The Collector's Auction

THE COLLECTOR’S AUCTION

THE COLLECTOR'S AUCTION

AUCTION TUESDAY 30 MAY 2023, 12PM SYDNEY

THE BOND, 36-40 QUEEN STREET WOOLLAHRA NSW 2025

VIEWING

Friday 26 - Sunday 28 May 2023

The Bond, 36-40 Queen Street, Woollahra, NSW 2025

CONTACT

(02) 9362 9045 | 0405 565 644 madeleine.norton@leonardjoel.com.au

Please refer to our website for viewing times

leonardjoel.com.au

The Collector's Auction –

As anyone who has worked at an auction house can attest, the beginning of the consignment process can be an exercise in patience, however, by the time the deadline comes around one forgets what an empty showroom feels like. It has certainly never been truer for The Collector’s Auction on the 30th of May. The sale has expanded throughout time and space to encompass all the fun things that our clients now come to expect from a mixed decorative arts, furniture and art auction. However, the level of quality and craftsmanship has remained constant.

Starting at 12pm, our auction begins with modern and contemporary art and sculpture by both Australian and international artists of acclaim. Highlights include a large-scale Peter Churcher painting (lot 7) which utilises figuration and symbolism to express the grandiose, and a mystical composition by one of the earliest proponents of Jogja surrealism; the Indonesian artist Ivan Sagita (lot 25). Closing the art section with more traditional imagery there are Australian landscapes by iconic names such as Hans Heysen (lot 44), David Boyd (lots 32 & 39), and Pro Hart (lots 38 & 40), an array of nautical scenes including two by celebrated marine artist John Allcot (lots 51 & 52), and a beautiful still life of roses by the Austrian 19th century painter Josef Lauer (lot 47).

In typical Collector’s fashion the auction weaves through a selection of modern furnishings featuring Murano art glass and an impressive table clock by Hermle (lot 72), into more traditional categories of furniture and decorative arts offerings. Of note are a pair of Louis XV walnut fauteuils, originally bought from the storied David Jones Arts Gallery by Lady Finlay (lot 100), a Louis XV walnut bombé commode (lot 101), and the silver presentation cigarette case, a royal gift to Tom Roberts as thanks for his painting Big Picture, 1903 (lot 163).

Rounding out the catalogue to close we have an eclectic mix of Asian works of art, including a Chinese carved wooden head of Bodhisattva likely from the Yuan Dynasty (lot 202), an 18th century Burmese bronze figure of Buddha (lot 205) and three Japanese swords (lots 215 & 216). With a diverse range of unique and original statement pieces, these lots are sure to enhance any traditional or contemporary interior.

Madeleine Norton | Associate Head of Decorative Arts & Art, Sydney

§ 1

JAMES DRINKWATER (born 1983) (Untitled) 2014 oil on board signed and dated verso: James Drinkwater / 2014 157 x 122cm

PROVENANCE: Damien Minton Gallery (stamp verso)

$5,000-7,000

§ 2

PETER GARDINER (born 1965) ‘Bonfire’ View from Newcastle 2010 oil on timber signed, titled, dated and inscribed verso: © PETER GARDINER 2010 / OIL ON TIMBER / ‘BONFIRE’ VIEW FROM / NEWCASTLE Diameter 120cm

PROVENANCE: Damien Minton Gallery (stamp verso)

$2,000-2,500

§ 3

JAMES GLEESON (1915-2008)

Untitled (Nude Back View) oil on canvas

signed lower left: Gleeson 26 x 12cm

PROVENANCE: Watters Gallery (label verso) $1,500-2,500

Montague’s Orchard oil on linen

167 x 122cm

PROVENANCE: Coventry Gallery, Paddington, 1988 (accompanied by original purchase receipt)

$2,500-3,500

In the Creek oil on canvas, triptych signed lower right: Pasquale signed verso to two panels: Giardino 66 x 177.5cm overall

PROVENANCE: Australian Galleries (label verso) $2,000-3,000

The Collector I 2004 oil on canvas signed, titled, dated and inscribed verso: Peter Stevens ‘04 / The Collector #1 / oil/canvas 183 x 122cm

PROVENANCE: Tim Olsen Gallery, Sydney (label verso)

Peter and Divonne Holmes a’Court

Mossgreen Auctions, Fine Australian Art, Designer Furniture and Antiques from the Collection of Peter and Divonne Holmes a’Court, 19 August 2012, lot 459

Private collection, Sydney

$1,500-2,000

4 MICHAEL (MIKE) NICHOLLS (born 1960)

§ 6 PETER STEVENS (born 1958)

5 PASQUALE GIARDINO (born 1961)

7

8

PETER CHURCHER (born 1964)

Mephisto 1992

oil on canvas

signed and dated lower left: Peter Churcher 1992 175 x 165cm

PROVENANCE:

Ray Hughes Gallery, Sydney Private collection, Sydney Phillips Auctioneers, Modern & Contemporary Art & Photography, Aboriginal Art, Sydney, 30 July 2001, lot 104

Solander Gallery, Canberra, 2002 Private collection, Sydney

EXHIBITIONS:

Moët and Chandon Award, touring exhibition 1993

OTHER NOTES:

Mephisto, painted in 1993 was the artist’s first large scale work and was a finalist in the Moët and Chandon Award. “I was grappling with the figurative language and used symbols to express the grandiose. I was working on the theme of male identity, a subject that has continued to be a part of my work. These figures are struggling and engaging in a rivalry. The mephisto is the character who is standing back - the one controlling and responsible.” (Artist’s Statement)

$10,000-15,000

HU QUINWU (Chinese, born 1969)

Untitled 11501 (15512) 2011

acrylic and pigment on canvas signed, titled, dated and inscribed verso 110 x 90cm

PROVENANCE:

Niagara Galleries, Melbourne Nanda\Hobbs Contemporary, Sydney, 2017 (accompanied by a copy of valuation certificate) Private collection, Sydney $1,500-2,500

9

CHRISTOPHER HODGES (born 1954) (Small) Repeater 1998

stainless steel signed, titled, dated and inscribed to base: Christoph Hodges / 1998/10 © / (Small) Repeater / stainless steel

Height 100cm, Width 15cm, Depth 15cm

PROVENANCE:

10

CHRISTOPHER HODGES (born 1954) (Small) Waterfall 2006 stainless steel, ed. 1/2 signed, titled, dated and numbered to base: (Small) ‘Waterfall’ 2006 1/2 / Christopher Hodges / © Height 119cm

PROVENANCE:

Acquired directly from the artist, c.2006

$3,000-5,000

§ 11

GREG SEMU (New Zealand, born 1971)

Zwei K ö rper, Zwei Landschaften #2 2015 digital C type print, ed. 1/10

75 x 150cm

PROVENANCE:

Alcaston Gallery, Melbourne, 2016 (accompanied by original purchase receipt)

EXHIBITIONS:

“Greg Semu at Sherman Contemporary Art Foundation”, October-10th December 2016

$1,000-1,500

12

REW HANKS (born 1958)

There’s No Devils in Heaven! Said Mr Packer 2006 colour woodcut, ed. 1/30 signed, titled, dated and numbered below image: 1/30 “There’s No Devils in Heaven! Said Mr Packer” Rew Hanks 2006 66.5 x 99.5cm

PROVENANCE:

Legge Gallery, Sydney, 2006 (accompanied by a copy of the original purchase receipt)

$1,000-2,000

13

CHARLES BLACKMAN (1928-2018)

Fairytale Garden of Childhood 1980 screenprint, ed. A/P signed, titled and numbered below image: A/P

FAIRYTALE GARDEN OF CHILDHOOD CHARLES

BLACKMAN

Image 101 x 149cm; Sheet 112 x 163cm $4,000-6,000

14

LIZ CUMING (born 1956)

Shadow Balance 1988 oil on canvas; etching ed. 4/7

Painting: signed and dated lower right: Liz Cuming 88; signed, titled and dated verso

Etching: signed, titled, dated and numbered below image: 4/7 “Shadow Balance” Liz Cuming ‘88

Painting: 76.5 x 228.5cm; Etching: 12 x 37.5cm

PROVENANCE:

Bloomfield Galleries, Sydney (label verso etching) $2,000-4,000

16

KELLY E oil on canvas signed lower right: KELLY signed, titled and inscribed on label verso 13.5 x 16.5cm

PROVENANCE:

Watters Gallery, Sydney $200-300

13 © Charles Blackman/Copyright Agency, 2023

§ 17

MARLENE & SALLY RUBUNTJA (born 1961 & 1975)

Woman 2013

multi-plate etching, printer’s proof signed, numbered and dated below image: P/P Marlene Rubuntja Sally Rubuntja 2013 60 x 60cm

PROVENANCE:

Yarrenyty Arltere Artists, NT, 2013 (accompanied by certificate of authenticity)

$600-800

18

PEGGY NAPANGARDI JONES (1951-2014) (Bird) 1998 acrylic on canvas inscribed verso: AK4559

40.5 x 50.5cm

PROVENANCE:

Community Tennant Creek Barclay Tablelands PJ 43P98

Alcaston Gallery, Melbourne (stamp verso)

$400-600

19

GALI YALKARRIWUY & RICHARD DHAYMUTHA (born 1942 & born 1938)

Three Morning Star Poles 2007-08 ochre/acrylic on wood with feathers and string 209cm; 208cm; 195cm

PROVENANCE:

Marthakal Arts Hub, 2008 (accompanied by original receipt and certificates)

$1,500-3,000

20

HAMISH KARRKARRHBA (born 1968)

Kun-madj dilly bag ochre on bark

86 x 55cm

PROVENANCE:

Maningrida Arts & Culture, 2005 (accompanied by a copy of original receipt)

$800-1,200

21

HAMISH KARRKARRHBA (born 1968)

Two Mimih Spirits leichhardt tree (nauclea orientalis) with natural ochre pigments

Height: 178cm; 166cm

PROVENANCE:

Maningrida Arts & Culture, 2005 (accompanied by a copy of original receipt and certificates)

$300-500

20 © Hamish Karrkarrhba/Copyright Agency, 2023

21 © Hamish Karrkarrhba/Copyright Agency, 2023

19 ©Gali Gamarang Yalkarriwuy/Copyright Agency, 2023; ©Dhaymutha Gurruwiwi, Richard Gamarang/Copyright Agency, 2023

18 © Peggy Napangardi Jones/Copyright Agency, 2023

ITA TIPUNGWUTI (born 1966)

Two Kaluma Ceremony Dillybags ochre on natural materials

56 x 30 x 20cm; 44 x 80 x 20cm

PROVENANCE:

Tiwi Design, Winnellie NT, 2009 (accompanied by original receipts and certificates)

$200-400

23

BALUKA MAYMURU (born 1947)

Wapitja

earth pigments on incised wood Height 134cm

PROVENANCE:

Buku-Larrngay Mulka, Yirrkala NT, 2009 (accompanied by original receipt)

$1,000-1,500

24

JUDI SINGLETON (born 1963)

Phantasmagorical 1989 oil on canvas, diptych

initialled lower right: JS

signed, titled, dated and inscribed verso:

PHANTASMAGORICAL / OIL 89 / JUDI

SINGLETON

overall 110.5 x 182cm

PROVENANCE:

Australian Galleries, Sydney and Melbourne

$2,000-2,500

25

IVAN SAGITA (Indonesian, born 1957) (Reaching for Perfection) 1982 oil on canvas

signed and dated lower centre: Ivan Sagito ‘82 110 x 91cm

EXHIBITIONS:

“Exhibition of Four Young Jogja Painters, Welcoming the 456th Anniversary of the City of Jakarta & the 38th Anniversary of the Republic of Indonesia” (translated from Indonesian), Fine Arts Centre, Jakarta, 3-13 August 1983, no. 11 $8,000-12,000

26

PHILIP MARTIN (English, 1927-2014)

TIR-NA-NOG 1980 ink on paper on canvas dated lower left: 4/80

signed, titled, dated and inscribed verso: (Ph. Martin) / Sydney 4/1980 “TIR-NA-NOG” / 100 x 29cm 29 x 100cm

PROVENANCE:

Coventry Gallery, Sydney

$300-500

27

JAMIE BOYD (born 1948) (Shoalhaven River Landscape) oil on masonite signed lower right: Jamie Boyd

28 x 18cm

PROVENANCE:

Rex Irwin Art Dealer, Woollahra

$500-800

28

GLEN PREECE (born 1957)

Lovers on a Green Couch oil on canvas signed lower centre: Glen Preece 60 x 90cm

PROVENANCE:

Artarmon Galleries, Sydney, 1998 (label verso and accompanied by a copy of original purchase receipt)

$1,000-2,000

29

VIC O’CONNOR (1918-2010)

The Party oil on canvas signed lower left: Vic O’Connor 31 x 21.5cm

$800-1,200

30

GEOFFREY PROUD (born 1946)

Flowers and Mirror - Late Afternoon 1981 mixed media on paper signed lower right: Proud titled and dated on label verso 165 x 121cm

PROVENANCE:

Robin Gibson Gallery, Sydney Mrs Patricia Coppleson, Sydney Private collection, Sydney, gift from the above $1,500-2,500

31

KEN GILROY (born 1952)

Walk at Pearl Beach 1992 oil on canvas signed lower left: Ken Gilroy titled and dated verso 95 x 56.5cm

PROVENANCE:

Access Contemporary Art Gallery, Sydney (label verso)

$300-500

32

DAVID BOYD (1924-2011)

The Visitors oil on canvas signed lower right: David Boyd titled verso 90.5 x 100cm

PROVENANCE: Private collection, Queensland, bequest 1990 $20,000-25,000

32 © David Boyd/Copyright Agency, 2023

BRIAN DUNLOP (1938-2009)

Balmain 1956 oil on canvasboard signed lower right: Dunlop 49.5 x 63.5cm

PROVENANCE:

Eddie Glastra Gallery, Sydney, 1993 (accompanied by a copy of original purchase receipt)

$1,500-2,000

34

HUGH SAWREY (1923-1999)

Seismic Exploration in Kogan Country 1962 oil on canvas

signed and dated lower left: HUGH SAWREY / 62 titled verso 116 x 138cm

PROVENANCE:

Private collection, Queensland, acquired from the artist c.1960

Thence by descent

$20,000-30,000

§ 35

FREDERICK ARTHUR JESSUP (1920-2007)

Pivoines et Iris, 1961 oil on linen

signed and dated lower right: F A Jessup 61 titled verso 90 x 71.5cm

PROVENANCE:

Barry Stern Galleries, Sydney, 1976

The Malcolm and Patricia Coppleson Collection, Sydney

Mossgreen Auctions, The Malcolm and Patricia Coppleson Collection, Sydney, 4 December 2017, lot 104

Private collection, Sydney

$800-1,200

36

JANET DAWSON (born 1935)

Butternut Pumpkin pastel on paper

signed and dated lower left: J Dawson 8/97 32 x 36cm

PROVENANCE:

Stella Downer Fine Art, Sydney, 2007 (accompanied by original purchase receipt)

$500-800

37

ROBERT DICKERSON (1924-2015)

(Woman with Roses) c.1978 pastel on paper signed lower right: DICKERSON 28 x 19.5cm

PROVENANCE:

Anvil Art Gallery, Wodonga (label verso)

$2,500-4,500

34 © Hugh Sawrey/Copyright Agency, 2023

33 © Brian Dunlop/Copyright Agency, 2023

PRO HART (1928-2006)

Parked in the Scrub oil on board signed lower centre: Pro HArt titled verso

29 x 29cm

$2,000-3,000

39

DAVID BOYD (1924-2011)

After the Fire 2002 oil on board signed lower left: David Boyd dated lower right titled verso 60 x 75cm

PROVENANCE:

Estate of David Boyd (Lucinda Boyd) Private collection, Sydney $10,000-15,000

§ 40

PRO HART (1928-2006)

The Axeman oil on board signed lower centre: ProHARt 28 x 28cm

PROVENANCE: Leonard Joel, Melbourne, Fine Art, 5 September 2017, lot 44

Private collection, Sydney $3,000-5,000

41 HUGH SAWREY (1923-1999)

In the Channels of the Paroo oil on canvas signed lower right: SAWREY signed and titled verso

75.5 x 101cm

PROVENANCE: Private collection, Queensland $10,000-15,000

§ 42

ROLAND WAKELIN (1887-1971) (Farm Scene) 1951 oil on card

signed and dated lower left: R Wakelin 51 17 x 21.5cm

PROVENANCE:

Lawsons, Sydney, Fine Art, 29 April 2021, lot 511 $2,500-3,500

39 © David Boyd/Copyright Agency, 2023

41 © Hugh Sawrey/Copyright Agency, 2023

CLEWIN HARCOURT (1870-1965)

Untitled (European Boats in a Bay) oil on board signed lower left: C HARCOURT 34 x 39cm

PROVENANCE:

The Estate of Michael Humphries

Leonard Joel, Melbourne, The Art Salon, 9 September 2021, lot 3013

Private collection, NSW

$2,000-4,000

44

HANS HEYSEN (1877-1968)

Cattle Grazing Beneath Gums 1919 watercolour on paper signed and dated lower left: HANS HEYSEN 1919

29.5 x 39.5cm

PROVENANCE:

Christie’s Melbourne, Australian and European Paintings, 23 November 1998, lot 74

The Estate of Betty Bunce, Sydney $14,000-18,000

45

NORMAN LINDSAY (1879-1969)

Doreen

pencil on paper initialed lower right: N. L. 34 x 17.5cm

PROVENANCE:

The Bloomfield Galleries, Sydney (label verso) $1,800-2,400

46

PAUL JONES (1921-1997)

(Red Camelia)

mixed media signed to leaf verso: Paul Jones Glass presentation case: 10 x 15.5 x 15.5cm

PROVENANCE:

The Estate of Betty Bunce, Sydney $300-500

47

JOSEF LAUER (Austrian, 1818-1881)

(Still Life with Roses and Butterfly) oil on canvas signed lower right: Jos Lauer 53 x 40.5cm

PROVENANCE:

Private collection, Queensland $8,000-12,000

WILLIAM SHAYER (British, 1787-1879)

Study for Village Festival oil on panel inscribed verso

16.5 x 22cm

PROVENANCE:

Private collection, Sydney

$500-800

49

Attributed to WILLIAM HOLYOAKE (British, 18341894)

Portrait of a Lady oil on canvas

35.5 x 35.5cm

$800-1,200

50

ARTHUR JAMES WETHERALL BURGESS (British, 1879-1957)

Shipping on the Thames watercolour on paper signed lower right: Arthur. J. W. Burgess

32.5 x 49.5cm

PROVENANCE:

The Estate of Betty Bunce, Sydney

$300-500

51

JOHN ALLCOT (1888-1973)

N. S. S. Sobraon

watercolour on paper signed lower left: JOHN ALLCOT titled verso

30.5 x 40cm

PROVENANCE:

The Estate of Betty Bunce, Sydney

$800-1,200

52

JOHN ALLCOT (1888-1973)

HMAS Warrigo gouache on card on board signed lower left: JOHN Allcot

title inscribed verso

11.5 x 16.5cm

PROVENANCE:

The Estate of Betty Bunce, Sydney

$300-500

53

FREDERICK JAMES ELLIOTT (1864-1949)

Two Watercolours of Ships Out to Sea watercolour on paper

Both signed lower right: F. Elliott

11 x 14cm; 30 x 44cm

PROVENANCE:

The Estate of Betty Bunce, Sydney $100-200

AUSTRALIAN COLONIAL SCHOOL (19th century)

Ben Lomond & Loch Lomond oil on copper panel

titled upper centre (under frame): Ben Lomond & Loch Lomond

14.5 x 19.5cm

$3,000-5,000

55

GEORGE WASHINGTON LAMBERT (1873-1930)

Portrait of Thea Proctor 1923

pencil on paper signed and dated lower centre: G W Lambert / 1923 19 x 11cm

PROVENANCE:

Gordon Galleries 1970 (label verso)

$600-800

56

BERTHA LUM (American, 1869-1954)

Dancing Figures 1924

raised line print

signed and dated lower left: Bertha Lum ‘24 titled on label verso

52.5 x 35cm

OTHER NOTES:

Whilst living in Peking in 1922 Bertha Lum developed a new technique for printing, often referred to as a raised line print, which involved moulding wet paper over a carved wooden block. After the paper dried she would then handpaint the embossed paper using the raised lines to delineate the areas of colours. According to her daughter, Eleanor “Peter” Lum Crowe, this was an old Chinese technique that Lum adapted for her own use.

$300-500

57

JOHN HALL THORPE (1879-1947)

(Interior Still Life)

woodblock print

signed lower right: Hall Thorpe 19 x 24.5cm

PROVENANCE:

Private collection, Sydney $800-1,200

58

HALL THORPE (1879-1947)

Cowslips

woodblock signed lower right: Hall Thorpe

16.5 x 15cm

PROVENANCE:

Private collection, Sydney $800-1,200

58

56

54

59

HALL THORPE (1879-1947)

Sweet Peas

woodblock

signed lower right: Hall Thorpe

26 x 20cm

PROVENANCE:

Private collection, Sydney

$800-1,200

60 HALL THORPE (1879-1947)

Marigolds

woodblock

signed and titled below image: “Marigolds” Hall Thorpe

23 x 29cm

PROVENANCE:

Private collection, Sydney

$800-1,200

61

HALL THORPE (1879-1947)

A Country Bunch

woodblock

signed and titled below image: “A Country Bunch”

By

Hall Thorpe

75.5 x 62.5cm

PROVENANCE:

Private collection, Sydney

$3,000-4,000

62

DINO ROSIN: A MURANO GLASS ‘MOTHER AND CHILD’ SCULPTURE

C.1990, the clear and multicoloured calcedonian glass forming an abstracted figure of a mother and child, signed to base “Dino Rosin”.

Height 72cm

$3,000-5,000

63

DONGHIA: A PAIR OF ‘FUISSA’ GLASS TABLE LAMPS

Each of waisted form with anodised aluminium fitting, signed Donghia to base.

Height 67cm (without shade)

$400-600

64

A PAIR OF UPHOLSTERED LONG BENCHES

Each with loose cushion having a curved end, covered in cream textured fabric with deep bullion fringe.

Height 50cm, Width 240cm, Depth 65cm $2,000-4,000

64A

AN EBONISED OPEN ARMCHAIR

Modern, with bobbin turned uprights and supports, upholstered in blue patterned cotton.

$600-800

65

MILTON MOON: A MASSIVE STONEWARE PUNCH SET

The hemispherical punchbowl on a tall foot with crackle cream glaze interior and black glazed exterior, incised signature to underside, with twelve matching cups. (13)

Punchbowl: Height 35.5cm, Diameter 51cm

OTHER NOTES:

Milton Moon AM (1926-2019) was an Australian potter. He studied in many countries, as a recipient of a Foundation Winston Churchill Fellowship and also as a Myer Foundation Geijutsu Fellow.

$800-1,200

66

A LARGE TENMOKU BOWL BY SHIGEO SHIGA

The circular bowl made of wheel-thrown and turned white stoneware with iron based glaze and a pattern of trailed iron oxide slip, artist’s stamp to base.

Diameter 44cm

PROVENANCE:

Freeland Gallery, Sydney (accompanied by original certificate)

OTHER NOTES:

Shigeo Shiga (1928-2011) was a Japanese potter who visited Australia and had a profound and lasting impact on the development of Australian stoneware pottery. Shiga was invited to visit and work at Sturt Pottery, Mittagong, by Les Blakebrough and arrived in 1966. Following his time at Sturt, Shiga moved to Sydney where he was employed by Peter Rushforth as a part-time teacher at the National Art School. He also assisted Bernard Sahm in building his studio

and kiln and in 1972 established his own studio and kilns in Terry Hills. In 1979 he returned to live in Tokyo but continued to hold occasional exhibitions in Australia, and in 2009 returned to live back in Sydney. Shiga’s works are held by the National Gallery of Australia, the Art Gallery of NSW, the Powerhouse Museum and many other state galleries in Australia.

$600-800

67

A SPANISH OAK AND ELM TABLE

In the 17th century style, the plank top on shaped trestle end supports united by wrought iron stretchers.

Height 77cm, Width 165cm, Depth 79cm $1,000-1,500

68

LUIGI ONESTO: A LARGE MURANO GLASS TEARDROP VASE

The sommerso glass in ruby and yellow with a pointed rim, engraved to base “L. Onesto Murano Italy”.

Height 39cm, Weight 6.1kg $1,200-1,800

69

A SQUARE UPHOLSTERED OTTOMAN

In a natural basket weave patterned fabric and deep bullion fringe.

Height 47cm, Width 76cm, Depth 76cm $800-1,200

70

FRATELLI TOSO: A PAIR OF MURANO GLASS VASES

C.1980, of tapering cylindrical form, the black and clear glass inlaid with all over gold foil decoration.

Height 25cm $1,000-1,500

71

A PAIR OF LOUIS XV STYLE BEECHWOOD BERGERES

Each with a shaped and moulded frame, the padded back and armrests above a loose seat cushion on cabriole legs with scroll toes, upholstered in beige close-nailed moire with side panels of boucle woven fabric.

$2,000-4,000

A HERMLE ‘TELLURIUM’ ORRERY TABLE CLOCK

The gilt-metal and cherrywood framed cylindrical case with domed perspex cover protecting the orrery mechanism with enamel earth circling giltmetal sun, the engraved zodiac ring with calendar and date indications above the skeletonised movement with Westminster chime, the silvered chapter ring with Roman numerals and subsidiary seconds dial on a matted centre.

Height 34cm, Diameter 25cm

$5,000-8,000

73

A NEOCLASSICAL STYLE BEECHWOOD LAMP TABLE

The marble top above a guilloché and pierced frieze on square tapering fluted legs.

Height 58cm, Width 54cm, Depth 55cm

$300-500

74

LUIGI ONESTO: A MURANO GLASS ‘ANELLY’ VASE

Mid-late 20th century, of thick ovoid form, the sommerso glass in clear and blue with pink and yellow murrini and incised bubble decoration, engraved to base “L Onesto Murano Italy”.

Height 27cm, Weight 7.6kg

$2,000-3,000

75

A SQUARE UPHOLSTERED OTTOMAN Covered in a blue and brown ticking stripe with valance.

Height 47cm, Width 76cm, Depth 76cm

$800-1,200

76

SERGIO COSTANTINI: A LARGE MURANO GLASS VASE

C.2009, the spherical body with flared irregular rim in chocolate-coloured glass, the body with applied decoration of blue, yellow and red strands of glass.

Height 32cm, Width 41cm

$1,800-2,500

77

A CHINESE ELM LOW TABLE

With rattan top on square end supports.

Height 48cm, Width 194cm, Depth 81cm

$300-500

78

ARCHIMEDE SEGUSO FOR VETRI D’ARTE: A LARGE ‘CARNEVALE’ MURANO GLASS VASE Of tapering cylindrical form, the glass in shades of pink, red and green, signed to the base “Archimede Seguso Murano”.

Height 39.5cm

PROVENANCE:

Bonhams/Skinner Marlborough, Massachusetts, Modern Design & Murano Glass, 2-12 October 2022, lot 287

$2,000-3,000

79

DAVIDE SALVADORE: A LARGE MURANO GLASS ‘SPIRALE’ VASE

The flattened ovoid body in spiral canes of clear, coffee and cream glass with battuto-carved and incised decoration, signed to base “Salvadore Murano”.

Height 32cm $1,500-2,500

80

DAVIDE SALVADORE: A MURANO GLASS ‘SPIRALE’ VASE

The flattened ovoid body in spiral canes of green and cream with battuto-carved and incised decoration, signed to base “Salvadore Murano”.

Height 26cm $1,000-1,500

81

A FRENCH BAMBOO AND LACQUER ETAGERE

Last quarter 19th century, each shaped tier lacquered with swallows and grasses on swept bamboo supports.

Height 74cm, Width 55cm, Depth 42cm

$800-1,200

82

AN OCCASIONAL TABLE STANDARD LAMP

With brass gallery on baluster pedestal decorated all over in black japanned and gilt chinoiseries.

Height 152cm

$1,500-2,000

83

A LOUIS XV STYLE TULIPWOOD OVAL OCCASIONAL TABLE

Inlaid with scrolling designs, having three drawers on slender cabriole legs.

Height 73cm, Width 37.5cm, Depth 30cm

$800-1,200

84

A REGENCY STYLE THREE SEATER SETTEE

On four ebonised sabre front legs, upholstered in aqua foliage patterned brocade.

Height 90cm, Width 153cm, Depth 80cm

$800-1,200

85

TWO SIMILAR CONTINENTAL LOUIS XV

FRUITWOOD FAUTEUILS

Second half 18th century, each with a cartouche shaped moulded back flanked by padded arms on cabriole legs, upholstered in aqua foliage patterned brocade.

$1,200-1,800

86

AN ITALIAN PIETRA DURA AND GILTWOOD CENTRE TABLE

Mid-19th century, the circular top inlaid with a spray of roses, other flowers and two finches in coloured marbles, on a leaf carved and scrolled pedestal support and three swept feet.

Height 91cm, Diameter 85cm

$4,000-6,000

87

A PAIR OF ITALIAN GILTWOOD AND POLYCHROME PRICKET CANDLESTICKS 19th century, each on a square base with turned feet rising to a fluted pedestal and turned, partially reeded and partially leaf carved baluster shaft.

Height 75cm

PROVENANCE:

The Property of a Gentleman, NSW

$1,400-1,800

88

A PAIR OF DIRECTOIRE STYLE SIDE CHAIRS 19th century, each in distressed cream painted finish with relief carved top rail centred with a wreathed urn above an anthemion splat, the stuff-over seat on turned tapering front legs.

Height 85.5cm

PROVENANCE:

The Property of a Gentleman, NSW

$350-550

89

A PERSIAN TABRIZ CARPET

The central medallion and quartered corner medallions set within an ivory field of Shah Abbasi palmettes, tendrils and birds, within multiple borders of Shah Abbasi flowers and birds on a grey field.

398 x 295cm

$2,000-4,000

90

A GILT COMPOSITION CONSOLE TABLE

First half 19th century, the shaped white marble top above an acanthus cast serpentine frieze on leaf cast scrolled legs terminating in lion paw feet.

Height 72cm, Width 83cm, Depth 44cm

PROVENANCE:

David Jones Antiques, Sydney

The Property of a Gentleman, NSW

$1,400-2,200

91

A SET OF FOUR LOUIS XV STYLE BEECHWOOD FAUTEUILS A LA REINE

Each with a moulded cartouche shaped and caned back and seat, the shaped padded armrests with cabochon terminals on cabriole legs and scroll toes, with cream cotton squab cushion.

$1,500-2,000

92

A PAIR OF ORMOLU CANDLESTICKS

19th century, in the Louis XV style after a design by Jules Aurele Meissonnier, each shaped circular base composed of scrolls and rocaille rising to a rocaille shaft supporting a scrolled nozzle.

Height 23.5cm

PROVENANCE:

The Property of a Gentleman, NSW $550-750

93

A BRASS MOUNTED MAHOGANY DEMI LUNE SUPPER TABLE

In the Louis XVI style, the crossbanded foldover top above a brass moulded frieze on turned tapering legs with brass castors.

Height 77cm, Width 109cm, Depth 55.5cm

PROVENANCE:

The Property of a Gentleman, NSW $850-1,100

94

A REGENCE STYLE UPHOLSTERED STOOL

Late 19th century, the crimson brocade upholstered top on painted and gilt cabriole legs with a carved and pierced stretcher.

Height 52cm, Width 155cm, Depth 43cm $2,000-3,000

95

AN EMPIRE MAHOGANY BUREAU A CYLINDRE

First quarter 19th century, the superstructure with three drawers above the cylinder opening to reveal an arrangement of six drawers with secret compartments, above four further drawers around central kneehole on square tapering legs with ormolu sabots.

Height 124cm, Width 132cm, Depth 71cm

PROVENANCE:

The Property of a Gentleman, NSW $3,500-4,500

96

A SPANISH FRUITWOOD SIDE TABLE

Late 17th/early 18th century, the solid plank top above three chip-carved frieze drawers on turned baluster legs, united by a solid H stretcher. Height 80cm, Width 228cm, Depth 66cm $4,000-6,000

97

A LOUIS XVI GREY PAINTED CANAPÉ

The oval moulded back with central ribbon tied cresting flanked by padded arms on turned and fluted legs, upholstered in moss green velvet. Width 195cm $3,000-5,000

98

A PAIR OF BRONZE RELIEF PANELS

Each cast with two horsemen from the frieze of the Acropolis, Athens.

One 49 x 64cm, the other 51 x 67cm

PROVENANCE:

The Property of a Gentleman, NSW $1,400-1,800

99

A FRENCH CRYSTAL SPHERICAL HANGING LIGHT

Part 19th century, composed of blue and clear cut glass flower heads.

Height 41cm, Diameter 30cm

PROVENANCE:

Mossgreen, The Interior Decorator, 31 March 2017, lot 88

$800-1,000

100

A PAIR OF LOUIS XV WALNUT FAUTEUILS A LA REINE

Each with a moulded cartouche-shaped back flanked by scrolled padded arms on cabriole legs with serpentine apron, upholstered in Fortuny silk.

PROVENANCE:

David Jones Art Gallery

The Estate of the Late Amana Finley Lawsons Auctioneers, April 2003, lot 242 $8,000-12,000

101

A LOUIS XV WALNUT BOMBÉ COMMODE

The grey St Anne marble top above two short and two long drawers with moulded fronts and cast brass handles, above a shaped apron on shaped legs. Height 85cm, Width 128cm, Depth 66cm $5,000-6,000

A RÉGENCE OAK SIDE TABLE

First quarter 18th century, the moulded rouge and grey marble top above a shaped apron with central foliate clasp and incised lattice on cabriole legs with C-scroll headers and leaf carved knees on foliate scroll toes.

Height 84cm, Width 162cm, Depth 64cm $3,000-5,000

103

A NAPOLEON III GILT-METAL MANTEL CLOCK

The dial with individual enamelled Roman chapters in a circular foliate bezel surmounted by a grotesque mask, the case of Renaissance revival design composed of scrolls, swags and griffons with urn finial, the eight-day movement striking on a bell.

Height 60cm

$3,000-5,000

104

A LOUIS XIV WALNUT SIDE TABLE

The moulded rectangular top above a frieze drawer with a scroll and roundel decorated apron below on turned and faceted supports joined by elaborate turned and faceted stretchers with turned finials.

Height 76cm, Width 99cm, Depth 66cm $3,000-5,000

105

A LOUIS XIV STYLE BOULLE BRACKET CLOCK

The enamelled dial with individual Roman chapters above an applied anthemion motif, the rectangular case with domed top and flanked by engaged corinthian columns, inlaid throughout with scrolling brass work on red tortoiseshell ground and ebonised carcase with cast toupie feet.

Height 55cm, Width 37cm, Depth 19cm $2,000-3,000

106

A PROVINCIAL LOUIS XIV OAK WRITING TABLE

The rectangular top above a small drawer to one side on octagonal chamfered legs joined by an H-stretcher.

Height 69cm, Width 80cm, Depth 59cm $800-1,200

107

A PAIR OF MINIATURE BRONZE AND BLACK MARBLE TEMPIETTI

Late 19th century, each with an artichoke finial to the domed top above a continuous frieze of classical figures, supported by fluted corinthian columns enclosing a statue of a dancing maenad, the stepped plinth on a red marble and gilt-metal base.

Height 37cm, Diameter 18cm $1,200-1,800

108

A LOUIS XIV WALNUT AND MARQUETRY SIDE

TABLE

The rectangular moulded top with geometric line inlay and crossbanding above a conforming frieze drawer on turned tapering legs joined by an H-stretcher with central urn.

Height 81cm, Width 99cm, Depth 60cm $1,800-2,200

109

A PARIS PORCELAIN CAMPANA URN

First half 19th century, of typical form, the twin handles with bearded mask terminals, decorated with distressed gilt enamel.

Height 30cm

PROVENANCE:

The Property of a Gentleman, NSW

$300-500

110

A NORTHERN EUROPEAN SATINBIRCH CENTRE

TABLE

First half 19th century, the rectangular top with chamfered corners having one frieze drawer on turned tapering legs.

Height 73cm, Width 92cm, Depth 102cm

$1,500-1,800

111

A GILT-METAL MOUNTED JAPANESE IMARI PORCELAIN JAR

The porcelain 18th century, decorated in underglaze blue and iron red with panels of chrysanthemums on a ground of stylised peonies, the mounts with scroll and mask handles on an acanthus and entrelac cast shaped square foot.

Height 47cm, Width 29cm, Depth 25cm

$1,000-1,500

112

A COLLECTION OF LATE 19TH AND EARLY 20TH CENTURY BOOKS

Including Foster, J, The Works of Robert Hall, A. M. Volumes I-V, twelfth edition, London, 1855; three volumes of The Art Journal, London, 1904, 1906 & 1907, including original frontispieces; Chaffers, W., Hall-Marks on Plates, fifth edition, London, 1874; and J, Ruskin, Modern Painters, Volume III, Kent, 1888.

$200-300

113

A CENTRAL EUROPEAN PAINTED PINE MARRIAGE COFFER

19th century, painted with panels of tulips and other flowers to the rising top and front panels on bracket feet.

Height 60cm, Width 170cm, Depth 59cm

PROVENANCE: Shapiro Auctioneers, 27 June 2004, lot 60

$800-1,000

114

AN ITALIAN MARQUETRY SERPENTINE COMMODE

Mid-18th century, inlaid in boxwood, tulipwood, kingwood and bone, the top with a commedia dell’arte scene within a strapwork, shell and flowerhead cartouche, above four long drawers with scroll and flowerhead inlay on scrolled front legs.

Height 97cm, Width 128cm, Depth 59cm

$6,000-8,000

AN 18TH CENTURY SPANISH MANUSCRIPT Granada, 1792, a deed granted in favour of the IVth Marquis of Villa Alegre, Antonio Porcel y Manrique de Arana, likely the transfer of a house.

31.5 x 21.5cm

$500-800

116

A VICTORIAN GREEN JAPANNED AND FAUX BAMBOO PARTNER’S PEDESTAL DESK

In the Brighton Pavilion style, the leather lined top above frieze drawers, on pedestals with drawers and cupboards, decorated with gilt chinoiseries on a green ground.

Height 85cm, Width 154cm, Depth 90cm

$4,000-6,000

117

A VICTORIAN MAHOGANY STOOL

The rectangular padded top appliqued with a piece of antique floral tapestry on red velvet, the shaped X-frame with turned and reeded stretcher, lion mask terminals and lion paw feet.

Height 48cm, Width 66cm, Depth 50cm

$1,000-1,500

118

A LATE VICTORIAN WALL CLOCK

Retailed by H.A. Westhoff, 52 King Street, Sydney, the reverse painted dial with Roman numerals, eightday movement, brass bezel and oak moulded frame.

Diameter 49cm

$500-800

119

A MATCHED SET OF TEN BEECH AND ELM SPINDLE BACK DINING CHAIRS

Each with a shaped top rail above spindle inset back with rush seat and turned legs joined by turned stretchers, including two elbow chairs.

112 x 62 x 52cm

$4,000-6,000

120

A GEORGIAN OAK LOW SIDE TABLE

The moulded rectangular plank top on four baluster turned legs joined by stretchers, stamped EB and FB to back.

Height 61cm, Width 83cm, Depth 55cm

$1,500-1,800

121

AN IRISH GEORGE II MAHOGANY WINDOW SEAT

The shaped back and scrolled arms above a serpentine seat on shell carved cabriole legs, terminating in claw and ball feet, upholstered in teal damask.

Height 80cm, Width 114cm, Depth 52cm

PROVENANCE:

Milton Park, Bowral NSW

Connor Galleries, Moss Vale Private collection, Sydney

$2,000-3,000

122

A PAIR OF TURNED MAHOGANY AND AMETHYST GLASS STORM CANDLESTICKS

Retailed by John Rosselli, New York in the George III style.

Height 51cm $800-1,200

123

A GEORGE III MAHOGANY EXTENDING DINING TABLE

In the manner of Gillows, the rectangular twin-flap top with concertina extension to support two additional leaves on turned and reeded legs with brass castors.

Height 73cm, Width 241cm (extended), Depth 115cm $3,000-5,000

124

A FRENCH BRONZE OF THE BORGHESE GLADIATOR

Late 19th century, after the Antique, the nude warrior with sword and shield, the rectangular plinth inscribed “LE GLADIATEUR COMBATTANT DE LA VILLA BORGHESE PAR AGASIAS 100 AV. J. CH. REPLIQUE”, on marble base.

Height 51cm

PROVENANCE:

Martyn Cook Antiques, Woollahra

Collection of Mr Gary Baker Shapiro Auctioneers, Sydney, Elegant Couture, Luxury Design, Fine Jewellery and Antiques, 25 August 2020, Lot 131 $4,000-6,000

125

A RUSTIC GEORGE IV YEW AND ELM DINING CHAIR

The back with panelled top rail above X splat with central roundel, the solid seat on turned tapering legs joined by a shaped stretcher.

PROVENANCE:

Retford Park, Bowral NSW Grafton Galleries, Sydney Private collection, Sydney $400-600

126

A GEORGE IV ROSEWOOD AND GILT-METAL MOUNTED BRACKET CLOCK

The movement by Savory & Sons, Cornhill, London, the white painted dial with black Roman numerals within a brass bezel, the case with pagoda top flanked by scrolls on a pedestal with bead moulding and reeded bun feet.

Height 44cm $1,500-1,800

AN ANTIQUE OAK BOX STOOL

The rising top above a chip and incised decorated deep frieze on turned legs joined by stretchers.

Height 40 x Width 40 x Depth 26cm

$300-500

128

A WILLIAM IV MAHOGANY CASED BRACKET

CLOCK

The movement by Dent of London, the silvered dial with Roman hours within engraved spandrels and face inscribed: E. J. Dent, / 54 / Royal Exchange / London / 1220. The case of ogee outline with brass urn finials and flanked by a pair of engaged columns on a moulded base with reeded bun feet.

Height 64cm

OTHER NOTES:

Dent was a London manufacturer of luxury clocks and watches, founded by Edward John Dent. Dent began making watches in 1814, although the Dent triangular trade mark was not registered until 1876. A notable success for the company was winning the contract to make the clock for the new palace of Westminster in 1852, which became known as Big Ben.

$2,000-3,000

129

A REGENCY MAHOGANY KNEEHOLE WRITING

TABLE

The leather lined top with central adjustable reading slope above two short and two long boxwood strung drawers, on square tapering legs with brass castors.

Height 81cm, Width 138cm, Depth 67cm

PROVENANCE:

The Estate of a Lady, Bellevue Hill Shapiro Auctioneers, Fine Furniture, Silver, Asian and Decorative Arts, 19 June 2018, lot 49

Private collection, Sydney

$1,500-2,500

130

A REGENCY MAHOGANY MUSIC STOOL

The circular close-nailed olive leather upholstered seat on four square tapering legs joined by an X stretcher.

Height 56cm, Diameter 32cm

PROVENANCE:

Grafton Galleries, Sydney

Private collection, Sydney

$500-800

131

A LATE VICTORIAN WALL CLOCK

Retailed by Tornaghi, Sydney, the eight-day movement with painted dial having Roman numerals, signed ‘A. TORNAGHI, SYDNEY’ within brass bezel and mahogany frame.

Diameter 36.5cm

$1,500-2,000

132

A REGENCY EBONISED SIDE CHAIR

The swept back with broad top rail and turned back rail above upholstered seat on sabre legs, decorated in distressed gilt (decoration refreshed).

Height 85cm

PROVENANCE:

The Property of a Gentleman, NSW $200-400

133

A GEORGE I WALNUT VENEERED HANGING CORNER CUPBOARD

The moulded cornice above a mirrored door with original glass and gilt egg and dart moulded surround, opening to reveal shaped shelves. Height 86cm, Width 78cm, Depth 38cm

PROVENANCE:

Grafton Galleries, Sydney

Private collection, Sydney $800-1,000

134

AN IRISH GEORGE III OAK BUREAU BOOKCASE

The swan neck pediment centred with a fluted shell above a dentil frieze and pair of fielded panel doors opening to reveal an arrangement of pigeon holes and shelves and flanked by fluted quarter columns, above a fall front opening to reveal an arrangment of drawers around a central cupboard, above two short and three long drawers, flanked by quarter columns on ogee bracket feet.

Height 225cm, Width 135cm, Depth 61cm

PROVENANCE:

Grafton Galleries, Sydney

Private collection, Sydney $4,000-6,000

LE MORTE D’ARTHUR BY SIR THOMAS MALORY

WITH ILLUSTRATIONS BY AUBREY BEARDSLEY

JM Dent & Co, 1893, Volume I & II, 1st edition, limited edition of 1500 unnumbered copies (not including the 300 on Dutch handmade paper), bound in original cream cloth, spines lettered in gilt, spines and front covers stamped in gilt with floral patterns designed by Beardsley, publisher’s device to rear covers in gilt, top edges gilt, others untrimmed. With photogravure frontispieces, 18 fullpage wood engravings with tissue guards, numerous text illustrations and approximately 350 designs for chapter headings and borders all by Aubrey Beardsley.

PROVENANCE:

Geoffrey Chapman Ingleton, Sydney Gordon Page Barton, Sydney

Thence by descent

LITERATURE:

Lewis, J, The Twentieth Century Book, p. 148-9

OTHER NOTES:

In 1892 John M. Dent commissioned the 20-yearold Beardsley to produce this edition, work that took the young artist 18 months to complete. The book was issued in 12 parts in wrappers, with the purchaser given the choice of sending it back to Dent, who bound them in vellum or (as in this case) cream cloth case-binding with gilt blocking designed by Beardsley.

The current lot was part of the Angus & Robertson rare books collection (label inside front cover) and were personally purchased by the publisher of Angus & Robertson in the 1970s, Gordon Page Barton (1929-2005). Prior to this the books belonged to Geoffrey Chapman Ingleton (1908-1998) and were part of his collection, the Ingleton Catalogue (label inside front cover). Ingleton was a cartographer, author, artist, etcher, ship modeller, book collector and publisher. He acquired an enormous collection of books and periodicals, maps, photographs, ship’s log books and nautical charts.

$1,500-2,500

136

A CLARICE CLIFF ‘BIZARRE’ BALUSTER VASE

In the Picasso Flower pattern, printed mark to reverse.

Height 16cm $1,000-1,500

137

A CLARICE CLIFF ‘BIZARRE’ PLATE

In the Luxor pattern, printed mark to reverse.

Diameter 20cm $800-1,200

138

A CLARICE CLIFF ‘BIZARRE’ VASE

In the Branch and Squares pattern, with flared rim and ovoid sides,

Height 15cm, Width 7cm

$1,000-1,500

139

TWO ITEMS OF CLARICE CLIFF POTTERY

A ‘Bizarre’ octagonal platter with black and orange lozenges within yellow border; and a lotus shaped centrepiece bowl painted in yellows, blues and greens.

The platter: 29 x 15cm

$200-400

140

AN ARCHIBALD KNOX PEWTER JARDINIERE AND A SWEDISH HAMMERED COPPER INKWELL

The jardiniere with relief decoration of stylised foliage and shaped handles, stamped to base “9 / ENGLISH PEWTER / Rd 414420 / 0229 / MADE IN ENGLAND”; the inkwell with domed hinged cover and circular base with repousse decoration of thistles, stamped “STROMBLAD GOTEBORG”.

Jardiniere: Width across handles 29cm; Inkwell: Diameter 20cm

OTHER NOTES:

An identical jardiniere stamped “TUDRIC / LIBERTY & CO” is in the British Museum.

$800-1,200

141

AN ART DECO COLD PAINTED BRONZE OF A LADY GOLFER BY JOSEF LORENZL

C.1925, depicted mid-swing on a square stepped alabaster plinth.

Height overall 29cm $600-800

142

A SMALL GALLE CAMEO GLASS BOTTLE VASE

Overlaid and acid-etched with cherries and foliage, signed ‘Gallé’.

Height 12cm $300-500

143

A SMALL LE VERRE FRANCAIS CAMEO GLASS EWER

Overlaid and acid-etched with stylised flowering branches, signed ‘Le Verre Francais’ to base.

Height 17cm $600-800

144

A GALLE CAMEO GLASS BOTTLE VASE

Overlaid and acid-etched with underwater foliage and seeds, signed in cameo ‘Gallé’.

Height 25cm $500-800

145

A DAUM NANCY CAMEO GLASS VASE

Of squared squat baluster form, overlaid and acid-etched with magnolia blossoms and foliage, engraved ‘Daum Nancy’ to footrim.

Height 20cm

$1,200-1,800

A ‘CHICOREE’ BRONZE AND GLASS CHANDELIER BY LOUIS MAJORELLE

C.1905, the chandelier modelled with sinuous whiplash decoration and chicory flowers and leaves, issuing four small branches above four larger branches with a single pendant-light centred below.

Height 124.5cm, Diameter 101.5 cm

PROVENANCE:

Dr. Vauthey, Vichy, France, 1906

Christie’s London, May 12 1999, lot 389

Christie’s New York, The Property of a Utah Collector, 13 June 2003, lot 228

LITERATURE:

Roselyne Bouvier, Majorelle, 1991, p. 188 for an illustration of a bronze and glass table lamp, the base cast with similar foliate decoration.

$8,000-12,000

147

A PAIR OF ELIZABETH II SILVER AND SILVER-GILT ROYAL WEDDING GOBLETS BY STUART DEVLIN

London, 1981, issued by Franklin Mint Limited, one numbered 37 and the other numbered 241 from an edition of 950, each with a conical bowl of triangular section supported by a stem in the form of the Prince of Wales feathers and coronet above his motto “ICH DIEN” on a plain circular base engraved “HRH THE PRINCE OF WALES. LADY DIANA

SPENCER. 29 JULY 1981.”, one in presentation case.

Height 18.7cm, Weight 678g total

$2,000-3,000

148

A PAIR OF ELIZABETH II SILVER AND SILVER-GILT GOBLETS BY STUART DEVLIN

London, 1977, each curved conical bowl supported by a figure of a seated bull on bark patterned stem, plain circular foot, one with case.

Height 15cm, Weight 364g total

OTHER NOTES:

Commissioned by the Royal Agricultural Society to be an annual series but only the first two years were produced.

$800-1,200

149

A VICTORIAN SILVER CHRISTENING CUP AND A GEORGE V SILVER MUSTARD POT

The cup with maker’s mark of Hugh Adamson, Birmingham, 1864, of baluster form with scroll handle and engraved decoration; the mustard pot with maker’s mark of Martin Hall & Co, Sheffield, 1910, of tankard form with gilt interior and associated mustard spoon.

Height of cup 8cm, Weight 174g total

$200-300

150

A VICTORIAN SILVER CREAM JUG

Maker’s mark of Joseph Wilson, London, 1845, of plain baluster form with reeded lip and on scroll and shell cast feet.

Height 15cm, Weight 241g

$150-250

151

A VICTORIAN SILVER CASTER

Maker’s mark of J F Hall, London, 1895, of shaped baluster form decorated all over with repousse scrolls and foliate motifs.

Height 23cm, Weight 242g

$300-500

152

A PAIR OF GEORGE IV SILVER TAZZA SALTS

Maker’s mark of William Hall, London, 1823, each with a star shaped gadrooned rim above a faceted bowl on a gadrooned foot and conforming base.

Diameter 10cm, Weight 282g total $300-500

153

A PAIR OF GEORGE III SILVER SALTS

Maker’s mark of Emes & Barnard, London, 1817, each of rounded rectangular form with a richly flower cast border with shells to the corners, gilt interior, on a milled foot.

Width 10cm, Weight 259g total $300-500

154

A GEORGE III SILVER GOBLET

Maker’s mark likely Crispin Fuller, London, date letter rubbed c.1815, of half reeded form with a band of repousse flowers and scrolls on a circular foot with conforming decoration, gilt interior.

Height 16cm, Weight 285g $400-600

155

A GEORGE III SILVER EGG CRUET

Maker’s mark of Richard Morton & Co, Sheffield, 1790, the shaped frame with pierced salt basket above four urn shaped cups and with four associated Georgian silver spoons.

Width 18cm, Weight 523g total $1,000-1,500

156

TWO GEORGE III SILVER SWEETMEAT BASKETS

One London, 1770, with rope twist border and pierced circular lattice sides, engraved to underside “a Mark of Esteem”; the other London, 1775, with gadrooned borders and swag and roundel piercing.

Weight 246g total $600-800

157

A GEORGE II SILVER LIGHTHOUSE CASTER

Maker’s mark of Edward Feline, London, 1747, the pierced cover above a triple banded cylindrical base, later decorated with repousse scrolls, fish scales and flowers.

Height 15cm, Weight 213g

$400-600

158

A GEORGE II SILVER MUG

Maker’s mark of Richard Gurney, London, 1754, of baluster form with C-scroll handle on moulded foot and engraved with a crest.

Height 9.5cm, Weight 188g

$500-800

159

A PAIR OF ANGLO INDIAN SILVER CASTERS

Maker’s mark of Cropley & Co, Calcutta, c.1820, each cylindrical with a pierced domed top on a waisted pedestal, one engraved “SALT” the other engraved “PEPPER”.

Height 10cm

$300-500

160

A CONTINENTAL SILVER SUGAR BASIN

With London import marks for 1892, of oval bombe outline cast with flower swags, rocaille foliage and cherubs flanked by a pair of scroll handles on four scrolled leaf cast feet.

Width across handles 12.5cm, Weight 155g

$150-250

161

A QUANTITY OF CONTINENTAL SILVER

Comprising a silver Russian beaker, Moscow assay mark 1866, engraved with town scenes and scrolls; a set of 12 Polish 800 silver dessert forks engraved ‘M’ and a matching sauce ladle and serving spoon.

$400-600

162

A GEORGIAN MOULDED GLASS DECANTER

Of cruciform outline with tall, narrow, ringed neck. Height 21cm

$300-500

A ROYAL GIFT TO TOM ROBERTS; PRESENTATION CIGARETTE CASE

A Victorian silver gilt cigarette case, maker’s mark of Alfred Clark, London, 1900, inset with a gilt commemorative medal and engraved to the reverse: “To / Tom Roberts Esq. / from / HRH / The Duke of Cornwall / and York / Sydney / 1st June 1901”, in original red morocco box with gilt crest of Duke of York and marked “Clark / 20 Old Bond Street”. 8 x 6.5cm

PROVENANCE: Private collection, Sydney

OTHER NOTES:

This cigarette case was presented as a gift to famed Australian artist Tom Roberts (1856-1931) from His Royal Highness the Duke of York and Cornwall (later King George V) in 1901 as a token of appreciation for painting the Big Picture—officially titled The Opening of the First Parliament of the Commonwealth of Australia by His Royal Highness the Duke of Cornwall and York, 9 May 1901. This painting depicts the first-ever sitting of the Australian Parliament, held not in Canberra, but at the Royal Exhibition Building in Melbourne.

It was commissioned by the Australian Art Association Proprietary Ltd and presented to King Edward VII on 3 July 1904 as a gift from the Commonwealth of Australia; hanging at St James’s Palace until 1957, when it was placed on permanent loan to Parliament House, Canberra where it can still be viewed today.

The Big Picture is monumental in size measuring 358.4 x 504.3cm and includes 269 portraits of the people who attended the historic occasion; including the Governor-General, the members of the Senate and House of Representatives, and Australia’s first Prime Minister, Edmund Barton.

Roberts had a well-established reputation as a portrait artist, and to achieve all of these likenesses, he travelled to Sydney and London to make individual sketches of the key figures in the painting. He noted each person’s height, weight, and even hat size.

Roberts received a handsome fee of 1,000 guineas to complete the work, and the commission appealed to his sense of history. Nevertheless, two years of work to complete the painting took their toll, damaging his eyesight and health.

$3,000-5,000

Tom Roberts painting his Big Picture 1903 / Wikimedia Commons

A GENTLEMAN’S HUNTER CASED 18CT GOLD POCKET WATCH

By Hardy Brothers, London and Sydney, circa 1900, with presentation inscription to: “SUB INSPECTOR

MURTY D’ARCY BY HIS MANY RYLSTONE FRIENDS...”.

Weight 124g, Diameter 4.9cm $3,000-5,000

165

A GENTLEMAN’S HUNTER CASED 14CT GOLD POCKET DRESS WATCH

By Tavennes, the hinged cover with engine turned decoration and engraved motif.

Weight 54g, Diameter 4.9cm $1,200-1,600

166

TWO ROYAL WORCESTER COFFEE CUPS AND SAUCERS

One painted with Highland cattle in the manner of Harry Stinton, the other in dark blue with gilt border and gilt interior, each with puce mark to underside.

Height 5.5cm $200-250

167

A PAIR OF ROYAL WORCESTER PORCELAIN

TWO-LIGHT CANDLESTICKS MODELLED BY JAMES

HADLEY

Circa 1895, each in the form of flower moulded branches issuing candlesticks and a boy and girl seated in the crutch of the tree on rockwork bases, green printed and impressed marks to underside.

Height 22cm $500-800

168

AN APULIAN RED FIGURE EPICHYSIS

C.300 BCE, painted with a reclining Eros and palmettes, the body with a repeated ‘S’ motif.

Height 20cm

PROVENANCE:

Private collection, Sydney $1,500-2,000

169

A SOUTH INDIAN BRONZE DANCER’S RITUAL BREAST PLATE

Modelled with snake entwined breasts and jewelled necklace.

Height 41cm, Width 28cm $800-1,200

170

A NEW GUINEA CARVED AND PAINTED ASMAT SHIELD

With all over relief carved design, decorated in ochre and white.

Height 186cm, Width 56cm $800-1,200

171

TWO NEW GUINEA TRIBAL MASKS

One with terracotta features on a tortoiseshell set with cowrie shells and bird feathers within a raffia border, the other with boar tusks and protruberant eyes within a lattice feather border. The largest 30cm high

PROVENANCE:

The first: Esplanade Auctions, sale 2297, lot 170 $200-400

172

A NEW GUINEA TERRACOTTA TOTEM FIGURE Sepik River, the seated figure with a crocodile headdress seated on a spherical base.

Height 37cm

PROVENANCE:

Esplanade Auctions, sale 2297, Lot 175 $200-400

173

A CARVED WOODEN DAN MASK

Mid-20th century, Ivory Coast, Africa, with woven raffia hair and inset teeth.

Overall height 30cm $500-700

174

A LARGE CARVED WOOD BAULE “MBRA” MONKEY STATUE

Mid-20th century, Ivory Coast, Africa, the standing primate holding an offering bowl.

Height 85cm $500-700

175

A CARVED WOODEN YAOURE MASK

Early to mid-20th century, Ivory Coast, Africa. Overall height 51cm $500-700

176

TWO TEKE MASKS

Height of largest 57cm (including stand) $200-300

177

A PAIR OF GOLD FLECKED AMBER MOULDED BEIJING GLASS BOTTLES

Each octagonal with a tall neck and raised foot. Height 30cm $800-1,200

178

TWO BEIJING OVERLAID GLASS SNUFF BOTTLES

One carved with fruiting vines and squirrels, the other with stylised birds.

Height of tallest 7cm $500-700

A CHINESE INSIDE PAINTED GLASS SNUFF BOTTLE

One side decorated with a spaniel and another dog, the other with a St Bernard and another dog, signed.

Height 7.5cm

$400-600

180

A PAIR OF CHINESE HARDWOOD MINIATURE OPEN DISPLAY SHELVES

Each with moulded square sectioned uprights and two internal shelves above a section with concealed drawer.

Height 60cm, Width 40cm, Depth 20cm

$1,000-1,500

181

A CHINESE BLUE AND WHITE PORCELAIN SMALL FLARED BOWL

Painted to the exterior with two dragons and lotus tendrils, Yongzheng six character mark to base.

Height 4.7cm, Diameter 9cm

$300-500

182

A CHINESE HARDWOOD OCCASIONAL TABLE

Qing Dynasty, late 19th century, the square inset top on scroll carved apron and square sectioned legs with scroll toes.

Height 50.5cm, Width 45cm, Depth 45cm

$1,500-2,500

183

A CHINESE PORCELAIN BLUE AND WHITE BOTTLE VASE

Decorated with four reserves painted with boys holding lotus leaves and flowers on a tendril and flowerhead field, on a tall flared foot.

Height 45cm

$800-1,200

184

A CHINESE COROMANDEL LACQUER EIGHT PANEL SCREEN

Carved with a continuous scene of courtly ladies at various pursuits within gilt stylised dragon borders, the reverse with egrets amongst lotus flowers. Each panel 244 x 43cm

PROVENANCE:

Brosalco Pty Ltd, Sydney, 1980 (accompanied by original purchase receipt)

$3,000-5,000

185

A CHINESE LACQUERED ELM PAINTER’S TABLE

The inset panel top above a waisted frieze and four square sectioned legs with scrolled toes.

Height 175cm, Width 70cm, Depth 85cm

$1,500-2,000

186

A PAIR OF CHINESE PORCELAIN BARREL SHAPED GARDEN SEATS

Each decorated in coloured enamels with flowers, bats and a Shou medallion on lattice ground.

Height 47cm $1,000-1,500

187

A PAIR OF CHINESE RED LACQUER DOCUMENT BOXES

With black bordered decoration and foliate painting to the rising top, brass catch and loop carry handles.

Height 49cm, Width 46cm, Depth 46cm $500-800

188

A CHINESE PORCELAIN BOWL

Painted with bamboo and rockwork en grisaille, inscription to one side, seal mark to base.

Height 6.5cm, Diameter 11cm $400-600

189

A CHINESE ROSEWOOD SIDE TABLE

Qing Dynasty, late 19th century, the rectangular top with square tapering legs and shaped corner braces.

Height 79.5cm, Width 90cm, Depth 36cm $1,000-1,500

190

TWO SIMILAR CHINESE BAMBOO AND WICKER CONTAINERS AND A RED LACQUERED TRUNK

The containers with removable tops and loop handles, the pig skin trunk with brass hardware. The trunk: Height 39cm, Width 75cm, Depth 56cm $400-600

191

A CHINESE GILT-BRONZE FIGURE OF AMITAYUS

Yongle incised six character mark, the deity seated with legs crossed in dhyanasana, the hands in dhyana mudra, the face with serene expression and downcast eyes wearing an elaborate diadem, the bare torso decorated with beaded jewellery, the long dhoti with a belt around the waist, seated on a double lotus base.

Height 25cm $15,000-18,000

A CHINESE RED LACQUERED FOUR DOOR CABINET

The top and panel doors painted in black and gold with couples at amorous pursuits, the doors opening to reveal drawers and shelves.

Height 86cm, Width 190cm, Depth 46cm

PROVENANCE:

The Oriental Fine Art, Phuket, 2015 (accompanied by a copy of original purchase receipt)

$800-1,200

193

A JAPANESE CLOISONNE VASE

20th century, in the manner of Ando Jubei, of squat ovoid form with a design of flowering prunus on a red ground, silvered rim and foot rim.

Height 22cm, Diameter 30cm

$600-800

194

A CHINESE RED LACQUERED SIDE CABINET

With two doors opening to reveal a shelf, decorated with gold butterflies and lattice work.

Height 76cm, Width 62cm, Depth 33cm

PROVENANCE:

The Oriental Fine Art, Phuket, 2015 (accompanied by a copy of original purchase receipt)

$300-500

195

A CHINESE CLOISONNÉ VASE

Of squat baluster form with gilt-metal cloud scroll handles, decorated with dragons on a black ground with clouds above scrolling waves.

Height 46cm, Diameter 33cm

$300-500

196

A SET OF CHINESE EXPORT LACQUER NESTING TABLES

Each with a shaped top decorated in gold with festival and other scenes within a border of flowers and coins, on turned end supports.

Largest: Height 71cm, Width 56cm, Depth 34cm

$1,800-2,000

197

A CHINESE HARDWOOD TABLE CHEST

The domed rising top above a pair of doors opening to reveal an arrangement of four small and one long drawers, with brass carrying handles and hardware.

Height 32cm, Width 31cm, Depth 22cm

$1,000-1,500

193

195

198

A CHINESE WOOL RUG

Tientsin, first quarter 20th century, with a floral fretwork medallion and spandrels on a blue ground within ivory flowerhead borders, signed to one corner.

177 x 187cm

$500-800

199

AN ANTIQUE CHINESE SIDE CABINET

Qing Dynasty, of architectural form with three flowerhead carved panels above the moulded cupboard doors and three small drawers below.

Height 112cm, Width 112cm, Depth 53cm

PROVENANCE:

C. G. Ma Antiques, 2000 (accompanied by a copy of the certificate)

$2,000-3,000

200

A CHINESE SANCAI GLAZED TERRACOTTA

KENDI

Yuan/Ming Dynasty, of baluster form with conical spout and handle in the form of a coiling dragon.

Height 32.5cm

$800-1,200

201

A CHINESE ASH-GLAZED JAR, GUAN

Western Han Dynasty (202BC-9AD), of spherical form with two animal form ears and bands of incised decoration to the shoulder, the top half of the pot covered in a greenish ash-glaze.

Height 30cm

PROVENANCE:

Qian Long Antiques Art Australia, 2008 (accompanied by a copy of the valuation certificate)

$1,500-2,500

202

A CHINESE CARVED WOODEN HEAD OF A BODHISATTVA

Probably Yuan Dynasty (1279-1368), strikingly carved with a sombre face and downcast eyes, with elaborate crown of foliage and flowers, remnant polychrome decoration.

$4,000-6,000

203

AN INDIAN BLACK STONE RELIEF CARVING OF VISHNU AND LAKSHMI

C.16th century, of stele form carved in high relief with Vishnu and Lakshmi embracing, seated on a double lotus throne, remnant script to the base, mounted on a perspex stand.

$1,500-2,000

204

AN INDIAN BRONZE FIGURE OF MAHISHASURA MARDINI

C.18th century, depicting Durga in her form of Mahishasura Mardini, with many arms carrying attributes, standing in victory over the buffalo demon Mahisha.

$500-700

205

A BURMESE BRONZE FIGURE OF BUDDHA SHAN STATES (1215-1948)

C.18th century, modelled with right hand lowered in bhumisparsha mudra, seated in padmasanaon a triangular stepped plinth, the whole figure with intricate chased details, including an inscription to the reverse of the base.

Height 23.5cm, Width 13cm

$1,000-1,200

206

A BURMESE BRONZE FIGURE OF BUDDHA SHAN STATES (1215-1948)

C.19th century, the right hand lowered in bhumisparsha mudra, seated in padmasana on a stepped triangular plinth base, the whole figure with intricate chased details including an inscription to the reverse of the base.

Height 21cm, Width 14cm

PROVENANCE:

Mark Hoffman, Maine-ly Pawn Antiques, Damariscotta USA

John Graham, Melbourne

$800-1,200

207

A TIBETAN BRONZE FIGURE OF ARHAT ABHEDA

C.17th century and later, seated on a single lotus throne, carrying a stupa in both hands. Together with a copper gau.

$500-700

208

A TIBETAN GILT-BRONZE FIGURE OF SHAKYAMUNI BUDDHA

C.17th century or later, seated in padmasana on a double lotus throne, with right hand in bhumisparsha mudra.

$1,500-2,000

209

A TIBETAN CARVED WOODEN BOOK COVER

C.17th century, carved with a central figure of Buddha surrounded by large Tibetan sanskrit characters, finished with polychrome and gilding.

$500-700

210

A TIBETAN GILT-BRONZE FIGURE OF WHITE TARA

C.19th/20th century, modelled with a five-pointed crown, seated on a double lotus throne.

$500-700

211

A TIBETAN BRONZE VAJRADAKA CENSER C.19th/20th century, the base decorated with animal masks and linked vajras, the lid with Vajradaka seated, holding crossed vajras and with open mouth.

$500-700

212

A TIBETAN GILT-BRONZE FIGURE OF MANJUSHRI C.19th/20th century, seated on a double lotus throne with right hand aloft.

$500-700

213

A TIBETAN FIGURE OF A DEITY IN YAB YUM C.19th/20th century, depicting a three-faced multiarmed wrathful deity in yab yum with his consort, together seated on a double lotus throne.

$500-700

214

A LAOTIAN BRONZE SEATED BUDDHA 17th-18th century, seated in bhumisparsha with downcast eyes and elongated earlobes on a lotus throne, incised inscription to plinth, traces of gilding. Height 39cm

PROVENANCE:

Mossgreen Auctions, February 2013, Lot 98

Aalders Auctions, 15 September 2014, lot 12 $3,000-5,000

Katana and matching Wakizashi blades with quality

Zukuri configuration with carved Horimono of the Buddhist god of fire and anger, Fudou-Myou and sanskrit characters verso. The koshirae comprising a brown-lacquer saya with ensuite Ko-gatana and

wrapped in cream silk, fitted with iron and inlaid gold fuchi-gashira and menuki, and pierced tsuba (guard) with inlaid and applied gold decoration; the Wakizashi blade also of Shobu-zukuri configuration with koshirae of attractive lacquer saya with gold inlaid kozuka, pierced and inlaid tsuba, inlaid fuchigashira and menuki, the hilt wrapped in ray skin

216

A JAPANESE WAKIZASHI KOSHIRAE, EDO PERIOD

Of Shinogi-zukuri form with O-Kissaki and Notare (wavy) Hamon (tempering) pattern, lacquer saya with Chinkin style technique of flowers and diamonds, with ensuite shakudo kozuka blade, the tsuba of iron and inlaid with gold and hilt wrapped in ray skin and cream covered silk, signed Seki Ju Kane ‘X’ (illegible) Saku - Made in Seki by Kane ‘X’. Length 42cm

$3,000-4,000

PROVENANCE:

217

KATSUSHIKA HOKUSAI (1760-1849) The Shrine of Bornfire, Oki Island, 1817 woodblock print, double page trimmed into two parts 19 x 13cm each

Masako dealer $400-600

218

After GOYO HASHIGUCHI (Japanese, 1880-1921) Woman Applying Powder 1918 woodblock, later printed 50 x 43.5cm $400-600

217 pair

218

219

A JAPANESE CLOISONNE BALUSTER VASE 20th century, in the manner of Ando Jubei, the red ground decorated with a flight of cranes, silver rim and foot.

Height 31cm $600-800

220

A JAPANESE CLOISONNE VASE, ANDO STUDIO Taisho (1912-1926) or Showa (1926-1989) Period, of cylindrical form with flared rim, with a design of crocus on a deep blue ground, the rims in chrome, circular Ando mark to base.

Height 32cm $550-750

221

A LARGE JAPANESE KORANSHA PORCELAIN VASE

Meiji Period (1868-1912), of baluster form decorated in enamels with cranes and young pine trees, with brocade design borders, iron red Koransha mark to base.

Height 40.5cm, Diameter 20cm $700-900

CONDITIONS OF BUSINESS / SUMMARY

Special Conditions of Sale – Jewellery

Jewellery and watches offered by Leonard Joel are sometimes accompanied by an Independent valuation as stated in the catalogue. These valuations are conducted by registered valuers and are offered purely as independent opinions. Variation may be found as to the colour, clarity and size of stones described in these reports, consequently Leonard Joel does not guarantee these Independent Valuations. Where stones can be weighed accurately, weights will be provided. Weights of set stones are estimates only and are provided to the best of our technical ability. Gram weight on gold and other precious metals are also given as an approximation. Wristwatches and pocket watches are offered in there current condition and Leonard Joel does not guarantee that they are in working order. Items may be thoroughly inspected during the viewing period or by prior arrangement.

Authenticity Certificates

As various manufacturers may not issue certificates of authenticity, Leonard Joel has no obligation to furnish a buyer with a certificate of authenticity from the manufacturer, except where specifically noted in the catalogue. Unless Leonard Joel is satisfied that it should cancel the sale in accordance with the Limited Warranty provided in the General Conditions of Business, the failure of a manufacturer to issue a certificate will not constitute grounds for cancellation of the sale.

GST

In the event that the vendor is registered for Goods & Services Tax (GST), the invoice to the buyer will provide a separate entry for the GST which is included in the purchase price. All Leonard Joel charges for services referred to in this catalogue are exclusive of GST. Overseas buyers may be entitled to a rebate for GST charged. For further information contact:

Marie McCarthy accounts@leonardjoel.com.au

Admission

Leonard Joel has the right at its sole discretion without assigning any reason therefore to refuse admission to the premises or attendance at any of its sales of any person.

Commission (Absentee) Bids

Leonard Joel will execute absentee bids when instructed. Lots will be bought as cheaply as allowed by other bids and/or reserves.

Telephone Bidding

Buyers interested in bidding by telephone should contact Leonard Joel as soon as possible. Please note that telephone bidding facilities are available on a first-come, first-served basis.

Bidder Registration

To recognise bidders during the sale all intending buyers are required to complete a Bidder Registration Form providing full photo identification and appropriate references if required before the Sale which will enable them to bid by way of a numbered paddle allocated to them.

Buyer’s Premium

There will be a buyer’s premium added to all purchases. The buyer’s premium will be calculated at the rate of 25% of the hammer price on each lot. This is inclusive of GST. The buyer’s premium is reflected by a reduction in the Seller’s Commission and is a common practice throughout Australia and overseas.

Property subject to the Artist Resale Royalty

Lots with the § sign will be subject to payment of the Artist Resale Royalty in the event that the lot is sold for a hammer price of $1,000 or more. The Australian Resale Royalty is a flat rate of 5 percent (5%) levy on the hammer price (including GST). The Australian Resale Royalty is payable by the buyer in addition to the buyer’s premium plus applicable GST.

Damage

Any viewer who damages a lot will be held liable for all damage caused and shall reimburse Leonard Joel for all costs and expenses relating to rectification of such damage.

Title

Leonard Joel guarantees good title to all lots.

Warranties and Condition Reports

Condition reports will be available for any lot upon request, subject to conditions.

Estimates

Estimates are a reflection of Leonard Joel’s opinion of the current market values, based on historic and current market realisations of similar lots. Estimates are inclusive of any GST, which may be applicable. Actual prices at this sale may fall short or exceed the estimates.

Payment

In any event accounts must be settled with Leonard Joel no later than 4pm two days after the auction. Attention is specifically drawn to condition 21 of the Buyer’s Conditions of Sale.

Payment may be made by way of cheque, most credit cards, eftpos or telegraphic transfer.

Please note: payments made by cheque are subject to a 5 day clearance before goods can be collected. Credit card fees may apply.

Bank telegraph transfers should be directed to:

Account name: Leonard Joel Pty Ltd

Address: Westpac Banking Corporation

150 Collins Street, Melbourne VIC 3000 Australia

BSB: 033–364

Account no: 942956

Collection of Lots

Purchased lots must be collected no later than two days after the auction; otherwise lots shall be moved to storage at the Buyer’s expense (see below). Lots are at the Buyer’s risk from the fall of the hammer. It is strongly advised that overseas and interstate purchasers and absentee bidders make their arrangements with Leonard Joel in advance of the Sale. Charges are outlined below and are quoted in Australian dollars.

Removal and Storage

Any lots not collected within two days after the auction, may be stored or resold at the Buyer’s expense.

Removal Charges

Each lot: $55

Storage Charges

Each lot: $33 per day

Protection of Movable Cultural Heritage Act 1986 (PMCH Act)

Buyers should be aware of the PMCH Act which protects Australia’s heritage of movable cultural objects and supports foreign countries’ right to protect their heritage of movable cultural objects. The PMCH Act regulates the export of nationally significant heritage objects, it is not intended to restrict normal and legitimate trade in cultural property,

and does not affect an individual’s right to own or sell objects, within Australia. The PMCH Act was enacted in response to the 1970 UNESCO Convention on the Means of Prohibiting the Illicit Import, Export and Transfer of Ownership of Cultural Property. It is the responsibility of the Buyer to ensure that the export of any lots purchased are not subject to, or in breach of, this Act.

Information about the PMCH Act, the Protection of Movable Cultural Heritage Regulations 1987 and the 1970 UNESCO Convention, can be found on the Department of the Environment, Water, Heritage and the Arts website at: www.environment.gov.au/heritage/movable/index

Exporting Significant Australian Cultural Heritage

The export of Australia’s significant cultural heritage is regulated under the Protection of Movable Cultural Heritage Act 1986 (PMCH Act.) It is not intended to restrict normal and legitimate trade in cultural property and does not affect an individual’s right to own or sell within Australia.

The PMCH Act implements a system of export permits for certain heritage objects defined as ‘Australian protected objects’.

More information is available on the Department of the Environment, Water Heritage and the Arts’ website: www.arts.gov.au/movable_heritage

Enquiries can be made to the Cultural Property Section at the Department of the Environment, Water, Heritage and the Arts, T: 02 6274 1810

E: movable.heritage@environment.gov.au

CITES Regulations

It is the buyer’s sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licences. The refusal of any import or export licences, any delay in obtaining such licences or any limitation on your ability to export a lot shall not permit the cancellation of the sale.

Please note that all lots marked with the symbol * are subject to CITES regulations when exporting these items outside of Australia. Information about these regulations may be found at www.environment.gov.au/biodiversity/trade-use/cites/ index.html or may be requested from:

The Director International Wildlife Trade Department of Sustainability, Environment, Water, Population and Communities GPO Box 787 CANBERRA ACT 2601

For recommended carriers please refer to our website.

Partners:

To be read in conjunction with our General Conditions of Business as displayed during the viewing and auction.

CONTACT A LEONARD JOEL SPECIALIST

Sale Rooms

MELBOURNE

333 Malvern Road, South Yarra, Melbourne VIC 3141

Telephone: (03) 9826 4333

Facsimile: (03) 9826 4544

Interstate: 1800 264 333

SYDNEY

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Telephone: (02) 9362 9045

Facsimile: (03) 9826 4544

Interstate: 1800 264 333

BRISBANE OFFICE

201 Latrobe Terrace, Paddington QLD 4064

Telephone: 0412 997 080

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Telephone: 0419 838 841

PERTH OFFICE

Telephone: 0412 385 555

email: info@leonardjoel.com.au leonardjoel.com.au

CHAIRMAN & HEAD OF IMPORTANT COLLECTIONS

John Albrecht BA LLB MBA

CHIEF EXECUTIVE OFFICER

Marie McCarthy

Leonard Joel Specialists

FINE ART

Olivia Fuller BArtTh, Head of Department

Lucy Foster EMA, Senior Specialist, Fine Art

Hannah Ryan, Specialist

James Stanton, Administrator and Registrar

INDIGENOUS ART

Olivia Fuller BArtTh, Head of Department

Lucy Foster BCA EMA, Senior Specialist

DECORATIVE ARTS

Chiara Curcio BA, Head of Department

David Parsons, Head of Private Estates and Valuations, Decorative Arts Specialist

Trevor Fleming BA, Consultant, Japanese Art

Carl Wantrup, Consultant, Asian Art

Natasha Berlizova, Administrator

SYDNEY

Ronan Sulich, Senior Advisor

Madeleine Norton BFA, BComm, MLitt, Associate Head of Decorative Arts & Art

IMPORTANT JEWELS

Hamish Sharma, Head of Department, Sydney

Lauren Boustridge BSc, AJP, GG (GIA), Senior Specialist

FINE JEWELS & TIMEPIECES

Bethany McGougan F.G.A.A., BA Hons, MSc, Head of Department, Melbourne

Patricia Kontos F.G.A.A., Senior Jewellery Specialist

Indigo Keane, Jewellery & Luxury Manager

Isabella Macciolli, Jewellery & Luxury Assistant

Leila Bakhache, Administrator

Henrietta Maiyah, Consultant

MODERN DESIGN

Rebecca Stormont, Specialist

Paul Nicol, Modern Design Assistant

Anna Grassham BA Contemporary Arts, Consultant

LUXURY

John D’Agata F.G.A.A., Head of Department

PRINTS

Hannah Ryan, Art Specialist

The Auction Salon

FURNITURE

Angus McGougan, Manager

April Chandler, Assistant

JEWELLERY

Indigo Keane, Manager

Isabella Macciolli, Assistant

ART SALON

Amanda North, Manager

Noelle Martin, Assistant

OBJECTS & COLLECTABLES

Dominic Kavanagh MFA, Manager

Kyle Walker, Assistant

VALUATIONS

David Parsons, Head of Private Estates and Valuations, Decorative Arts Specialist

Troy McKenzie, Queensland Representative Specialist

Anthony Hurl, South Australia Representative Specialist

John Brans, Western Australia Representative Specialist

ACCOUNTS

Yue Zhang, Finance Manager

Michelle Draper, Account Manager

Karishma Sareen, Accounts Assistant

CLIENT SERVICES

Kim Clarke, Client Services Manager

Amelia Lewis, Client Services Liaison

Richard Grieve, Client Services Liaison

OPERATIONS & LOGISTICS

Anthony Riepsamen, Manager

Chris Salaoras, Logistics Assistant

MARKETING & COMMUNICATIONS

Blanka Nemeth, Marketing Manager

Lucy Lewis, Database & Marketing Coordinator

PHOTOGRAPHY

Paolo Cappelli, Senior Photographer & Videographer

Nabil Asakly, Photographer

Studio Mondo

GRAPHIC DESIGN

Maria Rossi