2020 Portfolio

Page 1

ARCHITECTURAL PORTFOLIO

Selected Professional + Academic Work [ A] Academic [ P ] Professional [ F ] Fabrication [ C ] Competition [ O ] Other

HELEN LENNA GALANIS


INDEX

[E] EDUCATION

[P] PROFESSIONAL

[F] FABRICATION

[E] EDUCATION

[P] PROFESSIONAL

[E] EDUCATION

[C] COMPETITION

[O] OTHER

pg 6


CONNECTIVE TISSUE

08-13

MESA RIM

14-17

THE VEIN

18-21

SOCIAL MESHWORK

22-27

ROSITAS AL PASTOR

28-31

THE HIVE

32-35

THE GOYA BRIDGE

OTHER

36-37

44-45

pg 7


CONNECTIVE TISSUE

Research With the combination of in-depth research of how organisms create mutualistic relationships, technology and human interaction, an interactive installation is created. This installation is an expression of a mutualistic relationship between humans and the environment. This installation investigates such expressions by creating phases in which human interaction is limited and controlled in the beginning, but later the form relies solely on human interaction.

Mutualism begings to form

Mutualism This expressive mutualistic relationship is made with TouchDesigner and a kinect sensor. Sensors and visual programming languages were used to achieve an expression of a person’s mutualistic relationship with the environment that surrounds us. Interaction The infrared sensors detect movement and allow for a mutualistic relationship to be formed. When a person’s arms are in motion, a form is created. Throughout the different phases of mutualisms, the form is able to-move, change color, expand , contract, evolve and adapt to the human. pg 8

Audio generated

Audio generated with human interaction


Fully mutualistic relationship

Particle system generated by human interaction

Color controlled by human interaction

Color and movement controlled by human interaction

Form only sustained by human interaction

BACKGROUND | Master Thesis 2018 Florida International University TUTOR | Dr.Neil Leach DETAILS | Interactive Projection Mapping NOTES | Project image published on e-flux Architecture e-flux pg 9


CONNECTIVE TISSUE - Back-end

Human Interaction Human interaction is an integral component of this project. The phases of mutualism depict a journey of how human interaction is less effective in the beginning, but integral to the form’s survival at the end of the journey. This expression is made possible by the use of Kinect motion sensor technology. More specifically, movements made by the user can be broken down into points and vectors. TouchDesigner then recognizes these point and vectors and in-turn, the designer can begin applying particle systems, swarm behaviors and arrayed geometry to the kinetic points. Additionally, the designer can program in, using python, a timer to control how long a particle or geometry may live.

Sphere

pg 10

Grid

Array

In Connective Tissue, the user is able to control color by opening their right palm and closing it, each time the palm is viewed by the motion sensor a color change occurs. The color spectrum implemented is controlled by a python script that applies a number to a color. Each time the palm is opened the color spectrum jumps by one. Consequently, the form is now fully controlled by the user. With these emerging technologies the possibilities are endless to how a designer can give control to the user. Giving the user the capacity to design and create for themselves.

Perlin Noise

Color


Full Script Touchdesigner programming language containts boxes of information. Within each container exists another layer of information that is then connected to one output. Interactive design can be described as an exchange of information that leads to a kinetic relationship between the user and the environment.

Similarly, one could see it as a mutualistic relationship that is constantly looping information. Therefore, could humans have mutualistic relationships with the environment that surrounds us? Is that such a far-reaching concept? Connective Tissue – The Journey of a Mutualistic Cyborg can be described as a project that investigates such relationships.

pg 11


CONNECTIVE TISSUE - Phases

Interaction

pg 12


Phasing In Connective Tissue, the interactive mutualism begins with a form driven by audio frequencies from our everyday environment. This project captures this relationship through audio recordings of our surroundings which then is translated to a physical form. The audio frequency loops through the interactive system, then the interactive system uses its frequency and pitch to create a form based on the type of sound that emerges. If a sound is violent and loud, more particles are emitted allowing for more dense and aggressive form. If a sound is soft and calming, less particles are emitted creating a soft silhouette.

The interaction of the user is limited in the beginning phases, only enabling the user to control position. As the relationship begins to strengthen, the user has more and more control of the size, location, color and density of the form. As the middle phases approach, color, location and size can be controlled by the user and the audio generated form begins to vanish. Finally, in the final phases, form is controlled only by human interaction, the form relies on the interaction for survival. If the interaction is broken, the form dissipates and leaves an imprint of what was.

pg 13


CONNECTIVE TISSUE

Introduction

Design Methodoloy

Mesa Rim Climbing Center will be approximately 50,000 sq ft. and feature 55ft. climbing walls, an expansive bouldering area, yoga studio, cardio and weight training areas, sauna, and spa quality locker rooms. Mesa Rim Austin is expected to break ground this summer with plans to open mid-2021.

To keep costs low, we selected a pre-engineered metal buildng. The parametric canopy is what sets this facility apart from the others. This design was generated by dividing a structural grid to carry a panel system. Additionally, each panel is identical, but mirrored and translated among the structure. This allows for ease of construction and is a cost affective solution rather than having unique parts.

pg 14


BACKGROUND | Lead Designer and Project Manager DETAILS | 50,000 s.f. DATE | Present Mesa Rim Climbing Center NOTES |

pg 15


PLANS + DETAILS

Panels These panels were designed with a budget in mind. There are two types of metal panels, a frames and solid version. Both types have the exact same dimensions and triangulations.

Using a recursive design methodology, each panel was rotated, mirrored and translated to create a rocky, rough and sharp edge, much like what you would see climbing a mountain.

m id ol

s

etal panel

al

me t

frame nel pa

pg 16


13

22

A.02.01 3

17

3/32" = 1'-0"

1 Level 2

121' - 1 1/4"

Yoga Lobby 6 305 SF

DN

17

18

Dead Space 97 511 SF

Retail

Retail 83 585 SF

seating storage for yoga

27' - 11 3/4"

UP

Storage 89 122 SF

Yoga 5 1233 SF

Office 2 99 SF

18

19

Dead Space 93 1353 SF

Mech 58 307 SF

27' - 10 1/2"

fencing

Retail Storage 3 144 SF

New User 4 330 SF

Mens Locker Rm 7 1226 SF

Womens Locker Rm 8 1227 SF

Mech 1 311 SF

19

20

7' - 0"

Storage 10 379 SF

FD

Storage/Janitor 87

Janitor 11 98 SF

UP

28' - 2 1/4"

FD

381 SF

Breakroom 13

231 SF

5' - 0"

5' - 0"

20

21

Dead Space 95 195 SF

4

A.02.01

storage

lockers

818 SF

Office 12

1012 SF

12

Loading Zone

12' - 0"

Office 85 355 SF

Office 18 213 SF

Climbing Area 81 10260 SF

Boom Lift Storage 15 809 SF

16

23

22

13

12

Setting Store 90

28' - 1"

Event Space 88 992 SF

Dead Space 96 228 SF

21

mech area 20 448 SF

---

110' - 6"

Dead Space 80 1040 SF

Dead Space 78 1836 SF

Dead Space 79 500 SF

Mech 76 322 SF

Mech 74 354 SF

11

11

Fire Riser 75 75 SF

1

1

10

5

4

1

2

3

A.02.01

10

5

4

A.02.01

3

2

1

City of Austin Seal

NO.

NO.

CLIENT Company Name Street address, Suite # City, State, ZIP

DESIGN ARCHITECT

City, State, ZIP

CIVIL ENGINEER Company Name Street address, Suite # City, State, ZIP

DATE

DATE

2018.XXXX

pg 17

PROJECT Company Name Street address, Suite # City, State, ZIP

ARCHITECT OF RECORD Tenet Design Partners, Inc. 902 East 5th Street, Suite 208 Austin, TX 78702

MEP ENGINEER Company Name Street address, Suite # City, State, ZIP

LANDSCAPE ARCHITECT Tenet Design Partners, Inc. 902 East 5th Street, Suite 208 Austin, TX 78702

STRUCTURAL ENGINEER Company Name Street address, Suite # City, State, ZIP

DATE

CIVIL ENGINEER Company Name Street address, Suite # City, State, ZIP

DESCRIPTION

PRELIMINARY FOR INTERIM REVIEW ONLY. NOT FOR REGULATORY APPROVAL, PERMITTING,

OR CONSTRUCTION. CLIENT Company Name Street address, Suite # City, State, ZIP thomas lee tx architect lic. # 26321

Status

ISSUE

09/09/16

DATE

PROJECT TENET DSIGN PROJECT NUMNBER Company Name Street address, Suite # 2018.XXXX City, State, ZIP DESIGN ARCHITECT

plan - level 2

SHEET TITLE

ARCHITECT OF RECORDProject Tenet Design Partners, Inc. 902 East 5th Street, Suite 208 Austin, TX 78702 LANDSCAPE ARCHITECT Tenet Design Partners, Inc. floor 902 East 5th Street, Suite 208 Austin, TX 78702

MEP ENGINEER SHEET NUMBER Company Name Street address, Suite # City, State, ZIP

A.01.02 STRUCTURAL ENGINEER Company Name

-- original drawing is 42 x 30 -- do NOT scale Street address, Suite #contents of this drawing -© copyright Tenet Design Partners, Inc. 2018. All rights reserved.

DESCRIPTION

PRELIMINARY FOR INTERIM REVIEW ONLY. NOT FOR REGULATORY APPROVAL, PERMITTING, OR CONSTRUCTION. tx architect lic. # 26321 TENET DSIGN PROJECT NUMNBER

thomas lee

Render of Entrance

1/22/2020 5:12:34 PM DATE : TDP

DRAWN BY: TDP

REVIEWED BY:

BIM 360://Sheldon Cove/Master Plan.rvt

Dead Space 94 1346 SF

Climbing Gym 92

storage

10526 SF

140' - 0"

fencing

7' - 0"

205 SF

Sauna 9

27' - 10 1/2"

5' - 0"

140' - 0"

Level 2 27' - 11 1/4" 27' - 11 1/4" 27' - 11 1/4" 27' - 11 1/4" 27' - 11 1/4"

Level 1

23

16

7' - 2 1/2"

5' - 0"

40' - 2 1/2" 40' - 2 1/2" 40' - 2 1/2"

1/22/2020 5:12:33 PM DATE : TDP

DRAWN BY: TDP

REVIEWED BY:

open to below

140' - 0"


THE VEIN - Pnuematic Wearable

Traveling to Mars? The Vein is a pneumatic wearable designed to be worn in outer space. We designed and generated computationally, a vein structure that is super imposed on this wearable. For those who travel to space, micro-gravity causes lack of blood circulation and muscle atrophy.

This wearable solves that problem by creating a pressurized suit that targets vein structures in the human body, constricting them and consequently promoting blood circulation throughout the body.

?

pg 18


BACKGROUND | A week long workshop held at Tongji University Shanghai, China and led by Phillip Yuan. DATE | 06/30_7/10 TUTORS | Behnaz Farahi + Jifei Ou GROUP | Stephanie Alvarez, MG, Sirou Peng, Lenna Galanis pg 19


THE VEIN - Hardware + Software

Grasshopper Script for Vein Structure The branching is controlled with the random command, more specifically the branching is controlled by random points located on the surface. With the integer slider, control over the amount of points directly correlates to the amount of branching generated.

DIRECTION Shortest

RANDOM Branching

pg 20

Once the shortest walk and random branching have been established, the size of the vein structure can be manipulated. The diameter is controlled by a number slider that gives three dimensions to the vein structure.

GROWTH Origin

SIZE Diameter


Pneuduino Pneuduino is a modular hardware platform for controlling air flow and pressure. The hardware is open source and can be programmed using the Arduino IDE. In the Vein, the pneuduino was used to gather the heart rate of the individual wearing the suite.

If the individuals heart beat dropped to a critical range, the pneuduino was programmed to kick in and supply air to the suite, consequently compress the areas of the body that needed blood flow.

Fabrication

pg 21


SOCIAL MESHWORKS

pg 22


BACKGROUND | This studio aimed to give knowledge to the integration of building systems to our geometry. HVAC, plumbing, electrical and structure were integrated in this proposal. DETAILS | 20,000 square feet | 6,096 square meters. DATE | 08/2016 - 12/2016 NOTES | Published in the Archiologists [thearchiologist.com] pg 23


SOCIAL MESHWORKS - Overview

Introduction Immigrants make up 60% of the population in Miami. Consequently, Miami has been built and maintained by immigrants. This proposal aims to aid the newly immigrated individuals with no connections to jobs and other resources build a plethora of relationships that will aid them toward economic prosperity. Creating a meshwork of social interactions,- where an individual with no social connections could start to build a mesh work of contacts that would enable them to prosper.

Vo

lu

me

eze Ways

C a r vin g

B re

cs

Sp ecs

Spe

am

pg 24

l ic

gr Exploded Axon of Structure

P ub

Si

te

Pr o

Located in a dense region of Miami Beach, the Miami Habitat creates a city in itself. Creating a habitat that includes residential, public and business spaces. Spaces would include a barbershop, fresh market and other necessities. This enables the inhabitants to own a small business located on the grounds and a commodity. No need to own a car, just live in the Miami Habitat and everything you need is at your fingertips. Creating a prosperous life that is attainable.

Zoomed in Axon


Site Plan

Detail Section

Sectional Elevation

pg 25


ROSITAS AL PASTOR

Introduction + Responsibilities This 1,500 s.f. ground up kitchen will be located on south Oltorf. This infamous taco shop is take away with some outdoor seating. With financial constraints, our team was abble to design a cost effective solution that matches the quality of al pastor tacos Rosita’s serves. My responsibilites included: design developement, client relations, creating construction documents and project coordination.

pg 28


Design Iterations

BACKGROUND | 1,500 s.f. ground up kitchen for Rositas. DATE | 9/30/18_11/10/18 ARCHITECT ON RECORD | Tom Lee STUDIO | Tom Lee, Katie Carter, Lenna Galanis pg 29


12/19/18 11:41:02 AM

ROSITAS - Details Site Plan DATE:

CLIENT Jackie Rodriguez 2414 South 1st Street Austin, Texas 78704 PROJECT Rosita's Al Pastor 2414 South 1st Street Austin, Texas 78704

scope of work

DESIGN ARCHITECT Tenet Design Partners, Inc. 902 East 5th Street, Suite 208 Austin, TX 78702

DRAWN BY:

MEP ENGINEER DVO engineering 1250 Wood Branch Park Dr Houston, TX 77079

TDP

TDP

ARCHITECT OF RECORD Tenet Design Partners, Inc. 902 East 5th Street, Suite 208 Austin, TX 78702

STRUCTURAL ENGINEER DVO engineering 1250 Wood Branch Park Dr Houston, TX 77079

REVIEWED BY:

CIVIL ENGINEER DVO engineering 1250 Wood Branch Park Dr Houston, TX 77079

2 spots, 1

GENERAL NOTES 1

UNLESS NOTED OTHERWISE, DIMENSIONS ARE TO SURFACES, CENTERLINE OF COLUMN OR OTHER STRUCTURAL MEMBER, OR TO EXPOSED SURFACE ROOM NAMES AND NUMBERS SHOWN ARE FOR PU CONSTRUCTION AND DO NOT NECESSARILY REPR DOOR FRAMES SHALL BE HELD 4 INCHES FROM FR UNLESS NOTED OTHERWISE. DIMENSIONS NOTED “VERIFY” SHALL BE CONFIRME ARCHITECT FOR RESOLUTION BEFORE PROCEEDI REFER TO ACCESSIBILITY INFORMATION SHEETS F INCLUDING CLEARANCES, MOUNTING HEIGHTS AN PREPARE EXISTING SURFACES TO REMAIN TO REC EXISTING FIRE EXTINGUISHER CABINETS SHALL R CABINETS SHALL MATCH EXISTING TYPE AND FINIS NOTIFY ARCHITECT WHEN PARTITION LAYOUT IS C

2

4

street

12/19/18 11:41:03 AM

3

5 6 7

south 1st

existing

DATE:

dumpster enclosure

8

DRAWN BY:

TDP

6

BUILDING CODE ANA 9 spots

APPLICABLE CODES:

PLAN NORTH

5 A08-01

TRUE NORTH

TDP

RENOVATIONS DESIGNED IN COMPLIANCE WITH THE F

refer to civil for site

OM

L

EE

TH

RED ARCH TE A S

CT ITE

REGI S

REVIEWED BY:

NO.

2012 INTERNATIONAL BUILDING CODE, WITH LOCAL AM 2012 INTERNATION FIRE CODE 2012 INTERNATIONAL PLUMBING CODE, WITH LOCAL AM 2012 INTERNATIONAL MECHANICAL CODE, WITH LOCAL DESCRIPTION 2012 INTERNATIONALDATE ELECTRIC CODE 2015 INTERNATIONAL ENERGY CONSERVATION CODE, 2012 TEXAS ACCESSIBILITY STANDARDS

BIM 360://Rosita's Al Pastor/20180855 - Rositas_Katie@tenetdesign.com.rvt

thomas lee

AS

ST

2 1 NUMBER 1 A T 6 3 2OF STORIES: X OCCUPANCY B - BUSINESS E O F T ETYPE: OCCUPANCY LOAD FACTOR: 1 PER 100 SQ. FT.

AUTOMATIC SPRINKLER tx architect lic. SYSTEM: # 26321 NONE CONSTRUCTION TYPE: IIB TENET DSIGN PROJECT NUMNBER

20180855 DATE

2018 12 18

permit set

Floor Plan CD

site plan

2 architectural site plan 1/4" = 1'-0"

A02-01

3 A06-01

A05-01

2 A06-01

-- original drawing is 42 x 30 -- do NOT scale contents of this drawing -© copyright Tenet Design Partners, Inc. 2018. All rights reserved.

1

61' - 1 3/4" 60' - 4 3/4"

10' - 4 1/2"

8' - 10 3/4"

3' - 1"

15' - 0"

7' - 11 1/2"

11' - 8 1/2"

18' - 4 1/4"

cmu wall @ 42" tall

7' - 9 1/4"

B 10' - 6"

101

--F.E.C.

1/

B

4"

outdoor

FD

5' - 0"

R

4

FD

FD

3' - 7 3/4"

3 A07-02

104

s2

A05-01

6' - 9 1/4"

s4

R

3' - 3"

unisex restrooms 104

107

4' - 9 1/4"

FD

3

vestibule 105

1 A06-01

112

B

A05-01

10' - 0"

B

5' - 0"

vent hood above ref. kitchen equip.

25' - 8"

s1

N

B

11' - 6 1/4"

2 A07-01

103

108

BIM 360://Rosita's Al Pastor/20180855 - Rositas_Katie@tenetdesign.com.rvt

-

5' - 10 1/4"

walk in cooler refer to equipment drawings

24' - 6 1/2"

13' - 0 1/2"

R

dry storage 101

2' - 0"

7 A12-02

A07-01

5' - 11 1/4"

1' - 6"

1

24' - 6 3/4"

3

B

B

B

1'

25' - 3 1/2"

mech 102

roof ladder

office 103

102

7' - 1 1/4"

109

s2

s3

2 A10-01

1 A10-01

canopy above 5' - 4 1/2"

8' - 7"

13' - 2"

8' - 10 1/4"

14' - 4 1/4"

10' - 2 1/2"

2 A05-01

Elevations

1

2

A07-02

A07-02

1 floor plan 1/4" = 1'-0"

T.O.P. 116' - 8" T.O.P. 116' - 8"

LEVEL 1 ( FFE ) 543' - 6"

patio floor 542' - 3 77/128"

pg 30

LEVEL 1 ( FFE ) 543' - 6"

patio floor 542' - 3 77/128"


12/19/18 11:41:30 AM

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

6 3/4"

CLIENT Jackie Rodriguez 2414 South 1st Street Austin, Texas 78704

5"

6 3/4"

5"

5"

5"

5"

6 3/4"

2"

5"

2"

6 3/4"

5"

DATE:

6 3/4"

6 3/4"

5"

5"

5"

5"

PROJECT Rosita's Al Pastor 2414 South 1st Street Austin, Texas 78704

5"

5"

5"

TDP

DESIGN ARCHITECT Tenet Design Partners, Inc. 902 East 5th Street, Suite 208 Austin, TX 78702

ARCHITECT OF RECORD Tenet Design Partners, Inc. 902 East 5th Street, Suite 208 Austin, TX 78702

5"

5"

5"

5"

5"

5"

5"

5"

DRAWN BY:

5"

TDP

5"

MEP ENGINEER DVO engineering 1250 Wood Branch Park Dr Houston, TX 77079

5"

1" = 1'-0"

5"

1 fin detail elevation

REVIEWED BY:

3/4"

Fins

g.w.b.

STRUCTURAL ENGINEER DVO engineering 1250 Wood Branch Park Dr Houston, TX 77079

g.w.b.

Horizontal Section of Fins

1

fin detail elevation 1" = 1'-0"

mtl stud as sched. sheathing

mtl stud as sched.

fluid applied vapor barrier, typ. install fins prior to vapor barrier.

sheathing

Verticle Section of Fins furring hat channels

fluid applied vapor barrier, typ. install fins prior to vapor barrier.

sheathing

furring hat channels

cement plaster, on metal lath. install per manufacturer's recommendation

sheathing cement plaster, on metal lath. install per manufacturer's recommendation stl. angle, install per elevation

CIVIL ENGINEER DVO engineering 1250 Wood Branch Park Dr Houston, TX 77079

2

stl. angle, install per elevation

Fin Detail Plan 1 1/2" = 1'-0"

g.w.b.

mtl stud as sched.

3 Fin Detail Section 1 1/2" = 1'-0"

g.w.b.

sheathing fluid applied vapor barrier, typ. install fins prior to vapor barrier. furring hat channels sheathing

mtl stud as sched. sheathing

cement plaster, on metal lath. install per manufacturer's recommendation stl. angle, install per elevation

2 Fin Detail Plan 1 1/2" = 1'-0"

fluid applied vapor barrier, typ. install fins prior to vapor barrier. furring hat channels sheathing cement plaster, on metal lath. install per manufacturer's recommendation

2

Fin Detail Plan 1 1/2" = 1'-0"

stl. angle, install per elevation

3 Fin Detail Section 1 1/2" = 1'-0"

pg 31


THE HIVE

Introduction Located in an urban setting, The Hive must be a volume that is easily accessible to pedestrians and maintains a high capacity of pedestrian traffic. The site is located near a large train station. The exits out of the train station are responsible for the waves of high pedestrian traffic. Due to its location, direct access from many points is integral to relieve congestion. The form was adapted to accommodate many access points.

CATION LO

pg 32

ACCESS

Specifically, the form extends down under the bridge at multiple points and provides access in one of the most highly congested areas in the city. In addition to the two access points mentioned above, canopies extend out and over two more access points, providing another means of circulation. The extended canopies also act as a node to the city and pedestrians. Finally, the canopies provide shelter to the pedestrians during the rainy seasons. LTER SHE


3D Print

BACKGROUND . DATE | 01/2017 - 5/2017 NOTES | Small scale pavilion structure located in Shinjuku Japan. pg 33


THE HIVE - Details VEHICULAR Traffic

Density

Density

PEDESTRIAN Traffic

8 a.m.-12 p.m. 12 p.m. - 4 p.m. 4p.m.-8 p.m. 8 p.m.-12 a.m.

PEDESTRIAN Traffic

pg 34

TRAIN Outlets

8 a.m.-12 p.m. 12 p.m. - 4 p.m. 4p.m.-8 p.m. 8 p.m.-12 a.m.

PEDESTRIAN Access


Environmental Analysis

Section

pg 35


GOYA FOOTBRIDGE

Grasshopper Script

Populating surface with Points

Interperlated Curve from Points

Adding Thickness to Curve pg 36


Methodology

Form

Booleian

Interpolated Curve on Geometry

Adding Thickness Interpolated Curv

BACKGROUND | Competition entered by Tenet Design Architects DETAILS | Goya Footbridge to span across the river DATE | 08/2019 pg 37


DIGITAL & PHYSICAL ART

Generating Flocking Behaivor This form was generated by creating parameters such as: avoidance, alignment, and coherance. Flocking is an implementation of Craig Reynolds program to simulate flocking behavior of birds. Each line steers itself based on these rules. (Rhino - Grasshopper)

3D Prints These prints were generated by creating a profile sweep in the x and z direction. Parameters were implemented to control the thickness, distance and smoothness of each curve. Subsuquently, this created two different typologies in a matter of seconds.

pg 38

Generating Perlin Noise Perlin noise is resulted from the work of Ken Perlin. With the aid of emergent technology, a form was generated from the principles of perlin noise. Which includes randomization, velocity and vector direction. (Rhino - Grasshopper)


SKETCHES

pg 39



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