Sale 427 | Fine Prints by Hindman

L E S L I E H I N D M A N AU C T I O N E E R S

L E S L I E H I N D M A N AU C T I O N E E R S december 15, 2015 NO.427

1338 West Lake Street Chicago, Illinois 60607 l ph 312.280.1212 l fx 312.280.1211 l lesliehindman.com

FINE PRINTS

NO.427

fine prints

Tuesday 15 December 2015

PREVIEW thursday 10 december | 10am - 5pm friday 11 december | 10am - 5pm Saturday 12 december | 10am - 3pm sunday 13 december | 12pm – 4pm monday 14 december | 10am – 5pm a u c t ion tuesday 15 december I 3pM old master | Lots 1-9 19th and early 20th century | lots 10–80 modern and contemporary | 81–199 P R O P E R TY P I C K U P H O U R S MONDAY – FRIDAY | 9:00AM – 4:30PM All property must be picked up within seven business days per our Conditions of Sale. Lots marked with an asterisk (*) are tax exempt as permitted by law.

BID LIVE ONLINE

www.lesliehindman.com Cover: Lot 84 Pablo Picasso, Portrait de Jacqueline de face I, 1962

CHICAGO, ILLINOIS ILLINOIS AUCTION FIRM LICENSE NUMBER 444-000295

P R O P E R TY F R O M T H E E S TAT E S O F Thomas G. Fails, Denver, Colorado Anne P. Foster Trust, Kansas City, Missouri Esther Katz, Chicago, Illinois Billie R. MacArthur, Lake Forest, Illinois George H. Warren, Denver, Colorado

P R O P E R TY F R O M T H E C O L L E C T I O N S O F Carolyn Baxley, Urbana, Illinois Jones Int. Ltd., Centennial, Colorado Arnold and Carol Kanter, Chicago, Illinois Dr. James Labes, Bloomfield Hills, Michigan Louis Meiners, Naples, Florida Stephanie Roth, Rock Island, Illinois Frances Schmidt, Santa Barbara, California Karen L. Wallerstein, Chicago, Illinois A Global Corporate Collection

Opposite: Lot 141 Damien Hirst, LSD, 2000

Contents old master | Lots 1-9 19th and early 20th century | lots 10–80

7 13

modern and contemporary | lots 81–199 37 Artist Index 80

Opposite: Lot 160 Roy Lichtenstein, Nude on Beach (from the Surrealist series), 1978

Glossary of Terms

CONDITIONS OF SALE

AUCTION INQUIRIES

TELEPHONE / ABSENTEE BID FORM

Old Master Lots 1 â&#x20AC;&#x201C; 9

Opposite: Lot 2 Hendrik Goltzius, Pieta, 1586

Albrecht D端rer

(German, 1471-1528) The Ressurection (pl. 29 from The Small Passion), c. 1510 etching 5 x 4 inches. Ref: Bartsch, 45 $800-1,200

FINE PRINTS

Hendrik Goltzius

(Dutch, 1558-1617) Pieta, 1586 engraving 7 x 5 inches. $1,000-2,000

Orazio Borgianni

Jacques Callot

Rembrandt van Rijn

(Italian, 1578-1616) St. Christopher etching 15 3/8 x 11 1/2 inches. $1,000-2,000

FINE PRINTS

(French, 1592-1635) L’Assomption de la Sainte Vierge (from Les Images De Tous Les Saincts et Saintes de L’Anee), 1636 etching 3 1/2 x 2 3/4 inches. Ref: Lieure, 677 $300-500

(Dutch, 1606-1669) The Goldweigher’s Field, 1651 etching with drypoint 4 3/4 x 12 1/2 inches. Ref: Bartsch, Hollstein, 234 $2,000-4,000

(Dutch, 1606-1669) A Peasant in a High Cap, standing leaning on a Stick, 1639 etching 3 7/8 x 2 3/8 inches. Ref: B., Holl. 133; H. 164 $1,000-2,000

Rembrandt van Rijn

(Dutch, 1606-1669) Jan Lutma, Goldsmith; Beggars Receiving Alms at the Door of a House; Self Portrait Drawing at a Window; and The Rat Catcher (a goup of 4 posthumous etchings) etchings Largest: 7 5/8 x 5 3/4 inches. $300-500 8

Giovanni Battista Piranesi

(Italian, 1720-1778) Anfiteatro Flavio detto il Colosseo in Roma, 1748 etching 5 3/8 x 10 3/4 inches. $500-700 9

Giovanni Battista Piranesi

(Italian, 1720-1778) Avanzi di un antico Sepolcro, oggi detto la Conocchia, che si vede poco lungi dalla Porta di Capua per andar a Napoli, 1776 etching 28 1/2 x 18 3/4 inches. $500-700

19th Century and Early 20th Century Lots 10 â&#x20AC;&#x201C; 80

Opposite: Lot 30 Alphonse Mucha, La danse (from Les arts), 1898

10*

Jean-Baptiste-Camille Corot

(French, 1796-1875) Souvenir dâ&#x20AC;&#x2122;Ostie, 1921 cliche verre; Sagot-Le Garrec, pub. state II/II 12 x 14 1/2 inches. Property from the Collection of Frances Schmidt, Santa Barbara, California $1,000-2,000 11*

Theodore Rousseau

(French, 1812-1867) Le cerisier de la plante Ă Biau, 1862 cliche verre 8 1/4 x 10 5/8 inches. Property from the Collection of Frances Schmidt, Santa Barbara, California $800-1,200

FINE PRINTS

12*

Charles François Daubigny

(French, 1817-1878) Vâches à l’Abreuvoir, 1921 cliche verre; Sagot-Le Garrec, pub. 7 7/8 x 6 1/2 inches. Property from the Collection of Frances Schmidt, Santa Barbara, California $800-1,200 13

Seymour Haden

(British, 1818-1910) A Sunset in Ireland, Egham Lock, and The Three Sisters (a group of 3 etchings) etchings each signed Seymour Haden in pencil Largest: 5 1/2 x 8 1/2 inches. $600-800

Félix Bracquemond

(French, 1833-1914) Le canot à voile ponte etching signed Bracquemond in pen 6 1/2 x 5 3/8 inches. $300-500 15

Félix Bracquemond

(French, 1833-1914) Didier Erasme etching signed Bracquemond in pen 10 5/8 x 7 3/4 inches. $300-500 16

Félix Bracquemond

(French, 1833-1914) La Seine aux Bas-Muedon counterproof etching reworked with pencil signed Bracquemond in pencil 9 1/8 x 6 1/2 inches. $300-500 16A

Félix Bracquemond

(French, 1833-1914) Homme et cheval etching signed Bracquemond in pen 8 x 6 5/8 inches. $300-500 17*

Félix Hilaire Buhot

(French, 1847-1898) L’hiver à Paris, 1879 etching, aquatint, and drypoint 9 1/2 x 13 3/4 inches. Ref: Bourcard/Goodfriend, 128 Property from the Collection of Frances Schmidt, Santa Barbara, California $400-600 18

Félix Hilaire Buhot

(French, 1847-1898) L’enterrement de Jeanne Madeleine, 1877 etching and drypoint stamped in red ink with monogrammed owl stamp 6 7/8 x 4 1/2 inches. $600-800 19

Félix Hilaire Buhot

(French, 1847-1898) Le chateau des hiboux etching and aquatint 4 1/4 x 6 3/4 inches. $600-800

FINE PRINTS

James Abbott McNeill Whistler

(American, 1834-1903) Rag Pickers, Quartier Mouffetard, Paris, 1858 etching and drypoint 6 1/8 x 3 5/8 inches. $300-500

(American, 1834-1903) Little Dorothy lithograph 7 3/4 x 5 inches. Ref: Way, 115; Levy, 163 $1,000-2,000

James Abbott McNeill Whistler

(American, 1834-1903) Old Westminster Bridge (from the Thames set) and Black Lion Wharf (a pair of etchings) etching Largest: 6 x 9 inches. $2,000-4,000

Edgar Chahine

(French, 1874-1947) Venise la Basilica di San Marco, 1923 etching and drypoint on green paper signed Edgar Chahine in pencil 12 1/2 x 8 5/8 inches. $300-500 24

Jean FranĂ§ois Raffaelli

(French, 1850-1924) La route aux grands arbes color aquatint and drypoint edition of 100, signed J.F. Rafaelli in pencil 5 7/8 x 7 1/2 inches. Ref: Delteil, 17 $300-500 25

Henri de Toulouse-Lautrec

FINE PRINTS

(French, 1864-1901) Paula Brebion (from Le Cafe Concert), 1893 lithograph; Edward Ancourt, Paris, prntr.; Lâ&#x20AC;&#x2122;Estampe Originale, Paris (Andre Marty), pub. edition of 500 10 1/2 x 7 1/2 inches. $600-800

Henri de Toulouse-Lautrec

(French, 1864-1901) Divan Japonais color lithograph; Edouard Fournier, Paris, pub.; Edward Ancourt, Paris, prntr. 31 x 24 inches. $15,000-25,000

Henri de Toulouse-Lautrec

(French, 1864-1901) Miss Ida Heath, Danseuse Anglaise, 1894 lithograph edition of 15; stamped in red ink with artistâ&#x20AC;&#x2122;s monogram 14 x 10 3/4 inches. $7,000-9,000

FINE PRINTS

Henri de Toulouse-Lautrec

(French, 1864-1901) Promenoir lithograph edition of 100; stamped in red ink with artistâ&#x20AC;&#x2122;s monogram 20 1/4 x 16 1/4 inches. $3,000-5,000

Alphonse Mucha

(Czech, 1860-1939) BiĂ¨res de la Muse (pl. 182 from Maitres de lâ&#x20AC;&#x2122;Affiche), 1899 color lithograph; Chaix, Paris, prntr. 14 x 9 1/4 inches. $800-1,200 30*

Alphonse Mucha

(Czech, 1860-1939) La danse (from Les arts), 1898 color lithograph; F. Champenois, Paris, prntr. 22 x 13 3/4 inches. Property from the Collection of Frances Schmidt, Santa Barbara, California $8,000-12,000

31*

Alphonse Mucha

(Czech, 1860-1939) Flirt, Biscuits Lefevre-Utile, 1900 color lithograph; F. Champenois, Paris, prntr. 23 x 10 inches. Property from the Collection of Frances Schmidt, Santa Barbara, California $3,000-5,000

31 22

FINE PRINTS

Alphonse Mucha

(Czech, 1860-1939) Job, 1898 color lithograph; F. Champenois, Paris, prntr. 56 x 37 inches. Ref: Rennert/Weill, 51 $7,000-9,000 32

Various artists

Centenaire de la Lithographie by Frederic Hugo d’ Alesi (French, 18491906) and Salon des Cent by Eugene Grasset (French, 1841-1917) (pls. 66 and 98 from Les Maitres de l’Affiche) color lithograph; Imprimerie Chaix, Paris, prntr. Largest: 14 1/4 x 10 inches. $400-600 34

Jules Chéret

(French, 1836-1932) Saxoleine (Petrole de Surete) lithograph 48 3/4 x 34 3/8 inches. $500-700 35

Eugène Grasset

(French, 1841-1917) L’Andalousie au temps des Maures Exposition de 1900 lithograph 55 x 73 inches. $800-1,200

FINE PRINTS

Georges Meunier

(French, 1869-1942) Bec Auer lithograph 50 x 69 inches. $400-600 37

Tony George Roux

(French, 1894-1928) Font-Romeu, 1923 color lithograph; Lucien Serre, Paris, prntr. 38 3/4 x 24 inches. $500-700 38

Leopoldine Wojtek

(Austrian, 1903-1978) Salzburger Festspiele, 1928 lithographic poster 28 1/4 x 38 3/4 inches. $1,000-2,000

Alfredo MĂźller

Maurice Taquoy

(Italian, 1869-1940) Swans color lithograph 21 1/2 x 57 1/2 inches. $1,000-2,000 40

Maurice Taquoy

(French, 1878-1952) The Fighting Stags, 1911 etching and aquatint with handcoloring signed Maurice Taquoy in pencil 11 1/4 x 16 1/2 inches $300-500

(French, 1878-1952) The Huntersâ&#x20AC;&#x2122; Rest by a Campfire, 1911 etching and aquatint with handcoloring signed Maurice Taquoy in pencil 11 1/4 x 16 1/2 inches. $300-500

(French, 1878-1952) Deer Eating in a Forest, 1911 aquatint and etching with handcoloring signed Maurice Taquoy in pencil 11 1/4 x 16 1/2 inches. $300-500

Maurice Taquoy

(French, 1878-1952) Deer and Fallen Trees in a Snowy Landscape, 1911 aquatint and etching with handcoloring signed Maurice Taquoy in pencil 11 1/4 x 16 1/2 inches. $300-500

Maurice Taquoy

(French, 1878-1952) Deer Resting in a Forest at Dark, 1911 aquatint and etching with handcoloring signed Maurice Taquoy in pencil 11 1/4 x 16 1/2 inches. $300-500 45

James Jacques Joseph Tissot

(French, 1836-1902) Printemps etching and drypoint 15 x 5 1/2 inches. Ref: Wentworth, 34 $1,000-2,000 46*

Manuel Robbe

(French, 1872-1936 Le dernier roman color etching and aquatint 21 1/2 x 15 1/4 inches. Property from the Estate of Esther Katz, Chicago, Illinois $400-600 47

Manuel Robbe

(French, 1872-1936) Les eaux dormantes color aquatint 14 1/2 x 19 1/4 inches. $200-400 45

48*

Manuel Robbe

(French, 1872-1936) Le deshabillĂŠ, c. 1909 color etching and aquatint signed Manuel Robbe in pencil and numbered 14 1/2 x 19 3/8 inches. Property from the Collection of Frances Schmidt, Santa Barbara, California $400-600 49*

Manuel Robbe

(French, 1872-1396) Pardon Brenton color aquatint and etching 24 x 18 1/4 inches. Property from the Collection of Karen L. Wallerstein, Chicago, Illinois $400-600 50

Manuel Robbe

(French, 1872-1936) Le bouquet de violettes and Nu au bain (two works) color etching and aquatint each signed Manuel Robbe in pencil Largest: 17 3/4 x 11 3/4 inches. $400-600

FINE PRINTS

Peter Vilhelm Ilsted

(Danish, 1861-1933) Girl with Tray mezzotint signed Peter Ilsted in pencil 19 1/4 x 15 3/4 inches. $800-1,200

(Danish, 1861-1933) Evening, 1912 color mezzotint signed Peter Ilsted in pencil 8 1/2 x 7 7/8 inches. $400-600

(Danish, 1861-1933) Sunshine in an Interior mezzotint signed Peter Ilsted in pencil 19 x 18 inches. $500-700

Peter Vilhelm Ilsted

(Danish, 1861-1933) Gate in a Wood, 1930 color mezzotint signed Peter Ilsted in pencil 7 1/2 x 9 3/8 inches. $400-600

(Danish, 1861-1933) At Grandfatherâ&#x20AC;&#x2122;s House mezzotint signed Peter Ilsted in pencil 11 x 9 3/4 inches $300-500

(Danish, 1861-1933) The Rainy Day color mezzotint signed Peter Ilsted in pencil 15 3/4 x 19 1/4 inches. $400-600

Peter Vilhelm Ilsted

(Danish, 1861-1933) Hendrik mezzotint edition 118/200, signed Peter Ilsted in pencil 19 1/4 x 19 1/4 inches. $400-600

Anders Zorn

(Swedish, 1860-1920) Crown Princess Margaret of Sweden, 1914 etching signed Anders Zorn in pencil 9 1/2 x 7 inches. $800-1,200

(Swedish, 1860-1920) Self Portrait I etching signed Anders Zorn in pencil 7 x 5 inches. $800-1,200

FINE PRINTS

(Swedish, 1860-1920) Self Portrait, 1916 etching signed Zorn in pencil 7 x 2 3/4 inches. Ref: Asplund, 270 $800-1,200

Anders Zorn

(Swedish, 1860-1920) Valkulla, 1912 etching signed Anders Zorn (lower right) 11 1/2 x 7 inches. $800-1,200

Charles Turzak

(American, 1899-1985) Michigan Avenue Bridge, Chicago, 1928 woodcut signed C. Turzak in pencil and dated 12 1/2 x 8 1/2 inches. $1,000-2,000 63

Charles Turzak

(American, 1899-1985) Methodist Temple, Chicago, 1931 woodcut edition 1/22, signed C. Turzak in pencil 13 1/2 x 8 5/8 inches. $1,000-2,000 64*

Rockwell Kent

(American, 1882-1971) Beowulf lithograph signed Rockwell Kent in pencil 13 7/8 x 10 3/4 inches. Property from the Collection of Ms. Carolyn Baxley, Urbana, Illinois $500-700

Reginald Marsh

(American, 1898-1954) Irving Place Burlesque, 1930 etching and engraving edition 16/25, signed Reginald Marsh in pencil 9 3/4 x 11 3/2 inches. $3,000-5,000 66

Edward Julius Detmold

(British, 1883-1957) The Truth (unrecorded suite of 19 works), circa 1933 inscribed Each: 12 2/3 x 7 1/2 inches. $2,000-4,000

FINE PRINTS

Leonard Tsuguharu Foujita

(French/Japanese, 1886-1968) A group of 20 loose etchings from A Book of Cats, New York, 1930, one signed Foujita in pencil etchings Each: 7 3/4 x 10 1/4 inches. $10,000-15,000

Kathe Kollwitz

George Rouault

(German, 1867-1945) Der Agitationsredner (K.224) (Kn.230), 1926 lithograph signed Kathe Kollwitz in pencil 15 x 11 inches. $700-900

FINE PRINTS

(French, 1871-1958) La baie de trespasses, 1939 color aquatint edition 67/175, signed Georges Rouault 23 x 17 inches. $1,000-2,000

Robert Riggs

(American, 1896-1970 Clown Acrobats lithograph signed Robert Riggs 14 1/2 x 19 inches. $800-1,200 71

Robert Riggs

(American, 1896-1970) Clown Alley lithograph signed Robert Riggs 14 x 19 inches. $1,000-2,000 72

Robert Riggs

(American, 1896-1970) On the Lot lithograph signed Robert Riggs 11 1/2 x 17 1/2 inches. $600-800 73

Joseph Hirsch

(American, 1910-1981) Painted Man lithograph signed Joseph Hirsch 9 1/4 x 9 inches. $200-400

Harry Sternberg

(American, 1904-2002) Poodle and the Clown lithograph signed H. Sternberg 11 3/4 x 9 inches. $200-400 75

Gifford Beal

(American, 1879-1956) Untitled lithograph signed Gifford Beal 6 3/8 x 9 5/8 inches. $400-600

76*

Thomas Hart Benton

(American, 1889-1975) Repairing the Sloop, 1973 lithograph; Associated American Artists, New York, pub. edition of 250, signed Benton in pencil 13 1/2 x 17 1/2 inches. Property from the Collection of the Anne P. Foster Trust, Kansas City, Missouri Ref: Fath, 88 $2,000-4,000 77*

Thomas Hart Benton

(American, 1889-1975) Down the River lithograph; Associated American Artists, New York, pub. edition of 250, signed Benton in pencil 12 1/2 x 10 inches. Ref: Fath, 33 $2,000-4,000

77 34

FINE PRINTS

78*

Reynold Henry Weidenaar

(American, 1915-1985) El Monstro de Paracuti, 1945 mezzotint signed Reynold Weidenaar in pencil 9 x 7 1/2 inches. Property from the Estate of Billie R. MacArthur, Lake Forest, Illinois $500-700 79

Norman Rockwell

(American, 1894-1978) Saying Grace color collotype edition XXXIV/XXXV, signed Norman Rockwell in pencil 28 x 26 3/4 inches. $1,500-2,500 80

No Lot

79 35

Modern and Contemporary Lots 81 â&#x20AC;&#x201C; 199

Opposite: Lot 186 Robert Longo, Barbara (from Men in Cities), 1998

After Pablo Picasso

Pablo Picasso

(Spanish, 1881-1973) Femme vue de dos, 1956 etching edition 39/125, signed Picasso in red crayon 14 3/4 x 11 inches. Ref: Bloch, 822; Baer, 962 $2,000-4,000

(Spanish, 1881-1973) La Femme aux des (Jacqueline), 1960 color lithograph on blue Japon paper edition 34/100, signed Picasso in pencil 21 x 14 1/2 inches. $7,000-9,000

FINE PRINTS

(Spanish, 1881-1973) Sculptor and Model Watching Three Jugglers, (pl. 54 from La Suite Vollard) etching signed Picasso in pencil 7 1/4 x 10 inches. Provenance: Martin Lawrence Galleries, Oak Brook, Ilinois $8,000-12,000

Pablo Picasso

(Spanish, 1881-1973) Portrait de Jacqueline de face I, 1961 linocut in brown and black edition epreuve dâ&#x20AC;&#x2122;artiste, signed Picasso in pencil 27 x 22 inches. Ref: Bloch, 1064 Provenance: Martin Lawrence, Oak Brook, Ilinois $70,000-90,000 39

Pablo Picasso

(Spanish, 1881-1973) Faune et marin, c. 1956 color lithograph edition of 1500, signed Picasso in crayon 4 7/8 x 3 7/8 inches. $600-800 86

Pablo Picasso

(Spanish, 1881-1973) Le Fumeur, 1964 intaglio and aquatint edition 25/50, signed Picasso in pencil 16 1/4 x 12 1/2 inches. $15,000-25,000 86A

Pablo Picasso

(Spanish, 1881-1973) Famille des Saltimbanques,1904 soft-ground etching edition 34/300, signed Picasso in pencil and crayon 18 1/4 x 15 3/4 inches. $4,000-6,000

FINE PRINTS

After George Braque

(French, 1882-1963) La toilette devant la fenetre (from Braque le patron) color lithograph edition AP, signed G. Braque in pencil 23 x 17 inches. $1,000-2,000

After Diego Rivera

(Mexican, 1886-1957) Acuarelas, 1935-1945 (portfolio of 19 of 25 lithographs with original jacket) lithographs each signed Diego Rivera in pen and dated with 8 inscribed Largest: 17 3/8 x 12 3/4 inches. $25,000-35,000

89*

David Alfaro Siqueiros

Rufino Tamayo

(Mexican, 1896-1974) Madre e hijo, (from Mexican Suite) color lithograph edition EA, signed DA Sisqueiros 21 x 16 1/2 inches. Property from the Collection of Arnold and Carol Kanter, Chicago, Illinois $400-600 90*

Angel Botello

(Puerto Rican, 1913-1986) Untitled color linocut edition 3/50, signed Botello in pencil 13 3/4 x 12 1/4 inches. $500-700

FINE PRINTS

(Mexican, 1899-1991) Personaje con red, 1982 color mixograph; Taller de Gráfica Mexicana, Mexico City, pub. edition 78/100, signed R Tamayo in pencil 31 1/2 x 23 3/4 inches. Ref: Pereda, 306 $3,000-5,000 92

José Luis Cuevas

(Mexican, b. 1933) Cirqueros and Contorsionistas (two works) etchings editions 42/100 and 85/100, each signed Cuevas in pencil 11 x 8 inches. $600-800

93*

Hector Poleo

(Venezuelan, 1918-1989) Untitled color lithograph epreuve d’artiste, signed Poleo 17 x 17 inches. Property from the Collection of Stephanie Roth, Rock Island, Illinois $400-600 94*

Hector Poleo

(Venezuelan, 1918-1989) Untitled color lithograph epreuve d’artiste, signed Poleo 18 x 20 1/2 inches. Property from the Collection of Stephanie Roth, Rock Island, Illinois $600-800

Marc Chagall

(French/Russian, 1887-1985) Athéna guide la bateau de Télémaque (from L’Odysée I), 1974 color lithograph edition 30/30, signed Marc Chagall in pencil 16 1/2 x 12 inches. Ref: Mourlot, 755 $10,000-15,000

100

Marc Chagall

(French/Russian, 1887-1985) Ulyssesâ&#x20AC;&#x2122; Bow (from The Odyssey II), 1964 color lithograph edition 27/30, signed Marc Chagall 13 1/4 x 9 3/4 inches. Ref: Mourlot, 818 $5,000-7,000

(French/Russian, 1887-1985) La Luxure (from Les sept peches capitaux), 1926 etching in sanguine; Louis Fort, Paris. prntr. 6 3/4 x 4 5/8 inches. Ref: Cramer Books, 7 $300-500

Marc Chagall

(French/Russian, 1887-1985) Prophete tue par un lion (from La Bible), 1958 handcolored etching; Teriade, Paris, pub.; Haasen, prntr. edition 4/100, signed M. Ch. in pencil 12 1/4 x 8 1/2 inches. Ref: Vollard, 282 $2,000-4,000

FINE PRINTS

(French/Russian, 1887-1985) Blue Paradise lithograph edition 46/50, signed Marc Chagall 29 1/2 x 22 inches. Ref: Mourlot, 612 $5,000-7,000

(French/Russian, 1887-1985) La leĂ§on de Phileta (from Daphnis et Chloe), 1961 lithograph edition of 250 16 3/4 x 12 3/4 inches. $3,000-5,000

101*

102

103

104

Marc Chagall

(French/Russian, 1887-1985) La leçon de Phileta (from Daphnis et Chloe), 1961 color lithograph edition 55/60, signed Marc Chagall (lower right) 16 1/2 x 12 1/2 inches. Property from the Collection of Louis Meiners, Naples, Florida $10,000-15,000

(French/ Russian, 1887-1985) The Lover’s Heaven color lithograph 12 5/8 x 9 1/2 inches. $500-700

(French/ Russian, 1887-1985) Clown With Flowers, 1963 color lithograph 12 1/4 x 9 1/2 inches. $500-700

(French/ Russian, 1887-1985) Untitled, (pl. 1 from Poèmes) color woodcut; Cramer Editeur, Geneva, pub.; Atelier Lacouriere et Frelaut, Paris, prntr. 13 x 10 inches. $800-1,200

101

108

105

107

109

Marc Chagall

(French/Russian, 1887-1985) Repit, (pl. 9 from PoĂ¨mes) color woodcut; Cramer Editeur, Geneva, pub.; Atelier Lacouriere et Frelaut, Paris, prntr. 12 3/4 x 9 3/4 $800-1,200

(French/Russian, 1887-1985) Eiffel Tower with Donkey color lithograph edition 43/75, signed Marc Chagall in pencil 14 3/4 x 10 3/4 inches. $4,000-6,000

106

108

Marc Chagall

(French/Russian, 1887-1985) Untitled, (pl. 23 from PoĂ¨mes), 1968 color woodcut; Cramer Editeur, Geneva, pub.; Atelier Lacouriere et Frelaut, Paris, prntr. edition of 238 12 3/4 x 9 3/4 inches. $800-1,200

110

FINE PRINTS

(French/Russian, 1887-1985) Eve, 1972 color lithograph, 10/50 signed Marc Chagall in pencil 30 x 24 inches. $8,000-12,000

(French/Russian, 1887-1985) Four Seasons, 1974 color lithograph; Mourlot, Paris, prntr.; The First National Bank of Chicago, Chicago, pub. 35 1/2 x 23 1/2 inches. Ref: Mourlot, 727 $400-600 110

Marc Chagall

(Russian/French, 1887-1985) The Four Seasons, 1974 lithograph; Mourlot, Paris, prntr.; The First National Bank of Chicago, Chicago, pub. edition 48/100, signed Marc Chagall in pencil 36 1/2 x 25 inches. Ref: Mourlot, 727 $5,000-7,000

111*

113

115

117

Salvador Dalí

116

Salvador Dalí

(Spanish, 1904-1989) Lions color lithograph edition 146/195, signed Dali in pencil 17 1/2 x 12 inches. Property from the Estate of Esther Katz, Chicago, Illinois. $500-700 112*

Salvador Dalí

(Spanish, 1904-1989) Boat: Levi (from the Twelve Tribes of Isreal) color lithograph edition 118/195, signed Dali in pencil 23 x 17 inches. Property from the Estate of Esther Katz, Chicago, Illinois. $600-800

(Spanish, 1904-1989) The Kiss (from Paradise Lost), 1974 color engraving edition 104/150, signed Dali in pencil 10 1/2 x 8 inches. $500-700 114*

Salvador Dalí

(Spanish, 1904-1998) Ivanhoe Suite: King Richard, Rowena, Overseer and Wilfret of Ivanhoe color lithographs, 130/150 signed Dali (lower right) Each: 21 1/2 x 29 1/2 inches. Property from the Estate of Thomas G. Fails, Denver, Colorado $1,000-2,000

(Spanish, 1904-1989) Hell Canto 32 (from The Divine Comedy) color woodcut edition g.a. A, Signed Dali in pencil 10 x 7 1/4 inches. $400-600

Salvador Dalí

(Spanish, 1904-1989) Purgatory Canto 7 (from The Divine Comedy) wood engraving 9 3/4 x 7 3/8 inches. $400-600

(Spanish, 1904-1989) Purgatory, Canto 14 (from The Divine Comedy) color wood engraving 9 3/4 x 7 3/8 inches. $400-600 118* (Spanish, 1904-1989) Heaven, Canto 2 (from The Divine Comedy) color wood engraving 9 3/4 x 7 3/8 inches. $400-600

114 49

119

120

Joan Mir贸

(Spanish, 1893-1983) Femme en col猫re, 1958 etching and aquatint editon 1/75, signed Miro (lower right) 4 3/4 x 3 1/4 inches. $2,000-3,000

FINE PRINTS

120

(Spanish, 1893-1983) La Traca II, 1979 color aquatint; Maeght/Joan Barbara, Barcelona, pub./prntr. edition 5/30, signed Miro in pencil 35 1/2 x 24 7/8 inches. Ref: Dupin, 1115 $5,000-7,000

121

Joan Miró

(Spanish, 1893-1983) L’Adorateur de soleil, 1969 color etching, aquatint, and carborundum edition HC, signed Miro in pencil 40 3/4 X 23 1/4 inches. Ref: Dupin, 483 Property of Jones Int., Ltd, Centennial, Colorado $10,000-15,000

121

122

Joan Mir贸

(Spanish, 1893-1983) Le Brahmane color aquatint; Maeght, Paris, pub. edition 26/50, signed Miro in pencil 43 1/2 X 29 inches Ref: Dupin, 1001 Property of Jones Int. Ltd., Centennial, Colorado $15,000-25,000

FINE PRINTS

124

123

Antoni Tàpies

(Spanish, 1923-2012) Cinta negra (pl. 7 from Uno es Ningu), 1979 color etching and aquatint with carborundum and embossing; Edicions Polígrafa SA, pub. edition XII/ZXXXII, signed Tapies in pencil 13 x 20 1/2 inches. $1,000-2,000 124*

Eduardo Chillida

(Spanish, 1924-2002) Leku IV, 1970 black and white lithograph edition 24/50, signed Chillida in pencil 28 3/4 x 41 inches. Property from the Collection of Arnold and Carol Kanter, Chicago, Illinois $4,000-6,000 125

Robert Motherwell

(American, 1915-1991) Untitled (pl. 9 from The Madrid Suite) lithograph; Hollander’s Workshop, Inc., New York, pub./prntr. edition 38/100, signed Motherwell in pencil 19 3/4 x 26 inches. $600-800 126

Robert Motherwell

(American, 1915-1991) Africa Suite: Africa 2, 1970 color screenprint on cream wove paper edition AP, signed RM in pencil 40 x 28 1/3 inches. $2,000-4,000 126

127

128

129

127

128*

Henry Moore

(British, 1898-1986) Studies for Sculpture on Blue Grey Background, 1957 lithograph in colors edition 28/60, signed Henry Moore in pencil 16 x 13 inches. $1,500-2,500

FINE PRINTS

(British, 1898-1986) Bird motif (from Meditations on the Effigy), 1967 lithograph edition 10/50, signed Moore in pencil and dated 17 1/2 x 15 3/4 inches. Property from the Collection of Louis Meiners, Naples, Florida $800-1,200

129

Max Ernst

(German, 1891-1976) Zwei Vogel (Two Birds), 1975 lithograph edition 83/99, signed Max Ernst in pencil 13 1/2 x 24 1/2 inches. $1,000-2,000

130

Alexander Calder

(American, 1898-1976) Untitled (Spirals and Forms), c. 1965 color lithograph edition 89/125, signed Calder in pencil 26 x 38 1/4 inches. $800-1,200 131

131

Alexander Calder

(American, 1898-1976) Cercles noir, bleu, rouge, 1973 lithograph edition 6/75, signed Calder 25 x 19 1/2 inches. $1,500-2,500 132*

Alexander Calder

(American, 1898-1976) Composition with Pyramids and Spirals (pl. 11 from Le Memoire Elementaire) color lithograph signed Calder (lower right) 20 1/4 x 28 1/4 inches. Property from the Estate of Mr. George H. Warren, Denver, Colorado. Provenance: Gift from the artist to Mr. Jean Davidson, Sache, France Acquired from the above by Dr. Kenneth Warren, Boston, Massachusetts Thence by descent to Mr. George H. Warren, Denver, Colorado in 2000 Thence by descent to the present owner, 2013 $1,000-2,000

130

132 55

133

133*

Pierre Alechinsky

(Belgian, b. 1927) Les dimanches du compatble (a group of 3 etchings and 1 drawing) etchings and drawing on paper each edition 6/25 and signed Alechinsky Largest: 15 1/4 x 9 inches. $3,000-5,000 134

John Walker

(British, b. 1939) North Branch, 2003 etching edition 6/15, signed Walker 42 3/4 x 35 3/4 inches. Provenance: Riverhouse Editions, Steamboat Springs, Colorado $300-500 135

Mel Bochner

(American, b. 1940) Untitled (from the Couples portfolio), 1996 (a pair of works) aquatints edition B.A.T., one signed Mel Bochner in pencil Each: 18 x 22 inches. $800-1,200

135

FINE PRINTS

136

Ellsworth Kelly

(American, b. 1923) Blue and Green over Orange (Bleu et vert sur orange), 1964-1965 color lithograph; Maeght, pub. edition 68/75, signed Kelly in pencil 17 x 23 1/8 inches. $2,000-4,000 136A

Ricahard Anuszkiewicz

(American, b. 1930) Untitled, 1975 silkscreen ediiton 136/175, signed Ricahard Anuszkiewicz and dated (lower right) 25 x 17 1/2 inches. 137

GĂźnther FĂśrg

(German, 1952-2013) Untitled, 1993 color lithograph edition EA, signed Forg in pencil and dated 36 x 25 1/2 inches. $1,000-2,000

137

138

Robert Wilson

(American, b. 1941) Untitled, 1994 lithograph edition 37/100, signed Robert Wilson and dated 22 x 32 inches. $300-500 139*

Frank Stella

(American, b. 1936) Sinjerli Variation Squared on Colored Ground II, 1981 color offset lithograph and screenprint edition 39/50, signed F. Stella and dated 32 x 32 inches. Property from the Collection of Louis Meiners, Naples, Florida $5,000-7,000 140*

Frank Stella

(American, b. 1936) Sinjerli Variation III, 1977 color offset lithograph and screenprint edition 52/100, signed F. Stella and dated 31 1/2 x 42 inches. Property from the Collection of Louis Meiners, Naples, Florida $6,000-8,000 139

140

FINE PRINTS

141

142

143

Damien Hirst

Alan Shields

Sir Anthony Caro

(British, b. 1965) LSD, 2000 color lambda inkjet print; Eyestorm, London, pub. edition 109/300, signed Damien Hirst in marker 42 x 50 inches. $7,000-9,000

(American, 1944-2005) Trade Route, 1985 mixed media print; Tyler Graphics, pub. edition 45/50, signed Alan Shields 47 x 47 inches. Property from a Global Corporate Collection $400-600

(British, 1924-2013) Book of Eden, 1999 paper pulp, lithograph and collage edition 21/50, signed ACaro and dated (lower center) 10 x 14 inches. $800-1,200

144

Robert Rauschenberg

(American, 1925-2008) Opal Gospel (complete set of 10 works with original base and cover) color screenprints on movable acrylic panels fitted into a lucite base; Racolin Press Inc., Briarcliff Manor, New York, pub. edition 122/230; each sheet incised with signature and date Overall: 20 3/4 x 22 3/4 x 6 3/4 inches. $3,000-5,000 145

Robert Rauschenberg

(American, 1925-2008) Ace (from Ruminations), 1999 intaglio with photogravure in 2 colors; Universal Limited Art Editions, West Islip, New York, pub. edition 19/46, signed Rauschenberg in pencil and dated 30 1/2 x 45 3/4 inches. $3,000-5,000 144

145

FINE PRINTS

146

146*

Robert Rauschenberg

(American, 1925-2008) Jap (from Ruminations), 1999 intaglio with photogravure in 1 color; Universal Limited Art Editions, West Islip, New York, pub. edition 33/40, signed Rauschenberg in pencil and dated 19 3/4 x 26 inches. $3,000-5,000 147

Jasper Johns

(American, b. 1930) Summer (Blue), 1991 lithograph in blue and black; Brooke Alexander Editions, New York, pub. edition 17/225, signed J Johns in pencil and dated 85-91 9 5/8 x 6 1/4 inches. $1,500-2,500

147

148*

149

150

151

James Rosenquist

Jim Dine

(American, b. 1933) Night Transitions, 1985 color lithograph edition 5/35, signed James Rosenquist in pencil, titled and dated 47 x 30 inches. $3,000-5,000

(American, b. 1935) Self-Portrait: The Landscape, 1969 color lithograph; Petersburg Press, London, pub. edition 59/75, signed Jim Dine in pencil and dated 51 x 37 1/2 inches. $5,000-7,000

148

FINE PRINTS

(American, b. 1935) Birds, 2001 (together with bound book of 36 heliogravures with original slip case) heliogravure; Steidl, Gottingen, Germany, prntr. edition 39/150, signed Jim Dine in pencil and dated (also signed and numbered on the title page of the book) heliogravure: 7 7/8 x 7 1/4; book: 12 5/8 x 12 inches. $500-700

(American, b. 1935) The Tools, 2001 etching and aquatint edition 13/15, signed Jim Dine 28 1/2 x 27 3/4 inches. $800-1,200

149

152

Jim Dine

(American, b. 1935) Nine Studies for Winter Dream, 1995 (a portfolio of 9 framed prints) intaglio edition 24/40, signed Jim Dine and dated 7 1/4 x 5 3/4 inches. $8,000-12,000 63

153

153A

154

Tony Cragg

Nancy Grossman

Michael Kidner

(British, b. 1949) Laboratory Still Life 2, State 2 1988 color aquatint and etching edition 4/30, signed Tony Cragg, titled and dated in pencil 11 1/2 x 35 1/2 inches. $1,000-2,000

(American, b. 1940) The Road to Life lithograph edition 129/175, signed Nancy Grossman (lower left) 17 3/4 x 25 inches. $800-1,200

(British, 1917-2009) The Elastic Membrane, 1979 mixed media prints edition 273/300, signed Michael Kidner (title page) 17 1/4 x 13 1/2 inches. $2,000-4,000

154

FINE PRINTS

155

Donald Sultan

(American, b. 1951) Pomegranates 1990 aquatint in black and white; Waddington Graphics, London, pub. edition AP 12/13, signed JD in pencil, titled and dated 39 3/4 x 29 5/8 inches. $1,000-2,000

155

157

156*

158

Christo and Jeanne-Claude

(Bulgarian, b. 1935) Yellow Store Front, Project, 1980 color screenprint with collage edition 15/100, signed Christo in pencil 31 1/2 x 23 1/2 inches. Ref: S. & B., 104 $2,000-4,000 157

Christo and Jeanne-Claude

(Bulgarian, b. 1935) Wrapped Trees, Project for Avenue des Champs Elysees and Rond Point des Champs, Elysees, Paris, 1987 mixed media; Torsten Lilja, Stockholm, Sweden, pub. edition XXXVII/XXXX, signed Christo in pencil 28 x 22 inches. $4,000-6,000

158

(Bulgarian, b. 1935) The Ponte Santâ&#x20AC;&#x2122;Angelo, Wrapped, Project for Rome mixed media; Landfall Press, printr.; Torsten Lija, Stockholm, Sweden, pub. edition LP 15/20, signed Christo 27 3/4 x 21 3/4 inches. $3,000-5,000 159

Richard Estes

(American, b. 1932) Salzberg Cathedral, 1982 color screenprint edition 99/250, signed Richard Estes 19 7/8 x 14 1/2 inches. Provenance: Karolyn Sherwood Gallery, Des Moines, Iowa $500-700

159

160

161

162

163

Roy Lichtenstein

Andy Warhol

(American, 1923-1997) Nude on Beach (from the Surrealist series), 1978 color lithograph; Gemini G.E.L., Los Angeles, pub. edition 26/38, signed R. Lichtenstein in pencil and dated 14 1/4 x 14 1/2 inches. $12,000-18,000

FINE PRINTS

(American, 1928-1987) Marilyn (Castelli Gallery Invitation), 1981 color offset lithograph signed Andy Warhol in marker 7 x 7 inches. $6,000-8,000

(American, 1928-1987) Marilyn (Castelli Graphics Invitation), 1981 color offset lithograph; Castelli Gallery, pub. signed Andy Warhol (along right edge) 12 x 12 inches. $6,000-8,000

(American, 1928-1987) Mick Jagger (set of 3 announcement cards from portfolio of 10), 1975 color offset lithographs; Multiples, Inc./ Castelli Graphics, New York, pub. each signed Andy Warhold in black marker Each: 6 x 4 inches. $3,000-5,000

164

Andy Warhol

(American, 1928-1987) Electric Chair, 1971 color screenprint edition 95/250, signed Andy Warhol in pencil and dated 35 1/2 x 47 3/4 inches. $5,000-7,000 165

Andy Warhol

(American, 1928-1987) Fish, 1983 black and white screenprint on wallpaper 10 1/2 x 27 1/2 inches. $3,000-5,000 161

162

164

166

Tom Wesselmann

(American, 1931-2004) Bouquet mixograph edition 43/50, signed Wesselmann in pencil 36 x 41 inches. $6,000-8,000 167

Larry Rivers

(American, 1923-2002) Homage to Picasso, 1974 lithograph edition AP 5/15, signed Larry Rivers and dated 22 1/2 x 30 inches. 166

Provenance: Rebecca Donelson & Associates, Chicago, Illinois $500-700 168

Larry Rivers

(American, 1923-2002) Fred and Ginger lithograph edition 16/53, signed Larry Rivers 34 1/4 x 29 1/2 inches. $4,000-6,000

168 68

FINE PRINTS

169

David Hockney

(British, b. 1937) Portrait of Mother I, 1985 lithograph edition 7/25, signed David Hockney 20 x 17 inches. Property from a Global Corporate Collection Provenance: Arthur Feldman Fine Arts, Cleveland, Ohio $1,500-2,500

169

170

David Hockney

(British, b. 1937) Simplified Faces (State I), 1973 color etching; Petersburg Press, London, pub.; Atelier Crommelynck, Paris, prntr. edition AP V, signed David Hockney in pencil and dated 13 1/4 x 13 inches. Ref: Scottish Arts Council, 165 Provenance: Dorianne Hutton Fine Art, New York $4,000-6,000

170 69

171

172

173

Paul Guiramand

Bernard Buffet

Bruce Onobrakpeya

(French, 1926-2008) Horse and Carriage lithograph edition epreuve dâ&#x20AC;&#x2122;artiste, signed Guiramand 21 x 17 1/2 inches. $300-500

(French, 1928-1999) Le pain et le vin, 1964 lithograph edition 21/200, signed Bernard Buffet (lower right) 27 1/2 x 20 1/4 inches. $400-600

172

FINE PRINTS

(Nigerian, b. 1932) Aro-Osomorive, 1974 color linocut edition 12/50, signed Bruce Onobrakpeya in pencil 33 1/2 x 23 1/4 inches. $700-900

173

174

Philip Pearlstein

(American, b. 1924) Two Nudes with Oak Stool and Canvas, 1976 lithograph edition 33/100, signed Pearlstein, titled and dated 11 1/2 x 17 inches. $600-800 175

Oskar Kokoschka

(German, 1886-1980) Portrait of a Woman, 1966 lithograph edition 69/70, signed O Kokoschka 22 x 19 inches. $800-1,200 176

Oskar Kokoschka

(German, 1886-1980) Manhattan, 1967 (portfolio of 5) lithograph edition II/XL, signed O Kokoschka in pencil 22 x 25 inches. $1,500-2,500

175

177

178

177

Will Barnet

(American, 1911-2012) Spring Morning, 1985 color screenprint edition 62/175, signed Will Barnet 27 3/4 x 52 1/2 inches. $500-700

FINE PRINTS

178

Alex Katz

(American, b. 1927) Large Head of Aida, 1973 etching with aquatint edition AP, signed Alex Katz 15 x 39 1/2 inches. $1,500-2,500

179

181

183

Carlo Maria Mariani

George Tooker

(Italian, b. 1931) Per Cody mixed media on paper signed Carlo Maria Mariani 31 x 22 1/4 inches. $2,000-4,000 180

Martha Erlebacher

(American, 1937-2013) Torso II, 1981 lithograph edition 7/25, signed Martha Erlebacher in pencil and dated 12 x 17 inches. $300-500

(American, 1920-2011) Self Portrait I, 1984 lithograph edition LXXXI/LXXV, signed George Tooker in pencil 13 3/4 x 18 inches. $700-900

(American, 1920-2011) Night, 1998 lithograph edition AP VII/X, signed George Tooker in pencil 24 x 21 inches. $700-900

182

184

George Tooker

(American, 1920-2011) Embrace II,1984 lithograph edition 45/175, signed George Tooker in pencil 20 x 16 1/2 inches. $800-1,200

(American, 1920-2011) Woman with Sprig of Laurel, 1992 lithograph edition 49/125, signed George Tooker in pencil 28 3/4 x 22 1/2 inches. $700-900

179

184

185

Piotr Uklanski

Jonathan Green

(American, b. 1955) Gladiolus Harvest color lithograph edition 16/250, signed Jonathan Green 23 x 29 inches. $700-900

186

Ed Paschke

(American, b. 1953) Barbara (from Men in Cities), 1998 lithograph; Wolfryd-Selway Fine Art, West Hollywood, California, pub. edition PP 5/6, signed Robert Longo in pencil and dated 40 x 22 inches. $7,000-9,000

FINE PRINTS

187

(Polish, b. 1968) Michal Jurewicz, 1997 screenprint edition 19/30, signed Piotr Uklanski and dated 31 1/2 x 23 1/2 inches. $3,000-5,000

Robert Longo

186

188 (American, 1939-2004) Bad, 1991 (together with text and cover page) color lithograph and screenprint edition 49/60, signed E. Paschke 15 x 12 1/8 inches. $400-600

189

Ed Paschke

(American, 1939-2004) Hubert, 1976 lithograph edition A.P. IV, signed E. Paschke and dated 29 1/2 x 23 inches. $1,500-2,500 190

Ed Paschke

(American, 1939-2004) Viseon, 1984 color lithograph edition 60/100, signed E. Paschke in pencil and dated 27 x 27 inches. $600-800

189

190

191

192

Jim Nutt

William T. Wiley

(American, b. 1938) Twixt, 1997 etching, aquatint and soft ground edition 62/80, signed Jim Nutt (lower right) 20 x 14 1/4 inches. $3,000-5,000

(American, b. 1937) Mr. Unnatural at your Surface, 1976 color lithograph edition 45/65, signed Wm. T. Wiley in pencil and dated 36 1/2 x 25 inches. $800-1,200

191

FINE PRINTS

192

193

194

193*

Roger Brown

(American, 1943-1997) Cathedrals in Space, 1983 lithograph edition 15/65, signed Roger Brown 40 x 30 1/6 inches. Property from the Collection of Dr. James Labes, Bloomfield Hills, Michigan $2,000-4,000 194

Glen Baxter

(British, b. 1944) How He Hated Saturday Morning Shopping, 1984 lithograph edition 124/200, signed Glen Baxter 24 3/4 x 18 1/4 inches. $400-600 195

Jennifer Bartlett

(American, b. 1941) Earth Fireworks, 1996 color silkscreen edition 40/108, signed J. Bartlett in pencil and dated 21 3/4 x 30 inches. $600-800

195

196

Kiki Smith

(American, b. 1954) Sitting with Snake, 2007 digital acid-based Inkjet dyes on silk charmeuse edition of 18, signed and dated (verso) 69 1/2 x 45 1/2 inches. Provenance: Pace Prints, New York $6,000-8,000 197

No Lot

FINE PRINTS

198

Takashi Murakami

(Japanese, b. 1962) Wink, 2001 (exhibition poster for Takashi Murakami exhibition, Wink, Vanderbilt Hall, Grand Central Terminal, 3/14 - 4/13, 2001) digital print on Kodak Professional paper; Metropolitan Transit Authority, New York, pub. signed Takashi in marker and dated 22 x 21 inches. $500-700 199

Jordan Wolfson

(American, b. 1980) Untitled, 2008 (together with an offset lithograpghic sticker) silkscreen edition 6/12, signed J. Wolfson, titled and dated (on accompanying sticker) 27 x 54 inches. $4,000-6,000

198

199

Artist Index ARTIST NAME

LOT

Alechinksy, Pierre 133 Anuszkiewicz, Richard 136A Barnet, Will 177 Bartlett, Jennifer 195 Baxter, Glen 194 Benton, Thomas Hart 76, 77 Bochner, Mel 135 Borgianni, Orazio 3 Botello, Angel 90 Bracqemond, Felix 15 Bracquemond, Felix 14, 16, 16A Braque, George (after) 87 Brown, Roger 193 Buffet, Bernard 172 Buhot, Felix Hilaire 17-19 Calder, Alexander 130-132 Callot, Jacques 4 Caro, Sir Anthony 143 Chagall, Marc 95-109 Chahine, Edgar 23 Cheret, Jules 34 Chillida, Eduardo 124 Christo 157, 158 Christo and Jeanne-Claude 156 Corot, Jean-Baptiste-Camille 10 Cragg, Tony 153 Cuevas, Jose Luis 92 Dali, Salvador 111, 112, 115, 117, 118 Dali, Salvadore 114 Dali, Salvatore 113, 116 Daubigny, Charles Francois 12 Detmold, Edward Juilius 66 Dine, Jim 149-152 Durer, Albrecht 1 Erlebacher, Martha 180 Ernst, Max 129 Estes, Richard 159 Forg, Gunther 137 Goltzius, Hendrik 2 Grasset, Eugene 35 Grossman, Nancy 153A Guiramand, Paul 171 Haden, Seymour 13 Hirst, Damien 141 Hockney, David 169, 170 Ilsted, Peter 51 Ilsted, Peter Vilhelm 52-57 Johns, Jasper 147 Katz, Alex 178 Kelly, Ellsworth 136 Kent, Rockwell 64 Kidner, Michael 154 Kokoschka, Oskar 175, 176 Kollwitz, Kathe 68

FINE PRINTS

Lichtenstein, Roy 160 Longo, Robert 186 Mariani, Carlo Maria 179 Marsh, Reginald 65 Meunier, Georges 36 Miro, Joan 119-122 Moore, Henry 127, 128 Motherwell, Robert 125, 126 Mucha, Alphonse 29-32 Muller, Alfredo 39 Murakami, Takashi 198 Nutt, Jim 191 Onobrakpeya, Bruce 173 Paschke, Ed 188-190 Picasso, Pablo 82-86A Picasso, Pablo (after) 81 Piranesi, Giovanni Battista 8, 9 Poleo, Hector 93, 94 Raffaelli, Jean Francois 24 Rauschenberg, Robert 144-146 Rivera, Diego (after) 88 Rivers, Larry 167, 168 Robbe, Manuel 46, 48-50 Rockwell, Norman 79 Rosenquist, James 148 Rouault, George 69 Rousseau, Theodore 11 Roux, Tony George 37 Shields, Alan 142 Siqueiros, David Alfaro 89 Smith, Kiki 196 Stella, Frank 139, 140 Sultan, Donald 155 Tamayo, Rufino 91 Tapies, Antoni 123 Taquoy, Maurice 40-44 Tissot, James Jacques Joseph 45 Tooker, George 181-184 Toulouse-Lautrec, Henri de 25-28 Tsugouhara, Foujita 67 Turzak, Charles 62, 63 Uklanski, Piotr 185 Unknown 58 van Rijn, Rembrandt 5-7 Walker, John 134 Warhol, Andy 161-165 Weidenar, Reynold 78 Wesselmann, Tom 166 Whistler, James Abbott McNeill 21, 22 Wiley, William 192 Wilson, Robert 138 Wojtek, Leopoldine Wojtek 38 Wolfson, Jordan 199 Zorn, Anders 59-61

Glossary of Terms

ADRIAEN JANSZ VAN OSTADE This work, in our best opinion, is by the named artist. ATTRIBUTED TO ADRIAEN JANSZ VAN OSTADE To our best judgment, this work is likely to be by the artist, but with less certainty as in the aforementioned category. STUDIO OF ADRIAEN JANSZ VAN OSTADE To our best judgment, this unsigned work may or may not have been created under the direction of the artist. CIRCLE OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by an unknown but distinctive hand linked or associated with the artist but not definitively his pupil. STYLE OF . . . FOLLOWER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work by a painter emulating the artistâ&#x20AC;&#x2122;s style, contemporary or nearly contemporary to the named artist. MANNER OF ADRIAEN JANSZ VAN OSTADE To our best judgment, a work in the style of the artist and of a later period. AFTER ADRIAEN JANSZ VAN OSTADE To our best judgment, a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that, in our opinion, a signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or a date and/or an inscription means that, in our opinion, a signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width.

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408 | American and european art december 14 | chicago

434 | Fine Timepieces April 5 | Chicago deadline january 22

409 | post war and contemporary art december 15 | chicago

435 | luxury accessories and vintage fashion April 7 | chicago deadline february 5

427 | fine prints december 15 | chicago

443 | st. louis spring auction april 16 | st. louis deadline february 16

426 | property from the winter white house january 23 | palm beach

436 | fine furniture and decorative arts april 20–21 | chicago deadline february 19

429 | Palm Beach Winter Auction January 24 | palm beach deadline november 25

437 | fine books and manuscripts may 5 | chicago deadline march 4

430 | Fine Furniture and Decorative Arts January 26–27 | chicago deadline november 27

444 | Milwaukee spring auction may 6 | milwaukee deadline march 7

428 | Marketplace january 28–29 | online only

438 | 20th century decorative arts may 12 | chicago deadline march 11

442 | antique sporting art and leisure living March 10 | denver deadline january 22

439 | post war and contemporary art may 24 | Chicago deadline march 25

431 | Asian Works of Art March 21-22 | chicago deadline january 21

440 | fine prints may 24 | chicago deadline march 25

432 | Marketplace March 23 | online only

441 | american and european art may 25 | chicago deadline march 25

433 | fine jewelry April 4–5 | Chicago deadline january 22

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consignment department Mary Kohnke Director of Consignments marykohnke@lesliehindman.com 3312.334.4236 84

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Reed Landin Associate Specialist reedlandin@lesliehindman.com 312.334.4216 Jennifer Venezia Account Executive jennifervenezia@lesliehindman.com 312.334.4228 Lail Marmor Account Executive lailmarmor@lesliehindman.com 312.334.4264 Fine Furniture and Decorative Arts Mike Intihar Senior Specialist mike@lesliehindman.com Corbin Horn Specialist corbinhorn@lesliehindman.com

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Milwaukee 525 East Chicago Street Milwaukee, Wisconsin 53202 414.220.9200

Naples 850 6th Avenue South Naples, Florida 34102 239.643.4448

Palm Beach 1608 South Dixie Highway West Palm Beach, Florida 33401 561.833.8053

St. Louis 32 North Brentwood Boulevard Clayton, Missouri 63105 314.833.0833

REGIONAL OFFICES Palm Beach 125 Worth Ave Palm Beach, Florida 33480 561.833.8053

Regional Representatives Rockford, Illinois Janet Moore 815.399.3983 Ohio Macy Nyhart Hansen 513.560.3200 Washington, D.C. Maura Ross 561.676.3199 Mid Atlantic Roger Schrenk and Chris Fultz 703.217.3811

International Representative Tina Fisher Grow 561.315.9100

Guide for Prospective Sellers Evaluation of Property If you have property you wish to sell, please call our Consignment Department at 312.280.1212 to arrange for a consultation. At that time, you may make an appointment to bring your property or photographs, along with any other pertinent information, to Leslie Hindman Auctioneers, Inc. and we will be happy to provide you with complimentary estimates and advice. If you have a large collection, an appointment may be made to evaluate the property on-site. Fees for on-site visits may vary. Standard Commission Rates Our standard rate of commission is equal to ten percent (10%) of the hammer price on each lot sold for $5,001 or more; fifteen percent (15%) of the hammer price on each lot sold for $2,001 or more but less than $5,001; and twenty-five percent (25%) of the hammer price on each lot sold for $2000 and less with a minimum commission of $25 per lot sold. If your property fails to reach the reserve price agreed upon between you and Leslie Hindman Auctioneers, Inc., you may be obligated to pay a reduced commission rate of five percent (5%) of the reserve price. Shipping Arrangements Leslie Hindman Auctioneers, Inc. can advise you as to how to have your property delivered to our galleries. Packing, shipping and insurance are payable by the seller. In certain instances, packing and shipping costs may be paid by Leslie Hindman Auctioneers, Inc. and deducted from the proceeds of the sale. We may recommend packers and shippers, but we are not responsible for their acts or omissions. Appraisals Appraisals can be arranged for insurance, donation, estate tax, family division or other purposes. Appraisal fees vary according to circumstances. Please contact our Estates and Appraisals Department at 312.280.1212 for further information.

Guide for Prospective Buyers Conditions of Sale Leslie Hindman Auctioneers, Inc. encourages all prospective buyers to read the Conditions of Sale printed in this catalogue. Exhibitions Leslie Hindman Auctioneers, Inc. recommends that all prospective buyers attend the pre-sale exhibition prior to the auction. Staff members are available at our pre-sale exhibitions to advise prospective buyers on particular objects or on any aspect of the bidding process. Estimates Leslie Hindman Auctioneers, Inc. provides catalogue descriptions and pre-auction estimates for each lot included in the sale. These estimates are a guide for prospective bidders. They are not definitive. All pre-sale estimates are subject to revision. Condition Reports We are happy to provide a condition report for lots with a low estimate of $300 and above. Nevertheless, intending buyers are reminded that condition reports are statements of our opinion only, and that each lot is sold “AS IS,” per our Conditions of Sale, as outlined in the back of this catalogue. All lots should be viewed personally by prospective buyers or their agents to evaluate the condition of the property offered for sale due to the highly subjective nature of condition reports. Bidding at Auction The highest bidder acknowledged by the auctioneer will be the purchaser. In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium as well as any applicable taxes.

$0 - $200 .............................................................. $10 $200 - $500 ............................................................. $25 $500 - $1,000 .......................................................... $50 $1,000 - $2,000 ....................................................... $100 $2,000 - $5,000 ...................................................... $200 $5,000 - $10,000 .................................................... $500 $10,000 - $20,000 ................................................ $1,000 $20,000 - $50,000 ............................................... $2,000 $50,000 - $100,000 ............................................. $5,000 $100,000 - $200,000 .......................................... $10,000 Over > $200,000 ........... Auctioneer’s Discretion

In-House Bidding Live bidding at Leslie Hindman Auctioneers, Inc. is by paddle only. Please register for a paddle at the entrance of the sales room. If you are the successful bidder, your paddle number and the hammer price will be announced by the auctioneer. Online Bidding Leslie Hindman Auctioneers, Inc. allows absentee and live bidding through our website at www.lesliehindman.com as well as absentee and live bidding through third party online bidding providers which vary by sale. For more information regarding online bidding please visit our website at www.lesliehindman.com. Absentee Bidding If you are unable to attend an auction, you may use the absentee bid form provided at the back of this catalogue. Leslie Hindman Auctioneers, Inc. will exercise written order bids and telephone bids at no additional charge. Lots will always be sold as inexpensively as is allowed other bids and reserves as are on our books or bids executed in competition from the audience. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Driving Directions/Parking From the WEST: Take I-290 east. Take the Paulina Street/Ashland Boulevard exit 28B. Stay straight to go onto West Congress Parkway. Turn left onto South Paulina Street. Take a slight right onto West Ogden Avenue. Turn right onto West Lake Street. Building will be on the left side at 1338 West Lake Street. From the NORTH/NORTHWEST: Take I-90/I-94 east toward Chicago. Take the Ogden Avenue exit 50A. Stay straight to go onto North Racine Avenue. Turn right onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTHWEST: Take I-55 north. Exit 292A I-90/I-94 W Wisconsin Follow I-90/I-94 W Wisconsin to the Lake Street exit 51A. Turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. From the SOUTH/SOUTHEAST: Take I-90/I-94 west Follow I-90/I-94 W via the exit on the left toward Chicago Loop. Take the Lake Street exit 51A and turn left onto West Lake Street. Building will be on the right side at 1338 West Lake Street. Parking: Leslie Hindman Auctioneers, Inc. has a private parking lot located on Ada Street, diagonally across the street from our entrance.

Conditions of Sale

LESLIE HINDMAN AUCTIONEERS, INC. AS AGENT The lots listed in this catalogue will be offered by Leslie Hindman Auctioneers, Inc. as owner or as agent for consignor(s) subject to the following terms and conditions. By bidding at auction you agree to be bound by these Conditions of Sale.

BEFORE THE SALE Prospective buyers are strongly advised to personally examine any property in which they are interested before the auction takes place. Condition reports are usually available on request, on lots with a low estimate of $300 and above. All lots are sold “AS IS” and without recourse and neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any warranties or representations, express or implied with respect to such lots. Neither Leslie Hindman Auctioneers, Inc. nor its consignor(s) makes any express or implied warranty or representation of any kind or nature with respect to merchantability, fitness for purpose, correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, material, genuineness, attribution, provenance, period, culture, source, origin, exhibitions, literature or historical significance of any lot sold. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. No statement, whether written or oral, and whether made in the catalogue, or in supplements to the catalogue, an advertisement, a bill of sale, a salesroom posting or announcement, the remarks of an auctioneer, or otherwise, shall be deemed to create any warranty, representation or assumption of liability. Leslie Hindman Auctioneers, Inc. and its consignor(s) make no warranty or representation, express or implied, that the purchaser will acquire any copyright or reproduction rights to any lot sold. Leslie Hindman Auctioneers Inc. expressly reserves the right to reproduce any image of the lots sold in the catalogue.

AT THE SALE Refusal of Admission Leslie Hindman Auctioneers, Inc. has the right, at our complete discretion, to refuse admission to the premises or participation in any auction and to reject any bid. Registration before Bidding A prospective buyer must complete and sign a registration form and provide identification before bidding. We may require bank or other financial references. Bidding as Principal When making a bid, a bidder is accepting personal liability to pay the purchase price, including the buyer’s premium, all applicable taxes and all other applicable charges, unless it has been explicitly agreed upon in writing with Leslie Hindman Auctioneers, Inc. before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Leslie Hindman Auctioneers, Inc., and that Leslie Hindman Auctioneers, Inc. will only look to the principal for payment. Absentee Bids We will use reasonable efforts to carry out written bids given to us at least 24 hours prior to the sale for the convenience of clients who are not present at the auction in person, by an agent or by telephone. Bids must be placed in U.S. dollars. If we receive written bids on a particular lot for identical amounts, and these are the highest bids on the lot at the auction, it will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors and omissions in connection with the written bid. Telephone Bids On lots with a low estimate of $300 and above and if a prospective buyer makes arrangements with us prior to the commencement of the sale we will use reasonable efforts to contact them to enable them to participate in the bidding by telephone and we do not accept liability for failure to do so or for errors and omissions in connection with telephone bidding. These telephone bids may be recorded at the discretion of Leslie Hindman Auctioneers.

FINE PRINTS

Online Bids We will use reasonable efforts to carry out online bids and do not accept liability for equipment failure, inability to access the Internet or software malfunctions related to the execution of online bids. Reserves Some lots in the sale are subject to a reserve which is the confidential minimum price below which such lot will not be sold. The reserve will not exceed the low estimate of the lot. Reserves are agreed upon with consignors or, in the absence thereof, the absolute discretion of Leslie Hindman Auctioneers, Inc. The auctioneer may open the bidding on any lot below the reserve by placing a bid on behalf of the seller. The auctioneer may continue to bid on behalf of the seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders. With respect to lots that are offered without reserve, unless there are already competing bids, the auctioneer, in his or her discretion, will generally open the bidding at half of the low estimate for the lot. In the absence of a bid at that level, the auctioneer may proceed backwards at his or her discretion until a bid is recognized, and then continue up from that amount. Auctioneer’s Discretion The auctioneer has the right at his or her absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he or she may decide, to withdraw any lot, and in the case of error or dispute, and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to reoffer and resell the item in dispute. If any dispute arises after the sale, our sale record is conclusive. Successful Bid The highest bidder acknowledged by the auctioneer will be the purchaser. In the case of a tie bid, the winning bidder will determined by the auctioneer at his or her sole discretion. In the event of a dispute between bidders, the auctioneer has final discretion to determine the successful bidder or to reoffer the lot in dispute. If any dispute arises after the sale, the Leslie Hindman Auctioneers, Inc. sale record shall be conclusive. Title passes upon the fall of the auctioneer’s hammer to the highest acknowledged bidder subject to the Conditions of Sale set forth herein, and the bidder assumes full risk and responsibility.

AFTER THE SALE Buyer’s Premium In addition to the hammer price, the buyer agrees to pay Leslie Hindman Auctioneers, Inc. a buyer’s premium and the applicable sales tax added to the final total. The buyer’s premium for all purchases except via live online bidding is twenty-five (25%) of the hammer price up to and including $100,000; twenty percent (20%) of any amount in excess of $100,000 up to and including $1,000,000; and twelve percent (12%) of any amount in excess of $1,000,000. The buyer’s premium for purchases made via live online bidding is twenty-six (26%) of the hammer price up to and including $100,000; twenty-one percent (21%) of any amount in excess of $100,000 up to and including $1,000,000; and thirteen percent (13%) of any amount in excess of $1,000,000.

Payment The buyer must pay the entire amount due (including the hammer price, buyer’s premium, all applicable taxes and other charges) no later than 5 p.m. on the seventh (7) business day following the sale. Payment in U.S. dollars may be made with cash; bank check or cashier’s check drawn on a U.S. bank; money order; or wire transfer unless other arrangements are made with Leslie Hindman Auctioneers, Inc. Leslie Hindman Auctioneers, Inc. reserves the right to hold merchandise purchased by personal check until the check has cleared the bank. The purchaser agrees to pay Leslie Hindman Auctioneers, Inc. a handling charge of $50 for any check dishonored by the drawee. Tax Exempt Notice Lots marked with an asterisk (*) are tax exempt as permitted by law.

Collecting Purchases Once Leslie Hindman Auctioneers, Inc. has received all funds due to us, the buyer shall collect purchased lots within seven (7) business days from the date of the sale.

LIABILITY

Packing and Shipping If your bid is successful, we can provide you with a list of shippers. We will not be responsible for the acts or omissions of carriers or packers whether or not recommended by us. Property will not be released to the shipper without the buyer’s written consent and until payment has been made in full. Packing and handling of purchased lots by us is at the entire risk of the purchaser, and Leslie Hindman Auctioneers, Inc. will have no liability of any loss or damage to such items.

Condition Reports Leslie Hindman Auctioneers, Inc. is not responsible for the correctness of any statement of any kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lot. Neither the seller, ourselves, our officers, employees or agents, give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, completeness, authorship, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind whatsoever is excluded by this paragraph. Items under $1,000 are collated upon request.

Non Payment If we do not receive payment in full, in good cleared funds, within seven (7) business days following the sale, we are entitled in our absolute discretion to exercise one or more of the following measures, in addition to any additional actions available to us by law:

Purchased Lots If for any reason a purchased lot cannot be delivered in the same condition as at the time of sale, or should any purchased lot be stolen, mis-delivered or lost prior to delivery, Leslie Hindman Auctioneers, Inc. shall not be liable for any amount in excess of that paid by the purchaser.

a.) to impose a late charge of one and a half percent (1.5%) per thirty (30) days of the total purchase price

Legal Ramifications The rights and obligations of the parties with respect to these Conditions of Sale, the conduct of the auction and any matters connected with any of the foregoing shall be governed and interpreted by the laws of the jurisdiction in Illinois. If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the conditions shall continue to be valid to the fullest extent permitted by law.

b.) to hold the defaulting buyer liable for the total amount due and to begin legal proceedings for its recovery together with interest, legal fees and costs to the fullest extent permitted under applicable law c.) to cancel the sale d.) to resell the property publicly or privately with such terms as we find appropriate, to resell the property at public auction without reserve, and with the purchaser liable for any deficiency, cost, including handling charges, the expenses of both sales, our commission on both sales at our regular rate, all other charges due hereunder and incidental damages. In addition, a defaulting purchaser will be deemed to have granted us a security interest in, and we may retain as collateral security for such purchaser’s obligations to us, any property in our possession owned by such purchaser. At our option, payment will not be deemed to have been made in full until we have collected funds represented by checks, or in the case of bank or cashier’s checks, we have confirmed their authenticity.

Discretion Any and all of the conditions may be waived or modified in the sole discretion of Leslie Hindman Auctioneers, Inc. 0615

f.) to not allow any bids at any upcoming auction by or on behalf of the buyer g.) to take other action as we find necessary or appropriate

Failure to Collect Purchases If property is not picked up within seven (7) business days following the sale, whether or not payment has been made, Leslie Hindman Auctioneers, Inc. reserves the right to charge $5 per lot per day or to deliver said property to a public warehouse for storage at the purchaser’s expense. Leslie Hindman Auctioneers, Inc. shall have no liability for any damage to property left on its premises for more than seven (7) business days following the sale. In addition, we reserve the right to impose a late charge of one and a half percent (1.5%) per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. For property that is not picked up after thirty (30) calendar days, an additional administration fee of $75 will be charged. Property which is paid for but left on our premises for any reason in excess of sixty (60) calendar days is subject to sale by us with the balance of any funds recovered in excess of storage charges and any other fees being remitted to you.

e.) to offset against any amount owed

LESLIE HINDMAN AUCTIONEERS

BID FORM

fx 312. 28 0.1 21 1 | bid @ lesliehindman .com Online registration/bid requests must be received at least 24 hours before the auction begins. Leslie Hindman Auctioneers, Inc. will confirm all bids received by fax or by return email. Phone bids will not be accepted on lots with a low estimate below $300. Leslie Hindman Auctioneers, Inc. allows absentee and telephone bidding registration through our website at www.lesliehindman.com.

427

Name Sale Number/Name

Business Name

Billing Address

City State Country/Zip

Contact Name

Primary Phone Secondary Phone

Email Fax

I authorize Leslie Hindman Auctioneers, Inc. to bid on my behalf up to the amount stated below. By bidding at auction you agree to be bound to the Conditions of Sale as stated in the sale catalogue and on our website. Signature Date

For Leslie Hindman AUCTIONEERS, INC.

Date

Bidding generally opens at half the low estimate and advances in the following order, although the auctioneer may vary the bidding increments during the course of the auction. The normal bidding increments are: $0 - $200 ........................................................ $10 $200 - $500 ....................................................... $25 $500 - $1,000 .................................................... $50 $1,000 - $2,000 ................................................. $100 $2,000 - $5,000 ................................................ $200 $5,000 - $10,000 ............................................... $500 $10,000 - $20,000 ........................................... $1,000 $20,000 - $50,000 .......................................... $2,000 $50,000 - $100,000 ........................................ $5,000 $100,000 - $200,000 ..................................... $10,000 Over > $200,000 ...... Auctioneer’s Discretion For absentee bids, indicate your limit for each lot. Your bids will be executed at the lowest prices allowed by reserves and competing bids. If we receive more than one bid of the same value, the first one received will take precedence. A per lot buyer’s premium is added to the final hammer price as per the following: $0 - $100,000 ........................................................... 25% $100,001 - $1,000,000 ........................................... 20% $1,000,001 + ................................................................. 12% Leslie Hindman Auctioneers, Inc. is not responsible for failure or other inadvertent errors relating to the execution of your bids.

First time bidders please provide proof of identification: Passport / Driver’s License / National Identity Card Lot Number

LOT DescriPtion

Absentee Bid

PHONE BID

Back-up Bid

US Dollar Limit

PLEASE CHECK

FOR TELEPHONE BIDDERS ONLY

EXCLUDES BUYER’S PREMIUM

How did you hear about Leslie Hindman Auctioneers?

BID LIVE ONLINE

1 3 3 8 we S T L A K E S T R E E T p h 3 1 2 . 2 8 0.1 2 1 2

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C H I C AG O, I L L I N O I S

bid @ lesliehindman . com

60607 |

lesliehindman . com

L E S L I E H I N D M A N AU C T I O N E E R S

L E S L I E H I N D M A N AU C T I O N E E R S december 15, 2015 NO.427

1338 West Lake Street Chicago, Illinois 60607 l ph 312.280.1212 l fx 312.280.1211 l lesliehindman.com

FINE PRINTS

NO.427