rooms on these floors, along with informal set-ups in between the workplaces for more interaction. Customised rugs matching the

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SPECIAL FEATURE JAQUAR’S GLOBAL HQ

PROJECT DETAILS

15a

15b

Project name: Jaquar corporate office and global headquarters Client: Rajesh Mehra, director and promoter, Jaquar Group Location: IMT, Manesar, Gurugram, Haryana Plot size: 12 acres Project size: 48,000sq-m Structure: G+4 Project initiation: November 2011 Project completion: November 2016 Architecture and Design Architecture firm: Gayathri & Namith Architects Founder directors: Gayathri Shetty, Namith Varma Architecture: Sudhir S Padmanabhan, senior associate architect Team: Deepak Sate, Archana Relekar, Chetan BG, Mahesh PM Engineering: Ramesh Kumar Paleri, senior associate engineer Team: Shivakumar K, Sharanraj UB Site supervision: Brijesh Khiani, associate architect Team: Amarjeet Singh Interiors: Gowri Rao, senior associate architect Team: Anuradha B, Roshni Leninwalla, Karishma Fatehi Atrium sculpture: Alex Davis, Alex Davis Studio Atrium art Installation: Himanshu Dogra, Playclan Consultants Structural, PHE, Electrical and HVAC consultants: Design Tree Consultants Sustainability & high performance building concept design consultants: Environmental Design Solutions Pvt Ltd Landscape: Design Cell Studio Acoustic: Frozen Music Studio Networking and IT: FlamencoTech India

15. (R-L) Kanav Mehra, Jaquar Group with Team GNA – Gayathri Shetty, Namith Varma, Sudhir PS, Brijesh Khiani, B Anuradha. 15a. Ramesh Paleri, senior associate engineer, GNA. 15b. Gowri Rao, senior associate architect, GNA. 16. The main work areas are in a collaborative format. 17. The factory occupies the lowest level, with a mezzanine office space for the supervisors.

PHOTOGRAPH: AMIT DHIR PHOTOGRAPHY

colour code, highlight these spaces and add subtle colours into the corporate set-up. “These floors are semi-public, as they have an access control and separate receptions on each level, with a conference room and a meeting room located on the outside of the main work space,” explains Varma. The third floor is the main corporate floor, where the senior level executives, presidents, the four joint directors and the three directors hold office. The most private floor, it had to exude the grandeur and elegance that Jaquar stands for – so the architects decided to keep this floor spacious. The most striking feature is the flooring, a champagne-grey marble that has been diamond polished to give high reflection that is reminiscent of still water. Apart from the offices, this floor has two small 12-seater conference rooms combined and one 24-seater boardroom – both convex-shaped and located in the centre of each wing. The shape, decided

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

Contractors Civil: JMC Projects, HI-Tech Competent Builders Structural glazing and louvers: Divel Alu Glazing Co Roof: Kalzip India, Vijaynath Interiors & Exteriors Solar: C&S Electricals HVAC, BMS, Access control and CCTV: Sterling Wilson Radiant cooling: Rehau India Electrical: Panun Electricals Fire: Alert Engineering Plumbing: Era Engineers Lift: Schindler Interiors: Kalpakaru, Brawn Globus, Creative Interiors Furniture: Bulldoors, Trendz Landscape: Aquatech Landscape keeping in mind the openness of the spaces, maintains the flow in visibility and vastness. The directors’ and joint directors’ office has the main office area. Attached to this is a restroom and a toilet. “Their office desks are placed in front of a noteworthy backdrop designed by us, and they have a view of the landscape on the ground floor,” indicates Varma. “We wanted to give the main directors a personal landscaped court and, so, we have designed corporate terraces on the three edges of the structure.” Gayathri and Namith Architects set out to create an environmentally sustainable building for Jaquar that was as functional as it was aesthetic – and their resounding success is evident when you see the structure and experience the space. Mission accomplished. The eagle has landed! A&I

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THE FACE OF JAQUAR RAJESH MEHRA, DIRECTOR & PROMOTER OF JAQUAR GROUP, ON THE COMPANY’S GLOBAL HEADQUARTERS INTERVIEWED BY MARIA LOUIS

irector and promoter of Jaquar Group, Rajesh Mehra is in a happy place. Seated on the sofa, overlooking the deck outside his sun-lit office situated atop the company’s global headquarters, he is happy that he need not use artificial light to function here during the day. He is also happy that the net-zero energy building set within lush landscaped gardens in deserted Manesar, is powered by solar energy. Most of all, he is happy that the vision of his architects, Gayathri & Namith Architects (GNA), has become a reality thanks to the enthusiasm and unswerving dedication of all those who have been associated with the execution of this project.

1. Rajesh Mehra stands against the installation of a drop of water (Splash by sculptor Alex Davis) in the atrium of Jaquar’s global HQ.

What compelled you to approve the eagle’s wingspan-form of the building conceived by Gayathri & Namith Architects? Five years ago, when we were growing rapidly as a company, we felt the need to set up a corporate office, our global headquarters. We shared this with Gayathri & Namith Architects, whom we have been very closely associated with for over 20 years. They understand our philosophy, our culture, our approach, and they have seen us grow. The idea for a building shaped like an eagle’s wings spread, came from the architects. They suggested that, instead of just building a corporate headquarters, we should create a campus that is a symbol representing our group – which is soaring higher and higher. Symbolically, the rise of the phoenix. That relates very well with the company’s achievements thus far, and the way we are moving ahead. When you look at the building from all angles, you will see

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

that it’s complete with the beak, the wings and the tail at the back. That’s how the initial sketches were made, and that’s how the building has been realised – although it turned out to be an extremely challenging project. Why do you say that? The team at GNA had to work out the details – not just the building’s shape, but also placement of the facilities that the global headquarters would house. We developed the whole concept of this building, beginning by looking at the location. It’s an isolated place and there’s nothing surrounding the building – so the idea of landscaping the grounds like a garden came through, and we worked around the elevation of the structure. We wanted it to appear like an office set amidst a garden, a natural environment as much as possible; and that positively affects everyone who comes here, either to work or as a visitor. What were the challenges you faced during construction? They were mainly to do with shaping the concept. We went through a lot of technical expertise, including for the landscape – the garden, the waterfall, the water bodies and the whole atrium. We had to work and rework plans. It has been a huge learning experience for everyone involved. In your opinion, which is the most prominent feature across the campus of Jaquar’s global headquarters? It would have to be the brand experience studio. This being the global headquarters, we wanted to take all our visitors through the company’s origins and evolution to its present stature. And

PHOTOGRAPH: AMIT DHIR PHOTOGRAPHY

SPECIAL FEATURE JAQUAR’S GLOBAL HQ

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SPECIAL FEATURE JAQUAR’S GLOBAL HQ

but it’s important that everything is seamless, merging into one another without any boundaries, without any partitions or sections. It also reflects the company’s philosophy of openness, transparency, and its working and founding principles.

PHOTOGRAPH: AMIT DHIR PHOTOGRAPHY

so, at the brand experience studio, we created a very unique kind of audio-visual presentation that takes you on the brand’s journey. Since it talks about the ‘art of sculpting water’ and takes inspiration from Bharatanatyam, I would call it not just a piece of architecture – but also of craftsmanship. One that leaves visitors spellbound at the end. Tell us how this brand experience studio came into being. Designer Michael Foley conceptualised it entirely – right from the structure, when we were making plans for it. We brainstormed over the various areas and utilities we wanted to create in the studio. Namith was very particular about creating something truly unique. Both designers, Namith and Foley, worked together over the last four years on the concept and to develop drawings, how the various zones in the studio needed to be created, everything. The ‘rasa’ theme and wanting to relate the emotions expressed in Bharatanatyam to Jaquar’s offerings was Foley’s idea. The proposal that came from him was unique – not just for international audiences, but even for Indians. Did you decide to go for the Rasa theme to emphasise the Indianness of the company? Well, we are an Indian company because we originated and are established here, but the idea was not to impose the ‘Indianness’ at our global headquarters. We simply borrowed a concept from Indian culture to provide a sensory experience, one that has been never-before-imagined, for those who will visit the studio from different parts of the world. If you had to highlight an architectural element, which one would it be? The shape of the building and, well, the whole building... We have a factory area on the ground level, spread across 1,20,000sq-ft, and the architects have designed it in such a way that the whole workshop is concealed. Therefore, it doesn’t look like a factory-office. Instead, thanks to the camouflage, it looks absolutely like a global corporate headquarters. Also, since we are in the business of water, Namith was very particular about bringing in a number of aqua-related features. Creating a whole water body was quite a challenge, but it was what also kept all hands-on-deck motivated till the very end.

2. Mehra in his office at Jaquar’s global HQ.

How important is the atrium to the function of the building? It’s most important function is to lend a sense of openness. However, primarily, it’s not that the workplace is enclosed,

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

Was it a deliberate effort to showcase Jaquar products? To be honest, it was an afterthought. It helps to show our products, since we have so many visitors. Surprisingly, the decision to include this section also came from our visitors’ inputs and suggestions. However, our showcase is not all encompassing; it only includes some key, new and innovative products. There’s also a line of lighting products at this facility… Yes, we have been into lighting for almost 15 years now. We started out with high-end, exclusive crystal chandeliers. Then, five years ago, we began to change perspective about this segment. You see, when it comes to this industry, we have the same customers – architects, builders and end-consumers – so we diversified and developed a complete lighting portfolio. Now, we have options for indoor, outdoor, landscape, decorative uses as well commercial and trade lighting. In fact, Michael Foley designed the award-winning, sculptural faucet Tiaara for our designer range Artize in 2015. And now, Jaquar also has a wellness segment… We feel wellness is key to our generation, it’s no longer a luxury. We all need to relax, rejuvenate, re-energise ourselves. With this, Jaquar becomes a complete bathroom solutions brand. Going back to the global headquarters, was it challenging to make such a large campus environmentally sustainable? Definitely. Ours is a top-end, environment-friendly building. We haven’t built this structure to be sustainable just for the sake of some certification. We truly believe that sustainability is vital, which is why we engaged an environmental consultant right from day one. The consultant, Nabeel Ahmad, was given a free hand to propose ideas for creating a 100% eco-friendly structure, and each of his suggestions has been implemented. From incorporating radiant cooling techniques to water conservation, recycling and harvesting. Since we have a glass façade, we have invested in glass panels that cut off UV radiation while still allowing daylight in; we have PV panels and are completely run on solar power. This is a net-zero energy building. We have tried to harness natural resources as much as possible. It is one of the strongest features of this building. How long did this project take, start to end? It began five years ago. We started construction in 2011, which was completed last year. It’s taken quite some time, but it’s a large structure that houses a number of services and facilities. Close to 500 people were involved during various times – from design to construction, contractors to fabricators. From the project concept to realisation, would you say you are satisfied with the way it has shaped up? Lots had to be re-done, re-planned, re-worked out, and we had to involve a lot of technical experts to guide us in constructing this building – but the result is 100%. We are very happy. There is obviously an image you want to portray of the company through this iconic building... We want this structure to become a signature, a brand image of the Jaquar Group. We want to be seen in India and across the world (we are already in more than 30 countries) especially as we are working very aggressively – aiming for the sky. A&I

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SPECIAL FEATURE JAQUAR’S GLOBAL HQ

WATER WORLD ART OF SCULPTING WATER BY MICHAEL FOLEY IS THE PIÈCE DE RÉSISTANCE AT JAQUAR’S GLOBAL HEADQUARTERS IN MANESAR BY MARIA LOUIS

www.architectandinteriorsindia.com | APRIL 2017 | ARCHITECT and INTERIORS INDIA

SPECIAL FEATURE JAQUAR’S GLOBAL HQ

1. A surreal space filled with blown-glass drops creates a sense of suspended rain (inset: designer Michael Foley of Foley Designs). 2. The first space in the experience, Sringaram defines subtle expressions of water enhanced with the nostalgia of paper form inspired boats. 3. The spaces for Artize, Essco and Jaquar, designed as insular cylindrical voids – each with a unique story.

ensual, playful, tranquil, cleansing, magical... these are just a few attributes of water that flow through my mind as I enter the spell-binding, surprise-laden, story-telling brand experience studio at Jaquar’s global headquarters. Unimaginably enthralling, Art of Sculpting Water is the icing on the cake – a masterpiece by design wizard Michael Foley, who creates an aura of meditation by transforming and structuring emotions through the use of the latest technology. “The idea of the space is about sensitising a customer to the ideology of a company that has its roots in legacy, its heart in the present and vision in the future,” describes the head of Foley Designs evocatively. “The Jaquar Group specialises in products that bring water to life – thus the thought of abstracting an experience by ‘sculpting water’ and expressing the legacy, values and future-looking perspective of the group.” Giving water an expression is what drove the concept of Rasa, which defines the quality of emotions in the classical dance form of Bharatanatyam. The designer found it a perfect platform to express the philosophy and vision of the company through the versatility in expressions of water. “Since Jaquar is all about sculpting ‘water’ to create various experiences and emotions, what could be a better reference than our very own documentation of emotions and expressions from Natyashatra – the Rasa concept,” asks Foley. “The experience goes beyond a brand perspective and defines an immersive, emotive signature of the group. What sold the idea was that it had a powerful foundation with strong Indian roots.” This space breaks the barriers of conventional experiences where the visitor is a mere spectator viewing an exhibit. It actually immerses you with a multi-sensory experience, and the feeling of being transported to a water world is heightened by the use of audio-visual elements as well as the giant ‘river-washed stones’ used as seating. Weaving all the elements (spatial, interactive, audio-visual content and technology) into a seamless story-telling journey was the biggest challenge for the design team – as it called for the creation of a very clear timed map at the beginning, which became a brief for all the stakeholders and also a road map throughout the process... till the last milestone of converging into a ‘programmed journey’.

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

Theatrical is a word that best describes the experience of the unfolding sequence that builds up the story of the brand. The experiences are diverse, ranging from interactive floors, dramatic reveal of the founders bust, inspiring imagery of the scale of the group, products and processes, the insular brand experiences of Essco, Jaquar and Artize, and the architects’ engagement space towards the end of the journey. Each one defines a fragment of an illuminating revelation of the group. “The surprises in the journey by transitioning of experiences in each zone, is probably the prime reason why the overall experience is exciting and breathtaking,” suggests Foley.

DESIGN CONCEPT

Based on the concept of evoking rasas - Rasaanubhuti - here are some of the corresponding qualities of water that can be experienced in Art of Sculpting Water. • Srngaram: Ripples, drops, glitter, detail, colour, patterns • Hasyam: Playfulness, form change, humour, imitation, disproportional, distorted • Bhayanakam: Dark, lightning, unexpected, scale, sharpness, sound, huge • Viram: Confidence, strength, excitement, achievement, courage • Adbhutam: Flow, illusion, reflection, shade, splash, unusual, abstract • Santam: Superior, divine, smooth, larger than life, isolation, smell, freedom

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SPECIAL FEATURE JAQUAR’S GLOBAL HQ

DESIGN HIGHLIGHTS

4. Bhakti - a space defining respect, designed with founder NL Mehra’s bust revealed in the centre of a historic journey made by the Jaquar Group. 5. Soft organic forms demarcate various zones – giving each one a sense of purpose, symbolising fragments of the larger journey. 6. A space for young architects to share their vision. Larger-than-life screens and a theatrical setting create a feeling of awe and drama. The space is also planned to portray the future vision of Jaquar Group. 7. This is where visitors are given a brief orientation before they enter Jaquar’s brand experience studio.

Among the various zones that the studio is divided into, Foley found the founder’s zone the most satisfying to accomplish. “The zone that we also call the ‘heart of the story’ – the founder’s zone and group’s history,” elaborates the designer. “It was gratifying at all levels, starting from ourselves getting to know such a moving and inspiring story of the Jaquar Group’s founder (NL Mehra) and the entire history of how the group grew; and then to be able to design a theatrical experience so that the same feeling is also transferred to the visitor.”

PROJECT DETAILS

Brand owner: Jaquar Group Concept and design partner: Foley Designs, Bengaluru Headquarter architects: GNA, Bengaluru Project management partner: Holtmann, Germany Project implementation partner: Kingsmen, Delhi Rich media partner: Dontbelieveinstyle, Hong Kong Technology partner: Modernstage, Delhi Special mention: TLV Solutions + Blue Mango Films

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

• Every element and detail in this experience studio is designed according to its essence • A unique graphic-style defined design with unconventional structures and high-end technology • A new typeface created • Interactive floor projections • Dome structure • Projection mapping • Smoke/fog screens • Touch screens • Short throw projectors • Structures like waves to walk through • Enormous suspended cylindrical structures • Seamless wall + ceiling projections (creating a sky) • Entire room with water drop (blown-glass drops suspended) installation – like rain stopped in time • Moving surfaces • Sequentially rotating triangular panels Commissioned in mid-2013 and completed early this year, the development of the project was seamless, as there was a lot of freedom given to the designers to perfect the concept. “A great amount of belief and support in creating a very innovative experience has made a ‘dream project’ actually come to life!” exclaims a satisfied Foley, who believes that working on the project taught him some lessons as well – “the importance of seamless integration, spatial design, digital intent, attention to detail and the need for robust solutions.” The beauty of technology intervention is at its peak when technology is not obvious and the experience is larger than life. Kudos to Foley – water way to show! A&I

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slotted meta! panels installed to improve acoustics in rooms and enclosed spaces while providing strong visual qualities to suit any decor. Contact Anand Meher on 098606 06609 or write to anameh@pyrotek-inc.com Or visit www.pyroteknc.com to see how we can he lp.

CONSUMER CONNECT

Minimal windows

oors and Doors India Pvt.Ltd started its partnership with Keller AG in 2011 as its official fabricator and distributor in India. Doors and Doors have enjoyed a fairly large market share in this niche segment. KELLER AG is a company from Luxembourg, which is the leading system manufacturer for design sliding systems. Under the name KELLER minimal windows® these innovative, virtually frameless sliding windows and doors are installed, in particular, in higher-class private and commercial buildings. Minimalist design sliding windows and sliding doors – transparency for innovative architecture Modern contemporary architecture pared down to the essentials. Clean lines, balanced proportions, and one element that plays a very particular role is light. Whether an exclusive villa, detached house, apartment or business complex, open interiors and maximum daylight admission with unobstructed views to the outside are high on the list of priorities for today’s building clients. Minimal windows®4+ The 4+ version of the frameless sliding window is the highly insulated triple-glazed variant. It is ideal for the low energy and passive house standard. With modern insulated glass windows, it is possible to achieve Uw values of 0.80 W/ m²K. Maximum leaf size up to 12 m² (fixed lights up to 18 m²). Leaf profile facing width 26 or 34 mm. Maximum leaf height 4,50 m. Maximum leaf weight 1,000 kg. Triple-glazing with insulation glass or special glass up to 56 mm glass thickness. Energy efficient Uw ≥ 0.70 W/m²K. 1 to 3-track systems, glass-to-glass corner solutions, solid glass corners and wall inlets for sliding leaves. The threshold and barrier-

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

free electric motors have a total weight of up to 2,000 kg and are burglar-resistant according to WK2 (RC 2). The 4+ is suitable for use in low-energy and passive houses. The frameless sliding window design The desire for design and exclusivity is more than met by KELLER’s premium sliding and fixed window system - minimal windows®. The frame profiles are pared back to the minimum and can be integrated fully into the floor, walls and ceiling. Only the slim-line leaf profiles with 21 or 26 mm facing width are visible. Up to 98% of the area is, therefore, glass. Window areas of up to 12m² can be achieved in sliding doors and up to 18m² in fixed windows. The sliding window system allows heights of up to 4.5 m. This equates to completely frameless transparency. Barrier-free The variety of system configuration options ensures a degree of practical flexibility, which leaves nothing to be desired. Up to four-track sliding systems, glass-to-glass inside and outside corners, floor, ceiling and wall-flush installation and wall-inlets into which sliding elements disappear completely into the brickwork are all possible. The floor area is free of bothersome thresholds and thus barrier-free. It creates a seamless transition from inside to outdoors. Easy-action operation High-performance tracks and rollers in stainless steel guarantee easy-action manual operation, high operating safety and durability. You can opt alternatively to have the sliding elements, which can weigh up to 1000 kg, electrically driven. This guarantees maximum operating comfort. For more details contact: nikhil.saldanha@ddoors.com

PRODUCT SPOTLIGHT HVAC SYSTEMS 1

PRESENTING PARTNER

STAY COOL AND CONSCIOUS USING SUSTAINABLE HVAC SYSTEMS WILL RESULT IN SAVING COSTS AS WELL AS THE ENVIRONMENT BY ARUNA RATHOD

here’s good news for the HVAC market this year. Global demand for heating, ventilation and air-conditioning equipment and systems is all set to reach new heights by 2020. That’s not to say that the industry’s growth hasn't already been significant. The Indian real estate sector is one of the key demand drivers of the emergence of this segment. Upgrading ecologically sustainable technologies (since HVAC is one of the largest consumers of energy) and constant innovations in the products are ensuring that this boon doesn't cost the environment dearly. KJ Jawa, MD and CEO, Daikin India, discloses, “Our R&D Centre looks at building products that do not just suit Indian consumers, but also focus on creating technologies that are sustainable and environment-friendly for discerning consumers. We will be investing Rs100crore over the next few years [in Research & Development].”

As for innovation, HVAC giant Blue Star has set a new industry benchmark with its launch of India’s first inverter split AC which gives cooling in decimals. Its latest range of air-conditioners offers solutions for a variety of cooling requirements, across residential, commercial and institutional segments. The products are equipped with modern features and state-of-the-art technology. Trend forecasts show a definite shift towards five-star and inverter ACs that comprise 20% and 10%, respectively, of overall industry volumes. Consumers are increasingly considering the lifecycle cost of a product than just the initial capital cost. To top that, BEE has mandated compulsory rating of inverter ACs from 2018. This means that the rating for fixed and variable compressors will be merged; a four- or five-star rated AC would be primarily considered an inverter, while a current five-star rated AC would be graded as three-star. The split AC market is expected to

1. With increase in demand, innovations like occupancybased use are making HVAC more efficient.

www.architectandinteriorsindia.com | APRIL 2017 | ARCHITECT and INTERIORS INDIA

PRODUCT SPOTLIGHT HVAC SYSTEMS

PRESENTING PARTNER

move toward split inverter ACs over the next few years; while inverters are projected to reach 30% of the market by FY18 and 50% by 2020.

BOOMING MARKET FOR HVAC

2. Blue Star recently unveiled new air-conditioners in India. 3. B Thiagarajan, joint MD, Blue Star Limited.

According to India HVAC Market Forecast and Opportunities, 2019, the recently published report by TechSci Research, the HVAC market in India is forecast to reach US$3.97 billion by 2019. Growth in retail, hospitality and commercial sectors is significantly boosting the demand for such systems in the country, as these segments involve large-scale applications of HVAC systems in organised retail outlets, shopping complexes, hotels, etc. Moreover, with anticipated growth in Foreign Direct Investment (FDI), several international retail players are expected to launch operations in India. Driven by strong FDI inflow from multinational food processing companies, the retail market in India is projected to reach US$726.62 billion by 2019, which is expected to further fuel the HVAC market in the country. “North India has been leading the HVAC market with high revenue contribution from NCR. In 2013, real estate market in NCR grew by 22.5%, leading to high growth in the HVAC market, in volume as well as value terms. There has been rapid infrastructure development activities in Gurgaon, Noida, Greater Noida and Chandigarh in recent years, and further growth in these cities is expected to spur the market for HVAC systems,” says Karan Chechi, research director, TechSci Research, the research-based global management consulting firm. The room air-conditioning segment captured major-

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

ity revenue share in India's HVAC market in 2013, and is expected to retain its dominance till 2019. Furthermore, on account of the number of upcoming residential projects, this air-conditioning segment is expected to increase over the next five years in the country. Big players are responding to this niche demand innovatively. With seven decades of experience in the industry, Blue Star continues to grow at about 30% in the current financial year – which is much higher than the industry growth, and currently assumes a market share of 11.5%. The company intends to continue its aggressive thrust in the room air-conditioners market – Blue Star forayed into the residential segment in 2011 – aiming to gain a market share of 12.5% in FY18. While there is a definite demand in residential cooling appliances, consumers want to make a conscious choice. Kamal Nandi, business head and EVP, Godrej Appliances, says, “Among the insights garnered by our consumer research, the most important was that, when it comes to air-conditioners, consumers worry the most about their power-guzzling abilities. With the thought of building an air-conditioner that consumers can use without worrying about electricity bills, we created the Godrej NXW AC with 5.8 ISEER – India’s most power-saving, Green inverter AC. We are already experiencing an early summer this year and IMD (India Meteorological Department) has predicted a warmer year than usual, which is expected to increase the consumption of air-conditioners. With the new Godrej NXW AC, consumers can use their appliances without worrying about the power consumption or the environment.”

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PRODUCT SPOTLIGHT HVAC SYSTEMS

PRESENTING PARTNER

4 4

Reiterating the potential of this market scenario, Daikin's Jawa states, "I am foreseeing a rise in ACs to 30 million by 2030 from five million today, pushing a 100-fold rise in demand for electricity... Inverter ACs are finding a huge acceptance amongst consumers, and we are in the process of increasing our product range in this year – especially for first-time split-AC buyers.” 6

DESIGNING ENERGY-EFFICIENT BUILDINGS 4. Increase in residential projects will propel the room airconditioning segment over the next five years. 5. Godrej's NXW AC with 5.8 ISEER, a Green inverter AC, promises remarkable savings. 6. Kamal Nandi, business head and EVP, Godrej Appliances.

Now, with so many air-conditioning options available and a diverse range of new-age technologies coming into play, how does one scientifically choose the right one? Experts from the industry have always been unanimous: the right HVAC equipment is selected by carrying out a heat load calculation based on the desired inside conditions and the given outside conditions, calculating air-flow requirements for various zones, as well as factors like diversity of load, flexibility needed, initial and running cost considerations, environmental impact and other relevant factors that would vary with the application. Sunil Khatwani, VP and business head – System Airconditioning Division, LG Electronics India, adds, “The choice of HVAC system essentially depends on the capacity

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

required, water availability for 15 years, usage pattern, purpose of use, availability of space for the equipment, criticality of usage, façade of the building, etc. For example, if a building is located close to another, the outdoor units will have to be located on the terrace. If noise is a constraint during late operation periods, the user may opt for watercooled systems, and so on.” Residential apartments, shopping complexes, office complexes, hospitals, hotels, airports or factories – all have different functional requirements, occupancy patterns and usage criteria. HVAC design and selection is done to meet all these requirements. The first step in selecting a HVAC system is to determine and document constraints dictated by performance, capacity, available space, budgets and any other factors important to the project. It’s not surprising that HVAC is the second-largest capital investment that any building owner invests in after building materials such as cement/steel. Aside from being power-guzzlers, these systems consume an important part of the building construction budget and often require substantial space allocations and contribute to interior environment that is critically evaluated by the building occupants and visitors. Only careful consideration of all factors can help choose the most appropriate system. While design and careful evaluation can improve the efficiency, inherent attributes of HVAC also play a defining role. Jawa shares, “As responsible HVAC global leaders, we are aware that rampant usage of refrigerants has so far contributed to extreme weather patterns causing destruction of crops and property; Daikin’s HFC32 is the only solution to protect our future, as it is a next-generation refrigerant that helps reduce global warming." Because sustainability requires consistent and regular

Felicitating the young pioneers and trailblazers in the design industry

ASSOCIATE PARTNERS

SAVE THE DATE An event by

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For Branding/Exhibiting opportunities please contact : Bibhor Srivastava Group Publishing Director Email : bibhor@itp.com Cell : +91 9820439239 Direct Tel : +91 22 6154 6046

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PRODUCT SPOTLIGHT HVAC SYSTEMS

PRESENTING PARTNER

HOW TO CHOOSE THE RIGHT HVAC SYSTEM

11 8

commitment, companies like Blue Star actively participate in several national and international forums as well as regulatory bodies that study the energy efficiency of products in high ambient temperature conditions. Such agencies also analyse the technological feasibility and performance of new eco-friendly refrigerants with low global warming potential as well as related safety issues. Blue Star has developed in-house capabilities to test and certify safety compliance of its products. Its AHRI-certified R&D facility has two psychometric labs for air-conditioners accredited by National Accreditation Board for Testing and Calibration Laboratories (NABL). Such moves facilitate the company's deep understanding of Indian climatic conditions and its unique air-conditioning requirements.

INTELLIGENT HVAC SYSTEMS The essence of Building Management Systems and Intelligent Buildings is in the control technologies, which allow integration, automation and optimisation of all services and equipment that provide services and manage the environment of the building concerned. Programmable Logic Controllers (PLCs) form the original basis of the control technologies. Use of these technologies helps achieve significant cost reductions and large energy savings. These are broadly classified into two method types. The first type, Time-based provides heating, lighting services, etc, only when required; while the second type, Optimiser Parameter-based often utilises a representative aspect of the service – such as temperature for space heating or illumination for lighting. Recent trends have moved PLC usage from just HVAC machine data gathering/control to complete building energy consumption data gathering through Bacnet/Bus communications, with the help of wireless technology. This means that the building’s energy usage can be managed remotely and the technology also allows control of multiple structures at the same time. Ireland-based Ingersoll Rand – Trane has specialised in offering such technologies to building owners and operators to help efficiently manage HVAC systems at multiple locations remotely.

NEW PRODUCT LAUNCHES 7. Eon IT Park in Pune is one of Daikin's biggest VRV projects. 8. KJ Jawa, MD & CEO, Daikin India.

Godrej Appliances recently launched a power-saving, Green inverter AC with 5.8 ISEER under its premium subbrand NXW. With this ISEER rating, Godrej NXW Inverter AC doesn’t merely meet the five-star requirements of the current BEE energy-rating norms, it also complies with the five-star requirements of the proposed BEE energy table of

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

Successful HVAC systems are the key to successful buildings. Some of the important factors that should be kept in mind while selecting these systems are as follows: Architecture: This means taking into account the building’s information, including details about the structure, location, altitude, shape, purpose, area classification, occupancy, climate and shading, thermal insulation, passive climate control, age of the structure, renovation or extension project, retrofitting or new equipment. Plus, the plant and system design to match the characteristics of the building and the need to meet the known and unknown requirements of the occupants. HVAC space allocation: It is imperative to focus on floor space and clear heights to accommodate the HVAC plant, equipment, distribution and room elements. It may also be required to plan shaft spaces, location and size of structural columns, rods and beams; ceiling height, and clear locations of obstructions in the route of the air-conditioning system. Building construction details: This is what you need to know – the kind of materials being used, thickness of walls, roof, ceilings, floors, as well as sound and vibration control required. Building regulations: Account for government and local regulations on occupancy and safety classification, health and safety regulations on indoor air quality, ventilation air quantities, noise control, electrical, fuel, insulation and other hazardous materials as well as fire and insurance regulations. HVAC system considerations: Systems usually come with a variety of features. They are: energy efficiency; thermal comfort; indoor air quality; cooling/heating peak loads; capacity of the system; hours of system operation; control systems; humidification/dehumidification requirements; air purity; special acoustic treatment; fire protection and smoke management; water service – capacity pressure, maximum temperature, chemical analysis (choice of materials), water treatment, Building Management Systems, etc. Budgets: It is vital to consider capital costs, operating costs, maintenance and consumables cost, replacement/upgrading costs, equipment failure costs, installation and labour costs, insurance costs and, most importantly, the return of investment (ROI) and/or lifecycle analysis. 2019. The clever combination of inverter technology and the Green Balance Technology helps this AC in achieving the highest energy efficiency in the most eco-friendly way using the Green refrigerant R290, which has zero ozone depletion potential and minimum global warming potential. Blue Star has set a new standard through the latest lineup of room air-conditioners, which consists of over 135 models, with 40 of these models on the new inverter technology platform. The stellar array ranges in tonnage from 0.7 TR to 4.5 TR across two-star, three-star and five-star models, as well as three-star and five-star inverter models. For markets which face harsh winters, the company also has a line-up of inverter split air-conditioners which cool in summers and heat in winter. Eight of the 19 models of five-star inverter split air-conditioners are equipped with a Smart Wi-Fi feature that enables users to operate the machine from any place. The new five-star inverter split AC models not only give a whopping 65% energy-saving over one-star fixed speed ACs, but also provide the customer with a high level of comfort – as the air-conditioner is designed to set tempera-

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PRODUCT SPOTLIGHT HVAC SYSTEMS

PRESENTING PARTNER

COST-EFFECTIVE INNOVATION

During extreme hot weather, air-conditioning tends to work more rigorously to cool the air. What if it was the other way around – the more hot and humid the weather, the more efficient the cooling process? In Australia, a team of experts devised a solution that offers to do just that. The IP Kinetik is considered a ground-breaking technology, winning numerous international awards including the Smart Cities Award Australian Technologies Competition (ATC) 2016. Devised by Dr. Vahid Vakiloroaya and developed by a Melbourne-based energy company, Independent Products, the IP Kinetik is a de-mountable unit that fits on top of an existing outdoor unit and functions on two key principles: Reclaim and Reduce. The unit essentially ‘reclaims’ waste water from the AC and uses it to pre-condition the incoming air and sub-cool refrigerant gas. The Kinetik heat exchanger fills with the reclaimed water. Hot gas is then re-routed, immersed and cooled in the Kinetik heat exchanger. This action significantly reduces the energy load to cool air, and thereby ‘reduces’ energy consumption and CO2 emissions – the system can reduce CO2 emissions by up to 50%. The sleek design, which features no moving parts or electronics, makes the installation easier. At Western Sydney University, where Dr Vakiloroaya is a post-doctoral research fellow, the two-year-long successful trial proved the system's efficiency. On average, the system provided 30% savings in energy consumption, but more notably the saving increased to 45% on more humid days. Now, the system has been employed by Qantas, Telstra and BHP – clients of Independent Products, the company that developed and refined the system.

11 10

Note: This product is currently not available in India.

9. Smart Control panels are increasing HVAC's efficiency quotient. 10. Sunil Khatwani, VP and business head – System Airconditioning Division, LG Electronics India. 11&12. LG’s Hydro Kit extracts heat from its Multi V Heat Pump and provides domestic hot water.

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

tures in steps of half a degree (0.5°C). Some inverter split AC models even offer temperatures in decimals that vary by 0.1°C. This is a first-of-its-kind offering in India. The 19 variants in the five-star inverter split ACs category is another benchmark for the company. Its share in the inverter and five-star air-conditioners range is higher than that of the industry. Several models in this range are equipped with eco-friendly refrigerants. The entire series of star-rated inverter split air-conditioners is equipped to function smoothly within a voltage range of 160-270V, without the aid of an external voltage stabiliser. Daikin India has also successfully forayed into offering premium air-conditioning solutions to the Indian market for large-scale projects, wherein it further intends to extend its market share across residential, light commercial and commercial projects. Daikin in India offers a host of residential air-conditioning units, packaged air-conditioners, sky air products, VRV and chillers ranging from .75 TR to 2,700 TR. LG’s new High Temperature Hydro Kit is an efficient solution for in-floor and hydronic coil heating, as well as heating domestic water. The heat pump contained in the Hydro Kit works by extracting heat from LG's Multi V Heat Pump or Heat Recovery System to heat a building or provide domestic hot water. When connected with a VRF unit, it can generate hot water up to 80°C. With the Hydrokit and VRF heat recovery system, simultaneous heating, cooling & hot water generation is possible. A&I

CONSUMER CONNECT

Cool Ideas

Blue Star Limited has an advanced range of solutions on offer to fulfil requirements of residential, corporate as well as commercial customers.

lue Star Limited is India’s leading air conditioning and commercial refrigeration company having an integrated business model of a manufacturer, contractor and after-sales service provider, enabling it to offer an end-to-end solution to its customers. Backed by over seven decades of experience in expert cooling solutions, the company fulfills the cooling requirements of a large number of corporate, commercial as well as residential customers. It offers expertise in allied contracting activities such as electrical, plumbing and fire-fighting services, in order to offer turnkey expertise in this domain, apart from

execution of specialised industrial projects. Blue Star’s other businesses include marketing and maintenance of imported professional electronic equipment and services, as well as industrial products and systems, which is handled by Blue Star Engineering & Electronics, a wholly owned subsidiary of the company. Blue Star’s business segments comprise Electro-Mechanical Projects and Packaged Air Conditioning Systems; Unitary Products which is inclusive of the new planned product lines such as water purifiers, air coolers and air purifiers; and Professional Electronics and Industrial Systems. A&I

www.architectandinteriorsindia.com | APRIL 2017 | ARCHITECT and INTERIORS INDIA

FOCUS WESTMINISTER DESIGN COMPETITION

STUDENTS FOR CHANGE 1

THE WESTMINISTER DESIGN COMPETITION (SOUTH ASIA) RESULTS INDICATE A PROMISING FUTURE FOR DESIGN

1. Winners with Kelvin Campbell at the awards ceremony held in Jaipur earlier this year.

hile most academia-based design competitions focus on futuristic conceptual solutions, the Westminster Design Competition (South Asia) takes a different direction with a vision to give under-appreciated urban zones a new lease of life. Part of the wider Latitudes Network at the University of Westminster in London, UK, the competition was inspired by the Clean India Mission (although not directly affiliated to it). Darshana Gothi Chauhan, founder of the competition at the University of Westminster, explains, “The intention of the competition has always been to inspire and bring together the creative energy of students and local communities to work towards a common vision, use design as a catalyst of change and scaleup the impact of small but effective local transformations to make a massive difference at a regional level.” The competition invited students from 87 architecture colleges in South Asia to transform their neighbourhood and be instigators for change – as the logo states, “…competition strictly for doers, creators, change makers; initiate ideas, change will follow.” The result was the transformation of 100 disused public spaces – across 42 cities and towns – by over 1,500 local undergraduate architecture students. The public spaces brought back into active use through the design and build solutions, mostly through clever use of recycled materials, stretched across 3,000km from Quetta (Pakistan) to Madurai and Jaipur to Visakhapatnam. The range of revamped public spaces include a number of children’s play areas in Noida, Madurai, Nagpur, Bengaluru and Pune; flyover under crofts in New Delhi, Calicut and Sonipat; public spaces along train stations in Mumbai and Chennai; pedestrian footpaths in Jabalpur, Jaipur and Hyderabad; and village streets in Jammu. Dynamic pop-up transformations such as an open-air public library in a Delhi Bazaar and a recreational space along Elliot’s Beach in Chennai proved to the masses the potential of urban spaces. The participating students were tested on their creative as well as entrepreneurial skills by having to navigate through the challenges of working on publicly owned land, seeking permissions from local authorities and stakeholders, raising funds for their projects as well as bringing together local communities to build their designs. This hands-on approach to design saw the students engaging with the local populace – sometimes even facing opposition or apathy, trying out

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WINNERS CITATION Brick by Brick (Nagpur), VNIT Nagpur RADICAL INCREMENTALIST AWARD Kulam (Panaiyur), Measi Academy of Architecture SPECIAL MENTION Tulips Initiative (Noida), Amity School of Architecture and Planning The Vann Way (Jabalpur), Hitkarini College of Architecture and Town Planning The Slate (Madurai), Thiagaraja College of Engineering COMMUNITY IMPACT AWARD The Resurrection (Madurai), Thiagarajar College of Engineering The Buffer (Mumbai), Ies College of Architecture EXCELLENCE IN DESIGN AWARD Slats, Elliot’s Beach (Chennai), Measi Academy of Architecture The D-Tox Pit (Bhopal), School of Planning and Architecture COMMUNITY PARTICIPATION AWARD Beauty From Bareness (Nagpur), Priyadarshini Institute of Architecture and Design Studies

different design interventions and improvising along the way. As they documented their work, the students learned and unlearned the nuances of design. Take, for instance, the four-member team from the Measi Academy of Architecture, Kulam. Nostalgia surrounding a historic lake that was once thriving with life – but later neglected, forged the young students to take action. Located in Panaiyur, ECR (Chennai), the lake was used by the locals for irrigation, drinking water and cooking; but in the course of time, the 40ft deep lake became a residential waste dump, losing its inherent value and purpose along the way. “Rapid urbanisation had made the lake into a dump yard. We (took) the initiative to clean the lake as well as design the space around the lake to make it an interactive public space for the local villagers,” stated the design team.

FOCUS WESTMINISTER DESIGN COMPETITION

FACT SHEET 87 local architecture colleges 1,500 local undergraduate architecture students 42 cities and towns 100 disused public spaces 3,000kms covered Their drive to restore the lake initially met with very little to no support. Undeterred, they decided to still go ahead and began cleaning the lake and its surroundings. Eventually, a media coverage of their initiative led to a renewed support from the locals as well as the authorities – giving the project a big boost. To maintain the integrity of the lake and its surroundings, the team made some necessary additions; a fishing deck, a carrom station, plantations, seating made from dead palm trunks and a kabaddi court for the state team (who were without a practice space). So profound was the impact that the village performed a ritual celebrating the rebirth of the lake. For their incredible effort and result, the students received the Radical Incrementalist Award, sponsored by Massive Small. Kelvin Campbell, founder of Massive Small, mentioned, “This design challenge is an excellent live international case study in scaling up Massive Small Change. The works of the students are truly inspiring.” Through the Brick by Brick project. the design team from VNIT, Nagpur, saw a unique opportunity to use design as a means to bring the local community together. “Observing several user groups and their access to public spaces, we inferred that an urban pocket adjacent to a deaf and dumb school and surrounding neighbourhood is in an appalling condition. We intended to provide the kids in this area with a space of which they were deprived, breaking the barrier between the abled and differently abled,” stated the team. The neglected plot began to take shape as a kids’ playground marked with a creative zone, self-exploration zone, play area and Green clean zone – using scrap, recyclable ma-

terials to create sensory and sturdy play structures. The team even conducted a post-occupancy evaluation after a month and made some additions/changes to their design based on the feedback. The Tulips Initiative project, too, aimed to transform a neglected land into a recreational and educational park for children, women and the elderly. “The site is located in close proximity to slums and labour class housing and EWS (Economically Weaker Sections), thus (the park is) targeted towards the underprivileged children as primary users,” mentioned the design team from Amity School of Architecture and Planning. The design relies heavily on recycling – fabricated park benches from oil drums, discarded tyres for demarcation, tables out of waste cable roller drums, seating from water containers, and play structures out of recycled bamboo and tyres, among other interventions. After the successful phase one, the team plans to introduce more features and finesse into the playground, which has now become a spot for many activities. As one peruses through the many winning and shortlisted entries, it’s heartening to see the change that has already taken place. The fact that the competition managed to instil, or invigorate, passion and love for the public urban space in the students and the local community is a big win in itself. Professor David Dernie, pro vice-chancellor and dean at the University of Westminster, acknowledges, “We are thankful for the overwhelming response and the efforts of young creative change makers, local communities and local authorities of South Asia towards making this vision a reality. Our team, along with our collaborators, are committed to giving an international platform to these transformations and recognising the effort each participant has put into this process.” A&I

2&3. Before and after pictures illustrating the transformation of the lake in Panaiyur (Chennai). 4. Brick by Brick (Nagpur) bridged the gap between the abled and differentlyabled kids. 5. Tulips Initative (Noida) has made ingenious use of scrap.

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CONSUMER CONNECT

High Pressure Laminate Cladding for High-Rises Greenlam Clads project done in Jaipur that deploys HPL Cladding.

he journey of use of high pressure compact laminate (HPL) for façade started in early 1980’s in Central Europe. They were used as decorative exterior panels for facade cladding. High pressure laminates were well known nearly worldwide at this time as an interior decorative product, but slowly the trend for high pressure compact laminate for exterior use as façade started growing. In India, the use of high pressure compact laminate for façade started some years ago and now the product has really caught the imagination of the architects, designers, builders and end user. Today the use of high pressure compact laminate is not only limited to bungalows, low-rise buildings but is gradually moving to high-rise building. The HPL clads are applied as ventilated façade systems. The HPLs are gaining popularity in high rise building because they provide energy efficient, long-lasting properties. They allow circulation of air and aids in increased ventilation. A ventilated façade system may result in a variety of advantages. First, a chimney effect draws air through the cavity, aiding in the removal of heat and moisture from rain or condensation. Second, the rain-screen also blocks some solar gain and accommodates continuous insulation, considerably reducing the need for air conditioning. Third, ABOUT THE AUTHOR: Anuj Sangal has over two decades of experience in building material industry across sales & marketing, warehouse management and production. He has successfully handled Pan-India assignments like building material products including plywood, laminate, veneer, glass, doors and construction chemicals. Greenlam Industries is India’s leading manufacturer in the decorative laminates, decorative veneers, engineered wood flooring and engineered doors segment. It is also the Asian market leader in the decorative laminates space. With over two decades of experience in the surface décor space, Greenlam Industries has been a pioneer in introducing international décor trends in India.

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g [mm] min. max.

20 - 60

Fig.1: Minimum and maximum distance between panel edge and hole.

CONSUMER CONNECT

Compact [mm]

these results are shown to improve comfort within living areas. Residents and users not only find themselves in a low-maintenance-environment, but the dry and comfortable conditions of the building may also make a positive contribution to indoor environmental quality. It is important to have a good quality panel when used on a high rise building facade. A good panel comes at a price. The panel should be symmetrical on both sides, with high quality UV resistant protection on both the sides. It should be of same decorative paper, with a phenol treated core. Although the full size panels are quiet heavy, with advanced

Fig. 2: Position of fixing point – It should be the nearest (upper) fastening point to the centre of the sheet.

HPL Cladding used in a project in Moscow, Russia.

GREENLAM CLADS Greenlam Industries Limited launched exterior compact panels three years ago under the brand name “Greenlam Clads”. It comes with revolutionary unmatched GLE technology that makes them fade resistant, weatherproof and fire-resistant. Over and above this, Greenlam Clads are highly durable and longstanding which makes them cost efficient. They are also low on maintenance and contribute to increased indoor environment quality, making it the best suited cladding option for exterior applications. These compact panels are highly energy efficient as they allow the circulation of air and aids in increased ventilation. They create a chimney effect that draws air through the cavity, aiding in the removal of heat and moisture from rain or condensation. Also, the rain-screen blocks some solar gain and accommodates continuous insulation, thereby considerably reducing the need for air conditioning. The ease of application and installation of Greenlam Clads also add significant value to the user. The panels can be combined easily with other building materials to create unique effects and highlights that can help make your home one-of-a-kind.

logistics technologies used for construction of buildings, there is not much logistical problem for carrying the panels to high rise building. There are precautions which have to be taken during the installation of the panels especially in high rise buildings. In fact the fabrication has to be done with perfection. It is important to maintain a uniform minimum and maximum distance from edge of the panel to the hole. Fix Point and Sliding Point Changing weather conditions and humidity levels could make the compact laminate expand or contract. In order to accommodate such variations, there should be only one fixed point in one panel and remaining points should be sliding points. Fixing point should be the nearest (upper) fastening point to the middle of the sheet (Figure.2). Local Government Restrictions The height up to which the panel can be installed is mainly restricted by the local rules of construction as well as building physics. Conclusion Combining powerful features of appearance and performance, wall claddings and HPL compact panels can completely transform the way your home looks. While aesthetically enhancing the appearance of the structure, it can also improve air-flow and lighting and is in line with sustainable and green building practices. As innovations across the world of construction and decoration continue to emerge, wall laminates and HPL compact panels are certainly here to stay.

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INTERVIEW EMMA & KRISTIAN STINSON

1. Emma Stinson, cofounder of Studio EM.

ritish interior architect Emma Stinson is the creative force behind Dubai-based Studio EM, which she co-founded back in 2011 with her husband Kristian, who manages the business operations. In the past five years, the studio has gone from being operated from their spare room to winning the title of Boutique Design Firm of the Year at the Commercial Interior Design Awards in Dubai this year. As the creative director, Emma has overseen more than 150 projects within this time, ranging from large-scale retail projects to food and beverage outlets. The Stinsons discuss the various challenges of breaking into the interior design market, running the business together, and why the couple decided to keep it small and within the family. “It all started with just the two of us working back-to-back in a two-by-two-metre room in our house. We had just got married, we had both finished our previous jobs, and didn’t want to go and work for another company. It was something we were always talking about, and Kristian is great with sales, clients and getting the projects,” says Emma, admitting that, in the beginning, both of them were questioning whether they had made the right decision. “We established our studio in the heart of the recession, and had to build it up from nothing. It started with a lot of hard, and often free, work with people wasting our time and clients taking a chance with us. But that pushed us even more,” she admits. Luckily, the duo worked with several clients who believed in Emma’s design talent and expertise, and these projects eventually opened the doors to bigger clients. “I never wanted to have a big company,” she says. “My dream was to keep it small and do projects I love and believe in. As a boutique studio, we are able to have a more personal relationship with our clients; and they know that the person they meet for the first time will be working on their project from start to finish.” Kristian adds that the studio takes only three projects at each stage (concept, detail and on-site), so that the design team can manage it. “We are now a team of seven, including Emma’s sister, who is also interior designer. From the first day, we made a deal that I will handle everything except the design – and that worked for us,” says Kristian. “We have built a good portfolio of work because we hire exceptional designers and give them enough time to work on each project. We are fully in control of the entire design process. When we design something, we want to see it being built. We don’t want to see someone’s version of it, since the team puts so much work into the concepts.” Despite the competitive market, the entire team prides itself on refusing to do free pitches to win work. “We believe that pitching is a disgrace for the industry. Anyone who is doing it is basically saying: it is okay to design for free. We’ve lost some incredible projects because we refused to do so,” admits Kristian. From a practical and creative perspective, Emma adds that pitching takes a lot of time away from regular work. “Firstly, you don’t know the client well enough, so everything you propose is just a guess. Secondly, we are such a small company and we don’t have resources to have someone on a project that’s not getting any money,” she says. Commenting on the designer-client relationship, Emma says it is all about being diplomatic when selling designs. “We learned to work within the constraints the clients

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INTERVIEW EMMA & KRISTIAN STINSON

IN CONVERSATION WITH HUSBAND-WIFE DUO, EMMA AND KRISTIAN STINSON â&#x20AC;&#x201C; CO-FOUNDERS OF AWARDWINNING STUDIO EM BY MARINA MRDJEN-PETROVIC

PHOTOGRAPH: SHARON HARIDAS, ITP PUBLISHING

FAMILY AFFAIR

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INTERVIEW EMMA & KRISTIAN STINSON

2&5. One Life Kitchen & Cafe, Dubai. 3. The Hangout restaurant in Dubai Marina. 4. The Hutch Bistro, Dubai.

6. Studio EM redesigned the Candylicious store at The Dubai Mall.

7. Using the carousel as inspiration, the design team created a circular check-out counter for Candylicious for improved customer flow.

give us. We usually tell our clients that they will get what they want, but with our design touch. Sometimes, it can be a bit difficult to deal with so-called ‘Pinterest clients’. They usually don’t know what they want, but provide you with tonnes of images they like, from chairs to lighting. The Pinterest board may look beautiful – but when you put all

those pieces together, it doesn’t always work. In the end, it is copying someone else’s design. I’m glad to see that there’s a movement away from copy-pasting designs, and more and more people are coming up with new and fresh ideas.” Studio EM’s body of work stretches across a broad spectrum of projects, covering restaurants, nurseries, schools, cinemas, retail outlets, offices, cafes, and even a couple of veterinary clinics. “Between our team, we mostly do retail and F&B projects. I love doing retail projects. The problem is that a lot

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INTERVIEW EMMA & KRISTIAN STINSON 8

of big retail brands use the same roll-out design, and there is really no need for that. Retail design now calls for better customer interaction within the store. People don’t just shop to buy, and so retail design should be more experiential,” says Emma. Emma and her team are currently working on designs for new venues in Qatar for the Five Guys restaurant chain, a grooming salon in Nairobi, a café in Zanzibar, a big street food market in Kenya, in addition to a few confidential retail projects in Dubai. “We are converting a 40,000sq-ft warehouse in Kenya into a food market with eight different restaurants and a wine bar,” says Emma. “Nairobi has an amazing art scene, a big coffee culture, and the food culture has started developing – so we really see it as a potential market.” She is now hoping to tap into the hospitality and F&B sector, both in the Middle East and in East Africa. Originally from the North of England, Emma’s parents moved to Dubai 36 years ago. Being born and raised in this desert-coastal city, she witnessed its momentous transformation and its evolution. “I came to the industry thinking that Dubai has loads of money, and designers [consequently] have unlimited budgets to work with here. But, to be honest, our best projects were, in fact, the ones where there was not enough money because we had to be smart and more creative with our designs,” she concludes. A&I

8. Emma and Kristian Stinson with their team. 9. The Hangout features modern industrial finishes, plush tufted sofas and hand-painted murals. 10. Golden Gate Nursery. 11&12. Quirky accents in Studio EM’s office.

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INTERNATIONAL CASE STUDY KEMPINSKI SUMMERLAND BEIRUT

AN ICON IS REBORN

HBA DESIGNERS INFUSE LEBANESE CULTURE, HISTORY AND LANDSCAPE INTO THE DESIGN OF KEMPINSKI SUMMERLAND

PHOTOGRAPH: WILL PRYCE

1. Kempinski Summerland Hotel and Resort Beirut.

orrowing influences from the country’s cedar tree forests as well as cultural landmarks like Mount Lebanon and the Byblos ruins, Hirsch Bedner Associates (HBA) designed the interiors of the newly-opened Kempinski Summerland Hotel and Resort Beirut in Lebanon. The 153-key, waterfront resort is located in the heart of the historic city and features a collection of locally-produced art that is both contemporary and rooted in the country’s heritage. David T’Kint, lead HBA designer and partner, explains that various aspects of Lebanese culture were applied to the interior design, taking into consideration that the resort was built on the grounds of the famous Summerland Hotel, the only resort that remained open during the Civil War. “The client’s expectation was straightforward – the

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property needed to set a new standard for luxury in Beirut, as well as live up to the reputation of the old Summerland Resort that has been a part of the lives of many people across generations,” says T’Kint. “We opted to do so by exploring Lebanon’s cultural heritage, creating a narrative that’s unique to the property. We explored the country to depict what makes it unique in ways which are understated.”

LOBBY AND LOUNGE AREA At the hotel’s entrance, beige flooring has been cut to include the traditional Muslim symbol, the Rub el Hizb pattern, with the two overlapping squares or eight-pointed stars. From the top of the nearly 10m-high ceiling, a water wall flows, capturing the essence of ancient ruins. On the right side of the lobby, the walls are fully clad with grey wood

INTERNATIONAL CASE STUDY KEMPINSKI SUMMERLAND BEIRUT 2

celebrating the cedar tree forest. Wood planks of various widths capture the texture and natural form of the celebratory cedar tree in Lebanese history, and intricate arabesque motifs are carefully etched into several wood planks. The hotel also features an original, contemporary art collection created by Lebanese artists living in the country or abroad, establishing an emotional link between the interiors and the location. “Since the opening, I have received multiple comments about the layering of the property and how there is a story behind most items. Some of these include the overall colour scheme using mostly neutral, beige tones similar to an aerial view of the city of Beirut. In the arrival lobby, the walls feature elements of Lebanese ruins, such as Byblos, and engraved grey walls are inspired by cedar tree forests, the

emblem of the country. There are also figurines throughout the hotel, which symbolise the Lebanese diaspora and the constant movement of the population in and out of the country. These are complemented by some of the carpet designs in the corridors, where we used deep blue and bright yellow,” says T’Kint. A 23ft-tall chandelier constructed out of clear and ambertoned glass spheres, reminiscent of the Lebanese diaspora, hangs in the lobby. “The interior façade features dozens of figures perched on the guard rails supporting the same concept,” says T’Kint. Carved screens between seating areas pay homage to traditional practice and create semi-private retreats. Grand arches are raised above individual seating arrangements, creating a secondary layer within the space.

2. A 23ft-tall chandelier in the lobby area evokes the Lebanese diaspora. 3. The carpet in the ballroom is patterned in grey biomorphic designs.

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INTERNATIONAL CASE STUDY KEMPINSKI SUMMERLAND BEIRUT

4. Where the ceiling heights were as low as 2.15m, lighting and mirrors provide the illusion of height.

5. The hotel features original contemporary art by Lebanese artists. 6. Figurines are perched on the guard rails. 7. The lobby bar is wrapped in a Mashrabiya-inspired screen.

The lobby bar is wrapped in a Mashrabiya-inspired screen, modernising a traditional Arabic architectural element. Surrounding the bar is a casual area with small seating arrangements accented by scattered rugs in warm teals and browns, also reminiscent of the cedar tree and Lebanese sky. The lobby lounge features low beamed ceilings with insets of woven textures, resembling the country’s architecture and fishing culture. These features were, in fact, a result of solving the major challenge that the design team faced, which was adhering to local regulations regarding the ceiling heights. (In a few areas of the hotel, ceiling heights had to be as low as 2.15m.) He adds: “We had to be creative with the usage of lighting and mirrors to avoid an oppressive feeling in these spaces.” A staircase that leads guests below to the bar and the all-day dining restaurant is adorned with a handrail that’s inspired by the branch of the cedar tree. Each landing represents a body of water with an infinity edge detail to create the sense of walking through the water between the steps.

BAR AND ALL-DAY DINING RESTAURANT 8. The all-day dining restaurant.

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Rich colours of burgundy and teal throughout the bar reflect the country’s vineyards and wine-making culture, while

INTERNATIONAL CASE STUDY KEMPINSKI SUMMERLAND BEIRUT

Inspired by mint – a key ingredient in Lebanese cuisine – the interiors embrace the freshness and lightness of the herb, engaging the colours of green and teal against a beige background. The ceiling is wood-planked in white and grey, while upholstered wall panels are accented by carved white architectural screens in decorative patterns. 10

BALLROOM AND FUNCTION ROOMS According to T’Kint, the ballroom is designed as a white box adorned with arabesque patterns engraved into the walls and ceiling. Hues of white and warm colours are juxtaposed by cool grey tones, giving it a neutral backdrop for a variety of events. The carpet is heavily patterned in grey biomorphic designs and is complemented by elegant, draping chandeliers that are made of crystal and laser-cut metal, in similar shapes overhead. “For the ballroom carpet, various shades of grey translate different scales of Arabic patterns, as Lebanon is at crossroads between Europe and the Middle-East. Most countries in the area traditionally use arches in their architecture; we used the typical Lebanese shape to create a series of seating nooks in the lobby lounge,” adds T’Kint.

GUEST ROOMS AND SUITES

reflective finishes help to push the boundaries of volume within the small space. The ceiling features insets of oval mirrors, creating a sense of lightness and continuity, and walls are sculpted with two types of carved screens backed by light and mirrors to support this effect. Metal and wood screens with arabesque patterns create layers within the bar and delight the senses. A cigar lounge, housing an expansive library of high-end cigars and accessories, also resides here.

Guest rooms are decorated with a combination of strong lines and geometric patterns, and architectural lighting enhances the feature wall above the headboard. Furniture handles are derived from the seed of the cedar tree and are a continuous element throughout the property. The bathroom has a combined shower and tub in carved beige stone. Light slots are adorned with a glass Mashrabiya pattern, recalling the screen design on the bed. The presidential suite includes a signature feature within the ceiling: a reclaimed piece of architecture retrieved from the old Summerland building and integrated into a contemporary new design. All of the walls in the dining area and lounge are fully clad in wood and sculpted with both small and oversized patterns. Hand-woven carpets inspired by the texture of cedar tree bark are a backdrop to elegant arabesque patterns. Mother-of-pearl inlays appear in small details of archways and furniture. The bedroom and bathroom are a key feature of this suite – giving it a level of ultraluxury and comfort, with a freestanding tub and oversized bathroom increasing the sense of grandeur. A&I

9. The guest rooms feature strong geometric patterns. 10. The bath tub is in carved beige stone. 11&12. Lebanese culture is reinterpreted through the design to create a continuous theme for the hotel interiors.

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INNOVATION

UPSIDE-DOWN SCHOOL

THE ARCADIA PREPARATORY SCHOOL MAKES THE MOST OF RESTRICTED SPACE TO DELIVER EDUCATIONAL EXCELLENCE

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INNOVATION

rchitects tasked with creating a school on a small plot in a residential area of Dubai hit upon an innovative way to make the most of the floor space available – they turned the building upside-down. So, at The Arcadia Preparatory School designed by Godwin Austen Johnson (GAJ), the MEP is housed in the basement, while a football pitch and swimming pool are atop the structure. The school building currently accommodates around 100 pupils, but will eventually house up to 750 in the age range of three years until 11 years. Architect Jason Burnside said, recalling the genesis of the project: “We had just a small plot to work with – around 6,000sq-m. But we wanted to make the most of it. “First, there was the entrance – we made it open and light with vibrant colours to greet students, teachers and parents. There are stairs leading up to the first floor, and these can also be used as a communal space – especially if there is an event taking place in the open space on the ground level.” Graham Beale, principal of the school, was clear in what he required from the design team.

1. The four-storeyed structure in JVT. 2. (L-R) Godwin Austen Johnson’s team of architects – Avinash Kumar, Raina Viegas and Jason Burnside.

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INNOVATION

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“What we wanted to emphasise were three aspects that reflect the school and its philosophy. These are light, transparency and openness. In this regard, GAJ has succeeded at designing on a remarkably complex site. The team achieved what we originally envisaged.” Architect Raina Viegas said the GAJ team was fully aware of the challenges they were undertaking. “What we wanted to do, was ensure that our design matched the vision of the client,” she said. Natural rubber and hardwoods are principal flooring and surface materials to ensure minimal volatile organic compounds, while bright colours provide a vibrant ambience – although these are carefully used in order to prevent overstimulating the children. Ceilings are acoustically treated and the building qualifies for LEED standard.

INNOVATION 9

A performance space with a sprung floor can be used for sports, including cricket, football, tennis and basketball. It even boasts an electronic scoreboard. The room can also be converted into a theatre arena with retractable seating and a stage, while lighting can be controlled from a room overlooking the arena. Burnside said, “Again, the intention was to get as much out of the space as possible.” Classrooms look out on to activity areas, which are segregated in two courtyards. Here, too, bright colours are used and there are themed play areas that include simple mechanisms to illustrate water flow and straightforward physics. The learning areas also include video screens. The school has media rooms and music facilities with a library as another focal point. There is also a medical facility, a new requirement under UAE regulations, which is permanently staffed by nurse Binee Mathew. A major feature of the ‘upside-down school’ is the sports facilities on the roof, overlooking the villas of Jumeirah Village Triangle (JVT). The 20m-long, learner swimming pool was created in situ with stairs leading up to a raised concrete podium that was hollowed out to allow for the water. The running track is not a full 100m-long – as, because of

the age of the pupils who will be using it, the designers felt a shorter distance was more appropriate. “It’s for egg and spoon races, rather than the 100m ones,” said Beale. The football pitch at the very top of the four-storeyed structure is, again, not full sized – but it will have netting to prevent stray shots from raining down on residences, pedestrians and streets below. Arcadia will also have a companion school on an adjacent plot of land, which will be aimed at an older intake of children – so its pupils will, in the upcoming years, have access to a wider range of sports facilities. Businessman Mohan Valrani is the man behind the project as part of his drive to increase educational opportunities in the UAE. Arcadia is just one of the projects he has instigated. Previously, he was a founder member and a trustee of the Indian High School before being appointed honorary chairman in 2009. Valrani said: “Education in all forms is a never-ending investment we all need to consider, regardless of our means or age. I told the GAJ team that I felt transparency was a vital part of schooling, and I wanted the building to reflect that. But I said ‘on balance, I’ll leave it to you’. So the credit goes to GAJ. The architects captured my thought process and vision, then turned it into a design.” A&I

3. Learning-based play facilities. 4. Neutral colours for interiors. 5. Colours provide vibrancy. 6. Staircase is a gathering space. 7. Rooftop swimming pool. 8. Reception area. 9. Binee Mathew, the nurse. 10. Principal Graham Beale at his desk. 11. Mohan Valrani against Arcadia School’s façade.

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PRODUCTS COLOUR TRENDS

INSPIRED BY NATURE SOME PRODUCTS THAT BRING GREENERY, PANTONE’S COLOR OF THE YEAR, TO LIFE

PEACOCK CHAIR BY CAPPELLINI Designed by Dror Benshetrit back in 2009, Cappellini’s Peacock armchair is created entirely out of a single sheet of felt wrapped over a metal base that’s varnished in dark brown. The two-tone felt combines a base of grey with bright green and blue or one-tone felt green or blue. Felt, a soft material with gentle edges, transforms into a functional, comfortable and inviting product.

NOMAD BY MMINTERIER DESIGN Anar Davaasambuu’s design for Mminterier, Nomad combines two cultures – Mongolian horse saddle and European rocking chair. This active seater can be upholstered in wool or faux fur.

PIANI LAMP BY RONAN & ERWAN BOUROULLEC FOR FLOS The green version of the Bouroullec brothers’ Piani Lamp for Flos fits right in with this year’s Colour of the Year. This lamp comes in plastic, oak wood and basalt stone, and is made up of a flat base and a flat top. The base is created as a tray to hold objects that can be displayed in a triangular beam of light, as if they were on stage.

URBAN RETREAT BY INTERFACE Urban Retreat, Interface’s first global product, is a dynamic collection of 11 carpet tiles which feature refined textures to broad organic forms. It explores the point where concrete gives way to grass, and looks at the deeply carved character of an old tree set against the architecture of a human-made grid.

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

CRADLE COLLECTION BY BENJAMIN HUBERT FOR MOROSO Benjamin Hubert’s design studio Layer has expanded and updated its Cradle collection for Italian furniture brand Moroso. The seaters feature newage digital knitting techniques on a stretch-mesh material. In one of the colour combinations, a teal seat joins a Greenery-like mesh textile backrest.

PRODUCTS COLOUR TRENDS

AQUÁRIO CABINET BY CAMPANA BROTHERS FOR BD BARCELONA DESIGN Last year’s Milan Design Week saw the launch of the Aquário cabinet by the Campana brothers for BD Barcelona Design. For this cabinet, Humberto and Fernando Campana used ash wood and stained pine, and coloured glass, to fill blob-shaped gaps – giving the impression of a fish tank. The internal shelves are also made of glass to conserve the transparency.

KABUKI BY FERRUCCIO LAVIANI FOR KARTELL

HIGHWAY BY BARTOLI DESIGN Segis’ Highway is a modular system of narrow and wide ribbons of upholstered seating, which undulate to form seats and armrests creating large central or terminal curved lines. The collection by Bartoli Design includes single and modular elements: benches, sofas and tables. An internal steel frame is covered in different densities of fire-retardant, non-deformable polyurethane foam and covered in fabric or faux leather.

Named after the classical Japanese theatre form, the Kabuki lamp by Italian designer Ferruccio Laviani for Kartell is injectionmoulded, using a mass-coloured thermoplastic technopolymer. At first glance, it appears as a work of careful craftsmanship. But it is, in reality, a strictly industrial, plastic object. It is available in different colours, including the vibrant shade of green.

THE PARK BY SHAW CONTRACT

HIPPY BY ANGELETTI RUZZA Hippy stool by Da-a design fits well with the new Pantone Colour of the Year. It is an indoor and outdoor metal stool with hand-welded braiding. Inspired by animals, flowers and optical illusions, Ruzza’s design forms a non-stop game and study without giving up practicality.

THE GENDER BY PATRICIA URQUIOLA FOR CASSINA Designed by Patricia Urquiola for Cassina, the Gender armchair is dressed in layers, with textures and colours that meet and contrast to create an adaptable lexicon to its surrounding environment.

Australian designer group Shaw Contract’s carpet tile collection, The Park, comes in a shade close to Pantone’s Greenery. The designers observed that amidst the hustle and bustle of public spaces, individuals could be seen taking a moment to gather their thoughts or simply, gather together. They created The Park, which is influenced by how we move, gather and connect within different zones of a park; it explores the transition from communal energy to a quiet, singular moment. A&I

www.architectandinteriorsindia.com | APRIL 2017 | ARCHITECT and INTERIORS INDIA

PRODUCTS

NEW ON THE MARKET DESIGNED BY NATURE Relying on its strength of reinterpreting the ethnic and indigenous into a modern product palette, Cane Boutique presents the Madera Collection. Madera, which is Spanish for wood, stays true to its moniker; the collection includes bespoke pieces crafted out of single logs of solid wood. Each piece has its own charm, with the natural characteristic of the wood – form and grain – as the defining design element. Root Console, for example, retains the natural wellproportioned, organic structure and colours of acacia to creating a stunning console. This collection also comprises seaters, dining tables, centre tables, partitions, sculptures, mirrors, etc.

CANE BOUTIQUE Tel: +91-80-41152093/2891 Email: info@caneboutique.com Website: www.caneboutique.com

CABINET ART

STAY FRESH

Connoisseurs of artsy furniture will find Room Therapy’s new collection of cabinets inspiring. These hand-painted cabinets are stylish and functional. Choose from the glossy tropical mural on stainless legs, black striped handcarved cabinet or the hand-painted cherry red with a stainless steel frame. The contemporary designs, with just a tint of traditional style, blend with most styles and décor – and give rooms ample style and plenty of storage space.

To introduce maximum hygiene, bathroom solutions brand Vitra presents VitrAfresh, a liquid cleaner tank that is placed atop the WC pan. It blends detergent with flushing water for maximum hygiene and is safe to use with hypochlorous cleaning agents, non-abrasive detergents and fragrances. Thermostatic stop valve integrated to the WC pan allows users to mix hot and cold water coming from the bidet nozzle and fixes the water at maximum 380 C for comfort. The tank lid is removable, which enables easy cleaning. VitrAfresh is available in Metropole, D-Light and Nest – Vitra’s WC range.

ROOM THERAPY Tel: +91-9666684066 Tel: +91-40-64442200 Email: info@roomtherapyhome.com Website: www.roomtherapyhome.com

VITRA Tel: 1800-123-1134 Website: www.vitra-india.com

SUMMER SHEETS D’Decor envisioned its new summer range to be soft yet cheerful, stylish yet subtle and – most importantly – in light and pastel shades that will reflect all the heat away. From flowers and branches to leaves, the brand’s entire Spring Summer Bedding Collection is crafted with high–quality 400 thread count with a focus on comfort. While the collection comprises summer essential colours like ochre, whites and greens, there is a vast variety of patterns and prints in vibrant hues also available across all D’Decor stores. From digital print techniques to finely embroidered hand-work, each bedding set comes co-ordinated with crisp linens, breathable fabrics and light duvets, all of them ideal for warm weather.

THE D’DECOR STORE Contact person: Mukul Mehra/Rahul Singh Tel: +91-22-61152530 Website: www.ddecor.com

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

PRODUCTS

LIGHT IN ALL ITS GLORY The specially curated range of Philips table and floor lamps – crafted from high-quality metal, fabric, wood and crystal – caters to heritage, modern as well as contemporary designs. Like a dewdrop under the morning sun, Philips myLiving Dew LED range refracts light through its crystal drop accents that lie under the chrome metal frame within the plated glass dome. Genuine K9 Crystals have been used for sharp clarity. Another product from the series is the classic design of the Gilbert table and floor range, where natural black wood forms the base and is paired with a hand-woven beige shade.

PHILIPS LIGHTING INDIA Tel: 1800-103-5977 Website: www.philips.co.in

PATIO LOVE The Deck Tiles collection by Notion complements and beautifies any pool patio. Custom made with precision from solid tropical wood with a high-density engineered plastic base, it can efficiently hold up to moisture and wear and tear. These tiles come with an easy-to-install click-based system. They are efficiently put together to stand on non-slippery, weatherresistant and stain-resistant properties. Plus, they can even be uninstalled and re-located by simply unscrewing the click system.

NOTION Tel: +91-8010-450-450 Email: info@notion.net.in Website: www.notion.net.in

COMFORT AND MORE

DRAB TO FAB

Marigold Furnishers was conceived with a vision to bring Indian craft and traditional manifestations into home décor under one roof. Its latest living-room collection is clean, sophisticated and warm, perfect for entertaining and relaxing. The collection includes sofa sets, coffee tables, decorative consoles as well as furniture accessories like an ottoman, a side table, service trolleys and decorative mirrors. Each piece is well-suited to a variety of design themes as well as for indoor or outdoor use.

Designed with a keen eye for detail, Maison du Luxe’s accent chairs can provide much-needed contrast and strike a pretty picture by simply co-ordinating them with existing seating. The seaters on offer include a wide variety of accent chairs, including armchairs, swivel chairs and occasional chairs. Whether the space needs a pair of traditional chairs, a contemporary chevron patterned piece or a retro leather armchair, the collection has it all. These upholstered chairs in cotton or velvet, come in fun patterned fabric or in bold colours.

MARIGOLD FURNISHERS Contact person: Abhishek Kathuria Tel: +91-9999777417 Email: info@marigoldfurnishers.com Website: www.marigoldfurnishers.com

MAISON DU LUXE Contact person: Gobind Kapur Tel: +91-9810682668 Email: design@maisonduluxe.in Website: www.maisonduluxe.in

www.architectandinteriorsindia.com | APRIL 2017 | ARCHITECT and INTERIORS INDIA

PRODUCTS

SIMPLISTIC SEATER Mell, the new corner bench from Cor, features separate, overlaying seating cushions. With upholstered backrests, it looks like a sofa thatâ&#x20AC;&#x2122;s well-suited to contemporary architecture. The new corner bench features sub-constructs of chromed steel, which can be painted. Cushion coverings are available in fabric and leather.

COR Tel: +49-52-4241-020 Email: info@cor.de Website: www.cor.de

WOODY BALANCE

PLAY WITH PLASTIC

Italian brand Riva 1920 introduces Wedge, a bench made from a single block of aromatic cedar. It has a simple, linear geometrical shape and a metallic base which functions as a container. Movements, cracks and changes in the appearance of the wood are intrinsic characteristics of the bench and result from the natural settlement and diverse environmental conditions. The pigmented oil is manually applied on the oak wood, previously brushed by hand.

At IMM Cologne 2017, Ames showcased the Caribe furniture series as part of the Ames Sala collection. Suitable for outdoor use, this new furniture family consists of a chair, a lounge armchair, a (high and a low) large side table, and a basket table. Different coloured plastic strings are combined with a frame of steel pipe and steel wire that is offered, both galvanised and powder-coated.

RIVA 1920 Tel: +39-31-733-094 Email: info@riva1920.it Website: www.riva1920.it

AMES Tel: +49-2632-700-891 Email: info@ames-design.com Website: www.amesdesign.de

SOFA, SO GOOD Kerman, a modular sofa by Philipp Mainzer and Farah Ebrahimi, was showcased by e15 at IMM Cologne. The sofa addresses a variety of requirements in private and public spaces with different seating modules, poufs and armrests.

SUPER STUDIO Tel: +971-4-3233334 Websites: www.superstudio.me; www.e15.com

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

WEAVING DESIGN

With the Essentials product line, furniture manufacturer Girsberger utilises its expertise in the field of hardwoods to open up a new segment for itself â&#x20AC;&#x201C; accessories made using solid oak and walnut for the purpose of preparing and serving food. These include cutting and chopping boards of hard, robust end-grain, table boards, vesper boards, serving trays and serving trolleys, as well as bowls in different sizes.

Swedish designers Karl Malmvall and Jesper Stahl present the modular and versatile Wick Chair, inspired by traditional Swedish woodchip baskets. This seater is offered in different types of wood finishes like natural oak, black lacquer or natural ash. Meanwhile, bases are available with wood, steel or rotating legs. This customfriendly product can be used in different areas, both as a classic dining chair as well as in the office or conference area.

GIRSBERGER Tel: +49-76-42-68-980 Email: mail@anti-cluttergirsberger.de Website: www.girsberger.com

PRODUCTS

TIMBER ACCESSORIES

DESIGN HOUSE STOCKHOLM Tel: +46-8-509-08-100 Email: info@designhousestockholm.com Website: www.designhousestockholm.com

SQUARED OFF Designer duo Muller Van Severen launched a collection in aluminium: the round table S, the alu chair, the stackable chair and the alu square (below). Intrigued by the different ways of colouring and treating the surfaces of the metal, the designers used hammer blow finishing paint, often applied on mechanical equipment, machines or laboratory equipment. It is UV-resistant and water-repellent, so all these pieces can be used outdoors as well.

VALERIE OBJECTS Tel: +32-3-458-05-82 Email: stephanie@valerie-objects.com Website: www.valerie-objects.com

BEND IT LIKE BENZ Rolf Benz introduced Agio, the new sofa designed by Norbert Beck. The side elements can be folded upwards so that they can be used as a backrest system for sitting cross-wise on the sofa. When folded completely outwards, the side elements extend the lying area and make it possible to comfortably lie cross-wise.

ROLF BENZ Tel: +49-74-52-6010 Email: info@rolf-benz.com Website: www.rolf-benz.com

www.architectandinteriorsindia.com | APRIL 2017 | ARCHITECT and INTERIORS INDIA

THE BIG PICTURE MILBURN CHERIAN

1. Dark Night, 14x9inches. 2. Milburn Cherian, the artist. 3. The Caravan, 42x18inches.

OLD-WORLD IS GOLD

ainstaking, best describes Milburn Cherian’s technique. Each painting is a masterpiece of storytelling and technique, conquered by her over years of painful work. This is evident in her latest collection Old World, New Palette, which was exhibited at the Jehangir Art Gallery in Mumbai till March 6. If you missed it, despair not – for the same collection will be showcased at Cymroza Art Gallery, Breach Candy, soon. Using a palette of earthy browns, sepia tones, ochres and ambers with occasional strokes of bright reds and blues, the artist explores religious and medieval themes. It is difficult to find a focal point in her work, as there is so much detail in not just each of her figures – but also in the objects and structures that they are set against with such vivid strokes. Born in Mumbai, Cherian graduated in Visual Communication from the National Institute of Design, Ahmedabad. She willingly admits to the influence of Pieter Bruegel the Elder in her work. However, over the years, she went on to develop her own unique style. Since 1995, Cherian has participated in

ARCHITECT and INTERIORS INDIA | APRIL 2017 | www.architectandinteriorsindia.com

group exhibitions all over India as well as in the USA, UAE, Japan and Russia. In 1999, she won the E Schlesinger prize for the most promising Indian artist. Aside from participating in international art camps in Singapore, Australia, New Zealand, Mexico and India, she has also donated a number of her paintings to raise funds for charitable institutions at auctions conducted by Christie’s, Sotheby’s and Bowring’s. Painting in acrylic without references, she immerses herself in the period of her subjects and works as if in a trance – figures flowing seamlessly into each other. The more you gaze at each intricate painting, the more you will find to gaze at. Anyone who possesses a painting by Milburn Cherian will be possessed by it – that’s for sure! A&I By Maria Louis Note: Old World, New Palette will be shown at Cymroza Art Gallery in Mumbai later this year. It will also be exhibited at the Academy of Fine Arts in Kolkata in November and at the Lalit Kala Academy in Delhi soon after. For details: www.milburncherian.net

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