Moya photography
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Laparolaa: Gi acomo Maci s
Premessa Av ev odec i s odi a pr i r eques t awebz i nei nmododac oi nv ol ger epi ùper s one a ppa s s i ona t edi f ot ogr a fia( s i ac omef ot ogr a fic hemodel l e, maa nc hegr a fic i ) s i anel s oc i a l net wor kf a c ebooks i at r a mi t eunar i v i s t av i r t ua l e. Ov v i a ment ec omei nt ut t i i s et t or i , l ' i ni z i oès empr edi ffic ol t os oma , dopodue numer i ( s opr a t t ut t oda t oa l c uni dei di r et t i i nt er es s a t i nons i s ononea nc he degna t i di i nf or ma r ea l t r i ut ent i del l al or o pr es enz aa l l ' i nt er nodel l awebz i ne) , hodec i s odi a t t ua r edel l emodi fic he. D' a l t r oc a nt o, hor i s c ont r a t ounnot ev ol ei nt er es s edapa r t edei f ot ogr a fie model l ei na mbi t oa l t er na t i v es opr a t t ut t ool t r ' a l pe. Ci òmi haf a t t ogi unger e a l l adec i s i onedi i mpr ont a r ei l numer operl ama ggi or e, nel l ' a mbi t odel l ' a l t er na t i v eo, c omunques i a , pr opor l oa l l ' es t er o, v i s t ol as c a r s a( ec ons uet a ) c ol l a bor a z i one" i t a l i a na " . Ol t r et ut t ov i s t oc hei l gl a mour , i l nudo, l ' i nt i moei l bea ut yt r ov a nogi ài l l or os pa z i oi na l t r i gr uppi ei na l t r i c a na l i , nonoc c or r ec he a nc heques t awebz i nes i v a daames c ol a r ec onquel l egi apr es ent i . Gr a z i eat ut t i per ques t abr ev el et t ur a . Ri ngr a z i oper s ona l ment et ut t i quel l i c heha nnol et t oel egger a nnoques t oei numer i f ut ur i . L eL ePh I ha v edec i dedt oc r ea t et hi swebz i nebot honaF a c ebookpa gea ndonav i r t ua l ma ga z i nei nor dert oi nv ol v emor ea ndmor epeopl e( phot ogr a pher s , model s , buta l s o gr a phi c s )wi t hapa s s i on: phot ogr a phy .Obv i ous l y , a si na l l a r ea s , t hebegi nni ngi s a l wa y sdi ffic ul t , buta f t ert wonumber soft hewebz i neI dec i dedt oma kes omec ha nges( es pec i a l l ybec a us es omeoft hos ei nv ol v edha v en' tev en" r i s ked"t oi nf or m ot her soft hei rpr es enc ewi t hi nt hewebz i ne) . Ont heot herha nd, I not i c edt ha tphot ogr a pher sa ndmodel si nt hea r eaofa l t er na t i v ephot ogr a phyes pec i a l l yt hos ef r om bey ondt heAl psa r es omuc hi nt er es t edi nmya c t i v i t y . Thi sma demec omet oadec i s i on: I ' l l dedi c a t et henumberoft hewebz i net oa l t er na t i v ephot ogr a phyor , a ny wa y , I ' l l pr opos ei ta br oa d, f ort he" I t a l i a n"c ol l a bor a t i oni s , a sus ua l , v er y" poor " . Bes i des , a st hegl a mor / nude/ under wea r / bea ut yphot ogr a phya l r ea dyfindsi t spl a c e i not hergr oupsa ndi not herc ha nnel s , t hi swebz i nedoes n' tneedt omi xwi t ht hos e a l r ea dypr es ent . Tha nky oua l l f orr ea di ngt hi ss hor tmes s a ge. I per s ona l l yt ha nk a l l t hos ewhoha v ea ndwi l l r ea dt hi sa ndt hef ut ur ei s s ues ; L eL ePh
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gi acomo Maci s 1 -CI ao Gi acomo,perchinon ticonoscesse,presentatiainostrilettori
Ho31 anniev i v oaCagl i ar i .Ilpr i moappr occi oconl af ot ogr af i aès t at o f or s ea20 anniconunav ecchi apr act kaMt l 3 dimi opadr e (cheus ot ut t or a) .Nel2004/ 2005,hopr es ol ami apr i mar ef l exdi gi t al e edal ìi npoil apas s i oneècr es ci ut as empr epi ù,cer candodimi gl i or ar mi epl or andot er r i t or iamenuov i .Miaf f as ci nat ut t oci o'cheècr eat i v o. . . . Sonoun" f ot ogr af o"a360°,mipi acci onot ut t iigener idel l af ot ogr af i a, anches ef or s equel l ochepr ef er i s cos onoipaes aggimar i ni ,i ndus t r i aldecay el ' al t er nat i v ef as hi on.Spes s onel l emi ef ot omi s chi ov ar idiques t iel ement i , cer candodicur ar et ut t iidet t agl i . 2-Comenasceun tuo set? Bel l adomanda. . . .Di ci amochecer codir eal i zzar equal cos adior i gi nal e,didar e l ami av i s i onediunadet er mi nat acos a.Nel l ' ul t i mos et ,ades empi o," Dar kl efkos i a" , mis onchi es t o:per chèunas i r enadev ees s er es empr ecol or at i s s i ma?Sor r i dent e econl econchi gl i es uls eno?!Vol ev ounav er s i onepi u" cat t i v a"manonunacos ahor r or , unas peci edifi gur acat t i v adiunfi l m di s ney( Mal efi caecc. . .) .Qui ndi , hocompr at oi lcos t ume. . . fat t omodi fi car e,ehoi ni zi at ol ar i cer cadel l a" Si r ena" . Unav ol t at r ov at al amodel l a,s iès t udi at ount r uccoi ns i emeal l ami ar agazza ( s ar t aet r uccat r i ce)edhocer cat ol as cogl i er api u'adat t aet r anqui l l apers cat t ar e, edeccociqua! 3-Osservando ituoibackstage,ho notato chenon seimaidasolo sulset. Dachièformato i ltuo Team?
Cisonoi o,checurol efot o,l el uciepenso al l ast ori adelset .l 'Abbi gl i ament oei lt rucco sonoquasisempreoperadel l ami aragazza. Poic' èl amodel l a.
gi acomo Maci s 4-Quanto èi mportantepertelapostproduzi one? LaPPèmol t oi mpor t ant e.E'l ' equi v al ent edel l os v i l uppos upel l i col a.Camer a Raw nonèni ent ' al t r ocheunacamer aos cur adi gi t al e.Sonodel l ‛ i deachel a f ot odebbaes s er eper f et t agi àdis uo,mal apos tpr oduzi oneèunpo'come uncondi ment o.Dapi ùs apor ealt ut t o. Ser v eadenf at i zzar eat mos f er e, ampl i f i car eunas i t uazi oneeper f ezi onar eci o'chei nnat ur anonèper f et t o.
5-Cosapuoidi rciri guardo allatuastrumentazi one? Scat t oconuna50D del l aCanon.Gener al ment et engomont at os uun24-70mm e s pes s i s s i moperimi eis etus oi lgr andangol os pi nt o.Ul t i mament es t ous andoper l ar i t r at t i s t i caancheiv ecchiobi et t i v ifi s s iTakumar& Hel i os ,ches econdome hannounos focat ochenes s unal ent eperdi gi t al epot r a'maidar t i !Comei l l umi nazi onei nv eceho3 fl as hdas t udi o,chepos s out i l i zzar eancheal l ' aper t ogr azi ea unabat t er i adel l aInnov at r oni x. 6-Cosapensidelpanoramafotografi co alternati vei tali ano?eali vello i nternazi one?
Sar o's i ncer o,diquel l oi t al i anomipi acepochi s s i ma r oba,s eguomol t odipi u'l as cenaes t er a. Quai ni t al i as ipens aches ipos s anofar efot ogot hi c s ol ofacendov es t i r el amodel l adiner oepi zzi . . .o fot ofet i s hv es t endol amodel l ai npv col at t i ce. Nonècos i . . . .Fuor iv edoches icur anopi u'idet t agl i . . .c' èunl egamet r amodel l a-l ocat i on-abbi gl i ament o enel l efot oc' ès ent i ment oees pr es s i v i t à. Quel l oches pes s oquai nIt al i achi amanoal t er nat i v ei n r eal t à,s onofot odimodaconabbi gl i ament ounpo' di v er s odals ol i t o.Macr edos i api u'unaques t i onedi ment al i àdi v er s e.
gi acomo Maci s 7-Qualisono statelemaggi oridi ffi coltà chehairi scontrato durantelatua" carri era" ?
Percompr ar el ' at t r ezzat ur ahodov ut of ar emol t is acr i f i ci .Ilgener edif ot o chef acci oIoi nSar degna,nonhas pazi o.Anzi ,di ci amocheèunpo' s nobbat o!Spes s ohodi f f i col t àat r ov ar el emodel l eadat t eal l emi ef ot o, per chéperpos ar enoncr edochebas t ies s er eunabel l ar agazza. Vi v er ei nSar degna(i s ol acheador oeamo)perques t ecos e, s it r as f or mai nunos t acol ogr andi s s i mo!
8-Gi acomo,si amo gi untiallafi ne,Tiri ngrazi o perlatuadi poni bi li tà, tiauguri amo i lmegli o perlatuacarri eraelasci o concludereatuo pi aci mento.
Vor r eiconcl uder econquel l ocheèunpo'l ami afi l os ofi anel l afot ogr afi a," L' i mpor t ant e nonèci o'ches iguar da. . . maci o'ches iv ede! ” .
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MOya( cathydu) HiCat hy,you ' r et hef i r s tf or ei gnphot ogr apherwei nt er v i ew. Let ' st al kal i t t l eabou tyou .How l ongar eyouher ei nIt al y? Cat hy:Ihav ebeenher ei nIt al yf oronl yal mos toneyear .It ' s myf i r s tt i met os t epi nt oIt al y,i t ' sawonder f u lpl ac ef or f as hi onphot ogr apher .Andt hepeopl eher ear ev er yki ndand ni c e. How l ongyou ' r ei nt er es t edi nphot ogr aphy? Cat hy:Ihav ebeeni nt er es t edi nphot ogr aphys i nc e3 year sago, att hatt i meIwasahu mans ou r c emanageri nat oppet r o-c hemi c al c ompany,oneoft hef i r s t100 c ompani esi nChi na. Whi c har eyou rf av ou r i t eki ndofphot os ? Cat hy:Idonothav eanypar t i c u l arf av ou r i t ewhenr egar di ngphot os . Ibel i ev eeac hphot ohasi t sowns ou l ,whi c hmakesi tu ni q u e.Per s onal l y, Iam af as hi onphot ogr apher ,s oIwou l dpr ef erf as hi oni magi ne.
Moya( cathydu) whi ch areyourmosti mportantcooperati onsi n yourcareer? Cat hy:Inmyopi ni on,t hemos ti mpor t antcooper at i onsi nmycar eeri sal ways" t he nextcooper at i on" .Iam v er ymuchl ooki ngfor war dt owor ki ngoutanew phot o. Forme,wor ki ngonanew phot oi sl i keanadv ent ur e,l i keAl i cei nt hewonder l and. Ir eal l yenj oyt hi sadv ent ur e. Someonehelpsyou duri ng thepostproducti on o ryou do allbyyourself? Cat hy:Ipr eferDIY,becaus eIcanexpr es smyi deamor es moot hl ybydoi ngt he pos tpr oduct i onbymys el f.
Whi ch programs,toolsand camerado you use? Cat hy:Iam us i ngCanon50D f ormyc r eat i on,youknow i t ‛ sl i ght erf orawomanphot ogr apher ,f orc ommer c i als hot ,Ius eCanon5Dmar kII,f orpos tpr oduc t i onpr ogr am,I am us i ngPhot os hop. Thanksforyourpati ence,feelfreeto end thi si ntervi ew asyou li ke!
Ir eal l yappr ec i at ef ort hi si nt er v i ew,andwoul dl i ket oknow s omanygoodf r i endsher e.
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Tutori al
tutori aldibasesu comecrearedelleombrei n cameraraw
Rieccoci qui con questo breve tutorial, come sempre pensato e ideato per tutti quei fotografi che non sanno destreggiarsi bene con Photoshop. Oggi andremo a vedere come ricreare una luce soffusa sul soggetto. Apr i a mol anos t r af ot oi nCa mer aRa w. Cl i c c a t es uHS L / s c a l adi gr i gi os a t ur a z i one,s punt a t el as c r i t t a: “ c onv er t i i ns c a l adi gr i gi o” . Andr emoa di mpos t a r ei v a l or i dei di v er s i l i v el l i di c ol or e, i nmodot a l edaot t ener eunB/ N a bba s t a nz aomogeneo. Ades s oc l i c c a t ei na l t os u " F i l t r ogr a dua t o"ei mpos t a t ei s eguent i v a l or i : E s pos i z i one1. 95 L umi nos i t à65 Cont r a s t o1 S a t ur a z i one2 Chi a r ez z a20 Ni t i dez z a +46 c ol or i bi a nc o Or ac l i c c hi a moet r a s c i ni a moi ll t r oi n mododac r ea r euneffet t odi l uc e s offus as ul s ogget t o. I l r i s ul t a t os a r àunr et i c ol a t odi l t r i . Aques t opunt o, nonc i r es t ac hec l i c c a r edue gi ne. v ol t e" I nv i o"es a l v a r el ' i mma
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s e ey o un e x tmo n t hwi t h:Cu n e n e ,Ma r c e l l oGa r i g l i o ,Ma r i aRi t aCu p e r s i t o a n d omo r e . . . . .