Sale 951 | Western Art Including Contemporary Native American by Hindman

WESTERN ART INCLUDING CONTEMPORARY NATIVE AMERICAN 04 NOVEMBER 2021

WESTERN ART INCLUDING CONTEMPORARY NATIVE AMERICAN SALE 951 04 November 2021 10am MT | Denver Lots 300–593 P RO P E R T Y P I C K U P H O U R S Monday - Friday | 9:00am – 4:30pm By appointment only. 303-825-1855 All property must be paid for within seven days and picked up within thirty days per our Conditions of Sale.

All lots in this catalogue with a lower estimate value of $5,000 and above are searched against the Art Loss Register database.

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FRONT COVER Lot 334

DEN 1057930 FL AB3688 GA AU-C003121 IL 444.000521 OH 2019000131 MO STL 102646 © Hindman LLC 2021

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PRO P E R T Y F RO M T H E T R U S T S A N D E S TAT E S O F Richard Altermann, Santa Fe, New Mexico Max and Judith Benton, Prescott, AZ Elizabeth Rockefeller Bowler, as arranged by DeChant Art Consulting J. Mark and Barbara Crump, Elburn, Illinois R. Lawrence Dunworth, Palm Beach, Florida The Solon A. Ellison Revocable Trust, Placitas, New Mexico Mary Lou and Willis McDonald, Cody, Wyoming Mr. and Mrs. John Clifford Parker, Covina, California Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky, offered without reserve Mr. Curt and Dr. Fleur Strand of New York City, New York and Snowmass Village, Colorado Donna Wasserstrom, Carefree, Arizona PRO P E R T Y F RO M T H E C O L L E C T I O N S O F Barbara and Gabe Alovis, Scottsdale, Arizona Homer E. Noble, Denver, Colorado Robert Popa, Chicago, Illinois Michelle Smith, Washington, D.C. Alison Whittaker, Los Gatos, California Stephen Wright, Roscoe, Illinois Paul D. Marcell Bruce and Claire Montgomerie Dr. James Baldwin and Alexis Buchanan, Madison, Wisconsin The Private Collection of Ross Hubbard, Naples, Florida The Private Collection of Steve Wahl, Scottsdale, Arizona The Chadwick Family Collection, New York The Mark and Linda Miller Collection Private Collection, Bloomfield Hills, Michigan Private Collection, Houston, Texas Private Collection, Phoenix, Arizona

PRO P E R T Y F RO M T H E I N S T I T U T I O N S O F Property from the Collection of the Missouri Athletic Club Foundation for the Arts Property from Palm Springs Art Museum. Sold to Support the Care of Collections and the George Montgomery Fund for Acquisitions

OPPO S I TE Lot 434

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WESTERN ART LOTS 3 0 0 - 4 4 8

O P P O S I TE Lot 314

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Homer Edward Noble (1916-2007) After growing up on a small rural sheep ranch in Western Colorado, Homer E. Noble lived a storied life of courage, determination and generosity. As part of the “Greatest Generation,” he joined the Marine Corps during WWII and survived the horrendous battles at Okinawa. His bravery earned both a Purple Heart and Bronze Star. Following the war, Homer’s entrepreneurial spirit soon became apparent as he began a lifetime of investments in land and other natural resources mostly oil, gas, coal and gold. His desire was to see nature protected and land nurtured as demonstrated by his Conservation Easement in Western Colorado. The development of his ranch in Evergreen, Colorado became Soda Creek, large acreage luxury homes west of Denver that left nature undisturbed. While Homer enjoyed many business ventures nothing compared to his love of horses. He grew up with horses and never lost his involvement with them, both riding and later as an owner of choice racehorses. His horses competed at Del Mar, Santa Anita, Belmont and, most notably in the Kentucky Derby where his horse “Rumbo” placed second in 1980. But quite fortuitously, he became a connoisseur of fine art, particularly art with horses. His impressive collection included that of major American artists as well as pre-Columbian art and a significant array of bronze sculptures. Along with his wife Stephanie, Homer had an eye for high quality pieces, many of which now comprise the selections shown in this offering. Many featured lots within this sale, including View of Mount Zion by Thomas Moran (lot 314), Indian Scout and Horse, Illustrated Letter by Charles Marion Russell (lot 397) and the selection of works by Randall Davey (lots 352-354 and 356-358) come from Mr. Noble’s distinguished collection. His eclectic interests could be seen in his large personal library ranging from history and biography to nature and, of course, horses. He had lived such an interesting life and had met so many unusual people that he had an inexhaustible treasure trove of stories to tell, much to the delight of his friends and family. For those persons who had the good fortune to know Homer E. Noble, he was unforgettable and is greatly missed.

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300

301

300

301

Laurence Sisson

Merrill Mahaffey

Property from the Collection of Paul D. Marcell

$1,000 - 2,000

(American, 1928-2015) Study for Crown Jewels oil on board signed L. Sisson (lower right) 20 x 30 inches

(American, b. 1937) Canyon Temples watercolor on paper signed Merrill Mahaffey and titled (lower edge) 28 x 38 inches

$1,500 - 2,500 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

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304

Merrill Mahaffey

James Swinnerton

Gunnar Mauritz Widforss

$5,000 - 7,000

Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky

Provenance: Spanierman Gallery, New York, New York

(American, b. 1937) Morning Redwalls, 2000 acrylic on canvas signed Merrill Mahaffey (lower left) 76 x 72 inches

(American, 1875-1974) Desert Dusk oil on canvas signed Swinnerton (lower right) 36 x 30 inches

(American, 1879-1934) Canyon Walls in the Sunlight, 1922 watercolor signed Widforss and dated (lower right) 17 x 13 1/2 inches

$8,000 - 12,000 $5,000 - 7,000

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305

Robert Wood

(American, 1889-1979) Colorado Grandeur oil on canvas signed Robert Wood (lower right) 28 x 36 inches 305

$2,000 - 4,000

306

Jim Wilcox

(American, b. 1941) Elk Refuge Butte oil on canvas signed Jim Wilcox (lower right) 16 x 20 inches Provenance: Altermann Galleries and Auctioneers, Santa Fe, New Mexico $800 - 1,200 306

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307

John W. Hilton

(American, 1904-1983) Sand Dune Contrasts, 1955 oil on masonite signed John W. Hilton and dated (lower right) 16 x 20 inches Property from Palm Springs Art Museum. Sold to Support the Care of Collections and the George Montgomery Fund for Acquisitions Provenance: Gift of the Estate of Dr. Arthur Albert Woodward to Palm Springs Art Museum $700 - 900 307

308

John W. Hilton

(American, 1904-1983) Desert Landscape, 1945 oil on canvas 30 x 40 inches Property from Palm Springs Art Museum. Sold to Support the Care of Collections and the George Montgomery Fund for Acquisitions Provenance: Gift of Michael Miller and Chris Shaver to Palm Springs Art Museum $1,000 - 2,000 308

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Fred Grayson Sayre

(American, 1879-1939) In the Castle Dome Mountains oil on canvas signed F. Grayson Sayre (lower left) 20 x 24 inches Property from the Estate of Mr. and Mrs. John Clifford Parker, Covina, California $2,000 - 4,000 309

310

Jim Wilcox

(American, b. 1941) Mt. Moran from Oxbow Bend oil on board signed Jim Wilcox (lower right) 20 x 30 inches Property from the Estate of Richard Altermann, Santa Fe, New Mexico $2,000 - 4,000 310

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Sydney Mortimer Laurence

(American, 1865-1940) The Incoming Tide, 1924 oil on canvas signed Sydney Laurence and dated (lower right) 13 x 26 inches Property from Palm Springs Art Museum. Sold to Support the Care of Collections and the George Montgomery Fund for Acquisitions Provenance: Gift of the George Montgomery Trust to Palm Springs Art Museum $5,000 - 7,000

312

Sydney Mortimer Laurence (American, 1865-1940) A Late Lunch, Juneau oil on canvas signed Sydney Laurence (lower left) 20 x 16 inches

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312

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Sydney Mortimer Laurence

(American, 1865-1940) Mount McKinley from the South Side, 1920 oil on canvas signed Sydney Laurence (lower left) 20 x 16 inches Property from Palm Springs Art Museum. Sold to Support the Care of Collections and the George Montgomery Fund for Acquisitions Provenance: Gift of the George Montgomery Trust to Palm Springs Art Museum

GEORGE MONTGOMERY Important works, such as Mount McKinley from the South Side, were originally a part of the collection of Hollywood Western film actor, producer and director George Montgomery and are being sold to support the care of collections and acquisitions funds of Palm Springs Art Museum. Montgomery was born near Great Falls, Montana and was well known for his work as a rugged cowboy or ranch hand in over 80 Western films and television programs in the 1930s through the 1970s. His early film credits include, Davey Crockett, Indian Scout (1950), The Texas Rangers (1951), Jack McCall Desperado (1953), and Gun Dual in Durango (1957). He went on to appear in numerous television shows including episodes of Wagon Train, Bonanza and the Six Million Dollar Man. As a Western renaissance man, George Montgomery was a skilled wood worker and later expanded his artistic interest to include bronze work. He was self-taught and sculpted upwards of 50 bronze sculptures of subjects such as his friends and colleagues John Wayne, Clint Eastwood, Gene Autry and Ronald Reagan.

Lot note: Inscription on verso reads, Property of George Montomery 1982 $15,000 - 25,000

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Thomas Moran visited Zion, then in the Utah Territory, only once, in July, 1873, while on his way to join John Wesley Powell’s U.S. Geological Survey Expedition to the Grand Canyon. The artist would travel to and paint the Grand Canyon many times, often annually, but Zion was somewhat off the beaten path and not as readily accessible by train. Still, scenes from Zion in watercolor and oil punctuate Moran’s entire career. Moran’s onsite sketches and small watercolors of the Kolob and Zion Canyons, and photographs taken by expedition photographer John K. Hillers proved an ongoing wellspring of inspiration for the artist. It is as if Zion, for Moran, was at once a place and a kind of unfinished canvas in a recurring dream, one on which Moran could project and paint an inner vision, a dreamscape, as it were, of a remote, otherworldly West.

314

Thomas Moran

(American, 1837-1926) View of Zion, 1919 oil on canvas signed T. Moran and dated (lower right) 10 x 14 inches Property from the Collection of Homer E. Noble, Denver, Colorado Provenance: Saks Galleries, Denver, Colorado This painting will be included in Phyllis Braff, Melissa Speidel Webster and Stephen Good’s forthcoming catalogue raisonne of the artist’s works. $100,000 - 200,000

Under the influence of two giants of British art, painter J.M.W. Turner and philosopher and art critic John Ruskin, Moran never strove for fidelity to the scene in his landscapes. Echoing Turner and Ruskin, Moran averred, “I place no value on literal transcripts from Nature. My general scope is not realistic; all my tendencies are toward idealization… Topography in art is valueless.” Instead, from his earliest sketches in Utah—and everywhere else—Moran sought poetic interpretations. If poetry required the amendment or rearrangement of elements in the natural world, so be it. Art above all. Nevertheless, Moran’s interpretations were—and remain—crucial in the drive to capture the popular imagination of the West. With his engravings in periodicals of the day and the unparalleled Prang lithographs, one can ask, in all seriousness, “Would there be a National Park System without Thomas Moran’s visions of wilderness?” Zion became Zion National Park, Utah’s first, in 1919. It was timely, and perhaps only natural, that Thomas Moran would paint View of Zion, 1919 to remember his time there and commemorate the occasion. Aspects of many of his earlier renderings of Zion appear in the painting. The geological formation right of center recalls Moran’s watercolor, Coburn’s Butte, South Utah, 1873, while its shape and the river snaking at its foot harkens back to an 1874 Utah watercolor, Valley of Babbling Waters. The brume from the 1892 painting Mist in Kanab Canyon softens Moran’s palette and the oncoming storm at left and the shadows it casts hint at the drama of the monumental Grand Canyon canvases. It is as if, just as those first sketches became paintings, those first paintings, in their turn, furnished the reference material for his aesthetic imagination in subsequent works. Paintings, rather than place, begat paintings. Once Zion becomes Thomas Moran’s Zion, a place filtered through his art, it becomes its own Zion to anyone and everyone who visits the park. You might say Moran’s Zion becomes America’s Zion. View of Zion, 1919, painted just as place became park, is, however, unpeopled and all but devoid of vegetation save for the suggestion of mossiness in the shallow hill at right. Moran had once said, “Southern Utah is where Nature reveals herself in all her tumultuous and awe-inspiring grandeur…” one that “is worth going a long distance to see.” View of Zion, 1919 emerges, in the end, as a temptation to adventurous spirits, to a place that is both geographic and geological and yet, beyond geography and geology, a place in the mind’s eye when we are far from the wilderness, calling out to us, “Ollie ollie oxenfree, if you dare you might find me…” - James D. Balestrieri

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John W. Hilton

(American, 1904-1983) A Touch of Spring - Indio Mountain, 1949 oil on canvas signed John W. Hilton and dated (lower right) 30 x 40 inches Property from Palm Springs Art Museum. Sold to Support the Care of Collections and the George Montgomery Fund for Acquisitions Provenance: Gift of the Christiansen Collection of 20th Century California Art to Palm Springs Art Museum $1,000 - 2,000 315

316

John W. Hilton

(American, 1904-1983) Tahquitz Canyon, 1958 oil on canvas signed John W. Hilton and dated (lower right) 24 x 30 inches Property from Palm Springs Art Museum. Sold to Support the Care of Collections and the George Montgomery Fund for Acquisitions

316

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Exhibited: Prescott’s Phippen Museum of Western Art, Prescott, Arizona, August - November, 1993 $800 - 1,200

317

Frank Tenney Johnson

(American, 1874-1939) The Primrose Ranch, 1932 oil on board signed F. Tenney Johnson and dated (lower left) 12 x 16 inches Property from Palm Springs Art Museum. Sold to Support the Care of Collections and the George Montgomery Fund for Acquisitions Provenance: Gift of the George Montgomery Trust to Palm Springs Art Museum Lot note: Inscription on verso reads, Property of Georg Montgomery 1978- present 82 $2,000 - 3,000 317

318

Henry A. Elkins (American, 1847-1884) Yosemite oil on canvas 23 x 35 inches $3,000 - 5,000 318

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319

Oleg Stavrowsky

(American, 1927-2020) Cowboys on Trailride in Mountains oil on canvas signed Oleg Stavrowsky (lower right) 36 x 60 inches Property from a Private Collection, Phoenix, Arizona $6,000 - 8,000 319

320

Oleg Stavrowsky

(American, 1927-2020) Taking a Break oil on canvas signed Oleg Savrowsky (lower right) 36 x 60 inches Property from a Private Collection, Phoenix, Arizona $6,000 - 8,000 320

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Oleg Stavrowsky

(American, 1927-2020) Stagecoach in a Snowy Canyon oil on canvas 36 x 54 inches Property from a Private Collection, Phoenix, Arizona $6,000 - 8,000 321 20

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Alfred von Wierusz Kowalski (Polish, 1849-1915) Return from the Hunt, 1876 oil on panel signed Alfred Wierusz Kowalski (lower right) 12 x 14 inches

Property from Palm Springs Art Museum. Sold to Support the Care of Collections and the George Montgomery Fund for Acquisitions Provenance: Gift of the George Montgomery Trust to Palm Springs Art Museum Lot Note: This painting is inscribed on the verso, From my collection, George Montgomery, purchased for me by my wife “Dinah” on our 1st wedding anniversary, 1944. George Montgomery was married to Dinah Shore, the American singer, actress and television personality, from 1943 until 1963. Born Frances Rose Shore, she did embrace the stage name Dinah until 1940, accounting for the quotations on the inscription.

Known for their realism, painterly brushwork and use of dramatic chiaroscuro, the Munich School was a highly regarded group of artists in late 19th century Europe. Associated with the Royal Academy of Fine Arts of Munich, the art that emerged from this association of painters depicted scenes of landscapes, history, battle and everyday life with drama and intricate detail. Alfred Wierusz Kowalski (Polish, 1849-1915) was perhaps the most popular Polish artist of this group. Born in Suwalki, Poland, the pastoral setting of much of Kowalski’s oeuvre was inspired more by the scenery of his childhood than by his environs in Germany. However, his choice of subject matter – hunting, traveling, horse riding – along with his bold brushwork, emotional compositions and attentiveness to detail made him a success amongst collectors and critics alike. Kowalski’s skill earned him exhibitions in Munich, Berlin, Dresden, Paris and Vienna, as well as an honorary position at the Royal Academy. At first glance, Return from the Hunt is a rather simple scene, with a hunter on horseback accompanied by his two loyal dogs. However, upon closer inspection, the scene becomes a bit more dramatic. Situated in a desolate landscape, the hunter stares ahead with a look of sheer defeat, as if he has been totally drained from his efforts. His face is deeply saddened, his eyes sunken, his expression dazed; even his horse appears exhausted. One small fox is his only bounty from a long, cold day on the hunt. In the background, his companion, or perhaps his competition, appears to have had even less luck. The composition – his choices in color palette, the arrangement and realism of the figures as well as detailed facial expression on the hunter – turns an everyday scene of pastoral life into a possibility of a more dismal scene. Return from the Hunt demonstrates the aesthetics of the Munich School through a scene that may have been pulled directly from Kowalski’s childhood in Poland. As a viewer we can never know exactly what happened on that hunt. Kowalski’s skillful artistry, however, gives us just enough information to understand that there is more to the scene than what meets the eye.

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323

Sydney Mortimer Laurence (American, 1865-1940) Camp on the Winter Trail oil on canvas signed Sydney Laurence (lower right) 20 x 16 inches

324

R. Brownell McGrew

(American, 1916-1994) Bend in the Canyon oil on board signed R. Brownell McGrew (lower right) 18 x 26 inches Property from a Private Collection, Phoenix, Arizona $2,000 - 3,000 324

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Philip Russell Goodwin

(American, 1881-1935) Successful Sheep Hunt oil on canvas signed Philip R. Goodwin (lower right) 40 x 21 inches $50,000 - 70,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

327

Bob Scriver

(American, 1914-1999) Mounted Trapper, edition 23/35, 1975 bronze signed Bob Scriver, titled, numbered and dated (base) height 10 3/4 x length 9 3/4 x width 4 inches Property from a Private Collection, Phoenix, Arizona $800 - 1,200

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328

Edmund Henry Osthaus (American, 1858-1928) Scene with Sporting Dogs oil on canvas laid to masonite signed Edm. H. Osthaus (lower left) 24 x 42 inches $20,000 - 30,000

329

David A. Maass

(American, b. 1929) Untitled (Redheads in Marsh) oil on masonite signed Maass (lower left) 26 x 42 inches Property from the Collection of Stephen Wright, Roscoe, Illinois $3,000 - 5,000 329

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330

Scott Christensen

(American, b. 1962) Sleeping Indian (Late October), 1990 oil on canvas signed Christensen (lower right) 9 x 12 inches Provenance: Trailside Gallery, Jackson, Wyoming $800 - 1,200 330

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Philip Blacker

(American, b. 1949) Pair, American Bison, edition 1/9, 1997 bronze each signed PB, dated and numbered (base) each 10 3/4 x length 14 x depth 10 1/2 inches $2,000 - 3,000

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David Manuel

(American, b. 1940) Bank Robbers, Artist’s Proof 1/8, 1996 bronze signed David Manuel, titled, dated and numbered (base) height 26 x length 28 1/2 x width 16 inches $1,500 - 2,500

333

Jonathan Kenworthy

(British, b. 1943) Antelope, edition 5/5, 1965 bronze signed Kenworthy, numbered and dated (base) height 8 3/4 x length 11 1/4 x width 4 inches 333

$1,500 - 2,500

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Widely recognized as the premier painter of North American wildlife, Carl Rungius was born in Germany in 1869 and classically trained at the Royal Academy of Arts in Berlin. At the Academy, he specialized in animal art, often sketching inhabitants at the zoo. Rungius first traveled to the United States in 1894 to accompany his uncle on a Maine moose hunt. After the hunt, he decided to remain in the States. He soon found the opportunity to travel to Wyoming’s fabled Wind River Range in 1895.

334

Carl Clemens Moritz Rungius (American, 1869-1959) Mountain Caribou oil on canvas signed C. Rungius (lower right) 30 x 40 inches

Rungius was amazed at the beauty of the rugged range and at the abundance of wildlife. Over the next fifteen years, he visited the Winds repeatedly in the summer and fall to explore, hunt, and sketch. Winters were spent in New York City, where he created finished canvases using an increasingly large collection of field studies and research material generated during his annual excursions. In New York, Rungius met leading figures in the burgeoning world of conservation, including Theodore Roosevelt and William Temple Hornaday, head of the New York Zoological Society. These luminaries lauded Rungius’s unparalleled talent and helped him create valuable connections that would lead him even farther into the field. One such connection was naturalist Charles Sheldon, who invited Rungius on a four-month long expedition to the Yukon in 1904. In the Yukon, Rungius saw multiple caribou in the wild. He saw even more caribou after 1910, when he started traveling to Banff, in Alberta, Canada, for the summer and fall seasons. At this point, caribou begin to appear regularly in his work. Banff became a second home to Rungius, where he eventually built a house and studio, dubbed The Paintbox. He returned to Banff almost every year until his death in 1959. In Carl Rungius: Painter of the Western Wilderness, authors Jon Whyte and E. J. Hart noted that Sheldon said, “Caribou are pigs!” meaning they were not the most exciting game to hunt. However, Rungius appreciated their intricate antlers and bold coloration, finding them perfect subjects to paint. Mountain Caribou shows Rungius’s strong sense of design coupled with his knowledge of anatomy born of years of experience in the field. Mountain Caribou, as a species, prefer forested areas and once ranged into Washington and Idaho, but now exist mainly north of the Canadian border. In this painting, Rungius sets the caribou in a clearing amidst a beautiful pine forest, an apt depiction of their habitat. He adds a few boulders in the foreground, one of his signature elements. Misty mountains in the background complete the picture. - Adam Duncan Harris, Ph.D. Grainger/Kerr of the Carl Rungius Catalogue Raisonné, an Independent Project of the National Museum of Wildlife Art

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Andrew Douglas

(British, 1871-1935) Crofters Cattle oil on board signed Andrew Douglas (lower left) 13 x 19 inches Property from Palm Springs Art Museum. Sold to Support the Care of Collections and the George Montgomery Fund for Acquisitions Provenance: Gift of the George Montgomery Trust to Palm Springs Art Museum $400 - 600 335

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Andrew Douglas

(British, 1871-1935) Cropers Cattle oil on board signed Andrew Douglas, dated and inscribed illegibly (verso) 11 x 14 inches Property from Palm Springs Art Museum. Sold to Support the Care of Collections and the George Montgomery Fund for Acquisitions Provenance: Gift of the George Montgomery Trust to Palm Springs Art Museum $400 - 600 336

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Walt Gonske

(American, b. 1942) Ranchitos Farm oil on canvas signed Gonske (lower right) 18 x 24 inches Property from the Collection of Dr. James Baldwin and Alexis Buchanan, Madison, Wisconsin Provenance: Fenn Galleries, Santa Fe, New Mexico $2,000 - 4,000 337

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338

Robert Daughters

(American, 1929-2013) Dixon Back Trail oil on canvas signed R. Daughters (lower left) 22 x 28 inches $7,000 - 9,000 338

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Peter Hurd

(American, 1904-1984) Mountain Stream watercolor on paper signed Peter Hurd (lower right) 21 x 29 inches Property from the Collection of Alison Whittaker, Los Gatos, California $7,000 - 9,000 339

340

Roy Kerswill

(American, 1925-2002) Mountainside Prospector , 1992 oil on canvas signed Kerswill and dated (lower left) 30 x 40 Property from a Private Collection, Phoenix, Arizona $800 - 1,200 340 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

341

Jason Rich

(American, b. 1970) Wyoming Packer, 2004 oil on canvas board signed J. Rich (lower right) 24 x 36 inches Provenance: C.M. Russell Auction, 2005, Lot 261 $6,000 - 8,000 341

342

Joseph Beeler

(American, 1931-2006) Man Standing with Barrel, edition 6/50 bronze signed Joe Beeler and numbered (base) height 19 x width 9 x depth 7 1/2 inches $1,000 - 2,000 342

343

Americo Makk

(Hungarian/American, 1927-2015) Golden Station oil on canvas signed Americo Makk (lower right) 30 x 40 inches 343 32

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$1,500 - 2,500

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Oleg Stavrowsky

Sherry Blanchard Stuart

Property from a Private Collection, Bloomfield Hills, Michigan

$2,000 - 3,000

(American, 1927-2020) A Rough Fight on Cat Mountain oil on canvas signed Oleg Stavrowsky (lower right) 34 x 72 inches

(American, b. 1941) Friendly Encounter oil on linen signed S. Blanchard Stuart (lower right) 24 x 48 inches

$10,000 - 15,000

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Sherry Blanchard Stuart

(American, b. 1941) Texas Rangers oil on canvas signed S. Blanchard Stuart (lower right) 32 x 48 inches $2,000 - 3,000 346

347

Mort Künstler

(American, b. 1931) Caught Red Handed, 1973 oil on board signed M. Künstler and dated (lower left) 26 x 46 inches Property from the Collection of Homer E. Noble, Denver, Colorado Provenance: Maxwell Galleries, San Francisco, California $4,000 - 6,000 347

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348

John Young Hunter

(Scottish/American, 1874-1955) Old Santa Fe Trail oil on board 26 x 48 inches Framed dimensions: 31 1/2 x 53 1/2 inches $1,500 - 2,500 348

349

Raphael Lillywhite

(American, 1891-1958) The Range Beyond the Skies signed R. Lillywhite (lower left) 10 x 12 inches Property from the Collection of Homer E. Noble, Denver, Colorado $1,000 - 2,000 349

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350

J. Shirly Bothum

(American, 1937-2003) Ghost Riders in The Sky, edition 11/15 bronze signed J. Shirly Bothum, titled and numbered (base) height 22 x length 39 1/2 x width 15 inches

350

Property from the Collection of Homer E. Noble, Denver, Colorado $1,000 - 2,000

351

Maynard Dixon (American, 1875-1946) Strong Hold pen and ink on paper signed M.D. (lower left) 12 x 10 3/4 inches

Property from the Estate of Richard Altermann, Santa Fe, New Mexico $2,000 - 4,000 351 36

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RANDALL DAVEY A protege of Robert Henri and the New York Ashcan School, Randall Davey’s work came to prominence in the 1913 Armory Show that made great modernist waves in the United States. At Henri’s urging, in 1919 Davey, along with painter John Sloan and their wives, took a drive from New York to Santa Fe. Davey was so taken with the people and landscape of New Mexico that he bought an old mill which became his home and base of operations throughout his career. Less well known is Davey’s enthusiasm for horses, horse racing, and polo—and his paintings in the genre. In 1910, Davey traveled extensively in Europe with Henri and this trip may well have provided the source material for Rearing Horse Cheltenham, which depicts a moment at the famous British racecourse, and Longchamps, Before the Races, in which an intense spectator looks back at the viewer while jockeys, trainers, and horses prepare for a day at the races at the celebrated Paris course. In 1924, and for six summers thereafter, Davey taught at the Broadmoor Art Academy in Colorado Springs, bringing the Ashcan aesthetic, in which color harmonizes in a musical manner, to Colorado’s painters. At the same time, Davey enjoyed the resort atmosphere of the Broadmoor and Colorado Springs and often played polo with Spencer Penrose, a mining magnate and philanthropist who had donated his residence in order to provide the Broadmoor Art Academy with a home. Girls at the Races and Girls on the Beach show the artist’s aesthetic at work. Color and light harmonize and link elements in the works. Strong paint movement and kinetic brushwork move the viewer’s eye, allowing Davey to eliminate unnecessary detail and impart a sense of motion to the works. Davey places us at the scene, in the scene. We notice his compositions even as he does, almost by accident. In Girls at the Races, for example, the fence bisects—almost exactly—the shallow foreground, where the three women stand—one might say, pose—from the course, where horses and jockeys mill about. White sunlight on the woman at center transforms her into a classical alabaster bust, a figure of mythical desire. All three seem to want to be noticed, but all eyes, other than ours, are on the track. Rearing Horse Cheltenham, on the other hand, contrasts the inner wildness of the horse with the rituals, traditions, and fashions of the sport. Davey seems to suggest that culture cannot entirely tame nature. The unexpected is to be expected on the racecourse—and that is part of the thrill. - James D. Balestrieri

352

Randall Davey

(American, 1887-1964) Jockey’s Girl, 1950 watercolor on paper signed Randall Davey (lower left) 18 1/2 x 11 1/2 inches Property from the Collection of Homer E. Noble, Denver, Colorado Exhibited: Salt Lake City, Utah, University of Utah, Utah Museum of Fine Arts, Randall Davey Retrospective, November - January, 1974 (This exhibition traveled on to Tucson, Arizona, The University of Arizona, September - October, 1974) Rhode Island School of Design Museum Sold: Christies, Manson & Woods, Randall Davey: 100 Works, Auction to Benefit the Audubon Randall Davey Center, Santa Fe, New Mexico, Lot 60, 1985 Acquired directly from the above sale by the present owner $1,500 - 2,500 352 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

353

Randall Davey

(American, 1887-1964) Saddling pastel on paper signed Randall Davey (lower right) 22 x 28 inches Property from the Collection of Homer E. Noble, Denver, Colorado Sold: Christies, Manson & Woods, Randall Davey: 100 Works, Auction to Benefit the Audobon Randall Davey Center, Santa Fe, New Mexico, Lot 59,1985. Acquired directly from the above sale by the present owner $1,500 - 2,500

354

Randall Davey 353

(American, 1887-1964) Rearing Horse, Cheltenham, England, circa 1934-35 oil on board signed Randall Davey (lower right) 20 x 30 inches Property from the Collection of Homer E. Noble, Denver, Colorado Provenance: Collection of the National Audubon Society

354

Exhibited: New York, Feragil Galleries, Randall Davey, April May, 1933, no. 11 New York, C.W. Kraushaar Art Galleries, Paintings and Pastels by Randall Davey, April - May, 1938, no. 9 Santa Fe, Museum of Fine Arts, Randall Davey, Artist/Bon Vivant, A Retrospective Exhibition, December - January, 1985, no. 10 (This exhibition traveled on to Midland, Texas, Museum of the Southwest, January - March, 1985; Louisville, Kentucky, J.B. Speed Art Museum, March - May, 1985) Salt Lake City, Utah, University of Utah, Utah Museum of Fine Arts, Randall Davey Retrospective, November - January, 1974 (This exhibition traveled on to Tucson, Arizona, The University of Arizona, September - October, 1974) Rhode Island School of Design Museum Sold: Christies, Manson & Woods, Randall Davey: 100 Works, Auction to Benefit the Audubon Randall Davey Center, Santa Fe, New Mexico, Lot 14, 1985 Acquired directly from the above sale by the present owner $3,000 - 5,000

355

Oleg Stavrowsky

(American, 1927-2020) Affirmed & Steve Cauthen oil on canvas signed Oleg Stavrowsky (lower right) 30 x 40 inches Property from a Private Collection, Phoenix, Arizona $2,000 - 4,000 38

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355

356

Randall Davey

(American, 1887-1964) Woman at the Races, 1957 oil on board signed Randall Davey (lower left) 35 1/4 x 27 inches Property from the Collection of Homer E. Noble, Denver, Colorado Exhibited: Santa Fe, New Mexico Fine Arts Museum, Randall Davey, May, 1963 Santa Fe, The Jamison Galleries, Randall Davey, October, 1977 Santa Fe, Museum of Fine Arts, Randall Davey, Artist/Bon Vivant: A Retrospective Exhibition, December - January 1985, no. 29, illustrated. (This exhibition traveled on to Midland, Texas, Museum of the Southwest, January - March, 1985; Louisville, Kentucky, J.B. Speed Art Museum, March - May 1985)

356

357

Sold: Christies, Manson & Woods, Randall Davey: 100 Works, Auction to Benefit the Audubon Randall Davey Center, Santa Fe, New Mexico, Lot 55, 1985. Acquired directly from the above sale by the present owner $3,000 - 5,000

357

Randall Davey

(American, 1887-1964) Girls at the Races encaustic on board signed Randall Davey (lower right) 32 x 22 inches Property from the Collection of Homer E. Noble, Denver, Colorado Sold: Christies, Manson & Woods, Randall Davey: 100 Works, Auction to Benefit the Audubon Randall Davey Center, Santa Fe, New Mexico, Lot 84, 1985 Acquired directly from the above sale by the present owner $3,000 - 5,000

358 358

Randall Davey

(American, 1887-1964) Girls on the Beach, circa 1956-57 encaustic on board signed Randall Davey (lower right) 23 x 30 inches Property from the Collection of Homer E. Noble, Denver, Colorado Exhibited: Salt Lake City, Utah, University of Utah, Utah Museum of Fine Arts, Randall Davey Retrospective, November - January, 1974 (Exhibition traveled on to Tucson, Arizona, The University of Arizona, September - October, 1974) $3,000 - 5,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

359

Mian Situ

(Chinese, b. 1953) The Lantern Peddler, 1905 oil on canvas signed Mian Situ (lower right) 50 x 40 inches Property from the Estate of Richard Altermann, Santa Fe, New Mexico $30,000 - 50,000 359

*360

Ben Turner

(American, 1912-1966) New Mexico oil on canvas signed Ben Turner (lower left) 22 x 30 inches Property from the Collection of Alison Whittaker, Los Gatos, California $2,000 - 4,000 360

361

Jozef Bakos

(American, 1891-1977) Santa Fe House, 1960 oil on board signed Bakos and dated (lower right) 23 x 24 inches Property from the Estate of Richard Altermann, Santa Fe, New Mexico 361 40

$2,000 - 3,000

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362

*362

Peter Hurd

(American, 1904-1984) Apple Tree watercolor on paper signed Peter Hurd (lower left) 22 x 29 inches Property from the Collection of Alison Whittaker, Los Gatos, California $7,000 - 9,000

363

Robert Moore

(American, b. 1957) Reflections oil on canvas signed R. Moore (lower left) 36 x 24 inches Provenance: Broadmoor Galleries, Colorado Springs, Colorado $3,000 - 5,000 363

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

364

Fremont Ellis

(American, 1897-1985) High Country - El Rancho De San Sebastian oil on canvas signed Fremont Ellis (lower left) 24 x 30 inches Lot Note: This painting is framed in a NewcombMacklin frame. $10,000 - 15,000

*365

Porfirio Salinas

(American, 1910-1973) Salinas Cactus oil on board signed Salinas (lower right) 16 x 12 inches Property from the Collection of Robert Popa, Chicago, Illinois 365

$5,000 - 7,000

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366

Thomas deDecker

(American, b. 1951) The Sun’s Empowering Beauty oil on panel signed Thomas deDecker (lower left) 36 x 36 inches $3,000 - 5,000 366

367

Thomas deDecker

(American, b. 1951) End of a Serene Day oil on panel signed Thomas deDecker (lower left) 30 x 40 inches $3,000 - 5,000 367 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

368

369

368

William Sharles

(American, b. 1940) Iris Vase, Test Proof, 1992 bronze signed Sharles, numbered T/45 and dated (verso) height 18 1/2 x width 10 x depth 11 inches $800 - 1,200

369

Terry DeLapp (American, b. 1934) Nightshade acrylic on canvas 20 x 16 inches

Provenance: George Stern Fine Art Gallery, West Hollywood, California $800 - 1,200

370

Barry Eisenach

370

(American, b. 1952) Bow Fisher, edition 9/20 bronze signed Eisenach and numbered (base) height 30 x width 22 1/2 x depth 19 inches $3,000 - 5,000

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371

372

*371

Walt Gonske

(American, b. 1942) From the Day’s Catch oil on canvas signed Gonske (upper right) 11 x 14 inches Property from the Collection of Dr. James Baldwin and Alexis Buchanan, Madison, Wisconsin $1,000 - 2,000

*372

William Acheff

(American, b. 1947) Apple and Pear oil on canvas signed Wm. Acheff (lower right) 6 x 8 inches Property from the Collection of Dr. James Baldwin and Alexis Buchanan, Madison, Wisconsin Provenance: Fenn Galleries, Santa Fe, New Mexico $2,000 - 4,000

373

William Acheff

(American, b. 1947) Deer Hunter, 2000 oil on canvas signed Wm. Acheff and dated (lower right) 16 x 11 inches Property from the Estate of Richard Altermann, Santa Fe, New Mexico $5,000 - 7,000 373 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

374

Gayle Nason

(American, b. 1949) Mimbres Designs oil on board signed Gayle Nason (lower right) 24 x 18 inches $800 - 1,200 374

375

Gene Kloss

(American, 1903-1996) South House - Taos Pueblo etching signed Gene Kloss (lower right) and titled (lower left) 6 1/2 x 8 1/2 inches Property from the Estate of Richard Altermann, Santa Fe, New Mexico $1,500 - 2,500 375

376

Gene Kloss

(American, 1903-1996) Eve of the Green Corn Ceremony - Domingo Pueblo dry point and aquatint signed Gene Kloss (lower right) and titled (lower left) 14 x 11 inches Property from the Estate of Richard Altermann, Santa Fe, New Mexico Provenance: Zaplin Lampert Gallery, Santa Fe, New Mexico $2,000 - 3,000 376 46

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377

Frank Reed Whiteside

(American, 1867-1929) Hopi Snake Dance watercolor on paper signed Frank Reed Whiteside (lower right) 14 x 20 inches $1,000 - 2,000 377

378

Curt Walters

(American, b. 1950) White House Ruins - Canyon De Chelley oil on canvas signed Curt Walters (lower left) 22 x 28 inches $2,000 - 3,000 378

379

Nicholas Coleman

(American, b. 1978) Echoes from the Sage oil on canvas signed Nicholas Coleman (lower right) 30 x 40 inches Property from the Estate of Richard Altermann, Santa Fe, New Mexico $4,000 - 6,000 379 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

380

Dave McGary

(American, 1958-2013) Battle at Bear Paw, edition 2/40 , 1998 bronze signed Dave McGary, numbered and dated (base) height 23 x width 14 x depth 7 inches Property from the Estate of Elizabeth Rockefeller Bowler as Arranged by DeChant Art Consulting $6,000 - 8,000 381

Dave McGary

(American, 1958-2013) War Deeds, edition 27/80, 1990 bronze signed Dave McGary, numbered and dated (base) height 22 x width 13 1/2 x depth 5 1/4 inches $4,000 - 6,000

382

Dave McGary

(American, 1958-2013) Chief Washakie, Artists Cast II/50, 1999 bronze signed Dave McGary, numbered and dated (base) height 29 3/4 x width 17 1/2 x depth 11 inches $6,000 - 8,000 48

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383

Chuck Ren

(American, 1941-1995) Praying for the White Buffalo, 1991 oil on canvas signed Ren and dated (lower right) 30 x 45 inches Property from the Estate of Richard Altermann, Santa Fe, New Mexico $6,000 - 8,000 383

384

John DeMott

(American, b. 1954) Indian Brave, 1999 oil on canvas signed DeMott and dated (lower left) 36 x 24 inches Provenance: Broadmoor Galleries, Colorado Springs, Colorado $3,000 - 5,000 384 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

385

Krystii Melanie

(American, b. 1963) Dry Moccasins, 2009 oil on canvas signed Krystii Melaine (lower right) 36 x 24 inches

386

$3,000 - 5,000 386

Bill Nebeker

(American, b. 1942) Renegade on the Move, edition 6/30, 2008 bronze signed Bill Nebeker, numbered and dated (base) height 17 3/4 x width 11 x depth 7 inches $2,000 - 4,000 50

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387

*387

Thomas Hill

(British/American, 1829-1908) Indian on Horseback Amongst Sequoias oil on canvas signed T. Hill (lower right) 39 x 27 1/2 inches Property from the Estate of Max and Judith Benton, Prescott, AZ Provenance: Sullivan Goss Fine Art Gallery, Santa Barbara, California $30,000 - 50,000

Although he was born in England and spent much of his young adult life on the East coast of the United States, Thomas Hill’s (British/American, 1829-1908) greatest source of inspiration was the landscape of the American West. Revered by collectors of the Hudson River School and Western art alike, Thomas Hill’s paintings illustrate the vast beauty and grandeur of the American landscape. Sketching trips to the White Mountains of New Hampshire early in his career aligned Hill with members of the Hudson River School who valued the practice of plein-air painting. Throughout his career, Hill would use the technique of oil sketching en plein-air – creating small, sketch-like oil paintings while immersed in the scenery – to document the sources of his inspiration. Like many other Americans, Hill moved his family to California in 1861 in search of prosperity and new sources of inspiration. It was with this change of scenery that Thomas Hill developed into the artist we revere as a great American landscape painter. The rising mountains, rolling hills, towering forests and lush scenery were his muses and his work was driven by his absolute awe of nature. In his lifetime, Thomas Hill’s monumental landscape paintings were well received, earning him comparison to Albert Bierstadt. His patrons included some of the most important figures in 19th-century California business and society, including E.B Crocker, William Ralston, D.O. Mills and Leland Stanford. In his Indian on Horseback Amongst the Sequoias, Hill beautifully depicts the overwhelming size, vastness and splendor of the Sequoia National Forest of California. Though a more intimate scene than many of his works, this image delivers the same sense of monumentality that we see in his depictions of the Yosemite landscape. The size and density of the trees dwarves the figures of the Native Americans making their camp and illustrates just how small humans really are compared to nature. Hill’s technique of detailing the figures in the foreground, while placing slightly less emphasis on the background, helps to show just how massive and lush the forest really is. This is a technique that Hill employed often in his work, almost as if implying that the grandness of nature is too large to depict precisely or to understand fully. Hill was driven by his own experiences within the natural world, by his own sense of smallness amongst the spectacular, sprawling landscapes. Indian on Horseback Amongst the Sequoias encourages the viewer to feel totally immersed in the scenery and experience the sense of awe and wonder that drove Thomas Hill to create his renowned works of art.

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

388

Dave McGary

(American, 1958-2013) Not Afraid of Pawnee, edition 46/50, 1995 bronze signed Dave McGary, numbered and dated (base) height 22 1/2 x width 18 x depth 7 3/4 inches $7,000 - 9,000

389

Dave McGary 388

389

(American, 1958-2013) Short Bull, edition 29/50, 1996 bronze signed Dave McGary, numbered and dated (base) height 27 3/4 x width 10 x depth 7 inches $3,000 - 5,000

390

Vilem Zach

(Czech/Canadian, b. 1946) Buffalo Drop, edition 32/36 bronze signed V. Zach and numbered (verso) height 36 x width 13 x depth 18 inches $1,000 - 2,000

391

Dave McGary

(American, 1958-2013) Long Soldier, edition 20/50, 1990 bronze signed Dave McGary, numbered and dated (base) height 21 3/4 x width 10 x depth 6 1/2 inches $6,000 - 8,000

390

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391

392

John DeMott

(American, b. 1954) Chief with Horse and Dog, 1998 oil on canvas signed DeMott and dated (lower right) 74 x 52 inches $10,000 - 15,000 392

393

R.F. Morgan

(American, 1929-2015) Knights of the Plains oil on canvas signed R.F. Morgan (lower right) 30 x 40 inches Provenance: C.M. Russell Auction, 2005, Lot 205 $800 - 1,200 393 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

394

Sherry Blanchard Stuart

(American, b. 1941) Crossing the Sinking Sands, 2016 oil on canvas signed S. Blanchard Stuart and dated (lower right) 30 x 32 inches $2,000 - 3,000 394

395

Clarence Arthur Ellsworth

(American, 1885-1961) The Returning of Lone Rider, 1929 oil on board signed Clarence Ellsworth and dated (lower left) 18 x 24 inches Property from the Estate of Elizabeth Rockefeller Bowler as Arranged by DeChant Art Consulting $1,000 - 2,000 395

396

Gerard Curtis Delano (American, 1890-1972) Coming Over the Ridge watercolor on paper 12 x 15 inches $5,000 - 7,000 396 54

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397

Charles Marion Russell

(American, 1864-1926) Indian Scout and Horse, Illustrated Letter, 1918 watercolor and ink on paper each 10 x 8 inches Property from the Collection of Homer E. Noble, Denver, Colorado This lot is addressed to Harry P. Stanford and dated December 13, 1918. It is included as number CR.ILU.329 in the online catalogue raisonné of the artist’s work at www.russellraisonne.com. $50,000 - 70,000

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398

Dave McGary

(American, 1958-2013) Gray Hawk’s Legacy, edition 34/40, 2000 polychrome bronze signed Dave McGary, numbered and dated (base) height 30 1/4 x length 45 x width 13 inches Property from the Estate of R. Lawrence Dunworth, Palm Beach, Florida $8,000 - 12,000

398

399

Dave McGary

(American, 1958-2013) A Matter of Honor, edition 30/50, 1997 bronze signed Dave McGary, numbered and dated (base) height 23 x width 18 1/2 x depth 9 1/2 inches $6,000 - 8,000 399

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*400

James Reynolds

(American, 1926 - 2010) Gashongema Kayquoptewa oil on board signed James Reynolds (lower right) 14 x 11 inches From the Private Collection of Steve Wahl, Scottsdale, Arizona $800 - 1,200 400

401

Terry Murphy

(American, b. 1950) Bust of a Warrior, edition 33/36, 1993 signed Terry J. Murphy, numbered and dated (base) height 23 x width 22 x depth 12 inches $1,500 - 2,500 401

402

David Mann

(American, b. 1948) Bear Claw Medicine oil on canvas signed D. Mann (lower right) 24 x 20 inches Property from the Estate of Richard Altermann, Santa Fe, New Mexico $2,000 - 4,000 402

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

403

Joseph Henry Sharp (American, 1859-1953) Strikes His Enemy, 1909 oil on board signed J.H. Sharp (lower left) 9 3/4 x 6 7/8 inches

Provenance: The Closson Galleries, Cincinnati, Ohio Eisele Gallery of Fine Art, Cincinnati, Ohio $10,000 - 15,000 58

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404

Edward Sheriff Curtis (American, 1868-1952) Signal Fire to the Mountain Gods orotone signed Curtis (lower right) 13 3/4 x 11 inches $5,000 - 7,000

405

Clyde Morgan

(American, b. 1942) Gray Wolf Follows, edition 13/27, 1990 bronze signed Clyde Ross Morgan, numbered and dated (base) height 38 x width 15 x depth 20 inches $2,000 - 3,000

405

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406

Elias Rivera

(American, 1937-2019) Portraits of Peru #18, 2000 oil on board signed Rivera (lower right) 10 x 8 inches Provenance: Riva Yares Gallery, Santa Fe, New Mexico 406

$700 - 900

407

Elias Rivera

(American, 1937-2019) Portraits of Peru #21, 2000 oil on board signed Rivera (lower right) 10 x 8 inches Provenance: Riva Yares Gallery, Santa Fe, New Mexico $700 - 900 407 60

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408

After Cyrus Edwin Dallin

408

409

Barry Eisenach

(American, b. 1952) Moon Song, edition 5/30, 2005 bronze signed Eisenach, numbered and dated (base) height 19 x width 12 1/4 x depth 19 1/2 inches $2,000 - 4,000 409

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410

Ed Natiya

(Navajo, b. 1972) The Wind Dancer, edition 10/50 bronze signed Ed Natiya, titled and numbered (base) height 70 x width 48 x depth 38 inches $6,000 - 8,000

411

Marie Barbera

(American, b. 1936) Shield of the Crow, edition 25/30 polychrome bronze signed M. Barbera and numbered (base) height 35 1/2 x width 21 x depth 17 1/2 inches $2,000 - 4,000

410

412

Edward Borein

(American, 1872-1945) Navajo Visitors at Oraibi etching signed Edward Borein (lower right margin) and titled (lower left margin) 7 1/2 x 13 inches $1,000 - 2,000 62

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412

413

Kim Mackey

(American, b. 1953) Enchantment oil on canvas signed Mackey (lower right) 16 x 20 inches $1,000 - 2,000 413

414

Kim Mackey

(American, b. 1953) Canyon Chaos oil on canvas signed Mackey (lower right) 24 x 18 inches $1,500 - 2,500 414

415

Olaf Weighorst

(Danish/American, 1899-1988) The Navajo, 1980 watercolor & gouache signed O. Wieghorst and dated (lower left) 15 x 15 inches Property from a Private Collection, Phoenix, Arizona $2,000 - 4,000 415 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

416

418

417

416

417

418

Olaf Weighorst

Nick Eggenhofer

Harry Jackson

Property from a Private Collection, Phoenix, Arizona

$800 - 1,200

$4,000 - 6,000

(Danish/American, 1899-1988) Cowboy & Burro on Hill watercolor and gouache on paper signed O. Weighorst (lower left) 13 x 15 inches

(American, 1897-1985) Cowboys on Horseback, 1977 gouache and ink on paper signed N. Eggenhofer and dated (lower right) 7 x 9 1/2 inches

$1,500 - 2,500

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(American, 1924-2011) Bronc Stomper, edition 2, 1959 polychrome bronze signed H. Jackson, numbered and dated (base) height 17 x length 13 x width 5 inches

*419

Martin Grelle

(American, b. 1945) Stop at Old Place, 1991 oil on canvas signed Martin Grelle and dated (lower right) 30 x 40 inches Property from the Collection of the Missouri Athletic Club Foundation for the Arts $10,000 - 15,000 419

420

James Reynolds

(American, 1926-2010) Desert Cowboy oil on canvas signed James Reynolds (lower left) 20 x 30 inches Property from the Estate of Mary Lou and Willis McDonald, Cody, Wyoming $6,000 - 8,000 420

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421

David Argyle

(American, b. 1945) Lefty, edition 9/80, 1999 bronze signed Argyle, dated and numbered (base) height 15 3/4 x length 11 1/2 x depth 6 inches $1,000 - 1,500

421

422

Bill Nebeker

(American, b. 1942) Eyes of Texas, edition 29/30, 2011 bronze signed Bill Nebeker, numbered and dated (base) height 31 x width 14 x depth 12 inches $4,000 - 6,000

422

423

William Matthews

(American, b. 1949) Calf Roping watercolor on paper signed William Matthews (lower right) 18 x 18 inches $2,000 - 3,000 423 66

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424

Howard Post

(American, b. 1948) Saddling Up oil on canvas signed H.E. Post (lower right) 54 x 44 inches $10,000 - 15,000 424

425

Howard Post

(American, b. 1948) Saddle Shop oil on canvas signed H.E. Post (lower right) 24 x 36 inches $4,000 - 6,000 425

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426

David De Vary

(American, b. 1942) Cowboy in a Yellow Duster oil on canvas signed DDV (lower right) 70 x 60 inches $2,000 - 4,000

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427

Billy Schenck

(American, b. 1947) The Big Wait, 1986 oil on canvas signed Schenck, titled and dated (verso) 66 x 90 inches Provenance: Elaine Horwitch Galleries, Scottsdale, Arizona $18,000 - 24,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

429

428

430

428

*429

430

Clyde Morgan

Raymond Jonson

Kevin Weckbach

$800 - 1,200

Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico

$5,000 - 7,000

(American, b. 1942) First Tracks bronze signed Clyde Ross Morgan and dated (left edge) height 68 x width 13 x depth 22 inches

(American, 1891-1982) Polymer 18, 1971 polymer on board signed Jonson and dated (lower left) 27 x 48 inches

Provenance: Nedra Matteucci Galleries, Santa Fe, New Mexico $4,000 - 6,000

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(American, b. 1970) Final Approach, 2006 oil on board signed Weckbach (upper left) 49 x 53 inches

431

Chester Arnold (American, b. 1952) Labyrinth, 1993 oil on canvas 78 x 92 $2,000 - 3,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

432

Ed Mell

(American, b. 1942) Green Mountain, 1980 oil on canvas signed Ed Mell (lower right) 30 x 60 inches Property from a Private Collection, Houston, Texas $15,000 - 25,000

W E S T E R N A R T I N C L U D I N G C O N T E M P O R A RY N AT I V E A M E R I C A N

433

Kim Douglas Wiggins

(American, b. 1960) Wild Horses in the High Country, 2012 oil on canvas signed Kim Wiggins (lower left) 72 x 48 inches $10,000 - 15,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

434

Howard Post

(American, b. 1948) Homestead oil on canvas signed H.E. Post (lower right) 49 x 61 inches $10,000 - 15,000

W E S T E R N A R T I N C L U D I N G C O N T E M P O R A RY N AT I V E A M E R I C A N

435

Howard Post

(American, b. 1948) Highway in the Hills oil on canvas signed H.E. Post (lower right) 44 x 54 inches $8,000 - 12,000 435

436

Howard Post

(American, b. 1948) The Woodshed oil on cavas signedH.E. Post (lower right) 30 x 40 inches $5,000 - 7,000 436

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

437

Gene & Rebecca Tobey

(American, 20th-21st Century) Friends in a Storm I, edition 7/25, 1995 bronze signed Tobey, numbered and dated (base) height 15 x width 20 x depth 8 inches $1,000 - 2,000 437

*438

Lincoln H. Fox

(American, b. 1942) Morphic Ram, 1975 bronze signed Lincoln Fox and dated height 70 3/4, diameter of base 20 inches Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky IMPORTANT PROPERTY NOTE: Sculpture is being stored off-site at Astilli Fine Art, Santa Fe, NM. It will be the responsibility of the buyer to arrange for shipping before the end of 2021. $5,000 - 7,000

*439

Robert Graham

(American, b. 1938) Untitled (Stephanie Panel) cast copper bas-relief with unique patina height 61 x width 29 x depth 3 inches 439

Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky IMPORTANT PROPERTY NOTE: Sculpture is being stored off-site at Astilli Fine Art, Santa Fe, NM. It will be the responsibility of the buyer to arrange for shipping before the end of 2021. $6,000 - 8,000

438

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*440

Catherine Lorain

(American, b. 1941) Nude Bathers patinated bronze height 25 1/2 x width 48 x depth 18 inches Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky IMPORTANT PROPERTY NOTE: Sculpture is being stored off-site at Astilli Fine Art, Santa Fe, NM. It will be the responsibility of the buyer to arrange for shipping before the end of 2021. $2,000 - 4,000

440

*441

Curt Brill

(American, b. 1952) Reclined Nude patinated bronze height 16 x length 59 x width 14 3/4 inches Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky IMPORTANT PROPERTY NOTE: Sculpture is being stored off-site at Astilli Fine Art, Santa Fe, NM. It will be the responsibility of the buyer to arrange for shipping before the end of 2021. $2,000 - 4,000 441

*442

Curt Brill

(American, b. 1952) Seated Nude patinated bronze height 53 1/2 x width 30 inches Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky IMPORTANT PROPERTY NOTE: Sculpture is being stored off-site at Astilli Fine Art, Santa Fe, NM. It will be the responsibility of the buyer to arrange for shipping before the end of 2021. $2,000 - 4,000 442 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*443

William Vielehr

(American, 20th Century) Three Horses bronze height 60 x width 29 1/2 x depth 2 inches Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky IMPORTANT PROPERTY NOTE: Sculpture is being stored off-site at Astilli Fine Art, Santa Fe, NM. It will be the responsibility of the buyer to arrange for shipping before the end of 2021. $2,000 - 3,000

*444

Dan Raven, attributed (20th Century) Cougar limestone length 72 inches

*445

Edwin DeWitt

(20th Century) Eagle Totem carved, polychrome wood signed ECD (base) height 96 x width 24 inches Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky IMPORTANT PROPERTY NOTE: Sculpture is being stored off-site at Astilli Fine Art, Santa Fe, NM. It will be the responsibility of the buyer to arrange for shipping before the end of 2021. $4,000 - 6,000 443

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445

446

447

448

446

447

448

Frank Howell

Veloy Vigil

Property from the Estate of R. Lawrence Dunworth, Palm Beach, Florida

$1,500 - 2,500

(American, 1937-1997) Red Feathers Dancing, 1986 oil on canvas signed Frank Howell, titled and dated (lower edge) 30 x 40 inches

(American, 1931-1997) Poem Reader, 1982 oil on canvas signed V. Vigil (lower right) 50 x 50 inches

(American, 1931-1997) Buffalo and Umbrella oil on canvas signed V. Vigil (lower right) 42 x 30 inches

$2,000 - 3,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

W E S T E R N A R T I N C L U D I N G C O N T E M P O R A RY N AT I V E A M E R I C A N

CONTEMPORARY NATIVE AMERICAN LOTS 4 4 9 - 5 9 3

O P P O S I TE Lot 451

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

449

John Nieto

(American, 1936-2018) Buffalo Medicine, 1993 acrylic on canvas signed Nieto (lower right) 48 x 60 inches $8,000 - 12,000 449

450

John Nieto

(American, 1936-2018) Jicarilla Apache, 1993 acrylic on canvas signed Nieto (lower right) 60 x 48 inches $10,000 - 15,000 450 82

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451

Fritz Scholder

(Luiseño, 1937-2005) Horse and Rider, 1977 oil on canvas signed Scholder (lower right) 68 x 80 inches $30,000 - 50,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

452

Earl Biss

(Apsáalooke, 1947-1998) End of the Trail #2, 1994 oil on canvas signed Biss (upper right) 62 x 48 inches $12,000 - 18,000 452

453

John W. Nieto

(American, b. 1936) Offering to the Great Spirit, 1996 oil on canvas signed Nieto (lower left) 44 x 40 inches Property from Palm Springs Art Museum. Sold to Support the Care of Collections and the George Montgomery Fund for Acquisitions Provenance: Bushman Gift to Palm Springs Art Museum 453 84

W E S T E R N A R T I N C L U D I N G C O N T E M P O R A RY N AT I V E A M E R I C A N

$8,000 - 12,000

454

John Nieto

(American, 1936-2018) Plains Warrior, 1996 acrylic on canvas signed Nieto (lower center) 72 x 60 inches Provenance: Ventana Fine Art, Santa Fe, New Mexico $12,000 - 18,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

455

Earl Biss

(Apsáalooke, 1947-1998) In Times of Change and Drastic Measures, 1990 oil on canvas signed Biss (upper right) 60 x 84 inches $20,000 - 40,000

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*456

John Nieto

(American, 1936-2018) Chief Rain-in-the-Face, 1992 acrylic on canvas signed Nieto (left edge, center) 24 x 20 inches Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico $3,000 - 5,000 456

*457

Kevin Red Star

(Apsáalooke, b. 1943) Chief, 1989 watercolor on paper signed Kevin Red Star and dated (lower right) 9 x 12 inches Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico $800 - 1,200 457

458

R. C. Gorman

(Diné, 1931-2005) Untitled (Maiden), edition 3/150 lithograph on paper signed R.C. Gorman, blind stamped and numbered (lower edge) 22 1/2 x 17 1/2 inches Please note: Lot is located in and will ship from Cincinnati, Ohio $1,500 - 2,500 458 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*459

Jaune Quick-to-See Smith

(French-Cree/Shoshone/Salish, b. 1940) Wallow Water Hole, edition 23/60 lithograph signed JQTS Smith (lower right) and numbered (lower left) 22 x 15 inches Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico $500 - 700 459

*460

Mary E. Young Bear

(Meskwaki, 20th Century) Ladies Choice #3 watercolor on paper signed Mary E. Young Bear (lower right) and titled (lower left) 22 x 30 inches Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico $500 - 700 460

461

Emmi Whitehorse

(Diné, b. 1957) Red Pond, 1993 oil on paper mounted on canvas signed Emmi Whitehorse, titled and dated (verso) 39 1/2 x 51 inches Please note: Lot is located in and will ship from Cincinnati, Ohio 461 88

W E S T E R N A R T I N C L U D I N G C O N T E M P O R A RY N AT I V E A M E R I C A N

$2,000 - 3,000

463

*462

Dan Namingha

(Hopi/Tewa, b. 1950) Dancing Kachinas pastel on paper signed Namingha (lower right) 22 x 27 1/2 inches Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico $800 - 1,200

*463 462

Dan Namingha

(Hopi/Tewa, b. 1950) Northern New Mexico, Series IV oil pastel on paper signed Namingha (lower left) 15 x 40 inches Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico Provenance: Niman Fine Art, Santa Fe, New Mexico $1,000 - 2,000

464

Dan Namingha

(Hopi/Tewa, b. 1950) Wren Kachina, 2002 acrylic on canvas signed Namingha (lower right) 24 x 24 inches $2,000 - 3,000 464 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

*465

Michael Kabotie

(Hopi, 1942-2009) Sikyakti Forms, 1989 acrylic on paper signed Lomawywesa and dated (lower right) 9 x 12 inches Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico 465

$800 - 1,200

*466

Tony Abeyta

(Diné, b. 1965) Night Deity, 1995 mixed media on paper Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico $800 - 1,200 466 90

W E S T E R N A R T I N C L U D I N G C O N T E M P O R A RY N AT I V E A M E R I C A N

467

468

*467

Allan C. Houser

(Chiricahua Apache, 1914-1994) Spring Breeze, edition 1/15, 1990 bronze signed Allan Houser, numbered and dated (base) height 11 x width 2 1/2 x depth 2 1/4 inches Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico $2,000 - 3,000

*468

Allan C. Houser

(Chiricahua Apache, 1914-1994) Taos Observance, edition 9/20, 1985 bronze signed Allan Houser, numbered and dated (base) height 9 x width 5 1/4 x depth 2 1/2 inches Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico $5,000 - 7,000 *469

Allan C. Houser

(Chiricahua Apache, 1914-1994) Looking On, edition 10/12, 1992 bronze signed Allan Houser Haozous, numbered and dated (base) height 32 1/4 x width 14 1/2 x depth 9 inches inches

469

Property from the Estate of Mr. Curt Strand and Dr. Fleur Strand of New York City, NY and Snowmass Village, CO $10,000 - 15,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

470

471 472

470

471

*472

T.C. CANNON

Bob Haozous

Doug Hyde

Book includes diminutive copies of T.C. Cannon woodcuts (Collector #5, Hopi with Manta, Woman at The Window, His Hair Flows Like a River, and Two Guns Arikara). Printed in Japan, 1979.

Please note: Lot is located in and will ship from Cincinnati, Ohio

Property from the Estate of Patricia Ann Black Smyth, Santa Fe, New Mexico, Sold to Benefit Berea College, Berea, Kentucky

(Caddo / Kiowa, 1946-1978). Portraits of the Brave Heart People. New York: Aberbach Fine Art, 1979.

(Chiricahua Apache, b. 1943) Michael’s Vision, 1983 signed Haozous and dated (near base) height 12 5/8 inches x depth 6 inches

(Nez Perce/Assiniboine, b. 1946) Pueblo Buffalo Dancer soapstone height 72 5/8 inches

$400 - 600 Please note: Lot is located in and will ship from Cincinnati, Ohio $2,000 - 3,000

IMPORTANT PROPERTY NOTE: Sculpture is being stored off-site at Astilli Fine Art, Santa Fe, NM. It will be the responsibility of the buyer to arrange for shipping before the end of 2021. $8,000 - 12,000

W E S T E R N A R T I N C L U D I N G C O N T E M P O R A RY N AT I V E A M E R I C A N

474

473

475

473

*474

*475

Kim Obrzut

Narciso Abeyta, Ha-So-De (Diné, 1918-1998) Untitled (Men on Horseback) gouache on paper signed Ha-So-De (lower right) 24 x 36 inches

Narciso Abeyta, Ha-So-De

(Diné, 1918-1998) Elizabeth’s Wedding gouache on paper signed Ha-So-De (lower right) 22 1/4 x 30 1/4 inches

Please note: Lot is located in and will ship from Cincinnati, Ohio

Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico

$500 - 700

$1,500 - 2,500

$1,000 - 1,500

(Hopi, b. 1969) Untitled (Maiden), edition 1/15, 1988 bronze signed K. Obrzut and dated (near base) height 14 1/4 x diameter 7 inches

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

476

478

477

476

*477

478

Pablita Velarde

J.D. Roybal

Rafael Medina

Please note: Lot is located in and will ship from Cincinnati, Ohio

Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico

$2,000 - 3,000

$600 - 800

(Santa Clara, 1918-2006) Untitled (Basket Dance) gouache on paper signed Pablita Velarde (lower right) 23 1/4 x 29 1/4 inches

(San Ildefonso, 1922-1978) Dancers gouache on paper signed J.D. Roybal (lower right) 11 1/2 x 18 1/2 inches

(Zia, 1929-1998) Untitled (Buffalo Dancer) signed lower right 14 1/2 inches x 10 1/2 inches The Mark and Linda Miller Collection Please note: Lot is located in and will ship from Cincinnati, Ohio $500 - 700

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*479

Helen Hardin, Tsa-Sah-Wee-Eh (Santa Clara, 1943-1984) Untitled (Heartline Deer), 1980 acrylic on board signed Tsa-Sah-Wee-Eh and dated (lower right) 10 x 8 inches

Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico $1,000 - 1,500 479

480

Helen Hardin, Tsa-Sah-Wee-Eh (Santa Clara, 1943-1984) Mimbres Quail, 1980 mixed media on board signed Tsa-Sah-Wee-Eh and dated (lower right) 8 x 10 inches $1,000 - 2,000 480 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

481

Jon Lightfoot

(Cherokee, 1939-2018) Daughters of the Santa Claras signed Lightfoot (lower right) and titled (verso) 29 5/8 x 23 1/2 inches Please note: Lot is located in and will ship from Cincinnati, Ohio $1,000 - 2,000 481

482

Jon Lightfoot

(Cherokee, 1939-2018) Tuqui Ceremonial signed Lightfoot (lower right) and titled (verso) 29 5/8 x 23 1/2 inches Please note: Lot is located in and will ship from Cincinnati, Ohio $1,000 - 2,000 482

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483

Mike Larsen

(Chickasaw, b. 1945) [Two Works] Studies for Quartz Mountain: Sacred Ground - The Past Down from the Yellowstone AND Quartz Mountain: Sacred Ground - The Past Kiowa Sundance acrylic on canvas both signed Larsen (lower right) each 39 1/4 x 29 1/2 inches Property from a Private Collection These paintings were studies for two works in the Oklahoma Arts Institute’s Quartz Mountain Art Collection Walking Tour. The Past Down from Yellowstone “This painting depicts the Kiowa leaving the ancestral homeland near the headwaters of the Yellowstone River in western Montana. From here, the Kiowa migrated eastward to the Black Hills before finally settling on the Great Plains. Being attentive to historical detail, Larsen is careful not to include a horse, as the animal had not yet been introduced to the Kiowa at the time of their migration. Larsen’s detailed rendering of the clothing adds vitality to the work and is also historical in depiction.” The Past Kiowa Sundance “The most sacred of Kiowa ceremonies, the Sundance, is said to have taken place at Quartz Mountain. In this painting, the Sundance “pledge” or participant stands inside a cottonwood arbor painted with white clay and Kiowa symbols. Larsen also includes other symbolic attributes in this work, such as the sage at the head and wrists of the pledge and the eagle bone whistles worn by both the pledge and the elder next to him.” Please note: Lot is located in and will ship from Cincinnati, Ohio $3,000 - 5,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

484

Mike Larsen

(Chickasaw, b. 1945) [Two Works] Studies for Quartz Mountain: Sacred Ground - The Past Warriors of the Great Plains AND Quartz Mountain: Sacred Ground - The Past Black Leggins Society acrylic on canvas each 39 1/4 x 29 1/2 inches Property from a Private Collection These paintings were studies for two works in the Oklahoma Arts Institute’s Quartz Mountain Art Collection Walking Tour. The Past Warriors of the Great Plains “At the center of this composition, Chief Satanta, or White Bear, leader of the Lone Wolf Clan, rides through the Quartz Mountain area with the Order of Ten Warriors. These renowned horsemen were comprised of Kiowa leaders from ten different clans, each of whom was responsible for carrying one of the ten sacred Kiowa medicine bundles.” The Past Black Leggings Society “In this work, Larsen portrays four members of the Kiowa Black Leggings Society, a group of Kiowa individuals who are veterans of World War II, the Korean War and the Vietnam War. The Kiowa elders who are the subject of this painting are members of the Palmer family of Carnegie, Oklahoma. Gus Palmer, Sr. revived this warrior society in 1957. Each year, the Black Leggings society visits the Oklahoma Summer Arts Institute to present the colors in a ceremony prior to student performances.” Please note: Lot is located in and will ship from Cincinnati, Ohio $3,000 - 5,000

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485

Mike Larsen

(Chickasaw, b. 1944) [Two Works] Studies for Quartz Mountain: The Future Onstage with Judith Somogi AND Quartz Mountain: Sacred Ground - The Future American Masters both signed Larsen (lower right) each 39 1/4 x 29 1/2 inches Property from a Private Collection These paintings were studies for two works in the Oklahoma Arts Institute’s Quartz Mountain Art Collection Walking Tour. The Future Onstage with Judith Somogi “This work depicts conductor Judith Somogi leading the Summer Arts Institute Orchestra when she taught in 1978. Somogi was considered America’s first great female conductor. Viewers are reminded of the exceptional music program available to Oklahoma’s high school students at Quartz Mountain.” The Future American Masters “A salute to the visual artists who have taught at Quartz Mountain, Larsen depicts painter Fritz Scholder and sculptor Allan Houser in the foreground with examples of their work. Oklahoma photographer David Fitzgerald stands in the background to the far right. Larsen places himself in the painting behind his close friend Houser, who had passed away several years earlier. Standing between Larsen and Fitzgerald are Mary Frates, founder and former President of the Oklahoma Arts Institute, with her son Cole. The Quartz Mountain Art Collection contains works by both Scholder and Houser, who also taught at the Summer Institute.” Please note: Lot is located in and will ship from Cincinnati, Ohio $3,000 - 5,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M

486

Mike Larsen

(Chickasaw, b. 1944) [Two Works] Studies for Quartz Mountain: Sacred Ground - The Future in the Studio AND Quartz Mountain: Sacred Ground - The Future Visit to Rainy Mountain acrylic on canvas both signed Larsen (lower right) each 39 1/4 x 29 1/2 inches Property from a Private Collection These paintings were studies for two works in the Oklahoma Arts Institute’s Quartz Mountain Art Collection Walking Tour. The Future in the Studio “In this work, Larsen offers the viewer a peek into a dance class at the inaugural Oklahoma Summer Arts Institute, where students were taught by America’s first prima ballerina, Maria Tallchief. The painting depicts Tallchief leading a rehearsal of a ballet choreographed by her former husband, George Balanchine. By hiring exceptional faculty, such as Tallchief, its first year, the Arts Institute set a high standard that would become a hallmark of the program.” The Future Visit to Rainy Mountain “In this work, Larsen pays tribute to creative writing and theater by commemorating a visit to nearby Rainy Mountain during the Summer Arts Institute. The painting depicts acting instructors Jane Alexander and Ed Sherin, along with other faculty, staff and students, listening intently to poetry instructor N. Scott Momaday. A Pulitzer Prize winning Kiowa-Cherokee writer, Momaday wrote The Way to Rainy Mountain (1976), which details the history of the Kiowas, beginning in their ancestral Montana home and ending with their Great Plains resettlement near Rainy Mountain, located just east of Quartz Mountain.” Please note: Lot is located in and will ship from Cincinnati, Ohio $3,000 - 5,000

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488

Mike Larsen

(Chickasaw, b. 1945) Eagle in the Sky acrylic on canvas signed M Larsen (lower right) and titled (verso) 19 x 23 inches Property from a Private Collection Please note: Lot is located in and will ship from Cincinnati, Ohio $800 - 1,200

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489

Ekidluak Komoartuk and Towkie Etuangat (Inuit, 1923-1993 / d. 2011) Her Helpful Powers, edition 10/10 signed in syllabics and titled (verso)

Please note: Lot is located in and will ship from Cincinnati, Ohio 489

$800 - 1,200

*490

Irene Avaalaaqiaq (Inuit, b. 1941) Wool and Felt Wall Hanging signed lower left 54 x 45 1/2 inches

Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico $600 - 800 490 102 W E S T E R N A R T I N C L U D I N G C O N T E M P O R A R Y N AT I V E A M E R I C A N

*491 491

Jacob Tumic

(Kuujjuaraapik, b. 1917) Stone Sculpture, 1992 frieze style sculpture carved with scenes of Arctic life; figures having colorful conversations in syllabic height 7 1/4 inches x width 26 inches Property from the Solon A. Ellison Revocable Trust, Placitas, New Mexico $1,000 - 1,500

492

Taqialuq Nuna

(Inuit, b. 1958) Soapstone Sculpture, Polar Bear Family signed on base height 10 1/2 inches x length 13 inches 492

Please note: Lot is located in and will ship from Cincinnati, Ohio $800 - 1,200

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 103

493

Marilyn Hank

(Iñupiat, 20th century) Baleen Basket, with Carved Salmon Finial interior signed and dated, 1994 height 3-1/4 inches x diameter 4 inches The Mark and Linda Miller Collection Please note: Lot is located in and will ship from Cincinnati, Ohio $600 - 800

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494

495

494

Harry Hank

(Iñupiat, b. 1972) Lidded Baleen Basket, with Carved Walrus Head Finial signed on interior base Henry Hank height 4-3/4 inches x diameter 5-3/8 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $800 - 1,200

495

Richard Zane Smith

(Wyandot, b. 1955) Corrugated Polychrome Pottery Jar signed on base Richard Zane Smith Wyandotte descendent TTGOG and dated 1986 height 7 inches x diameter 12 inches Property from the Collection of Barbara and Gabe Alovis, Scottsdale, Arizona Please note: Lot is located in and will ship from Cincinnati, Ohio $1,500 - 2,500

496

Elizabeth Mute (Diné, 20th century) Attributed, Master Weaver

Two Grey Hills Weaving natural handspun wool having a classic design 46 warps / inch, 12 wefts / inch 42 x 29 inches

496

Property from the Private Collection of Ross Hubbard, Naples, Florida Please note: Lot is located in and will ship from Cincinnati, Ohio $600 - 800

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 105

497

Christine McHorse

(Diné, 1948-2021) Award Winning Carved Bowl signed on base; includes a First Place Ribbon from 1991 SWAIA height 5 1/4 inches x diameter 8 1/4 inches

497

$1,000 - 1,500

498

Christine McHorse

(Diné, 1948-2021) Micaceous Bean Pot, with Otter and Fish lid further embellished with lightly etched detailing; unsigned; included is a McHorse business card 7 1/2 inches x diameter 8 inches 498

$500 - 700

499

Lucy Leuppe McKelvey

(Diné, b. 1950) Pottery Vase, Whirling Rainbow Goddesses of the Windway Chant signed Lucy Leuppe McKelvey and titled (base) height 9 3/4 inches x diameter 15 1/2 inches Property from the Private Collection of Ross Hubbard, Naples, Florida 499

Please note: Lot is located in and will ship from Cincinnati, Ohio $800 - 1,200

106 W E S T E R N A R T I N C L U D I N G C O N T E M P O R A R Y N AT I V E A M E R I C A N

500

Lucy Leuppe McKelvey

(Diné, b. 1950) Pottery Jar, Whirling Rainbows and 4 Sacred Plants signed Lucy Leuppe McKelvey and titled (base) height 7 1/2 inches x diameter 14 1/2 inches From the Collection of Bruce and Claire Montgomerie Please note: Lot is located in and will ship from Cincinnati, Ohio $1,000 - 2,000

500

501

Lucy Leuppe McKelvey

(Diné, b. 1950) Pottery Jar, From the Corn We Came titled and signed on base height 6 1/4 inches x diameter 12 1/2 inches $600 - 800

501

502

Linda Nez

(Diné, 20th century) Untitled, Cliff Dwellers 18 x 19 1/2 inches Please note: Lot is located in and will ship from Cincinnati, Ohio 502

$600 - 800

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 107

503

Harrison Begay Jr.

(Diné, b. 1961) Carved Red and Black Pottery Jars lot of 2, includes: a red jar with square form and deeply carved decorations signed on base height 5 7/8 inches x length 5 1/2 inches x width 5 1/2 inches a deeply carved black jar featuring two figures of Kokopelli, each with a small turquoise bead set as the eye signed on base height 4 3/4 inches x diameter 6 1/4 inches 503

Property from the Estate of Donna Wasserstrom, Carefree, Arizona $800 - 1,200

504

Wallace Nez

(Diné, b. 1972) Sgraffito Seed Jars lot of 2, includes: a finely painted jar with buffalo signed on base 523 Wallace Nez and dated 2014 height 2-1/2 inches x diameter 3-3/4 inches a finely painted jar with alternating with scenes of birds and butterflies height 3-1/4 inches x diameter 4 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $1,000 - 2,000

504

505

Helen Shupla

(Santa Clara, 1928-1985) Two-toned Melon Pottery Jar, with Etched Decoration signed on base Helen Shupla Santa Clara Pueblo height 4 3/4 inches x diameter 6 3/4 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $600 - 800 505

108 W E S T E R N A R T I N C L U D I N G C O N T E M P O R A R Y N AT I V E A M E R I C A N

506

Jennie Trammel

(Santa Clara, 1929-2010) Carved Redware Pottery Jar signed on base Jennie Trammel height 5 inches x diameter 5-1/2 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $800 - 1,200

506

507

Toni Roller

(Santa Clara, b. 1935) Carved Pottery Jar signed on base Toni Roller Santa Clara Pueblo and dated 6/13 height 9 1/4 inches x diameter 8 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona 507

$600 - 800

508

Margaret and Luther Gutierrez

(Santa Clara, 1936-2018 / 1911-1987) Polychrome Handled Pottery Vase signed on base Margaret - Luther Santa Clara Pueblo height 9 1/4 inches x length 9 inches x width 6 1/2 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $800 - 1,200

508

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 109

509

LuAnn Tafoya

(Santa Clara, b. 1938) Blackware Pottery Jar, with Bear Paw Design signed on base LuAnn Tafoya Santa Clara Pueblo NM height 6 7/8 inches x diameter 6 1/2 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $1,000 - 2,000 509

510

Grace Medicine Flower

(Santa Clara, b. 1938) Monumental Pottery Jar height 9 inches x diameter 9 1/4 inches The Mark and Linda Miller Collection Please note: Lot is located in and will ship from Cincinnati, Ohio 510

$6,000 - 8,000

511

Nathan Youngblood

(Santa Clara, b. 1954) Carved Two-Toned Redware Pottery Jar signed on base Nathan Youngblood along with artist›s deer track hallmark height 9 inches x diameter 6-1/2 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona 511

110 W E S T E R N A R T I N C L U D I N G C O N T E M P O R A R Y N AT I V E A M E R I C A N

$3,000 - 5,000

512

Nancy Youngblood, Yellow Aspen (Santa Clara, b. 1955) Blackware Swirl Pottery Jar, 2007 signed and dated on base height 4 1/2 inches x diameter 4 1/4 inches

Property from the Estate of Donna Wasserstrom, Carefree, Arizona $3,000 - 5,000

512

513

Nancy Youngblood, Yellow Aspen (Santa Clara, b. 1955) Miniature Lidded Blackware Melon Jar signed on base Nancy Yellow Aspen Youngblood and dated Oct. 1977 height 1 7/8 inches x diameter 1 5/8 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $800 - 1,200

513

*514

Nancy Youngblood

(Santa Clara, b. 1955) Miniature Blackware Pottery Vase, Carved with Avanyu, 1977 signed Nancy Yellow Aspen Youngblood and dated (base) height 2 3/4 inches x diameter 2 1/5 inches Property from the Estate of J. Mark and Barbara Crump, Elburn, Illinois Please note: Lot is located in and will ship from Cincinnati, Ohio $800 - 1,200 514

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 111

515

Nancy Youngblood, Yellow Aspen (Santa Clara, b. 1955) Lidded Blackware Pottery Jar deeply carved shell design signed on base Nancy Yougblood height 4 1/4 inches x diameter 3 3/8 inches

Property from the Estate of Donna Wasserstrom, Carefree, Arizona $2,000 - 4,000 515

516

Nancy Youngblood

(Santa Clara, b. 1955) Miniature Redware Jar, with Horse height 2 1/2 inches x diameter 2 1/2 inches $1,000 - 1,500

516

517

Linda Tafota-Sanchez

(Santa Clara, b. 1962) Carved Micaceous Redware Jar, with Avanyu signed on base Linda Tafoya Sanchez / Santa Clara Pueblo height 4-3/4 inches x diameter 7 inches

517

Property from the Estate of Donna Wasserstrom, Carefree, Arizona $1,000 - 2,000

112 W E S T E R N A R T I N C L U D I N G C O N T E M P O R A R Y N AT I V E A M E R I C A N

518

Jeff Roller

(Santa Clara, b. 1963) Eagle-Shaped Carved Blackware Pottery Jar, with Gun Metal Finish signed Jeff Roller Santa Clara and dated 03-91 height 10 7/8 inches x length 10 1/2 inches x width 4 1/4 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $1,500 - 2,500 518

519

Autumn Borts-Medlock

(Santa Clara, b. 1967) Miniature Carved Redware Seed Jar deeply carved scene of dragonflies and flowers signed on base Autumn B-Medlock Santa Clara Pueblo height 1-1/2 inches x diameter 2 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $600 - 800 519

520

Jody Naranjo

(Santa Clara, b. 1969) Carved Red and Sienna Pottery Vase, 1998 neck with interlocking geometric design which continues to interior of jar; signed and dated on base height 8 inches x diameter 6 inches 520

$1,000 - 1,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 113

521

Jennifer and Mike Maquino

(Santa Clara, 20th century) Polychrome Sgraffito Seed Jars lot of 4, includes: a blackware lidded jar, with sgraffito bears, butterflies, and flowers signed on base SCP along with artist›s mountain hallmark eight 5 3/4 inches x diameter 4 3/4 inches a miniature backware jar, colorfully painted sgraffito design of butterflies and flowers signed on base Mike and Jennifer Moquino along with artist›s mountain hallmark height 3 inches x diameter 1 3/4 inches a miniature redware seed jar, colorfully painted sgraffito design of a Mimbres-style mountain goat signed on base 11/86 SCP with artist›s mountain hallmark height 1 1/4 inches x diameter 1 1/4 inches a miniature redware seed jar, colorfully painted sgraffito design of a Mimbres-style crane eating a fish signed on base 11/86 SCP along with artist›s mountain hallmark height 1 1/2 inches x diameter 1 3/8 inches 521

Property from the Estate of Donna Wasserstrom, Carefree, Arizona $1,000 - 2,000

522

Susan Folwell

(Santa Clara, b. 1970) Bowl, Ghan Dancers mixed media; fully decorated on interior and exterior; signed height 4 inches x diameter 13 inches 522

$1,000 - 1,500

523

Les Namingha 523

(Santa Clara, b. 1987) Polychrome Pottery Jar having Sikyatki-style bird; signed on base height 4 inches x diameter 4 3/4 inches $600 - 800

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524

Chris Youngblood

(Santa Clara, b. 1989) Red and Micaceous Jar, with Koi height 5 inches x diameter 4 3/4 inches 2014 “Best of Pottery” Winner 524

$800 - 1,200

525

Chris Youngblood

(Santa Clara, b. 1989) Blackware Pottery Jar, with Flames signed on base height 6 1/2 inches x diameter 6 inches $600 - 800 525

526

Chris Youngblood 526

(Santa Clara, b. 1989) Blackware Pottery Jar, with Eagle and Parrot height 6-1/2 inches x diameter 6-1/2 inches $600 - 800

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 115

527

Al Qoyawayma

(Hopi, 1938) Carved Pottery Mug signed Qoyawayma and dated (base) height 5 1/4 inches x diameter 4 1/4 inches Please note: Lot is located in and will ship from Cincinnati, Ohio $1,000 - 1,500 527

528

Al Qoyowayma

(Hopi, b. 1938) Pottery Jar, Corn Maiden, 1985 signed on base Qoyowayma, dated, numbered 95-2 height 11 1/2 inches x diameter 5 1/2 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona 528

$1,500 - 2,500

529

Al Qoyawayma

(Hopi, b. 1938) Large Buffware Pottery Jar, With Relief Carved Dancing Figures, 2013 dated and signed SDG Qoyawayma QY-1 on base height 10 inches x diameter 15 3/4 inches

529

Property from the Estate of Donna Wasserstrom, Carefree, Arizona $5,000 - 7,000

116 W E S T E R N A R T I N C L U D I N G C O N T E M P O R A R Y N AT I V E A M E R I C A N

530

Al Qoyawayma

(Hopi, b. 1938) Pottery Jar, Serenity, 2004 with deeply carved flower on one side; opposite having wing with textured impressions; signed and dated on base height 7 inches x diameter 3 1/2 inches

530

$1,000 - 1,500

531

Preston Duwyenie

(Hopi, b. 1951) Micaceous Shifting Sands Redware Pottery Jar signed with hallmark height 4 inches x diameter 9-1/4 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona 531

$600 - 800

532

Rainey Naha

(Hopi, b. 1949) Pottery Jar, with Butterflies hallmarked on base height 3 1/2 inches x diameter 6 1/2 inches 532

$1,000 - 1,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 117

533

Rachel Sahmie Nampeyo, KooLoo (Hopi-Tewa, b. 1956) Pottery Vase, with Sikyatki-Style Parrots signed in base NAMPEYO KOO.LOO height 11-1/2 inches x diameter 4-1/8 inches

Property from the Estate of Richard Altermann, Santa Fe, New Mexico Please note: Lot is located in and will ship from Cincinnati, Ohio $600 - 800

533

534

Jacob Koopee

(Hopi-Tewa, 1970-2011) Polychrome Pottery Jar, Auyatayi Dreams titled, hallmarked, and signed KOOPEE on base height 6 inches x diameter 9-3/4 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $1,500 - 2,500 534

*535

Tony Da

(San Ildefonso, 1940-2008) Black and Sienna Pottery Jar, with Gunmetal Finish signed on base height 6 inches x diameter 6 1/4 inches Property from the Estate of J. Mark and Barbara Crump, Elburn, Illinois Please note: Lot is located in and will ship from Cincinnati, Ohio 535

118 W E S T E R N A R T I N C L U D I N G C O N T E M P O R A R Y N AT I V E A M E R I C A N

$4,000 - 6,000

536

Russell Sanchez

(San Ildefonso, b. 1963) “Op Art” Pottery Jar signed on base height 6 1/2 inches x diameter 4 1/2 inches $1,000 - 1,500

536

537

Russell Sanchez

(San Ildefonso, b. 1963) Polychrome Lidded Jar body with sgraffito decorations; having brushed copper band bordered with two strands of heishi; micaceous lid; hallmarked on base height 5 inches x diameter 4 inches $1,000 - 1,500 537

538

Russell Sanchez

(San Ildefonso, b. 1963) Green and Sienna Pottery Vase, 1992 signed and dated on base height 5 inches x diameter 4 1/2 inches $800 - 1,200 538

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 119

539

Alvina Yepa

(Jemez, b. 1954) Redware Pottery lot of 2, includes: a melon jar signed on base height 4 inches x diameter 5 1/4 inches a jar with sgraffito decorations signed on base height 3 3/4 inches x diameter 4 3/4 Property from the Private Collection of Ross Hubbard, Naples, Florida Please note: Lot is located in and will ship from Cincinnati, Ohio 539

$800 - 1,200

540

Rebecca Lucario

(Acoma, b. 1951) Fine Line Pottery Jar signed on base Acoma NM R. Lucario height 5 inches x diameter 6 1/4 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $800 - 1,200 540

541

Rebecca Lucario

(Acoma, b. 1951) Polychrome Figural Seed Jar signed on base Acoma NM Rebecca Lucario height 2-1/2 inches x diameter 7-1/2 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona 541

120 W E S T E R N A R T I N C L U D I N G C O N T E M P O R A R Y N AT I V E A M E R I C A N

$600 - 800

542

Barbara and Joseph Cerno

(Acoma, b. 1951 and 1947) Polychrome Pottery Jar, with Trains, 2007 signed Acoma, New Mexico Barbara & Joseph Cerno and dated height 7 3/4 inches x diameter 9 7/8 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona 542

$1,000 - 2,000

543

Diego Romero

(Cochiti, b. 1964) Polychrome Pottery Bowl, “Paradox” featuring a central painting of Chongo being torn by an alternate reality; with gold painted checkered design signed along the outside of the rim CHONGO MADE AND PAINTED ME and title PARADOX height 4-1/8 inches x diameter 8-5/8 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona 543

$3,000 - 5,000

544

Diego Romero

(Cochiti, b. 1964) Pottery Bowl, Night Frolic painted with natural pigments and enhanced with gold leaf; titled and signed on exterior of rim height 3 1/2 inches x diameter 9 inches 544

$2,000 - 4,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 121

545

Diego Romero

(Cochiti, b. 1964) Pottery Vase, Shrek signed CHONGO ASSEMBLED AND PAINTED ME and titled SHREK height 7 7/8 inches x length 3 1/2 inches x width 4 1/4 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $3,000 - 5,000 545

546

Virgil Ortiz

(Cochiti, b. 1969) Conjoined Pottery Figures, 1995 signed on base Virgil Ortiz and dated height 11 3/4 inches x length 11 1/4 inches x width 9 3/4 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $2,000 - 4,000 546

547

Lisa Holt and Harlan Reano (Cochiti, b. 1980 / Kewa, b. 1978) Pottery Figure, Mermaid initialed on base height 10 1/2 inches x width 6 1/2 inches 547

122 W E S T E R N A R T I N C L U D I N G C O N T E M P O R A R Y N AT I V E A M E R I C A N

$800 - 1,200

548

Juan Quezada

(Mata Ortiz, b. 1940) Polychrome Pottery Bowl signed in base Juan Quezada height 4 inches x diameter 10 1/4 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $800 - 1,200

548

549

Noe Quezada

(Mata Ortiz, 21st century) Large Pottery Jar signed on base Noe Quezada height 15-1/2 inches x diameter 10-1/2 inches Property from the Estate of Donna Wasserstrom, Carefree, Arizona $600 - 800

549

550

Federico Jimenez

(Mixtec, b. 1941) Sterling Silver and Coral Cuff Bracelets lot of 2, both marked with a conjoined JF and STERLING, includes: a wide silver cuff set with five rows containing a total of 100 rectangular-shaped coral cabochons cuff width 1 5/8 inches, interior circumference 5 3/8 inches x gap length 1 3/8 inches, weight 86.4dwt. a silver cuff with two rows of channel inlaid coral cuff width 7/8 inch, interior circumference 5 1/4 inches x gap length 1 1/8 inches, weight 41.7 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio 550

$600 - 800

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 123

551

Mike Perez, White Buffalo

(Comanche, 20th century) Sterling Silver Jar, with Nevada Blue Turquoise Cabochon geometric and feathered designs, accented by a triangular shaped turquoise cabochon; signed on base with a W with an arrow through it, marked STERLING, and dated 91 height 5 3/8 inches x diameter 4 3/4 inches, weight 227.8 dwt. The Mark and Linda Miller Collection Please note: Lot is located in and will ship from Cincinnati, Ohio $1,000 - 1,500

551

552

Gary Reeves

(Diné, 1962-2014) Heavily Stamped Sterling Silver and Turquoise Lidded Box signed on base G. Reeves and marked STERLING height 1 1/4 inches x length 3 1/8 inches x width 3 1/8 inches; weight 129.2 dwt. $800 - 1,200

552

124 W E S T E R N A R T I N C L U D I N G C O N T E M P O R A R Y N AT I V E A M E R I C A N

553

Sunshine Reeves

(Diné, b. 1966) Miniature Sterling Silver Jar, with Kokopelli Lid signed on base SUNSHINE REEVES and marked STERLING height 3 3/4 inches x diameter 2 1/2 inches; weight 79.7 dwt. $600 - 800

553

554

Charles Loloma

(Hopi, 1921-1991) Ceramic Bowl signed on base loloma height 5 inches x diameter 6 3/4 inches Please note: Lot is located in and will ship from Cincinnati, Ohio $1,000 - 1,500 554

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 125

555

Charles Loloma

(Hopi, 1921-1991) Silver and Cobblestone Inlay Cuff Bracelet set with raised and graduated mosaic inly; signed in reverse loloma cuff width 1/2 inch, mosaic inlay height 3/4 inch, interior circumference 5 1/2 inches x gap length 1 1/8 inches, weight 22.8 dwt. The Chadwick Family Collection, New York Please note: Lot is located in and will ship from Cincinnati, Ohio $10,000 - 15,000

126 W E S T E R N A R T I N C L U D I N G C O N T E M P O R A R Y N AT I V E A M E R I C A N

557

556

Charles Loloma

(Hopi, 1921-1991) Silver Cuff Bracelet, with Ironwood, Turquoise, and Coral simplistically designed with tapered cuff set with raised ironwood, a small off centered turquoise cabochon, and a single piece of coral set near the opening; signed loloma cuff width 3/4 inch, interior circumference 5 5/8 inches x gap length 1 inch, weight 36.5 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio $8,000 - 10,000

557

Charles Loloma

(Hopi, 1921-1991) Silver and Turquoise Cuff Links signed loloma on reverse length 1 1/2 inches x width 1/2 inch AND 1 1/4 inches x width 1/2 inch. combined weight 17.0 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio $800 - 1,200

558

Charles Loloma

(Hopi, 1921-1991) Silver Pendant, with Mosaic Inlay strung on a leather thong, featuring a circular silver pendant set with turquoise, coral, serpentine, malachite, and lapis mosaic inlay; three silver pendant dangle from lower edge, one set with ironwood and another with coral; signed loloma on reverse pendant length 5 5/8 inches x width 2 3/4 inches, weight 48.2 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio 558

$3,000 - 5,000 V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 127

559

Victor Coochwytewa

559

(Hopi, 1922-2011) Silver Overlay Cuff Bracelet and Ring lot of 2, both with silver overlay geometric design and set with a single turquoise cabochon; marked with artist’s raincloud hallmark and flute player mark of Kopavi International (Shop, est. 1976) cuff width 7/8 inch, interior circumference 5 1/2 inches x gap length 1 3/8 inches, weight 38.4 dwt. ring size 6.25, weight 9.0 dwt. The Chadwick Family Collection, New York Please note: Lot is located in and will ship from Cincinnati, Ohio $1,000 - 2,000

560

Victor Coochwytewa

(Hopi, 1922-2011) Reversible Silver Overlay and Turquoise Necklace reversible silver overlay pendant features a flute player and turquoise cabochon on one side and a man in the maze decoration on the other; signed on pendant finding with artist’s raincloud hallmark and a flute player hallmark for Kopavi International (Shop, est. 1976) chain length 28-1/2 inches, pendant length 2 5/8 inches x width 2 1/4 inches, weight 55.9 dwt. The Chadwick Family Collection, New York

560

Please note: Lot is located in and will ship from Cincinnati, Ohio $800 - 1,200

561

Charles Loloma

(Hopi, 1921-1991) Silver Overlay Necklace, with Turquoise Cabochon signed loloma Private Collection of Julie Thoeny in Scottsdale, Arizona 561

128 W E S T E R N A R T I N C L U D I N G C O N T E M P O R A R Y N AT I V E A M E R I C A N

$5,000 - 7,000

562

Lawrence Saufkie

(Hopi, 1934-2011) Sterling Silver Overlay Squash Blossom Necklace ten silver overlay squash blossoms with geometric designs; silver overlay naja depicts a mudhead facing off with Avanyu; signed SAUFKIE and marked with artist›s bear hallmark and STERLING necklace length 23 1/4 inches; naja length 3 inches x width 2 1/4 inches; weight 88.7 dwt. The Chadwick Family Collection, New York Please note: Lot is located in and will ship from Cincinnati, Ohio $800 - 1,200

562

563

Phillip Sekaquaptewa

(Hopi, 1948-2003) Silver Link Necklace, with Gold Overlay and Turquoise silver links decorated with gold overlay and a single turquoise cabochon, attached with a gold chain; marked with artist’s hallmark and a conjoined HC for Hopicrafts (Shop, 1962-1983) necklace length 16 inches , pendant length 1 3/4 inches x width 1 3/8 inches, weight 30.4 dwt. The Chadwick Family Collection, New York Please note: Lot is located in and will ship from Cincinnati, Ohio $1,000 - 2,000

563

564

Verma Nequatewa, Sonwai

(Hopi, b. 1949) 14k Gold Cuff Links, set with Lapis and Coral signed on reverse SONWAI and marked 14k length 3/4 inch x width 5/8 inch, weight 8.8 dwt.

564

Please note: Lot is located in and will ship from Cincinnati, Ohio $1,000 - 1,500

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 129

565

Jesse Monongya

(Hopi / Diné, b. 1952) Gold Abstract Figural Brooch, set with Turquoise Coral, Opal and Lapis marked JMONONGYA length 1 1/2 inches x width 2-1/4 inches, weight 13.3 dwt.

565

$3,000 - 5,000

566

Tammy Garcia

(Santa Clara, b. 1969) Gold Geometric Pendant, on Chain not marked necklace length 18 inches; pendant length 1 1/8 inches x width 1 inch; weight 8.8 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio $1,500 - 2,500

566

567

Larry Golsh

(Pala Mission / Cherokee, b. 1942) Tufa Cast Sterling Silver Cuff Bracelet, with Turquoise Cabochon in an 18K Gold Setting signed with artist’s chevron hallmark and marked STERLING and 18K cuff width 1 1/4 inches, interior circumference 5 3/4 inches x gap length 7/8 inch, weight 78.1 dwt.

567

Please note: Lot is located in and will ship from Cincinnati, Ohio $1,500 - 2,500

130 W E S T E R N A R T I N C L U D I N G C O N T E M P O R A R Y N AT I V E A M E R I C A N

568

Orville Tsinnie

(Diné, 1943-2017) Sterling Silver and Turquoise Cuff Bracelet signed Orville Tsinnie of New Mexico and marked with artist›s mountain hallmark and STERLING cuff width 1 1/2 inches, interior circumference 5 1/2 inches x gap length 1 1/4 inches, weight 49.8 dwt. The Chadwick Family Collection, New York Please note: Lot is located in and will ship from Cincinnati, Ohio

568

$800 - 1,200

569

Orville Tsinnie

(Diné, 1943-2017) Matching Heavy Sterling Silver and Turquoise Cuff Bracelet AND Ring Set lot of 2, both signed Orville Tsinnie of New Mexico and marked with artist›s mountain hallmark and STERLING cuff width 2 1/4 inches, interior circumference 5 1/2 inches x gap length 1 1/8 inches, weight 81.6 dwt. ring size 9, weight 16.1 dwt. The Chadwick Family Collection, New York Please note: Lot is located in and will ship from Cincinnati, Ohio

569

$1,000 - 1,500

570

Orville Tsinnie

(Diné, 1943-2017) Sterling Silver and Turquoise Rings lot of 4, all marked STERLING and signed Orville Tsinnie of New Mexico sizes include 6.75, 8, and 7.25; combined weight 44.3 dwt. The Chadwick Family Collection, New York 570

Please note: Lot is located in and will ship from Cincinnati, Ohio $600 - 800

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 131

571

Esther Wood

(Diné, b. 1946) Silver, Turquoise, and Spiny Oyster Jewelry lot of 3, all signed Esther, includes: a heavy silver cuff, set with a row of spiny oyster cabochons in a shadowbox setting cuff width 1-3/8 inches, interior circumference 5-1/2 inches x gap length 1 inch, weight 112.6 dwt. a silver link pendant/pin forming an abstract Shalako figure, inlaid with turquoise cabochons length 4 inches x width 1-3/4 inches, weight 18.1 dwt. a silver pendant set with a turquoise and spiny oyster cabochon in a rope bezel length 2 inches x width 1 inch, weight 12.6 dwt. 571

Please note: Lot is located in and will ship from Cincinnati, Ohio $600 - 800

572

Esther Wood

572

(Diné. b.1946) Silver and Turquoise Matching Suite lot of 4, all signed Esther, includes: a silver wire cuff, set with three turquoise cabochons in twisted wire bezels cuff width 1 1/4 inches, interior circumference 5 1/2 inches x gap length 3/4 inch, weight 37.7 dwt. a pair of silver earrings, each set with a single turquoise cabochon in a twisted wire bezel length 1 1/8 inches x width 3/4 inch, weight 8.5 dwt. silver pendant set with a turquoise cabochon in a twisted wire bezel length 2 inches x width 1 inch, weight 9.9 dwt. a split shank silver ring, set with a single turquoise cabochon in a twisted wire bezel ring size 6.75, weight 5.7 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio $600 - 800

573

Oscar Alexius

(Diné, b. 1949) Pair of Sterling Silver and Turquoise Cuff Bracelets lot of 2, includes: a slender silver cuff, set with a row of seven turquoise cabochons; signed Oscar Alexius and marked Sterling 5/8 inches, interior circumference 5 3/4 inches x gap length 1 1/4 inches, weight 40.8 dwt. a three-strand wire cuff, set with four turquoise cabochons in twisted wire bezels cuff width 1 1/8 inches, interior circumference 5 3/8 inches x gap length 1 1/2 inches, weight 38.8 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio 573

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$600 - 800

574

Norbert Peshlakai

(Diné, b. 1953) 2 Cuff Bracelets, Belt Buckle and Earrins Silver Jewelry, with Inlay

574

lot of 4, includes: a silver cuff, set with a single coral cabochon marked with artist’s hallmark O cuff width 1 1/2 inches, interior circumference 5 3/4 inches x gap length 1 1/4 inches, weight 56.1 dwt. a silver cuff, with overlay wave design marked with artist’s hallmark O cuff width 1 inch, interior circumference 6 3/4 inches x gap length 1 1/4 inches, weight 37.1 dwt. a cast silver belt buckle with central set stone marked with artist’s hallmark O length 2 1/4 inches x width1 1/2 inches, weight 33.6 dwt. a pair of silver hook earrings marked with artist’s hallmark O drop length 2 inches, weight 4.2 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio $1,000 - 1,400

575

McKee Platero

(Diné, b. 1957) Heavily Stamped Silver Concha Belt signed MP with three dots belt length 36 inches; concha length 3-3/8 inches x width 3 inches; buckle length 4 inches x width 3 inches; weight 335.0 dwt. The Collection of Michelle Smith, Washington, D.C. Please note: Lot is located in and will ship from Cincinnati, Ohio 575

$6,000 - 8,000

576

Albert Jake

(Diné, b. 1959) Sterling Silver and Turquoise Cuff Bracelet signed A. JAKE and marked Sterling cuff width 7/8 inch, interior circumference 5 1/4 inches x gap length 1 3/8 inches, weight 37.5 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio 576

$500 - 700

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 133

577

Alex Sanchez

577

(Diné, b. 1969) Sterling Silver Cuff Bracelets, with Inlay lot of 2, both signed Alex Sanchez and marked Sterling, includes: a cast silver cuff featuring animal designs and set with a larger central turquoise cabochon and a smaller off centered coral cabochon cuff width 1 1/8 inches, interior circumference 5 1/4 inches x gap length 1 1/4 inches, weight 71.8 dwt. a cast silver cuff with dragonfly and geometric designs, set with an off centered spiny oyster cabochon cuff width 5/8 inch, interior circumference 5 1/2 inches x gap length 1 3/8 inches, weight 39.6 dwt Please note: Lot is located in and will ship from Cincinnati, Ohio $800 - 1,200

578

Alex Sanchez

578

(Diné, b. 1969) Pair of Sterling Silver Cuff Bracelets and Ring lot of 3, all signed Alex Sanchez and marked Sterling, includes: a slender cast silver cuff with bear design and set with turquoise and coral cabochons cuff width 1/4 inch, interior circumference 5 3/4 inches x gap length 7/8 inch, weight 43.1 dwt. a cast silver cuff with geometric designs and set with two spiny oyster cabochons cuff width 1 inch, interior circumference 5 3/4 inches x gap length 1 1/8 inches, weight 50.7 dwt. a cast silver ring with geometric designs and set with a single teardrop-shaped turquoise cabochon ring size 7.75, weight 10.5 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio $500 - 700

579

Alex Sanchez

579

(Diné, b. 1969) Group of Sterling Silver Cuff Bracelets, with Inlay lot of 3, all signed Alex Sanchez and marked Sterling, includes: a cast silver cuff, set with a single turquoise cabochon cuff width 5/8 inches, interior circumference 5 1/2 inches x gap length 1 inch, weight 41.3 dwt. a cast silver cuff with bear, dragonfly, and geometric designs; set with jet and coral cuff width 5/8 inch, interior circumference 6 inches x gap length 7/8 inch, weight 52.1 dwt. a cast silver cuff with geometric designs and set with a single spiny oyster cabochon cuff with 5/8 inch, interior circumference 6 inches x gap length 1 inch, weight 43.7 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio $600 - 800

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580

Victor Beck

(Diné, b. 1941) Belt Buckle Silver, Coral, and Shell Belt Buckle, Accented with Gold signed Victor Beck on reverse length 3 inches x width 1 5/8 inches, weight 42.7 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio 580

$600 - 800

581

Harry H. Begay

(Diné, act. since 1970s) Silver and #8 Turquoise Cuff Bracelet marked HHB and artist’s arrow hallmark cuff width 1 inch, interior circumference 5 1/2 inches x gap length 1 inch, weight 57.2 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio 581

$800 - 1,200

582

Navajo Silver and Turquoise Concha Belt

second half 20th century eight round silver conchas and matching buckle, each set with a single turquoise cabochon between two silver overlay Rainbow Guardian figures; marked A NAVAJO belt length 45 inches, concha and buckle diameter 3-5/8 inches, total weight 646.4 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio $800 - 1,200 582

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 135

583

Harry H. Begay

(Diné, act. since 1970s) Silver and #8 Turquoise Cuff Bracelet marked HHB with arrow hallmark cuff width 7/8 inch, interior circumference 5 1/2 inches x gap length 3/4 inch, weight 57.2 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio $800 - 1,200 583

584

Liz Wallace

(Diné / Washoe / Maidu, b. 1975) Silver and Turquoise Hook Earrings marked with artist initials on reverse length 1-3/4 inches, weight 8.8 dwt. The Collection of Michelle Smith, Washington, D.C. Please note: Lot is located in and will ship from Cincinnati, Ohio $800 - 1,200

584

585

David Tune

(Creek / Diné, act. since 1976) Silver and Cobblestone Inlay Cuff Bracelet and Ring Set cuff signed DAVID TUNE marked STERLING along with artist’s hallmark; ring marked with artist’s hallmark ring size 8; weight 25.3 dwt. cuff width 7/8 inch, interior circumference 5 1/2 inches x gap length 1 1/4 inches; weight 59.2 dwt. The Chadwick Family Collection, New York 585

Please note: Lot is located in and will ship from Cincinnati, Ohio $600 - 800

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586

Edith Tsabetsaye

(Zuni, b. 1940) Silver Ring, with Needle Point Turquoise signed EZT size 6.25, weight 5.9 dwt. The Chadwick Family Collection, New York 586

Please note: Lot is located in and will ship from Cincinnati, Ohio $600 - 800

587

Benji and Shirley Tzuni

(Zuni, act. since 1970s) Mosaic Inlay Sunface Necklace, Cuff Bracelet, and Ring Set, 1983 lot of 3, matched set; all signed Benji - Shirly Tzuni ZUNI cuff width 2 1/2 inches, interior circumference 5 1/4 inches x gap length 1 3/8 inches, weight 32.7 dwt. necklace length 26 5/8 inches, weight 55.8 dwt. ring size 6.75, weight 4.3 dwt.

587

The Chadwick Family Collection, New York Please note: Lot is located in and will ship from Cincinnati, Ohio $800 - 1,200

588

Augustine and Rosalie Pinto AND Beverly Etsate, Collaboration

(Zuni, 1921-2002 and 20th century) Silver and Mosaic Inlay Concha Belt, with Katsinas and Dancers features eleven conchas and belt buckle, each with different mosaic inlay dancers and katsinas; signed ARP, Zuni, NM, Bev. Etsate belt length 45 3/4 inches, concha length 2 1/4 inches x width 1 5/8 inches, buckle length 3 1/4 inches x width 2 3/8 inches, total weight 269.8 dwt. 588

The Chadwick Family Collection, New York Please note: Lot is located in and will ship from Cincinnati, Ohio $1,000 - 2,000

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 137

589

Zuni Silver and Mosaic Inlay Sunface Squash Blossom Necklace

third quarter 20th century twelve squash blossoms and matching naja, each set with turquoise, coral, shell, and jet mosaic inlay Private Collection of Julie Thoeny in Scottsdale, Arizona Please note: Lot is located in and will ship from Cincinnati, Ohio 589

$1,000 - 2,000

590

Frank Vacit

(Zuni, 1915-1999) Silver and Turquoise Channel Inlay Necklace, Ring and Screwback Earrings Set lot of 3, the ring and necklace marked with artist’s fleur-dis-lis hallmark; earrings unmarked necklace length 18 1/2 inches, weight 23.4 dwt. ring size 8, weight 7.0 dwt. earring length 1 1/2 inches, weight 3.1 dwt. The Chadwick Family Collection, New York

590

Please note: Lot is located in and will ship from Cincinnati, Ohio $600 - 800

591

Julian Lovato

(Kewa, 1922-2018) Sterling Silver and Turquoise Cuff Bracelet signed J. LOVATO and marked with artist’s thunderbird hallmark and STERLING cuff width 1 1/4 inches, interior circumference 5 3/4 inches x gap length 7/8 inch, weight 65.5 dwt. Please note: Lot is located in and will ship from Cincinnati, Ohio 591

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$1,500 - 2,500

592

Julian Lovato

(Kewa, 1922-2018) Sterling Silver and Turquoise Cuff Bracelet signed J. LOVATO and marked with artist’s thunderbird hallmark and STERLING cuff width 1 inch, interior circumference 5 5/8 inches x gap length 1 1/8 inches, weight 50.5 dwt. 592

Please note: Lot is located in and will ship from Cincinnati, Ohio $800 - 1,200

593

Richard Chavez

(San Felipe, b. 1949) Silver Choker and Matching Post Earrings, with Coral, Jet, and Turquoise Mosaic Inlaid Edges artist’s RC hallmark on the back of necklace necklace length 10 inches; pendant length 1 1/2 inches; weight 27.7 dwt; earring drop length 1 3/8 inches; weight 2.3 dwt. Custom made for consignor’s mothers’s 25th wedding anniversary in 1979. Includes letters from Richard regarding the making of the set. Please note: Lot is located in and will ship from Cincinnati, Ohio $1,500 - 2,500 593

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 139

PIERRE-AUGUSTE RENOIR (FRENCH, 1841-1919) LES FLEURS, 1913 SOLD FOR $400,000 SOLD PRICES ARE INCLUSIVE OF BUYER’S PREMIUM

140 W E S T E R N A R T I N C L U D I N G C O N T E M P O R A R Y N AT I V E A M E R I C A N

Upcoming Auction Schedule SALE 940-941 EUROPEAN FURNITURE & DECORATIVE ARTS OCTOBER 19-20 | CHICAGO & ONLINE SALE 942 SPORTS MEMORABILIA OCTOBER 26 | ONLINE ONLY SALE 943 ESSENTIAL JEWELRY OCTOBER 27 | ONLINE ONLY SALE 1050 FINE SILVER NOVEMBER 1 | ONLINE ONLY SALE 912 MARILYN EBER COLLECTION OF NATIVE AMERICAN ART NOVEMBER 3 | DENVER 951-952 WESTERN ART, INCLUDING CONTEMPORARY NATIVE AMERICAN ART NOVEMBER 4-5 | DENVER & ONLINE SALE 945

FINE BOOKS & MANUSCRIPTS VARIOUS OWNER NOVEMBER 9 | CHICAGO SALE 964 THE CIVIL WAR COLLECTION OF JAMES C. FRASCA NOVEMBER 12 | CINCINNATI SALE 955 THE HENRY FITZ JR. ARCHIVE OF PHOTOGRAPHIC HISTORY NOVEMBER 15 | CINCINNATI SALE 960 AMERICAN HISTORICAL EPHEMERA & PHOTOGRAPHY NOVEMBER 15 | CINCINNATI SALE 957 MODERN DESIGN NOVEMBER 16 | CHICAGO SALE 958 EARLY 20TH CENTURY DESIGN NOVEMBER 17 | CINCINNATI SALE 910

ANTIQUITIES & ETHNOGRAPHIC ART NOVEMBER 18 | CHICAGO SALE 967 NATIVE AMERICAN ART ONLINE NOVEMBER 29 | CINCINNATI SALE 961 AMERICAN HISTORICAL EPHEMERA & PHOTOGRAPHY NOVEMBER 30 | CINCINNATI SALE 962 WINTER FASHION & ACCESSORIES DECEMBER 1 | CHICAGO SALE 963 ESSENTIAL JEWELRY DECEMBER 2 | CHICAGO SALE 969 FINE ART & DESIGN SELECTIONS DECEMBER 3 | ONLINE ONLY SALE 966 IMPORTANT JEWELRY DECEMBER 7 | CHICAGO

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 141

Western Art Including Contemporary Native American

BART MONSON DIRECTOR, SPECIALIST WESTERN ART

ALEXANDRIA DREAS CATALOGUER

MARON HINDMAN VICE CHAIR

303.825.1855 ALEXANDRIADREAS @HINDMANAUCTIONS.COM

303.825.1855 MARONHINDMAN @HINDMANAUCTIONS.COM

DANICA FARNAND DIRECTOR, SENIOR SPECIALIST

ERIN RUST SPECIALIST

513.871.1670 DANICAFARNAND @HINDMANAUCTIONS.COM

513.871.1670 ERINRUST @HINDMANAUCTIONS.COM

JOSEPH STANFIELD VICE PRESIDENT, SENIOR SPECIALIST

312.600.6063 BARTMONSON @HINDMANAUCTIONS.COM

312.600.6063 JOSEPHSTANFIELD @HINDMANAUCTIONS.COM

Estates, Appraisals & Business Development

ALYSSA D. QUINLAN EXECUTIVE VICE PRESIDENT, CHIEF BUSINESS DEVELOPMENT OFFICER 312.447.3272 ALYSSAQUINLAN @HINDMANAUCTIONS.COM

MOLLY E. GRON, J.D. VICE PRESIDENT, NATIONAL DIRECTOR, TRUSTS & ESTATES SENIOR DIRECTOR, CHICAGO 312.334.4235 MOLLYGRON @HINDMANAUCTIONS.COM

TIM LUKE CAI, BAS, MPPA, ISA-AM DIRECTOR, APPRAISALS & VALUATIONS 561.833.8053 TIMLUKE @HINDMANAUCTIONS.COM

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NAPLES ELIZABETH RADER, PHD BUSINESS DEVELOPMENT DIRECTOR 239.643.4448 NAPLES@HINDMANAUCTIONS.COM

ST. LOUIS ANNA SHAVER BUSINESS DEVELOPMENT DIRECTOR 314.833.0833 STLOUIS@HINDMANAUCTIONS.COM

DENVER MARON HINDMAN VICE CHAIR 303.825.1855 DENVER@HINDMANAUCTIONS.COM

MIAMI, PALM BEACH SARAH ROY BUSINESS DEVELOPMENT DIRECTOR 561.833.8053 PALMBEACH@HINDMANAUCTIONS.COM

WASHINGTON D.C. MAURA ROSS BUSINESS DEVELOPMENT DIRECTOR 202.853.1638 WASHINGTONDC@HINDMANAUCTIONS.COM

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Inquiries LEADERSHIP JAY FREDERICK KREHBIEL CO-CHAIR CHIEF EXECUTIVE OFFICER LESLIE HINDMAN CO-CHAIR WES COWAN VICE-CHAIR MARON HINDMAN VICE-CHAIR ALYSSA D. QUINLAN EXECUTIVE VICE PRESIDENT CHIEF BUSINESS DEVELOPMENT OFFICER ALYSSAQUINLAN @HINDMANAUCTIONS.COM JIM SHARP EXECUTIVE VICE PRESIDENT CHIEF OPERATING OFFICER JIMSHARP @HINDMANAUCTIONS.COM MOLLY MORSE LIMMER EXECUTIVE VICE PRESIDENT DEPUTY CHAIRMAN MOLLYLIMMER @HINDMANAUCTIONS.COM OPERATIONS MAGGIE PORTER VP SALES STRATEGY, DEPUTY COO MAGGIEPORTER @HINDMANAUCTIONS.COM TARA SCHLITZ DIRECTOR, ONLINE SALES RACHEL DALLMAN SENIOR MANAGER, AUCTION OPERATIONS AIMEE SCHNEIDER MANAGER, AUCTION OPERATIONS

APPRAISALS NNEKA DUNHAM MANAGER, APPRAISALS NNEKADUNHAM @HINDMANAUCTIONS.COM MUSEUM SERVICES CAROLINE MUJICA-PARODI DIRECTOR, MUSEUM SERVICES CAROLINEMUJICA @HINDMANAUCTIONS.COM MICHAEL SHAPIRO SENIOR ADVISOR MUSEUMS & PRIVATE COLLECTIONS BRIAR KOEHL OLEFERCHIK BUSINESS DEVELOPMENT, SENIOR ASSOCIATE MUSEUM SERVICES FINE ART JOSEPH STANFIELD VICE PRESIDENT, SENIOR SPECIALIST JOSEPHSTANFIELD @HINDMANAUCTIONS.COM ZACK WIRSUM SENIOR SPECIALIST, POST WAR & CONTEMPORARY ART ZACHARYWIRSUM @HINDMANAUCTIONS.COM MONICA BROWN SENIOR SPECIALIST, PRINTS & MULTIPLES MONICABROWN @HINDMANAUCTIONS.COM BART MONSON DIRECTOR, SPECIALIST, WESTERN & WILDLIFE ART BARTMONSON @HINDMANAUCTIONS.COM PAULINE ARCHAMBAULT SPECIALIST NATE BRADY ASSOCIATE SPECIALIST

FINANCE MARCO GUSELLA DIRECTOR MARCOGUSELLA @HINDMANAUCTIONS.COM

ALEXANDRIA DREAS CATALOGUER

CLIENT SERVICES RITA SWANBERG MANAGER, CLIENT SERVICES RITASWANBERG @HINDMANAUCTIONS.COM 312.280.1212

ABBY CHAMBERS DEPARTMENT CATALOGUER

KATHRYN HODGE CLIENT SERVICES ASSOCIATE KATHRYNHODGE @HINDMANAUCTIONS.COM JOHN MARTINEZ CLIENT SERVICES ASSOCIATE JOHNMARTINEZ @HINDMANAUCTIONS.COM ESTATES & BUSINESS DEVELOPMENT MIRANDA MAXFIELD BUSINESS DEVELOPMENT SENIOR ASSOCIATE MIRANDAMAXFIELD @HINDMANAUCTIONS.COM SAMANTHA SCHWARTZ BUSINESS DEVELOPMENT ASSOCIATE, TRUSTS & ESTATES SAMANTHASCHWARTZ @HINDMANAUCTIONS.COM HANNAH UNGER BUSINESS DEVELOPMENT ASSOCIATE, EAST HANNAHUNGER @HINDMANAUCTIONS.COM

JULIANNA TANCREDI CATALOGUER

CHRISTINA KIRIAKOS DEPARTMENT COORDINATOR EUROPEAN FURNITURE & DECORATIVE ARTS CORBIN HORN VICE PRESIDENT, SENIOR SPECIALIST CORBINHORN @HINDMANAUCTIONS.COM NICK COOMBS SENIOR SPECIALIST NICKCOOMBS @HINDMANAUCTIONS.COM DONNA TRIBBY SENIOR SPECIALIST GENEVIEVE KING ASSOCIATE SPECIALIST KATE STAMM ASSOCIATE SPECIALIST ELIZABETH REED CATALOGUER NICHOLAS GORDON DEPARTMENT COORDINATOR

AMERICAN FURNITURE, FOLK & DECORATIVE ARTS BEN FISHER DIRECTOR, SENIOR SPECIALIST BENJAMINFISHER @HINDMANAUCTIONS.COM JENNIFER HOWE SENIOR SPECIALIST JENNIFERHOWE @HINDMANAUCTIONS.COM LEAH VOGELPOHL SPECIALIST KATIE BENEDICT DEPARTMENT COORDINATOR ANTIQUITIES & ANCIENT ART JACOB COLEY DIRECTOR, SPECIALIST JACOBCOLEY @HINDMANAUCTIONS.COM BEN WILSON DEPARTMENT COORDINATOR MODERN DESIGN HUDSON BERRY DIRECTOR, SPECIALIST HUDSONBERRY @HINDMANAUCTIONS.COM SABRINA GRANADOS ASSOCIATE CATALOGUER NATIVE AMERICAN, PREHISTORIC & TRIBAL ART DANICA FARNAND DIRECTOR, SENIOR SPECIALIST DANICAFARNAND @HINDMANAUCTIONS.COM

JEWELRY & TIMEPIECES SALLY KLARR, G.G. DIRECTOR, SENIOR SPECIALIST SALLYKLARR @HINDMANAUCTIONS.COM KATIE HAMMOND GUILBAULT, G.G. BUSINESS DEVELOPMENT DIRECTOR, SAN DIEGO, SENIOR SPECIALIST, JEWELRY AND TIMEPIECES KATIEGUILBAULT @HINDMANAUCTIONS.COM RUTH THUSTON, G.G. SENIOR SPECIALIST RUTHTHUSTON @HINDMANAUCTIONS.COM MARISA ACKERMAN, G.G. SPECIALIST MARISAACKERMAN @HINDMANAUCTIONS.COM KARINA HAMMER, G.G. SPECIALIST KARINAHAMMER @HINDMANAUCTIONS.COM MADELINE SCHROEDER CATALOGUER HANA THOMSON CATALOGUER GINA O’CONNOR DEPARTMENT COORDINATOR COUTURE & LUXURY ACCESSORIES TIMOTHY LONG DIRECTOR, SENIOR SPECIALIST TIMOTHYLONG @HINDMANAUCTIONS.COM

ERIN RUST SPECIALIST ERINRUST @HINDMANAUCTIONS.COM

MICHAEL HALL CATALOGUER MICHAELHALL @HINDMANAUCTIONS.COM

MADISON LIGHT ASSOCIATE CATALOGER

MARIELLE EPSTEIN DEPARTMENT COORDINATOR

BOOKS & MANUSCRIPTS GRETCHEN HAUSE VICE PRESIDENT, SENIOR SPECIALIST GRETCHENHAUSE @HINDMANAUCTIONS.COM

SPORTS MEMORABILIA JAMES SMITH SPECIALIST JAMESSMITH @HINDMANAUCTIONS.COM

KATIE HORSTMAN SENIOR SPECIALIST KATIEHORSTMAN @HINDMANAUCTIONS.COM DANIELLE LINN SPECIALIST EMILY PAYNE SPECIALIST KAYLAN GUNN ASSOCIATE SPECIALIST FRANCIS WAHLGREN SENIOR CONSULTANT LESLIE WINTER ASSOCIATE SPECIALIST PATRICIA TENCH SENIOR CATALOGUER BENTON LUDGIN DEPARTMENT COORDINATOR ASIAN ART ANNIE WU DIRECTOR, SENIOR SPECIALIST ANNIEWU @HINDMANAUCTIONS.COM

BENTON LUDGIN DEPARTMENT COORDINATOR MARKETING ASHLEY GALLOWAY VICE PRESIDENT PHOTOGRAPHY ZOË BARE DIRECTOR OF PHOTOGRAPHY DAVID JACKSON PHOTOGRAPHY SUPERVISOR AVERY CAMPBELL CARMEN COLOME ALEXANDRIA DREAS* DEOGRACIAS LERMA AMELIA MOORE LIBBY MOORE JEREMY RAFTER MIKE REINDERS BILL ROSS RACHEL SMITH * LEAD PHOTOGRAPHER FOR SALE 951 10/1

FLORA ZHANG ASSOCIATE SPECIALIST FLORAZHANG @HINDMANAUCTIONS.COM MEGAN SADLER CATALOGUER

V I E W T H E C O M P L E T E C ATA L O G U E AT H I N D M A N A U C T I O N S . C O M 143

Guide for Prospective Sellers Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Hindman LLC and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; and twenty-five percent (25%) of the hammer price on each lot sold for less than $5,001, with a minimum commission of $75 per lot sold. If your property fails to reach the reserve price agreed upon between you and Hindman LLC, you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Hindman LLC can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Hindman LLC and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.334.4232 for further information.

GUIDE FOR PROSPECTIVE BUYERS Conditions of Sale All bidders with Hindman LLC must read and agree to Conditions of Sale posted in this catalogue prior to bidding at an auction. Viewing Auction Items It is highly recommended that all prospective bidders either view the sale via our online catalogue or contact Hindman LLC for further images or to schedule an appointment to view objects in person. Estimates Hindman LLC provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports.

Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Hindman LLC a buyer’s premium as well as any applicable taxes. Bidding Increments Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The standard bidding increments are:

$0 - $500 ........................................ $25 $500 - $1,000 ..................................... $50 $1,000 - $2,000 ................................... $100 $2,000 - $5,000 ................................... $250 $5,000 - $10,000 ................................. $500 $10,000 - $20,000 .............................. $1,000 $20,000 - $50,000 .............................. $2,500 $50,000 - $100,000 ............................ $5,000 $100,000 - $200,000 .......................... $10,000 Above > $200,000 .... At Auctioneer’s Discretion

In-House Bidding Our auctions are free and open to the public with no obligation for attendees to bid. Registration requires your full contact information, photo identification, credit card information, your signature and agreement to the Conditions of Sale.. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Live Bid Online Hindman LLC allows absentee and live bidding through our website at hindmanauctions.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at hindmanauctions.com. Absentee Bidding If you are unable to attend an auction, you may place an absentee bid, either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. An absentee bid is the highest price you are willing to pay exclusive of buyer’s premium and applicable sales tax. Hindman LLC will exercise absentee bids at no additional charge. Absentee bids are always confidential, and bids are executed at the lowest price possible by the auctioneer according to reserves and competing bids. Telephone Bidding You may register telephone bid requests either through our website at hindmanauctions.com or through the bid form provided at the back of this catalogue. Upon registering for a telephone bid, you will be called on the day of the auction by a Hindman representative approximately five lots before your item is scheduled to be sold. They will communicate to you the bidding activity and will relay your bids to the auctioneer at your discretion. Please note we can only accept telephone bids for lots with a low estimate of $300 or above unless otherwise noted online. Telephone bids may be requested up to 2 hours prior to the auction start time. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law. Updated 8/13

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Conditions of Sale These Conditions of Sale set out the terms upon which Hindman LLC (“we,” “us,” or “our”) sells property by lot in this catalogue. You agree to be bound by these terms by registering to bid and/or by bidding in our auction.

A. BEFORE THE AUCTION

1. LOT DESCRIPTIONS AND WARRANTIES Our description of a lot, any statement of a lot’s condition, and any other oral or written statement about a lot—such as its nature, condition, artist, period, materials, dimensions, weight, exhibition or publication history, or provenance—are our opinion and shall not to be relied upon by you as a statement of fact. Except for the limited authenticity warranty contained in paragraphs E and F below, we do not provide any guarantee of our description or the nature of a lot. 2. CONDITION The physical condition of lots in our auctions can vary due to age, normal wear and tear, previous damage, and restoration/repair. All lots are sold “AS IS,” in the condition they are in at the time of the auction, and we and the seller make no representation or warranty and assume no liability of any kind as to a lot’s condition. Any reference to condition in a catalogue description or a condition report shall not amount to a full accounting of condition and may not include all faults, inherent defects, restoration, alteration, or adaptation. Likewise, images in our catalogue may not depict a lot accurately, as colors and shades may appear different in print or on screen than on physical inspection. We are not responsible for providing you with a description of a lot’s condition in the catalogue or in a condition report. 3. VIEWING LOTS We offer pre-auction viewings, either scheduled or by appointment, that are free of charge. If you believe that the catalogue description or condition reports are not sufficient, we suggest you inspect a lot personally or through a knowledgeable representative before you bid on a lot to make sure that you accept the description and its condition. We recommend you hire a professional adviser if you are not familiar with how to address the nature or condition of an object. 4. ESTIMATES Estimates of a lot account for the condition, rarity, quality, and provenance of the object and are based upon prices realized for similar objects in past auctions. Neither you nor anyone else may rely on our estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium, any applicable taxes, and any other applicable charges. 5. WITHDRAWAL We may, in our sole discretion, withdraw a lot from auction at any time prior to or during the sale and shall have no liability to you for our decision to withdraw.

B. REGISTERING TO BID

1. NEW BIDDERS New bidders must register at least twenty-four (24) hours before an auction and must provide us with documentation of their identity. (a) Individuals must provide photo identification (driver’s license, non-driver ID card, or passport) and, if not shown on the photo identification, proof of current address (a current utility bill or bank statement). (b) Corporate clients must provide a Certificate of Incorporation or its equivalent bearing the company’s name and registered address, together with documentary proof of directors and beneficial owners. (c) Trusts, partnerships, offshore companies, and other business entities must contact us in advance of the auction to discuss our requirements. If we are not satisfied with the information you provide us in our bidder identification and other registration procedures, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller. New bidders may be required to provide us with a financial reference and/or a deposit before we allow them to bid. 2. RETURNING BIDDERS If you have not bought anything from us recently, then we may require you to register as a new bidder, as described in the paragraph above. Please contact us at least twenty-four (24) hours prior to the auction. 3. BIDDING FOR ANOTHER PERSON If you are bidding as an agent on behalf of another person, your principal must be a registered bidder and must provide us with written authorization allowing you to bid. You, as the agent, shall accept personal liability to pay the purchase price and all other sums due unless we have agreed in writing before the auction that you are acting as an agent on behalf of your principal and that we will only seek payment from your principal.

4. BIDDING IN THE SALEROOM If you wish to bid in the saleroom, you must first acquire a bidding paddle at least thirty (30) minutes before the auction. 5. OUR BIDDING SERVICES We offer the following bidding services as a convenience to our clients, subject to these Conditions of Sale. We shall not be responsible for any error, omission, or failure, human or otherwise, in providing these services. (a) Phone Bids: You must contact us at least twenty-four (24) hours prior to the auction to arrange a phone bid. We will accept bids by telephone for lots only if our staff is available to take the bids. We agree that we may record telephone bids. (b) Internet Bids: You can bid in our live sales via our bidding platform or through third-party bidding sites. (c) Written Bids: You can find a Written Bid Form in the back of our catalogues, at the auction location, or online at www.hindmanauctions.com. We must receive your completed Written Bid Form at least twenty-four (24) hours before the auction. We will endeavor to execute written bids at the lowest possible price consistent with the reserve. If you make a written bid on a lot that does not have a reserve and there is no higher bid than yours, we will bid on your behalf at approximately fifty percent (50%) of the low estimate or, if lower, the amount of your bid. The first written bid we receive of those for identical amounts will be given priority over other bids. 6. CREDIT CARD AUTHORIZATION HOLD When you register to bid you may be asked to provide us with a valid credit card number. You authorize us to verify the validity of the credit card by placing a $100 authorization hold on the card that will remain until it falls off, usually within 48 hours.

C. DURING THE AUCTION

1. BIDDING IN THE AUCTION (a) Live Auctions. We will appoint an individual auctioneer to administer a live auction. The auctioneer may accept bids from (a) written bids left with us by bidders before the auction; (b) bidders in the saleroom; (c) telephone bidders; and (d) Internet bidders. Bidding generally starts below the low estimate and increases in steps, called bid increments. The auctioneer will decide at his/ her sole option where the bidding should start and the bid increments. Bid increments may vary from auction to auction. You shall comply with all laws and regulations in force that govern your bidding. (b) Online-only Auctions. Bids may only be submitted on our website or through third-party bidding sites between the dates and times specified in the lot’s description. Your bid is submitted once you place and confirm your bid amount. You agree that a bid is final once it is placed and that you may never amend or revoke your bid. You are fully responsible for any errors you make in bidding. Bidding generally opens at or below the low estimate and increases in steps (bidding increments) to be determined in Hindman’s sole discretion. 2. AUCTIONEER’S DISCRETION The auctioneer shall have absolute discretion to (a) admit a bidder into or remove a bidder from the saleroom or online auction; (b) accept or refuse any bid; (c) change the order of the lots in the auction; (d) move the bidding backward or forward; (e) withdraw any lot from the auction; (f) divide any lot or combine any two or more lots; (g) reopen or continue the bidding even after the hammer has fallen; and (h) continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot in the event that there is an error or dispute related to bidding or the application of the reserve, whether during or after the auction. You must provide us with written notice within three (3) business days of the date of the auction if you believe that the auctioneer has accepted the successful bid in error. The auctioneer will consider the claim and decide in good faith if the sale of the lot is final, whether he/she will cancel the sale of the lot, or whether he/she will reoffer and resell the lot. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way affect our ability to cancel the sale of a lot under other applicable provisions of these Conditions of Sale, including the rights of cancellation set forth in sections B(1), D(6), E(2), and G(1). 3. BIDDING ON BEHALF OF THE SELLER The auctioneer may, at his/her sole option, bid on behalf of the seller up to one bidding increment before the reserve by making either consecutive or responsive bids. The auctioneer will not identify these as bids made on behalf of the seller. If a lot is offered without reserve, the auctioneer will open the bidding at approximately fifty percent (50%) of the lot’s low estimate; where necessary, will lower the asking bid until a bid is received; and will solicit higher bids from that amount. If there are no bids on a lot, the auctioneer may deem the lot unsold.

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4. SUCCESSFUL BIDS AND INVOICES Subject to paragraph C(2), the contract of sale between the seller and the successful bidder is formed when the final bid is accepted and the auctioneer’s hammer strikes. The successful bid price is the hammer price, and we will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by mail and/or email after the auction, we shall not be responsible for telling you whether your bid was successful. You should contact us immediately after the auction to find out the success of your bid in order to avoid having to pay storage charges.

D. AFTER THE AUCTION

1. THE BUYER’S PREMIUM In addition to the hammer price, the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots, we charge twenty-five percent (25%) of the hammer price up to and including $400,000; twenty percent (20%) of any amount in excess of $400,001 up to and including $4,000,000; and twelve percent (12%) of any amount in excess of $4,000,001. If the bidder bids through a third-party platform the bidder agrees to pay us a surcharge equal to the fee levied by the third-party platform. The third-party platform fee is in addition to the buyer’s premium. 2. TAXES The successful bidder is responsible for any applicable taxes, including any sales or use tax or equivalent tax wherever such taxes may arise on the hammer price, the buyer’s premium, and/or any other charges related to the lot. A sales or use tax is dependent upon a number of factors, including, but not limited to, our volume of sale and the place of delivery of the lot, regardless of the nationality or citizenship of the successful bidder. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or where it is picked-up in person. We collect sales tax in states where legally required. 3. MAKING PAYMENT (a) Immediately following the auction, you must pay the purchase price, consisting of the hammer price, plus the buyer’s premium, plus any applicable duties and sales, use, or other applicable taxes. Payment is due no later than by the end of the seventh (7th) calendar day following the date of the auction, which we refer to as the due date. (b) We will only accept payment from the registered successful bidder. Once issued, we cannot change the buyer’s name on an invoice or reissue the invoice in a different name. (c) You must pay for lots in US dollars in one of the following ways: (i) Wire transfer. (ii) Bank checks: You must make these payable to Hindman LLC, and we may impose other conditions. Once we have deposited your check, property cannot be released until five (5) business days have passed. (iii) Personal checks: You must make these payable to Hindman LLC, and they must be drawn from US dollar accounts from a US bank. The property will not be released until the check has cleared and the funds are received by us. (d) You must quote your invoice number when making a payment. All payments sent by post must be sent to Hindman LLC, 1338 West Lake Street, Chicago, IL 60607, ATTN: Client Accounting Department. 4. TRANSFERRING OWNERSHIP TO YOU You will not own the lot and title will not pass to you until we have received full payment in good funds of the purchase price, even in circumstances where we have released the lot to you. 5. TRANSFERRING RISK TO YOU Unless we have agreed otherwise with you, the risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following: (a) when you collect the lot; or (b) the end of the thirtieth (30th) day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse. 6. YOUR FAILURE TO PAY If you fail to pay us the purchase price in full in good funds by the due date, we will be entitled to do one or more of the following (as well as enforce any other rights and remedies we have by law) at our sole discretion: (a) We can charge interest from the due date at a rate of up to one and onehalf percent (1.5%) per month on the unpaid amount due. (b) We can cancel the sale of the lot and sell the lot again, publicly or privately, on such terms as we believe appropriate, in which case you must pay us any shortfall between the amount you owe us and the resale price, plus all costs, expenses, losses, damages, and legal fees we incur due to the cancellation. (c) We can pay the seller the amount due to them, in which case you acknowledge and understand that we will have all the seller’s rights to pursue you for such amount. (d) We can hold you legally responsible for the amount you owe us and bring legal proceedings against you to recover the amount owed by you, plus other losses, interest, legal fees, and costs as allowed by law.

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(e) We can reveal your identity and contact details to the seller. (f) We can reject any bids made by or on behalf of you in future auctions or require you to provide us with a deposit before accepting any bids. (g) We can exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest, or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us. (h) We can take any other action we deem necessary or appropriate. 7. SHIPPING, COLLECTION, AND STORAGE (a) You must collect purchased lots within thirty (30) days of the auction. We can assist in making shipping arrangements by suggesting art handlers, packers, transporters, or experts, but you must arrange all transport and shipping with them, and we are not responsible for their acts, failure to act, or neglect. (b) If you do not collect any purchased lot within thirty (30) days following the auction, we may, at our sole option, (i) charge you storage and insurance costs; (ii) move the lot to another Hindman location or to a third-party warehouse, whereupon we will charge you transport costs, insurance costs, and administration fees for doing so, and you will be subject to the third-party storage warehouse’s standard terms and responsible for paying its standard fees and costs; or (iii) sell the lot in any commercially reasonable way we think appropriate. (c) In accordance with applicable state law, if you have paid for the lot in full but you do not collect the lot within the time specified by the law of the state where the auction takes place, we may charge you state sales tax for the lot. (d) Nothing in this paragraph is intended to limit our rights under paragraph D(6). 8. EXPORTING, IMPORTING, AND ENDANGERED SPECIES (a) The shipping of a lot is affected by United States export laws or the import laws of other countries. If you are outside the United States, then local laws may prevent you from importing a lot. You alone are responsible for seeking advice prior to bidding and meeting the requirements of any law or regulation applying to the export or import of a lot. (b) Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife—such as, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood—may be subject to export controls in the US and import controls in other countries. You should check the relevant wildlife laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the United States, import the lot into another country, or ship the lot between states. Your purchase of a lot containing endangered and other protected species of wildlife is at your own risk, and you shall be responsible for any scientific test or other reports required for export from the United States or for shipment between states. We will not cancel your purchase and refund the purchase price if your lot may not be exported, imported, or shipped between states, or if it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to import, export, and/or interstate shipping of a lot containing endangered and other protected species of wildlife.

E. WARRANTIES

1. SELLER’S WARRANTIES For each lot, the seller gives a warranty that the seller (a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot or the right to do so by law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else. If either of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph D(3) above) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages, or expenses. The seller gives no warranty other than as set out above, and as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller that may be added to this agreement by law, are excluded. No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the seller’s warranties or creates an additional warranty on behalf of the seller with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 2. OUR LIMITED AUTHENTICITY WARRANTY Our limited authenticity warranty, which lasts for one (1) year from the date of a live auction or three (3) months from an online only auction, is that the

lots in our sales are authentic as defined in paragraph H, below. You must notify Hindman regarding concerns of authenticity in writing within one (1) year of the date of a live auction or within three (3) months of the date of an online only auction. Following receipt of that written notification, subject to the terms below, Hindman will refund the purchase price paid by the client. The terms of this limited authenticity warranty are as follows: (a) It will be honored for claims notified in writing within a period of one (1) year from the date of a live auction or three (3) months from an online only auction. After such time, we will not be obligated to honor the limited authenticity warranty. (b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the Heading). It does not apply to any information other than that in the Heading, even if it is shown in UPPERCASE type. (c) It does not apply to any Heading or part of a Heading that is qualified. “Qualified” means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the definition of “qualified” provided in paragraph H, below. Qualified Headings are not covered at all by this limited authenticity warranty. (d) It applies to the Heading as amended by any saleroom notice. (e) It does not apply where scholarship has developed since the auction, leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the auction or drew attention to any conflict of opinion. (f) It does not apply if the lot can only be shown not to be authentic by a scientific process that, on the date we published the catalogue, was not available or generally accepted for use, was unreasonably expensive or impractical, or was likely to have damaged the lot. (g) Its benefit is only available to the original buyer shown on the invoice for the lot, issued at the time of the sale, and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest, or restriction by anyone else. The benefit of this limited authenticity warranty may not be transferred by the original buyer to anyone else. (h) In order to make a claim under the limited authenticity warranty, you must (i) give us written notice of your claim within one (1) year of the date of a live auction or three (3) months from an online only auction ; (ii) at our option, pay for and provide us with the written opinions of two recognized experts in the field, mutually agreed upon by you and us, confirming that the lot is not authentic (we reserve the right to obtain additional opinions at our expense); and (iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale. (i) Your only right under this limited authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, under any circumstances, be required to pay you more than the purchase price, nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages, or expenses. (j) No employee or agent of Hindman is authorized to make a representation or provide additional information, whether orally or in writing, that amends the limited authenticity warranty or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void. 3. ADDITIONAL WARRANTY FOR BOOKS If the lot is a book, then we give an additional warranty to the original buyer shown on the invoice for the lot issued at the time of the sale in the following circumstances: (a) We will refund the purchase price to the original buyer if we, in our sole discretion, are convinced that the book is defective in text or illustration, subject to the following terms: (i) This additional warranty does not apply to (A) the absence of blanks, half titles, tissue guards, or advertisements; or damage in respect of bindings, stains, spotting, marginal tears, or other defects not affecting the completeness of the text or illustration; (B) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps, or periodicals; (C) books not identified by title; (D) lots sold without a printed estimate; (E) books that are described in the catalog as sold not subject to return; or (F) defects stated in any condition report or announced at the time of sale. (ii) To make a claim under this additional warranty, you must give written details of the defect within twenty-one (21) days of the date of the sale and return the lot within twenty-one (21) days of the date of the sale to the saleroom at which you bought it in the same condition as at the time of sale. (iii) Paragraphs E(2)(b), (c), (d), (e), (h), and (i) also apply to a claim under this additional warranty. (c) No employee or agent of Hindman is authorized to make a representation or provide other information, whether orally or in writing, that amends the additional warranty for books or creates an additional warranty with respect to a lot. Any such representation, other information, or additional warranty shall be null and void.

4. JEWELRY (a) Colored gemstones (such as rubies, sapphires, and emeralds) may have been treated to improve their appearance through methods such as heating and/or various clarity enhancements. These methods are considered common by the international jewelry trade but may make a gemstone more fragile and/or cause the gemstone to require special care over time. (b) All types of gemstones may have been improved by some method. You may request a gemological report for any item that does not have a report if the request is made to us at least three (3) weeks before the date of the auction and you pay the fee for the report. (c) We do not obtain a gemological report for every gemstone sold in our auctions. When we do get gemological reports from internationally accepted gemological laboratories, such reports are described in the catalogue. Reports from American gemological laboratories describe any improvement or treatment to the gemstone. Reports from European gemological laboratories describe any improvement or treatment only if we request that they do so, but they do confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree on whether a gemstone has been treated, the amount of treatment, or whether that treatment is permanent. The gemological laboratories only report on the improvements or treatments known to them at the date they make the report. (d) For jewelry sales, estimates are based on the information in any gemological report. If no report is available, assume that the gemstones may have been treated or enhanced. 5. WATCHES AND CLOCKS (a) Almost all clocks and watches are repaired in their lifetime and may include parts that are not original. We do not give a warranty that any individual component part of any watch is authentic. Watchbands described as “associated” are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights, or keys. (b) As collectors’ watches often have very fine and complex mechanisms, you are responsible for any general service, change of battery, or further repair work that may be necessary. We do not give a warranty that any watch is in good working order. Certificates are not available unless described in the catalogue. (c) Most wristwatches have been opened to find out the type and quality of movement. For that reason, wristwatches with water-resistant cases may not be waterproof, and we recommend you have them checked by a competent watchmaker before use. (d) Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile skin. When straps are shown for display purposes only and are not for sale. We may remove and retain the strap prior to shipment from the sale site. Please check with the department for details on a lot with such a strap. 6. YOUR WARRANTIES You warrant to us and the seller that (a) the funds you use for payment are not connected with any criminal activity, including tax evasion, and neither are you under investigation, nor have you been charged with or convicted of money laundering, terrorist activities, or other crimes; (b) where you are bidding on behalf of another person, (i) you have conducted appropriate customer due diligence on the ultimate buyer(s) of the lot(s) in accordance with all applicable anti-money laundering and sanctions laws, you consent to us relying on this due diligence, you will retain for a period of not less than five (5) years the documentation evidencing the due diligence, and you will make such documentation promptly available for immediate inspection by an independent third-party auditor upon our written request to do so; (ii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes; (iii) you do not know, and have no reason to suspect, that the funds used for payment are connected with or the proceeds of any criminal activity, including tax evasion, or that the ultimate buyer(s) are under investigation for, or have been charged with or convicted of, money laundering, terrorist activities, or other crimes.

F. OUR LIABILITY TO YOU

(a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees about any lot other than as set out in the limited authenticity warranty or in the additional warranty for books, and as far as we are allowed by law, all warranties and other terms that may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E(1) are their own, and we do not have any liability to you in relation to those warranties. (b) We are not responsible to you for any reason (whether for breaking this agreement or for any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us, or other than as expressly set out in these Conditions of Sale.

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(c) WE DO NOT GIVE ANY REPRESENTATION, WARRANTY, OR GUARANTEE OR ASSUME ANY LIABILITY OF ANY KIND IN RESPECT OF ANY LOT WITH REGARD TO MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, DESCRIPTION, SIZE, QUALITY, CONDITION, ATTRIBUTION, AUTHENTICITY, RARITY, IMPORTANCE, MEDIUM, PROVENANCE, EXHIBITION HISTORY, LITERATURE, OR HISTORICAL RELEVANCE. EXCEPT AS REQUIRED BY LOCAL LAW, ANY WARRANTY OF ANY KIND IS EXCLUDED BY THIS PARAGRAPH. (d) Our written and telephone bidding services, online bidding services, and condition reports are free services, and we are not responsible to you for any error, omission, or failure of these services. (e) We have no responsibility to any person other than a buyer in connection with the purchase of any lot. (f) If, despite the terms in paragraphs F(a)–(e) or E(2)–(3) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses.

G. OTHER TERMS

1. OUR ABILITY TO CANCEL In addition to the other rights of cancellation contained herein, we can cancel a sale of a lot if (i) any of your warranties in paragraph E(4) are not correct; (ii) we reasonably believe that completing the transaction is, or may be, unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation. 2. RECORDINGS We may videotape and/or audio record proceedings at any auction. We will keep any personal information confidential, except to the extent that disclosure is required by law. If you do not want to be videotaped, you may decide to make a telephone or written bid or bid online instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction. 3. COPYRIGHT We own the copyright in all images, illustrations, and written material produced by or for us relating to a lot, including the contents of our catalogues, unless otherwise noted therein. You cannot use them without our prior written permission. We make no representation and offer no guarantee that the buyer of a lot will gain any copyright or other reproduction rights. 4. ENFORCING THIS AGREEMENT If a court finds that any part of this agreement is invalid, illegal, or impossible to enforce, that part of the agreement will be treated as being deleted, and the rest of this agreement will not be affected. 5. TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES You may not grant a security over or transfer your rights or responsibilities under these terms unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities. 6. PERSONAL INFORMATION We will hold and process your personal information in line with our privacy policy at www.hindmanauctions.com. 7. WAIVER No failure or delay to exercise any right or remedy contained herein shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy. 8. LAW AND DISPUTES This agreement, and any noncontractual obligations arising out of or in connection with this agreement, or any other rights you may have relating to the purchase of a lot will be governed by the laws of Illinois. Before we or you start any court proceedings (except in the limited circumstances where the dispute, controversy, or claim is related to proceedings brought by someone else and this dispute could be joined to those proceedings), you and we agree to try to settle the dispute by mediation submitted to JAMS, or its successor, for mediation in Illinois. If the dispute is not settled by mediation within sixty (60) days from the date when mediation is initiated, then the dispute shall be submitted to JAMS, or its successor, for final and binding arbitration in

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accordance with its Comprehensive Arbitration Rules and Procedures or, if the dispute involves a non-US party, the JAMS International Arbitration Rules. The seat of the arbitration shall be Illinois, and the arbitration shall be conducted by one arbitrator, who shall be appointed within thirty (30) days after the initiation of the arbitration. The language used in the arbitral proceedings shall be English. The arbitrator shall order the production of documents only upon a showing that such documents are relevant and material to the outcome of the dispute. The arbitration shall be confidential, except to the extent necessary to enforce a judgment or where disclosure is required by law. The arbitration award shall be final and binding on all parties involved. Judgment upon the award may be entered by any court having jurisdiction thereof or having jurisdiction over the relevant party or its assets. This arbitration and any proceedings conducted hereunder shall be governed by Title 9 (Arbitration) of the United States Code and by the United Nations Convention on the Recognition and Enforcement of Foreign Arbitral Awards of June 10, 1958.

H. GLOSSARY

authentic: a genuine example, rather than a copy or forgery of (a) the work of a particular artist, author, or manufacturer, if the lot is described in the Heading as the work of that artist, author, or manufacturer; (b) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture; (c) a work of a particular origin or source, if the lot is described in the Heading as being of that origin or source; or (d) in the case of gems, a work that is made of a particular material, if the lot is described in the Heading as being made of that material. buyer’s premium: the charge the buyer pays us along with the hammer price. catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice. due date: has the meaning given to it in paragraph D(3)(a). estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range, and high estimate means the higher figure. The mid estimate is the midpoint between the two. hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot. Heading: has the meaning given to it in paragraph E(2). limited authenticity warranty: the guarantee we give in paragraph E(2) that a lot is authentic. other damages: any special, consequential, incidental, or indirect damages of any kind or any damages that fall within the meaning of “special,” “incidental,” or “consequential” under local law. purchase price: has the meaning given to it in paragraph D(3)(a). provenance: the ownership history of a lot. qualified: has the meaning given to it in paragraph E(2), subject to the following terms: (a) “Cast from a model by” means, in our opinion, a work from the artist’s model, originating in his circle and cast during his lifetime or shortly thereafter. (b) “Attributed to” means, in our opinion, a work probably by the artist. (c) “In the style of” means, in our opinion, a work of the period of the artist and closely related to his style. (d) “Ascribed to” means, in our opinion, a work traditionally regarded as by the artist. (e) “In the manner of” means, in our opinion, a later imitation of the period, of the style, or of the artist’s work. (f) “After” means, in our opinion, a copy or after-cast of a work of the artist. reserve: the confidential amount below which we will not sell a lot. saleroom notice: a written notice posted next to the lot in the saleroom and on www.hindmanauctions.com, which is also read to prospective telephone bidders and provided to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale or before a particular lot is auctioned. UPPERCASE type: type having all capital letters. warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct. Updated 10/1

Welcoming Consignments Western Art Including Contemporary Native American 19 May | Denver 20 May | Online Only INQUIRIES Bart Monson Director, Specialist, Western Art 312.600.6063 bartmonson@hindmanauctions.com

Danica Farnand Director, Senior Specialist 513.871.1670 danicafarnand@hindmanauctions.com

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